{"title":"CABINET \/ Japan: Silence \u0026 Surface","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThis section presents a delicate constellation of Japanese visual culture—ranging from early photography by Felice Beato to masks of the Noh theatre, woodblock prints, lithographs, carved printing blocks, kimonos, and rare photobooks.\u003cbr data-start=\"492\" data-end=\"495\"\u003eEach piece is a meditation on surface and subtlety: the ghostly stillness of 19th-century portraits, the layered textures of textile and ink, the refined abstraction of traditional forms.\u003cbr data-start=\"682\" data-end=\"685\"\u003eTogether, they create a quiet archive of gesture and impermanence, revealing the elegance of a culture where art often dissolves into ritual, and objects speak in whispers.\u003cbr data-start=\"857\" data-end=\"860\"\u003eCollected for inspiration, reflection, and potential acquisition.\u003c\/p\u003e","products":[{"product_id":"chewing-gum-and-chocolate","title":"Chewing Gum and Chocolate — Shomei Tomatsu (2014 edition)","description":"\u003cp data-start=\"126\" data-end=\"611\"\u003eThis is the 2014 Kehrer Verlag edition of \u003cem data-start=\"168\" data-end=\"195\"\u003eChewing Gum and Chocolate\u003c\/em\u003e, a career-defining monograph of Shomei Tomatsu’s work chronicling postwar Japan through its most volatile contradictions. The title itself — sweet, disposable, foreign — cues the tension at the heart of Tomatsu’s images: a Japan occupied, Americanised, economically blooming, and spiritually unsettled. The book presents a black-and-white archive that veers from documentary to surreal, locating beauty in rupture.\u003c\/p\u003e\n\u003cp data-start=\"613\" data-end=\"1193\"\u003eAcross its pages, Tomatsu focuses on Okinawa and the aftermath of war, US military presence, and the shifting face of Japanese identity. Street portraits of swaggering youths, scarred veterans, military debris, and lovers in shadowy interiors unfold with a calm, pointed urgency. His camera is not voyeuristic but implicated — tuned to surfaces yet dense with political temperature. The cover image, a young man in a white suit in Koza, Okinawa (1976–80), captures a hybridised, poised defiance, a stylish assertion of individuality within the larger scene of cultural occupation.\u003c\/p\u003e\n\u003cp data-start=\"1195\" data-end=\"1565\"\u003eTomatsu belongs in Darwin as a central figure in the Japanese postwar photographic avant-garde — alongside contemporaries like Daidō Moriyama or Nobuyoshi Araki, yet more overtly political. If Moriyama’s images dissolve into grain and desire, Tomatsu’s crystallise history into form. \u003cem data-start=\"1479\" data-end=\"1506\"\u003eChewing Gum and Chocolate\u003c\/em\u003e is both an aesthetic statement and a historical reckoning.\u003c\/p\u003e\n\u003cp data-start=\"1567\" data-end=\"1586\"\u003e\u003cstrong data-start=\"1567\" data-end=\"1586\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1588\" data-end=\"1953\"\u003eTitle: Chewing Gum and Chocolate\u003cbr data-start=\"1620\" data-end=\"1623\"\u003eArtist \/ Author: Shomei Tomatsu\u003cbr data-start=\"1654\" data-end=\"1657\"\u003eDate: 2014 edition\u003cbr data-start=\"1675\" data-end=\"1678\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1713\" data-end=\"1716\"\u003eMedium \/ Materials: Hardcover, printed boards\u003cbr data-start=\"1761\" data-end=\"1764\"\u003eDimensions (cm): approx. 24 x 30 cm\u003cbr data-start=\"1799\" data-end=\"1802\"\u003eLanguage: German\u003cbr data-start=\"1818\" data-end=\"1821\"\u003ePages: Unstated\u003cbr data-start=\"1836\" data-end=\"1839\"\u003ePublisher \/ Editor: Kehrer Verlag Heidelberg Berlin \/ Aperture Foundation\u003cbr data-start=\"1912\" data-end=\"1915\"\u003eISBN: 9783868284980\u003cbr data-start=\"1934\" data-end=\"1937\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51614896882002,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_2_7a515756-d976-4c60-9e83-d18a9c43b074.jpg?v=1769358243"},{"product_id":"shunga-woodblock-print-reprint-katsushika-hokusai-1760-1849-the-dream-of-the-fishermans-wife-octopus-and-shell-diver-蛸と海女-recarved-printed-by-yuuya-shimoi-21st-century-japan","title":"The Dream of the Fisherman’s Wife — Katsushika Hokusai","description":"\u003ch3 data-end=\"169\" data-start=\"87\"\u003e\n\u003cem data-end=\"126\" data-start=\"91\"\u003eThe Dream of the Fisherman’s Wife\u003c\/em\u003e — Katsushika Hokusai — 1814 (recarved 2018)\u003c\/h3\u003e\n\u003cp data-end=\"316\" data-start=\"171\"\u003e\u003cstrong data-end=\"251\" data-start=\"171\"\u003eHokusai’s infamous shunga woodblock – \u003cmeta charset=\"utf-8\"\u003erecarved \u0026amp; printed by Yuuya Shimoi\u003c\/strong\u003e\u003cbr data-end=\"254\" data-start=\"251\"\u003eA woman, adrift in rapture, entangled in the limbs of the sea.\u003c\/p\u003e\n\u003cp data-end=\"467\" data-start=\"318\"\u003ePrinted in the 21st century, yet echoing the fevered spirit of Edo.\u003cbr data-end=\"388\" data-start=\"385\"\u003eThis rare reprint honors one of the most transgressive moments in Japanese art.\u003c\/p\u003e\n\u003cp data-end=\"470\" data-start=\"469\"\u003e⸻\u003c\/p\u003e\n\u003cp data-end=\"943\" data-start=\"472\"\u003e\u003cstrong data-end=\"482\" data-start=\"472\"\u003eTitle:\u003c\/strong\u003e \u003cem data-end=\"525\" data-start=\"483\"\u003eThe Dream of the Fisherman’s Wife (蛸と海女)\u003c\/em\u003e\u003cbr data-end=\"528\" data-start=\"525\"\u003e\u003cstrong data-end=\"556\" data-start=\"528\"\u003eArtist \/ Author \/ Maker:\u003c\/strong\u003e Katsushika Hokusai (1760–1849), recarved \u0026amp; printed by Yuuya Shimoi (Japan)\u003cbr data-end=\"634\" data-start=\"631\"\u003e\u003cstrong data-end=\"657\" data-start=\"634\"\u003eTechnique \/ Medium:\u003c\/strong\u003e Woodblock print on Japanese washi paper (和紙)\u003cbr data-end=\"705\" data-start=\"702\"\u003e\u003cstrong data-end=\"717\" data-start=\"705\"\u003eEdition:\u003c\/strong\u003e Contemporary reprint\u003cbr data-end=\"741\" data-start=\"738\"\u003e\u003cstrong data-end=\"755\" data-start=\"741\"\u003eSignature:\u003c\/strong\u003e Unsigned\u003cbr data-end=\"767\" data-start=\"764\"\u003e\u003cstrong data-end=\"776\" data-start=\"767\"\u003eDate:\u003c\/strong\u003e Originally 1814 \/ Reprinted December 2018\u003cbr data-end=\"821\" data-start=\"818\"\u003e\u003cstrong data-end=\"835\" data-start=\"821\"\u003eCondition:\u003c\/strong\u003e Excellent\u003cbr data-end=\"848\" data-start=\"845\"\u003e\u003cstrong data-end=\"863\" data-start=\"848\"\u003eDimensions:\u003c\/strong\u003e Sheet size 22 × 28.5 cm\u003cbr data-end=\"890\" data-start=\"887\"\u003e\u003cstrong data-end=\"914\" data-start=\"890\"\u003eOrigin \/ Provenance:\u003c\/strong\u003e Shimoi Yuuya studio, Japan\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754496033106,"sku":null,"price":350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/4b8d9cd5-34bc-4e4e-a466-631f732b974c.jpg?v=1761841062"},{"product_id":"woodblock-print-reprint-abuna-e-kikukawa-eizan-1787-1867-lovers-smoking-a-kiseru-pipe-1920s-japan","title":"Woodblock print (reprint), Abuna-e - Kikukawa Eizan (1787-1867) - Lovers Smoking a Kiseru Pipe - 1920s - Japan","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWoodblock print (reprint), Abuna-e - Kikukawa Eizan (1787-1867) - Lovers Smoking a Kiseru Pipe - 1920s - Japan\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFine woodblock print of the 1920s, reproduction of a work made between 1800 and 1830 by Kikukawa Eizan (菊川英山), the most prolific, longest-lived and ultimately the best of the late followers of Kitagawa Utamaro (喜多川歌麿), who attempted to carry on the style of the famous ukiyo-e (浮世絵) artist after the death of the latter, occurred in 1806.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe print presented here, depicting a pair of lovers smoking a traditional kiseru (煙管) pipe, is an \"abuna-e\" (あぶな絵), literally a \"dangerous image\", which does not have the explicit nudity of shunga (春画) but which, at the same time, maintains an extremely explicit and suggestive erotic charge.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe work on Japanese washi paper (和紙), despite the obvious patina of the time, is in overall very good condition (see pictures).\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754539417938,"sku":null,"price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/fcc0ce1f-34a5-465a-a297-49a1605f47fd.jpg?v=1761841294"},{"product_id":"nobuyoshi-araki-polart-2009","title":"Polart — Nobuyoshi Araki \/ Red Hot","description":"\u003cp data-start=\"103\" data-end=\"521\"\u003ePublished in 2009 in a limited edition of 1,500 copies, \u003cem data-start=\"159\" data-end=\"167\"\u003ePolart\u003c\/em\u003e is Araki in pure gesture: a book of Polaroids selected and sequenced by the artist himself, edited in collaboration with the now-closed Red Hot Gallery in Paris and printed in Japan by Huboya. The cover, white and abrupt, is emblazoned with Araki’s handwriting — a bold, gestural typography that suggests the intimacy and immediacy of the images inside.\u003c\/p\u003e\n\u003cp data-start=\"523\" data-end=\"928\"\u003eKnown for his prolific use of instant film, Araki used the Polaroid not just as a camera but as a diaristic tool — sensual, direct, obsessive. \u003cem data-start=\"666\" data-end=\"674\"\u003ePolart\u003c\/em\u003e distills that practice into a carefully paced flow of Polaroid works, unbound from chronology, unified by tone. These are not studio images, but fragments of affection, desire, and absence — emotional snapshots arranged with an artist’s feel for rhythm.\u003c\/p\u003e\n\u003cp data-start=\"930\" data-end=\"1268\"\u003eThe book is both an archive and an object of its own: printed with striking technical precision (by Dai Nippon Printing), it’s an important artefact of Araki’s later period and a testament to his ongoing dialogue with photobook form. A must for collectors of Japanese photography, rare editions, and the fleeting language of the Polaroid.\u003c\/p\u003e\n\u003cp data-start=\"1270\" data-end=\"1289\"\u003e\u003cstrong data-start=\"1270\" data-end=\"1289\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1291\" data-end=\"1304\"\u003eTitle: Polart\u003c\/p\u003e\n\u003cp data-start=\"1306\" data-end=\"1338\"\u003eArtist \/ Author: Nobuyoshi Araki\u003c\/p\u003e\n\u003cp data-start=\"1340\" data-end=\"1350\"\u003eDate: 2009\u003c\/p\u003e\n\u003cp data-start=\"1352\" data-end=\"1406\"\u003eTechnique \/ Printing Method: Offset (printed in Japan)\u003c\/p\u003e\n\u003cp data-start=\"1408\" data-end=\"1454\"\u003eMedium \/ Materials: Hardcover with dust jacket\u003c\/p\u003e\n\u003cp data-start=\"1456\" data-end=\"1489\"\u003eEdition: Limited edition of 1,500\u003c\/p\u003e\n\u003cp data-start=\"1491\" data-end=\"1501\"\u003eSigned: No\u003c\/p\u003e\n\u003cp data-start=\"1503\" data-end=\"1537\"\u003eDimensions (cm): Approx. 19.5 × 30\u003c\/p\u003e\n\u003cp data-start=\"1539\" data-end=\"1567\"\u003eLanguage: None \/ Image-based\u003c\/p\u003e\n\u003cp data-start=\"1569\" data-end=\"1642\"\u003ePublisher \/ Editor: Nobuyoshi Araki \/ Red Hot Gallery, Paris \/ Huboya Art\u003c\/p\u003e\n\u003cp data-start=\"1644\" data-end=\"1658\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754746380626,"sku":null,"price":250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_1.jpg?v=1768338650"},{"product_id":"sin-nombre-21oct_22-23","title":"monica maffioli – japanese dream","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA luminous reverie of photographic history and cultural nuance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDrawing on the early photographic work of Felice Beato in 19th-century Japan, Japanese Dream brings together exquisitely hand-colored portraits of geishas, samurai, sumo wrestlers, and landscapes from a rapidly modernizing country. Maffioli curates these visual fragments to highlight the aesthetic and symbolic power of photography in Japan’s transition from Edo to modernity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe book evokes the refined visual codes of the Yokohama School and traditional woodblock prints, presented in a monumental hardcover format that elevates the work to a museum-quality object. With lush reproductions and thoughtful sequencing, Japanese Dream offers a rare glimpse into the dreamlike, performative world captured by the camera lens in an era of transformation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eObject: Book\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAuthor: Monica Maffioli\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTitle:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eJapanese Dream\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublisher: Hatje Cantz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYear: 2012\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition: First Edition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLanguage: English \/ German\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBinding: Hardcover\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePages: 132\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDimensions: 33.7 × 48.8 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCondition: Very Good\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eISBN: 978-3-7757-3437-0\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51826856001874,"sku":null,"price":125.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/IMG-3269.jpg?v=1768173681"},{"product_id":"japonais-et-japonaises-dans-l-atelier-photographique-de-felice-beato-a-yokohama","title":"Japonais et Japonaises — Dans l’atelier photographique de Felice Beato à Yokohama","description":"\u003cp\u003e\u003cspan\u003ePublished as issue No. 12 of Le Cabinet de l’Amateur by the Musée d’Art Moderne et Contemporain de Strasbourg, this slim but exquisite volume offers a rare view into 19th-century Japan as seen through the theatrical, often mythologizing lens of Felice Beato. One of the earliest Western photographers to work in East Asia, Beato constructed a vision of Japan that still echoes in the Western imagination today—composed of grace, silence, and stylized exoticism.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFar from a neutral reportage, these 60 photographs—some hand-colored, others stark in monochrome—capture the elegance of gestures, the symbolism of kimonos, and the performativity of identity. Warriors, dancers, artisans and women in domestic scenes appear not just as subjects but as archetypes—filtered through Beato’s lens and tinted by colonial-era fascination.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Exhibition Catalogue \/ Photographic Booklet\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: Japonais et Japonaises — Dans l’atelier photographique de Felice Beato à Yokohama\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAuthor \/ Editor: Thierry Laps\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePhotographer: Felice Beato\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2016\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique: Reproductions of hand-colored and black \u0026amp; white albumen prints\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Softcover, saddle-stitched with printed paper band\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: French\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages: 16\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIllustrations: 60\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: Musées de la Ville de Strasbourg\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eISBN: 9782351251423\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: NEW\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51880311292242,"sku":null,"price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_10.jpg?v=1768030971"},{"product_id":"kintsugi-joan-fontcuberta","title":"KINTSUGI – Joan Fontcuberta,  Editorial RM","description":"\u003cp\u003e\u003cspan\u003eA meditative photobook that embraces rupture and repair, echoing the Japanese art of mending with gold through a conceptual lens by Joan Fontcuberta.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn KINTSUGI, Joan Fontcuberta turns the metaphor of broken ceramics mended with gold into a visual and philosophical inquiry. Drawing from the traditional Japanese technique that celebrates fracture as part of an object’s history, Fontcuberta reimagines the photographic medium as a site of healing and transformation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe book emerges from a project supported by the Government of Andorra and unfolds like a reflective essay in images and texts. Each crack, each seam, becomes a testament to survival and reinvention—resonating deeply in a world marked by personal and collective fragilities. Designed with delicate Japanese binding and a cover that mimics the gold-veined surface of kintsugi pottery, the publication blurs the boundaries between documentation, art book, and sculptural object.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith contributions by Xavier Antich, Céline Fribourg, and Montserrat Ronchera, and translations by Graham Thomson, this edition by Editorial RM honors the contemplative pace of repair. It invites readers not only to observe but to feel the quiet resilience embedded in fractured beauty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Artist Book \/ Exhibition Catalogue\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: KINTSUGI\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Joan Fontcuberta\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTexts: Xavier Antich, Joan Fontcuberta, Céline Fribourg, Montserrat Ronchera\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2021\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Paper, Japanese binding\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: #401\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: No\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: approx. 29 x 21 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: Multilingual (likely Catalan, Spanish, English)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages: Not specified\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: Editorial RM (Barcelona \u0026amp; Mexico City), Ministry of Culture and Sports, Government of Andorra\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eISBN: 978-84-17975-47-0\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Fine\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51956858487122,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_6.jpg?v=1768030607"},{"product_id":"polart-nobuyoshi-araki-red-hot-copy","title":"Tokyo Lucky Hole — Araki’s Black Hole of Desire","description":"\u003cp data-start=\"120\" data-end=\"728\"\u003eThis photobook by Nobuyoshi Araki, published by Taschen in 2016 as part of its Bibliotheca Universalis series, is part of the Darwin Bookshop because its an affordable classic that documents one of the most unflinching erotic photo-series of the late 20th century — a visual record of Tokyo’s sex industry at its most intimate, raw, and performative. Originally shot in the early 1980s and first compiled in 1997, \u003cem data-start=\"506\" data-end=\"524\"\u003eTokyo Lucky Hole\u003c\/em\u003e explores the underground sex clubs of Shinjuku through Araki’s stark monochrome lens, in a moment just before Japan’s sexual libertinism was clamped down by shifting laws and a rising conservative tide.\u003c\/p\u003e\n\u003cp data-start=\"730\" data-end=\"1558\"\u003eAraki's project — both diaristic and documentary — slips through the porous line between pornography and photography. Working with full consent from his subjects, he captures not only acts but atmospheres: private encounters in love hotels, mirrored rooms, red lanterns, the codes of costume and submission, the architecture of arousal. Each frame, whether tender or lurid, participates in his signature obsessive project — eroticism as a theatre of life and death. With text contributions by Akira Suei and Akiyoshi Yasumi, this is not just a record of bodies but of a vanishing world, a pre-AIDS, pre-digital, hyper-local scene of commodified desire. Taschen’s compact edition preserves the entire series with careful reproduction, placing one of Araki’s most infamous works back into circulation — unsoftened and unsanitised.\u003c\/p\u003e\n\u003cp data-start=\"1560\" data-end=\"1579\"\u003e\u003cstrong data-start=\"1560\" data-end=\"1579\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1581\" data-end=\"1890\"\u003eTitle: Tokyo Lucky Hole\u003cbr data-start=\"1604\" data-end=\"1607\"\u003eArtist \/ Author: Nobuyoshi Araki\u003cbr data-start=\"1639\" data-end=\"1642\"\u003eDate: 2016 (original edition 1997)\u003cbr data-start=\"1676\" data-end=\"1679\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1723\" data-end=\"1726\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"1755\" data-end=\"1758\"\u003eDimensions: 14 x 19.5 cm\u003cbr data-start=\"1782\" data-end=\"1785\" data-is-only-node=\"\"\u003eLanguage: English\u003cbr data-start=\"1802\" data-end=\"1805\"\u003ePages: 512\u003cbr data-start=\"1815\" data-end=\"1818\"\u003ePublisher \/ Editor: Taschen\u003cbr data-start=\"1845\" data-end=\"1848\"\u003eISBN: 978-3-8365-5638-5\u003cbr data-start=\"1871\" data-end=\"1874\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52474885833042,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_6e5d6669-6136-4d9d-92c7-ef4561079e01.jpg?v=1768378135"},{"product_id":"tokyo-lucky-hole-araki-s-black-hole-of-desire-copy","title":"Bondage — Araki","description":"\u003cp data-start=\"112\" data-end=\"687\"\u003eThis photobook by Nobuyoshi Araki, \u003cem data-start=\"147\" data-end=\"156\"\u003eBondage\u003c\/em\u003e, published by Taschen stages the erotic and psychological rituals of kinbaku — Japanese rope bondage — as a formal and obsessive art. First captured in Araki’s lens in the 1980s and returning here in bold colour, the suspended and constrained female body becomes a tableau: not of violence, but of choreography, costume, and control. In Araki’s world, bondage is not simply restraint — it is expression, aestheticised suffering, a language of touch that binds photography to performance.\u003c\/p\u003e\n\u003cp data-start=\"689\" data-end=\"1202\"\u003eShot in traditional tatami rooms, the photographs feature women posed in shibari configurations, suspended in mid-air or splayed against sliding paper screens. Their faces remain composed, their bodies taut, set within lushly constructed interiors that echo Edo-era erotic woodblocks. The juxtaposition of kimono, rope, and gaze builds a highly coded image-world — theatrical, intimate, surreal. In the corner, Araki's familiar plastic dinosaur appears, a strange toy to rupture the otherwise sacred erotic scene.\u003c\/p\u003e\n\u003cp data-start=\"1204\" data-end=\"1538\"\u003eThis large-format edition reproduces the images at full scale, allowing their graphic intensity and compositional precision to unfold across every page. For those interested in the visual logic of power and the performance of sexuality in Japanese visual culture, \u003cem data-start=\"1468\" data-end=\"1477\"\u003eBondage\u003c\/em\u003e remains one of Araki’s most provocative and enduring series.\u003c\/p\u003e\n\u003cp data-start=\"1540\" data-end=\"1559\"\u003e\u003cstrong data-start=\"1540\" data-end=\"1559\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1561\" data-end=\"1866\"\u003eTitle: Bondage\u003cbr data-start=\"1575\" data-end=\"1578\"\u003eArtist \/ Author: Nobuyoshi Araki\u003cbr data-start=\"1610\" data-end=\"1613\"\u003eDate: 2024\u003cbr data-start=\"1648\" data-end=\"1651\"\u003eTechnique \/ Printing Method: Colour offset printing\u003cbr data-start=\"1702\" data-end=\"1705\"\u003eMedium \/ Materials: Hardcover with cloth spine\u003cbr data-start=\"1751\" data-end=\"1754\"\u003eDimensions: 26.5 x 33 cm\u003cbr data-start=\"1778\" data-end=\"1781\"\u003ePages: 288\u003cbr data-start=\"1791\" data-end=\"1794\"\u003ePublisher \/ Editor: Taschen\u003cbr data-start=\"1821\" data-end=\"1824\"\u003eISBN: 978-3-8365-7741-0\u003cbr data-start=\"1847\" data-end=\"1850\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52474894287186,"sku":null,"price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_3b0c9cd5-9124-49da-a6c8-17b9bf426775.jpg?v=1768378479"},{"product_id":"the-park-document-koen-limited-edition-kohei-yoshiyuki","title":"The Park + Document Koen (Limited Edition) — Kohei Yoshiyuki","description":"\u003cp data-start=\"129\" data-end=\"1220\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis is the definitive edition of Kohei Yoshiyuki’s notorious series, pairing the original 1980 \u003cem data-start=\"225\" data-end=\"240\"\u003eDocument Koen\u003c\/em\u003e with \u003cem data-start=\"246\" data-end=\"256\"\u003eThe Park\u003c\/em\u003e, a newly designed facsimile that reopens the archive of one of Japan’s most controversial and cultishly studied photographic works. Shot in the 1970s across Tokyo’s Shinjuku, Yoyogi, and Aoyama parks using 35mm infrared film and flash, Yoshiyuki’s images reveal a hidden nocturnal ecosystem of lovers, voyeurs, and drifting figures of every sexuality and age. The photographer’s presence is never neutral—his camera aligned with those who watched, or sometimes joined, anonymous couplings in the dark. With their stark, raw composition, these photographs occupy a tense space between documentary and transgression, recalling Brassaï’s \u003cem data-start=\"892\" data-end=\"907\"\u003eParis de Nuit\u003c\/em\u003e, Weegee’s flash-lit cinemas, and Sophie Calle’s meditations on looking and being seen. What they ultimately expose is not simply secret behaviour, but the shared complicity of desire. This slipcased edition of 500 includes both the facsimile of \u003cem data-start=\"1153\" data-end=\"1168\"\u003eDocument Koen\u003c\/em\u003e and a new monograph featuring unpublished material and contextual texts, situating Yoshiyuki’s work as a lens on voyeurism, urban anonymity, and the melancholy of surveillance.\u003c\/p\u003e\n\u003cp data-start=\"1222\" data-end=\"1692\"\u003e\u003cstrong data-start=\"1222\" data-end=\"1241\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1241\" data-end=\"1244\"\u003eTitle: The Park + Document Koen (Limited Edition)\u003cbr data-start=\"1293\" data-end=\"1296\"\u003eArtist \/ Author: Kohei Yoshiyuki\u003cbr data-start=\"1328\" data-end=\"1331\"\u003eDate: 2023 (facsimile), originally 1980\u003cbr data-start=\"1370\" data-end=\"1373\" data-is-only-node=\"\"\u003eEdition: 500\u003cbr data-start=\"1385\" data-end=\"1388\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1423\" data-end=\"1426\"\u003eMedium \/ Materials: Hardcover with silver gelatin print reproduction, slipcased box\u003cbr data-start=\"1509\" data-end=\"1512\"\u003eDimensions (cm): 22 × 29\u003cbr data-start=\"1536\" data-end=\"1539\"\u003eLanguage: Japanese, English\u003cbr data-start=\"1566\" data-end=\"1569\"\u003ePages: 112 (The Park), facsimile of original \u003cem data-start=\"1614\" data-end=\"1629\"\u003eDocument Koen\u003c\/em\u003e\u003cbr data-start=\"1629\" data-end=\"1632\"\u003ePublisher \/ Editor: Session Press, Goliga\u003cbr data-start=\"1673\" data-end=\"1676\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52604788441426,"sku":null,"price":325.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_6a575741-1d0f-414f-a256-44a8fce0d530.jpg?v=1769888613"},{"product_id":"桂離宮-katsura-imperial-villa-yasuhiro-ishimoto","title":"桂離宮 Katsura Imperial Villa — Yasuhiro Ishimoto","description":"\u003cp data-start=\"204\" data-end=\"894\"\u003eYasuhiro Ishimoto’s \u003cem data-start=\"224\" data-end=\"248\"\u003eKatsura Imperial Villa\u003c\/em\u003e is a benchmark in the photographic representation of architecture, where the ancient rhythms of Kyoto’s imperial retreat meet the precision of modernist photographic vision. First produced in the 1950s and expanded with a second series in 1981, this edition, published by the Kochi Prefectural Museum of Art in 2010, reasserts the relevance of Ishimoto’s project with immaculate monochrome printing and redesigned layout. Trained at the Institute of Design in Chicago under Moholy-Nagy’s Bauhaus lineage, Ishimoto brought a unique dual perspective to Katsura — an ability to see Japanese space through both native memory and foreign abstraction.\u003c\/p\u003e\n\u003cp data-start=\"896\" data-end=\"1490\"\u003eThe resulting images are lucid studies of shadow, interval, and proportion — the shoji screen, the engawa corridor, the tilt of tiled roofs — rendered with a near-spiritual detachment. This is not documentary in a conventional sense, but a visual essay in structural grace. The book, long out of print and now hard to locate, is a crucial object for readers of Japanese aesthetics, architectural modernism, and the convergence of East\/West visual languages. It stands alongside the architectural visions of Ezra Stoller and the spatial poetics of Guido Guidi, but is resolutely its own lexicon.\u003c\/p\u003e\n\u003cp data-start=\"1492\" data-end=\"2007\"\u003e\u003cstrong data-start=\"1492\" data-end=\"1511\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1511\" data-end=\"1514\"\u003eTitle: Katsura Imperial Villa (桂離宮)\u003cbr data-start=\"1549\" data-end=\"1552\"\u003eArtist \/ Author: Yasuhiro Ishimoto\u003cbr data-start=\"1586\" data-end=\"1589\"\u003eDate: 2010 (First printing: May 20, 2010; Second printing: June 25, 2014)\u003cbr data-start=\"1662\" data-end=\"1665\"\u003eTechnique \/ Printing Method: Monochrome offset\u003cbr data-start=\"1711\" data-end=\"1714\"\u003eMedium \/ Materials: Softcover with transparent dust jacket\u003cbr data-start=\"1772\" data-end=\"1775\" data-is-only-node=\"\"\u003eDimensions (cm): Approx. 30 x 22\u003cbr data-start=\"1807\" data-end=\"1810\"\u003eLanguage: Japanese (with some English)\u003cbr data-start=\"1848\" data-end=\"1851\"\u003ePages: Not stated (extensive)\u003cbr data-start=\"1880\" data-end=\"1883\"\u003ePublisher \/ Editor: Kochi Prefectural Museum of Art \/ Tsukuba Photo Center\u003cbr data-start=\"1957\" data-end=\"1960\"\u003eISBN: 978-4-9902529-2-3\u003c\/p\u003e\n\u003cp data-start=\"1366\" data-end=\"1788\"\u003eCondition: MINT\u003cbr data-start=\"1760\" data-end=\"1763\"\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52660208337234,"sku":null,"price":250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_1_40da29bb-8549-40e1-9917-732ef0a2ef00.jpg?v=1770575314"}],"url":"https:\/\/thedarwin.es\/collections\/cabinet-japan-silence-surface.oembed","provider":"DaRWIN","version":"1.0","type":"link"}