{"title":"Antoine D'agata","description":"\u003ch3 data-start=\"42\" data-end=\"83\"\u003e\u003cstrong data-start=\"42\" data-end=\"83\"\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eAntoine d’Agata\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"85\" data-end=\"346\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eIn Darwin, d’Agata marks the archive’s \u003cstrong\u003erefusal of safety\u003c\/strong\u003e. Immersion replaces observation; photography becomes exposure, risk, endurance. His images do not describe the margins—they enter them, collapsing ethics, body, and vision into a single act of resistance.\u003c\/p\u003e","products":[{"product_id":"signed-ata-kam-pulse-ex-n-3-4-2014","title":"PULSE — Ata Kam, 2014, signed and numbered (3\/4)","description":"\u003cp data-start=\"121\" data-end=\"499\"\u003e\u003cem data-start=\"121\" data-end=\"128\"\u003ePULSE\u003c\/em\u003e is a rare, handmade artist’s photobook by Ata Kam, produced in Ankara in 2014 in an edition of only four copies. Bound with exposed thread and wrapped in a xerox aesthetic, the book presents a dark, bodily, and fragmentary visual language. Its scratched, collaged cover — a close-up of arachnid forms and human limbs — sets the tone for an unsettling, sensuous interior.\u003c\/p\u003e\n\u003cp data-start=\"501\" data-end=\"1058\"\u003ePrinted in rich black-and-white with grain and texture pushed to their limits, the images inside oscillate between the erotic, the grotesque, and the ritualistic. The sequencing is raw and rhythmic, pulling the viewer through surfaces of skin, shadow, and street. This is photographic publishing as low-fi incantation — closer to zine culture or underground poetry than traditional photobook craft. Signed “loves Cambodia 2014,” this copy reflects Kam’s global drift and personal obsessions. A fierce, rare object from the post-internet, post-nation fringe.\u003c\/p\u003e\n\u003cp data-start=\"1060\" data-end=\"1415\"\u003eTechnical Sheet\u003cbr data-start=\"1075\" data-end=\"1078\"\u003eTitle: PULSE\u003cbr data-start=\"1090\" data-end=\"1093\"\u003eArtist \/ Author: Ata Kam\u003cbr data-start=\"1117\" data-end=\"1120\"\u003eDate: 2014\u003cbr data-start=\"1130\" data-end=\"1133\"\u003eEdition: Signed and numbered, No. 3 of 4 copies\u003cbr data-start=\"1180\" data-end=\"1183\"\u003eTechnique \/ Printing Method: Xerox \/ handmade artist book\u003cbr data-start=\"1240\" data-end=\"1243\"\u003eMedium \/ Materials: Softcover, thread binding\u003cbr data-start=\"1288\" data-end=\"1291\"\u003eDimensions (cm): Approx. 21 × 28\u003cbr data-start=\"1323\" data-end=\"1326\"\u003ePublisher \/ Editor: Self-published (ata-kam.com)\u003cbr data-start=\"1374\" data-end=\"1377\"\u003ePlace: Ankara\u003cbr data-start=\"1390\" data-end=\"1393\"\u003eCondition: Very good\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754633560402,"sku":null,"price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/b0c88355-fe83-470b-bd84-6fd2d2003937_1.jpg?v=1760437187"},{"product_id":"signed-antoine-dagata-praxis-2021","title":"Signed; Antoine d'Agata - Praxis - 2021","description":"\u003cp data-start=\"258\" data-end=\"713\"\u003eThis signed copy of \u003cem data-start=\"278\" data-end=\"286\"\u003ePRAXIS\u003c\/em\u003e, published in 2022 by Studio Vortex, is part of the Darwin Bookshop because it is not a book about photography—it is a theoretical, textual and visual choreography of photography as trance, resistance and rupture. Conceived by Antoine d’Agata with artistic direction by Tania Bohórquez, the book spans over thirty years of movement, incarceration, image-making and writing, building itself as a fragmented, militant manifesto.\u003c\/p\u003e\n\u003cp data-start=\"715\" data-end=\"1285\"\u003eDesigned with dense, archival typography and minimal graphic noise, \u003cem data-start=\"783\" data-end=\"791\"\u003ePRAXIS\u003c\/em\u003e assembles interviews, field notes, personal lists, letters, prison texts, declarations and visual documents, alongside citations of over 80 authors—from Agamben and Blanchot to Genet, Duras, Artaud and Wittgenstein. The book also incorporates xylographs, engravings and murals produced in Mexico and France by collectives including Le Dernier Cri and Taller de Gráfica Siqueiros in Oaxaca. Every formal decision in the book serves to dissolve traditional notions of authorship and documentary.\u003c\/p\u003e\n\u003cp data-start=\"1287\" data-end=\"1639\"\u003ePrinted in Istanbul by MAS Matbaa and published in a first edition of 800 copies (plus 50 copies of a special edition), this volume is signed by d’Agata and acts as both theory and relic—an operating manual for photographic life lived at the edge. At Darwin, \u003cem data-start=\"1546\" data-end=\"1554\"\u003ePRAXIS\u003c\/em\u003e is held as a tool: not a retrospective, but a grammar of the photographic breakdown.\u003c\/p\u003e\n\u003cp data-start=\"1641\" data-end=\"1660\"\u003e\u003cstrong data-start=\"1641\" data-end=\"1660\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1662\" data-end=\"2091\"\u003eTitle: PRAXIS\u003cbr data-start=\"1675\" data-end=\"1678\"\u003eArtist \/ Author: Antoine d’Agata\u003cbr data-start=\"1710\" data-end=\"1713\"\u003eTexts: Yannick Haenel\u003cbr data-start=\"1734\" data-end=\"1737\"\u003eDate: 2022\u003cbr data-start=\"1747\" data-end=\"1750\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1794\" data-end=\"1797\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"1826\" data-end=\"1829\"\u003eDimensions: approx. 16.5 × 24 cm\u003cbr data-start=\"1861\" data-end=\"1864\"\u003eLanguage: French\u003cbr data-start=\"1880\" data-end=\"1883\"\u003ePages: 432\u003cbr data-start=\"1893\" data-end=\"1896\"\u003ePublisher \/ Editor: Studio Vortex\u003cbr data-start=\"1929\" data-end=\"1932\"\u003ePrinted by: MAS Matbaa, Istanbul\u003cbr data-start=\"1964\" data-end=\"1967\"\u003eEdition: First edition of 800 copies \u003cbr data-start=\"2034\" data-end=\"2037\"\u003eISBN: 978-2-9570325-2-5\u003cbr data-start=\"2060\" data-end=\"2063\"\u003eSigned: Yes\u003cbr data-start=\"2074\" data-end=\"2077\"\u003eCondition: MINT\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754757620050,"sku":null,"price":120.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_6_0a23d1e9-051d-44f1-b857-c47fab7298d7.jpg?v=1768069016"},{"product_id":"antoine-dagata-1961-cuernavaca-mexique-2014","title":"Antoine D'Agata (1961) - Cuernavaca, Mexique 2014","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eOriginal photographic print by Antoine d’Agata. Signed, titled, and dated on reverse. Unique edition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA raw fragment of d’Agata’s shadowy world—intimate, fractured, and burning with presence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePart of the ‘White Noise’ body of work, first shown at Galerie Les Filles du Calvaire (Paris, 2016).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis piece carries his signature blur between documentary and fever dream, desire and absence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTitle: Pérou, 2015 (White Noise)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist: Antoine d’Agata (b. 1961, Marseille)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnique: Digital print\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition: 1\/1 (Unique)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSignature: Hand-signed, titled, and dated on reverse\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDate of print: 2016\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCondition: Very fine (minor surface rubbing visible)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDimensions: \u003c\/span\u003eImage: 25 × 44 cm\u003c\/p\u003e\n\u003cp\u003eTotal: 28.5 × 48 × 48 cm\u003c\/p\u003e\n\u003cp\u003eOrigin \/ Provenance: From the artist’s studio archive\u003c\/p\u003e\n\u003cp\u003eExhibition: ‘Atlas’ – Galerie Les Filles du Calvaire, Paris (2016)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754781213010,"sku":null,"price":550.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/23d18e84-0752-4687-bb9e-6fe786f4f7ae_1.jpg?v=1760438824"},{"product_id":"antoine-dagata-1961-perou-2015-white-noise","title":"Antoine D'Agata (1961) - Pérou, 2015 (white Noise)","description":"\u003cdiv class=\"LotInfoDescription_description__RFjKp\"\u003e\n\u003cp\u003eFine Art print made in 2016 for the exhibition ‘ATLAS’ at Galerie Les Filles du Calvaire in 2016. Signed, titled, dated and marked ‘white noise’ on the back. Very light rubbing on the image (see photos).\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotInfoDescription_seller-profile__kfZgs\"\u003e\n\u003ch3 class=\"c-heading medium\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"LotInfoDescription_seller-profile-text__HySRU\"\u003eOrigin: Antoine d'Agata artist studio.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_container__Nlm2W u-m-t-sm-xl u-m-t-xxl-2\" data-sentry-component=\"LotSpecifications\" data-sentry-source-file=\"LotSpecifications.tsx\"\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eArtist: \u003c\/span\u003e\u003cspan\u003eAntoine D'Agata (1961)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eTitle of artwork: \u003c\/span\u003e\u003cspan\u003ePérou, 2015 (white Noise)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eTechnique: \u003c\/span\u003e\u003cspan\u003eDigital print\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eEdition: \u003c\/span\u003e\u003cspan\u003e1\/1\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eSignature: \u003c\/span\u003e\u003cspan\u003eSigned\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eDate of print: \u003c\/span\u003e\u003cspan\u003e2016\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eCondition: \u003c\/span\u003e\u003cspan\u003eVery fine\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eVintage print: \u003c\/span\u003e\u003cspan\u003ePrinted later\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eImage size: \u003c\/span\u003e\u003cspan\u003e25×44 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eTotal dimensions: \u003c\/span\u003e\u003cspan\u003e28.5×48×48 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754792616274,"sku":null,"price":980.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/c009e771-4c64-4932-9995-b40b182fcee1.jpg?v=1760439269"},{"product_id":"antoine-dagata-1961-oscurana-1ere-edition","title":"Oscurana — Antoine d’Agata","description":"\u003cp data-start=\"67\" data-end=\"137\"\u003e\u003cstrong data-start=\"67\" data-end=\"137\"\u003eOscurana — Antoine d’Agata (Single Volume from Collective Edition)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"139\" data-end=\"664\"\u003eThis signed volume of \u003cem data-start=\"161\" data-end=\"171\"\u003eOscurana\u003c\/em\u003e by Antoine d’Agata, co-published in 2017 as part of a six-part international editorial project, is part of the Darwin Bookshop because it embodies a radical experiment in collaborative publishing, transgressive aesthetics, and the ethics of witnessing. Each of the six publishers across Latin America and Europe produced their own distinct version of \u003cem data-start=\"523\" data-end=\"533\"\u003eOscurana\u003c\/em\u003e, using a shared structure—same title, dimensions, and central text—yet allowing for different material and visual interpretations.\u003c\/p\u003e\n\u003cp data-start=\"666\" data-end=\"1206\"\u003eThe copy held here is a standalone volume from this constellation, printed on deep black paper with gold handwritten typography, featuring d’Agata’s haunting monochrome photographs of sex, trance, and resistance. Designed and printed by \u003cem data-start=\"903\" data-end=\"919\"\u003eLe Dernier Cri\u003c\/em\u003e in Marseille, under the direction of Pakito Bolino, it fuses underground graphics with d’Agata’s fevered visual language. Each photograph is a confrontation, not a document—bodies blur under duress, light becomes substance, and violence and intimacy co-exist within the same dark frame.\u003c\/p\u003e\n\u003cp data-start=\"1208\" data-end=\"1622\"\u003eThough part of a broader six-volume project, this edition stands alone as a self-contained object and was also issued in a rare boxed set. This particular copy is \u003cstrong data-start=\"1371\" data-end=\"1409\"\u003esigned by d’Agata in Arles in 2021\u003c\/strong\u003e, anchoring it within the performative continuum of his work. At Darwin, \u003cem data-start=\"1482\" data-end=\"1492\"\u003eOscurana\u003c\/em\u003e is held as a key artefact in the landscape of experimental photobook publishing, collective authorship, and embodied photography.\u003c\/p\u003e\n\u003cp data-start=\"1624\" data-end=\"1643\"\u003e\u003cstrong data-start=\"1624\" data-end=\"1643\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1645\" data-end=\"2122\"\u003eTitle: Oscurana\u003cbr data-start=\"1660\" data-end=\"1663\"\u003eArtist \/ Author: Antoine d’Agata\u003cbr data-start=\"1695\" data-end=\"1698\"\u003eDate: 2017\u003cbr data-start=\"1708\" data-end=\"1711\"\u003eTechnique \/ Printing Method: Offset printing, gold ink on black paper\u003cbr data-start=\"1780\" data-end=\"1783\"\u003eMedium \/ Materials: Softcover, staple-bound\u003cbr data-start=\"1826\" data-end=\"1829\"\u003eDimensions: approx. 21 × 28 cm\u003cbr data-start=\"1859\" data-end=\"1862\" data-is-only-node=\"\"\u003eLanguage: French\u003cbr data-start=\"1878\" data-end=\"1881\"\u003ePages: Unpaginated\u003cbr data-start=\"1899\" data-end=\"1902\"\u003ePublisher \/ Editor: Le Dernier Cri (France), part of the \u003cem data-start=\"1959\" data-end=\"1969\"\u003eOscurana\u003c\/em\u003e six-publisher collective\u003cbr data-start=\"1994\" data-end=\"1997\"\u003eSigned: Yes (signed in Arles, 2021)\u003cbr data-start=\"2032\" data-end=\"2035\"\u003eEdition: One of six distinct volumes from the \u003cem data-start=\"2081\" data-end=\"2091\"\u003eOscurana\u003c\/em\u003e project\u003cbr data-start=\"2099\" data-end=\"2102\"\u003eCondition: Near fine\u003c\/p\u003e\n\u003cp data-start=\"2125\" data-end=\"2187\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754826826066,"sku":null,"price":140.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_1_40948610-1e47-4cec-874a-e67f7826da3e.jpg?v=1768064059"},{"product_id":"antoine-dagata-1961-agonie-1ere-edition","title":"Agonie — Antoine d’Agata \u0026 Rafael Garido (signed)","description":"\u003cdiv class=\"LotInfoDescription_description__RFjKp\"\u003e\n\u003cp data-start=\"113\" data-end=\"458\"\u003eThis signed copy of \u003cem data-start=\"133\" data-end=\"141\"\u003eAgonie\u003c\/em\u003e, a collaboration between photographer Antoine d’Agata and writer Rafael Garido, published in 2003 by Actes Sud and Atelier de Visu, is part of the Darwin Bookshop because it marks an early and intensely physical convergence of text and image—where language breaks under the weight of the photographic and vice versa.\u003c\/p\u003e\n\u003cp data-start=\"460\" data-end=\"837\"\u003eBound in black faux leather with minimal white type, the object evokes a dossier or morgue file. Inside, d’Agata’s images unfold in fevered grain: bodies blurred by movement, consumed by shadow, lit by narcotic or sexual tension. Garido’s text—poetic, incantatory, shattered—echoes this descent, not as commentary but as accomplice. This is not a book that explains—it suffers.\u003c\/p\u003e\n\u003cp data-start=\"839\" data-end=\"1320\"\u003ePublished in Marseille and part of the Atelier de Visu’s experimental output, \u003cem data-start=\"917\" data-end=\"925\"\u003eAgonie\u003c\/em\u003e belongs to d’Agata’s early 2000s period, when his work left behind narrative and plunged into embodied darkness. The formal choices—rounded page corners, glossy black cover, and unbound text blocks—amplify the sense of erosion and intimacy. Signed by d’Agata, this copy is held at Darwin as a rare threshold object: the moment when photography stops being observational and becomes existential.\u003c\/p\u003e\n\u003cp data-start=\"1322\" data-end=\"1341\"\u003e\u003cstrong data-start=\"1322\" data-end=\"1341\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1343\" data-end=\"1678\"\u003eTitle: Agonie\u003cbr data-start=\"1356\" data-end=\"1359\"\u003eArtists \/ Authors: Antoine d’Agata, Rafael Garido\u003cbr data-start=\"1408\" data-end=\"1411\"\u003eDate: 2003\u003cbr data-start=\"1421\" data-end=\"1424\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1459\" data-end=\"1462\"\u003eMedium \/ Materials: Hardcover, leatherette cover, rounded corners\u003cbr data-start=\"1527\" data-end=\"1530\"\u003eDimensions: approx. 17 × 23 cm\u003cbr data-start=\"1560\" data-end=\"1563\" data-is-only-node=\"\"\u003eLanguage: French\u003cbr data-start=\"1579\" data-end=\"1582\"\u003ePages: 96\u003cbr data-start=\"1591\" data-end=\"1594\"\u003ePublisher \/ Editor: Actes Sud \/ Atelier de Visu\u003cbr data-start=\"1641\" data-end=\"1644\"\u003eSigned: Yes\u003cbr data-start=\"1655\" data-end=\"1658\"\u003eCondition: Near fine\u003c\/p\u003e\n\u003c\/div\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51757840499026,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/bookcover_1.jpg?v=1768306376"},{"product_id":"aka-ana-antoine-d-agata-2017","title":"赤穴 (Aka Ana) — Antoine d'Agata, AKAAKA 2017","description":"\u003cp data-end=\"397\" data-start=\"79\"\u003e \u003c\/p\u003e\n\u003cp data-end=\"240\" data-start=\"206\"\u003e\u003cstrong data-end=\"240\" data-start=\"206\"\u003e赤穴 (Aka Ana) — Antoine d'Agata\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"634\" data-start=\"242\"\u003eThis photobook by French photographer Antoine d’Agata, \u003cem data-end=\"306\" data-start=\"297\"\u003eAka Ana\u003c\/em\u003e (\u003cem data-end=\"318\" data-start=\"308\"\u003eRed Hole\u003c\/em\u003e), published in 2017 by Akaaka Art Publishing, is part of the Darwin Bookshop because it enters the erotic and existential void with unrelenting intensity. Shot in Japan over years of immersion in Tokyo’s underworld, the book documents not a place but a descent—into sex, fever, narcotics, and photographic collapse.\u003c\/p\u003e\n\u003cp data-end=\"1124\" data-start=\"636\"\u003eD’Agata's work in \u003cem data-end=\"663\" data-start=\"654\"\u003eAka Ana\u003c\/em\u003e fuses diaristic self-representation with performative and often collaborative acts of intimacy. Bodies blur, dissolve, burn under red light. The photographs are grainy, saturated, and immersive, often unreadable in a conventional sense—yet entirely legible in their physical and emotional charge. The cover itself is a veil: a naked figure partly obscured, with the title’s two kanji—赤 (red) and 穴 (hole)—cut directly into the surface like wounds or apertures.\u003c\/p\u003e\n\u003cp data-end=\"1535\" data-start=\"1126\"\u003eThis Japanese edition stands out for its production: heavy matte paper, rich inks, and the precise violence of the die-cut jacket. Signed by d’Agata in Arles, the book carries the trace of one of contemporary photography’s most transgressive presences. At Darwin, \u003cem data-end=\"1399\" data-start=\"1390\"\u003eAka Ana\u003c\/em\u003e is held as a core work in the photobook canon of embodied experience and radical exposure—where sex is no longer subject but condition.\u003c\/p\u003e\n\u003cp data-end=\"1556\" data-start=\"1537\"\u003e\u003cstrong data-end=\"1556\" data-start=\"1537\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1955\" data-start=\"1558\"\u003eTitle: 赤穴 (Aka Ana)\u003cbr data-end=\"1580\" data-start=\"1577\"\u003eArtist \/ Author: Antoine d’Agata\u003cbr data-end=\"1615\" data-start=\"1612\"\u003eDate: 2017\u003cbr data-end=\"1628\" data-start=\"1625\"\u003eTechnique \/ Printing Method: Offset printing, die-cut cover\u003cbr data-end=\"1690\" data-start=\"1687\"\u003eMedium \/ Materials: Hardcover with printed dust jacket\u003cbr data-end=\"1747\" data-start=\"1744\"\u003eDimensions: approx. 22 × 28 cm\u003cbr data-end=\"1780\" data-start=\"1777\"\u003eLanguage: Japanese, English, French\u003cbr data-end=\"1818\" data-start=\"1815\"\u003ePages: Unpaginated\u003cbr data-end=\"1839\" data-start=\"1836\"\u003ePublisher \/ Editor: Akaaka Art Publishing\u003cbr data-end=\"1883\" data-start=\"1880\"\u003eISBN: 978-4-86541-079-0\u003cbr data-end=\"1909\" data-start=\"1906\"\u003eSigned: Yes (signed in Arles)\u003cbr data-end=\"1941\" data-start=\"1938\"\u003eCondition: MINT\u003c\/p\u003e","brand":"AKAAKA","offers":[{"title":"Default Title","offer_id":51777089831250,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_90e2f80b-f9c0-4c85-b11a-ebfc8a1873f9.jpg?v=1768063361"},{"product_id":"antoine-d-agata-amp-francis-bacon-2020","title":"Francis Bacon \/ Antoine d’Agata — Antoine d’Agata (signed)","description":"\u003cp data-end=\"288\" data-start=\"91\"\u003e \u003c\/p\u003e\n\u003cp\u003eThis double-volume publication by Antoine d’Agata, published by The Eyes in 2020, is part of the Darwin Bookshop because it stages a visceral encounter between two artists who work the body into a site of rupture, obsession and metaphysical unease. Bound in black covers with bold red titling—one volume bearing d’Agata’s name, the other Bacon’s—the set is a dark duet of violence and intimacy, painting and photography, flesh and shadow.\u003c\/p\u003e\n\u003cp data-start=\"562\" data-end=\"1103\"\u003eD’Agata’s photographs push the edge of visibility: blurred, overexposed, limbs contorted mid-act, his subjects half-submerged in narcotic or erotic delirium. The camera becomes an extension of the body, implicating both author and viewer in acts that reject moral clarity. Printed on dense Munken Lynx paper, these images are paired against works by Francis Bacon, reproduced from the ISC Modern Art Gallery, that echo with similar convulsions—painted torsos split by mirrors, human forms crumpling into furniture, desire rendered grotesque.\u003c\/p\u003e\n\u003cp data-start=\"1105\" data-end=\"1467\"\u003eThis second edition also includes essays by Bruno Sabatier, Perrine Le Querrec and Léa Bismuth, who reflect on the links between these two visual vocabularies of pain. It is a rare editorial pairing, not just comparative but dialogic. D’Agata does not interpret Bacon—he inhabits him, pushing photography to match the painter’s capacity for existential violence.\u003c\/p\u003e\n\u003cp data-start=\"1469\" data-end=\"1488\"\u003e\u003cstrong data-start=\"1469\" data-end=\"1488\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1490\" data-end=\"1529\"\u003eTitle\u003cbr data-start=\"1495\" data-end=\"1498\"\u003eFrancis Bacon \/ Antoine d’Agata\u003c\/p\u003e\n\u003cp data-start=\"1531\" data-end=\"1564\"\u003eArtist \/ Author\u003cbr data-start=\"1546\" data-end=\"1549\"\u003eAntoine d’Agata\u003c\/p\u003e\n\u003cp data-start=\"1566\" data-end=\"1599\"\u003eDate\u003cbr data-start=\"1570\" data-end=\"1573\"\u003e2020 (second edition 2021)\u003c\/p\u003e\n\u003cp data-start=\"1601\" data-end=\"1646\"\u003eTechnique \/ Printing Method\u003cbr data-start=\"1628\" data-end=\"1631\"\u003eOffset printing\u003c\/p\u003e\n\u003cp data-start=\"1648\" data-end=\"1713\"\u003eMedium \/ Materials\u003cbr data-start=\"1666\" data-end=\"1669\"\u003eSoftcover, two-volume set housed in slipcase\u003c\/p\u003e\n\u003cp data-start=\"1715\" data-end=\"1739\"\u003eEdition\u003cbr data-start=\"1722\" data-end=\"1725\"\u003eSecond edition\u003c\/p\u003e\n\u003cp data-start=\"1741\" data-end=\"1785\"\u003eSigned\u003cbr data-start=\"1747\" data-end=\"1750\"\u003eYes (signed by d’Agata, dated 2021)\u003c\/p\u003e\n\u003cp data-start=\"1787\" data-end=\"1835\"\u003eDimensions (cm)\u003cbr data-start=\"1802\" data-end=\"1805\"\u003eEach volume approx. 24 x 17 cm\u003c\/p\u003e\n\u003cp data-start=\"1837\" data-end=\"1854\"\u003eLanguage\u003cbr data-start=\"1845\" data-end=\"1848\"\u003eFrench\u003c\/p\u003e\n\u003cp data-start=\"1856\" data-end=\"1900\"\u003ePages\u003cbr data-start=\"1861\" data-end=\"1864\"\u003eNot stated (approx. 100+ per volume)\u003c\/p\u003e\n\u003cp data-start=\"1902\" data-end=\"1942\"\u003ePublisher \/ Editor\u003cbr data-start=\"1920\" data-end=\"1923\"\u003eThe Eyes Publishing\u003c\/p\u003e\n\u003cp data-start=\"1944\" data-end=\"1968\"\u003eISBN\u003cbr data-start=\"1948\" data-end=\"1951\"\u003e979-10-92727-42-5\u003c\/p\u003e\n\u003cp data-start=\"1970\" data-end=\"1985\"\u003eCondition\u003cbr data-start=\"1979\" data-end=\"1982\"\u003eNew\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51777162346834,"sku":null,"price":180.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_2_95dd4294-39b2-4d9e-9e1c-da97a9db5801.jpg?v=1768211063"},{"product_id":"anticorps-antoine-d-agata","title":"ANTICORPS — Antoine d’Agata, ATELIER EXB 2013","description":"\u003cp data-start=\"126\" data-end=\"537\"\u003e\u003cem data-start=\"326\" data-end=\"337\"\u003eAnticorps\u003c\/em\u003e spans twelve years of d’Agata’s life and work, a descent into the underside of desire, addiction, and nocturnal survival, where the camera serves as both weapon and witness. It is a book that bleeds.\u003c\/p\u003e\n\u003cp data-start=\"539\" data-end=\"1028\"\u003ePhotographed in motel rooms, brothels, crack dens and the blurred peripheries of cities, \u003cem data-start=\"628\" data-end=\"639\"\u003eAnticorps\u003c\/em\u003e resists clarity in both form and content. Images collapse into grain, blur, overexposure, flesh and shadow—where the body appears less as a subject than as a battleground. D’Agata’s visual language, influenced by Araki, Moriyama, and the radical fringe of Magnum (of which he is a member), refuses distance or detachment. These are not portraits, they are invasions—of self and of others.\u003c\/p\u003e\n\u003cp data-start=\"1030\" data-end=\"1460\"\u003eThe black cover gives nothing away. Inside, more than 700 pages of photographs and texts explode across the senses: diaristic, confrontational, at times violently intimate. It’s a work of photographic excess—ambitious, exhausting, and ethically uncomfortable. This is not a book that flatters the eye; it implicates the viewer, pulling them into a world where language and image begin to fail under the weight of lived experience.\u003c\/p\u003e\n\u003cp data-start=\"1462\" data-end=\"1694\"\u003e\u003cem data-start=\"1462\" data-end=\"1473\"\u003eAnticorps\u003c\/em\u003e remains one of the most important photobooks of the 21st century—an artefact of radical subjectivity and physical exposure, a book that belongs in the archive not for what it shows, but for what it dares to live through.\u003c\/p\u003e\n\u003cp data-start=\"1696\" data-end=\"2037\"\u003e\u003cstrong data-start=\"1696\" data-end=\"1715\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1715\" data-end=\"1718\"\u003eTitle: Anticorps\u003cbr data-start=\"1734\" data-end=\"1737\"\u003eArtist \/ Author: Antoine d’Agata\u003cbr data-start=\"1769\" data-end=\"1772\"\u003eDate: 2013\u003cbr data-start=\"1782\" data-end=\"1785\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1829\" data-end=\"1832\"\u003eMedium \/ Materials: Hardcover photobook\u003cbr data-start=\"1871\" data-end=\"1874\"\u003eDimensions (cm): approx. 24 × 32 cm\u003cbr data-start=\"1909\" data-end=\"1912\"\u003eLanguage: French\u003cbr data-start=\"1928\" data-end=\"1931\"\u003ePages: 728\u003cbr data-start=\"1941\" data-end=\"1944\"\u003ePublisher \/ Editor: Éditions Xavier Barral\u003cbr data-start=\"1986\" data-end=\"1989\"\u003eISBN: 978-2-36511-003-7\u003cbr data-start=\"2012\" data-end=\"2015\"\u003eCondition: Gently used\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52467238633810,"sku":null,"price":250.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/bookcover.jpg?v=1768302630"},{"product_id":"mexico-1986-2016-antoine-d-agata","title":"Codex. México 1986–2016 — Antoine d’Agata,  Editorial RM, 2017","description":"\u003cp data-start=\"153\" data-end=\"754\"\u003eA relentless visual diary shaped over three decades, this book pushes documentary photography to its limits. Built from repeated journeys through Mexico, it merges still images, fragments and text into a fractured narrative of violence, desire and dislocation. Structured in six movements, it mirrors a slow descent—both personal and collective—where the photographer’s presence becomes inseparable from the world he records. In dialogue with figures like \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eTina Modotti\u003c\/span\u003e\u003c\/span\u003e and \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eHenri Cartier-Bresson\u003c\/span\u003e\u003c\/span\u003e, it radically destabilizes the ethics and language of witnessing.\u003c\/p\u003e\n\u003cp data-start=\"756\" data-end=\"1072\"\u003e\u003cstrong data-start=\"756\" data-end=\"775\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"775\" data-end=\"778\"\u003eTitle: Codex. México 1986–2016\u003cbr data-start=\"843\" data-end=\"846\"\u003eDate: 2017\u003cbr data-start=\"856\" data-end=\"859\"\u003eEdition: Collector’s Edition, signed\u003cbr data-start=\"895\" data-end=\"898\"\u003eMedium \/ Materials: Photobook, softcover\u003cbr data-start=\"938\" data-end=\"941\"\u003eDimensions (cm): 21.5 x 32\u003cbr data-start=\"967\" data-end=\"970\"\u003ePages: 228\u003cbr data-start=\"980\" data-end=\"983\"\u003eLanguage: English \/ Spanish \/ French\u003cbr data-start=\"1019\" data-end=\"1022\"\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52561576624466,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_a830d179-9320-40a9-902c-23fd893e072c.jpg?v=1778138831"},{"product_id":"too-much-but-not-enough-yang-li-antoine-d-agata-1st-edition-2023","title":"Too Much But Not Enough — Yang Li \u0026 Antoine d’Agata, 1st edition, Steidl 2023","description":"\u003cp data-start=\"173\" data-end=\"627\"\u003eFashion pushed to the edge of confession. Conceived by Yang Li with Antoine d’Agata, this project abandons models for 23 street-cast women encountered across China. Raw portraits are paired with transcripts of their voices, tracing beauty, desire, disillusion and social pressure. The 23 softcover booklets are housed in individual sleeves and sealed within a distressed slipcase — a deliberate gesture of fragility and resistance. Limited to 300 copies.\u003c\/p\u003e\n\u003cp data-start=\"629\" data-end=\"1051\"\u003eTechnical Sheet\u003cbr data-start=\"644\" data-end=\"647\"\u003eTitle: Too Much But Not Enough\u003cbr data-start=\"677\" data-end=\"680\"\u003eArtist \/ Author: Yang Li; Antoine d’Agata\u003cbr data-start=\"721\" data-end=\"724\"\u003eEditor: Theseus Chan\u003cbr data-start=\"744\" data-end=\"747\"\u003eDate: 2023\u003cbr data-start=\"757\" data-end=\"760\"\u003eEdition: First edition, limited to 300 copies\u003cbr data-start=\"805\" data-end=\"808\"\u003eMedium \/ Materials: 23 softcover booklets in individual sleeves, housed in slipcase\u003cbr data-start=\"891\" data-end=\"894\"\u003eDimensions (cm): 31.6 × 32 cm\u003cbr data-start=\"923\" data-end=\"926\"\u003ePages: 276 (198 images)\u003cbr data-start=\"949\" data-end=\"952\"\u003eLanguage: English \/ Chinese\u003cbr data-start=\"979\" data-end=\"982\"\u003ePublisher \/ Editor: Steidl\u003cbr data-start=\"1008\" data-end=\"1011\"\u003eISBN: 978-3-96999-211-1\u003cbr data-start=\"1034\" data-end=\"1037\"\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52735353422162,"sku":null,"price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_e638d97b-799a-4d5c-89d6-648c72c4937c.jpg?v=1771495338"},{"product_id":"self-portraits-1987-2017-antoine-d-agata-super-labo-2017","title":"SELF-PORTRAITS 1987–2017, Antoine d’Agata, SUPER LABO, 2017","description":"\u003cp data-start=\"62\" data-end=\"623\"\u003eA self-portrait stretched across thirty years of excess, desire and disappearance. Rather than documenting a life, Antoine d’Agata uses his own body and experiences as a testing ground for photography itself. Made between 1987 and 2017, these images trace an uncompromising journey through addiction, sexuality, violence and solitude, dissolving the boundary between witness and participant. Part visual diary, part existential manifesto, the book distills the radical intensity that has made d’Agata one of the most singular voices in contemporary photography.\u003c\/p\u003e\n\u003cp data-start=\"625\" data-end=\"903\"\u003e\u003cstrong data-start=\"625\" data-end=\"644\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"644\" data-end=\"647\"\u003eTitle: SELF-PORTRAITS 1987–2017\u003cbr data-start=\"678\" data-end=\"681\"\u003eArtist \/ Author: Antoine d’Agata\u003cbr data-start=\"713\" data-end=\"716\"\u003eDate: 2017\u003cbr data-start=\"726\" data-end=\"729\"\u003eEdition: First edition\u003cbr data-start=\"751\" data-end=\"754\"\u003eMedium \/ Materials: Hardcover photobook with obi band\u003cbr data-start=\"807\" data-end=\"810\"\u003eLanguage: English\u003cbr data-start=\"827\" data-end=\"830\"\u003ePublisher \/ Editor: SUPER LABO\u003cbr data-start=\"860\" data-end=\"863\"\u003eISBN: 978-4-908512-10-0\u003cbr data-start=\"886\" data-end=\"889\"\u003eCondition: New\u003c\/p\u003e\n\u003cp data-start=\"905\" data-end=\"1085\"\u003e \u003c\/p\u003e","brand":"SUPER LABO","offers":[{"title":"Default Title","offer_id":53763376382290,"sku":null,"price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_75cc7cf9-c261-4903-86c4-47ad60c0db6f.jpg?v=1781610394"},{"product_id":"noia-antoine-d-agata-super-labo-2014","title":"NOIÁ, Antoine d’Agata, SUPER LABO, 2014","description":"\u003cp data-start=\"41\" data-end=\"642\"\u003eA descent into the zones where desire, addiction and survival become indistinguishable. Made in crack houses in São Paulo and Salvador de Bahia, \u003cem data-start=\"186\" data-end=\"192\"\u003eNOIÁ\u003c\/em\u003e is among Antoine d’Agata’s most uncompromising works. Rather than documenting from a distance, he immerses himself within the physical and psychological realities of those he photographs, pushing documentary practice toward lived experience. Published in a limited edition of 500 copies and housed in a custom case, this large-format volume stands as a concentrated statement of d’Agata’s radical exploration of the body, marginality and resistance.\u003c\/p\u003e\n\u003cp data-start=\"644\" data-end=\"663\"\u003e\u003cstrong data-start=\"644\" data-end=\"663\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"665\" data-end=\"1024\"\u003eTitle: NOIÁ\u003cbr data-start=\"676\" data-end=\"679\"\u003eArtist \/ Author: Antoine d’Agata\u003cbr data-start=\"711\" data-end=\"714\"\u003eDate: 2014\u003cbr data-start=\"724\" data-end=\"727\"\u003eEdition: Limited edition of 500 copies\u003cbr data-start=\"765\" data-end=\"768\"\u003eTechnique \/ Printing Method: Full colour offset printing\u003cbr data-start=\"824\" data-end=\"827\"\u003eMedium \/ Materials: Softcover with custom case\u003cbr data-start=\"873\" data-end=\"876\"\u003eDimensions (cm): 29.7 × 39.6\u003cbr data-start=\"904\" data-end=\"907\"\u003ePages: 36\u003cbr data-start=\"916\" data-end=\"919\"\u003eImages: 34 colour photographs\u003cbr data-start=\"948\" data-end=\"951\"\u003ePublisher \/ Editor: SUPER LABO\u003cbr data-start=\"981\" data-end=\"984\"\u003eISBN: 978-4-905052-68-5\u003cbr data-start=\"1007\" data-end=\"1010\"\u003eCondition: New\u003c\/p\u003e","brand":"SUPER LABO","offers":[{"title":"Default Title","offer_id":53767492338002,"sku":null,"price":92.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_3_fe214a39-71c7-43c2-83a6-0907d145a046.jpg?v=1781627192"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/collections\/large.jpg?v=1768069445","url":"https:\/\/thedarwin.es\/collections\/antoine-dagata.oembed","provider":"DaRWIN","version":"1.0","type":"link"}