{"title":"CABINET","description":"\u003cp data-start=\"71\" data-end=\"291\"\u003e\u003cem data-start=\"89\" data-end=\"138\"\u003eCuriosities, relics, and soul-carrying objects.\u003c\/em\u003e\u003cbr data-start=\"138\" data-end=\"141\"\u003eA mask with whispers, a chair with memory, a toy that once wept. The Cabinet is where objects become portals — each piece a story, each story a world.\u003c\/p\u003e\n\u003cp data-start=\"293\" data-end=\"489\"\u003eFrom disecated animals to tribal masks, brutalist lamps to forgotten furniture, these are fragments of lives lived and meanings lost, now reawakened. Collected not for utility, but for their aura.\u003c\/p\u003e","products":[{"product_id":"raven-mask","title":"Ritual Costume of the \"Cuervo de la Milpa\"","description":"\u003cp data-start=\"141\" data-end=\"1330\"\u003eThis ritual costume from Guerrero, Mexico—standing 170cm tall and bearing the many-headed visage of the Cuervo de la Milpa (Cornfield Crow)—is part of the Darwin archive for its rare embodiment of Indigenous cosmovision rendered through vernacular performance design. The suit, likely used in masked dances or agricultural rites, depicts a highly stylised crow with multiple beaked heads and lacquered feathers, painted in rhythmic repetition across a crimson-orange field. The headpiece fuses bird and human traits with hypnotic red eyes, geometric teeth, and textured plumage. The overall effect is at once theatrical and animistic: a visual language of doubling, disguise, and possession. Rooted in Mesoamerican traditions of animal-human transformation, this costume speaks to a living relationship between land, spirit, and masquerade—where costume is not simply ornament but a vessel for becoming. Worn during seasonal festivities or communal rituals, it likely played a role in invoking protection over crops, fertility, and the cyclical return of rain. Darwin includes this piece as a testament to Mexican material culture’s vitality and the ceremonial power of the handmade image.\u003c\/p\u003e\n\u003cp data-start=\"1332\" data-end=\"1677\"\u003e\u003cstrong data-start=\"1332\" data-end=\"1351\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1351\" data-end=\"1354\"\u003eTitle: Cuervo de la Milpa Ritual Costume\u003cbr data-start=\"1421\" data-end=\"1424\"\u003eDate: Contemporary (20st century)\u003cbr data-start=\"1465\" data-end=\"1468\" data-is-only-node=\"\"\u003eTechnique \/ Printing Method: Hand-painted, carved wood, stitched textile\u003cbr data-start=\"1540\" data-end=\"1543\"\u003eMedium \/ Materials: Wood, textile, paint\u003cbr data-start=\"1583\" data-end=\"1586\"\u003eDimensions (cm): 170 (height)\u003cbr data-start=\"1615\" data-end=\"1618\"\u003eCondition: Used, age-worn\u003cbr\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51657500787026,"sku":null,"price":650.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MarcosWebproof_8of24_-2_2.jpg?v=1768423201"},{"product_id":"hand-painted-dowry-chest-rajasthan-gujarat-ca-1780-1850","title":"Hand-Painted Dowry Chest, Rajasthan \/ Gujarat, ca. 1780–1850","description":"\u003cp\u003e\u003cspan\u003eMagnificent hand-painted wedding chest from North India, likely Rajasthan or Gujarat, crafted in solid teak and richly decorated in the late Mughal style.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEach panel narrates a chapter of the royal wedding procession: the groom riding a caparisoned elephant, musicians and nobles marching in bright attire, and courtly scenes of dancers performing inside palatial halls. The lid and borders are adorned with gold foliate arabesques, echoing the lavish murals and textile motifs of 18th-century Rajput courts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBuilt from dense reclaimed teak and fitted with original forged-iron hardware, the chest remains in excellent condition with its pigments remarkably vivid. The work exemplifies the synthesis between Mughal refinement and Rajastani narrative art — ceremonial, devotional, and deeply symbolic of union and prosperity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDimensions: 29ʺ W × 17ʺ D × 15ʺ H\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMaterial: Solid teak, hand-painted with natural pigments and gilt detailing\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOrigin: Rajasthan \/ Gujarat, India\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePeriod: Late 18th to mid-19th century\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCondition: Excellent; minor wear consistent with age and use\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eColor palette: Vermilion, ochre, emerald, ultramarine, and gold leaf accents\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51829483667794,"sku":null,"price":2500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/406A59B9-979A-485F-A00E-B230A9755E45.jpg?v=1761821591"},{"product_id":"sin-nombre-26oct_21-46","title":"Maternité sous le regard des ancêtres – Baule, Côte d’Ivoire","description":"\u003cp\u003e\u003cspan\u003eThis finely carved maternity figure from the Baule people of central Côte d’Ivoire likely originates from the Yamoussoukro region, a cultural heartland where spirit and sculpture are inextricably linked. Seated with measured dignity on a stool, the woman holds a child in her lap—her expression serene, introspective, almost meditative. She does not simply depict a mother, but rather a spiritual intercessor: a blolo bla, a “spirit spouse,” or a waka sran, a “wooden person”—an emissary between the material world and the ancestral realm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe wood is dark, with a lustrous patina built over time, likely through ritual handling, libations, and devotion. Her elongated face, high domed forehead, finely incised coiffure, and delicate scarification marks reflect the formal canon of Baule beauty and status. The downward gaze and closed lips suggest emotional containment and inner strength—qualities deeply admired in Baule society, especially in maternal roles.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMaternity figures in Baule culture serve multiple spiritual and social functions. A woman might commission such a sculpture if it was believed her deceased husband’s spirit was causing infertility or illness in her children. In this context, the figure becomes an object of mediation and care—receiving offerings, attention, and ritual dialogue to restore balance. In other settings, spirit mediums (komien) use similar figures in trance divinations, allowing the sculpture to serve as a vessel for healing spirits or as a diagnostic tool in uncovering misfortune.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Ritual maternity figure\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: Maternité sous le regard des ancêtres\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCulture: Baule\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: Early to mid-20th century\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique: Hand-carved\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMaterial: Wood with ritual patina\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 66 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWeight: 5.9 kg\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Acceptable (ritual wear, surface abrasions, patina consistent with age)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eProvenance: Galerie Wolfgang Jaenicke, Berlin (acquired in Yamoussoukro region, Côte d’Ivoire)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51865699418450,"sku":null,"price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/NewTemplate_3.jpg?v=1768121969"},{"product_id":"l-observateur-d-aboisso-agni-cote-d-ivoire","title":"L’Observateur d’Aboisso – Agni, Côte d’Ivoire","description":"\u003cp\u003e\u003cspan\u003eThis striking wooden figure hails from the Agni people of southeastern Côte d’Ivoire, specifically the culturally significant region of Aboisso, near the banks of the Comoé River. Carved with geometric precision and ritual sobriety, the sculpture likely served a protective or intercessory function, typical of Agni statuary used in domestic or spiritual contexts. Its expressive power lies not in movement, but in its concentrated stillness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe figure’s stance is iconic: rigidly upright, arms crossed at the chest, with a formal symmetry that commands attention. Its proportions are stylized but balanced, and the square base—heavily incised with rhythmic motifs—grounds the figure with architectural gravitas. The surface retains a matte patina of age, with subtle traces of ritual handling, and a palette of deep, worn browns suggesting long exposure to human touch and atmospheric change.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe head is large, with an angular coiffure and finely notched details typical of the region’s woodcarving traditions. The facial expression is alert, even inquisitive, with rounded eyes and incised brows forming a gaze that feels both distant and direct. This suggests the figure may have acted as a silent witness in spiritual consultations, offerings, or personal rituals—a sculptural embodiment of ancestral memory or protection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThough closely related to the neighboring Baule in style and cultural exchange, Agni statuary tends to be slightly more abstract, often emphasizing posture over anatomical realism. Figures such as this one were likely part of small family shrines, serving as intermediaries to spirits or ancestors, or as ritual “witnesses” to oaths, healing ceremonies, or rites of passage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe provenance from Galerie Wolfgang Jaenicke in Berlin adds further curatorial confidence to the piece. While modest in scale, it radiates an almost architectural clarity—its geometry suggesting control, its face inviting interpretation, its presence unmistakably felt.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Ritual figure\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: L’Observateur d’Aboisso\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCulture: Agni\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: Early to mid-20th century\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique: Hand-carved\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMaterial: Wood\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 48 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWeight: 2.3 kg\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Acceptable (age-related wear, base shows minor splitting, stable structure)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Galerie Wolfgang Jaenicke, Berlin (acquired in the Aboisso region, Côte d’Ivoire)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51865717801298,"sku":null,"price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/NewTemplate_2.jpg?v=1768121734"},{"product_id":"blolo-bla-m-bahiakro-baule-ritual-carving","title":"Blolo Bla, M’bahiakro, Baule ritual carving","description":"\u003cp\u003e\u003cspan\u003eIn Baule cosmology, the blolo bla is more than sculpture — it is a bridge to the invisible. This female figure, carved in dark wood and seated in composed dignity on a small stool, embodies the idealized “spirit wife” that exists in the otherworldly realm of blolo, a parallel universe believed to preexist and accompany each person. Kept in the privacy of a bedroom, this figure would have received offerings, care, and adornment, mediating between the living and the spiritual to restore personal balance, fertility, or fortune.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOriginating from the M’bahiakro region in central Côte d’Ivoire, this example reflects the refined Baule aesthetic: scarified cheeks, arched brows, a composed facial expression, and intricately rendered coiffure. The posture is classical — legs close, knees slightly bent, hands resting on the thighs — conveying both modesty and self-possession. The surface bears the warm sheen of age and ritual handling, with a patina of oil and wear, alongside minor fissures and insect traces near the base, all consistent with traditional domestic veneration.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLikely created in the early to mid-20th century, this piece speaks not only of devotion but of Baule ideals: harmony between worlds, inner beauty made visible, and the poetic architecture of belief.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Ritual Sculpture\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: Blolo Bla, M’bahiakro\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Unknown Baule Artist\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: Early to Mid-20th Century\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Hand-carved\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Wood with natural patina\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 45 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWeight: 1.9 kg\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Acceptable — surface cracks and insect wear at base; ritual patina\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eProvenance: Galerie Wolfgang Jaenicke, Berlin (acquired in the Aboisso region, Côte d’Ivoire)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eReferences\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eSusan Mullin Vogel. Baule: African Art, Western Eyes. Yale University Press, 1997.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMuseo de Arte Herbert F. Johnson, Universidad de Cornell. Figura femenina de pie (blolo bla). Entrada del catálogo del objeto.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDorotheum. Baule, Costa de Marfil: una figura femenina de un ‘espíritu cónyuge’, llamada ‘blolo bla’. Catálogo de la subasta.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMuseo Metropolitano de Arte. Esposa espiritual (Blolo Bla), pueblos Baule. Entrada de colección.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFinarte, Milán. Figura femenina, Baule, región de Bouaké. Catálogo de subasta.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51867398209874,"sku":null,"price":250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/NewTemplate_1_5165be76-2842-4669-84a2-3a0eb9ccad41.jpg?v=1768121528"},{"product_id":"jose-guadalupe-posada-ilustrador-de-la-vida-mexicana","title":"José Guadalupe Posada, Ilustrador de la Vida Mexicana","description":"\u003cp\u003e\u003cspan\u003eAn iconic tribute to Mexico’s great visual chronicler, wrapped in gold embossing and editorial reverence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis 1963 edition, published by Fondo Editorial de la Plástica Mexicana, stands as one of the most elegant homages to José Guadalupe Posada—engraver, satirist, and anonymous soul of the Mexican people. With its crimson textile cover adorned in golden lattice and a central photograph of Posada’s workshop, the book reads as both a visual reliquary and a national offering.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWithin its pages, Posada’s world unfolds: the everyday and the tragic, the political and the grotesque, all carved with urgency and printed for the masses. Long before the fame of his Calaveras, Posada shaped the visual language of Mexican identity with fierce simplicity and deep popular resonance. This volume, carefully printed under the auspices of major Mexican financial institutions, is not just a monograph—it is a posthumous altar to one of the country’s most influential yet historically marginalized artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe book’s editorial design reflects the aesthetic codes of mid-century institutional publishing, yet it preserves the raw power of Posada’s prints—making it a collectible object, a bibliophile’s jewel, and a visual archive of cultural resistance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Book\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: José Guadalupe Posada: Ilustrador de la Vida Mexicana\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: José Guadalupe Posada\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 1963\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Hardcover with textile binding and gold embossing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: Fondo Editorial de la Plástica Mexicana\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: Spanish\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Very good; minimal signs of handling\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Private Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51955262161234,"sku":null,"price":250.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_83442087-2dd7-47d3-915e-cd8183316373.jpg?v=1767992081"},{"product_id":"le-voyage-amoureux-beautes-orientales-ouled-nails-courtisanes-1870-1960","title":"Le Voyage amoureux – Nicole Canet, Galerie Au Bonheur du Jour, 2010","description":"\u003cp data-start=\"170\" data-end=\"684\"\u003eA rare visual archive of intimacy and survival across the Maghreb and the Orient. Drawing from photographs dating 1870–1960, this volume assembles studio portraits and documentary images of courtesans, dancers and prostitutes, tracing a parallel social history often excluded from official narratives. Published in a limited edition of 1,000 copies, it brings together 300 photographs with texts by Étienne Cance and Nicole Canet, forming a substantial 328-page study of desire, colonial fantasy and female agency.\u003c\/p\u003e\n\u003cp data-start=\"686\" data-end=\"1039\"\u003eTechnical Sheet\u003cbr data-start=\"701\" data-end=\"704\"\u003eTitle: Le Voyage amoureux\u003cbr data-start=\"729\" data-end=\"732\"\u003eArtist \/ Author: Nicole Canet\u003cbr data-start=\"761\" data-end=\"764\"\u003eDate: 2010\u003cbr data-start=\"774\" data-end=\"777\"\u003eEdition: Limited edition of 1,000 copies\u003cbr data-start=\"817\" data-end=\"820\"\u003eMedium \/ Materials: Hardcover book\u003cbr data-start=\"854\" data-end=\"857\"\u003eDimensions (cm): 21 × 27 cm\u003cbr data-start=\"884\" data-end=\"887\"\u003ePages: 328 pages, 300 photographs\u003cbr data-start=\"920\" data-end=\"923\"\u003eLanguage: French\u003cbr data-start=\"939\" data-end=\"942\"\u003ePublisher \/ Editor: Galerie Au Bonheur du Jour\u003cbr data-start=\"988\" data-end=\"991\"\u003eISBN: 978-2-9532351-1-1\u003cbr data-start=\"1014\" data-end=\"1017\"\u003eCondition: Very good\u003c\/p\u003e\n\u003cp data-start=\"1041\" data-end=\"1247\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51955400638802,"sku":null,"price":75.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_7.jpg?v=1768030712"}],"url":"https:\/\/thedarwin.es\/collections\/cabinet.oembed","provider":"DaRWIN","version":"1.0","type":"link"}