{"title":"PHOTOBOOKS \/ Subculture \u0026 Underworld","description":"\u003ch1\u003e\u003cstrong\u003ePHOTOBOOKS \/ Subculture \u0026amp; Underworld\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis section gathers unconventional histories. Bodies marked, lives improvised, images made close to risk. These books emerge from informal circuits—zines, minor editions, under-distributed works—functioning as counter-archives. \u003cstrong\u003eIntimacy, exposure, and survival\u003c\/strong\u003e circulate beyond legitimacy, holding material excluded from official records and preserving ways of seeing formed under pressure rather than permission.\u003cbr\u003e\u003c\/p\u003e","products":[{"product_id":"cafe-lehmitz-anders-petersen-1985","title":"Café Lehmitz (Signed Pocket Edition) — Anders Petersen, 1985","description":"\u003cp data-start=\"133\" data-end=\"638\"\u003eThis signed pocket edition of \u003cem data-start=\"163\" data-end=\"177\"\u003eCafé Lehmitz\u003c\/em\u003e, published in 1985 by Schirmer\/Mosel, is Anders Petersen’s own preferred version of his most iconic book. Originally released in 1978, \u003cem data-start=\"313\" data-end=\"327\"\u003eCafé Lehmitz\u003c\/em\u003e launched Petersen’s career and redefined the language of documentary photography. Shot in a working-class bar on the Reeperbahn in Hamburg between 1968 and 1970, the work is a raw, affectionate portrait of a place where rules collapse: sex workers, drunks, lovers, loners — all held in the same intimate frame.\u003c\/p\u003e\n\u003cp data-start=\"640\" data-end=\"1232\"\u003ePetersen doesn’t observe from a distance. He drinks, touches, stays the night. The images are grainy, close, messy, full of flash and emotion. There is no moral hierarchy, only physical proximity and shared time. What makes \u003cem data-start=\"864\" data-end=\"878\"\u003eCafé Lehmitz\u003c\/em\u003e endure is its lack of performance — the trust is real, and the camera feels like part of the furniture. It’s a book that changed the terms for later photographers like Nan Goldin or Antoine d’Agata, proving that documentary could be personal, chaotic, and brutally tender. A cornerstone of postwar European photography, still unmatched in its sincerity.\u003c\/p\u003e\n\u003cp data-start=\"1234\" data-end=\"1594\"\u003eTechnical Sheet\u003cbr data-start=\"1249\" data-end=\"1252\"\u003eTitle: Café Lehmitz (Signed Pocket Edition)\u003cbr data-start=\"1295\" data-end=\"1298\"\u003eArtist \/ Author: Anders Petersen\u003cbr data-start=\"1330\" data-end=\"1333\"\u003eDate: 1985 edition (originally 1978)\u003cbr data-start=\"1369\" data-end=\"1372\"\u003eEdition: Signed\u003cbr data-start=\"1387\" data-end=\"1390\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1425\" data-end=\"1428\"\u003eMedium \/ Materials: Softcover\u003cbr data-start=\"1457\" data-end=\"1460\"\u003eDimensions (cm): Approx. 12 × 18\u003cbr data-start=\"1492\" data-end=\"1495\"\u003eLanguage: German\u003cbr data-start=\"1511\" data-end=\"1514\"\u003ePages: Approx. 120\u003cbr data-start=\"1532\" data-end=\"1535\"\u003ePublisher \/ Editor: Schirmer\/Mosel\u003cbr data-start=\"1569\" data-end=\"1572\"\u003eCondition: Very good\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51776958202194,"sku":null,"price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_2.jpg?v=1770110366"},{"product_id":"pornografie-klaus-staeck-1971","title":"Pornografie – Klaus Staeck, 1971","description":"\u003cp data-end=\"316\" data-start=\"86\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-start=\"99\" data-end=\"529\"\u003eThis artist’s book by Klaus Staeck, completed in 1970 and published in 1971 by Anabas Verlag, is part of the Darwin Bookshop because it offers a caustic, politically charged redefinition of pornography—not of sex, but of violence, media and state power. The title \u003cem data-start=\"363\" data-end=\"376\"\u003ePornografie\u003c\/em\u003e is a provocation: what unfolds inside is not erotic at all, but a dense visual essay on the obscenity of authority and the mass spectacle of repression.\u003c\/p\u003e\n\u003cp data-start=\"531\" data-end=\"1020\"\u003eStaeck, a key figure in postwar German political art, assembles a barrage of press photographs, protest images, police brutality, and tabloid fragments. Riot police in helmets become recurring motifs, their visors pixelated like censored genitals. The graphic language is stark: black backgrounds, aggressive crops, and a montage style indebted to Dada and Situationism. It reads like a dossier, a piece of forensic resistance against the hypocritical moral codes of the West German state.\u003c\/p\u003e\n\u003cp data-start=\"1022\" data-end=\"1375\"\u003ePublished at a moment of deep unrest—shortly after 1968, amid RAF trials and violent protest crackdowns—\u003cem data-start=\"1126\" data-end=\"1139\"\u003ePornografie\u003c\/em\u003e is not a photobook in the classic sense but a critical object. It weaponises design to ask: What kind of images are allowed to circulate, and which ones are suppressed? What violence is deemed acceptable, and which bodies are punished?\u003c\/p\u003e\n\u003cp data-start=\"1377\" data-end=\"1495\"\u003eA rare early work by one of Germany’s most radical image-makers, and a chilling document of mediated authoritarianism.\u003c\/p\u003e\n\u003cp data-start=\"1497\" data-end=\"1516\"\u003e\u003cstrong data-start=\"1497\" data-end=\"1516\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1518\" data-end=\"1537\"\u003eTitle\u003cbr data-start=\"1523\" data-end=\"1526\"\u003ePornografie\u003c\/p\u003e\n\u003cp data-start=\"1539\" data-end=\"1569\"\u003eArtist \/ Author\u003cbr data-start=\"1554\" data-end=\"1557\"\u003eKlaus Staeck\u003c\/p\u003e\n\u003cp data-start=\"1571\" data-end=\"1582\"\u003eDate\u003cbr data-start=\"1575\" data-end=\"1578\"\u003e1971\u003c\/p\u003e\n\u003cp data-start=\"1584\" data-end=\"1629\"\u003eTechnique \/ Printing Method\u003cbr data-start=\"1611\" data-end=\"1614\"\u003eOffset printing\u003c\/p\u003e\n\u003cp data-start=\"1631\" data-end=\"1661\"\u003eMedium \/ Materials\u003cbr data-start=\"1649\" data-end=\"1652\"\u003eSoftcover\u003c\/p\u003e\n\u003cp data-start=\"1663\" data-end=\"1695\"\u003eDimensions (cm)\u003cbr data-start=\"1678\" data-end=\"1681\"\u003e29.5 x 23.5 cm\u003c\/p\u003e\n\u003cp data-start=\"1697\" data-end=\"1714\"\u003eLanguage\u003cbr data-start=\"1705\" data-end=\"1708\"\u003eGerman\u003c\/p\u003e\n\u003cp data-start=\"1716\" data-end=\"1749\"\u003ePages\u003cbr data-start=\"1721\" data-end=\"1724\"\u003eUnpaginated (approx. 120)\u003c\/p\u003e\n\u003cp data-start=\"1751\" data-end=\"1810\"\u003ePublisher \/ Editor\u003cbr data-start=\"1769\" data-end=\"1772\"\u003eAnabas Verlag \/ H.C. Schmolck (Editor)\u003c\/p\u003e\n\u003cp data-start=\"1812\" data-end=\"1832\"\u003eISBN\u003cbr data-start=\"1816\" data-end=\"1819\"\u003e3-87038-020-9\u003c\/p\u003e\n\u003cp data-start=\"1834\" data-end=\"1889\"\u003eCondition\u003cbr data-start=\"1843\" data-end=\"1846\"\u003eUsed — cover has damage, and some pages are detached \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51777156972882,"sku":null,"price":280.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_ecc19558-ee61-4f7e-ae3b-860d3ef56606.jpg?v=1768213758"},{"product_id":"lucha-libre-frederique-bangerter","title":"Lucha Libre – Frédérique Bangerter","description":"\u003cp data-start=\"107\" data-end=\"620\"\u003eThis risograph book-object by Swiss artist and editor Frédérique Bangerter is part of the Darwin archive because it performs a collision of bodies and ideas: Mexican masked wrestling meets Enlightenment and anarchist philosophy in a pulp-red, deep-blue zine. Published without a clear imprint or date, \u003cem data-start=\"409\" data-end=\"422\"\u003eLucha Libre\u003c\/em\u003e assembles a surreal and satirical tournament where Immanuel Kant, Arthur Schopenhauer, Jean-Jacques Rousseau, and Pierre-Joseph Proudhon are recast as luchadores in a delirious speculative theatre.\u003c\/p\u003e\n\u003cp data-start=\"622\" data-end=\"1136\"\u003ePrinted in high-contrast halftone with deliberate graphic crudeness, the book adopts the visual codes of vintage lucha libre flyers and bootleg cinema ephemera. Photomontages of real masked wrestlers are intercut with fragments of philosophical texts, inviting a kind of metaphysical smackdown between order, chaos, freedom, and fatalism. The inclusion of full credit lines (\"Dirección: Frédérique Bangerter. Producción: Elvis Miranda\") heightens the parodic tone, proposing the book itself as both film and fight.\u003c\/p\u003e\n\u003cp data-start=\"1138\" data-end=\"1359\"\u003eLucha Libre belongs in Darwin as a rare object that inhabits the unstable terrain between artist’s book, satire, political détournement and vernacular print culture. It’s not a pastiche—it’s a headlock on Western thought.\u003c\/p\u003e\n\u003cp data-start=\"1361\" data-end=\"1380\"\u003e\u003cstrong data-start=\"1361\" data-end=\"1380\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1382\" data-end=\"1650\"\u003eTitle: Lucha Libre\u003cbr data-start=\"1400\" data-end=\"1403\"\u003eArtist \/ Author: Frédérique Bangerter\u003cbr data-start=\"1440\" data-end=\"1443\"\u003eDate: Unknown (c. 2010s)\u003cbr data-start=\"1467\" data-end=\"1470\"\u003eTechnique \/ Printing Method: Risograph\u003cbr data-start=\"1508\" data-end=\"1511\"\u003eMedium \/ Materials: Softcover zine\u003cbr data-start=\"1545\" data-end=\"1548\"\u003eDimensions: approx. 21 × 15 cm\u003cbr data-start=\"1578\" data-end=\"1581\" data-is-only-node=\"\"\u003eLanguage: Spanish, French\u003cbr data-start=\"1606\" data-end=\"1609\"\u003ePages: Unpaginated\u003cbr data-start=\"1627\" data-end=\"1630\"\u003eCondition: Near fine\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51787288543570,"sku":null,"price":55.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_3_adefb495-09e5-458a-b8f3-208b7cd6874d.jpg?v=1768035572"},{"product_id":"alberto-garcia-alix-bikers","title":"Alberto García‑Alix — Bikers","description":"\u003cp data-start=\"67\" data-end=\"99\"\u003e\u003cstrong data-start=\"67\" data-end=\"99\"\u003eBikers — Alberto García-Alix\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"101\" data-end=\"529\"\u003eThis first edition of \u003cem data-start=\"123\" data-end=\"131\"\u003eBikers\u003c\/em\u003e by Alberto García-Alix, published in 1993 by La Tripulación, is part of the Darwin Bookshop because it captures the purest and most iconic distillation of García-Alix’s lifelong obsession: the motorcycle as mirror, weapon, and myth. The book documents the Spanish biker scene of the 1980s and early 90s—not from a distance, but from the inside, with García-Alix as both chronicler and participant.\u003c\/p\u003e\n\u003cp data-start=\"531\" data-end=\"1108\"\u003eShot entirely in black and white, \u003cem data-start=\"565\" data-end=\"573\"\u003eBikers\u003c\/em\u003e is composed of portraits, still lifes, and moments of motion and repair. Leather, oil, chrome, tattoos, open roads and disassembled engines populate its pages, but it’s the psychological charge of the images that defines the work. These aren’t stylised images of freedom—they are tough, intimate photographs of a subculture where identity is built through the machine. The book includes legendary portraits of García-Alix himself, his friends, lovers, and motorcycles, all held together by his precise chiaroscuro and lived proximity.\u003c\/p\u003e\n\u003cp data-start=\"1110\" data-end=\"1437\"\u003ePublished in a square format with glossy dust jacket and stark serif titling, \u003cem data-start=\"1188\" data-end=\"1196\"\u003eBikers\u003c\/em\u003e has become one of the hardest to find and most important early photobooks from post-dictatorship Spain. At Darwin, this first edition is preserved not just as a cult object, but as a document of analogue obsession and subcultural belonging.\u003c\/p\u003e\n\u003cp data-start=\"1439\" data-end=\"1458\"\u003e\u003cstrong data-start=\"1439\" data-end=\"1458\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1460\" data-end=\"1808\"\u003eTitle: Bikers\u003cbr data-start=\"1473\" data-end=\"1476\"\u003eArtist \/ Author: Alberto García-Alix\u003cbr data-start=\"1512\" data-end=\"1515\"\u003eDate: 1993\u003cbr data-start=\"1525\" data-end=\"1528\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1572\" data-end=\"1575\"\u003eMedium \/ Materials: Hardcover with dust jacket\u003cbr data-start=\"1621\" data-end=\"1624\"\u003eDimensions: approx. 24 × 24 cm\u003cbr data-start=\"1654\" data-end=\"1657\" data-is-only-node=\"\"\u003eLanguage: Spanish\u003cbr data-start=\"1674\" data-end=\"1677\"\u003ePages: Unpaginated\u003cbr data-start=\"1695\" data-end=\"1698\"\u003ePublisher \/ Editor: La Tripulación\u003cbr data-start=\"1732\" data-end=\"1735\"\u003eEdition: First edition\u003cbr data-start=\"1757\" data-end=\"1760\"\u003eCondition: Very good (light wear on dust jacket)\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51821647462738,"sku":null,"price":200.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_3_a3eb3067-90b2-477e-a46f-12d4cc554a68.jpg?v=1768065744"},{"product_id":"sin-nombre-28oct_16-59","title":"Mauvais Garçons : Portraits de Tatoués (1890‑1930) — Jérôme Pierrat \u0026 Éric Guillon","description":"\u003cp\u003e\u003cspan\u003eI found this book and knew it belonged in our collection of alter‑histories before even turning the first page. Mauvais Garçons is not merely a photo‑book—it is a visual dossier of the marginalized, the branded, the marked. Between 1890 and 1930, in France, thousands of tattoos became more than body‑decoration. They became codes, scars, statements—in the prisons, in the penal battalions of North Africa, in the criminal underworld.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis bilingual edition (French\/English) by Pierrat and Guillon places over 175 dramatic photographs into a curatorial schema: tattoos as signage, tattoos as voice, tattoos as defiance.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eThe subjects—the “bad boys”, the outlaws—stand stripped of façade, their torsos a theatre of symbols. The book decodes those signs: wild animals, erotic drawings, mottos such as tout me fait rire (“everything makes me laugh”) scrawled across a chest.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWithin our Subculture and Underworld shelf, this volume sits at the intersection of body archive, counter‑history and visual defiance. It invites the reader to examine how tattooing—once dismissed—became a language of resistance and identity. Darwin owns this because it speaks the dialect of the edge, in monochrome clarity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Book\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: Mauvais Garçons : Portraits de Tatoués (1890‑1930)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAuthors: Jérôme Pierrat \u0026amp; Éric Guillon\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2013 (approx.) \u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset printing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Hardcover (bilingual edition)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: First edition by La Manufacture de Livres\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: French \/ English bilingual\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages: ~178 pages \u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: La Manufacture de Livres, France \u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eISBN: 978‑2358870566 \u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: new \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51878365954386,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_23eddac9-cf4e-47b7-86d2-c4cbfc030b7c.jpg?v=1768120923"},{"product_id":"orient-express-co-editions-textuel","title":"Orient‑Express \u0026 Co — Éditions Textuel","description":"\u003cp\u003e\u003cspan\u003eBound in violet cloth and mystery, Orient‑Express \u0026amp; Co opens like a sleeper car door into another time. This book gathers photographs, posters, and ephemera from the archives of the Compagnie Internationale des Wagons-Lits, revealing the golden age of transcontinental train travel in all its intimate grandeur.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHere, luxury is not just a style but a system: mirrored compartments, velvet banquettes, silver tea sets, workers in crisp uniforms behind the curtain of opulence. It’s a book that seduces through atmosphere — cinematic, suspended in time, and at moments, voyeuristic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhat drew me to it was not just the glamour, but the layered narrative beneath: the logistics of empire, the machinery of class, the poetry of departure. In Darwin, it lives among stories of subcultures and underworlds — because behind every luxury train is a world of shadows, sleepers, and motion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Book\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: Orient‑Express \u0026amp; Co — Éditions Textuel\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAuthor \/ Editor: Eva Gravayat \u0026amp; Arthur Mettetal (archive direction)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2020\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset printing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Hardcover, clothbound with inlaid image\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: First edition\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: approx. 27 × 24.5 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: French \/ English bilingual edition\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages: 160\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: Éditions Textuel\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eISBN: 9782845978232\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Excellent\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51879151731026,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_2.jpg?v=1768029662"},{"product_id":"midcentury-memories-the-anonymous-project","title":"Midcentury Memories – The Anonymous Project","description":"\u003cp\u003e\u003cspan\u003eMidcentury Memories is a visual time capsule, assembled from one of the most extraordinary archives of found color slides: The Anonymous Project. In this captivating volume, Taschen curates hundreds of amateur photographs that capture the private, unfiltered lives of mid-century families—picnics, poolside afternoons, awkward holidays, car rides, suburban rituals—rendered in the warm tones of early color film.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWhat makes these images so powerful is their ordinariness. Shot by unknown hands, they bypass the artifice of professional photography to offer something more visceral: joy, imperfection, melancholy, and intimacy. The book becomes not just a collection of vintage photos, but a cinematic portrait of postwar optimism, nostalgia, and the fleeting nature of memory itself.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAs society moved from black and white into Kodachrome, this book reveals how color transformed not only the image, but the way we saw ourselves—and each other. A celebration of the anonymous, the domestic, and the eternally human.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Photographic Book\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: Midcentury Memories\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: The Anonymous Project\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2019\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique: Reproduced amateur color photography (Kodachrome slides)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Hardcover, printed paper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: English\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages: 280 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: Taschen\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eISBN: 9783836574201\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: NEW\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51880287076690,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_11.jpg?v=1768031047"},{"product_id":"a-bastard-son-brian-sergio","title":"A Bastard Son — Brian Sergio","description":"\u003cp\u003e\u003cspan\u003eA Bastard Son is an uncompromising photographic exploration of masculinity, violence, and survival on the margins of contemporary Filipino society. Shot entirely in black and white, Brian Sergio’s images burn with unfiltered energy—portraits of boys and young men suspended in a volatile mix of aggression, vulnerability, and play. These are not sanitized depictions of urban poverty, but confrontational moments of youth in motion, steeped in sweat, defiance, and defiant beauty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePublished by Zen Foto Gallery in Tokyo and designed with minimalist power by Koichi Ino, the book’s red linen cover frames the haunting gaze of a young boy—both subject and symbol of a generation left to invent itself in the absence of structure. Sergio’s work sits at the intersection of documentary and psychological theatre, echoing the raw edge of Nan Goldin and the subcultural intimacy of early Ryan McGinley, but filtered through the charged streets of Manila.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA Bastard Son is a visceral visual statement: political without slogans, poetic without sentimentality. A testament to Sergio’s bold, immersive practice and a crucial addition to the emerging canon of contemporary Southeast Asian photography.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Photobook\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: A Bastard Son\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Brian Sergio\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: November 1, 2018\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eText: Robin Titchener (English text)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDesign: Koichi Ino\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProject Management: Bonnie Pong-Wai Ma\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: Zen Foto Gallery (Tokyo, Japan)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePrinting \u0026amp; Binding: CGK Formaprint, Philippines\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: English \/ Japanese\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Hardcover, red linen with tipped-in photograph\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: first \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages:  80–100\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: . 25 x 18 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eISBN: 978-4-905453-73-4\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Excellent\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51880679571794,"sku":null,"price":65.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_1_86423150-eacd-4558-b237-f32ca44b9055.jpg?v=1767992826"},{"product_id":"mauvais-garcons-portraits-de-tatoues-1890-1930-25-postcards-set","title":"Mauvais Garçons — Portraits de Tatoués, 1890–1930 (25 Postcards set)","description":"\u003cp\u003e\u003cspan\u003eA rare visual archive of the tattooed underworld, drawn from French police mugshots at the turn of the century.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExtended Description\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis postcard set, titled Mauvais Garçons, unveils a clandestine gallery of tattooed men—thieves, anarchists, deserters—photographed in stark, frontal poses by the French police between 1890 and 1930. What once served as forensic evidence now reads like an unintentional art project: a collection of outsider self-portraits inked directly onto skin. Each image bears witness to an era when tattoos were the mark of defiance, identity, and underworld codes—a visual language etched with hearts, women, daggers, and mystic symbols.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese men, hardened yet vulnerable, wear their lives in monochrome. The compositions, raw and formally direct, recall early anthropometric photography while subverting it through a visceral intimacy. Compiled and published by La Manufacture de Livres, this box set contains 25 black-and-white postcards, each a testament to bodies turned biographies. Whether sent, framed, or kept intact as an archival object, the set bridges criminology and portraiture with dark lyricism.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Postcard Set\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: Mauvais Garçons — Portraits de Tatoués, 1890–1930\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Anonymous police photographers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: Published 2021 (images c. 1890–1930)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset printing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Cardstock in slipcase\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: Standard edition\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: No\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 15 x 10.5 cm (each postcard)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: French \/ English\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages: 25 postcards\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: La Manufacture de Livres\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Near Mint\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51882983981394,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/0BD9D896-1EBA-4B59-BA5E-BF6EA2E676B7.png?v=1761717251"},{"product_id":"bomba-mga-litrato-ni-brian-sergio","title":"BOMBA —  photographic zine by Brian Sergio","description":"\u003cp\u003e\u003cspan\u003ePublished in December 2015 by the independent Mazinger Zine, BOMBA is a photographic zine by Filipino photographer Brian Sergio, known for his unflinching gaze and street-level approach to documentary. The title—Bomba, a colloquial Filipino term for softcore erotic cinema—sets the tone for a publication that flirts with transgression, vulnerability, and performative sexuality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eShot in stark black-and-white and printed on uncoated stock, the images are charged with a raw immediacy: young women pose in cramped interiors, gazes defiant or distant, their bodies lit by the dull glow of domestic neon. Sergio’s camera doesn’t glamorize—it documents. The scenes suggest both agency and constraint, echoing a socio-political backdrop of marginal economies and informal glamour.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Photographic Zine\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: BOMBA — Mga Litrato ni Brian Sergio\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Brian Sergio\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: December 2015\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Photocopy-style digital printing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Uncoated paper, saddle-stitched\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: Likely small-run independent edition (undisclosed)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: No\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: Approx. 28 x 21.5 cm (A4)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: English \/ Filipino\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages: Unnumbered (estimated ~24)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: Mazinger Zine\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Good (slight oxidation on edges visible)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51882987782482,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/BARCELO_d1d0632a-7262-48c4-b5f5-13c9f0919543.jpg?v=1768034082"},{"product_id":"nollywood-pieter-hugo-edicion-especial-2009","title":"Nollywood — Pieter Hugo,  Special Edition (Signed + C print) , 2009","description":"\u003cp data-start=\"148\" data-end=\"719\"\u003eThis special edition of \u003cem data-start=\"172\" data-end=\"183\"\u003eNollywood\u003c\/em\u003e by Pieter Hugo, published by Prestel in 2009, is part of the Darwin Bookshop for its brutal, theatrical clarity in documenting Africa’s second-largest film industry—and the imagined worlds it generates. Produced in Nigeria in collaboration with local actors and communities, Hugo’s staged portraits re-enact the hallucinatory iconography of Nollywood cinema: ritual killings, zombie brides, corrupt officials, spirits caught mid-exorcism. The result is an unsettling taxonomy of visual archetypes, both hyper-stylised and deeply local.\u003c\/p\u003e\n\u003cp data-start=\"721\" data-end=\"1281\"\u003eThis collector’s edition, limited to 150 copies, includes a signed and numbered C-print titled \u003cem data-start=\"816\" data-end=\"860\"\u003eSong Iyke with Ebube, Thank God and Mpompo\u003c\/em\u003e, Enugu, Nigeria, 2008. The photograph is signature Hugo—raw light, scorched landscape, and a cast of boys embodying myth and menace with the casual confidence of children raised among ghosts. The book itself is bound in black faux leather with gilt titling, inset with an image of a man in a suit standing over a freshly slaughtered cow, drenched in red. It's a hard object: sacred and cinematic, staged yet documentary.\u003c\/p\u003e\n\u003cp data-start=\"1283\" data-end=\"1579\"\u003eWith essays by Chris Abani, Stacy Hardy, and Zina Saro-Wiwa, this volume situates Hugo’s work within a broader narrative of African self-representation and the seductive power of fiction. Each photograph suggests that performance is not escape, but survival; not illusion, but cultural assertion.\u003c\/p\u003e\n\u003cp data-start=\"1581\" data-end=\"1600\"\u003e\u003cstrong data-start=\"1581\" data-end=\"1600\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1602\" data-end=\"1637\"\u003eTitle\u003cbr data-start=\"1607\" data-end=\"1610\"\u003eNollywood (Special Edition)\u003c\/p\u003e\n\u003cp data-start=\"1639\" data-end=\"1668\"\u003eArtist \/ Author\u003cbr data-start=\"1654\" data-end=\"1657\"\u003ePieter Hugo\u003c\/p\u003e\n\u003cp data-start=\"1670\" data-end=\"1681\"\u003eDate\u003cbr data-start=\"1674\" data-end=\"1677\"\u003e2009\u003c\/p\u003e\n\u003cp data-start=\"1683\" data-end=\"1760\"\u003eTechnique \/ Printing Method\u003cbr data-start=\"1710\" data-end=\"1713\"\u003eOffset printing\u003cbr data-start=\"1728\" data-end=\"1731\"\u003eC-print (signed and numbered)\u003c\/p\u003e\n\u003cp data-start=\"1762\" data-end=\"1888\"\u003eMedium \/ Materials\u003cbr data-start=\"1780\" data-end=\"1783\"\u003eHardcover, faux leather with gold embossing and tipped-in image\u003cbr data-start=\"1846\" data-end=\"1849\"\u003eAccompanied by loose photographic print\u003c\/p\u003e\n\u003cp data-start=\"1890\" data-end=\"1990\"\u003eEdition\u003cbr data-start=\"1897\" data-end=\"1900\"\u003eSpecial edition of 150 copies (this is No. 129\/150)\u003cbr data-start=\"1951\" data-end=\"1954\"\u003eIncludes signed and numbered C-print\u003c\/p\u003e\n\u003cp data-start=\"1992\" data-end=\"2021\"\u003eSigned\u003cbr data-start=\"1998\" data-end=\"2001\"\u003eYes (book and print)\u003c\/p\u003e\n\u003cp data-start=\"2023\" data-end=\"2081\"\u003eDimensions (cm)\u003cbr data-start=\"2038\" data-end=\"2041\"\u003eBook: 29 x 29 cm\u003cbr data-start=\"2057\" data-end=\"2060\"\u003ePrint: 27.5 x 27.5 cm\u003c\/p\u003e\n\u003cp data-start=\"2083\" data-end=\"2101\"\u003eLanguage\u003cbr data-start=\"2091\" data-end=\"2094\"\u003eEnglish\u003c\/p\u003e\n\u003cp data-start=\"2103\" data-end=\"2114\"\u003ePages\u003cbr data-start=\"2108\" data-end=\"2111\"\u003e160\u003c\/p\u003e\n\u003cp data-start=\"2116\" data-end=\"2144\"\u003ePublisher \/ Editor\u003cbr data-start=\"2134\" data-end=\"2137\"\u003ePrestel\u003c\/p\u003e\n\u003cp data-start=\"2146\" data-end=\"2161\"\u003eCondition\u003cbr data-start=\"2155\" data-end=\"2158\"\u003eNew\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51893767766354,"sku":null,"price":700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_1_f8deed02-3ee5-4ee3-89f8-d7d28d963a01.jpg?v=1768210682"},{"product_id":"frenchkiss-anders-petersen","title":"frenchkiss – Anders Petersen","description":"\u003cp\u003e\u003cspan\u003eWith frenchkiss, Swedish master photographer Anders Petersen constructs a visual diary suspended between feral tenderness and nocturnal disquiet. The title, a whisper of sensual provocation, sets the tone for a book where affection and estrangement constantly collide. Famous for his immersive, grain-rich black and white photography, Petersen turns his lens on the creatures—both human and animal—that haunt the edges of society. His cat, eyes shining like twin mirrors, stares from the cover as both sentinel and symbol: elusive, independent, wounded.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOriginally published in 2008 by Images En Manœuvres Éditions in Marseille, this volume is the kind of intimate, physically compact photobook that invites handling and re-reading. It feels like a notebook from the underworld, filled with images torn from the skin of life—fleeting, tactile, instinctive. There are no captions, no anchors. Only instinct.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePart of a pan-European co-edition that included Dewi Lewis Publishing (UK), La Fábrica (Spain), Peliti Associati (Italy), and Kehrer Verlag (Germany), frenchkiss is a testament to Petersen’s enduring influence on photographic language—visceral, unsentimental, and strangely tender.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Photobook\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: frenchkiss\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Anders Petersen\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2008\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset printing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Hardcover with printed boards\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: First edition\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: No\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 19 x 12.5 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: English\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages: 116\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: Images En Manœuvres Éditions (France), with Dewi Lewis Publishing (UK), La Fábrica Editorial (Spain), Peliti Associati (Italy), Kehrer Verlag (Germany)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eISBN: 978-2-8499-5088-8\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: new \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51896016634194,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_8.jpg?v=1768030819"},{"product_id":"maisons-closes-nicole-canet","title":"Maisons Closes – Nicole Canet, Galerie Au Bonheur du Jour, 2021","description":"\u003cp data-start=\"166\" data-end=\"679\"\u003eA dense visual history of brothels and their representations from 1860 to 1946. Moving across paintings, photographs and drawings, this 480-page volume reconstructs the closed world of regulated prostitution in France through 327 illustrations and archival material. Published in a numbered edition of 800 copies, with texts by Florent Paudeleux and Nicole Canet, it combines scholarly precision with the eye of a collector, mapping interiors, rituals and coded economies before their legal disappearance in 1946.\u003c\/p\u003e\n\u003cp data-start=\"681\" data-end=\"1070\"\u003eTechnical Sheet\u003cbr data-start=\"696\" data-end=\"699\"\u003eTitle: Maisons Closes\u003cbr data-start=\"720\" data-end=\"723\"\u003eArtist \/ Author: Nicole Canet\u003cbr data-start=\"752\" data-end=\"755\"\u003eDate: 2021\u003cbr data-start=\"765\" data-end=\"768\"\u003eEdition: Limited edition of 800 numbered copies\u003cbr data-start=\"815\" data-end=\"818\"\u003eMedium \/ Materials: Hardcover book\u003cbr data-start=\"852\" data-end=\"855\"\u003eDimensions (cm): 21 × 27 cm\u003cbr data-start=\"882\" data-end=\"885\"\u003ePages: 480 pages, 327 illustrations\u003cbr data-start=\"920\" data-end=\"923\"\u003eLanguage: French (English translation included)\u003cbr data-start=\"970\" data-end=\"973\"\u003ePublisher \/ Editor: Galerie Au Bonheur du Jour\u003cbr data-start=\"1019\" data-end=\"1022\"\u003eISBN: 979-10-93837-08-6\u003cbr data-start=\"1045\" data-end=\"1048\"\u003eCondition: Very good\u003c\/p\u003e\n\u003cp data-start=\"1072\" data-end=\"1248\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51956954759506,"sku":null,"price":92.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_3.jpg?v=1768030334"},{"product_id":"flash-bryan-sergio","title":"Flash — Brian Sergio, 2021, 1st Edition of 150, The Atelier Risographique \/ Editions Bessard","description":"\u003cp data-start=\"195\" data-end=\"647\"\u003eUrgency as method. 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A concise, raw sequence where spontaneity becomes structure.\u003c\/p\u003e\n\u003cp data-start=\"649\" data-end=\"949\"\u003eTechnical Sheet\u003cbr data-start=\"664\" data-end=\"667\"\u003eTitle: Flash\u003cbr data-start=\"679\" data-end=\"682\"\u003eArtist \/ Author: Brian Sergio\u003cbr data-start=\"711\" data-end=\"714\"\u003eDate: 2021\u003cbr data-start=\"724\" data-end=\"727\"\u003eEdition: First edition; limited to 150 copies\u003cbr data-start=\"772\" data-end=\"775\"\u003ePublisher \/ Editor: The Atelier Risographique \/ Editions Bessard\u003cbr data-start=\"839\" data-end=\"842\" data-is-only-node=\"\"\u003eBinding: Softback\u003cbr data-start=\"859\" data-end=\"862\"\u003ePages: 36\u003cbr data-start=\"871\" data-end=\"874\"\u003eDimensions (cm): 29.5 × 21\u003cbr data-start=\"900\" data-end=\"903\"\u003eLanguage: English\u003cbr data-start=\"920\" data-end=\"923\"\u003eCondition: As new \/ mint\u003c\/p\u003e\n\u003cp data-start=\"951\" data-end=\"1175\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52451205972306,"sku":null,"price":75.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/BARCELO_8b907cba-4163-4e8b-850d-6456675093d3.jpg?v=1768071157"},{"product_id":"anders-petersen-monograph","title":"ANDERS PETERSEN  -  Monograph","description":"\u003cp data-start=\"117\" data-end=\"616\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis book is by far the largest monograph of Petersen and his artistry. The work comprises more than 250 of his most important images, taken from all his projects to date, from his debut title Gröna Lund via Cafe Lehmitz to The City Diaries.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"117\" data-end=\"616\"\u003ePublished by Bokförlaget Max Ström, gathers a lifetime of images that helped redefine European photography from the 1970s onward. From the iconic Café Lehmitz to the intimate City Diaries, Petersen's camera remains unwaveringly close, drawn to fragility, connection, and the rituals of the everyday.\u003c\/p\u003e\n\u003cp data-start=\"117\" data-end=\"616\"\u003eThe layout of this volume is sober and generous, allowing his visual syntax to breathe: messy beds, clenched jaws, open shirts, eyes that speak before the lips.\u003c\/p\u003e\n\u003cp data-start=\"1600\" data-end=\"1619\"\u003e\u003cstrong data-start=\"1600\" data-end=\"1619\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1621\" data-end=\"1643\"\u003eTitle: Anders Petersen\u003c\/p\u003e\n\u003cp data-start=\"1645\" data-end=\"1677\"\u003eArtist \/ Author: Anders Petersen\u003c\/p\u003e\n\u003cp data-start=\"1679\" data-end=\"1689\"\u003eDate: 2003\u003c\/p\u003e\n\u003cp data-start=\"1691\" data-end=\"1735\"\u003eTechnique \/ Printing Method: Offset printing\u003c\/p\u003e\n\u003cp data-start=\"1737\" data-end=\"1783\"\u003eMedium \/ Materials: Hardcover with cloth spine\u003c\/p\u003e\n\u003cp data-start=\"1785\" data-end=\"1802\"\u003eLanguage: English\u003c\/p\u003e\n\u003cp data-start=\"1804\" data-end=\"1836\"\u003ePages: Approx. 280 (unpaginated)\u003c\/p\u003e\n\u003cp data-start=\"1838\" data-end=\"1879\"\u003ePublisher \/ Editor: Bokförlaget Max Ström\u003c\/p\u003e\n\u003cp data-start=\"1881\" data-end=\"1900\"\u003eISBN: 9789171262837\u003c\/p\u003e\n\u003cp data-start=\"1902\" data-end=\"1916\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52465379311954,"sku":null,"price":27.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/Photoroom_20260112_141302.jpg?v=1768295146"},{"product_id":"anticorps-antoine-d-agata","title":"ANTICORPS — Antoine d’Agata, ATELIER EXB 2013","description":"\u003cp data-start=\"126\" data-end=\"537\"\u003e\u003cem data-start=\"326\" data-end=\"337\"\u003eAnticorps\u003c\/em\u003e spans twelve years of d’Agata’s life and work, a descent into the underside of desire, addiction, and nocturnal survival, where the camera serves as both weapon and witness. It is a book that bleeds.\u003c\/p\u003e\n\u003cp data-start=\"539\" data-end=\"1028\"\u003ePhotographed in motel rooms, brothels, crack dens and the blurred peripheries of cities, \u003cem data-start=\"628\" data-end=\"639\"\u003eAnticorps\u003c\/em\u003e resists clarity in both form and content. Images collapse into grain, blur, overexposure, flesh and shadow—where the body appears less as a subject than as a battleground. D’Agata’s visual language, influenced by Araki, Moriyama, and the radical fringe of Magnum (of which he is a member), refuses distance or detachment. These are not portraits, they are invasions—of self and of others.\u003c\/p\u003e\n\u003cp data-start=\"1030\" data-end=\"1460\"\u003eThe black cover gives nothing away. Inside, more than 700 pages of photographs and texts explode across the senses: diaristic, confrontational, at times violently intimate. It’s a work of photographic excess—ambitious, exhausting, and ethically uncomfortable. This is not a book that flatters the eye; it implicates the viewer, pulling them into a world where language and image begin to fail under the weight of lived experience.\u003c\/p\u003e\n\u003cp data-start=\"1462\" data-end=\"1694\"\u003e\u003cem data-start=\"1462\" data-end=\"1473\"\u003eAnticorps\u003c\/em\u003e remains one of the most important photobooks of the 21st century—an artefact of radical subjectivity and physical exposure, a book that belongs in the archive not for what it shows, but for what it dares to live through.\u003c\/p\u003e\n\u003cp data-start=\"1696\" data-end=\"2037\"\u003e\u003cstrong data-start=\"1696\" data-end=\"1715\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1715\" data-end=\"1718\"\u003eTitle: Anticorps\u003cbr data-start=\"1734\" data-end=\"1737\"\u003eArtist \/ Author: Antoine d’Agata\u003cbr data-start=\"1769\" data-end=\"1772\"\u003eDate: 2013\u003cbr data-start=\"1782\" data-end=\"1785\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1829\" data-end=\"1832\"\u003eMedium \/ Materials: Hardcover photobook\u003cbr data-start=\"1871\" data-end=\"1874\"\u003eDimensions (cm): approx. 24 × 32 cm\u003cbr data-start=\"1909\" data-end=\"1912\"\u003eLanguage: French\u003cbr data-start=\"1928\" data-end=\"1931\"\u003ePages: 728\u003cbr data-start=\"1941\" data-end=\"1944\"\u003ePublisher \/ Editor: Éditions Xavier Barral\u003cbr data-start=\"1986\" data-end=\"1989\"\u003eISBN: 978-2-36511-003-7\u003cbr data-start=\"2012\" data-end=\"2015\"\u003eCondition: Gently used\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52467238633810,"sku":null,"price":250.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/bookcover.jpg?v=1768302630"},{"product_id":"cult-of-boys-androgyny-intimacy-icon","title":"Cult of Boys — Androgyny, Intimacy, Icon","description":"\u003cp data-start=\"113\" data-end=\"576\"\u003eThis photobook by Toyin Ibidapo, \u003cem data-start=\"146\" data-end=\"160\"\u003eCult of Boys\u003c\/em\u003e, published by teNeues in 2011, is part of the Darwin Bookshop because it distills a particular vision of masculinity rarely seen in contemporary portraiture — intimate, androgynous, and unguarded. 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Designed in collaboration with Roger Willems and published by Roma Publications, the book collects Marcopoulos’ signature raw images across skate, street, studio, and silence. Its title is both a warning and an invitation: to enter a world where proximity is everything and nothing is staged.\u003c\/p\u003e\n\u003cp data-start=\"565\" data-end=\"1015\"\u003ePrinted in black-and-white on soft uncoated paper, the book pulses with the grain and blur of real time — kids skating, bodies moving, artists in their spaces, darkness, flash, sweat, city. It doesn’t explain. It doesn’t curate. It just goes — a continuation of Marcopoulos’ long-standing method of living-with and looking-at, from the New York underground of the 1980s to the multi-generational, cross-disciplinary friendships that form his present.\u003c\/p\u003e\n\u003cp data-start=\"1017\" data-end=\"1348\"\u003eAs always, the book’s edge lies in its restraint. No captions, no artifice. Just Ari’s eye and the trust of his subjects. 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Known for his visceral, unschooled documentation of American freight-hopping youth, Brodie here trades the linear narrative of photobooks for something looser and more tactile: a box of images to be handled, shuffled, lived with. Though these are not original Polaroids, each print is a careful replica — offset and silkscreened to echo the look and intimacy of instant film, minus its fragility. Dirt-caked faces, tattooed limbs, train car graffiti, tender gazes — these aren’t staged portraits but the visual detritus of a life in motion. In a Darwin context, \u003cem data-start=\"911\" data-end=\"925\"\u003ePolaroid Kid\u003c\/em\u003e is less about nostalgia than about medium and attitude: the fusion of a defunct imaging technology with an aesthetic rooted in punk’s anti-institutional grit. The object asserts itself as both document and provocation, a hybrid form that honours the freedom and chaos it depicts.\u003c\/p\u003e\n\u003cp data-start=\"1207\" data-end=\"1712\"\u003e\u003cstrong data-start=\"1207\" data-end=\"1226\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1226\" data-end=\"1229\"\u003eTitle: \u003cem data-start=\"1236\" data-end=\"1250\"\u003ePolaroid Kid\u003c\/em\u003e\u003cbr data-start=\"1250\" data-end=\"1253\"\u003eArtist \/ Author: Mike Brodie\u003cbr data-start=\"1305\" data-end=\"1308\"\u003eTechnique \/ Printing Method: CMYK Offset and Silk Screened\u003cbr data-start=\"1366\" data-end=\"1369\"\u003eMedium \/ Materials: 50 Polaroid facsimile prints in a silkscreened grey-board case, secured with heavy gauge rubber band\u003cbr data-start=\"1489\" data-end=\"1492\"\u003eDimensions: 130×170 mm\u003cbr data-start=\"1597\" data-end=\"1600\"\u003ePages: 50 (individual prints)\u003cbr data-start=\"1667\" data-end=\"1670\"\u003eISBN: 978‑1‑913288‑52‑5\u003cbr data-start=\"1693\" data-end=\"1696\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52484557701458,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_7defd8e7-9d7e-4246-829d-2d2ca9653a7e.jpg?v=1768475784"},{"product_id":"polaroid-kid-mike-brodie-50-facsimile-polaroids-box-set-copy","title":"A Period of Juvenile Prosperity — Mike Brodie","description":"\u003cp data-start=\"85\" data-end=\"884\"\u003e\u003cem data-start=\"85\" data-end=\"288\"\u003eThis is the book that detonated Mike Brodie’s name across the art and photography world in 2013 — a raw, mythic document of American youth adrift, published by Twin Palms.\u003c\/em\u003e Brodie, who rode the rails across the U.S. as a teenager, shot thousands of images with a Nikon he found in a car seat, but it was this tightly edited sequence of 60 four-color plates that crystallised a visual language between Nan Goldin and Jacob Holdt, Araki and Anders Petersen — all grit, tenderness, dust, and ache. In the image shown, two train-hoppers curl asleep in what looks like the bed of a freight car — dirt-caked, bracelet-stacked, faces flushed with exhaustion and intimacy. The photograph feels both forensic and mythological, a portrait of freedom’s price in rust and sunburn.\u003c\/p\u003e\n\u003cp data-start=\"886\" data-end=\"1359\"\u003eThe large \u003cmeta charset=\"utf-8\"\u003e28 x 33 cm format gives these images space to breathe, each plate rich with the hues of analog print: rust red, sun-faded blue, oil black. The book’s title, \u003cem data-start=\"1055\" data-end=\"1088\"\u003eA Period of Juvenile Prosperity\u003c\/em\u003e, is ironic and true at once — this is a record of youth in its most precarious and elemental form. For Darwin, this edition holds value as a primary document of a subculture rarely seen with such clarity — and as a benchmark in the visual history of American wanderlust.\u003c\/p\u003e\n\u003cp data-start=\"1361\" data-end=\"1746\"\u003e\u003cstrong data-start=\"1361\" data-end=\"1380\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1380\" data-end=\"1383\"\u003eTitle: \u003cem data-start=\"1390\" data-end=\"1423\"\u003eA Period of Juvenile Prosperity\u003c\/em\u003e\u003cbr data-start=\"1423\" data-end=\"1426\"\u003eArtist \/ Author: Mike Brodie\u003cbr data-start=\"1454\" data-end=\"1457\" data-is-only-node=\"\"\u003eDate: January 2013\u003cbr data-start=\"1475\" data-end=\"1478\"\u003eTechnique \/ Printing Method: Four-color offset\u003cbr data-start=\"1524\" data-end=\"1527\"\u003eMedium \/ Materials: Hardcover photobook\u003cbr data-start=\"1566\" data-end=\"1569\"\u003eDimensions: \u003cmeta charset=\"utf-8\"\u003e28 x 33 cm\u003cbr data-start=\"1595\" data-end=\"1598\"\u003ePages: 104\u003cbr data-start=\"1608\" data-end=\"1611\"\u003ePlates: 60 four-color\u003cbr data-start=\"1632\" data-end=\"1635\"\u003ePublisher \/ Editor: Twin Palms Publishers\u003cbr data-start=\"1676\" data-end=\"1679\"\u003eISBN: 978-1-936611-02-7\u003cbr data-start=\"1702\" data-end=\"1705\"\u003eCondition: NEW \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52484557832530,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_619e0371-b55a-4d8d-9cc8-e12fd15ff755.jpg?v=1768479947"},{"product_id":"love-on-the-left-bank-ed-van-der-elsken-2011","title":"Love on the Left Bank — Ed van der Elsken (2011)","description":"\u003cp data-start=\"348\" data-end=\"864\"\u003eThis facsimile of Ed van der Elsken’s \u003cem data-start=\"386\" data-end=\"409\"\u003eLove on the Left Bank\u003c\/em\u003e resurrects one of the most cinematic and mythic photo-narratives of postwar Europe. First published in 1956, the book fuses photojournalism, pulp fiction, and romantic myth in a noir-styled portrait of bohemian life in Paris’s Saint-Germain-des-Prés. Structured as a semi-fictional diary, it follows the story of Ann, a drifting dancer loosely based on real-life muse Vali Myers, moving through cafés, cellars, and beds with opiated languor and defiance.\u003c\/p\u003e\n\u003cp data-start=\"866\" data-end=\"1476\"\u003eVan der Elsken’s images—gritty, soft, louche—capture a generation between despair and desire, in a city still dusting itself off from war. What makes the book endure is its blend of theatricality and reportage: staged yet alive, scripted yet accidental. His street photography doesn’t just record; it invents a world where rebellion, beauty and ruin fold into each other. A direct ancestor of later European work by Anders Petersen or Christer Strömholm, and a spiritual sibling to Araki’s fictioned diaries, \u003cem data-start=\"1375\" data-end=\"1398\"\u003eLove on the Left Bank\u003c\/em\u003e still feels startlingly contemporary in its intimacy and constructed realism.\u003c\/p\u003e\n\u003cp data-start=\"1478\" data-end=\"1758\"\u003eThis 2011 reprint, produced with the involvement of the Nederlands Fotoarchief and Anneke van der Elsken, stays faithful to the 1956 original in layout and tone. With 200 duotone photographs and design by Jurriaan Schrofer, it remains a cornerstone of narrative photobook history.\u003c\/p\u003e\n\u003cp data-start=\"1760\" data-end=\"2193\"\u003e\u003cstrong data-start=\"1760\" data-end=\"1769\"\u003eTitle\u003c\/strong\u003e: Love on the Left Bank\u003cbr data-start=\"1792\" data-end=\"1795\"\u003e\u003cstrong data-start=\"1795\" data-end=\"1814\"\u003eArtist \/ Author\u003c\/strong\u003e: Ed van der Elsken\u003cbr data-start=\"1833\" data-end=\"1836\"\u003e\u003cstrong data-start=\"1836\" data-end=\"1844\"\u003eDate\u003c\/strong\u003e: Original 1956, this facsimile edition reprinted 2011 (first facsimile 1999)\u003cbr data-start=\"1921\" data-end=\"1924\"\u003e\u003cstrong data-start=\"1924\" data-end=\"1955\"\u003eTechnique \/ Printing Method\u003c\/strong\u003e: Duotone reproduction\u003cbr data-start=\"1977\" data-end=\"1980\"\u003e\u003cstrong data-start=\"1980\" data-end=\"2002\"\u003eMedium \/ Materials\u003c\/strong\u003e: Softcover book\u003cbr data-start=\"2018\" data-end=\"2021\"\u003e\u003cstrong data-start=\"2021\" data-end=\"2040\" data-is-only-node=\"\"\u003eDimensions (cm)\u003c\/strong\u003e: 27.5 x 19.5\u003cbr data-start=\"2053\" data-end=\"2056\"\u003e\u003cstrong data-start=\"2056\" data-end=\"2068\"\u003eLanguage\u003c\/strong\u003e: English\u003cbr data-start=\"2077\" data-end=\"2080\"\u003e\u003cstrong data-start=\"2080\" data-end=\"2089\"\u003ePages\u003c\/strong\u003e: 112\u003cbr data-start=\"2094\" data-end=\"2097\"\u003e\u003cstrong data-start=\"2097\" data-end=\"2119\"\u003ePublisher \/ Editor\u003c\/strong\u003e: Dewi Lewis Publishing\u003cbr data-start=\"2142\" data-end=\"2145\"\u003e\u003cstrong data-start=\"2145\" data-end=\"2153\"\u003eISBN\u003c\/strong\u003e: 978-1-899235-22-3\u003cbr data-start=\"2172\" data-end=\"2175\"\u003e\u003cstrong data-start=\"2175\" data-end=\"2188\"\u003eCondition\u003c\/strong\u003e: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52484766826834,"sku":null,"price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_c6d92ffd-4294-4ea0-b1cb-125325e0391e.jpg?v=1768481757"},{"product_id":"mexico-1986-2016-antoine-d-agata","title":"Codex. México 1986–2016 — Antoine d’Agata,  Editorial RM, 2017","description":"\u003cp data-start=\"153\" data-end=\"754\"\u003eA relentless visual diary shaped over three decades, this book pushes documentary photography to its limits. Built from repeated journeys through Mexico, it merges still images, fragments and text into a fractured narrative of violence, desire and dislocation. Structured in six movements, it mirrors a slow descent—both personal and collective—where the photographer’s presence becomes inseparable from the world he records. In dialogue with figures like \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eTina Modotti\u003c\/span\u003e\u003c\/span\u003e and \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eHenri Cartier-Bresson\u003c\/span\u003e\u003c\/span\u003e, it radically destabilizes the ethics and language of witnessing.\u003c\/p\u003e\n\u003cp data-start=\"756\" data-end=\"1072\"\u003e\u003cstrong data-start=\"756\" data-end=\"775\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"775\" data-end=\"778\"\u003eTitle: Codex. México 1986–2016\u003cbr data-start=\"843\" data-end=\"846\"\u003eDate: 2017\u003cbr data-start=\"856\" data-end=\"859\"\u003eEdition: Collector’s Edition, signed\u003cbr data-start=\"895\" data-end=\"898\"\u003eMedium \/ Materials: Photobook, softcover\u003cbr data-start=\"938\" data-end=\"941\"\u003eDimensions (cm): 21.5 x 32\u003cbr data-start=\"967\" data-end=\"970\"\u003ePages: 228\u003cbr data-start=\"980\" data-end=\"983\"\u003eLanguage: English \/ Spanish \/ French\u003cbr data-start=\"1019\" data-end=\"1022\"\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52561576624466,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_a830d179-9320-40a9-902c-23fd893e072c.jpg?v=1778138831"},{"product_id":"modoru-okinawa-keizo-kitajima-first-edition-2015","title":"Modoru Okinawa — Keizo Kitajima (First edition, 2015)","description":"\u003cp data-start=\"122\" data-end=\"593\"\u003eBetween 1975 and the early 1980s, Keizo Kitajima turned his lens on Koza City, Okinawa — a site charged with aftershocks from the Vietnam War and the overwhelming presence of the U.S. military. \u003cem data-start=\"316\" data-end=\"332\"\u003eModoru Okinawa\u003c\/em\u003e, published in 2015 in a limited edition of 1000 copies, gathers this vital and volatile body of work. The book is a deep dive into a momentary cultural rupture, where Japanese and African-American subcultures collided in the chaotic, euphoric aftermath of war.\u003c\/p\u003e\n\u003cp data-start=\"595\" data-end=\"1092\"\u003eShot in coarse, high-flash duotones and tritones, Kitajima’s images explode with gesture and shadow: nightlife, bodies, encounters, collapsed boundaries. Koza becomes a stage for a raucous performance of occupation, influence, identity and desire. There's no nostalgia here — only a raw, unfiltered clarity. Kitajima’s eye is not sentimental but surgical, committed to photography as an act of estrangement. His visual language pushes past appearance and into something more unstable, more urgent.\u003c\/p\u003e\n\u003cp data-start=\"1094\" data-end=\"1495\"\u003ePrinted on matte Gardapat with a black cloth spine, this volume is a tactile object as much as a photographic one — designed with the same stark intensity as its images. \u003cem data-start=\"1264\" data-end=\"1280\"\u003eModoru Okinawa\u003c\/em\u003e is a necessary entry in the Darwin catalogue, resonating alongside Tomatsu’s and Moriyama’s views of postwar Japan, but carrying its own brutal rhythm — one of shock, seduction and the flicker of cultural collapse.\u003c\/p\u003e\n\u003cp data-start=\"1497\" data-end=\"1516\"\u003e\u003cstrong data-start=\"1497\" data-end=\"1516\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1518\" data-end=\"1916\"\u003eTitle: Modoru Okinawa\u003cbr data-start=\"1539\" data-end=\"1542\"\u003eArtist \/ Author: Keizo Kitajima\u003cbr data-start=\"1573\" data-end=\"1576\"\u003eDate: 2015\u003cbr data-start=\"1586\" data-end=\"1589\"\u003eTechnique \/ Printing Method: Duotone and Tritone\u003cbr data-start=\"1637\" data-end=\"1640\"\u003eMedium \/ Materials: Hardcover, black cloth backstrip, sewn binding\u003cbr data-start=\"1706\" data-end=\"1709\"\u003eEdition: First edition, numbered 478\/1000\u003cbr data-start=\"1750\" data-end=\"1753\"\u003eSigned: No\u003cbr data-start=\"1763\" data-end=\"1766\"\u003eDimensions (cm): 24 x 17.5 cm\u003cbr data-start=\"1795\" data-end=\"1798\"\u003eLanguage: Japanese \/ English\u003cbr data-start=\"1826\" data-end=\"1829\"\u003ePages: 136\u003cbr data-start=\"1839\" data-end=\"1842\"\u003ePublisher \/ Editor: Gomma Books Ltd.\u003cbr data-start=\"1878\" data-end=\"1881\"\u003eISBN: Not stated\u003cbr data-start=\"1897\" data-end=\"1900\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52562012176722,"sku":null,"price":120.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_3.jpg?v=1769359678"},{"product_id":"provoke-complete-reprint-of-3-volumes-koji-taki-takuma-nakahira-yutaka-takanashi-takahiko-okada-daido-moriyama","title":"PROVOKE: Complete Reprint of 3 Volumes — Koji Taki, Takuma Nakahira, Yutaka Takanashi, Takahiko Okada, Daido Moriyama","description":"\u003cp data-start=\"186\" data-end=\"708\"\u003e\u003cem data-start=\"186\" data-end=\"195\"\u003eProvoke\u003c\/em\u003e was not a magazine—it was a rupture. First published in Japan between 1968 and 1969, the three issues of \u003cem data-start=\"301\" data-end=\"310\"\u003eProvoke\u003c\/em\u003e fundamentally rewired photographic language, introducing the radical \u003cem data-start=\"380\" data-end=\"395\"\u003eare-bure-boke\u003c\/em\u003e aesthetic: grainy, blurry, out-of-focus images charged with political urgency and poetic instability. Created by critic Koji Taki, photographers Takuma Nakahira, Yutaka Takanashi, and Daido Moriyama (from issue 2), and poet Takahiko Okada, \u003cem data-start=\"636\" data-end=\"645\"\u003eProvoke\u003c\/em\u003e became an underground manifesto for postwar visual resistance.\u003c\/p\u003e\n\u003cp data-start=\"710\" data-end=\"1054\"\u003eThis faithful reprint by Nitesha restores all three original volumes in facsimile, replicating their paper stock, size, layout, and sequence. Also included is a fourth companion booklet containing complete English and Chinese translations of all the original essays and poems, making this the most accessible edition of \u003cem data-start=\"1030\" data-end=\"1039\"\u003eProvoke\u003c\/em\u003e ever released.\u003c\/p\u003e\n\u003cp data-start=\"1056\" data-end=\"1384\"\u003eThe original issues are now nearly impossible to obtain. This reprint brings one of the most essential and mythologised photographic projects back into circulation—where it belongs. Filed in the Darwin archive as a cornerstone: a work that dissolved the boundaries between language and image, theory and instinct, body and film.\u003c\/p\u003e\n\u003cp data-start=\"1386\" data-end=\"1894\"\u003eTechnical Sheet\u003cbr data-start=\"1401\" data-end=\"1404\"\u003eTitle: PROVOKE: Complete Reprint of 3 Volumes\u003cbr data-start=\"1449\" data-end=\"1452\"\u003eArtists \/ Authors: Koji Taki, Takuma Nakahira, Yutaka Takanashi, Takahiko Okada, Daido Moriyama\u003cbr data-start=\"1547\" data-end=\"1550\"\u003eDate: Reprint by Nitesha (originals 1968–1969)\u003cbr data-start=\"1596\" data-end=\"1599\"\u003eTechnique \/ Printing Method: Offset facsimile\u003cbr data-start=\"1644\" data-end=\"1647\"\u003eMedium \/ Materials: 3 softcover booklets + 1 translation booklet\u003cbr data-start=\"1711\" data-end=\"1714\"\u003eDimensions (cm): Matches original issues (varied formats)\u003cbr data-start=\"1771\" data-end=\"1774\"\u003eLanguage: Japanese (originals), English \u0026amp; Chinese (translation booklet)\u003cbr data-start=\"1845\" data-end=\"1848\"\u003ePublisher \/ Editor: Nitesha\u003cbr data-start=\"1875\" data-end=\"1878\"\u003eCondition: NEW\u003c\/p\u003e\n\u003cp data-start=\"1897\" data-end=\"1955\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52567001465170,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_7_303938c2-0ff2-4d48-b210-a65054875959.jpg?v=1769434192"},{"product_id":"rue-des-lombards-jane-evelyn-atwood-xavier-barral-edition","title":"Rue des Lombards — Jane Evelyn Atwood, ATELIER EXB","description":"\u003cp data-start=\"129\" data-end=\"1177\"\u003eIn late 1975, newly arrived in Paris at the age of 28, Jane Evelyn Atwood began photographing the women working in a single building on the Rue des Lombards. What began as a portrait of one prostitute became an extended immersion into a closed world—a place of intimacy, performance, resilience, and coded femininity. Atwood’s camera enters this space not as voyeur but as witness. Her signature style—immersive, patient, and quietly intense—is already present here in full form. The resulting images are black-and-white, close-up, unflinching, but always respectful. Hairbrushes, mirrors, wigs, cigarettes, laughter: this is not a document of sex, but of waiting, dressing, talking, surviving. Published decades later by Éditions Xavier Barral in a tall, slipcased hardcover, \u003cem data-start=\"906\" data-end=\"924\"\u003eRue des Lombards\u003c\/em\u003e brings together 156 pages of Atwood’s earliest work, which would go on to define her trajectory as one of the most rigorous and empathetic photojournalists of her generation. A foundational book, long in the shadows, finally given the form it deserves.\u003c\/p\u003e\n\u003cp data-start=\"1179\" data-end=\"1487\"\u003e\u003cstrong data-start=\"1179\" data-end=\"1198\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1198\" data-end=\"1201\"\u003eTitle: Rue des Lombards\u003cbr data-start=\"1224\" data-end=\"1227\"\u003eArtist \/ Author: Jane Evelyn Atwood\u003cbr data-start=\"1262\" data-end=\"1265\"\u003eDate: 2011\u003cbr data-start=\"1275\" data-end=\"1278\" data-is-only-node=\"\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1313\" data-end=\"1316\"\u003eMedium \/ Materials: Hardcover in slipcase\u003cbr data-start=\"1357\" data-end=\"1360\"\u003eDimensions (cm): 22 × 33\u003cbr data-start=\"1384\" data-end=\"1387\"\u003eLanguage: English\u003cbr data-start=\"1404\" data-end=\"1407\"\u003ePages: 156\u003cbr data-start=\"1417\" data-end=\"1420\"\u003ePublisher \/ Editor: Éditions Xavier Barral\u003cbr data-start=\"1462\" data-end=\"1465\"\u003eCondition: Very good\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52576754041170,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_5edf5f31-dedc-4f04-8e6b-b5e5cabd906d.jpg?v=1769550404"},{"product_id":"the-park-document-koen-limited-edition-kohei-yoshiyuki","title":"The Park + Document Koen (Limited Edition) — Kohei Yoshiyuki","description":"\u003cp data-start=\"129\" data-end=\"1220\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis is the definitive edition of Kohei Yoshiyuki’s notorious series, pairing the original 1980 \u003cem data-start=\"225\" data-end=\"240\"\u003eDocument Koen\u003c\/em\u003e with \u003cem data-start=\"246\" data-end=\"256\"\u003eThe Park\u003c\/em\u003e, a newly designed facsimile that reopens the archive of one of Japan’s most controversial and cultishly studied photographic works. Shot in the 1970s across Tokyo’s Shinjuku, Yoyogi, and Aoyama parks using 35mm infrared film and flash, Yoshiyuki’s images reveal a hidden nocturnal ecosystem of lovers, voyeurs, and drifting figures of every sexuality and age. The photographer’s presence is never neutral—his camera aligned with those who watched, or sometimes joined, anonymous couplings in the dark. With their stark, raw composition, these photographs occupy a tense space between documentary and transgression, recalling Brassaï’s \u003cem data-start=\"892\" data-end=\"907\"\u003eParis de Nuit\u003c\/em\u003e, Weegee’s flash-lit cinemas, and Sophie Calle’s meditations on looking and being seen. What they ultimately expose is not simply secret behaviour, but the shared complicity of desire. This slipcased edition of 500 includes both the facsimile of \u003cem data-start=\"1153\" data-end=\"1168\"\u003eDocument Koen\u003c\/em\u003e and a new monograph featuring unpublished material and contextual texts, situating Yoshiyuki’s work as a lens on voyeurism, urban anonymity, and the melancholy of surveillance.\u003c\/p\u003e\n\u003cp data-start=\"1222\" data-end=\"1692\"\u003e\u003cstrong data-start=\"1222\" data-end=\"1241\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1241\" data-end=\"1244\"\u003eTitle: The Park + Document Koen (Limited Edition)\u003cbr data-start=\"1293\" data-end=\"1296\"\u003eArtist \/ Author: Kohei Yoshiyuki\u003cbr data-start=\"1328\" data-end=\"1331\"\u003eDate: 2023 (facsimile), originally 1980\u003cbr data-start=\"1370\" data-end=\"1373\" data-is-only-node=\"\"\u003eEdition: 500\u003cbr data-start=\"1385\" data-end=\"1388\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1423\" data-end=\"1426\"\u003eMedium \/ Materials: Hardcover with silver gelatin print reproduction, slipcased box\u003cbr data-start=\"1509\" data-end=\"1512\"\u003eDimensions (cm): 22 × 29\u003cbr data-start=\"1536\" data-end=\"1539\"\u003eLanguage: Japanese, English\u003cbr data-start=\"1566\" data-end=\"1569\"\u003ePages: 112 (The Park), facsimile of original \u003cem data-start=\"1614\" data-end=\"1629\"\u003eDocument Koen\u003c\/em\u003e\u003cbr data-start=\"1629\" data-end=\"1632\"\u003ePublisher \/ Editor: Session Press, Goliga\u003cbr data-start=\"1673\" data-end=\"1676\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52604788441426,"sku":null,"price":325.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_6a575741-1d0f-414f-a256-44a8fce0d530.jpg?v=1769888613"},{"product_id":"now-that-you-are-mine-trine-sondergaard-signed-first-edition","title":"Now That You Are Mine — Trine Søndergaard， Signed First edition, Steidl","description":"\u003cp data-start=\"150\" data-end=\"686\"\u003eTrine Søndergaard’s \u003cem data-start=\"170\" data-end=\"193\"\u003eNow That You Are Mine\u003c\/em\u003e is a stark, intimate portrait of Copenhagen’s red-light district in the late 1990s — a place of transit, proximity, and brutal exposure. Made between 1997 and 2000, the work documents women working as prostitutes in the streets around Skelbækgade and the central train station. Søndergaard, who lived in the neighbourhood herself, uses the camera to witness a world many refuse to see — not out of voyeurism, but from within the ambient tension of being a woman moving through public space.\u003c\/p\u003e\n\u003cp data-start=\"688\" data-end=\"1153\"\u003eThe 33 images are hard-lit, nocturnal, and direct. Flash burns against wet pavement, bodies lean into waiting cars, fur coats, neon signs, thighs under streetlight. There is no sentimentality here, nor performance. The women look at the camera, or past it, but always with the alertness of survival. Søndergaard’s refusal to aestheticise is what gives the work its force — the eroticism belongs to the world outside the frame, to the male gaze these women endure.\u003c\/p\u003e\n\u003cp data-start=\"1155\" data-end=\"1611\"\u003eWhat results is a love book in reverse. The title, \u003cem data-start=\"1206\" data-end=\"1229\"\u003eNow That You Are Mine\u003c\/em\u003e, might belong to a client or to society itself — the possession of bodies, the illusion of choice. First published by Steidl in 2002 and bound in black embossed artificial leather, the book is as tactile and circumspect as its contents. An important early work in Søndergaard’s career and a rare document of sex work in Northern Europe, handled with rigour, courage, and proximity.\u003c\/p\u003e\n\u003cp data-start=\"1613\" data-end=\"1996\"\u003e\u003cstrong data-start=\"1613\" data-end=\"1632\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1632\" data-end=\"1635\"\u003eTitle: \u003cem data-start=\"1642\" data-end=\"1665\"\u003eNow That You Are Mine\u003c\/em\u003e\u003cbr data-start=\"1665\" data-end=\"1668\"\u003eArtist \/ Author: Trine Søndergaard\u003cbr data-start=\"1702\" data-end=\"1705\"\u003eDate: 2002\u003cbr data-start=\"1715\" data-end=\"1718\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1753\" data-end=\"1756\"\u003eMedium \/ Materials: Hardcover with embossed artificial leather\u003cbr data-start=\"1818\" data-end=\"1821\"\u003eDimensions (cm): 28.7 × 26.7\u003cbr data-start=\"1849\" data-end=\"1852\"\u003eSigned\u003cbr data-start=\"1863\" data-end=\"1866\"\u003ePages: 72\u003cbr data-start=\"1875\" data-end=\"1878\"\u003eNo. of Illustrations: 33\u003cbr data-start=\"1902\" data-end=\"1905\"\u003ePublisher \/ Editor: Steidl\u003cbr data-start=\"1931\" data-end=\"1934\"\u003eDesigner: Camilla Jørgensen \/ Trefold\u003cbr data-start=\"1971\" data-end=\"1974\"\u003eCondition: Like new\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52635288011090,"sku":null,"price":350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_383de4e7-ed27-4ed3-a0ab-6414d5e7fd4d.jpg?v=1770236911"},{"product_id":"ari-marcopoulos-not-yet-ari-marcopoulos-rizzoli-2016","title":"Ari Marcopoulos: Not Yet — Ari Marcopoulos, Rizzoli, 2016","description":"\u003cp data-start=\"160\" data-end=\"661\"\u003eA raw, unfiltered chronicle of youth culture that helped define the visual language of the last four decades. Moving fluidly between skate scenes, hip-hop, landscapes and intimate portraits, Marcopoulos collapses boundaries between art and life with disarming directness. Spanning the 1980s to the present and including unpublished material, this monograph gains depth through chapters edited by close collaborators and family, reinforcing the personal dimension that underpins his enduring influence.\u003c\/p\u003e\n\u003cp data-start=\"663\" data-end=\"937\"\u003e\u003cstrong data-start=\"663\" data-end=\"682\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"682\" data-end=\"685\"\u003eTitle: Ari Marcopoulos: Not Yet\u003cbr data-start=\"716\" data-end=\"719\"\u003eArtist \/ Author: Ari Marcopoulos\u003cbr data-start=\"751\" data-end=\"754\"\u003eDate: 2016\u003cbr data-start=\"764\" data-end=\"767\"\u003eMedium \/ Materials: Book, hardcover\u003cbr data-start=\"802\" data-end=\"805\"\u003eDimensions (cm): 21.6 x 28\u003cbr data-start=\"831\" data-end=\"834\"\u003ePages: 304\u003cbr data-start=\"844\" data-end=\"847\"\u003eLanguage: English\u003cbr data-start=\"864\" data-end=\"867\"\u003ePublisher \/ Editor: Rizzoli\u003cbr data-start=\"894\" data-end=\"897\"\u003eISBN: 978-0-8478488-8-1\u003cbr data-start=\"920\" data-end=\"923\"\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":53185098088786,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_0e44a3a7-dec4-4227-be88-f017038c221f.jpg?v=1776027898"},{"product_id":"another-kind-of-life-photography-on-the-margins-prestel-2018","title":"Another Kind of Life — Photography on the Margins, Prestel, 2018","description":"\u003cp data-start=\"167\" data-end=\"697\"\u003eA forceful survey of photography made at the edge of visibility. Bringing together figures such as Bruce Davidson, Paz Errázuriz, Jim Goldberg, Mary Ellen Mark, Daidō Moriyama and Dayanita Singh, the book traces how photographers have approached lives lived outside social norms with intimacy, friction and dignity. Rather than flattening difference, it shows how representation can expose violence, complicate empathy and register shifting attitudes across decades. A serious anthology on photography’s social and ethical charge.\u003c\/p\u003e\n\u003cp data-start=\"699\" data-end=\"976\"\u003eTechnical Sheet\u003cbr data-start=\"714\" data-end=\"717\"\u003eTitle: Another Kind of Life: Photography on the Margins\u003cbr data-start=\"772\" data-end=\"775\"\u003eArtist \/ Author: Alona Pardo\u003cbr data-start=\"803\" data-end=\"806\"\u003eDate: 2018\u003cbr data-start=\"816\" data-end=\"819\"\u003eBinding: Hardcover\u003cbr data-start=\"837\" data-end=\"840\"\u003ePages: 288\u003cbr data-start=\"850\" data-end=\"853\"\u003eDimensions (cm): 22.5 x 27.5\u003cbr data-start=\"881\" data-end=\"884\"\u003eLanguage: English\u003cbr data-start=\"901\" data-end=\"904\"\u003ePublisher \/ Editor: Prestel\u003cbr data-start=\"931\" data-end=\"934\"\u003eISBN: 978-3-7913-8427-6\u003cbr data-start=\"957\" data-end=\"960\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":53219754246482,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_c45fd609-06ec-4aaf-b0f5-4b4bdddf9db0.jpg?v=1776357941"},{"product_id":"message-to-the-future-danny-lyon-yale-university-press-2016","title":"Message to the Future – Danny Lyon – Yale University Press – 2016","description":"\u003cp data-start=\"195\" data-end=\"716\"\u003eA raw, first-person chronicle of postwar America, this volume consolidates decades of deeply embedded work into a single, defining statement. Moving from civil rights activism to biker subcultures and prison life, Lyon collapses distance between observer and subject. Produced as a comprehensive survey, it traces a practice grounded in participation rather than documentation. The book’s scale and sequencing reinforce its urgency: a sustained, insider view of communities rarely granted authorship over their own image.\u003c\/p\u003e\n\u003cp data-start=\"718\" data-end=\"1026\"\u003e\u003cstrong data-start=\"718\" data-end=\"737\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"737\" data-end=\"740\"\u003eTitle: Message to the Future\u003cbr data-start=\"768\" data-end=\"771\"\u003eArtist \/ Author: Danny Lyon\u003cbr data-start=\"798\" data-end=\"801\"\u003eDate: 2016\u003cbr data-start=\"811\" data-end=\"814\"\u003eEdition: Illustrated\u003cbr data-start=\"834\" data-end=\"837\"\u003eMedium \/ Materials: Hardcover book\u003cbr data-start=\"871\" data-end=\"874\"\u003eDimensions (cm): 30.5 × 24.8\u003cbr data-start=\"902\" data-end=\"905\"\u003ePages: 288\u003cbr data-start=\"915\" data-end=\"918\"\u003eLanguage: English\u003cbr data-start=\"935\" data-end=\"938\"\u003ePublisher \/ Editor: Yale University Press\u003cbr data-start=\"979\" data-end=\"982\"\u003eISBN: 0300218834\u003cbr data-start=\"998\" data-end=\"1001\"\u003eCondition: New (sealed)\u003c\/p\u003e\n\u003cp data-start=\"1028\" data-end=\"1274\"\u003e \u003c\/p\u003e","brand":"YALE UNIVERSITY PRESS","offers":[{"title":"Default Title","offer_id":53289812263250,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_cdcef246-78f0-437f-ae8f-fb3688140b6e.jpg?v=1777198456"},{"product_id":"varietes-vv-aa-la-fabrica-2015","title":"VARIETÉS — VV.AA. — LA FABRICA — 2015","description":"\u003cp data-start=\"39\" data-end=\"448\"\u003eA backstage archive of Spain’s vanishing popular spectacle. Built from photographs of variety performers and shows from the 1920s to the 1970s, this volume captures a world of staged glamour, precarious bodies and marginal entertainment, often operating outside official culture. Its value lies in the friction between fantasy and hardship: costumes, poses and faces from a theatrical Spain now almost erased.\u003c\/p\u003e\n\u003cp data-start=\"450\" data-end=\"715\"\u003eTechnical Sheet\u003cbr data-start=\"465\" data-end=\"468\"\u003eTitle: VARIETÉS\u003cbr data-start=\"483\" data-end=\"486\"\u003eArtist \/ Author: VV.AA.\u003cbr data-start=\"509\" data-end=\"512\"\u003eDate: 2015\u003cbr data-start=\"522\" data-end=\"525\"\u003eMedium \/ Materials: Hardcover book\u003cbr data-start=\"559\" data-end=\"562\"\u003eDimensions (cm): 24 × 17\u003cbr data-start=\"586\" data-end=\"589\"\u003ePages: 250\u003cbr data-start=\"599\" data-end=\"602\"\u003eLanguage: Spanish \/ English\u003cbr data-start=\"629\" data-end=\"632\"\u003ePublisher \/ Editor: La Fábrica\u003cbr data-start=\"662\" data-end=\"665\"\u003eISBN: 978-84-16248-28-5\u003cbr data-start=\"688\" data-end=\"691\"\u003e\u003c\/p\u003e","brand":"LA FABRICA","offers":[{"title":"Default Title","offer_id":53292438618450,"sku":null,"price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_270debe1-54ef-46f3-ac27-dae987939d6c.jpg?v=1777228463"}],"url":"https:\/\/thedarwin.es\/collections\/books-photobooks-subculture-underworld.oembed","provider":"DaRWIN","version":"1.0","type":"link"}