{"title":"Aperture","description":"\u003ch1\u003eAPERTURE\u003c\/h1\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAperture enters as a parallel institution, less austere, more didactic in tone. Founded in 1952 in New York, it threads through Darwin where pedagogy meets circulation. We resist its authority yet return to its role in stabilizing photographic discourse. In tension with Steidl’s material rigor, Aperture foregrounds visibility, access, and canon formation—an editorial counterweight to our bias toward opacity, sequencing, and controlled surfaces.\u003c\/p\u003e","products":[{"product_id":"the-pulse-of-life","title":"The Pulse of Life — Photo portraits XXI century, Aperture 2021","description":"\u003cp data-start=\"92\" data-end=\"634\"\u003eA precise survey of portraiture at its most alert, this volume captures how photography confronts the human presence. Drawing from key figures across decades, it assembles over a hundred works where intimacy, distance, and observation collide. Rather than stylistic unity, it proposes a shared commitment to lived reality—faces as sites of tension, vulnerability, and recognition. Carefully sequenced, it reads less as a catalogue than a sustained reflection on photography’s documentary force and its unresolved ethical and emotional stakes.\u003c\/p\u003e\n\u003cp data-start=\"636\" data-end=\"936\"\u003e\u003cstrong data-start=\"636\" data-end=\"655\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"655\" data-end=\"658\"\u003eTitle: The Pulse of Life\u003cbr data-start=\"682\" data-end=\"685\"\u003eArtist \/ Author: Various\u003cbr data-start=\"709\" data-end=\"712\"\u003eDate: 2021\u003cbr data-start=\"722\" data-end=\"725\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"769\" data-end=\"772\"\u003eMedium \/ Materials: Hardcover with cloth spine\u003cbr data-start=\"818\" data-end=\"821\"\u003eDimensions (cm): 30 × 25\u003cbr data-start=\"845\" data-end=\"848\"\u003ePages: 280\u003cbr data-start=\"858\" data-end=\"861\"\u003eLanguage: English\u003cbr data-start=\"878\" data-end=\"881\"\u003ePublisher \/ Editor: Fundación MAPFRE\u003cbr data-start=\"917\" data-end=\"920\"\u003eCondition: New\u003c\/p\u003e\n\u003cp data-start=\"938\" data-end=\"1172\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51614795006290,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_1_00c55fb2-f382-411c-b451-522b46f7a913.jpg?v=1768211442"},{"product_id":"pieter-hugo-kin-first-edition","title":"KIN — Pieter Hugo (First Edition), Aperture 2005","description":"\u003cp data-start=\"39\" data-end=\"1251\"\u003e\u003cem data-start=\"39\" data-end=\"44\"\u003eKIN\u003c\/em\u003e is a defining monograph by Pieter Hugo, capturing the intricate fabric of contemporary life across communities and identities, and a cornerstone in Darwin’s collection for anyone drawn to photography that navigates intimacy and expansiveness with equal precision. First published as Hugo’s first major book, \u003cem data-start=\"353\" data-end=\"358\"\u003eKIN\u003c\/em\u003e brings together the photographer’s early body of work—portraits from \u003cem data-start=\"428\" data-end=\"439\"\u003eNollywood\u003c\/em\u003e to \u003cem data-start=\"443\" data-end=\"466\" data-is-only-node=\"\"\u003eThe Hyena \u0026amp; Other Men\u003c\/em\u003e, \u003cem data-start=\"468\" data-end=\"507\"\u003eBetween the Devil \u0026amp; the Deep Blue Sea\u003c\/em\u003e, and \u003cem data-start=\"513\" data-end=\"530\"\u003ePermanent Error\u003c\/em\u003e—with a singular eye that foregrounds the dignity and complexity of its subjects without concession to spectacle. What binds these disparate bodies is a rigorous attention to presence: Hugo’s subjects are shown in moments where vulnerability and resilience coexist, framed by stark, unadorned pages that amplify their humanity. The sequencing moves with a quiet tension, allowing each portrait to assert its weight and then recede into a larger meditation on kinship, otherness, and the porous boundaries of self and society. In a first edition that has become increasingly rare, \u003cem data-start=\"1110\" data-end=\"1115\"\u003eKIN\u003c\/em\u003e remains essential for readers seeking photographic work that refuses easy answers and instead insists on the enduring power of looking.\u003c\/p\u003e\n\u003cp data-start=\"1253\" data-end=\"1617\"\u003eTechnical Sheet\u003cbr data-start=\"1268\" data-end=\"1271\"\u003eTitle: \u003cem data-start=\"1278\" data-end=\"1283\"\u003eKIN\u003c\/em\u003e\u003cbr data-start=\"1314\" data-end=\"1317\"\u003eEdition: First Edition\u003cbr data-start=\"1339\" data-end=\"1342\"\u003eDate: 2005 (approx., first publication)\u003cbr data-start=\"1381\" data-end=\"1384\"\u003eMedium \/ Materials: Photobook, hardcover\u003cbr data-start=\"1424\" data-end=\"1427\"\u003eDimensions (cm): ~30 × 38 (large‑format)\u003cbr data-start=\"1467\" data-end=\"1470\"\u003eLanguage: English\u003cbr data-start=\"1487\" data-end=\"1490\"\u003ePages: ~180\u003cbr data-start=\"1501\" data-end=\"1504\"\u003ePublisher \/ Editor: Aperture \/ Chris Boot\u003cbr data-start=\"1545\" data-end=\"1548\"\u003eISBN: (varies by printing)\u003cbr data-start=\"1574\" data-end=\"1577\"\u003eCondition: NEW\u003c\/p\u003e","brand":"aperture","offers":[{"title":"Default Title","offer_id":51759326265682,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_1c917d3a-cad2-4fb9-8d82-1832edbbfa09.jpg?v=1768160250"},{"product_id":"paz-errazuriz-selected-works-of-chile","title":"Paz Errázuriz — Survey, Aperture 2016","description":"\u003cp data-start=\"95\" data-end=\"601\"\u003eThis comprehensive monograph on Chilean photographer Paz Errázuriz, published in 2016 by Aperture, is part of the Darwin Bookshop because it traces the full arc of a career devoted to photographing those excluded from dominant narratives. From the psychiatric institutions of \u003cem data-start=\"371\" data-end=\"391\"\u003eLa Manzana de Adán\u003c\/em\u003e to the brothels of \u003cem data-start=\"411\" data-end=\"432\"\u003eEl Infarto del Alma\u003c\/em\u003e and \u003cem data-start=\"437\" data-end=\"453\"\u003eMaisons Closes\u003c\/em\u003e, Errázuriz’s work is not reportage—it is alliance. Her black-and-white images are built on long, immersive relationships, where trust becomes form.\u003c\/p\u003e\n\u003cp data-start=\"603\" data-end=\"1045\"\u003eThis \u003cem data-start=\"608\" data-end=\"616\"\u003eSurvey\u003c\/em\u003e gathers key series spanning four decades, and reveals Errázuriz’s evolution from clandestine photographer under Pinochet’s regime to internationally recognized chronicler of resistance and intimacy. The book’s visual pacing—alternating between iconic portraits, tender interiors, and quiet gestures—echoes her ethical stance: look carefully, and look again. Marginality, in her lens, is not a category but a position of insight.\u003c\/p\u003e\n\u003cp data-start=\"1047\" data-end=\"1523\"\u003eThe publication was released alongside her major exhibition at the Fundación MAPFRE in Madrid and marks the first substantial English-language volume on her work. With texts by Gerardo Mosquera and curator Paulina Varas, it contextualizes Errázuriz within both Latin American documentary traditions and feminist visual politics. At Darwin, this book is held as a primary reference on the ethics of photographic engagement—and as a testament to looking where power says not to.\u003c\/p\u003e\n\u003cp data-start=\"1525\" data-end=\"1544\"\u003e\u003cstrong data-start=\"1525\" data-end=\"1544\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1546\" data-end=\"1821\"\u003eTitle: Survey\u003cbr data-start=\"1559\" data-end=\"1562\"\u003eArtist \/ Author: Paz Errázuriz\u003cbr data-start=\"1592\" data-end=\"1595\"\u003eDate: 2016\u003cbr data-start=\"1605\" data-end=\"1608\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1652\" data-end=\"1655\"\u003eMedium \/ Materials: Hardcover book\u003cbr data-start=\"1689\" data-end=\"1692\"\u003eDimensions: 24.1 × 30.5 cm\u003cbr data-start=\"1718\" data-end=\"1721\" data-is-only-node=\"\"\u003eLanguage: English\u003cbr data-start=\"1738\" data-end=\"1741\"\u003ePages: 256\u003cbr data-start=\"1751\" data-end=\"1754\"\u003ePublisher \/ Editor: Aperture\u003cbr data-start=\"1782\" data-end=\"1785\"\u003eISBN: 9781597113722\u003cbr data-start=\"1804\" data-end=\"1807\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51821506527570,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_1_33bb5c2b-0d52-42c8-b8e6-c8f0d8463567.jpg?v=1768036410"},{"product_id":"wires-crossed-ed-templeton-2023","title":"Wires Crossed — Ed Templeton, Aperture 2023","description":"\u003cp data-start=\"103\" data-end=\"600\"\u003e\u003cem data-start=\"103\" data-end=\"118\"\u003eWires Crossed\u003c\/em\u003e is Ed Templeton’s most intimate reckoning with the skateboarding subculture he both documented and embodied. Published by Aperture in 2023, the book is a visual memoir of Templeton’s two-decade career straddling the edge of athletic performance, punk aesthetics, and diaristic photography. The title, taken from a recurring motif in Templeton’s graphic language, signals disruption, connection, misfire — a fitting metaphor for the charged, nonlinear path of a skateboarder’s life.\u003c\/p\u003e\n\u003cp data-start=\"602\" data-end=\"1048\"\u003eThrough photographs, personal commentary, and archival material, Templeton charts the tightrope between chaos and grace, public image and private breakdown, youth as performance and youth as violence. We see grainy motel rooms, scraped skin, wired jaws, raw encounters with sex, substance, boredom, and joy. It's a lived anthropology, filtered through the eyes of someone both in the frame and behind the camera — always watching, always exposed.\u003c\/p\u003e\n\u003cp data-start=\"1050\" data-end=\"1418\"\u003eThis is not just a skate book. It’s a fractured bildungsroman that echoes the raw vulnerability of Larry Clark, the suburban hauntings of Jim Goldberg, and the immersive candour of Nan Goldin. Designed by Templeton himself with a linocut-like cloth cover, the object feels both urgent and carefully crafted — a tactile homage to the hand-made, the fucked-up, the real.\u003c\/p\u003e\n\u003cp data-start=\"1420\" data-end=\"1795\"\u003e\u003cstrong data-start=\"1420\" data-end=\"1429\"\u003eTitle\u003c\/strong\u003e: Wires Crossed\u003cbr data-start=\"1444\" data-end=\"1447\"\u003e\u003cstrong data-start=\"1447\" data-end=\"1466\"\u003eArtist \/ Author\u003c\/strong\u003e: Ed Templeton\u003cbr data-start=\"1480\" data-end=\"1483\"\u003e\u003cstrong data-start=\"1483\" data-end=\"1491\"\u003eDate\u003c\/strong\u003e: 2023\u003cbr data-start=\"1497\" data-end=\"1500\"\u003e\u003cstrong data-start=\"1500\" data-end=\"1531\"\u003eTechnique \/ Printing Method\u003c\/strong\u003e: Offset printing\u003cbr data-start=\"1548\" data-end=\"1551\"\u003e\u003cstrong data-start=\"1551\" data-end=\"1573\" data-is-only-node=\"\"\u003eMedium \/ Materials\u003c\/strong\u003e: Clothbound hardcover\u003cbr data-start=\"1595\" data-end=\"1598\"\u003e\u003cstrong data-start=\"1598\" data-end=\"1617\"\u003eDimensions (cm)\u003c\/strong\u003e: approx. 24 x 32 cm\u003cbr data-start=\"1637\" data-end=\"1640\"\u003e\u003cstrong data-start=\"1640\" data-end=\"1660\"\u003eLanguage (books)\u003c\/strong\u003e: English\u003cbr data-start=\"1699\" data-end=\"1702\"\u003e\u003cstrong data-start=\"1702\" data-end=\"1732\"\u003ePublisher \/ Editor (books)\u003c\/strong\u003e: Aperture\u003cbr data-start=\"1742\" data-end=\"1745\"\u003e\u003cstrong data-start=\"1745\" data-end=\"1753\"\u003eISBN\u003c\/strong\u003e: 978-1-59711-536-0\u003cbr data-start=\"1772\" data-end=\"1775\"\u003e\u003cstrong data-start=\"1775\" data-end=\"1788\"\u003eCondition\u003c\/strong\u003e: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52483772776786,"sku":null,"price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_00c652bf-5423-46a7-9aa1-b303d97047aa.jpg?v=1768468652"},{"product_id":"the-ballad-of-sexual-dependency-nan-goldin-2012","title":"The Ballad of Sexual Dependency — Nan Goldin, Aperture 2012","description":"\u003cdiv class=\"relative basis-auto flex-col -mb-(--composer-overlap-px) [--composer-overlap-px:28px] grow flex\"\u003e\n\u003cdiv class=\"flex flex-col text-sm\"\u003e\n\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:e4714c92-5f87-4f38-ade8-a0f50a77fa49-61\" data-testid=\"conversation-turn-16\" data-scroll-anchor=\"true\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"ea354bf4-49c3-4c1c-9c48-b5cf60d4998a\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-4o\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\u003cp data-start=\"131\" data-end=\"602\"\u003eNan Goldin’s \u003cem data-start=\"144\" data-end=\"177\"\u003eThe Ballad of Sexual Dependency\u003c\/em\u003e remains one of the most visceral and influential photobooks of the late 20th century — an unflinching visual diary of intimacy, addiction, love, and damage. First published by Aperture in 1986 and reissued here in 2012, it collects Goldin’s raw 35mm snapshots of her extended chosen family: artists, lovers, drag queens, addicts, and outcasts orbiting the Downtown New York and Boston scenes of the late ’70s and early ’80s.\u003c\/p\u003e\n\u003cp data-start=\"604\" data-end=\"1122\"\u003eThe book reads like a private slideshow made public — a sequencing of vulnerability, bruises, parties, loss, and survival, its rhythm close to cinema or confession. The colour is flash-hot and immediate, grainy and intimate. Goldin appears throughout the book, not just as photographer but as character — documenting her own relationships with brutal tenderness. The cover image, \u003cem data-start=\"984\" data-end=\"1026\"\u003eNan and Brian in bed, New York City 1983\u003c\/em\u003e, has become one of the most recognised and emotionally fraught portraits in modern photography.\u003c\/p\u003e\n\u003cp data-start=\"1124\" data-end=\"1365\"\u003eThis is the 2012 Aperture hardcover reissue — faithful in layout and emotional force, with updated production design and the same unforgettable arc. A landmark title that continues to resonate across generations of image-makers and diarists.\u003c\/p\u003e\n\u003cp data-start=\"1367\" data-end=\"1718\"\u003e\u003cstrong data-start=\"1367\" data-end=\"1386\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1386\" data-end=\"1389\"\u003eTitle: The Ballad of Sexual Dependency\u003cbr data-start=\"1427\" data-end=\"1430\"\u003eArtist \/ Author: Nan Goldin\u003cbr data-start=\"1457\" data-end=\"1460\"\u003eDate: 2012 reissue (originally 1986)\u003cbr data-start=\"1496\" data-end=\"1499\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1543\" data-end=\"1546\"\u003eMedium \/ Materials: Hardcover with dust jacket\u003cbr data-start=\"1592\" data-end=\"1595\" data-is-only-node=\"\"\u003eDimensions: 24.5 x 28.5 cm\u003cbr data-start=\"1621\" data-end=\"1624\"\u003ePages: Approx. 150\u003cbr data-start=\"1642\" data-end=\"1645\"\u003ePublisher \/ Editor: Aperture\u003cbr data-start=\"1673\" data-end=\"1676\"\u003eISBN: 978-1-59711-208-6\u003cbr data-start=\"1699\" data-end=\"1702\"\u003eCondition: NEW\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"z-0 flex min-h-[46px] justify-start\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"thread-bottom-container\" class=\"sticky bottom-0 group\/thread-bottom-container relative isolate z-10 w-full basis-auto has-data-has-thread-error:pt-2 has-data-has-thread-error:[box-shadow:var(--sharp-edge-bottom-shadow)] md:border-transparent md:pt-0 dark:border-white\/20 md:dark:border-transparent print:hidden content-fade single-line flex flex-col\"\u003e\n\u003cdiv id=\"thread-bottom\"\u003e\n\u003cdiv class=\"text-base mx-auto [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 mb-4\"\u003e\n\u003cdiv class=\"pointer-events-auto relative z-1 flex h-(--composer-container-height,100%) max-w-full flex-(--composer-container-flex,1) flex-col\"\u003e\u003cform class=\"group\/composer w-full\" data-type=\"unified-composer\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"bg-token-bg-primary corner-superellipse\/1.1 cursor-text overflow-clip bg-clip-padding p-2.5 contain-inline-size motion-safe:transition-colors motion-safe:duration-200 motion-safe:ease-in-out dark:bg-[#303030] grid grid-cols-[auto_1fr_auto] [grid-template-areas:'header_header_header'_'leading_primary_trailing'_'._footer_.'] group-data-expanded\/composer:[grid-template-areas:'header_header_header'_'primary_primary_primary'_'leading_footer_trailing'] shadow-short\" data-composer-surface=\"true\"\u003e\n\u003cdiv class=\"-my-2.5 flex min-h-14 items-center overflow-x-hidden px-1.5 [grid-area:primary] group-data-expanded\/composer:mb-0 group-data-expanded\/composer:px-2.5\"\u003e\n\u003cdiv class=\"wcDTda_prosemirror-parent text-token-text-primary max-h-[max(30svh,5rem)] max-h-52 min-h-[var(--deep-research-composer-extra-height,unset)] flex-1 overflow-auto [scrollbar-width:thin] default-browser vertical-scroll-fade-mask\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/form\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52557833929042,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_10e6ea6a-99e8-448c-8b9d-6e3326482987.jpg?v=1769296853"},{"product_id":"sketch-of-paris-jh-engstrom-2013","title":"Sketch of Paris — JH Engström, Aperture 2013","description":"\u003cp data-start=\"104\" data-end=\"1072\"\u003eThis is JH Engström’s Paris: smeared lipstick, torn curtains, dirty tiles and private glances. Shot between 1991 and 2012, \u003cem data-start=\"227\" data-end=\"244\"\u003eSketch of Paris\u003c\/em\u003e is not a portrait of the city but of a life lived within it—dislocated, bohemian, and unfiltered. Across 250 images in black-and-white and saturated colour, Engström documents not just a place, but a mood: the delirium of late nights and early mornings, of bodies lost and found, of emotional exposure. With his instinctive, diaristic eye, the Swedish photographer offers a counter-archive to the romantic clichés of the French capital—something closer to Anders Petersen’s \u003cem data-start=\"719\" data-end=\"733\"\u003eCafé Lehmitz\u003c\/em\u003e or Nan Goldin’s \u003cem data-start=\"750\" data-end=\"758\"\u003eBallad\u003c\/em\u003e, but more erratic, more fractured. The design of the book itself, housed in a utilitarian slipcase with type pressed into raw cardboard, resists polish—matching the rough lyricism of Engström’s vision. This is Paris in fragments, in memory, in ruin and desire. It is also the record of an artist becoming himself.\u003c\/p\u003e\n\u003cp data-start=\"1074\" data-end=\"1093\"\u003e\u003cstrong data-start=\"1074\" data-end=\"1093\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1095\" data-end=\"1350\"\u003eTitle: Sketch of Paris\u003cbr data-start=\"1117\" data-end=\"1120\"\u003eArtist \/ Author: JH Engström\u003cbr data-start=\"1148\" data-end=\"1151\"\u003eDate: 2013\u003cbr data-start=\"1161\" data-end=\"1164\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1199\" data-end=\"1202\"\u003eMedium \/ Materials: Hardcover with slipcase\u003cbr data-start=\"1245\" data-end=\"1248\"\u003eLanguage: English\u003cbr data-start=\"1265\" data-end=\"1268\" data-is-only-node=\"\"\u003ePages: 250\u003cbr data-start=\"1278\" data-end=\"1281\"\u003ePublisher \/ Editor: Aperture\u003cbr data-start=\"1309\" data-end=\"1312\"\u003eISBN: 9781597112358\u003cbr data-start=\"1331\" data-end=\"1334\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52563748258130,"sku":null,"price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_8101c417-4d67-483d-ad43-a4cc1fc23de3.jpg?v=1769379267"},{"product_id":"louis-carlos-bernal-monograph-edited-by-elizabeth-ferrer-2024","title":"Louis Carlos Bernal — Monograph, Edited by Elizabeth Ferrer, Aperture 2024","description":"\u003cp data-start=\"135\" data-end=\"630\"\u003eA landmark survey of one of the most significant Chicano photographers of the 20th century, \u003cem data-start=\"227\" data-end=\"260\"\u003eLouis Carlos Bernal: Monografía\u003c\/em\u003e offers the first major scholarly account of a visionary artist whose work chronicled barrio life in the American Southwest with radical tenderness and formal depth. Edited by curator and art historian Elizabeth Ferrer, and co-published by Aperture and the Center for Creative Photography, this monograph affirms Bernal’s centrality in the story of American photography.\u003c\/p\u003e\n\u003cp data-start=\"632\" data-end=\"1062\"\u003eWorking in the 1970s and ’80s, Bernal captured domestic interiors and their inhabitants—rooms thick with Catholic icons, family photos, plastic flowers, velvet paintings, and the invisible gravity of everyday survival. His portraits, in both black-and-white and rich Kodachrome colour, honour la vida cotidiana not as document but as devotion. Faith, indigeneity, and working-class aesthetics resonate quietly through every image.\u003c\/p\u003e\n\u003cp data-start=\"1064\" data-end=\"1464\"\u003eBernal viewed photography as a political and spiritual tool—a way to restore visibility and dignity to those rendered peripheral by dominant culture. This 220-page volume includes 166 images and deep archival research, positioning his work in dialogue with Latinx visual culture and American modernism alike. It belongs beside Laura Aguilar, Roy DeCarava, and Diane Arbus—but remains utterly its own.\u003c\/p\u003e\n\u003cp data-start=\"1466\" data-end=\"1895\"\u003eTechnical Sheet\u003cbr data-start=\"1481\" data-end=\"1484\"\u003eTitle: Louis Carlos Bernal: Monografía\u003cbr data-start=\"1522\" data-end=\"1525\"\u003eArtist \/ Author: Louis Carlos Bernal\u003cbr data-start=\"1561\" data-end=\"1564\"\u003eEditor: Elizabeth Ferrer\u003cbr data-start=\"1588\" data-end=\"1591\"\u003eDate: 2024\u003cbr data-start=\"1601\" data-end=\"1604\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1639\" data-end=\"1642\" data-is-only-node=\"\"\u003eMedium \/ Materials: Hardcover, clothbound\u003cbr data-start=\"1683\" data-end=\"1686\"\u003eDimensions (cm): 22 × 27 (8.7 × 10.7 inches)\u003cbr data-start=\"1730\" data-end=\"1733\"\u003eLanguage: English\u003cbr data-start=\"1750\" data-end=\"1753\"\u003ePages: 220\u003cbr data-start=\"1763\" data-end=\"1766\"\u003eImages: 166\u003cbr data-start=\"1777\" data-end=\"1780\"\u003ePublisher \/ Editor: Aperture \/ Center for Creative Photography, Tucson\u003cbr data-start=\"1850\" data-end=\"1853\"\u003eISBN: 978-1-59711-557-5\u003cbr data-start=\"1876\" data-end=\"1879\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52607375507794,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_1_3a33abbe-d843-430a-a219-b25ca1cc46ac.jpg?v=1769936962"},{"product_id":"mexican-portraits-pablo-ortiz-monasterio-vesta-monica-herrerias","title":"Mexican Portraits — Pablo Ortiz Monasterio, Vesta Mónica Herrerías, Aperture","description":"\u003cp data-start=\"135\" data-end=\"585\"\u003e\u003cem data-start=\"135\" data-end=\"154\"\u003eMexican Portraits\u003c\/em\u003e is an extraordinary collective portrait of a nation, compiled by Pablo Ortiz Monasterio and Vesta Mónica Herrerías from private collections and institutional archives across Mexico. Published by Aperture and Fundación Televisa, this large-format volume weaves a photographic tapestry spanning over a century—from daguerreotypes to vernacular snapshots, studio prints to ID photos—mapping out the evolving face of Mexican identity.\u003c\/p\u003e\n\u003cp data-start=\"587\" data-end=\"999\"\u003eThe book resists chronological narration in favour of emotional resonance. Faces appear and reappear, echoing across time and class: revolutionaries, Indigenous women, soldiers, lovers, children, bureaucrats, boxers. Their expressions—defiant, formal, vulnerable—speak of memory, resistance, beauty, and belonging. Rather than focusing on authorship or aesthetics, the editors have centred the act of being seen.\u003c\/p\u003e\n\u003cp data-start=\"1001\" data-end=\"1313\"\u003ePrinted with tactile elegance, \u003cem data-start=\"1032\" data-end=\"1051\"\u003eMexican Portraits\u003c\/em\u003e is as much anthropology as it is poetry—where personal and collective memory merge in the photographic trace. It sits alongside works like \u003cem data-start=\"1191\" data-end=\"1229\"\u003eFacundo de Zuviría: Siesta Argentina\u003c\/em\u003e or \u003cem data-start=\"1233\" data-end=\"1254\"\u003eArchivo Discontinuo\u003c\/em\u003e as a major effort in Latin American archival storytelling.\u003c\/p\u003e\n\u003cp data-start=\"1315\" data-end=\"1695\"\u003eTechnical Sheet\u003cbr data-start=\"1330\" data-end=\"1333\"\u003eTitle: Mexican Portraits\u003cbr data-start=\"1357\" data-end=\"1360\"\u003eEditor(s): Pablo Ortiz Monasterio, Vesta Mónica Herrerías\u003cbr data-start=\"1417\" data-end=\"1420\"\u003eDate: Unstated (likely early 2000s)\u003cbr data-start=\"1455\" data-end=\"1458\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1493\" data-end=\"1496\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"1525\" data-end=\"1528\" data-is-only-node=\"\"\u003eDimensions (cm): approx. 30 × 30\u003cbr data-start=\"1560\" data-end=\"1563\"\u003eLanguage: English\u003cbr data-start=\"1580\" data-end=\"1583\"\u003ePages: Unstated\u003cbr data-start=\"1598\" data-end=\"1601\"\u003ePublisher \/ Editor: Aperture \/ Fundación Televisa\u003cbr data-start=\"1650\" data-end=\"1653\"\u003eISBN: 978-1-59711-272-7\u003cbr data-start=\"1676\" data-end=\"1679\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52607734907218,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_0b56b0f1-e1c4-4a3a-ba66-2e4654078ab7.jpg?v=1769957005"},{"product_id":"car-girls-jacqueline-hassink-2009-aperture","title":"Car Girls — Jacqueline Hassink, 2009, Aperture","description":"\u003cp data-start=\"149\" data-end=\"684\"\u003eA sharp study of desire staged as spectacle. In \u003cem data-start=\"197\" data-end=\"208\"\u003eCar Girls\u003c\/em\u003e, Jacqueline Hassink photographs promotional models at international motor shows, isolating moments where bodies merge with luxury machines. Shot across seven cities, the series examines how femininity is choreographed within corporate display. The images are cool, precise and deliberately frontal—less about seduction than about systems of representation. Designed by Irma Boom Office, this volume reframes the auto show as theatre of power, branding and gender performance.\u003c\/p\u003e\n\u003cp data-start=\"686\" data-end=\"865\"\u003eTechnical Sheet\u003cbr data-start=\"701\" data-end=\"704\"\u003eTitle: Car Girls\u003cbr data-start=\"720\" data-end=\"723\"\u003eArtist \/ Author: Jacqueline Hassink\u003cbr data-start=\"758\" data-end=\"761\"\u003ePublisher: Aperture\u003cbr data-start=\"780\" data-end=\"783\"\u003eDate: 2009\u003cbr data-start=\"793\" data-end=\"796\"\u003eDesigner: Irma Boom Office\u003cbr data-start=\"822\" data-end=\"825\"\u003eBinding: Hardcover\u003cbr data-start=\"843\" data-end=\"846\"\u003eLanguage: English\u003c\/p\u003e\n\u003cp data-start=\"867\" data-end=\"1087\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52732179054930,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_2_a7eb76ec-0a01-47c7-a7d4-23c20b446967.jpg?v=1771451178"},{"product_id":"the-sochi-project-an-atlas-of-war-and-tourism-in-the-caucasus-rob-hornstra-arnold-van-bruggen-1st-edition-large-format-2013","title":"The Sochi Project: An Atlas of War and Tourism in the Caucasus — Rob Hornstra \u0026 Arnold van Bruggen, 1st edition (large format), Aperture 2013","description":"\u003cp data-start=\"235\" data-end=\"741\"\u003e\u003cmeta charset=\"utf-8\"\u003eThe original, large-format first edition. Published ahead of Sochi 2014, this volume maps a region where Olympic spectacle meets unresolved conflict. Hornstra’s measured documentary photographs intersect with van Bruggen’s investigative texts, tracing Abkhazia, Chechnya and the Russian Riviera as a single fractured terrain. Issued by Aperture Collector’s Edition in 2013, this first printing precedes the later, smaller-format reprint and remains the project’s most expansive physical statement.\u003c\/p\u003e\n\u003cp data-start=\"743\" data-end=\"1157\"\u003eTechnical Sheet\u003cbr data-start=\"758\" data-end=\"761\"\u003eTitle: The Sochi Project: An Atlas of War and Tourism in the Caucasus\u003cbr data-start=\"830\" data-end=\"833\"\u003eArtist \/ Author: Rob Hornstra; Arnold van Bruggen\u003cbr data-start=\"882\" data-end=\"885\"\u003eDate: 2013\u003cbr data-start=\"895\" data-end=\"898\"\u003eEdition: First edition, large format (30 cm)\u003cbr data-start=\"942\" data-end=\"945\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"974\" data-end=\"977\"\u003eDimensions (cm): 25 × 4 × 30 cm\u003cbr data-start=\"1008\" data-end=\"1011\"\u003ePages: 412\u003cbr data-start=\"1021\" data-end=\"1024\"\u003eLanguage: English\u003cbr data-start=\"1041\" data-end=\"1044\"\u003ePublisher \/ Editor: Aperture Collector’s Edition\u003cbr data-start=\"1092\" data-end=\"1095\"\u003eISBN-10: 1597112445\u003cbr data-start=\"1114\" data-end=\"1117\"\u003eISBN-13: 978-1597112444\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52735755977042,"sku":null,"price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_8e854486-84c3-4111-a1ec-b1d478b95616.jpg?v=1771498786"}],"url":"https:\/\/thedarwin.es\/collections\/aperture.oembed","provider":"DaRWIN","version":"1.0","type":"link"}