{"title":"Alberto García-Alix","description":"\u003ch2 data-start=\"42\" data-end=\"83\"\u003e\u003cstrong data-start=\"42\" data-end=\"83\"\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eAlberto García-Alix\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"42\" data-end=\"83\"\u003eIn Darwin, García-Alix sharpens the archive’s fixation on intimacy as risk. His photographs refuse distance: bodies, addictions, memory pressed into silver. Documentary collapses into confession, leaving images that mourn without consolation and look without mercy.\u003c\/p\u003e","products":[{"product_id":"the-pulse-of-life","title":"The Pulse of Life — Photo portraits XXI century, Aperture 2021","description":"\u003cp data-start=\"92\" data-end=\"634\"\u003eA precise survey of portraiture at its most alert, this volume captures how photography confronts the human presence. Drawing from key figures across decades, it assembles over a hundred works where intimacy, distance, and observation collide. Rather than stylistic unity, it proposes a shared commitment to lived reality—faces as sites of tension, vulnerability, and recognition. Carefully sequenced, it reads less as a catalogue than a sustained reflection on photography’s documentary force and its unresolved ethical and emotional stakes.\u003c\/p\u003e\n\u003cp data-start=\"636\" data-end=\"936\"\u003e\u003cstrong data-start=\"636\" data-end=\"655\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"655\" data-end=\"658\"\u003eTitle: The Pulse of Life\u003cbr data-start=\"682\" data-end=\"685\"\u003eArtist \/ Author: Various\u003cbr data-start=\"709\" data-end=\"712\"\u003eDate: 2021\u003cbr data-start=\"722\" data-end=\"725\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"769\" data-end=\"772\"\u003eMedium \/ Materials: Hardcover with cloth spine\u003cbr data-start=\"818\" data-end=\"821\"\u003eDimensions (cm): 30 × 25\u003cbr data-start=\"845\" data-end=\"848\"\u003ePages: 280\u003cbr data-start=\"858\" data-end=\"861\"\u003eLanguage: English\u003cbr data-start=\"878\" data-end=\"881\"\u003ePublisher \/ Editor: Fundación MAPFRE\u003cbr data-start=\"917\" data-end=\"920\"\u003eCondition: New\u003c\/p\u003e\n\u003cp data-start=\"938\" data-end=\"1172\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51614795006290,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_1_00c55fb2-f382-411c-b451-522b46f7a913.jpg?v=1768211442"},{"product_id":"llorando-a-aquella-que-creyo-amarme","title":"Alberto García-Alix – Llorando a aquella que creyó amarme","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-start=\"130\" data-end=\"546\"\u003eThis photobook by Alberto García-Alix, published in 2002 by La Fábrica, is part of the Darwin Bookshop because it gathers the haunted, erotic and mythic realism of one of Spain’s most singular photographic voices. \u003cem data-start=\"344\" data-end=\"381\"\u003eLlorando a aquélla que creyó amarme\u003c\/em\u003e—\u003cem data-start=\"382\" data-end=\"428\"\u003eWeeping for the One Who Thought She Loved Me\u003c\/em\u003e—is a requiem for desire and a portrait of García-Alix’s Spain: decadent, intimate, performative, and politically raw.\u003c\/p\u003e\n\u003cp data-start=\"548\" data-end=\"1201\"\u003eProduced on the occasion of the 2002 PHotoEspaña retrospective following his receipt of Spain’s National Photography Prize, the book presents a fiercely autobiographical selection from three decades of work. It features lovers, addicts, drifters, trans performers, old cinemas, and neon signs—always rendered in García-Alix’s trademark high-contrast monochrome. In one spread, a naked couple clutch each other on a parquet floor like a neoclassical ruin. In another, a woman stares defiantly from under tangled branches, or lies in bed as a shadow-hand gestures like a pistol across the wall. Every image holds the tension between tenderness and threat.\u003c\/p\u003e\n\u003cp data-start=\"1203\" data-end=\"1547\"\u003eThe title, taken from a line that reads more like a tattoo than a sentence, sets the register of romantic ruin. This is García-Alix’s Madrid: a place of night, memory, sex and mourning. The book is printed and bound in Spain with a dark cinematic cover and crisp bilingual captions, bridging documentary and drama with unapologetic physicality.\u003c\/p\u003e\n\u003cp data-start=\"1549\" data-end=\"1568\"\u003e\u003cstrong data-start=\"1549\" data-end=\"1568\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1570\" data-end=\"1613\"\u003eTitle\u003cbr data-start=\"1575\" data-end=\"1578\"\u003eLlorando a aquélla que creyó amarme\u003c\/p\u003e\n\u003cp data-start=\"1615\" data-end=\"1652\"\u003eArtist \/ Author\u003cbr data-start=\"1630\" data-end=\"1633\"\u003eAlberto García-Alix\u003c\/p\u003e\n\u003cp data-start=\"1654\" data-end=\"1665\"\u003eDate\u003cbr data-start=\"1658\" data-end=\"1661\"\u003e2002\u003c\/p\u003e\n\u003cp data-start=\"1667\" data-end=\"1712\"\u003eTechnique \/ Printing Method\u003cbr data-start=\"1694\" data-end=\"1697\"\u003eOffset printing\u003c\/p\u003e\n\u003cp data-start=\"1714\" data-end=\"1744\"\u003eMedium \/ Materials\u003cbr data-start=\"1732\" data-end=\"1735\"\u003eHardcover\u003c\/p\u003e\n\u003cp data-start=\"1746\" data-end=\"1778\"\u003eDimensions (cm)\u003cbr data-start=\"1761\" data-end=\"1764\"\u003e24.5 x 27.5 cm\u003c\/p\u003e\n\u003cp data-start=\"1780\" data-end=\"1807\"\u003eLanguage\u003cbr data-start=\"1788\" data-end=\"1791\"\u003eSpanish, English\u003c\/p\u003e\n\u003cp data-start=\"1809\" data-end=\"1842\"\u003ePages\u003cbr data-start=\"1814\" data-end=\"1817\"\u003eApprox. 160 (unpaginated)\u003c\/p\u003e\n\u003cp data-start=\"1844\" data-end=\"1875\"\u003ePublisher \/ Editor\u003cbr data-start=\"1862\" data-end=\"1865\"\u003eLa Fábrica\u003c\/p\u003e\n\u003cp data-start=\"1877\" data-end=\"1897\"\u003eISBN\u003cbr data-start=\"1881\" data-end=\"1884\"\u003e84-95471-49-3\u003c\/p\u003e\n\u003cp data-start=\"1899\" data-end=\"1914\"\u003eCondition: Available New \u0026amp; Mint\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51615160140114,"sku":null,"price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_2_c689994e-892e-45a7-bf15-ab5aa3a32c8e.jpg?v=1768212102"},{"product_id":"alberto-garcia-alix-archivo-nomada-vol-1","title":"Archivo Nómada — Alberto García-Alix 1975–1981, Editorial Cabeza de Chorlito","description":"\u003cp data-end=\"375\" data-start=\"106\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-start=\"115\" data-end=\"584\"\u003eThis photobook by Alberto García-Alix, published in 2023 by Editorial Cabeza de Chorlito, gathers previously unseen photographs from the artist’s early years into a raw, tactile volume — printed in risograph and bound in an exposed, hand-stitched spine. \u003cem data-start=\"369\" data-end=\"385\"\u003eArchivo Nómada\u003c\/em\u003e is the first in a series of volumes that excavate García-Alix’s vast negative archive, focusing here on the formative period of 1975 to 1981: a Spain in transition, a photographer coming into focus.\u003c\/p\u003e\n\u003cp data-start=\"586\" data-end=\"991\"\u003eUnlike the more polished retrospective editions of García-Alix’s work, this book moves with a different rhythm. The photographs — intimate, urban, anonymous, private — are reproduced with a punk, almost fanzine-like energy: black-and-white risograph on coarse paper, punctuated by overprinted fluoro orange typography. The materials and format reflect the life they depict: marginal, nocturnal, in motion.\u003c\/p\u003e\n\u003cp data-start=\"993\" data-end=\"1391\"\u003eDesigned and produced in Barcelona by a small independent team (with paper from Cyclus 250g and Arena Natural Rough 120g), this edition rejects the preciousness of the monograph and reclaims the archive as something living, physical, and insurgent. Every detail — from the visible binding to the choice of typefaces — builds a book that feels more like a portable exhibition than a finished object.\u003c\/p\u003e\n\u003cp data-start=\"1393\" data-end=\"1412\"\u003e\u003cstrong data-start=\"1393\" data-end=\"1412\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1414\" data-end=\"1458\"\u003eTitle: Archivo Nómada — Volume 1 (1975–1981)\u003c\/p\u003e\n\u003cp data-start=\"1460\" data-end=\"1496\"\u003eArtist \/ Author: Alberto García-Alix\u003c\/p\u003e\n\u003cp data-start=\"1498\" data-end=\"1508\"\u003eDate: 2023\u003c\/p\u003e\n\u003cp data-start=\"1510\" data-end=\"1548\"\u003eTechnique \/ Printing Method: Risograph\u003c\/p\u003e\n\u003cp data-start=\"1550\" data-end=\"1647\"\u003eMedium \/ Materials: Softcover, open spine binding, printed on Arena Natural Rough \u0026amp; Cyclus Offset\u003c\/p\u003e\n\u003cp data-start=\"1649\" data-end=\"1675\"\u003eDimensions (cm): 16.5 × 22\u003c\/p\u003e\n\u003cp data-start=\"1677\" data-end=\"1703\"\u003eLanguage: Spanish, English\u003c\/p\u003e\n\u003cp data-start=\"1705\" data-end=\"1723\"\u003ePages (books): 240\u003c\/p\u003e\n\u003cp data-start=\"1725\" data-end=\"1784\"\u003ePublisher \/ Editor: Editorial Cabeza de Chorlito, Barcelona\u003c\/p\u003e\n\u003cp data-start=\"1786\" data-end=\"1809\"\u003eISBN: 978-84-122721-7-8\u003c\/p\u003e\n\u003cp data-start=\"1811\" data-end=\"1825\"\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51786315202898,"sku":null,"price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy.jpg?v=1768337720"},{"product_id":"alberto-garcia-alix-moto","title":"Alberto García-Alix — Moto, Editorial Cabeza de Chorlito","description":"\u003cp data-start=\"91\" data-end=\"313\"\u003e \u003c\/p\u003e\n\u003cp\u003e This photobook by Spanish photographer Alberto García-Alix, titled \u003cem data-start=\"166\" data-end=\"172\"\u003eMoto\u003c\/em\u003e and published in 2015 by Cabeza de Chorlito, is part of the Darwin Bookshop because it distills a lifelong obsession with motorcycles into a visual autobiography of speed, solitude and mechanical ritual. Known for his gritty black-and-white portraits of post-Franco counterculture, García-Alix turns the lens inward here—onto the machines that have both carried and haunted him.\u003c\/p\u003e\n\u003cp data-start=\"553\" data-end=\"1021\"\u003e\u003cem data-start=\"553\" data-end=\"559\"\u003eMoto\u003c\/em\u003e is not a documentary on biking culture. It is a metaphysical study of chrome and flesh, shadow and engine. The motorcycles appear not just as objects but as companions, extensions of the body and psyche. García-Alix photographs their parts like relics: handlebars, fuel tanks, valves, always with the texture of grease and darkness. Interspersed with these images are poetic fragments in his own handwriting, tracing memory, addiction, brotherhood and velocity.\u003c\/p\u003e\n\u003cp data-start=\"1023\" data-end=\"1338\"\u003ePrinted entirely in duotone and bound in matte black with gloss-black lettering, the book has a ghosted, tactile presence—elegant and brutal. At Darwin, \u003cem data-start=\"1176\" data-end=\"1182\"\u003eMoto\u003c\/em\u003e is held as a cult object, not only for García-Alix collectors but for those drawn to the mythology of movement, masculine vulnerability, and analogue grit.\u003c\/p\u003e\n\u003cp data-start=\"1340\" data-end=\"1359\"\u003e\u003cstrong data-start=\"1340\" data-end=\"1359\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1361\" data-end=\"1665\"\u003eTitle: Moto\u003cbr data-start=\"1372\" data-end=\"1375\"\u003eArtist \/ Author: Alberto García-Alix\u003cbr data-start=\"1411\" data-end=\"1414\"\u003eDate: 2015\u003cbr data-start=\"1424\" data-end=\"1427\"\u003eTechnique \/ Printing Method: Duotone offset\u003cbr data-start=\"1470\" data-end=\"1473\"\u003eMedium \/ Materials: Hardcover with blind embossing\u003cbr data-start=\"1523\" data-end=\"1526\"\u003eDimensions: 24 × 24 cm\u003cbr data-start=\"1548\" data-end=\"1551\" data-is-only-node=\"\"\u003eLanguage: Spanish\u003cbr data-start=\"1568\" data-end=\"1571\"\u003ePages: 104\u003cbr data-start=\"1581\" data-end=\"1584\"\u003ePublisher \/ Editor: Cabeza de Chorlito\u003cbr data-start=\"1622\" data-end=\"1625\"\u003eISBN: 978-84-941862-7-6\u003cbr data-start=\"1648\" data-end=\"1651\"\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51786671194450,"sku":null,"price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_33b1e30e-4fdd-4138-8a3f-0989dff1cfea.jpg?v=1768467813"},{"product_id":"alberto-garcia-alix-nº3-revista-motorcycle-family-circus","title":"Alberto García-Alix — Nº3 REVISTA MOTORCYCLE FAMILY CIRCUS, Editorial Cabeza de Chorlito","description":"\u003cp data-end=\"711\" data-start=\"174\"\u003eA raw, oversized manifesto where photography collides with speed, myth, and graphic excess. García-Alix pushes beyond the photobook into a feral publishing format—broadsheets that unfold like posters, charged with motion and noise. Images, typography, and fragments merge into a visceral language rooted in motorcycle culture and personal mythology. Produced as an independent artist’s magazine, it captures a defiant, analog energy. Includes a collaborative poster with Christian Granados, extending the work into the space of the wall.\u003c\/p\u003e\n\u003cp data-end=\"1119\" data-start=\"713\"\u003eTechnical Sheet\u003cbr data-end=\"731\" data-start=\"728\"\u003eTitle: Motorcycle Family Circus Nº3\u003cbr data-end=\"769\" data-start=\"766\"\u003eArtist \/ Author: Alberto García-Alix\u003cbr data-end=\"808\" data-start=\"805\"\u003eDate: 2021\u003cbr data-end=\"821\" data-start=\"818\"\u003eEdition: First\u003cbr data-end=\"838\" data-start=\"835\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-end=\"876\" data-start=\"873\"\u003eMedium \/ Materials: Folded broadsheet\u003cbr data-end=\"916\" data-start=\"913\"\u003eDimensions (cm): 34 × 48\u003cbr data-end=\"943\" data-start=\"940\"\u003ePages: 80\u003cbr data-end=\"955\" data-start=\"952\"\u003ePaper Stock: Nautilius 120 g\u003cbr data-end=\"986\" data-start=\"983\"\u003eAdditional Format: Poster insert 48 × 64 cm\u003cbr data-end=\"1032\" data-start=\"1029\"\u003eLanguage: Spanish\u003cbr data-end=\"1052\" data-start=\"1049\"\u003ePublisher \/ Editor: Editorial Cabeza de Chorlito\u003cbr data-end=\"1103\" data-start=\"1100\"\u003eCondition: NEW\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51787026530642,"sku":null,"price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/IMG-3271.jpg?v=1768173875"},{"product_id":"miguel-trillo-pablo-perez-minguez-ouka-leele-amp-alberto-garcia-alix-la-movida-cronica-de-una-agitacion","title":"La Movida: Crónica de una Agitación, Editorial Cabeza de Chorlito","description":"\u003cp data-start=\"108\" data-end=\"473\"\u003eThis exhibition catalogue, \u003cem data-start=\"135\" data-end=\"172\"\u003eLa Movida: Crónica de una Agitación\u003c\/em\u003e, published in 2016 by Fundación Foto Colectania, is part of the Darwin Bookshop because it captures the raw, defiant energy of Spain’s post-Franco cultural eruption through the lenses of four of its most radical photographers: Alberto García-Alix, Ouka Leele, Miguel Trillo, and Pablo Pérez-Mínguez.\u003c\/p\u003e\n\u003cp data-start=\"475\" data-end=\"961\"\u003eLa Movida Madrileña was not a movement but an explosion—a visual and sexual revolt staged in nightclubs, bedrooms, fanzines, and streets. This book offers a tight, vivid chronicle of that agitation, mapping the ways photography became both witness and weapon. García-Alix’s noir-inflected portraits, Trillo’s subcultural typologies, Leele’s surrealist colour tableaux, and Pérez-Mínguez’s performative camp all offer different windows into a Spain feverishly inventing itself in public.\u003c\/p\u003e\n\u003cp data-start=\"963\" data-end=\"1242\"\u003eDesigned with neon typography and printed with crisp fidelity, the catalogue reads like a time capsule cracked open. It doesn’t explain La Movida—it transmits it. At Darwin, it sits as a key visual dossier on counterculture, gender play, nightlife, and photography as liberation.\u003c\/p\u003e\n\u003cp data-start=\"1244\" data-end=\"1263\"\u003e\u003cstrong data-start=\"1244\" data-end=\"1263\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1265\" data-end=\"1624\"\u003eTitle: La Movida: Crónica de una Agitación\u003cbr data-start=\"1307\" data-end=\"1310\"\u003eArtists \/ Authors: Alberto García-Alix, Ouka Leele, Miguel Trillo, Pablo Pérez-Mínguez\u003cbr data-start=\"1396\" data-end=\"1399\"\u003eDate: 2016\u003cbr data-start=\"1409\" data-end=\"1412\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1456\" data-end=\"1459\"\u003eMedium \/ Materials: Softcover book\u003cbr data-start=\"1493\" data-end=\"1496\"\u003eDimensions: approx. 21 × 28 cm\u003cbr data-start=\"1526\" data-end=\"1529\" data-is-only-node=\"\"\u003eLanguage: Spanish\u003cbr data-start=\"1546\" data-end=\"1549\"\u003ePages: 144\u003cbr data-start=\"1559\" data-end=\"1562\"\u003ePublisher \/ Editor: Fundación Foto Colectania\u003cbr data-start=\"1607\" data-end=\"1610\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51787128471890,"sku":null,"price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/BARCELO_298172fb-1beb-4a49-8fc8-aa1c0b4105fd.jpg?v=1768036716"},{"product_id":"alberto-garcia-alix-bikers","title":"Alberto García‑Alix — Bikers","description":"\u003cp data-start=\"67\" data-end=\"99\"\u003e\u003cstrong data-start=\"67\" data-end=\"99\"\u003eBikers — Alberto García-Alix\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"101\" data-end=\"529\"\u003eThis first edition of \u003cem data-start=\"123\" data-end=\"131\"\u003eBikers\u003c\/em\u003e by Alberto García-Alix, published in 1993 by La Tripulación, is part of the Darwin Bookshop because it captures the purest and most iconic distillation of García-Alix’s lifelong obsession: the motorcycle as mirror, weapon, and myth. The book documents the Spanish biker scene of the 1980s and early 90s—not from a distance, but from the inside, with García-Alix as both chronicler and participant.\u003c\/p\u003e\n\u003cp data-start=\"531\" data-end=\"1108\"\u003eShot entirely in black and white, \u003cem data-start=\"565\" data-end=\"573\"\u003eBikers\u003c\/em\u003e is composed of portraits, still lifes, and moments of motion and repair. Leather, oil, chrome, tattoos, open roads and disassembled engines populate its pages, but it’s the psychological charge of the images that defines the work. These aren’t stylised images of freedom—they are tough, intimate photographs of a subculture where identity is built through the machine. The book includes legendary portraits of García-Alix himself, his friends, lovers, and motorcycles, all held together by his precise chiaroscuro and lived proximity.\u003c\/p\u003e\n\u003cp data-start=\"1110\" data-end=\"1437\"\u003ePublished in a square format with glossy dust jacket and stark serif titling, \u003cem data-start=\"1188\" data-end=\"1196\"\u003eBikers\u003c\/em\u003e has become one of the hardest to find and most important early photobooks from post-dictatorship Spain. At Darwin, this first edition is preserved not just as a cult object, but as a document of analogue obsession and subcultural belonging.\u003c\/p\u003e\n\u003cp data-start=\"1439\" data-end=\"1458\"\u003e\u003cstrong data-start=\"1439\" data-end=\"1458\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1460\" data-end=\"1808\"\u003eTitle: Bikers\u003cbr data-start=\"1473\" data-end=\"1476\"\u003eArtist \/ Author: Alberto García-Alix\u003cbr data-start=\"1512\" data-end=\"1515\"\u003eDate: 1993\u003cbr data-start=\"1525\" data-end=\"1528\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1572\" data-end=\"1575\"\u003eMedium \/ Materials: Hardcover with dust jacket\u003cbr data-start=\"1621\" data-end=\"1624\"\u003eDimensions: approx. 24 × 24 cm\u003cbr data-start=\"1654\" data-end=\"1657\" data-is-only-node=\"\"\u003eLanguage: Spanish\u003cbr data-start=\"1674\" data-end=\"1677\"\u003ePages: Unpaginated\u003cbr data-start=\"1695\" data-end=\"1698\"\u003ePublisher \/ Editor: La Tripulación\u003cbr data-start=\"1732\" data-end=\"1735\"\u003eEdition: First edition\u003cbr data-start=\"1757\" data-end=\"1760\"\u003eCondition: Very good (light wear on dust jacket)\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51821647462738,"sku":null,"price":200.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_3_a3eb3067-90b2-477e-a46f-12d4cc554a68.jpg?v=1768065744"},{"product_id":"manila-ricky-davila-alberto-garcia-alix-2005","title":"Manila,\nRicky Dávila \u0026 Alberto García-Alix, 2005","description":"\u003cp\u003e\u003cspan\u003eManila is a photobook that stares you down. On its cover, a young boxer — helmeted, defiant — embodies the raw intensity that defines this visual journey. Created by Spanish photographer Ricky Dávila and accompanied by the prose of Alberto García-Alix, this 2005 edition plunges into the urban soul of the Philippine capital with unflinching intimacy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe book unfolds like a fight sequence: moments of stillness followed by abrupt punches of emotion. Dávila’s black-and-white portraits — gritty, tender, immediate — sketch a Manila of paradoxes, shaped by survival, masculinity, and fleeting grace. The inclusion of boxers, street kids, and religious icons channels both ethnographic attention and poetic immediacy, in the spirit of classic humanist documentary photography.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGarcía-Alix’s text adds a voice to the images: introspective, dislocated, full of dark lyricism. Together, the visual and written narratives build a portrait of distance — geographical, emotional, existential — seen through the filter of an outsider who is anything but detached.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by Gran Sol Comunicación Visual, this book accompanied an exhibition curated by Alejandro Castellote and remains a compelling testament to the power of visual storytelling beyond borders.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Photobook\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: Manila, Photobook\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAuthors: Ricky Dávila (photographs), Alberto García-Alix (text)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2005\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset printing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Paper, hardcover\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: Gran Sol Comunicación Visual S.L.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: Spanish\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eISBN: 84-609-5412-9\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages: Not specified\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: Not specified\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Excellent\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51942948897106,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_1.jpg?v=1767990865"},{"product_id":"de-donde-no-se-vuelve-alberto-garcia-alix","title":"DE DONDE NO SE VUELVE — Alberto García‑Alix","description":"\u003cp\u003e\u003cimg\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp data-start=\"224\" data-end=\"1439\"\u003e\u003cem data-start=\"224\" data-end=\"247\"\u003eDe donde no se vuelve\u003c\/em\u003e is a monumental, unflinching photographic chronicle from Alberto García‑Alix, one of Spain’s most singular and visceral image makers. First published in 2010 by La Fábrica, this 320‑page hardcover stands as a raw testament to the photographer’s life embedded in the margins of subculture, intimacy, transgression, and self‑witness. Printed in a generous 24 × 28 cm format, the book unfolds García‑Alix’s voice in Spanish with bilingual (English) support, inviting readers into a chiaroscuro world where the personal is the political and the body is terrain. Across portraits, streetscapes, and nocturnal encounters, his black‑and‑white work captures the pulse of counter‑existence — from friends and lovers to the undercurrents of desire and loss — with a directness that feels lived rather than observed. The sequencing and editing let these striking, grain‑rich photographs breathe and collide, turning memory into register and experience into visual language. \u003cem data-start=\"1211\" data-end=\"1234\"\u003eDe donde no se vuelve\u003c\/em\u003e isn’t merely a retrospective; it is a lived life inscribed on paper, a book that sits comfortably beside landmark bodies of work that map identity through unguarded presence and refusal of prettification.\u003c\/p\u003e\n\u003cp data-start=\"1441\" data-end=\"1786\"\u003e\u003cstrong data-start=\"1441\" data-end=\"1460\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1460\" data-end=\"1463\"\u003eTitle: \u003cem data-start=\"1470\" data-end=\"1493\"\u003eDe donde no se vuelve\u003c\/em\u003e\u003cbr data-start=\"1493\" data-end=\"1496\"\u003eArtist \/ Author: Alberto García‑Alix\u003cbr data-start=\"1532\" data-end=\"1535\"\u003eDate: 2010 (first edition)\u003cbr data-start=\"1561\" data-end=\"1564\"\u003eEdition \/ ISBN: La Fábrica \/ 9788492841660\u003cbr data-start=\"1606\" data-end=\"1609\"\u003eMedium \/ Format: Photography book, hardcover\u003cbr data-start=\"1653\" data-end=\"1656\"\u003eDimensions (cm): 24 × 28\u003cbr data-start=\"1680\" data-end=\"1683\"\u003ePages: 320\u003cbr data-start=\"1693\" data-end=\"1696\"\u003eLanguage: Spanish with English bilingual edition\u003cbr data-start=\"1744\" data-end=\"1747\"\u003ePublisher \/ Place: La Fábrica, España\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52617783640402,"sku":null,"price":200.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy.jpg?v=1770056506"},{"product_id":"garcia-alix-fotografias-1977-1998-alberto-garcia-alix","title":"García-Alix. Fotografías. 1977–1998 — Alberto García-Alix","description":"\u003cp data-end=\"1171\" data-start=\"126\"\u003eThis landmark volume gathers two decades of Alberto García-Alix’s raw, unflinching photographic work — a visual autobiography spanning Madrid’s \u003cem data-end=\"278\" data-start=\"270\"\u003eMovida\u003c\/em\u003e, heroin, motorcycles, lovers, tattoos, and the shadows that followed. Published by Tf Editores and La Fábrica in 1998, \u003cem data-end=\"422\" data-start=\"398\"\u003eFotografías. 1977–1998\u003c\/em\u003e is the first major monograph of García-Alix’s early output, setting the tone for everything that would follow. Square-format, austere and generous in scale, the book is a procession of silver-toned intensity: faces illuminated mid-desire, still lives of lived-in spaces, and portraits that feel more like encounters than compositions. His subjects — friends, punks, sex workers, comrades — are never exoticised but held close in a visual language of complicity and confrontation. The printing is rich, velvety, and appropriately unpolished. A key object of 1990s photobook culture in Spain, it remains one of the most essential García-Alix publications — not only as a document of a subcultural era, but as an artefact of photography as lived life.\u003c\/p\u003e\n\u003cp data-end=\"1469\" data-start=\"1173\"\u003eTechnical Sheet\u003cbr data-end=\"1191\" data-start=\"1188\"\u003eTitle: García-Alix. Fotografías. 1977–1998\u003cbr data-end=\"1236\" data-start=\"1233\"\u003eArtist \/ Author: Alberto García-Alix\u003cbr data-end=\"1275\" data-start=\"1272\"\u003eDate: 1998\u003cbr data-end=\"1288\" data-start=\"1285\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-end=\"1326\" data-start=\"1323\"\u003eMedium \/ Materials: Hardcover\u003cbr data-end=\"1358\" data-start=\"1355\"\u003eDimensions (cm): 27 × 27\u003cbr data-end=\"1385\" data-start=\"1382\"\u003eLanguage: Spanish\u003cbr data-end=\"1405\" data-start=\"1402\"\u003ePublisher \/ Editor: Tf Editores \/ La Fábrica\u003cbr data-end=\"1452\" data-start=\"1449\"\u003eCondition: Good\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52657202037074,"sku":null,"price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_2_04fa7450-1aa2-4ac3-adf4-eda37efa8f70.jpg?v=1770536025"},{"product_id":"autorretrato-self-portrait-alberto-garcia-alix-first-edition-2013","title":"Autorretrato \/ Self-Portrait — Alberto García-Alix (first edition, 2013)","description":"\u003cp data-start=\"141\" data-end=\"1201\"\u003ePublished by La Fábrica in 2013, \u003cem data-start=\"174\" data-end=\"188\"\u003eAutorretrato\u003c\/em\u003e is the most distilled and psychologically direct monograph of Alberto García-Alix — one of the essential figures in post-dictatorship Spanish photography. This compact, bilingual edition folds decades of García-Alix’s work into a single, obsessive axis: the self. Through a sequence of frontal, intimate, and often brutal images, García-Alix performs himself as subject, document, ghost and myth. Portraits become theatre. Flesh becomes negative. Every frame is a testament to a life lived at full exposure, marked by subculture, addiction, defiance and erotic melancholy. His face is a map, his body a recurring motif, returned to over and over with varying levels of lucidity, distortion, and control. As with Anders Petersen or Daido Moriyama, the camera is not a mirror but a tool of rupture — the self made strange. This edition, with graphic design by Nacho Lavernia and layout by Miquel Fluxà, brings the viewer into direct contact with García-Alix’s visual language: stark, unflinching, and deeply human.\u003c\/p\u003e\n\u003cp data-start=\"1203\" data-end=\"1551\"\u003e\u003cstrong data-start=\"1203\" data-end=\"1222\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1222\" data-end=\"1225\"\u003eTitle: Autorretrato \/ Self-Portrait\u003cbr data-start=\"1260\" data-end=\"1263\"\u003eArtist \/ Author: Alberto García-Alix\u003cbr data-start=\"1299\" data-end=\"1302\"\u003eDate: 2013\u003cbr data-start=\"1312\" data-end=\"1315\" data-is-only-node=\"\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1350\" data-end=\"1353\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"1382\" data-end=\"1385\"\u003eDimensions (cm): Approx. 20 × 25\u003cbr data-start=\"1417\" data-end=\"1420\"\u003eLanguage: Spanish \/ English\u003cbr data-start=\"1447\" data-end=\"1450\"\u003ePages: Not stated\u003cbr data-start=\"1467\" data-end=\"1470\"\u003ePublisher \/ Editor: La Fábrica\u003cbr data-start=\"1500\" data-end=\"1503\"\u003eISBN: 978-84-15301-42-8\u003cbr data-start=\"1526\" data-end=\"1529\"\u003eCondition: VERY GOOD\u003c\/p\u003e\n\u003cp data-start=\"1554\" data-end=\"1612\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52659021742418,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_1_d1024204-c78a-4d3c-a59c-11d402265c11.jpg?v=1770561649"},{"product_id":"archivo-nomada-vol-2-alberto-garcia-alix-cabeza-de-chorlito-2024","title":"Archivo Nómada Vol. 2 — Alberto García-Alix, Cabeza de Chorlito, 2024","description":"\u003cp data-start=\"172\" data-end=\"671\"\u003eAn unprecedented immersion into a living archive at the core of Spain’s recent history. This volume gathers 2,465 photographs shot between 1982 and 1986, tracing daily life, friendships and excess during the aftermath of the Transition and the Movida. Raw, direct and unsentimental, the work captures a shifting Madrid while marking the artist’s move toward medium format. 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