{"title":"PHOTOBOOKS \/ AFRICA","description":"","products":[{"product_id":"leni-riefenstahl-die-nuba-1976","title":"Die Nuba — Riefenstahl’s Ritual Eye","description":"\u003cp data-start=\"108\" data-end=\"655\"\u003eThis book by Leni Riefenstahl, \u003cem data-start=\"139\" data-end=\"149\"\u003eDie Nuba\u003c\/em\u003e, published in this 2002 reprint by Komet Verlag, is part of the Darwin Bookshop because it remains one of the most visually charged — and ethically fraught — documents in 20th-century photographic history. First released in the 1970s, \u003cem data-start=\"385\" data-end=\"395\"\u003eDie Nuba\u003c\/em\u003e is the result of Riefenstahl’s extensive visits to the Nuba peoples of southern Sudan, where she produced a highly stylised and choreographed photographic record of ritual, body painting, wrestling, and masculinity, rendered in rich colour and idealised form.\u003c\/p\u003e\n\u003cp data-start=\"657\" data-end=\"1293\"\u003eThe book is saturated with tension: between ethnography and performance, admiration and appropriation. Riefenstahl — best known for her cinematic propaganda under the Third Reich — brought the same aesthetic of physical perfection and mythic composition to these images, which critics have long debated as both a celebration of beauty and an extension of fascist visual logic. In \u003cem data-start=\"1037\" data-end=\"1047\"\u003eDie Nuba\u003c\/em\u003e, bodies are offered up not as individuals, but as archetypes — framed by the sun, the sand, the gaze of the outsider. It is a troubling and essential object for anyone tracking the intersections of image, race, power, and the politics of seeing.\u003c\/p\u003e\n\u003cp data-start=\"1295\" data-end=\"1314\"\u003e\u003cstrong data-start=\"1295\" data-end=\"1314\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1316\" data-end=\"1706\"\u003eTitle: Die Nuba\u003cbr data-start=\"1331\" data-end=\"1334\"\u003eArtist \/ Author: Leni Riefenstahl\u003cbr data-start=\"1367\" data-end=\"1370\"\u003eDate: Originally 1976; this edition 2002\u003cbr data-start=\"1410\" data-end=\"1413\"\u003eTechnique \/ Printing Method: Colour offset printing\u003cbr data-start=\"1464\" data-end=\"1467\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"1496\" data-end=\"1499\"\u003eDimensions: Approx. 24 x 32 cm\u003cbr data-start=\"1529\" data-end=\"1532\" data-is-only-node=\"\"\u003ePages: Unspecified\u003cbr data-start=\"1550\" data-end=\"1553\"\u003ePublisher \/ Editor: Komet Verlag (originally Riefenstahl Produktion)\u003cbr data-start=\"1621\" data-end=\"1624\"\u003eISBN: 3-933366-41-0\u003cbr data-start=\"1643\" data-end=\"1646\"\u003eLanguage: German\u003cbr data-start=\"1662\" data-end=\"1665\"\u003eCondition: Good (based on visible wear)\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51758397522258,"sku":null,"price":85.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_1_61907c60-8a19-431e-bc49-ae43f664b3bc.jpg?v=1768386280"},{"product_id":"seydou-keita-photographs-bamako-mali-1948-1963","title":"Seydou Keïta — Photographs, Bamako, Mali 1948–1963, Steidl 2011","description":"\u003cp data-start=\"59\" data-end=\"135\"\u003e\u003cem data-start=\"59\" data-end=\"135\"\u003eA portrait chamber of a city, a continent, and the promise of possibility.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"137\" data-end=\"456\"\u003e\u003cstrong data-start=\"137\" data-end=\"179\"\u003eSeydou Keïta (1921–2001, Bamako, Mali)\u003c\/strong\u003e turned his lens to the heart of downtown Bamako in the 1950s and ’60s, forging perhaps West Africa’s most significant portrait studio. With a Kodak Brownie gifted by his uncle at age fourteen, Keïta built a visual archive like no other.\u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"458\" data-end=\"846\"\u003eThis monumental volume offers over 400 portraits—many unpublished—drawn from Keïta’s expanded archive. Migrant youth, shop owners, municipal officials, intellectuals, bold dressers in front of lush patterned backdrops: each sitting is both a pose and a proclamation. His subjects styled themselves; they inhabited the space that the artist created.\u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"848\" data-end=\"1213\"\u003eThe book is oversized—approximately 28.4 × 36 cm, 400+ pages, weighing around 4.8 kg—making it a physical object as evocative as its content. Its size asserts presence; its portraits demand attention.\u003c\/p\u003e\n\u003cp data-start=\"848\" data-end=\"1213\"\u003e\u003cbr data-start=\"1048\" data-end=\"1051\"\u003e\u003cstrong data-start=\"1051\" data-end=\"1065\"\u003ePublisher:\u003c\/strong\u003e Steidl, Göttingen, 2011 (First Edition) \u003cbr data-start=\"1143\" data-end=\"1146\"\u003e\u003cstrong data-start=\"1146\" data-end=\"1155\"\u003eISBN:\u003c\/strong\u003e 978‑3‑86930‑301‑7\u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"1215\" data-end=\"1560\"\u003e\u003cstrong data-start=\"1215\" data-end=\"1234\"\u003eWhy it matters:\u003c\/strong\u003e\u003cbr data-start=\"1234\" data-end=\"1237\"\u003eKeïta’s work rewrites what we consider “documentary”. His studio becomes a stage for dignity, self‐fashioning, and aspiration. In the period between colonial Africa and independent Malawi (sic), these images capture a transformation in state, style, and desire. Now framed for the global stage, they remain deeply Malian.\u003c\/p\u003e\n\u003cp data-start=\"1562\" data-end=\"1577\"\u003e\u003cstrong data-start=\"1562\" data-end=\"1577\"\u003eBook Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1580\" data-end=\"1602\"\u003eAuthor: Seydou Keïta\u003c\/p\u003e\n\u003cp data-start=\"1605\" data-end=\"1651\"\u003eTitle: \u003cem data-start=\"1612\" data-end=\"1649\"\u003ePhotographs, Bamako, Mali 1948–1963\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"1654\" data-end=\"1676\"\u003eEdition: First, 2011\u003c\/p\u003e\n\u003cp data-start=\"1679\" data-end=\"1741\"\u003eBinding \/ Material: Hardcover, cloth (variant), large format\u003c\/p\u003e\n\u003cp data-start=\"1744\" data-end=\"1765\"\u003ePages: Approx. 400+\u003c\/p\u003e\n\u003cp data-start=\"1768\" data-end=\"1795\"\u003eDimensions: ~28.4 × 36 cm\u003c\/p\u003e\n\u003cp data-start=\"1798\" data-end=\"1833\"\u003eCondition: Fine \u003c\/p\u003e\n\u003cp data-start=\"1836\" data-end=\"1855\"\u003eLanguage: English\u003c\/p\u003e\n\u003cp data-start=\"1858\" data-end=\"1909\"\u003eExtra: Featuring portraits, essays, archive texts\u003c\/p\u003e\n\u003chr data-start=\"1911\" data-end=\"1914\"\u003e\n\u003cp data-start=\"1916\" data-end=\"1957\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51821563117906,"sku":null,"price":700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/FCB6CE39-05CD-4D82-9B9E-C35D46C21584.jpg?v=1768137553"},{"product_id":"malick-sidibe-mali-twist","title":"Malick Sidibé — Mali Twist, ATELIER EXB 2017","description":"\u003cp data-start=\"99\" data-end=\"482\"\u003eThis major monograph on Malick Sidibé, published in 2017 by Éditions Xavier Barral and Fondation Cartier pour l’art contemporain, is part of the Darwin Bookshop because it offers the most definitive and expansive view into the photographer’s archive to date—bringing together studio portraits, reportage, and unseen contact sheets from Bamako’s electrifying post-independence years.\u003c\/p\u003e\n\u003cp data-start=\"484\" data-end=\"1063\"\u003e\u003cem data-start=\"484\" data-end=\"510\"\u003eMalik Sidibé: Mali Twist\u003c\/em\u003e was released alongside the landmark retrospective at Fondation Cartier, and the book carries the same curatorial clarity and visual rhythm as the exhibition. From boys diving into the Niger River to tightly composed studio images of sharply dressed young Malians posing with radios, motorbikes or bare confidence, the photographs pulse with optimism, grace, and emerging identities. This is not nostalgia—it is evidence. Youth culture, music, dance, friendship, elegance: all are rendered in Sidibé’s precise monochrome, alive with light and character.\u003c\/p\u003e\n\u003cp data-start=\"1065\" data-end=\"1366\"\u003eHardbound in teal cloth with a full-page photograph on the cover, the object is both archival and joyful. At over 270 pages, it is a deep dive into one of the 20th century’s most singular photographic eyes—and a necessary cornerstone for any library on African photography or postcolonial modernities.\u003c\/p\u003e\n\u003cp data-start=\"1368\" data-end=\"1387\"\u003e\u003cstrong data-start=\"1368\" data-end=\"1387\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1389\" data-end=\"1760\"\u003eTitle: Malick Sidibé — Mali Twist\u003cbr data-start=\"1422\" data-end=\"1425\"\u003eArtist \/ Author: Malick Sidibé\u003cbr data-start=\"1455\" data-end=\"1458\"\u003eDate: 2017\u003cbr data-start=\"1468\" data-end=\"1471\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1515\" data-end=\"1518\"\u003eMedium \/ Materials: Hardcover book with cloth binding\u003cbr data-start=\"1571\" data-end=\"1574\"\u003eDimensions: 24 × 32 cm\u003cbr data-start=\"1596\" data-end=\"1599\" data-is-only-node=\"\"\u003eLanguage: French\u003cbr data-start=\"1615\" data-end=\"1618\"\u003ePages: 288\u003cbr data-start=\"1628\" data-end=\"1631\"\u003ePublisher \/ Editor: Éditions Xavier Barral \/ Fondation Cartier pour l’art contemporain\u003cbr data-start=\"1717\" data-end=\"1720\"\u003eISBN: 978-2-36511-156-7\u003cbr data-start=\"1743\" data-end=\"1746\"\u003eCondition: New\u003c\/p\u003e\n\u003cp data-start=\"1763\" data-end=\"1825\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51854904426834,"sku":null,"price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_b1e7f6e1-bcd9-491b-ba83-f9aa4443369d.jpg?v=1768036073"},{"product_id":"malick-sidibe-retrats-fundacio-palma-espai-d-art-2009","title":"Retrats — Malick Sidibé – 2009","description":"\u003cp data-start=\"133\" data-end=\"604\"\u003eThe pulse of post-independence Bamako, fixed in silver. Published on the occasion of Malick Sidibé’s 2009 exhibition in Palma de Mallorca, this concise catalogue distills his studio portraits into a tight, exact sequence. Youth culture, tailored suits, patterned dresses, motorbikes and radios—each image frames modernity as performance and pride. A rare exhibition book that captures Sidibé’s luminous black-and-white language at its most intimate and socially electric.\u003c\/p\u003e\n\u003cp data-start=\"606\" data-end=\"955\"\u003eTechnical Sheet\u003cbr data-start=\"621\" data-end=\"624\"\u003eTitle: Retrats — malick sidibé\u003cbr data-start=\"654\" data-end=\"657\"\u003eArtist \/ Author: Malick Sidibé\u003cbr data-start=\"687\" data-end=\"690\"\u003eDate: 2009\u003cbr data-start=\"700\" data-end=\"703\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"747\" data-end=\"750\"\u003eMedium \/ Materials: Softcover book\u003cbr data-start=\"784\" data-end=\"787\"\u003eDimensions (cm): approx. 20 × 25\u003cbr data-start=\"819\" data-end=\"822\"\u003ePages: 64\u003cbr data-start=\"831\" data-end=\"834\"\u003eLanguage: Catalan, Spanish\u003cbr data-start=\"860\" data-end=\"863\"\u003ePublisher \/ Editor: Fundació Palma Espai d’Art\u003cbr data-start=\"909\" data-end=\"912\"\u003eCondition: Good and Mint copies available\u003c\/p\u003e\n\u003cp data-start=\"957\" data-end=\"1145\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51854922744146,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_2_2125d795-d97d-45be-9e67-751be1ea451f.jpg?v=1768035246"},{"product_id":"miquel-barcelo-1987-1997","title":"Miquel Barceló 1987–1997","description":"\u003cp\u003e\u003cspan\u003eA decade of raw pigment, light and Mediterranean exile.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis major retrospective volume traces ten formative years in Miquel Barceló’s career — a time marked by material experimentation, travel, and deepening solitude. Published to coincide with the 1998 exhibition at MACBA, the book gathers critical texts by John Berger, Pep Subirós, Hervé Landry and others, placing Barceló’s work within a broader context of contemporary painting, poetic inquiry and existential gesture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe edition documents over 170 works with full-color plates, including paintings, notebooks, and ceramics. The design by Actar follows the clarity of European catalogues of the 1990s: generous margins, robust paper stock, and a careful rhythm between text and image. In its physical and conceptual weight, the book stands as a complete artistic statement — not just a record of an exhibition, but a study in the evolving presence of an artist who, during these years, was both leaving and returning, dissolving and reconstituting himself in matter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Exhibition catalogue\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: Miquel Barceló 1987–1997\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Miquel Barceló, John Berger, Pep Subirós, Hervé Landry, Bernard Gay\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 1998\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Softcover, printed boards\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: First edition\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: No\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 27 × 21 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: Multilingual (Spanish, Catalan, French)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages: 276\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIllustrations: 174\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: MACBA \/ Actar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eISBN: 84-89698-81-3\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Good (visible rubbing to cover edges)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51956909637970,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_4.jpg?v=1768030463"},{"product_id":"pieter-hugo-between-the-devil-and-the-deep-blue-sea","title":"Pieter Hugo: Between the Devil and the Deep Blue Sea","description":"\u003cp data-end=\"962\" data-start=\"483\"\u003eThis substantial monograph traces the career of South African photographer Pieter Hugo through a series of his most iconic and controversial projects—each probing the shifting landscapes of race, representation and performative identity in a globalised world. Spanning more than a decade of work, \u003cem data-end=\"821\" data-start=\"780\"\u003eBetween the Devil and the Deep Blue Sea\u003c\/em\u003e was published to accompany the artist's major retrospective at Kunstmuseum Wolfsburg and reveals the full force of Hugo’s unsettling vision.\u003c\/p\u003e\n\u003cp data-end=\"1508\" data-start=\"964\"\u003eWith projects set in Nigeria, Ghana, Rwanda, Liberia, South Africa, China and the United States, Hugo’s images are arresting for their directness and ambiguity. His subjects meet the camera’s gaze with a stark, often confrontational intensity—hyenas and their handlers, masked performers, children in landfill sites, or stylised portraits that blur the line between the documentary and the theatrical. The cover image—drawn from his series made in China—epitomises this tension: lavishly adorned, defiantly posed, both seductive and unsettling.\u003c\/p\u003e\n\u003cp data-end=\"1819\" data-start=\"1510\"\u003eThrough essays and interviews, the book reflects on the ethical weight of representation in Hugo’s practice, which walks a razor’s edge between empathy and spectacle. This is not a catalogue of projects but a sustained meditation on the artist’s central question: how do we see and allow ourselves to be seen?\u003c\/p\u003e\n\u003cp data-end=\"2307\" data-start=\"1821\"\u003e\u003cstrong data-end=\"1840\" data-start=\"1821\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-end=\"1843\" data-start=\"1840\"\u003eObject: Photobook\u003cbr data-end=\"1863\" data-start=\"1860\"\u003eTitle: Between the Devil and the Deep Blue Sea\u003cbr data-end=\"1912\" data-start=\"1909\"\u003eArtist \/ Author: Pieter Hugo\u003cbr data-end=\"1943\" data-start=\"1940\"\u003eDate: 2017\u003cbr data-end=\"1956\" data-start=\"1953\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-end=\"2003\" data-start=\"2000\"\u003eMedium \/ Materials: Softcover with flaps\u003cbr data-end=\"2046\" data-start=\"2043\"\u003eEdition: First edition\u003cbr data-end=\"2071\" data-start=\"2068\"\u003eSigned: No\u003cbr data-end=\"2100\" data-start=\"2097\"\u003eDimensions (cm): Approx. 29.5 × 24 cm\u003cbr data-end=\"2140\" data-start=\"2137\"\u003eLanguage: English\u003cbr data-end=\"2168\" data-start=\"2165\"\u003ePages: 240\u003cbr data-end=\"2181\" data-start=\"2178\"\u003ePublisher \/ Editor: Prestel \/ Kunstmuseum Wolfsburg\u003cbr data-end=\"2235\" data-start=\"2232\"\u003eISBN: 9783791356539\u003cbr data-end=\"2257\" data-start=\"2254\"\u003eCondition: Fine\u003cbr data-end=\"2275\" data-start=\"2272\"\u003eProvenance: Private Collection\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52427338678610,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_b30f61e5-9723-4ded-9cb5-1dff9558c72f.jpg?v=1768209327"},{"product_id":"sapeurs-ladies-and-gentlemen-of-the-congo","title":"Sapeurs — Ladies and Gentlemen of the Congo","description":"\u003cp data-end=\"814\" data-start=\"254\"\u003eBritish photographer Tariq Zaidi’s \u003cem data-end=\"333\" data-start=\"289\"\u003eSapeurs: Ladies and Gentlemen of the Congo\u003c\/em\u003e offers a vivid portrait of La Sape—Société des Ambianceurs et des Personnes Élégantes—a sartorial subculture that emerged in the Republic of the Congo and the Democratic Republic of Congo as both spectacle and defiance. Its followers, known as Sapeurs (and Sapeuses for women), dress in razor-sharp designer suits, vibrant accessories, and theatrical aplomb, creating a living art form of self-respect and performance in direct contrast to the economic hardships surrounding them.\u003c\/p\u003e\n\u003cp data-end=\"1414\" data-start=\"816\"\u003eZaidi’s portraits are set in alleys, markets and makeshift stages, capturing not just style but a charged relationship between identity and place. These figures, often taxi drivers, gardeners, or tailors by trade, transform into dapper icons once off duty—“turning heads, bringing joie de vivre to their communities,” as the book notes. Their visual codes, though borrowed from colonial Western fashion, are utterly reappropriated. “White people invented the clothes, but we make an art of it,” said Papa Wemba, the late Congolese musician and Sapeur icon, whose words resonate throughout the book.\u003c\/p\u003e\n\u003cp data-end=\"1905\" data-start=\"1416\"\u003eThe images alternate between flamboyant detail and grounded context, challenging traditional fashion photography with their street-level intimacy and sociopolitical clarity. Notably, Zaidi includes women and children in his lens, marking the recent expansion of La Sape beyond its patriarchal roots. Published by Kehrer Verlag in 2020, the book is bound in half-cloth with colour-saturated plates throughout—a striking visual testament to dignity, self-fashioning and joy against the odds.\u003c\/p\u003e\n\u003cp data-end=\"1926\" data-start=\"1907\"\u003e\u003cstrong data-end=\"1926\" data-start=\"1907\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"2042\" data-start=\"2031\"\u003eDate\u003cbr data-end=\"2038\" data-start=\"2035\"\u003e2020\u003c\/p\u003e\n\u003cp data-end=\"2089\" data-start=\"2044\"\u003eTechnique \/ Printing Method\u003cbr data-end=\"2074\" data-start=\"2071\"\u003eOffset printing\u003c\/p\u003e\n\u003cp data-end=\"2139\" data-start=\"2091\"\u003eMedium \/ Materials\u003cbr data-end=\"2112\" data-start=\"2109\"\u003eHalf-cloth hardcover, paper\u003c\/p\u003e\n\u003cp data-end=\"2173\" data-start=\"2141\"\u003eEdition \u003cbr data-end=\"2160\" data-start=\"2157\"\u003eFirst edition\u003c\/p\u003e\n\u003cp data-end=\"2240\" data-start=\"2204\"\u003eDimensions (cm)\u003cbr data-end=\"2222\" data-start=\"2219\"\u003eApprox. 24 × 17 cm\u003c\/p\u003e\n\u003cp data-end=\"2268\" data-start=\"2242\"\u003eLanguage (books)\u003cbr data-end=\"2261\" data-start=\"2258\"\u003eEnglish\u003c\/p\u003e\n\u003cp data-end=\"2293\" data-start=\"2270\"\u003ePages \u003cbr data-end=\"2286\" data-start=\"2283\"\u003e176 pp.\u003c\/p\u003e\n\u003cp data-end=\"2337\" data-start=\"2295\"\u003ePublisher \/ Editor (books)\u003cbr data-end=\"2324\" data-start=\"2321\"\u003eKehrer Verlag\u003c\/p\u003e\n\u003cp data-end=\"2370\" data-start=\"2339\"\u003eISBN (if known)\u003cbr data-end=\"2357\" data-start=\"2354\"\u003e9783969000241\u003c\/p\u003e\n\u003cp data-end=\"2393\" data-start=\"2372\"\u003eCondition\u003cbr data-end=\"2384\" data-start=\"2381\"\u003eNEW\u003c\/p\u003e\n\u003cp data-end=\"2425\" data-start=\"2395\"\u003eProvenance\u003cbr data-end=\"2408\" data-start=\"2405\"\u003eDarwin Collection\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52431911256402,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_b30cb330-4eb4-4ba4-b2e0-bedf0a4e32a2.jpg?v=1768210286"},{"product_id":"todd-webb-in-africa-outside-the-frame","title":"Todd Webb in Africa — Outside the Frame","description":"\u003cp data-end=\"744\" data-start=\"112\"\u003ePublished by Thames \u0026amp; Hudson in 2021, is part of the Darwin Bookshop because it offers a rare, full-colour portrait of mid-century Africa taken through the lens of an American modernist trained under Ansel Adams. Commissioned by the United Nations in 1958 to document progress and development across newly independent and soon-to-be independent African nations, Webb traversed Ghana, Sudan, Ethiopia, Somalia, Kenya, Uganda, Tanzania, Northern and Southern Rhodesia (now Zambia and Zimbabwe), Malawi and the Congo. But his images—unusually lush, composed, and open—slipped the boundaries of propaganda.\u003c\/p\u003e\n\u003cp data-end=\"1264\" data-start=\"746\"\u003eIn these saturated Kodachrome frames, the world appears both posed and unguarded: a Texaco attendant in Togoland, a sea of white-clad cyclists, girls casting glances from the shadow of a tree. Webb’s eye lingered not on extraction or exoticism, but on streets, gatherings, movement, and architecture, rendered with a painterly clarity that resists cliché. Rather than presenting a vision of ‘Africa’ from above, the work feels attuned to something quieter—life moving sideways, beyond the frame of official narratives.\u003c\/p\u003e\n\u003cp data-end=\"1779\" data-start=\"1266\"\u003eLong unseen and largely unpublished, Webb’s photographs were archived for decades and only rediscovered recently, prompting a critical reassessment of their beauty and omission. “Outside the Frame” doesn’t just showcase images—it interrogates them, guided by essays from Aimée Bessire and Erin Hyde Nolan that unpack both the images and their political backdrop. It is a document of time, space, and silence: Africa in colour, 1958, as seen by a man who stood both inside and outside the project of visual empire.\u003c\/p\u003e\n\u003cp data-end=\"1800\" data-start=\"1781\"\u003e\u003cstrong data-end=\"1800\" data-start=\"1781\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"2124\" data-start=\"1802\"\u003eTitle: Todd Webb in Africa — Outside the Frame\u003cbr data-end=\"1851\" data-start=\"1848\"\u003eArtist \/ Author: Todd Webb\u003cbr data-end=\"1880\" data-start=\"1877\"\u003eDate: 2021\u003cbr data-end=\"1893\" data-start=\"1890\"\u003eTechnique \/ Printing Method: Colour photography, digitised archival Kodachrome\u003cbr data-end=\"1974\" data-start=\"1971\"\u003eMedium \/ Materials: Hardback photobook\u003cbr data-end=\"2015\" data-start=\"2012\"\u003eLanguage: English\u003cbr data-end=\"2035\" data-start=\"2032\"\u003ePages: 240\u003cbr data-end=\"2048\" data-start=\"2045\"\u003ePublisher \/ Editor: Thames \u0026amp; Hudson\u003cbr data-end=\"2086\" data-start=\"2083\"\u003eISBN: 9780500545393\u003cbr data-end=\"2108\" data-start=\"2105\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52431950774610,"sku":null,"price":29.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_3a37f72f-d7cd-4d97-b213-66efd3da7111.jpg?v=1768420590"},{"product_id":"sketches-viviane-sassen-polaroids-made-in-africa-2002-2010","title":"Sketches — Viviane Sassen: Polaroids Made in Africa 2002–2010","description":"\u003cp data-start=\"134\" data-end=\"583\"\u003eThis photobook by Viviane Sassen, published in 2015 by Kominek Books, is part of the Darwin archive because it opens a raw, intimate window into the artist’s early African work and her visual process. \u003cem data-start=\"335\" data-end=\"345\"\u003eSketches\u003c\/em\u003e is not a retrospective, but a loose constellation of ideas—fleeting, sensuous, almost overheard—drawn from Polaroids shot during her travels across the continent between 2002 and 2010, during the period of the landmark \u003cem data-start=\"565\" data-end=\"575\"\u003eFlamboya\u003c\/em\u003e series.\u003c\/p\u003e\n\u003cp data-start=\"585\" data-end=\"1029\"\u003eSassen uses the instant medium not for nostalgia, but for immediacy: compositions are experimental, tactile, layered. The images—children with flowers in their mouths, arms interlaced beneath the beach sun, bodies caught in patterns of shadow and pigment—arrive not as resolved works but as visual thinking in motion. Reproduced as stacks and overlays of images, the book mimics the feel of an artist’s desk or a contact sheet brought to life.\u003c\/p\u003e\n\u003cp data-start=\"1031\" data-end=\"1320\"\u003eDesigned by Sybren Kuiper with a restrained yet sensorial materiality—embossed cardboard cover, black thread stitching—the publication feels like a sculptural object. It’s a minor book in the best sense: modest, searching, and elemental. A physical sketchbook of vision, form, and gesture.\u003c\/p\u003e\n\u003cp data-start=\"1322\" data-end=\"1341\"\u003e\u003cstrong data-start=\"1322\" data-end=\"1341\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1343\" data-end=\"1697\"\u003eTitle: \u003cem data-start=\"1350\" data-end=\"1413\"\u003eSketches — Viviane Sassen: Polaroids Made in Africa 2002–2010\u003c\/em\u003e\u003cbr data-start=\"1413\" data-end=\"1416\"\u003eArtist \/ Author: Viviane Sassen\u003cbr data-start=\"1447\" data-end=\"1450\"\u003eDate: 2015\u003cbr data-start=\"1460\" data-end=\"1463\"\u003eTechnique \/ Printing Method: Polaroid photography, digital reproduction\u003cbr data-start=\"1534\" data-end=\"1537\"\u003eMedium \/ Materials: Embossed cardboard cover, stitched binding\u003cbr data-start=\"1599\" data-end=\"1602\"\u003eLanguage: English\u003cbr data-start=\"1619\" data-end=\"1622\"\u003ePages: Not specified\u003cbr data-start=\"1642\" data-end=\"1645\"\u003ePublisher \/ Editor: Kominek Books\u003cbr data-start=\"1678\" data-end=\"1681\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52432019259730,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_6a8e81e1-3535-467b-8385-d57f0945d7f5.jpg?v=1768211367"},{"product_id":"james-barnor-the-roadmaker","title":"James Barnor — The Roadmaker","description":"\u003cp data-start=\"101\" data-end=\"566\"\u003eThis photobook by James Barnor, published by RRB Photobooks in 2021, is part of the Darwin collection because it threads together a singular career that spans the visual landscapes of Accra and London from the 1950s onward, revealing a practice shaped as much by modernist experimentation as by lived postcolonial transitions. \u003cem data-start=\"428\" data-end=\"443\"\u003eThe Roadmaker\u003c\/em\u003e is both a retrospective and a metaphor: Barnor builds a visual road through independence, migration, diaspora, and return.\u003c\/p\u003e\n\u003cp data-start=\"568\" data-end=\"1080\"\u003eAs Ghana’s first international press photographer, Barnor captured Accra on the cusp of independence with luminous studio portraits and vivid streetscapes, before relocating to the UK where he photographed Black British life in a newly multicultural London. The book moves across these geographies and decades with ease—from intimate black-and-white images of hair salons and homes to staged colour portraits bathed in the palettes of 1970s fashion, always balancing documentary immediacy with a formal elegance.\u003c\/p\u003e\n\u003cp data-start=\"1082\" data-end=\"1497\"\u003eThe publication accompanied exhibitions at Bristol Museum and the Serpentine in 2021, and includes an essay by Dr Damarice Amao that helps situate Barnor’s output within the wider context of African modernism and diasporic identity. Tactile and expansive, \u003cem data-start=\"1338\" data-end=\"1353\"\u003eThe Roadmaker\u003c\/em\u003e is not just a survey of images, but a roadmap of one man’s crossings between continents, mediums, and eras—photography as a bridge across time.\u003c\/p\u003e\n\u003cp data-start=\"1499\" data-end=\"1518\"\u003e\u003cstrong data-start=\"1499\" data-end=\"1518\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1520\" data-end=\"1837\"\u003eTitle: \u003cem data-start=\"1527\" data-end=\"1557\"\u003eJames Barnor — The Roadmaker\u003c\/em\u003e\u003cbr data-start=\"1557\" data-end=\"1560\"\u003eArtist \/ Author: James Barnor\u003cbr data-start=\"1589\" data-end=\"1592\"\u003eDate: 2021\u003cbr data-start=\"1602\" data-end=\"1605\"\u003eTechnique \/ Printing Method: Black-and-white and colour photography\u003cbr data-start=\"1672\" data-end=\"1675\"\u003eMedium \/ Materials: Hardback with cloth cover\u003cbr data-start=\"1720\" data-end=\"1723\"\u003eDimensions (cm): 27.5 × 30\u003cbr data-start=\"1749\" data-end=\"1752\"\u003ePages: 64\u003cbr data-start=\"1761\" data-end=\"1764\"\u003ePublisher \/ Editor: RRB Photobooks\u003cbr data-start=\"1798\" data-end=\"1801\"\u003eLanguage: English\u003cbr data-start=\"1818\" data-end=\"1821\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52432034431314,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_54dd6def-381a-4bfa-96a8-c084dfb5ffa2.jpg?v=1768386442"},{"product_id":"postcards-from-africa-photographers-of-the-colonial-era","title":"Postcards from Africa — Photographers of the Colonial Era","description":"\u003cp data-start=\"130\" data-end=\"650\"\u003eThis volume, published by MFA Publications, is part of the Darwin archive because it documents one of the earliest and most influential visual economies of Africa: the colonial postcard. Drawn primarily from the Leonard A. Lauder Postcard Archive at the Museum of Fine Arts, Boston, \u003cem data-start=\"413\" data-end=\"436\"\u003ePostcards from Africa\u003c\/em\u003e brings together a complex and often unsettling body of imagery created between the 1900s and 1940s, when photographers—European, African, and otherwise—capitalised on a booming market for images of the continent.\u003c\/p\u003e\n\u003cp data-start=\"652\" data-end=\"1213\"\u003eThese postcards circulated globally, reaching collectors who had never stepped foot in Africa, and became instruments of empire, aesthetics, and anthropology. The photographers behind them, often anonymous, worked under or adjacent to colonial power structures, producing images that projected tribal typologies, racial hierarchies, and exoticised identities. And yet, embedded within this archive are also traces of African agency—elites who understood the performative power of photography, individuals who used these images to shape their own representation.\u003c\/p\u003e\n\u003cp data-start=\"1215\" data-end=\"1541\"\u003eThe book includes a critical essay that interrogates these dualities and contradictions, asking who was behind the camera, who performed in front of it, and what remains legible today. It is not an uncomplicated document—but it is an essential one for understanding the entangled histories of photography and empire in Africa.\u003c\/p\u003e\n\u003cp data-start=\"1543\" data-end=\"1562\"\u003e\u003cstrong data-start=\"1543\" data-end=\"1562\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1564\" data-end=\"1906\"\u003eTitle: \u003cem data-start=\"1571\" data-end=\"1630\"\u003ePostcards from Africa — Photographers of the Colonial Era\u003c\/em\u003e\u003cbr data-start=\"1630\" data-end=\"1633\"\u003eArtist \/ Author: Various\u003cbr data-start=\"1657\" data-end=\"1660\"\u003eDate: 2021\u003cbr data-start=\"1670\" data-end=\"1673\"\u003eTechnique \/ Printing Method: Photomechanical reproduction (postcard facsimiles)\u003cbr data-start=\"1752\" data-end=\"1755\"\u003eMedium \/ Materials: Softcover\u003cbr data-start=\"1784\" data-end=\"1787\"\u003eDimensions (cm): 19.7 × 22.9\u003cbr data-start=\"1815\" data-end=\"1818\"\u003ePages: 148\u003cbr data-start=\"1828\" data-end=\"1831\"\u003ePublisher \/ Editor: MFA Publications\u003cbr data-start=\"1867\" data-end=\"1870\"\u003eLanguage: English\u003cbr data-start=\"1887\" data-end=\"1890\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52432036168018,"sku":null,"price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_56d02041-3a8e-454a-83d4-85095d883a04.jpg?v=1768386035"},{"product_id":"bagara-ed-van-der-elsken","title":"Bagara — Ed van der Elsken","description":"\u003cp data-start=\"128\" data-end=\"544\"\u003e\u003cem data-start=\"128\" data-end=\"136\"\u003eBagara\u003c\/em\u003e is a striking 1958 photobook by legendary Dutch photographer Ed van der Elsken, capturing his visual impressions of equatorial Africa during a period of extensive travel. Shot predominantly in the then-Belgian Congo and surrounding regions, the work offers a raw, deeply personal, and at times controversial portrait of African life—filtered through van der Elsken’s signature cinematic and humanistic lens.\u003c\/p\u003e\n\u003cp data-start=\"546\" data-end=\"921\"\u003eFar from a documentary in the traditional sense, \u003cem data-start=\"595\" data-end=\"603\"\u003eBagara\u003c\/em\u003e leans into a sensual and highly subjective mode of image-making. The photographs—often dramatic and intimate—focus on gesture, movement, and the physical presence of the people he encountered, particularly young African women, which has led to both admiration for its visual power and criticism for its colonial gaze.\u003c\/p\u003e\n\u003cp data-start=\"923\" data-end=\"1161\"\u003ePublished by La Guilde du Livre (Switzerland) in a now-iconic large format with a bold typographic cover, \u003cem data-start=\"1029\" data-end=\"1037\"\u003eBagara\u003c\/em\u003e is considered one of van der Elsken’s most collectible early books and a cornerstone of postwar European photobook history.\u003c\/p\u003e\n\u003ch3 data-start=\"1168\" data-end=\"1191\"\u003e\u003cstrong data-start=\"1172\" data-end=\"1191\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul data-start=\"1193\" data-end=\"1644\"\u003e\n\u003cli data-start=\"1193\" data-end=\"1214\"\u003e\n\u003cp data-start=\"1195\" data-end=\"1214\"\u003e\u003cstrong data-start=\"1195\" data-end=\"1205\"\u003eTitle:\u003c\/strong\u003e Bagara\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1215\" data-end=\"1257\"\u003e\n\u003cp data-start=\"1217\" data-end=\"1257\"\u003e\u003cstrong data-start=\"1217\" data-end=\"1237\"\u003eArtist \/ Author:\u003c\/strong\u003e Ed van der Elsken\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1258\" data-end=\"1276\"\u003e\n\u003cp data-start=\"1260\" data-end=\"1276\"\u003e\u003cstrong data-start=\"1260\" data-end=\"1269\"\u003eDate:\u003c\/strong\u003e 1958\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1277\" data-end=\"1324\"\u003e\n\u003cp data-start=\"1279\" data-end=\"1324\"\u003e\u003cstrong data-start=\"1279\" data-end=\"1293\"\u003ePublisher:\u003c\/strong\u003e La Guilde du Livre, Lausanne\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1325\" data-end=\"1355\"\u003e\n\u003cp data-start=\"1327\" data-end=\"1355\"\u003e\u003cstrong data-start=\"1327\" data-end=\"1339\"\u003eEdition:\u003c\/strong\u003e First edition\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1356\" data-end=\"1406\"\u003e\n\u003cp data-start=\"1358\" data-end=\"1406\"\u003e\u003cstrong data-start=\"1358\" data-end=\"1369\"\u003eFormat:\u003c\/strong\u003e Hardcover with printed dust jacket\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1407\" data-end=\"1447\"\u003e\n\u003cp data-start=\"1409\" data-end=\"1447\"\u003e\u003cstrong data-start=\"1409\" data-end=\"1424\"\u003eDimensions:\u003c\/strong\u003e approx. 27.5 × 21 cm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1448\" data-end=\"1472\"\u003e\n\u003cp data-start=\"1450\" data-end=\"1472\"\u003e\u003cstrong data-start=\"1450\" data-end=\"1463\"\u003eLanguage:\u003c\/strong\u003e French\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1473\" data-end=\"1505\"\u003e\n\u003cp data-start=\"1475\" data-end=\"1505\"\u003e\u003cstrong data-start=\"1475\" data-end=\"1485\"\u003ePages:\u003c\/strong\u003e 110 (unpaginated)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1506\" data-end=\"1531\"\u003e\n\u003cp data-start=\"1508\" data-end=\"1531\"\u003e\u003cstrong data-start=\"1508\" data-end=\"1521\"\u003ePrinting:\u003c\/strong\u003e Gravure\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1532\" data-end=\"1611\"\u003e\n\u003cp data-start=\"1534\" data-end=\"1611\"\u003e\u003cstrong data-start=\"1534\" data-end=\"1548\"\u003eCondition:\u003c\/strong\u003e (fill in: Very Good \/ Good+ \/ edge wear \/ jacket worn, etc.)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52451151577426,"sku":null,"price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_8_70d0c0e0-5887-4085-b2fe-4e82d4278581.jpg?v=1768070242"},{"product_id":"cimarron-freedom-and-masquerade-charles-freger-2019-foreword-by-ishmael-reed","title":"CIMARRON: Freedom and Masquerade — Charles Fréger, 2019, Foreword by Ishmael Reed","description":"\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eIn \u003c\/span\u003e\u003cem data-start=\"153\" data-end=\"163\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eCIMARRON\u003c\/em\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e, French photographer Charles Fréger documents Afro-descendant masquerade traditions across the Americas—visual rituals born of resistance, survival, and spiritual inheritance. Shot in countries including Haiti, Brazil, Suriname, and Trinidad, this body of work honours the legacy of the Cimarron: enslaved Africans who escaped bondage and formed free communities outside colonial rule.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"551\" data-end=\"983\"\u003eFréger’s portraits are theatrical, front-facing, and saturated with myth. Painted skin, raffia skirts, horns, feathers, talismans—each figure appears as both symbol and person, standing against textured backdrops that heighten the sense of deliberate staging. These are not ethnographic records. They are charged, constructed images, acknowledging both the beauty and the political weight of masquerade as a form of embodied memory.\u003c\/p\u003e\n\u003cp data-start=\"985\" data-end=\"1376\"\u003eThe book opens with a dedication “To Solitude (1772–1802)”, invoking the Guadeloupean rebel who resisted French colonisers—an anchor that reframes the entire project within Black resistance history. 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A defining photobook where personal obsession meets environmental testimony, securing Beard’s place between art, reportage and conservation history.\u003c\/p\u003e\n\u003cp data-start=\"649\" data-end=\"952\"\u003eTechnical Sheet\u003cbr data-start=\"664\" data-end=\"667\"\u003eTitle: The End of the Game\u003cbr data-start=\"693\" data-end=\"696\"\u003eArtist \/ Author: Peter Beard\u003cbr data-start=\"724\" data-end=\"727\"\u003eEdition: 1st ed., 20\/07\/2020\u003cbr data-start=\"755\" data-end=\"758\"\u003ePages: 304\u003cbr data-start=\"768\" data-end=\"771\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"800\" data-end=\"803\"\u003eDimensions (cm): 30 x 27\u003cbr data-start=\"827\" data-end=\"830\"\u003eLanguage: English\u003cbr data-start=\"847\" data-end=\"850\"\u003ePublisher \/ Editor: Taschen\u003cbr data-start=\"877\" data-end=\"880\"\u003eISBN: 9783836584869\u003cbr data-start=\"899\" data-end=\"902\"\u003eCondition: Good (visible wear to slipcase edges)\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52707634610514,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_f4093f79-13a5-476b-86c0-b9d38fb21e7a.jpg?v=1771157685"},{"product_id":"peter-beard-2023-edition","title":"Peter Beard – 2023 Edition","description":"\u003cp data-start=\"139\" data-end=\"628\"\u003eA life staged between glamour and extinction. 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This understated volume pairs Raymond Depardon’s photographs with the desert as both landscape and existential condition. A lone figure crossing dunes sets the tone: minimal, suspended, stripped of spectacle. Published by Seuil in 2003, the book reflects Depardon’s enduring commitment to slowness and observation, situating the Sahara outside Western narrative frameworks. A quiet, rigorous photobook at the intersection of documentary and introspection.\u003c\/p\u003e\n\u003cp data-start=\"656\" data-end=\"911\"\u003eTechnical Sheet\u003cbr data-start=\"671\" data-end=\"674\"\u003eTitle: DÉSERT, Un homme sans l’Occident\u003cbr data-start=\"713\" data-end=\"716\"\u003eArtist \/ Author: Raymond Depardon\u003cbr data-start=\"749\" data-end=\"752\"\u003eDate: 2003\u003cbr data-start=\"762\" data-end=\"765\"\u003eMedium \/ Materials: Softcover\u003cbr data-start=\"794\" data-end=\"797\"\u003eLanguage: French\u003cbr data-start=\"813\" data-end=\"816\"\u003ePublisher \/ Editor: Seuil\u003cbr data-start=\"841\" data-end=\"844\"\u003eISBN: 2-02-058071-3\u003cbr data-start=\"863\" data-end=\"866\"\u003eCondition: Good (light wear to cover edges)\u003c\/p\u003e\n\u003cp data-start=\"913\" data-end=\"1091\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52707941351762,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_1_405e1a10-8ca8-49c3-bb01-2f67c5fe1fd2.jpg?v=1771163400"},{"product_id":"secretes-francoise-huguier-1996","title":"Secrètes – Françoise Huguier – 1996","description":"\u003cp data-start=\"138\" data-end=\"594\"\u003eAn intimate encounter shaped by trust and distance. 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Produced for Lawson’s first major museum survey, the book brings together key works alongside personal archives, extending her exploration of family, sexuality, and spiritual life beyond conventional photographic narratives.\u003c\/p\u003e\n\u003cp data-start=\"681\" data-end=\"977\"\u003eTechnical Sheet\u003cbr data-start=\"696\" data-end=\"699\"\u003eTitle: Deana Lawson\u003cbr data-start=\"718\" data-end=\"721\"\u003eArtist \/ Author: Deana Lawson; Peter Eleey; Eva Respini (eds.)\u003cbr data-start=\"783\" data-end=\"786\"\u003eDate: 2021\u003cbr data-start=\"796\" data-end=\"799\"\u003eMedium \/ Materials: Faux leather bound hardcover\u003cbr data-start=\"847\" data-end=\"850\"\u003eDimensions (cm): 24 x 29\u003cbr data-start=\"874\" data-end=\"877\"\u003ePages: 144\u003cbr data-start=\"887\" data-end=\"890\"\u003eLanguage: English\u003cbr data-start=\"907\" data-end=\"910\"\u003ePublisher \/ Editor: MACK\u003cbr data-start=\"934\" data-end=\"937\"\u003eISBN: 978-1-912339-98-3\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":53237200486738,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_c00c326a-a0b4-402a-bbd9-0db675de34e3.jpg?v=1776591256"},{"product_id":"african-artists-from-1882-to-now-phaidon-2021","title":"African Artists: From 1882 to Now — Phaidon, 2021","description":"\u003cp data-start=\"55\" data-end=\"585\"\u003eA decisive attempt to redraw the global map of modern and contemporary art through over 300 African artists. 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Both reference tool and corrective gesture, it captures a moment of institutional and market recalibration.\u003c\/p\u003e\n\u003cp data-start=\"587\" data-end=\"868\"\u003e\u003cstrong data-start=\"587\" data-end=\"606\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"606\" data-end=\"609\"\u003eTitle: African Artists: From 1882 to Now\u003cbr data-start=\"649\" data-end=\"652\"\u003eArtist \/ Author: Various\u003cbr data-start=\"676\" data-end=\"679\"\u003eDate: 2021\u003cbr data-start=\"689\" data-end=\"692\"\u003eMedium \/ Materials: Hardcover book\u003cbr data-start=\"726\" data-end=\"729\"\u003eLanguage: English\u003cbr data-start=\"746\" data-end=\"749\"\u003ePublisher \/ Editor: Phaidon\u003cbr data-start=\"776\" data-end=\"779\"\u003eISBN: 978-1-83866-243-1\u003cbr data-start=\"802\" data-end=\"805\" data-is-only-node=\"\"\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":53261261537618,"sku":null,"price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_1_79c09848-c078-4156-b32f-3121a7a23c7b.jpg?v=1776831838"}],"url":"https:\/\/thedarwin.es\/collections\/africa.oembed","provider":"DaRWIN","version":"1.0","type":"link"}