{"title":"DOCUMENTARY","description":"","products":[{"product_id":"the-pulse-of-life","title":"The Pulse of Life — Photo portraits XXI century, Aperture 2021","description":"\u003cp data-start=\"92\" data-end=\"634\"\u003eA precise survey of portraiture at its most alert, this volume captures how photography confronts the human presence. Drawing from key figures across decades, it assembles over a hundred works where intimacy, distance, and observation collide. Rather than stylistic unity, it proposes a shared commitment to lived reality—faces as sites of tension, vulnerability, and recognition. Carefully sequenced, it reads less as a catalogue than a sustained reflection on photography’s documentary force and its unresolved ethical and emotional stakes.\u003c\/p\u003e\n\u003cp data-start=\"636\" data-end=\"936\"\u003e\u003cstrong data-start=\"636\" data-end=\"655\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"655\" data-end=\"658\"\u003eTitle: The Pulse of Life\u003cbr data-start=\"682\" data-end=\"685\"\u003eArtist \/ Author: Various\u003cbr data-start=\"709\" data-end=\"712\"\u003eDate: 2021\u003cbr data-start=\"722\" data-end=\"725\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"769\" data-end=\"772\"\u003eMedium \/ Materials: Hardcover with cloth spine\u003cbr data-start=\"818\" data-end=\"821\"\u003eDimensions (cm): 30 × 25\u003cbr data-start=\"845\" data-end=\"848\"\u003ePages: 280\u003cbr data-start=\"858\" data-end=\"861\"\u003eLanguage: English\u003cbr data-start=\"878\" data-end=\"881\"\u003ePublisher \/ Editor: Fundación MAPFRE\u003cbr data-start=\"917\" data-end=\"920\"\u003eCondition: New\u003c\/p\u003e\n\u003cp data-start=\"938\" data-end=\"1172\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51614795006290,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_1_00c55fb2-f382-411c-b451-522b46f7a913.jpg?v=1768211442"},{"product_id":"chewing-gum-and-chocolate","title":"Chewing Gum and Chocolate — Shomei Tomatsu (2014 edition)","description":"\u003cp data-start=\"126\" data-end=\"611\"\u003eThis is the 2014 Kehrer Verlag edition of \u003cem data-start=\"168\" data-end=\"195\"\u003eChewing Gum and Chocolate\u003c\/em\u003e, a career-defining monograph of Shomei Tomatsu’s work chronicling postwar Japan through its most volatile contradictions. The title itself — sweet, disposable, foreign — cues the tension at the heart of Tomatsu’s images: a Japan occupied, Americanised, economically blooming, and spiritually unsettled. The book presents a black-and-white archive that veers from documentary to surreal, locating beauty in rupture.\u003c\/p\u003e\n\u003cp data-start=\"613\" data-end=\"1193\"\u003eAcross its pages, Tomatsu focuses on Okinawa and the aftermath of war, US military presence, and the shifting face of Japanese identity. Street portraits of swaggering youths, scarred veterans, military debris, and lovers in shadowy interiors unfold with a calm, pointed urgency. His camera is not voyeuristic but implicated — tuned to surfaces yet dense with political temperature. The cover image, a young man in a white suit in Koza, Okinawa (1976–80), captures a hybridised, poised defiance, a stylish assertion of individuality within the larger scene of cultural occupation.\u003c\/p\u003e\n\u003cp data-start=\"1195\" data-end=\"1565\"\u003eTomatsu belongs in Darwin as a central figure in the Japanese postwar photographic avant-garde — alongside contemporaries like Daidō Moriyama or Nobuyoshi Araki, yet more overtly political. If Moriyama’s images dissolve into grain and desire, Tomatsu’s crystallise history into form. \u003cem data-start=\"1479\" data-end=\"1506\"\u003eChewing Gum and Chocolate\u003c\/em\u003e is both an aesthetic statement and a historical reckoning.\u003c\/p\u003e\n\u003cp data-start=\"1567\" data-end=\"1586\"\u003e\u003cstrong data-start=\"1567\" data-end=\"1586\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1588\" data-end=\"1953\"\u003eTitle: Chewing Gum and Chocolate\u003cbr data-start=\"1620\" data-end=\"1623\"\u003eArtist \/ Author: Shomei Tomatsu\u003cbr data-start=\"1654\" data-end=\"1657\"\u003eDate: 2014 edition\u003cbr data-start=\"1675\" data-end=\"1678\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1713\" data-end=\"1716\"\u003eMedium \/ Materials: Hardcover, printed boards\u003cbr data-start=\"1761\" data-end=\"1764\"\u003eDimensions (cm): approx. 24 x 30 cm\u003cbr data-start=\"1799\" data-end=\"1802\"\u003eLanguage: German\u003cbr data-start=\"1818\" data-end=\"1821\"\u003ePages: Unstated\u003cbr data-start=\"1836\" data-end=\"1839\"\u003ePublisher \/ Editor: Kehrer Verlag Heidelberg Berlin \/ Aperture Foundation\u003cbr data-start=\"1912\" data-end=\"1915\"\u003eISBN: 9783868284980\u003cbr data-start=\"1934\" data-end=\"1937\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51614896882002,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_2_7a515756-d976-4c60-9e83-d18a9c43b074.jpg?v=1769358243"},{"product_id":"anders-petersen-sete-08-2008","title":"Sète 08 — Anders Petersen, 2008","description":"\u003cp data-start=\"104\" data-end=\"559\"\u003eCommissioned for the ImageSingulières festival, \u003cem data-start=\"152\" data-end=\"161\"\u003eSète 08\u003c\/em\u003e is Anders Petersen’s intimate and chaotic portrait of the southern French port town of Sète. Shot in 2008 and published as part of the festival's annual residency programme, the book brings Petersen’s signature visual grammar — grainy, close, almost fevered — to bear on a place often portrayed through Mediterranean cliché. What emerges instead is a dark, visceral, and deeply human street opera.\u003c\/p\u003e\n\u003cp data-start=\"561\" data-end=\"1150\"\u003ePetersen moves through bars, markets, back alleys, beach fronts, and private rooms, photographing faces and gestures with raw proximity. Every frame carries his classic emotional charge: tenderness without sentiment, confrontation without spectacle. Like his work in \u003cem data-start=\"828\" data-end=\"842\"\u003eCafé Lehmitz\u003c\/em\u003e or \u003cem data-start=\"846\" data-end=\"852\"\u003eRoma\u003c\/em\u003e, \u003cem data-start=\"854\" data-end=\"863\"\u003eSète 08\u003c\/em\u003e shows Petersen’s unrelenting commitment to proximity — to being inside the scene, not observing from a distance. Part of a series that has featured the likes of Jacob Aue Sobol and Klavdij Sluban, \u003cem data-start=\"1061\" data-end=\"1070\"\u003eSète 08\u003c\/em\u003e stands out for its tactile, nocturnal intensity and its refusal to romanticise.\u003c\/p\u003e\n\u003cp data-start=\"1152\" data-end=\"1475\"\u003eTechnical Sheet\u003cbr data-start=\"1167\" data-end=\"1170\"\u003eTitle: Sète 08\u003cbr data-start=\"1184\" data-end=\"1187\"\u003eArtist \/ Author: Anders Petersen\u003cbr data-start=\"1219\" data-end=\"1222\"\u003eDate: 2008\u003cbr data-start=\"1232\" data-end=\"1235\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1270\" data-end=\"1273\"\u003eMedium \/ Materials: Softcover with dust jacket\u003cbr data-start=\"1319\" data-end=\"1322\"\u003eDimensions (cm): Approx. 20 × 27\u003cbr data-start=\"1354\" data-end=\"1357\"\u003eLanguage: French\u003cbr data-start=\"1373\" data-end=\"1376\"\u003ePages: Approx. 80\u003cbr data-start=\"1393\" data-end=\"1396\"\u003ePublisher \/ Editor: Le Bec en l’air \/ ImageSingulières\u003cbr data-start=\"1450\" data-end=\"1453\"\u003eCondition: Very good\u003c\/p\u003e\n\u003cp data-start=\"1152\" data-end=\"1475\"\u003e\u003cspan\u003eProvenance: Antoine D'Agata Library (stamp on the back page)\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754572775762,"sku":null,"price":75.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_b86f420d-af11-434f-a7a6-a95f9605d95d.jpg?v=1770108808"},{"product_id":"signed-jacob-aue-sobol-sabine-2018","title":"Sabine (Version française) — Jacob Aue Sobol — Signed, Polka Editions, 2018","description":"\u003cp data-start=\"195\" data-end=\"565\"\u003eThis concise French edition of \u003cem data-start=\"226\" data-end=\"234\"\u003eSabine\u003c\/em\u003e by Jacob Aue Sobol distills one of the most visceral photographic love stories of the early 2000s into 24 pages of taut, emotional intensity. Released by Polka Editions in 2018 in just 200 copies, and signed by the artist, it offers a rare, bilingual echo of the original 2004 monograph — now iconic among contemporary photobooks.\u003c\/p\u003e\n\u003cp data-start=\"567\" data-end=\"968\"\u003eThe images trace Sobol’s life in Tiniteqilaaq, an isolated Greenlandic village where he lived for nearly three years with Sabine, the woman who gave the book its name. Drawn from his early immersion in documentary photography at Fatamorgana and sharpened by cinematic sensibilities from his time at the European Film College, Sobol’s language is unmistakable: grainy, close, and emotionally saturated.\u003c\/p\u003e\n\u003cp data-start=\"970\" data-end=\"1265\"\u003eThis smaller-format edition doesn’t dilute the impact — if anything, it heightens the sense of compression, like a love story whispered through fog. As a collectible, it’s a rare glimpse into the raw core of a major Magnum photographer’s early vision, rearticulated for a French-speaking public.\u003c\/p\u003e\n\u003cp data-start=\"1267\" data-end=\"1592\"\u003eTechnical Sheet\u003cbr data-start=\"1282\" data-end=\"1285\"\u003eTitle: Sabine (Version française)\u003cbr data-start=\"1318\" data-end=\"1321\"\u003eArtist \/ Author: Jacob Aue Sobol\u003cbr data-start=\"1353\" data-end=\"1356\"\u003eDate: 2018\u003cbr data-start=\"1366\" data-end=\"1369\"\u003eEdition: Limited edition of 200, signed\u003cbr data-start=\"1408\" data-end=\"1411\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1446\" data-end=\"1449\"\u003eMedium \/ Materials: Softcover\u003cbr data-start=\"1478\" data-end=\"1481\"\u003eDimensions (cm): 15 × 21\u003cbr data-start=\"1505\" data-end=\"1508\"\u003eLanguage: French\u003cbr data-start=\"1524\" data-end=\"1527\"\u003ePages: 24\u003cbr data-start=\"1536\" data-end=\"1539\"\u003ePublisher \/ Editor: Polka Editions\u003cbr data-start=\"1573\" data-end=\"1576\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754658038098,"sku":null,"price":160.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_56061f0e-cdaa-452d-9586-7117c12f8837.jpg?v=1770112372"},{"product_id":"stephen-shore-uncommon-places-1982","title":"Uncommon Places — Stephen Shore, 1982, first edition with dust jacket","description":"\u003cp data-start=\"369\" data-end=\"715\"\u003eOne of the most influential photobooks of the twentieth century, \u003cem data-start=\"434\" data-end=\"451\"\u003eUncommon Places\u003c\/em\u003e marked a turning point for colour photography and for the visual language of American space. Published in 1982 by Aperture, this is the scarce first edition hardcover with the original unclipped dust jacket — the definitive form of a book that changed everything.\u003c\/p\u003e\n\u003cp data-start=\"717\" data-end=\"1101\"\u003eWorking with a large-format view camera, Stephen Shore photographed anonymous intersections, motel rooms, signage, and city edges across 1970s America. What emerged was a new kind of photography: stripped of narrative, radiant in its clarity, formally precise and rooted in the banal. These are not decisive moments but sustained ones — quiet, frontal, and loaded with ambient unease.\u003c\/p\u003e\n\u003cp data-start=\"1103\" data-end=\"1514\"\u003eThe maroon clothbound edition presented here features 61 colour plates across 64 pages, designed by Wendy Byrne and printed with early fidelity to Shore’s Kodachrome palette. As cited by Martin Parr and Gerry Badger in \u003cem data-start=\"1322\" data-end=\"1355\"\u003eThe Photobook: A History Vol. 2\u003c\/em\u003e (p.35), it stands as a “fantastic, very important color photobook” — foundational to the New Topographics and the rise of colour as serious photographic form.\u003c\/p\u003e\n\u003cp data-start=\"1516\" data-end=\"1678\"\u003eThis copy retains the original dustjacket, complete and fresh with only minor sunning and faint exterior marks. A cornerstone of any serious photobook collection.\u003c\/p\u003e\n\u003cp data-start=\"1680\" data-end=\"2128\"\u003e\u003cstrong data-start=\"1680\" data-end=\"1699\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1699\" data-end=\"1702\"\u003eTitle: Uncommon Places\u003cbr data-start=\"1724\" data-end=\"1727\"\u003eArtist \/ Author: Stephen Shore\u003cbr data-start=\"1757\" data-end=\"1760\"\u003eDate: 1982\u003cbr data-start=\"1770\" data-end=\"1773\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1817\" data-end=\"1820\"\u003eMedium \/ Materials: Hardcover with dust jacket, maroon cloth\u003cbr data-start=\"1880\" data-end=\"1883\"\u003eDimensions: 24.3 x 28.3 cm\u003cbr data-start=\"1909\" data-end=\"1912\"\u003ePages: 64\u003cbr data-start=\"1921\" data-end=\"1924\" data-is-only-node=\"\"\u003ePlates: 61 colour photographs\u003cbr data-start=\"1953\" data-end=\"1956\"\u003ePublisher \/ Editor: Aperture, Millerton, New York\u003cbr data-start=\"2005\" data-end=\"2008\"\u003eISBN: 0-89381-101-7\u003cbr data-start=\"2027\" data-end=\"2030\"\u003eCondition: Overall fine; interior flawless, dustjacket lightly sunned but complete and unclipped\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51758094090578,"sku":null,"price":350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_75dd02ef-206d-478f-887e-151971700a6c.jpg?v=1769295938"},{"product_id":"cafe-lehmitz-anders-petersen-1985","title":"Café Lehmitz (Signed Pocket Edition) — Anders Petersen, 1985","description":"\u003cp data-start=\"133\" data-end=\"638\"\u003eThis signed pocket edition of \u003cem data-start=\"163\" data-end=\"177\"\u003eCafé Lehmitz\u003c\/em\u003e, published in 1985 by Schirmer\/Mosel, is Anders Petersen’s own preferred version of his most iconic book. Originally released in 1978, \u003cem data-start=\"313\" data-end=\"327\"\u003eCafé Lehmitz\u003c\/em\u003e launched Petersen’s career and redefined the language of documentary photography. Shot in a working-class bar on the Reeperbahn in Hamburg between 1968 and 1970, the work is a raw, affectionate portrait of a place where rules collapse: sex workers, drunks, lovers, loners — all held in the same intimate frame.\u003c\/p\u003e\n\u003cp data-start=\"640\" data-end=\"1232\"\u003ePetersen doesn’t observe from a distance. He drinks, touches, stays the night. The images are grainy, close, messy, full of flash and emotion. There is no moral hierarchy, only physical proximity and shared time. What makes \u003cem data-start=\"864\" data-end=\"878\"\u003eCafé Lehmitz\u003c\/em\u003e endure is its lack of performance — the trust is real, and the camera feels like part of the furniture. It’s a book that changed the terms for later photographers like Nan Goldin or Antoine d’Agata, proving that documentary could be personal, chaotic, and brutally tender. A cornerstone of postwar European photography, still unmatched in its sincerity.\u003c\/p\u003e\n\u003cp data-start=\"1234\" data-end=\"1594\"\u003eTechnical Sheet\u003cbr data-start=\"1249\" data-end=\"1252\"\u003eTitle: Café Lehmitz (Signed Pocket Edition)\u003cbr data-start=\"1295\" data-end=\"1298\"\u003eArtist \/ Author: Anders Petersen\u003cbr data-start=\"1330\" data-end=\"1333\"\u003eDate: 1985 edition (originally 1978)\u003cbr data-start=\"1369\" data-end=\"1372\"\u003eEdition: Signed\u003cbr data-start=\"1387\" data-end=\"1390\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1425\" data-end=\"1428\"\u003eMedium \/ Materials: Softcover\u003cbr data-start=\"1457\" data-end=\"1460\"\u003eDimensions (cm): Approx. 12 × 18\u003cbr data-start=\"1492\" data-end=\"1495\"\u003eLanguage: German\u003cbr data-start=\"1511\" data-end=\"1514\"\u003ePages: Approx. 120\u003cbr data-start=\"1532\" data-end=\"1535\"\u003ePublisher \/ Editor: Schirmer\/Mosel\u003cbr data-start=\"1569\" data-end=\"1572\"\u003eCondition: Very good\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51776958202194,"sku":null,"price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_2.jpg?v=1770110366"},{"product_id":"the-lines-of-my-hand-robert-frank-1989","title":"The Lines of My Hand — Robert Frank, First Parkett \/ Der Alltag Edition","description":"\u003cp data-end=\"372\" data-start=\"98\"\u003e \u003c\/p\u003e\n\u003cp\u003eRobert Frank’s most intimate and elliptical book, here in the rare Parkett \/ Der Alltag edition published in Switzerland in 1989. Originally released in Japan in 1972 and revised in the U.S. in 1989, this version is its own object — cleanly designed, starkly sequenced, and printed with the cool neutrality of late-80s European publishing. If \u003cem data-start=\"519\" data-end=\"534\"\u003eThe Americans\u003c\/em\u003e was the book that broke the frame, \u003cem data-start=\"570\" data-end=\"592\"\u003eThe Lines of My Hand\u003c\/em\u003e is the book that dissolved it. This is autobiography by way of photographic memory: fragmentary, withdrawn, handwritten, and intensely personal.\u003c\/p\u003e\n\u003cp data-start=\"739\" data-end=\"1411\"\u003eThe cover, with its ghostly charcoal tracing of a raised palm, signals a departure from traditional narrative structure. Inside, Frank threads together photographs from across his life: his children, his travels, his losses, the flat winter light of Nova Scotia, the asphalt haze of America. The sequencing is poetic and associative, intercut with handwritten notes and reproduced contact sheets. It feels closer to a film diary or sketchbook than a monograph — more Jonas Mekas than Cartier-Bresson. An essential object in the lineage of artist photobooks, deeply influential on later diaristic work by Nan Goldin, Jim Goldberg, or Collier Schorr. Scarce in this edition.\u003c\/p\u003e\n\u003cp data-start=\"1413\" data-end=\"1729\"\u003e\u003cstrong data-start=\"1413\" data-end=\"1432\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1432\" data-end=\"1435\"\u003eTitle: The Lines of My Hand\u003cbr data-start=\"1462\" data-end=\"1465\"\u003eArtist \/ Author: Robert Frank\u003cbr data-start=\"1494\" data-end=\"1497\"\u003eDate: 1989\u003cbr data-start=\"1507\" data-end=\"1510\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1554\" data-end=\"1557\"\u003eMedium \/ Materials: Hardcover photobook\u003cbr data-start=\"1596\" data-end=\"1599\"\u003eDimensions: 23.5 x 30 cm\u003cbr data-start=\"1623\" data-end=\"1626\"\u003ePages: 80\u003cbr data-start=\"1645\" data-end=\"1648\"\u003ePublisher \/ Editor: Parkett \/ Der Alltag\u003cbr data-start=\"1688\" data-end=\"1691\"\u003eISBN: 3-907509-04-8\u003cbr data-start=\"1710\" data-end=\"1713\"\u003eCondition: NEW\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51776963182930,"sku":null,"price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_451e7fdf-5ea7-420b-8068-0930eeef16f8.jpg?v=1769295549"},{"product_id":"johan-lundberg-another-day-of-life-in-romanipen","title":"ANOTHER DAY OF LIFE in Romanipen — Johan Lundberg","description":"\u003cp data-start=\"150\" data-end=\"628\"\u003eThis photobook by Johan Lundberg, published in 2005 by Journal (Sweden)  offers a direct, unfiltered gaze into Roma communities in the Balkans—seen not through the lens of distance, but through time, presence, and a slow, patient form of witnessing. \u003cem data-start=\"442\" data-end=\"476\"\u003eAnother Day of Life in Romanipen\u003c\/em\u003e is a rare work of embedded photography, rooted in long-term engagement and crafted with deep respect for the dignity and daily rhythms of its subjects.\u003c\/p\u003e\n\u003cp data-start=\"630\" data-end=\"1017\"\u003eShot between the late 1990s and early 2000s, Lundberg’s images capture the intimacy of everyday life—rooms dimly lit in natural shadow, families gathered in fragile domestic space, eyes meeting the camera without performance. The cover photograph, a young woman reclined and watching, framed in a cloth-walled interior, sets the tone for the book: contemplative, close, and deeply human.\u003c\/p\u003e\n\u003cp data-start=\"1019\" data-end=\"1388\"\u003eBound in raw linen with a tipped-in print, the book’s design mirrors its content—quiet, tactile, and unadorned. It avoids both exoticism and sentimentalism, refusing to editorialise or over-explain. These are lives seen from within, structured by Romanipen, the invisible code of Roma identity and tradition, rarely represented from this position of proximity and care.\u003c\/p\u003e\n\u003cp data-start=\"1390\" data-end=\"1697\"\u003eSupported by the Olof Palme International Center and Sida, and printed with integrity in Verona, this first edition is a testament to what happens when a photographer listens more than he looks. It belongs in Darwin as a document of cultural resistance, visual tenderness, and ethical photographic practice.\u003c\/p\u003e\n\u003cp data-start=\"1699\" data-end=\"2086\"\u003e\u003cstrong data-start=\"1699\" data-end=\"1718\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1718\" data-end=\"1721\"\u003eTitle: Another Day of Life in Romanipen\u003cbr data-start=\"1760\" data-end=\"1763\"\u003eArtist \/ Author: Johan Lundberg\u003cbr data-start=\"1794\" data-end=\"1797\"\u003eDate: 2005\u003cbr data-start=\"1807\" data-end=\"1810\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1845\" data-end=\"1848\"\u003eMedium \/ Materials: Hardcover with tipped-in image, linen bound\u003cbr data-start=\"1911\" data-end=\"1914\"\u003eDimensions (cm): approx. 28 × 24 cm\u003cbr data-start=\"1949\" data-end=\"1952\"\u003eLanguage: English, Romani\u003cbr data-start=\"1977\" data-end=\"1980\"\u003ePages: Approx. 150\u003cbr data-start=\"1998\" data-end=\"2001\"\u003ePublisher \/ Editor: Journal, Stockholm\u003cbr data-start=\"2039\" data-end=\"2042\"\u003eISBN: 91-974894-9-2\u003cbr data-start=\"2061\" data-end=\"2064\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51821523730770,"sku":null,"price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/Screenshot2026-01-13at13.28.03.png?v=1768307505"},{"product_id":"hurricane-season-hannah-modigh","title":"Hurricane Season - Hannah Modigh","description":"\u003cp data-start=\"196\" data-end=\"1110\"\u003eThis photobook by Swedish photographer Hannah Modigh, published by Max Ström, is part of the Darwin Bookshop because it renders the American South with an intimacy that avoids cliché. \u003cem data-start=\"380\" data-end=\"398\"\u003eHurricane Season\u003c\/em\u003e moves through Louisiana and Mississippi with a documentary softness—images of domestic edges, roadside shade, makeshift salons, young girls in conversation, and the weary dignity of rest. Modigh’s camera lingers on the ordinary in ways that sharpen it: a woman in a yellow tube top squats beneath a freeway, haloed in asphalt light; another sits among stray cats and broken furniture, defiantly still. There is no spectacle here—only a steady, human warmth pressed into the slow violence of poverty, geography and time. The South, in Modigh’s view, is not a story to be solved but a climate to be felt. 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Shot in January 2019, the work unfolds in the long shadows of perpetual twilight, where the sun does not rise for over two months. Mahaney's photographs resist cliché: there is no anthropological theatre, no romanticism. Instead, the images are hushed, minimal, and reverent—rendering snowy terrain and quiet interiors as metaphysical thresholds. The surface of the book itself—deep matte black with POLAR and NIGHT stamped like a code—echoes the book's mood of vast silence. Designed in collaboration with Cody Haltom, and printed in Turkey by Offset Yapimevi, the object balances the poetic with the procedural. Adam Popescu’s opening text and Mahaney’s own closing words frame the images with a considered voice, but the real story here is one of light’s refusal, and how humans, houses, and snow machines keep glowing inside it.\u003c\/p\u003e\n\u003cp data-start=\"1199\" data-end=\"1222\"\u003e\u003cstrong data-start=\"1199\" data-end=\"1208\"\u003eTitle\u003c\/strong\u003e\u003cbr data-start=\"1208\" data-end=\"1211\"\u003ePolar Night\u003c\/p\u003e\n\u003cp data-start=\"1224\" data-end=\"1258\"\u003e\u003cstrong data-start=\"1224\" data-end=\"1243\"\u003eArtist \/ Author\u003c\/strong\u003e\u003cbr data-start=\"1243\" data-end=\"1246\"\u003eMark Mahaney\u003c\/p\u003e\n\u003cp data-start=\"1260\" data-end=\"1292\"\u003e\u003cstrong data-start=\"1260\" data-end=\"1268\"\u003eDate\u003c\/strong\u003e\u003cbr data-start=\"1268\" data-end=\"1271\"\u003e2021 (Second Edition)\u003c\/p\u003e\n\u003cp data-start=\"1294\" data-end=\"1342\"\u003e\u003cstrong data-start=\"1294\" data-end=\"1325\"\u003eTechnique \/ Printing Method\u003c\/strong\u003e\u003cbr data-start=\"1325\" data-end=\"1328\"\u003eOffset printed\u003c\/p\u003e\n\u003cp data-start=\"1344\" data-end=\"1422\"\u003e\u003cstrong data-start=\"1344\" data-end=\"1366\"\u003eMedium \/ Materials\u003c\/strong\u003e\u003cbr data-start=\"1366\" data-end=\"1369\"\u003eSoftcover photobook, matte black cover with foil text\u003c\/p\u003e\n\u003cp data-start=\"1424\" data-end=\"1452\"\u003e\u003cstrong data-start=\"1424\" data-end=\"1435\"\u003eEdition\u003c\/strong\u003e\u003cbr data-start=\"1435\" data-end=\"1438\"\u003eSecond edition\u003c\/p\u003e\n\u003cp data-start=\"1471\" data-end=\"1511\"\u003e\u003cstrong data-start=\"1471\" data-end=\"1490\"\u003eDimensions (cm)\u003c\/strong\u003e\u003cbr data-start=\"1490\" data-end=\"1493\"\u003eApprox. 28 x 22 cm\u003c\/p\u003e\n\u003cp data-start=\"1513\" data-end=\"1543\"\u003e\u003cstrong data-start=\"1513\" data-end=\"1533\"\u003eLanguage (books)\u003c\/strong\u003e\u003cbr data-start=\"1533\" data-end=\"1536\"\u003eEnglish\u003c\/p\u003e\n\u003cp data-start=\"1545\" data-end=\"1573\"\u003e\u003cstrong data-start=\"1545\" data-end=\"1562\"\u003ePages (books)\u003c\/strong\u003e\u003cbr data-start=\"1562\" data-end=\"1565\"\u003eUnstated\u003c\/p\u003e\n\u003cp data-start=\"1575\" data-end=\"1626\"\u003e\u003cstrong data-start=\"1575\" data-end=\"1605\"\u003ePublisher \/ Editor (books)\u003c\/strong\u003e\u003cbr data-start=\"1605\" data-end=\"1608\"\u003eTrespasser, Austin\u003c\/p\u003e\n\u003cp data-start=\"1628\" data-end=\"1656\"\u003e\u003cstrong data-start=\"1628\" data-end=\"1636\"\u003eISBN\u003c\/strong\u003e\u003cbr data-start=\"1636\" data-end=\"1639\"\u003e978-0-578-58133-0\u003c\/p\u003e\n\u003cp data-start=\"1658\" data-end=\"1677\"\u003e\u003cstrong data-start=\"1658\" data-end=\"1671\"\u003eCondition\u003c\/strong\u003e\u003cbr data-start=\"1671\" data-end=\"1674\"\u003eNew\u003c\/p\u003e\n\u003cp data-start=\"1680\" data-end=\"1742\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52451164356946,"sku":null,"price":69.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_cfb2f355-0213-4887-8fb5-e55e2d26999c.jpg?v=1768070828"},{"product_id":"anders-petersen-monograph","title":"ANDERS PETERSEN  -  Monograph","description":"\u003cp data-start=\"117\" data-end=\"616\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis book is by far the largest monograph of Petersen and his artistry. The work comprises more than 250 of his most important images, taken from all his projects to date, from his debut title Gröna Lund via Cafe Lehmitz to The City Diaries.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"117\" data-end=\"616\"\u003ePublished by Bokförlaget Max Ström, gathers a lifetime of images that helped redefine European photography from the 1970s onward. From the iconic Café Lehmitz to the intimate City Diaries, Petersen's camera remains unwaveringly close, drawn to fragility, connection, and the rituals of the everyday.\u003c\/p\u003e\n\u003cp data-start=\"117\" data-end=\"616\"\u003eThe layout of this volume is sober and generous, allowing his visual syntax to breathe: messy beds, clenched jaws, open shirts, eyes that speak before the lips.\u003c\/p\u003e\n\u003cp data-start=\"1600\" data-end=\"1619\"\u003e\u003cstrong data-start=\"1600\" data-end=\"1619\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1621\" data-end=\"1643\"\u003eTitle: Anders Petersen\u003c\/p\u003e\n\u003cp data-start=\"1645\" data-end=\"1677\"\u003eArtist \/ Author: Anders Petersen\u003c\/p\u003e\n\u003cp data-start=\"1679\" data-end=\"1689\"\u003eDate: 2003\u003c\/p\u003e\n\u003cp data-start=\"1691\" data-end=\"1735\"\u003eTechnique \/ Printing Method: Offset printing\u003c\/p\u003e\n\u003cp data-start=\"1737\" data-end=\"1783\"\u003eMedium \/ Materials: Hardcover with cloth spine\u003c\/p\u003e\n\u003cp data-start=\"1785\" data-end=\"1802\"\u003eLanguage: English\u003c\/p\u003e\n\u003cp data-start=\"1804\" data-end=\"1836\"\u003ePages: Approx. 280 (unpaginated)\u003c\/p\u003e\n\u003cp data-start=\"1838\" data-end=\"1879\"\u003ePublisher \/ Editor: Bokförlaget Max Ström\u003c\/p\u003e\n\u003cp data-start=\"1881\" data-end=\"1900\"\u003eISBN: 9789171262837\u003c\/p\u003e\n\u003cp data-start=\"1902\" data-end=\"1916\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52465379311954,"sku":null,"price":27.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/Photoroom_20260112_141302.jpg?v=1768295146"},{"product_id":"exodus-sebastiao-salgado","title":"Exodus - Sebastião Salgado","description":"\u003cp data-start=\"109\" data-end=\"637\"\u003eThis book, \u003cem data-start=\"120\" data-end=\"128\"\u003eExodus\u003c\/em\u003e by Sebastião Salgado, published by Taschen, is part of the Darwin Bookshop because it remains one of the most expansive and unflinching visual documents of forced migration ever committed to paper. First released at the turn of the millennium and now reissued in a hardcover slipcase edition, \u003cem data-start=\"422\" data-end=\"430\"\u003eExodus\u003c\/em\u003e gathers Salgado’s decade-long photographic chronicle of exile, statelessness, and survival — from Rwandan refugee camps to the slums of Jakarta, from shipwrecked Albanians to the displaced of Latin America.\u003c\/p\u003e\n\u003cp data-start=\"639\" data-end=\"1272\"\u003eShot entirely in black and white, these images are not just documentary — they are sculptural, reverent, and devastating. Salgado's camera, famously patient and immersive, renders the human condition not as spectacle but as evidence. This is not a book about crisis alone, but about structure: how politics, poverty, war, and climate redraw the map of where a body can exist. Each frame is a ledger of presence and persistence. With an included booklet and a design that amplifies the monumental gravity of its subject, \u003cem data-start=\"1159\" data-end=\"1167\"\u003eExodus\u003c\/em\u003e is essential for those seeking to understand photography not only as witness, but as moral architecture.\u003c\/p\u003e\n\u003cp data-start=\"1274\" data-end=\"1293\"\u003e\u003cstrong data-start=\"1274\" data-end=\"1293\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1295\" data-end=\"1631\"\u003eTitle: Exodus\u003cbr data-start=\"1308\" data-end=\"1311\"\u003eArtist \/ Author: Sebastião Salgado\u003cbr data-start=\"1345\" data-end=\"1348\"\u003eDate: n.d. 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The cover alone — a woman bronzed and lacquered under the Andalusian sun, adorned in blue eyeshadow and matching floral swimwear — stages the saturated codes of postwar modernity that Pérez Siquier made his own. Shot mostly in the seaside neighbourhood of La Chanca, Almería, and its surrounding tourist zones, these images bridge ethnographic sharpness with pop exuberance.\u003c\/p\u003e\n\u003cp data-start=\"630\" data-end=\"1176\"\u003ePérez Siquier was among the first in Spain to embrace colour photography in earnest, finding in it not just aesthetic delight but a way to map the collision of traditional life with the synthetic modern. His lens captures a visual vernacular of transition — the facades of humble homes painted in light-catching hues, the flash of artificial glamour against sun-bleached landscapes. This volume doesn’t merely document a Spain of the 1960s and 70s — it invents it anew through the lens of colour, at once affectionate and ironic, always exacting.\u003c\/p\u003e\n\u003cp data-start=\"1178\" data-end=\"1495\"\u003eAlongside figures like Luigi Ghirri and William Eggleston, Pérez Siquier occupies a crucial place in the lineage of colour modernism — but with a distinctly Mediterranean pulse on the spirit of Martin Parr. This book offers both a retrospective and a vivid immersion into his most emblematic visual strategies: flatness, gesture, costume, façade.\u003c\/p\u003e\n\u003cp data-start=\"1497\" data-end=\"1934\"\u003e\u003cstrong data-start=\"1497\" data-end=\"1506\"\u003eTitle\u003c\/strong\u003e: Pérez Siquier\u003cbr data-start=\"1521\" data-end=\"1524\"\u003e\u003cstrong data-start=\"1524\" data-end=\"1543\"\u003eArtist \/ Author\u003c\/strong\u003e: Carlos Pérez Siquier\u003cbr data-start=\"1565\" data-end=\"1568\"\u003e\u003cstrong data-start=\"1568\" data-end=\"1576\"\u003eDate\u003c\/strong\u003e: 2020\u003cbr data-start=\"1582\" data-end=\"1585\"\u003e\u003cstrong data-start=\"1585\" data-end=\"1616\"\u003eTechnique \/ Printing Method\u003c\/strong\u003e: Offset colour printing\u003cbr data-start=\"1640\" data-end=\"1643\"\u003e\u003cstrong data-start=\"1643\" data-end=\"1665\" data-is-only-node=\"\"\u003eMedium \/ Materials\u003c\/strong\u003e: Hardcover, cloth spine with printed boards\u003cbr data-start=\"1709\" data-end=\"1712\"\u003e\u003cstrong data-start=\"1712\" data-end=\"1731\"\u003eDimensions (cm)\u003c\/strong\u003e: approx. 24 x 28 cm\u003cbr data-start=\"1751\" data-end=\"1754\"\u003e\u003cstrong data-start=\"1754\" data-end=\"1774\"\u003eLanguage (books)\u003c\/strong\u003e: Spanish\u003cbr data-start=\"1830\" data-end=\"1833\"\u003e\u003cstrong data-start=\"1833\" data-end=\"1863\"\u003ePublisher \/ Editor (books)\u003c\/strong\u003e: Fundación MAPFRE\u003cbr data-start=\"1881\" data-end=\"1884\"\u003e\u003cstrong data-start=\"1884\" data-end=\"1892\"\u003eISBN\u003c\/strong\u003e: 978-84-9844-745-3\u003cbr data-start=\"1911\" data-end=\"1914\"\u003e\u003cstrong data-start=\"1914\" data-end=\"1927\"\u003eCondition\u003c\/strong\u003e: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52483733913938,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_7475df01-5a0e-4493-be72-6fed45cd5947.jpg?v=1768467340"},{"product_id":"wires-crossed-ed-templeton-2023","title":"Wires Crossed — Ed Templeton, Aperture 2023","description":"\u003cp data-start=\"103\" data-end=\"600\"\u003e\u003cem data-start=\"103\" data-end=\"118\"\u003eWires Crossed\u003c\/em\u003e is Ed Templeton’s most intimate reckoning with the skateboarding subculture he both documented and embodied. Published by Aperture in 2023, the book is a visual memoir of Templeton’s two-decade career straddling the edge of athletic performance, punk aesthetics, and diaristic photography. The title, taken from a recurring motif in Templeton’s graphic language, signals disruption, connection, misfire — a fitting metaphor for the charged, nonlinear path of a skateboarder’s life.\u003c\/p\u003e\n\u003cp data-start=\"602\" data-end=\"1048\"\u003eThrough photographs, personal commentary, and archival material, Templeton charts the tightrope between chaos and grace, public image and private breakdown, youth as performance and youth as violence. We see grainy motel rooms, scraped skin, wired jaws, raw encounters with sex, substance, boredom, and joy. It's a lived anthropology, filtered through the eyes of someone both in the frame and behind the camera — always watching, always exposed.\u003c\/p\u003e\n\u003cp data-start=\"1050\" data-end=\"1418\"\u003eThis is not just a skate book. It’s a fractured bildungsroman that echoes the raw vulnerability of Larry Clark, the suburban hauntings of Jim Goldberg, and the immersive candour of Nan Goldin. Designed by Templeton himself with a linocut-like cloth cover, the object feels both urgent and carefully crafted — a tactile homage to the hand-made, the fucked-up, the real.\u003c\/p\u003e\n\u003cp data-start=\"1420\" data-end=\"1795\"\u003e\u003cstrong data-start=\"1420\" data-end=\"1429\"\u003eTitle\u003c\/strong\u003e: Wires Crossed\u003cbr data-start=\"1444\" data-end=\"1447\"\u003e\u003cstrong data-start=\"1447\" data-end=\"1466\"\u003eArtist \/ Author\u003c\/strong\u003e: Ed Templeton\u003cbr data-start=\"1480\" data-end=\"1483\"\u003e\u003cstrong data-start=\"1483\" data-end=\"1491\"\u003eDate\u003c\/strong\u003e: 2023\u003cbr data-start=\"1497\" data-end=\"1500\"\u003e\u003cstrong data-start=\"1500\" data-end=\"1531\"\u003eTechnique \/ Printing Method\u003c\/strong\u003e: Offset printing\u003cbr data-start=\"1548\" data-end=\"1551\"\u003e\u003cstrong data-start=\"1551\" data-end=\"1573\" data-is-only-node=\"\"\u003eMedium \/ Materials\u003c\/strong\u003e: Clothbound hardcover\u003cbr data-start=\"1595\" data-end=\"1598\"\u003e\u003cstrong data-start=\"1598\" data-end=\"1617\"\u003eDimensions (cm)\u003c\/strong\u003e: approx. 24 x 32 cm\u003cbr data-start=\"1637\" data-end=\"1640\"\u003e\u003cstrong data-start=\"1640\" data-end=\"1660\"\u003eLanguage (books)\u003c\/strong\u003e: English\u003cbr data-start=\"1699\" data-end=\"1702\"\u003e\u003cstrong data-start=\"1702\" data-end=\"1732\"\u003ePublisher \/ Editor (books)\u003c\/strong\u003e: Aperture\u003cbr data-start=\"1742\" data-end=\"1745\"\u003e\u003cstrong data-start=\"1745\" data-end=\"1753\"\u003eISBN\u003c\/strong\u003e: 978-1-59711-536-0\u003cbr data-start=\"1772\" data-end=\"1775\"\u003e\u003cstrong data-start=\"1775\" data-end=\"1788\"\u003eCondition\u003c\/strong\u003e: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52483772776786,"sku":null,"price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_00c652bf-5423-46a7-9aa1-b303d97047aa.jpg?v=1768468652"},{"product_id":"beware-ari-marcopoulos-2024","title":"BEWARE — Ari Marcopoulos, 2024","description":"\u003cp data-start=\"99\" data-end=\"563\"\u003e\u003cem data-start=\"99\" data-end=\"107\"\u003eBEWARE\u003c\/em\u003e is the latest volume in Ari Marcopoulos’ unrelenting visual diary — a publication released on the occasion of his 2024 exhibition at Musée d’Art Moderne de Paris. Designed in collaboration with Roger Willems and published by Roma Publications, the book collects Marcopoulos’ signature raw images across skate, street, studio, and silence. Its title is both a warning and an invitation: to enter a world where proximity is everything and nothing is staged.\u003c\/p\u003e\n\u003cp data-start=\"565\" data-end=\"1015\"\u003ePrinted in black-and-white on soft uncoated paper, the book pulses with the grain and blur of real time — kids skating, bodies moving, artists in their spaces, darkness, flash, sweat, city. It doesn’t explain. It doesn’t curate. It just goes — a continuation of Marcopoulos’ long-standing method of living-with and looking-at, from the New York underground of the 1980s to the multi-generational, cross-disciplinary friendships that form his present.\u003c\/p\u003e\n\u003cp data-start=\"1017\" data-end=\"1348\"\u003eAs always, the book’s edge lies in its restraint. No captions, no artifice. Just Ari’s eye and the trust of his subjects. Funded in part by Supreme and shaped in dialogue with artists like Kara Walker and Matthew Barney, \u003cem data-start=\"1238\" data-end=\"1246\"\u003eBEWARE\u003c\/em\u003e feels like a zine elevated to liturgy — a reverent low-fi testament to presence, risk, and belonging.\u003c\/p\u003e\n\u003cp data-start=\"1350\" data-end=\"1726\"\u003e\u003cstrong data-start=\"1350\" data-end=\"1359\"\u003eTitle\u003c\/strong\u003e: BEWARE\u003cbr data-start=\"1367\" data-end=\"1370\"\u003e\u003cstrong data-start=\"1370\" data-end=\"1389\"\u003eArtist \/ Author\u003c\/strong\u003e: Ari Marcopoulos\u003cbr data-start=\"1406\" data-end=\"1409\"\u003e\u003cstrong data-start=\"1409\" data-end=\"1417\"\u003eDate\u003c\/strong\u003e: 2024\u003cbr data-start=\"1423\" data-end=\"1426\"\u003e\u003cstrong data-start=\"1426\" data-end=\"1457\"\u003eTechnique \/ Printing Method\u003c\/strong\u003e: Black-and-white offset printing\u003cbr data-start=\"1490\" data-end=\"1493\"\u003e\u003cstrong data-start=\"1493\" data-end=\"1515\" data-is-only-node=\"\"\u003eMedium \/ Materials\u003c\/strong\u003e: Softcover\u003cbr data-start=\"1526\" data-end=\"1529\"\u003e\u003cstrong data-start=\"1529\" data-end=\"1548\"\u003eDimensions (cm)\u003c\/strong\u003e: approx. 17 x 24 cm\u003cbr data-start=\"1568\" data-end=\"1571\"\u003e\u003cstrong data-start=\"1571\" data-end=\"1591\"\u003eLanguage (books)\u003c\/strong\u003e: English\u003cbr data-start=\"1600\" data-end=\"1603\"\u003e\u003cstrong data-start=\"1603\" data-end=\"1620\"\u003ePages (books)\u003c\/strong\u003e: 266\u003cbr data-start=\"1625\" data-end=\"1628\"\u003e\u003cstrong data-start=\"1628\" data-end=\"1658\"\u003ePublisher \/ Editor (books)\u003c\/strong\u003e: Roma Publications\u003cbr data-start=\"1677\" data-end=\"1680\"\u003e\u003cstrong data-start=\"1680\" data-end=\"1688\"\u003eISBN\u003c\/strong\u003e: 9789464460575\u003cbr data-start=\"1703\" data-end=\"1706\"\u003e\u003cstrong data-start=\"1706\" data-end=\"1719\"\u003eCondition\u003c\/strong\u003e: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52483794764114,"sku":null,"price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_f790aacd-e3cb-489a-8c92-786bb4597910.jpg?v=1768469182"},{"product_id":"lee-friedlander-fundacion-mapfre-2020","title":"Lee Friedlander — Fundación Mapfre, 2020","description":"\u003cp data-start=\"130\" data-end=\"804\"\u003eA deep retrospective monograph on Lee Friedlander’s expansive photographic language, published by Fundación Mapfre in 2020 to accompany his major exhibition in Madrid. With its stark cover portrait—Friedlander in a white undershirt, eyes closed, caught in a play of harsh daylight and shadows—the book immediately asserts his signature interest in layered visual planes, self-reflection, and the accidental poetry of the everyday. This volume surveys decades of work from a figure who reshaped American photographic modernism from within, through an unflinching attention to cluttered cityscapes, fractured self-portraits, and vernacular moments of anonymous human presence.\u003c\/p\u003e\n\u003cp data-start=\"806\" data-end=\"1513\"\u003eRather than offering a single coherent style, Friedlander’s work embraces contradiction: humorous yet melancholic, formally dense but never didactic. The book reveals his evolving gaze across time—early street scenes from the 60s and 70s, formalist studies of monuments and landscapes, and the later, almost diaristic self-portraits that haunt the American domestic sphere. His influence on photographers like Garry Winogrand, Stephen Shore, or Paul Graham is indirect yet unmistakable. 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The cover photograph alone—two young lovers on a beach, his tattooed arm curled around hers, cigarette poised—encapsulates Davidson’s raw tenderness, his enduring commitment to proximity, and the emotional gravity of everyday life.\u003c\/p\u003e\n\u003cp data-start=\"575\" data-end=\"957\"\u003eDavidson’s lens has always sought out the edge of things: Harlem in the 60s, New York’s subway in the 80s, or the lives of teen gangs, circuses, and the civil rights movement. But what holds it all together is his unfailing empathy. He doesn’t merely observe; he enters. His subjects—often overlooked, always vividly human—become collaborators in a quietly radical documentary act.\u003c\/p\u003e\n\u003cp data-start=\"959\" data-end=\"1326\"\u003eThis English-language edition was produced for his retrospective at Fundación Mapfre and offers a coherent, chronological arc of his major series. It shows Davidson not only as a documentarian but as a portraitist of social tension and tenderness—comparable in affect and intent to Diane Arbus, Anders Petersen, or Danny Lyon, but always with his own lyrical gravity.\u003c\/p\u003e\n\u003cp data-start=\"1328\" data-end=\"1347\"\u003e\u003cstrong data-start=\"1328\" data-end=\"1347\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1349\" data-end=\"1701\"\u003eTitle: Bruce Davidson\u003cbr data-start=\"1370\" data-end=\"1373\"\u003eArtist \/ Author: Bruce Davidson\u003cbr data-start=\"1404\" data-end=\"1407\"\u003eDate: 2016\u003cbr data-start=\"1417\" data-end=\"1420\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1455\" data-end=\"1458\"\u003eMedium \/ Materials: Half-cloth hardcover\u003cbr data-start=\"1498\" data-end=\"1501\"\u003eLanguage: English\u003cbr data-start=\"1518\" data-end=\"1521\"\u003ePages: Approx. 320 (estimate from visual evidence)\u003cbr data-start=\"1571\" data-end=\"1574\"\u003ePublisher \/ Editor: Fundación Mapfre\u003cbr data-start=\"1610\" data-end=\"1613\"\u003eEditors: Victoria del Val Hernández, Paloma Castellanos, Fernando Gaona\u003cbr data-start=\"1684\" data-end=\"1687\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52484217635154,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_0887bdb6-c636-471f-a297-5c9f1f47cf42.jpg?v=1768474550"},{"product_id":"this-is-what-hatred-did-cristina-de-middel-first-edition","title":"This Is What Hatred Did — Cristina de Middel, first edition","description":"\u003cp data-start=\"128\" data-end=\"628\"\u003eCristina de Middel’s \u003cem data-start=\"149\" data-end=\"174\"\u003eThis Is What Hatred Did\u003c\/em\u003e is a haunting visual transcription of Amos Tutuola’s 1954 Yoruba folklore novel \u003cem data-start=\"255\" data-end=\"286\"\u003eMy Life in the Bush of Ghosts\u003c\/em\u003e, reimagined through photography, fiction and reportage in the fraught urban landscape of Makoko, a floating slum in Lagos. At once allegory and documentary, the book slips between myth and reality, echoing Tutuola’s narrative style with staged images, saturated hues and vivid printed matter that seem to emerge directly from the underworld.\u003c\/p\u003e\n\u003cp data-start=\"630\" data-end=\"1222\"\u003eDe Middel maps the surrealism of Tutuola’s prose onto the lived complexities of postcolonial Nigeria, where traditional cosmologies and modern violence collide. The result is a dreamlike and disorienting photo-text in which each page carries the tension of hallucination and truth. Part photobook, part object, the edition opens with a lush botanical endpaper—lush and feral, signaling the psychic jungle to come. In the Darwin archive, it stands alongside works by Pieter Hugo and Samuel Fosso in its commitment to unsettling the gaze and expanding the visual vocabulary of African urbanism.\u003c\/p\u003e\n\u003cp data-start=\"1224\" data-end=\"1646\"\u003e\u003cmeta charset=\"utf-8\"\u003eTitle: This Is What Hatred Did\u003cbr data-start=\"1282\" data-end=\"1285\"\u003eArtist \/ Author: Cristina de Middel\u003cbr data-start=\"1320\" data-end=\"1323\"\u003eDate: 2015\u003cbr data-start=\"1333\" data-end=\"1336\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1380\" data-end=\"1383\"\u003eMedium \/ Materials: Hardcover photobook with colour plates and illustrated endpapers\u003cbr data-start=\"1467\" data-end=\"1470\"\u003eEdition: First edition\u003cbr data-start=\"1492\" data-end=\"1495\"\u003eSigned: No\u003cbr data-start=\"1505\" data-end=\"1508\"\u003eDimensions (cm): 13 × 28\u003cbr data-start=\"1532\" data-end=\"1535\"\u003eLanguage: English\u003cbr data-start=\"1552\" data-end=\"1555\"\u003ePages: 180\u003cbr data-start=\"1565\" data-end=\"1568\"\u003ePublisher \/ Editor: RM Verlag \/ La Fábrica \/ Images en Manoeuvres \/ Archive of Modern Conflict\u003cbr data-start=\"1662\" data-end=\"1665\"\u003eDesign: Natalia, N2 Estudio Gráfico\u003cbr data-start=\"1700\" data-end=\"1703\"\u003eISBN: 9788415118731\u003cbr data-start=\"1722\" data-end=\"1725\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52549986025810,"sku":null,"price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_3561d4c6-0c7b-4c4f-bdf2-c17163cdea46.jpg?v=1769190685"},{"product_id":"mexico-1986-2016-antoine-d-agata","title":"Codex. 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A critical addition to Darwin’s archive of counter-institutional living, printed culture, and architectural resistance.\u003c\/p\u003e\n\u003cp data-start=\"1442\" data-end=\"1461\"\u003e \u003c\/p\u003e\n\u003cp data-start=\"1442\" data-end=\"1461\"\u003e\u003cstrong data-start=\"1442\" data-end=\"1461\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1463\" data-end=\"1766\"\u003eTitle: The Yoshida Dormitory Students’ History\u003cbr data-start=\"1509\" data-end=\"1512\"\u003eArtist \/ Author: Kanta Nomura\u003cbr data-start=\"1541\" data-end=\"1544\"\u003eDate: 2023\u003cbr data-start=\"1554\" data-end=\"1557\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1592\" data-end=\"1595\"\u003eMedium \/ Materials: Softcover\u003cbr data-start=\"1624\" data-end=\"1627\"\u003eDimensions (cm): 16 × 23\u003cbr data-start=\"1651\" data-end=\"1654\"\u003eLanguage: English\u003cbr data-start=\"1671\" data-end=\"1674\"\u003ePages: 230\u003cbr data-start=\"1684\" data-end=\"1687\"\u003ePublisher \/ Editor: Cesura Publish\u003cbr data-start=\"1721\" data-end=\"1724\"\u003eISBN: 978-88-945611-9-7\u003cbr data-start=\"1747\" data-end=\"1750\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52563693928786,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_1_23c12da3-9c20-476f-9b08-602d5c7ad830.jpg?v=1769377696"},{"product_id":"modern-color-fred-herzog-2016","title":"Modern Color — Fred Herzog, 2016","description":"\u003cp data-start=\"101\" data-end=\"1111\"\u003eThis landmark monograph captures the full chromatic force of Fred Herzog’s pioneering street photography—decades before colour became an accepted language in art photography. Working almost exclusively with Kodachrome from the 1950s onward, Herzog built a luminous record of working-class life in Vancouver: neon signage, pastel storefronts, beat-up cars, men in hats, women in curlers, shifting clouds and sharp light. His eye, always observant but never clinical, finds quiet drama and strange elegance in the everyday. Only with the arrival of high-quality pigment printing did Herzog's archive—once trapped in slide format—reveal its full tonal range and intensity. With over 230 images, many never previously published, and essays by David Campany and Hans-Michael Koetzle, \u003cem data-start=\"880\" data-end=\"894\"\u003eModern Color\u003c\/em\u003e restores Herzog’s rightful place as a foundational figure in the lineage of colour photographers, anticipating William Eggleston and Stephen Shore with his lucid and saturated vision of the North American vernacular.\u003c\/p\u003e\n\u003cp data-start=\"1113\" data-end=\"1132\"\u003e\u003cstrong data-start=\"1113\" data-end=\"1132\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1134\" data-end=\"1432\"\u003eTitle: Modern Color\u003cbr data-start=\"1153\" data-end=\"1156\"\u003eArtist \/ Author: Fred Herzog\u003cbr data-start=\"1184\" data-end=\"1187\"\u003eDate: 2016\u003cbr data-start=\"1197\" data-end=\"1200\"\u003eTechnique \/ Printing Method: Archival pigment reproduction from Kodachrome originals\u003cbr data-start=\"1284\" data-end=\"1287\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"1316\" data-end=\"1319\"\u003eLanguage: English, German\u003cbr data-start=\"1344\" data-end=\"1347\" data-is-only-node=\"\"\u003ePages: 320\u003cbr data-start=\"1357\" data-end=\"1360\"\u003ePublisher \/ Editor: Hatje Cantz\u003cbr data-start=\"1391\" data-end=\"1394\"\u003eISBN: 9783775741811\u003cbr data-start=\"1413\" data-end=\"1416\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52563808354642,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_1_84d50c3e-cee0-42eb-950a-7ded9bb919b7.jpg?v=1769379797"},{"product_id":"fujisaki-藤崎-bishin-jumonji-十文字美信-2020-edition","title":"Fujisaki 藤崎 Bishin Jumonji (十文字美信), 2020 edition","description":"\u003cp data-start=\"109\" data-end=\"503\"\u003eIn \u003cem data-start=\"112\" data-end=\"122\"\u003eFujisaki\u003c\/em\u003e, Bishin Jumonji returns to the town of his youth, excavating memory through the rough grain of street portraits, gestures, and nocturnal disquiet. Originally shot in the early 1970s but published here in 2020 by Super Labo in a short run of 700 copies, this book is a defiant portrait of adolescence and alienation, anchored in a rural corner of Aomori Prefecture, northern Japan.\u003c\/p\u003e\n\u003cp data-start=\"505\" data-end=\"958\"\u003eThe images are loud and immediate—full of raw flash, yawning mouths, cigarette smoke, and a sense of something just outside the frame. Boys with pompadours, women in curlers, nightclubs, arcades, loneliness in crowded rooms. The visual tone feels both performative and documentary, where people are as much characters as subjects. Jumonji was barely twenty himself when he shot this work—close enough to the scene to feel implicated, not just observing.\u003c\/p\u003e\n\u003cp data-start=\"960\" data-end=\"1247\"\u003eThe title, \u003cem data-start=\"971\" data-end=\"981\"\u003eFujisaki\u003c\/em\u003e, is both place and trigger—this could be Araki’s Tokyo without the neon, or Anders Petersen with more smoke and silence. It’s not nostalgia, but confrontation. The black-on-black binding and the yawning cover portrait set the tone: young energy, suspended in grain.\u003c\/p\u003e\n\u003cp data-start=\"1249\" data-end=\"1583\"\u003eTechnical Sheet\u003cbr data-start=\"1264\" data-end=\"1267\"\u003eTitle: Fujisaki\u003cbr data-start=\"1282\" data-end=\"1285\"\u003eArtist \/ Author: Bishin Jumonji\u003cbr data-start=\"1316\" data-end=\"1319\"\u003eDate: 2020\u003cbr data-start=\"1329\" data-end=\"1332\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1367\" data-end=\"1370\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"1399\" data-end=\"1402\"\u003eDimensions (cm): approx. 22 × 30\u003cbr data-start=\"1434\" data-end=\"1437\"\u003eLanguage: Japanese \/ English\u003cbr data-start=\"1465\" data-end=\"1468\"\u003eEdition: First edition of 700 copies\u003cbr data-start=\"1504\" data-end=\"1507\"\u003ePublisher \/ Editor: Super Labo\u003cbr data-start=\"1537\" data-end=\"1540\"\u003eISBN: 978-4-908512-29-6\u003cbr data-start=\"1563\" data-end=\"1566\"\u003eCondition: Fine\u003c\/p\u003e\n\u003cp data-start=\"1586\" data-end=\"1644\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52565394456914,"sku":null,"price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_7.jpg?v=1769425095"},{"product_id":"red-flower-the-women-of-okinawa-by-mao-ishikawa-2022","title":"Red Flower: The Women of Okinawa by Mao Ishikawa, 2022","description":"\u003cp data-start=\"138\" data-end=\"628\"\u003e\u003cem data-start=\"138\" data-end=\"150\"\u003eRed Flower\u003c\/em\u003e is the definitive U.S. monograph by Mao Ishikawa, the radical Okinawan photographer who lived the scenes she captured. Shot between 1975 and 1977, the images document women working in bars near U.S. military bases in Koza and Kin—spaces charged with tension, desire, and survival. Ishikawa didn’t just photograph these women—she worked alongside them, befriended them, partied, lived, and listened. The result is a portrait of defiant joy and complex intimacy under occupation.\u003c\/p\u003e\n\u003cp data-start=\"630\" data-end=\"1071\"\u003eOriginally appearing in her rare and censored 1982 book \u003cem data-start=\"686\" data-end=\"711\"\u003eHot Days in Camp Hansen\u003c\/em\u003e, the images in \u003cem data-start=\"727\" data-end=\"739\"\u003eRed Flower\u003c\/em\u003e have been newly reassembled by Session Press in large-format, full-bleed intensity. The sequencing moves in five loose chapters: girls gossiping, working, with lovers, with children, at the beach. Through it all, Ishikawa’s lens is clear and direct—never romanticising, never judging. Her empathy is grounded, political, and local.\u003c\/p\u003e\n\u003cp data-start=\"1073\" data-end=\"1455\"\u003eWhile Okinawa has long fascinated major Japanese photographers—Tomatsu, Moriyama, Araki—\u003cem data-start=\"1161\" data-end=\"1173\"\u003eRed Flower\u003c\/em\u003e remains singular in its authorship: Okinawan-born, female, embedded. It is the cornerstone of Ishikawa’s lifelong practice and one of the most urgent feminist photobooks from postwar Japan. Darwin files it as an essential act of photographic resistance—honest, luminous, and alive.\u003c\/p\u003e\n\u003cp data-start=\"1457\" data-end=\"1805\"\u003eTechnical Sheet\u003cbr data-start=\"1472\" data-end=\"1475\"\u003eTitle: Red Flower: The Women of Okinawa\u003cbr data-start=\"1514\" data-end=\"1517\"\u003eArtist \/ Author: Mao Ishikawa\u003cbr data-start=\"1546\" data-end=\"1549\"\u003eDate: 2022 (photographs 1975–77)\u003cbr data-start=\"1581\" data-end=\"1584\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1619\" data-end=\"1622\"\u003eMedium \/ Materials: Softcover\u003cbr data-start=\"1651\" data-end=\"1654\"\u003eDimensions (cm): 33 × 22.9\u003cbr data-start=\"1680\" data-end=\"1683\"\u003eLanguage: English \/ Japanese\u003cbr data-start=\"1711\" data-end=\"1714\"\u003ePages: 112\u003cbr data-start=\"1724\" data-end=\"1727\"\u003ePublisher \/ Editor: Session Press\u003cbr data-start=\"1760\" data-end=\"1763\"\u003eEdition: Second edition\u003cbr data-start=\"1786\" data-end=\"1789\"\u003eCondition: NEW\u003c\/p\u003e\n\u003cp data-start=\"1808\" data-end=\"1866\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52566348169554,"sku":null,"price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_9.jpg?v=1769429008"},{"product_id":"shomei-tomatsu-fundacion-mapfre-2018","title":"Shomei Tomatsu — Fundación MAPFRE, 2018","description":"\u003cp data-start=\"108\" data-end=\"543\"\u003eThis is the major European monograph on Shomei Tomatsu, one of the most uncompromising and poetic photographers of postwar Japan. Published by Fundación MAPFRE in Madrid in 2018, the book accompanied a landmark retrospective and gathers an expansive selection of Tomatsu’s images—from his searing early work documenting U.S. military presence and atomic trauma, to surreal, symbolic studies of Okinawa, Nagasaki, and Tokyo street life.\u003c\/p\u003e\n\u003cp data-start=\"545\" data-end=\"997\"\u003eDesigned with clarity and depth, the book moves through key series such as \u003cem data-start=\"620\" data-end=\"647\"\u003eChewing Gum and Chocolate\u003c\/em\u003e, \u003cem data-start=\"649\" data-end=\"661\"\u003eOccupation\u003c\/em\u003e, \u003cem data-start=\"663\" data-end=\"679\"\u003eNagasaki 11:02\u003c\/em\u003e, and \u003cem data-start=\"685\" data-end=\"699\"\u003eOh! Shinjuku\u003c\/em\u003e. What emerges is a portrait of a restless image-maker who turned away from classical reportage toward a visual language of metaphor, texture, and rupture. Tomatsu’s photography is both documentary and dreamlike—shell fragments, scarred skin, broken watches, cigarettes, soldiers, schoolgirls, sea.\u003c\/p\u003e\n\u003cp data-start=\"999\" data-end=\"1406\"\u003eIn contrast to contemporaries like Araki or Moriyama, Tomatsu carried a quieter, more political urgency, making his work essential to any understanding of postwar Japanese identity. The Fundación MAPFRE edition brings this legacy into sharp focus for new audiences, with generous reproductions and rare material. It belongs in the Darwin archive as a cornerstone—elegant, radical, and historically exacting.\u003c\/p\u003e\n\u003cp data-start=\"1408\" data-end=\"1764\"\u003eTechnical Sheet\u003cbr data-start=\"1423\" data-end=\"1426\"\u003eTitle: Shomei Tomatsu\u003cbr data-start=\"1447\" data-end=\"1450\"\u003eArtist \/ Author: Shomei Tomatsu\u003cbr data-start=\"1481\" data-end=\"1484\"\u003eDate: 2018\u003cbr data-start=\"1494\" data-end=\"1497\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1532\" data-end=\"1535\"\u003eMedium \/ Materials: Hardcover with cloth spine\u003cbr data-start=\"1581\" data-end=\"1584\"\u003eDimensions (cm): approx. 25 × 30\u003cbr data-start=\"1616\" data-end=\"1619\"\u003eLanguage: Available in Spanish \/ English \/ Catalan\u003cbr data-start=\"1646\" data-end=\"1649\"\u003ePublisher \/ Editor: Fundación MAPFRE, Madrid\u003cbr data-start=\"1713\" data-end=\"1716\"\u003eISBN: 978-84-9844-677-7\u003cbr data-start=\"1739\" data-end=\"1742\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52566613590354,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_4_1e57161b-0366-4189-9f20-feb95d24050e.jpg?v=1769432375"},{"product_id":"magnum-photobook-the-catalogue-raisonne-fred-ritchin-carole-naggar-2016","title":"Magnum Photobook: The Catalogue Raisonné — Fred Ritchin \u0026 Carole Naggar, 2016","description":"\u003cp data-start=\"146\" data-end=\"1151\"\u003ePublished by Phaidon in 2016, \u003cem data-start=\"176\" data-end=\"218\"\u003eMagnum Photobook: The Catalogue Raisonné\u003c\/em\u003e is the first comprehensive reference dedicated to the photobooks produced by Magnum photographers over nearly seventy years. Edited by Fred Ritchin and Carole Naggar, the book gathers more than 500 titles into a dense visual index, each entry contextualized with publication data, critical notes, and facsimile spreads. The cover design—resembling a layered file drawer of classic book covers—echoes the tactile, archival pleasures of the form. This is not just a bibliography but a parallel history of 20th-century image-making, seen through the lens of what Magnum made public in book form: from war reportage and street photography to personal essays and late-career retrospectives. Designed by Melanie Mues, the book is rigorous but approachable, scholarly but sensuous—ideal for collectors, researchers, and anyone interested in the photobook as both object and medium. A cornerstone volume for any serious photography library.\u003c\/p\u003e\n\u003cp data-start=\"1153\" data-end=\"1578\"\u003e\u003cstrong data-start=\"1153\" data-end=\"1172\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1172\" data-end=\"1175\"\u003eTitle: Magnum Photobook: The Catalogue Raisonné\u003cbr data-start=\"1222\" data-end=\"1225\"\u003eAuthors \/ Editors: Fred Ritchin \u0026amp; Carole Naggar\u003cbr data-start=\"1272\" data-end=\"1275\"\u003eDate: 2016\u003cbr data-start=\"1285\" data-end=\"1288\" data-is-only-node=\"\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1323\" data-end=\"1326\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"1355\" data-end=\"1358\"\u003eDimensions (cm): approx. 20 × 27\u003cbr data-start=\"1390\" data-end=\"1393\"\u003eLanguage: English\u003cbr data-start=\"1410\" data-end=\"1413\"\u003ePages: [not stated, approx. 500+]\u003cbr data-start=\"1446\" data-end=\"1449\"\u003ePublisher \/ Editor: Phaidon Press\u003cbr data-start=\"1482\" data-end=\"1485\"\u003eISBN: 978-0-7148-7211-7\u003cbr data-start=\"1508\" data-end=\"1511\"\u003eDesign: Melanie Mues (Mues Design, London)\u003cbr data-start=\"1553\" data-end=\"1556\"\u003eCondition: Very good\u003c\/p\u003e\n\u003cp data-start=\"1581\" data-end=\"1639\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52576531513682,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_749855c8-0b17-4c66-be31-5446c5ffa2ad.jpg?v=1769549007"},{"product_id":"agata-bieke-depoorter-and-agata-signed-second-edition-2022","title":"Agata — Bieke Depoorter and Agata, signed second edition, 2022","description":"\u003cp data-start=\"400\" data-end=\"798\"\u003e\u003cem data-start=\"400\" data-end=\"407\"\u003eAgata\u003c\/em\u003e is a photo book about a young woman using a photographer to find herself — and a photographer using a young woman to question the nature of authorship. The result is not a portrait, but a double exposure of identity, projection, and control. Over three years, Bieke Depoorter and Agata staged a prolonged, unstable collaboration that shifted constantly between complicity and confrontation.\u003c\/p\u003e\n\u003cp data-start=\"800\" data-end=\"1249\"\u003eStructured as a chronological sequence of photographs, handwritten letters, marginalia, and staged scenes, the book invites the reader to choose whether to open the sealed pages and reveal the hidden counter-narratives within. The Japanese binding, with its perforated folds, becomes a physical metaphor: what remains closed, what is revealed, and who decides. There is no fixed truth here — only overlapping interpretations, ruptures, and mistrust.\u003c\/p\u003e\n\u003cp data-start=\"1251\" data-end=\"1575\"\u003eThis signed second edition, self-published by Des Palais in 2022 with an additional addendum, is already out of print. In the Darwin archive, \u003cem data-start=\"1393\" data-end=\"1400\"\u003eAgata\u003c\/em\u003e sits alongside works by Sophie Calle and Nan Goldin, not as documentation but as durational performance: where image-making is both a method of seeing and a site of conflict.\u003c\/p\u003e\n\u003cp data-start=\"1577\" data-end=\"1991\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-start=\"1577\" data-end=\"1596\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1596\" data-end=\"1599\"\u003eTitle: Agata\u003cbr data-start=\"1611\" data-end=\"1614\"\u003eArtist \/ Author: Bieke Depoorter\u003cbr data-start=\"1646\" data-end=\"1649\"\u003eCollaborator: Agata\u003cbr data-start=\"1668\" data-end=\"1671\"\u003eDate: 2022\u003cbr data-start=\"1681\" data-end=\"1684\"\u003eEdition: Second edition with addendum, signed by the artist\u003cbr data-start=\"1743\" data-end=\"1746\"\u003eTechnique \/ Printing Method: Offset, Japanese binding with perforated folds\u003cbr data-start=\"1821\" data-end=\"1824\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"1853\" data-end=\"1856\" data-is-only-node=\"\"\u003eDimensions (cm): 32 × 24\u003cbr data-start=\"1880\" data-end=\"1883\"\u003eLanguage: English\u003cbr data-start=\"1900\" data-end=\"1903\"\u003ePages: 424\u003cbr data-start=\"1913\" data-end=\"1916\"\u003ePublisher \/ Editor: Des Palais\u003cbr data-start=\"1946\" data-end=\"1949\"\u003eISBN: 978-9-46459-027-2\u003cbr data-start=\"1972\" data-end=\"1975\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52588849693010,"sku":null,"price":200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_8ed4156e-5994-491b-ae0d-aa7c79003a1c.jpg?v=1769707922"},{"product_id":"the-park-document-koen-limited-edition-kohei-yoshiyuki","title":"The Park + Document Koen (Limited Edition) — Kohei Yoshiyuki","description":"\u003cp data-start=\"129\" data-end=\"1220\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis is the definitive edition of Kohei Yoshiyuki’s notorious series, pairing the original 1980 \u003cem data-start=\"225\" data-end=\"240\"\u003eDocument Koen\u003c\/em\u003e with \u003cem data-start=\"246\" data-end=\"256\"\u003eThe Park\u003c\/em\u003e, a newly designed facsimile that reopens the archive of one of Japan’s most controversial and cultishly studied photographic works. Shot in the 1970s across Tokyo’s Shinjuku, Yoyogi, and Aoyama parks using 35mm infrared film and flash, Yoshiyuki’s images reveal a hidden nocturnal ecosystem of lovers, voyeurs, and drifting figures of every sexuality and age. The photographer’s presence is never neutral—his camera aligned with those who watched, or sometimes joined, anonymous couplings in the dark. With their stark, raw composition, these photographs occupy a tense space between documentary and transgression, recalling Brassaï’s \u003cem data-start=\"892\" data-end=\"907\"\u003eParis de Nuit\u003c\/em\u003e, Weegee’s flash-lit cinemas, and Sophie Calle’s meditations on looking and being seen. What they ultimately expose is not simply secret behaviour, but the shared complicity of desire. This slipcased edition of 500 includes both the facsimile of \u003cem data-start=\"1153\" data-end=\"1168\"\u003eDocument Koen\u003c\/em\u003e and a new monograph featuring unpublished material and contextual texts, situating Yoshiyuki’s work as a lens on voyeurism, urban anonymity, and the melancholy of surveillance.\u003c\/p\u003e\n\u003cp data-start=\"1222\" data-end=\"1692\"\u003e\u003cstrong data-start=\"1222\" data-end=\"1241\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1241\" data-end=\"1244\"\u003eTitle: The Park + Document Koen (Limited Edition)\u003cbr data-start=\"1293\" data-end=\"1296\"\u003eArtist \/ Author: Kohei Yoshiyuki\u003cbr data-start=\"1328\" data-end=\"1331\"\u003eDate: 2023 (facsimile), originally 1980\u003cbr data-start=\"1370\" data-end=\"1373\" data-is-only-node=\"\"\u003eEdition: 500\u003cbr data-start=\"1385\" data-end=\"1388\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1423\" data-end=\"1426\"\u003eMedium \/ Materials: Hardcover with silver gelatin print reproduction, slipcased box\u003cbr data-start=\"1509\" data-end=\"1512\"\u003eDimensions (cm): 22 × 29\u003cbr data-start=\"1536\" data-end=\"1539\"\u003eLanguage: Japanese, English\u003cbr data-start=\"1566\" data-end=\"1569\"\u003ePages: 112 (The Park), facsimile of original \u003cem data-start=\"1614\" data-end=\"1629\"\u003eDocument Koen\u003c\/em\u003e\u003cbr data-start=\"1629\" data-end=\"1632\"\u003ePublisher \/ Editor: Session Press, Goliga\u003cbr data-start=\"1673\" data-end=\"1676\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52604788441426,"sku":null,"price":325.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_6a575741-1d0f-414f-a256-44a8fce0d530.jpg?v=1769888613"},{"product_id":"voyage-vers-le-centre-du-monde-cristina-de-middel-2024","title":"Voyage vers le centre du monde — Cristina de Middel, 2024","description":"\u003cp data-start=\"126\" data-end=\"1208\"\u003eCristina de Middel’s latest book is a surrealist travelogue and a fractured epic—part Jules Verne, part migrant diary, part hallucinatory road novel. \u003cem data-start=\"276\" data-end=\"308\"\u003eVoyage vers le centre du monde\u003c\/em\u003e documents the artist’s years-long engagement with the migrant trail through Mexico, often referred to by those who ride it as “La Bestia”. Rather than attempt journalistic neutrality, de Middel works in layers: documentary fragments, drawings, collages, and re-enacted fictions fold together into a luminous and troubling dream atlas. Monarch butterflies trace routes across maps; skulls and pyramids float alongside trucks, saints, and soldiers; a lone figure stands waist-deep in a lake beneath a dead tree. The book’s illustrated cover mimics a child's sketchbook but hides a far more charged story about the violence, fantasy, and resilience that shape contemporary migration. Published with Amnesty International, and including texts by Pedro Anza and citations from Verne’s \u003cem data-start=\"1089\" data-end=\"1119\"\u003eVoyage au centre de la Terre\u003c\/em\u003e, this is de Middel at her sharpest—turning myth into reportage, and reportage into myth.\u003c\/p\u003e\n\u003cp data-start=\"1210\" data-end=\"1542\"\u003e\u003cstrong data-start=\"1210\" data-end=\"1229\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1229\" data-end=\"1232\"\u003eTitle: Voyage vers le centre du monde\u003cbr data-start=\"1269\" data-end=\"1272\"\u003eArtist \/ Author: Cristina de Middel\u003cbr data-start=\"1307\" data-end=\"1310\"\u003eDate: 2024\u003cbr data-start=\"1320\" data-end=\"1323\" data-is-only-node=\"\"\u003eTechnique \/ Printing Method: Offset, photogravure\u003cbr data-start=\"1372\" data-end=\"1375\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"1404\" data-end=\"1407\"\u003eDimensions (cm): Approx. 17 × 24\u003cbr data-start=\"1439\" data-end=\"1442\"\u003eLanguage: French\u003cbr data-start=\"1458\" data-end=\"1461\"\u003ePublisher \/ Editor: Éditions Textuel\u003cbr data-start=\"1497\" data-end=\"1500\"\u003eISBN: 978-2-38629-011-4\u003cbr data-start=\"1523\" data-end=\"1526\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52604803481938,"sku":null,"price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_d6295cc9-c805-43f5-aab9-69fa34ca4b82.jpg?v=1769889890"},{"product_id":"ed-van-der-elsken-fundacion-mapfre-steidl-2017","title":"Ed van der Elsken — Fundación MAPFRE \/ Steidl, 2017","description":"\u003cp data-start=\"120\" data-end=\"1147\"\u003eThis substantial monograph revisits the restless, charismatic vision of Dutch photographer Ed van der Elsken, whose street portraits and diaristic sequences defined a raw, cinematic language of postwar photography. Published for a major retrospective at Fundación MAPFRE, co-produced with the Stedelijk Museum and Steidl, the book traces van der Elsken’s transcontinental journeys—from Amsterdam to Paris, Tokyo to Hong Kong—through his iconic images of beatniks, punks, lovers, and loners. His camera is unashamedly present, emotionally charged, and always entangled in the scene. The cover image, \u003cem data-start=\"719\" data-end=\"751\"\u003eChica en el metro, Tokio, 1981\u003c\/em\u003e, condenses his approach: urban light, desire, movement, and immediacy. With critical texts and archival materials, this 2017 catalogue captures both van der Elsken’s visual ferocity and his enduring influence on generations of street photographers and filmmakers. It belongs in Darwin for its balance of grit and lyricism, and as a record of how a life can be told through presence, not posture.\u003c\/p\u003e\n\u003cp data-start=\"1149\" data-end=\"1517\"\u003e\u003cstrong data-start=\"1149\" data-end=\"1168\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1168\" data-end=\"1171\"\u003eTitle: Ed van der Elsken\u003cbr data-start=\"1195\" data-end=\"1198\"\u003eArtist \/ Author: Ed van der Elsken\u003cbr data-start=\"1232\" data-end=\"1235\"\u003eDate: 2017\u003cbr data-start=\"1245\" data-end=\"1248\" data-is-only-node=\"\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1283\" data-end=\"1286\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"1315\" data-end=\"1318\"\u003eDimensions (cm): Approx. 25 × 30\u003cbr data-start=\"1350\" data-end=\"1353\"\u003eLanguage: Spanish\u003cbr data-start=\"1370\" data-end=\"1373\"\u003ePages: Approx. 280\u003cbr data-start=\"1391\" data-end=\"1394\"\u003ePublisher \/ Editor: Fundación MAPFRE, Steidl, Hannibal Publishing\u003cbr data-start=\"1459\" data-end=\"1462\"\u003eISBN: 978-84-9844-661-6\u003cbr data-start=\"1485\" data-end=\"1488\"\u003eCondition: USED – near fine\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52604890218834,"sku":null,"price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_2_5952ed9b-cfd3-47b5-9922-7c810a92886d.jpg?v=1769891954"},{"product_id":"the-chinese-photobook-from-the-1900s-to-the-present-edited-by-martin-parr-and-wassinklundgren","title":"The Chinese Photobook: From the 1900s to the Present — Edited by Martin Parr and WassinkLundgren","description":"\u003cp data-start=\"165\" data-end=\"611\"\u003eA sweeping visual anthology charting over a century of photographic publishing in China, \u003cem data-start=\"254\" data-end=\"277\"\u003eThe Chinese Photobook\u003c\/em\u003e is both archive and provocation—edited by Martin Parr and the Dutch duo WassinkLundgren, with contributions from key scholars including Gu Zheng and Stephanie H. Tung. This volume exposes how photobooks in China have functioned not merely as aesthetic objects, but as ideological tools, community records, and vehicles of resistance.\u003c\/p\u003e\n\u003cp data-start=\"613\" data-end=\"1135\"\u003eFrom late-Qing pictorialism to Maoist propaganda, from reform-era self-expression to the globalised experimentation of the 2000s, this book unfolds a polyphonic narrative of China told through its printed matter. Over 250 photobooks are reproduced, many never before seen outside China, and each is situated in its specific political and visual context. Stark documentary, staged imagery, vernacular albums—the materials collide, overlap and contradict, revealing the tensions and ruptures behind the state-approved image.\u003c\/p\u003e\n\u003cp data-start=\"1137\" data-end=\"1527\"\u003ePublished by Aperture and grounded in the landmark touring exhibition, this second edition (2016) is now a crucial reference work for anyone tracing the intersections of photography, print culture, and power. It belongs alongside \u003cem data-start=\"1367\" data-end=\"1397\"\u003eThe Latin American Photobook\u003c\/em\u003e and Parr’s earlier \u003cem data-start=\"1417\" data-end=\"1443\"\u003eThe Photobook: A History\u003c\/em\u003e as part of a deliberate reframing of photographic canons from the global periphery.\u003c\/p\u003e\n\u003cp data-start=\"1529\" data-end=\"1998\"\u003eTechnical Sheet\u003cbr data-start=\"1544\" data-end=\"1547\"\u003eTitle: The Chinese Photobook: From the 1900s to the Present\u003cbr data-start=\"1606\" data-end=\"1609\"\u003eEditor(s): Martin Parr, WassinkLundgren\u003cbr data-start=\"1648\" data-end=\"1651\"\u003eDate: Second Edition, 2016\u003cbr data-start=\"1677\" data-end=\"1680\"\u003eTexts by: Gu Zheng, Raymond Lum, Ruben Lundgren, Stephanie H. Tung, Gerry Badger\u003cbr data-start=\"1760\" data-end=\"1763\"\u003eTechnique \/ Printing Method: Offset, hardcover\u003cbr data-start=\"1809\" data-end=\"1812\" data-is-only-node=\"\"\u003eMedium \/ Materials: Paper, clothbound\u003cbr data-start=\"1849\" data-end=\"1852\"\u003eDimensions (cm): approx. 22 × 28\u003cbr data-start=\"1884\" data-end=\"1887\"\u003eLanguage: English, Chinese\u003cbr data-start=\"1913\" data-end=\"1916\"\u003ePages: 448\u003cbr data-start=\"1926\" data-end=\"1929\"\u003ePublisher \/ Editor: Aperture\u003cbr data-start=\"1957\" data-end=\"1960\"\u003eISBN: 9781597113755\u003cbr data-start=\"1979\" data-end=\"1982\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52605040951634,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_1_d55788a9-a3c0-4ce2-a4f3-4e67ad2a4222.jpg?v=1769893610"},{"product_id":"we-have-no-place-to-be-1980-1982-joji-hashiguchi-2020-edition-with-foreword-by-yoshitomo-nara","title":"We Have No Place to Be: 1980–1982 — Joji Hashiguchi, 2020 Edition with Foreword by Yoshitomo Nara","description":"\u003cp data-start=\"166\" data-end=\"590\"\u003eA cult document of alienation, punk survival, and transnational youth unrest, \u003cem data-start=\"244\" data-end=\"268\"\u003eWe Have No Place to Be\u003c\/em\u003e is Joji Hashiguchi’s stark and unflinching record of early 1980s subcultures—captured in Liverpool, London, West Berlin, New York, and Tokyo. First published in 1982 and now reissued in this 2020 edition by Session Press, the work reads like a black-and-white howl from the margins, where vulnerability and defiance blur.\u003c\/p\u003e\n\u003cp data-start=\"592\" data-end=\"1069\"\u003eHashiguchi’s portraits are tender yet unsparing, photographing runaways, squatters, punks, skinheads, and loners with a rare psychological proximity. The cover image—shot in Liverpool—sets the tone: a solitary figure in bomber jacket and boots, seated in a doorway scarred with graffiti, framed by brick, shadow, and distance. Hashiguchi doesn’t moralize or aestheticize: instead, he looks directly, with care and clarity, at how isolation takes form across cities and borders.\u003c\/p\u003e\n\u003cp data-start=\"1071\" data-end=\"1426\"\u003eThe inclusion of a foreword by artist Yoshitomo Nara (himself shaped by punk and disaffection) casts the book in a wider cultural echo—between photography and drawing, noise and image. Comparable to Anders Petersen’s \u003cem data-start=\"1288\" data-end=\"1302\"\u003eCafé Lehmitz\u003c\/em\u003e or Jim Goldberg’s \u003cem data-start=\"1321\" data-end=\"1339\"\u003eRaised by Wolves\u003c\/em\u003e, this is a cornerstone of Japanese documentary work with a lasting, underground pulse.\u003c\/p\u003e\n\u003cp data-start=\"1428\" data-end=\"1834\"\u003eTechnical Sheet\u003cbr data-start=\"1443\" data-end=\"1446\"\u003eTitle: We Have No Place to Be: 1980–1982\u003cbr data-start=\"1486\" data-end=\"1489\"\u003eArtist \/ Author: Joji Hashiguchi\u003cbr data-start=\"1521\" data-end=\"1524\"\u003eDate: 2020 (First Edition: 1982)\u003cbr data-start=\"1556\" data-end=\"1559\"\u003eTechnique \/ Printing Method: Offset, duotone\u003cbr data-start=\"1603\" data-end=\"1606\"\u003eMedium \/ Materials: Softcover\u003cbr data-start=\"1635\" data-end=\"1638\" data-is-only-node=\"\"\u003eDimensions (cm): approx. 20 × 26\u003cbr data-start=\"1670\" data-end=\"1673\"\u003eLanguage: English, Japanese\u003cbr data-start=\"1700\" data-end=\"1703\"\u003ePages: Unnumbered\u003cbr data-start=\"1720\" data-end=\"1723\"\u003ePublisher \/ Editor: Session Press, New York\u003cbr data-start=\"1766\" data-end=\"1769\"\u003eISBN: 978-0-9754280-3-3\u003cbr data-start=\"1792\" data-end=\"1795\"\u003eEdition: 1000 copies\u003cbr data-start=\"1815\" data-end=\"1818\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52605146562898,"sku":null,"price":80.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_f68a0847-aec6-4b96-9e6c-0d40b7952906.jpg?v=1769894096"},{"product_id":"estudio-archivo-cordero-bolivia-1900-1961-turner-publicaciones-2004","title":"Estudio Archivo Cordero: Bolivia 1900–1961 — Turner Publicaciones, 2004","description":"\u003cp data-start=\"140\" data-end=\"569\"\u003ePublished by Turner in 2004, \u003cem data-start=\"169\" data-end=\"213\"\u003eEstudio Archivo Cordero: Bolivia 1900–1961\u003c\/em\u003e offers a landmark photographic survey of Bolivia’s 20th-century visual identity, drawn from the extraordinary archive of the Cordero Studio. Spanning over six decades, this collection of 164 pages presents a rigorous and poetic assembly of portraits, military processions, civic rituals, and domestic scenes—each one a fragment of a larger national image.\u003c\/p\u003e\n\u003cp data-start=\"571\" data-end=\"909\"\u003eOperating between documentary and theatricality, the Cordero archive charts Bolivia’s shifting visual codes—from the colonial residue to republican formality and modern assertion. Uniforms, horses, backdrops, gazes: each element is meticulously composed, giving weight to the act of being photographed as a form of historical inscription.\u003c\/p\u003e\n\u003cp data-start=\"911\" data-end=\"1185\"\u003eThis English-language edition, bound in softcover and printed at generous scale, is as much an art object as a historical document. An essential title for readers interested in Latin American photography, visual anthropology, and the performance of nationhood in the studio.\u003c\/p\u003e\n\u003cp data-start=\"1187\" data-end=\"1512\"\u003eTechnical Sheet\u003cbr data-start=\"1202\" data-end=\"1205\"\u003eTitle: Estudio Archivo Cordero: Bolivia 1900–1961\u003cbr data-start=\"1254\" data-end=\"1257\"\u003eArtist \/ Author: Estudio Cordero\u003cbr data-start=\"1289\" data-end=\"1292\"\u003eDate: 2004\u003cbr data-start=\"1302\" data-end=\"1305\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1340\" data-end=\"1343\"\u003eMedium \/ Materials: Softcover\u003cbr data-start=\"1372\" data-end=\"1375\" data-is-only-node=\"\"\u003eDimensions (cm): 24.13 × 22.23 × 1.91\u003cbr data-start=\"1412\" data-end=\"1415\"\u003eLanguage: English\u003cbr data-start=\"1432\" data-end=\"1435\"\u003ePages: 164\u003cbr data-start=\"1445\" data-end=\"1448\"\u003ePublisher \/ Editor: Turner Publicaciones S.L.\u003cbr data-start=\"1493\" data-end=\"1496\"\u003eCondition: NEW\u003c\/p\u003e\n\u003cp data-start=\"1519\" data-end=\"1581\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52607682937170,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_b2c048fd-4d20-4a14-9c08-cf99f7f0eb05.jpg?v=1769956027"},{"product_id":"humberto-rivas-humberto-rivas-fundacion-mapfre-2018","title":"Humberto Rivas — Humberto Rivas, Fundación MAPFRE, 2018","description":"\u003cp data-start=\"124\" data-end=\"750\"\u003eThis monograph gathers the stark, patient, and psychologically loaded images of Argentine-born photographer Humberto Rivas, whose work across the late 20th century carved out a rigorous, formally restrained space in the Spanish photographic canon. Published by Fundación MAPFRE in 2018, this volume serves both as an introduction and a long-overdue reckoning with an artist whose gaze turned façades, streets, and anonymous sitters into sites of quiet confrontation. The cover image, with its stark composition of wall and shadow, acts as a manifesto: Rivas’ camera isolates, extracts, and stills the world with eerie clarity.\u003c\/p\u003e\n\u003cp data-start=\"752\" data-end=\"1284\"\u003eHaving emigrated to Spain in the 1970s, Rivas captured post-Franco urbanity with a haunted intimacy. His portraits are direct but never invasive; his architectural views feel like post-industrial fossils. Often compared to Walker Evans for his deadpan surface and to Boltanski for his memorializing impulse, Rivas remains singular in how he locates tension within silence. The book’s square, clothbound format — sober and unadorned — echoes the photographic ethic within: a poetics of absence, architecture, and anonymous presences.\u003c\/p\u003e\n\u003cp data-start=\"1286\" data-end=\"1444\"\u003eEssential for readers of European postwar photography and those tracing the psychic residues of modernism, exile, and memory through the photographic surface.\u003c\/p\u003e\n\u003cp data-start=\"1446\" data-end=\"1745\"\u003eTechnical Sheet\u003cbr data-start=\"1461\" data-end=\"1464\"\u003eTitle: Humberto Rivas\u003cbr data-start=\"1485\" data-end=\"1488\"\u003eArtist \/ Author: Humberto Rivas\u003cbr data-start=\"1519\" data-end=\"1522\"\u003eDate: 2018\u003cbr data-start=\"1532\" data-end=\"1535\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1570\" data-end=\"1573\"\u003eMedium \/ Materials: Hardcover, clothbound\u003cbr data-start=\"1614\" data-end=\"1617\" data-is-only-node=\"\"\u003eDimensions (cm): 24 × 28 × 2\u003cbr data-start=\"1645\" data-end=\"1648\"\u003eLanguage: Spanish\u003cbr data-start=\"1665\" data-end=\"1668\"\u003ePages: 284\u003cbr data-start=\"1678\" data-end=\"1681\"\u003ePublisher \/ Editor: Fundación MAPFRE\u003cbr data-start=\"1717\" data-end=\"1720\"\u003eCondition: NEW (sealed)\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52607795626322,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_b30f0f78-eba4-43c1-8ded-64ad7e6cddd3.jpg?v=1769958081"},{"product_id":"the-outlands-william-eggleston-three-volume-set-2022","title":"The Outlands — William Eggleston, first edition, Steidl 2021","description":"\u003cp data-start=\"155\" data-end=\"559\"\u003eA landmark publication in contemporary color photography, \u003cem data-start=\"213\" data-end=\"227\"\u003eThe Outlands\u003c\/em\u003e gathers over 400 previously unpublished images by William Eggleston — a revelatory extension of his pioneering work from 1969 to 1974. Issued by Steidl as a three-volume boxed set, this first edition comes complete with the original publisher’s shipping box and catalogue insert — a pristine collector’s copy, untouched and unread.\u003c\/p\u003e\n\u003cp data-start=\"561\" data-end=\"1213\"\u003eEdited by Mark Holborn, William Eggleston III, and Winston Eggleston, \u003cem data-start=\"631\" data-end=\"645\"\u003eThe Outlands\u003c\/em\u003e revisits the same archive that shaped \u003cem data-start=\"684\" data-end=\"693\"\u003eChromes\u003c\/em\u003e (2011), \u003cem data-start=\"702\" data-end=\"724\"\u003eLos Alamos Revisited\u003c\/em\u003e (2012), and \u003cem data-start=\"737\" data-end=\"760\"\u003eThe Democratic Forest\u003c\/em\u003e (2015), yet every image here is previously unseen. The sequence begins at the suburban Memphis street where Eggleston famously photographed the red tricycle, and unfolds southward into the fading towns and landscapes of Mississippi — the American South in transition. Color is handled with Eggleston’s signature clarity and intuition, hovering just above the real, transforming gas stations, living rooms, and roadside scenes into chromatic epiphanies.\u003c\/p\u003e\n\u003cp data-start=\"1215\" data-end=\"1540\"\u003eHoused in a clothbound slipcase, the production reflects the scale and seriousness of the work — not a supplement, but a culmination. As a complete object, including the rare original shipping box, this set is both visual archive and artefact: a final chapter to the story that began with \u003cem data-start=\"1504\" data-end=\"1531\"\u003eWilliam Eggleston’s Guide\u003c\/em\u003e in 1976.\u003c\/p\u003e\n\u003cp data-start=\"1542\" data-end=\"2044\"\u003eTechnical Sheet\u003cbr data-start=\"1557\" data-end=\"1560\"\u003eTitle: The Outlands\u003cbr data-start=\"1579\" data-end=\"1582\"\u003eArtist \/ Author: William Eggleston\u003cbr data-start=\"1616\" data-end=\"1619\"\u003eEditors: Mark Holborn, William Eggleston III, Winston Eggleston\u003cbr data-start=\"1682\" data-end=\"1685\"\u003eDate: First edition, 2021\u003cbr data-start=\"1710\" data-end=\"1713\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1748\" data-end=\"1751\" data-is-only-node=\"\"\u003eMedium \/ Materials: Three hardcover volumes in slipcase, with publisher’s original shipping box and catalogue insert\u003cbr data-start=\"1867\" data-end=\"1870\"\u003eDimensions (cm): 31.5 × 32\u003cbr data-start=\"1896\" data-end=\"1899\"\u003eLanguage: English\u003cbr data-start=\"1916\" data-end=\"1919\"\u003ePages: 652\u003cbr data-start=\"1929\" data-end=\"1932\"\u003eImages: 405\u003cbr data-start=\"1943\" data-end=\"1946\"\u003ePublisher \/ Editor: Steidl, Göttingen\u003cbr data-start=\"1983\" data-end=\"1986\"\u003eISBN: 978-3-95829-265-9\u003cbr data-start=\"2009\" data-end=\"2012\"\u003eCondition: NEW \/ mint \/ unread\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52608328204626,"sku":null,"price":380.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_001f234d-5a41-4fb8-badf-c4d2cc7fbd56.jpg?v=1769968785"},{"product_id":"outside-inside-bruce-davidson-first-edition-steidl-2010","title":"Outside Inside — Bruce Davidson, first edition, Steidl 2010","description":"\u003cp data-start=\"128\" data-end=\"544\"\u003e\u003cem data-start=\"128\" data-end=\"144\"\u003eOutside Inside\u003c\/em\u003e is the definitive retrospective of Bruce Davidson — an immersive, three-volume journey through over five decades of one of the great humanist photographers of the 20th century. Published by Steidl in 2010 and weighing in at nearly 10 kg, this monumental box set brings together fifty-three photographic essays, printed across 942 pages, each introduced by a brief, personal text by Davidson himself.\u003c\/p\u003e\n\u003cp data-start=\"546\" data-end=\"1108\"\u003eSpanning from his early student work in 1954 to his Los Angeles urban studies in 2009, Davidson’s visual world is one of deep empathy, political commitment, and formal mastery. As a longtime member of Magnum Photos, his iconic series — \u003cem data-start=\"782\" data-end=\"797\"\u003eBrooklyn Gang\u003c\/em\u003e, \u003cem data-start=\"799\" data-end=\"818\"\u003eEast 100th Street\u003c\/em\u003e, \u003cem data-start=\"820\" data-end=\"828\"\u003eSubway\u003c\/em\u003e — helped redefine documentary photography with their unflinching intimacy and cinematic presence. But \u003cem data-start=\"931\" data-end=\"947\"\u003eOutside Inside\u003c\/em\u003e goes further: a personal excavation from his own archive, where forgotten frames emerge alongside the familiar, forming an autobiographical map of image-making.\u003c\/p\u003e\n\u003cp data-start=\"1110\" data-end=\"1375\"\u003eDesigned as a trilogy — each volume clothbound and housed in a slipcase — this edition is both a work of editing and a testament. It’s Davidson’s life as seen through his camera, a legacy project that asserts the power of photography to bear witness and stay human.\u003c\/p\u003e\n\u003cp data-start=\"1377\" data-end=\"1760\"\u003eTechnical Sheet\u003cbr data-start=\"1392\" data-end=\"1395\"\u003eTitle: Outside Inside\u003cbr data-start=\"1416\" data-end=\"1419\"\u003eArtist \/ Author: Bruce Davidson\u003cbr data-start=\"1450\" data-end=\"1453\"\u003eDate: First edition, March 2010\u003cbr data-start=\"1484\" data-end=\"1487\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1522\" data-end=\"1525\"\u003eMedium \/ Materials: Three clothbound volumes in slipcase\u003cbr data-start=\"1581\" data-end=\"1584\" data-is-only-node=\"\"\u003eDimensions (cm): 24 × 30\u003cbr data-start=\"1608\" data-end=\"1611\"\u003eLanguage: English\u003cbr data-start=\"1628\" data-end=\"1631\"\u003ePages: 942\u003cbr data-start=\"1641\" data-end=\"1644\"\u003ePublisher \/ Editor: Steidl\u003cbr data-start=\"1670\" data-end=\"1673\"\u003eISBN: 978-3-86521-908-4\u003cbr data-start=\"1696\" data-end=\"1699\"\u003eCondition: NEW (please note: shipping weight approx. 10 kg)\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52608374473042,"sku":null,"price":240.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_067d882d-f0cf-4524-8494-ac9b3412f626.jpg?v=1769970189"},{"product_id":"adventures-of-guille-and-belinda-and-the-illusion-of-an-everlasting-summer-alessandra-sanguinetti-2020","title":"Adventures of Guille and Belinda and The Illusion of an Everlasting Summer — Alessandra Sanguinetti, 2020","description":"\u003cp data-start=\"322\" data-end=\"1547\"\u003eOver two decades in rural Argentina, Alessandra Sanguinetti traced the growing lives of Guille and Belinda — two cousins she met as girls and photographed into womanhood. \u003cem data-start=\"493\" data-end=\"532\"\u003eThe Illusion of an Everlasting Summer\u003c\/em\u003e is the second and most expansive volume of that ongoing chronicle. Here, MACK gathers these photographs into a linen-bound book that feels both tender and immense, like the lives it holds. From childhood playacting to motherhood, this is a document of time passing — of the camera becoming less observer than companion. Sanguinetti’s lens is lyrical but never sentimental, attentive to how girls learn to perform themselves, and then outgrow the stage. Each image moves between revelation and routine, steeped in the dusty light of the Pampas, in a world where nothing is epic except the quiet fact of staying. Guille and Belinda don’t just grow up — they shift shape, as we all do — and Sanguinetti adjusts with them, not with control but with care. If the first volume imagined girlhood as myth, this one listens as the myth breaks open, letting complexity and adulthood enter. It is one of the most quietly radical long-term collaborations in contemporary photography, and this book is its luminous centrepiece.\u003c\/p\u003e\n\u003cp data-start=\"1549\" data-end=\"1925\"\u003e\u003cstrong data-start=\"1549\" data-end=\"1568\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1568\" data-end=\"1571\"\u003eTitle: \u003cem data-start=\"1578\" data-end=\"1654\"\u003eAdventures of Guille and Belinda and The Illusion of an Everlasting Summer\u003c\/em\u003e\u003cbr data-start=\"1654\" data-end=\"1657\"\u003eArtist \/ Author: Alessandra Sanguinetti\u003cbr data-start=\"1696\" data-end=\"1699\"\u003eDate: 2020 (First edition, second printing)\u003cbr data-start=\"1742\" data-end=\"1745\"\u003ePublisher: MACK\u003cbr data-start=\"1760\" data-end=\"1763\"\u003eISBN: 978-1-912339-97-6\u003cbr data-start=\"1786\" data-end=\"1789\"\u003eMedium \/ Format: Embossed silk linen hardcover with tipped-in image\u003cbr data-start=\"1856\" data-end=\"1859\"\u003ePages: 144\u003cbr data-start=\"1869\" data-end=\"1872\"\u003eLanguage: English\u003cbr data-start=\"1889\" data-end=\"1892\"\u003eWeight: 1314 g\u003cbr data-start=\"1906\" data-end=\"1909\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52617973825874,"sku":null,"price":75.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_7bc099da-a613-4b74-bc3d-138bd0b21f21.jpg?v=1770057555"},{"product_id":"anarene","title":"Anarene — Mikel Bastida,  Editorial RM, 2023","description":"\u003cp data-end=\"1155\" data-start=\"98\"\u003eAnarene is Mikel Bastida’s fictional road trip through the ruins of American mythology, shot not from the highway but from the quiet, scorched shoulder of the myth itself. In these haunted, restrained photographs, Bastida returns to the ghost towns and cinematic landscapes that once staged the nation’s dream of itself — but now feel half-shed, uninhabited, out of frame. The title refers to the Texas town in \u003cem data-end=\"532\" data-start=\"509\"\u003eThe Last Picture Show\u003c\/em\u003e, already emptied out in 1971, already a fiction. Bastida’s approach is more forensic than nostalgic: lingering shots of signage, voided parking lots, tired flags, and gestures mid-conversation show America not as a narrative but a residue. The sequencing, book design by Grégoire Pujade-Lauraine, and restrained palette draw clear lines to Alec Soth and Justine Kurland, but Bastida’s tone is starker, more European in its detachment. Co-published with Comunidad de Madrid, \u003cem data-end=\"1016\" data-start=\"1007\"\u003eAnarene\u003c\/em\u003e is a photographic novel about the afterimage of the West, the infrastructure of forgetting, and what lingers once the myth loses interest.\u003c\/p\u003e\n\u003cp data-end=\"1465\" data-start=\"1157\"\u003eTechnical Sheet\u003cbr data-end=\"1175\" data-start=\"1172\"\u003eTitle: Anarene\u003cbr data-end=\"1192\" data-start=\"1189\"\u003eArtist \/ Author: Mikel Bastida\u003cbr data-end=\"1225\" data-start=\"1222\"\u003eDate: 2023\u003cbr data-is-only-node=\"\" data-end=\"1238\" data-start=\"1235\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-end=\"1276\" data-start=\"1273\"\u003eMedium \/ Materials: Hardcover\u003cbr data-end=\"1308\" data-start=\"1305\"\u003eDimensions (cm): 23 × 28.8\u003cbr data-end=\"1337\" data-start=\"1334\"\u003eLanguage: English\u003cbr data-end=\"1357\" data-start=\"1354\"\u003ePages: 116\u003cbr data-end=\"1370\" data-start=\"1367\"\u003ePublisher \/ Editor: Comunidad de Madrid,  Editorial RM\u003cbr data-end=\"1412\" data-start=\"1409\"\u003eDesigner: Grégoire Pujade-Lauraine\u003cbr data-end=\"1449\" data-start=\"1446\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52627591004498,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_ae24dc99-79fd-49b8-bb77-1fdccd85d0c2.jpg?v=1770152241"},{"product_id":"the-sartorialist-india-scott-schuman-2019-r-edition","title":"The Sartorialist: India — Scott Schuman, 2019, R edition","description":"\u003cp data-start=\"125\" data-end=\"1149\"\u003eIn \u003cem data-start=\"128\" data-end=\"153\"\u003eThe Sartorialist: India\u003c\/em\u003e, fashion photographer and street style chronicler Scott Schuman turns his lens on the everyday elegance of India’s cities and towns, capturing a world where gesture, texture, and colour speak louder than brands. Made during a multi-city journey across the subcontinent, the book offers a distinctly Schuman view: not journalistic, not ethnographic, but attuned to poise, attitude, and personal style as a universal language. From the crisp tailoring of a Delhi businessman to the layered improvisation of a Rajasthani street vendor, Schuman’s photographs highlight the dignity and intention with which people present themselves — regardless of wealth, fame, or fashion capital. Printed in large format by Taschen, this \"R edition\" reflects a refined version of the release, bound in linen and embossed in gold, matching the quiet formality of the project itself. A street-style monograph that doubles as a cultural portrait, \u003cem data-start=\"1079\" data-end=\"1086\"\u003eIndia\u003c\/em\u003e expands the boundaries of what — and where — fashion can mean.\u003c\/p\u003e\n\u003cp data-start=\"1151\" data-end=\"1574\"\u003eTechnical Sheet\u003cbr data-start=\"1166\" data-end=\"1169\"\u003eTitle: The Sartorialist: India\u003cbr data-start=\"1199\" data-end=\"1202\"\u003eArtist \/ Author: Scott Schuman\u003cbr data-start=\"1232\" data-end=\"1235\"\u003eDate: 2019\u003cbr data-start=\"1245\" data-end=\"1248\" data-is-only-node=\"\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1283\" data-end=\"1286\"\u003eMedium \/ Materials: Hardcover, linen with gold embossing\u003cbr data-start=\"1342\" data-end=\"1345\"\u003eDimensions (cm): Approx. 24.5 × 35 (unconfirmed)\u003cbr data-start=\"1393\" data-end=\"1396\"\u003eLanguage: English\u003cbr data-start=\"1413\" data-end=\"1416\"\u003ePages: Approx. 200+\u003cbr data-start=\"1435\" data-end=\"1438\"\u003ePublisher \/ Editor: Taschen\u003cbr data-start=\"1465\" data-end=\"1468\"\u003eEdition: R edition\u003cbr data-start=\"1486\" data-end=\"1489\"\u003eISBN: 978-3-8365-7707-6\u003cbr data-start=\"1512\" data-end=\"1515\"\u003eCondition: Very good, with minor edge wear to dust jacket\u003c\/p\u003e\n\u003cp data-start=\"1577\" data-end=\"1635\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52629510914386,"sku":null,"price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_6b86f4f8-0585-44cc-a680-c00d20a27a68.jpg?v=1770188594"},{"product_id":"manicomio-raymond-depardon-steidl-2013","title":"Manicomio — Raymond Depardon Steidl, 2013","description":"\u003cp data-start=\"77\" data-end=\"1084\"\u003eThis is Raymond Depardon's \u003cem data-start=\"104\" data-end=\"115\"\u003eManicomio\u003c\/em\u003e, first published in 2013 by Steidl, a stark and immersive portrait of Italy's psychiatric institutions on the cusp of their dissolution. Shot over multiple visits in the 1970s, but published decades later, \u003cem data-start=\"322\" data-end=\"333\"\u003eManicomio\u003c\/em\u003e contains some of Depardon's most intimate and restrained photographic work — a humane record of interiors and individuals caught in the quiet violence of institutional life. The portraits are frontal, often seated, unposed; their subjects appear alert, distant, lost, or amused, always grounded in their physical surroundings — cracked walls, open courtyards, beds arranged with geometric care. The book is a study in repetition and small variation, evoking both the daily rhythm of the asylum and the broader political erasure of its inhabitants. Released in trilingual format (English, French, Italian), \u003cem data-start=\"940\" data-end=\"951\"\u003eManicomio\u003c\/em\u003e arrives not as exposé, but as the rare work of documentary that refuses spectacle, and instead stays close to the people it depicts.\u003c\/p\u003e\n\u003cp data-start=\"1086\" data-end=\"1401\"\u003eTechnical Sheet\u003cbr data-start=\"1101\" data-end=\"1104\"\u003eTitle: \u003cem data-start=\"1111\" data-end=\"1122\"\u003eManicomio\u003c\/em\u003e\u003cbr data-start=\"1122\" data-end=\"1125\"\u003eArtist \/ Author: Raymond Depardon\u003cbr data-start=\"1158\" data-end=\"1161\" data-is-only-node=\"\"\u003eDate: 2013\u003cbr data-start=\"1171\" data-end=\"1174\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1209\" data-end=\"1212\"\u003eMedium \/ Materials: Softcover\u003cbr data-start=\"1241\" data-end=\"1244\"\u003eDimensions (cm): 29.5 × 20.3\u003cbr data-start=\"1272\" data-end=\"1275\"\u003eLanguage: English, French, Italian\u003cbr data-start=\"1309\" data-end=\"1312\"\u003ePages: 208\u003cbr data-start=\"1322\" data-end=\"1325\"\u003ePublisher \/ Editor: Steidl\u003cbr data-start=\"1351\" data-end=\"1354\"\u003eISBN: 978-3-86930-535-6\u003cbr data-start=\"1377\" data-end=\"1380\"\u003eCondition: Like New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52635184628050,"sku":null,"price":400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_fbd4f3fc-7cfa-4aba-ba7e-e82ec2c7bc5c.jpg?v=1770234559"},{"product_id":"now-that-you-are-mine-trine-sondergaard-signed-first-edition","title":"Now That You Are Mine — Trine Søndergaard， Signed First edition, Steidl","description":"\u003cp data-start=\"150\" data-end=\"686\"\u003eTrine Søndergaard’s \u003cem data-start=\"170\" data-end=\"193\"\u003eNow That You Are Mine\u003c\/em\u003e is a stark, intimate portrait of Copenhagen’s red-light district in the late 1990s — a place of transit, proximity, and brutal exposure. Made between 1997 and 2000, the work documents women working as prostitutes in the streets around Skelbækgade and the central train station. Søndergaard, who lived in the neighbourhood herself, uses the camera to witness a world many refuse to see — not out of voyeurism, but from within the ambient tension of being a woman moving through public space.\u003c\/p\u003e\n\u003cp data-start=\"688\" data-end=\"1153\"\u003eThe 33 images are hard-lit, nocturnal, and direct. Flash burns against wet pavement, bodies lean into waiting cars, fur coats, neon signs, thighs under streetlight. There is no sentimentality here, nor performance. The women look at the camera, or past it, but always with the alertness of survival. Søndergaard’s refusal to aestheticise is what gives the work its force — the eroticism belongs to the world outside the frame, to the male gaze these women endure.\u003c\/p\u003e\n\u003cp data-start=\"1155\" data-end=\"1611\"\u003eWhat results is a love book in reverse. The title, \u003cem data-start=\"1206\" data-end=\"1229\"\u003eNow That You Are Mine\u003c\/em\u003e, might belong to a client or to society itself — the possession of bodies, the illusion of choice. First published by Steidl in 2002 and bound in black embossed artificial leather, the book is as tactile and circumspect as its contents. An important early work in Søndergaard’s career and a rare document of sex work in Northern Europe, handled with rigour, courage, and proximity.\u003c\/p\u003e\n\u003cp data-start=\"1613\" data-end=\"1996\"\u003e\u003cstrong data-start=\"1613\" data-end=\"1632\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1632\" data-end=\"1635\"\u003eTitle: \u003cem data-start=\"1642\" data-end=\"1665\"\u003eNow That You Are Mine\u003c\/em\u003e\u003cbr data-start=\"1665\" data-end=\"1668\"\u003eArtist \/ Author: Trine Søndergaard\u003cbr data-start=\"1702\" data-end=\"1705\"\u003eDate: 2002\u003cbr data-start=\"1715\" data-end=\"1718\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1753\" data-end=\"1756\"\u003eMedium \/ Materials: Hardcover with embossed artificial leather\u003cbr data-start=\"1818\" data-end=\"1821\"\u003eDimensions (cm): 28.7 × 26.7\u003cbr data-start=\"1849\" data-end=\"1852\"\u003eSigned\u003cbr data-start=\"1863\" data-end=\"1866\"\u003ePages: 72\u003cbr data-start=\"1875\" data-end=\"1878\"\u003eNo. of Illustrations: 33\u003cbr data-start=\"1902\" data-end=\"1905\"\u003ePublisher \/ Editor: Steidl\u003cbr data-start=\"1931\" data-end=\"1934\"\u003eDesigner: Camilla Jørgensen \/ Trefold\u003cbr data-start=\"1971\" data-end=\"1974\"\u003eCondition: Like new\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52635288011090,"sku":null,"price":350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_383de4e7-ed27-4ed3-a0ab-6414d5e7fd4d.jpg?v=1770236911"},{"product_id":"the-crick-by-jim-mangan-twin-palms-2023","title":"The Crick by Jim Mangan (Twin Palms, 2023)","description":"\u003cp data-start=\"198\" data-end=\"623\"\u003eA dark green synthetic leather cover, embossed with the profile of a young man in cowboy hat and bolo tie, opens into Jim Mangan’s rich and unsettling document of American boyhood on the rural edge of Utah. \u003cem data-start=\"405\" data-end=\"416\"\u003eThe Crick\u003c\/em\u003e is a photographic study of a community in limbo — descendants of polygamist pioneers, living off-grid near the Utah-Arizona border — suspended somewhere between frontier myth, poverty, and latent rebellion.\u003c\/p\u003e\n\u003cp data-start=\"625\" data-end=\"1089\"\u003eShot over four years, Mangan’s portraits of boys in camo, Stetsons, denim, or near-nude in riverbanks, trucks, and empty interiors recall the intimate tension of early Larry Clark and the formal gaze of Rineke Dijkstra, but speak in their own haunted, distinctly Western vernacular. There is almost no adult presence. Instead, the book holds a charged silence — boys play with guns, wrestle in dirt, or sit in rooms with floral wallpaper, blank-eyed and unclaimed.\u003c\/p\u003e\n\u003cp data-start=\"1091\" data-end=\"1417\"\u003eThe production echoes the strange Americana within: gold-gilded edges, thick uncoated paper, and the devotional format of a family Bible. Designed and printed with the moral weight of archival memory, \u003cem data-start=\"1292\" data-end=\"1303\"\u003eThe Crick\u003c\/em\u003e resists judgment but doesn’t look away. Like its protagonists, it seems caught between adolescence and aftermath.\u003c\/p\u003e\n\u003cp data-start=\"1419\" data-end=\"1583\"\u003eThis belongs in Darwin for the way it refracts a hyperlocal world through an unflinching lens — as tender as it is unsparing, and as much about myth as documentary.\u003c\/p\u003e\n\u003cp data-start=\"1585\" data-end=\"1982\"\u003e\u003cstrong data-start=\"1585\" data-end=\"1604\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1604\" data-end=\"1607\"\u003eTitle: The Crick\u003cbr data-start=\"1623\" data-end=\"1626\"\u003eArtist \/ Author: Jim Mangan\u003cbr data-start=\"1653\" data-end=\"1656\"\u003eDate: 2023\u003cbr data-start=\"1666\" data-end=\"1669\"\u003eTechnique \/ Printing Method: Offset, tri-tone and four-color plates\u003cbr data-start=\"1736\" data-end=\"1739\"\u003eMedium \/ Materials: Synthetic leather-wrapped hardcover with embossed cover and gilded edges\u003cbr data-start=\"1831\" data-end=\"1834\"\u003eDimensions (cm): 25.4 × 33\u003cbr data-start=\"1860\" data-end=\"1863\"\u003eLanguage: English\u003cbr data-start=\"1880\" data-end=\"1883\" data-is-only-node=\"\"\u003ePages: 124\u003cbr data-start=\"1893\" data-end=\"1896\"\u003ePublisher \/ Editor: Twin Palms Publishers\u003cbr data-start=\"1937\" data-end=\"1940\"\u003eISBN: 978-1-936611-22-5\u003cbr data-start=\"1963\" data-end=\"1966\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52657372496210,"sku":null,"price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_24bbbe05-0b22-4435-8879-466c169a04e3.jpg?v=1770542669"},{"product_id":"looking-aside-pieter-hugo-2006","title":"Looking Aside — Pieter Hugo, 2006","description":"\u003cp data-start=\"102\" data-end=\"662\"\u003eA quiet landmark in early 21st-century African photography, \u003cem data-start=\"162\" data-end=\"177\"\u003eLooking Aside\u003c\/em\u003e collects Pieter Hugo’s studio portraits taken between 2003 and 2006 in South Africa—stark, formal, and confrontational images of people society is trained not to look at. His subjects include the blind, the aged, people with albinism, and members of his own family, all photographed with a directness that renders pity impossible and attention urgent. The title is literal and metaphorical: to “look aside” is both an act of evasion and a political stance. Hugo insists we do neither.\u003c\/p\u003e\n\u003cp data-start=\"664\" data-end=\"1266\"\u003eThe cover, a ghost-pale child with albinism staring squarely at the viewer, acts as both gatekeeper and thesis. There is no refuge in abstraction here; the portraits are hyper-specific, high-resolution, and full of visual tension. Published by Punctum Editions in 2006 and designed by Damien Poulain, this early book already signals Hugo’s signature method: clinical lighting, ethical discomfort, and a forensic attention to surface. A precursor to his later works such as \u003cem data-start=\"1137\" data-end=\"1162\"\u003eThe Hyena and Other Men\u003c\/em\u003e, this volume remains one of the most psychologically dense and socially charged photobooks of its time.\u003c\/p\u003e\n\u003cp data-start=\"1268\" data-end=\"1608\"\u003eTechnical Sheet\u003cbr data-start=\"1283\" data-end=\"1286\"\u003eTitle: Looking Aside\u003cbr data-start=\"1306\" data-end=\"1309\"\u003eArtist \/ Author: Pieter Hugo\u003cbr data-start=\"1337\" data-end=\"1340\"\u003eDate: 2006\u003cbr data-start=\"1350\" data-end=\"1353\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1388\" data-end=\"1391\"\u003eMedium \/ Materials: Hardcover with photographic plate\u003cbr data-start=\"1444\" data-end=\"1447\"\u003eDimensions (cm): Approx. 21 × 28 (estimated)\u003cbr data-start=\"1491\" data-end=\"1494\"\u003eLanguage: English\u003cbr data-start=\"1511\" data-end=\"1514\"\u003ePages: 92\u003cbr data-start=\"1523\" data-end=\"1526\"\u003ePublisher \/ Editor: Punctum Editions\u003cbr data-start=\"1562\" data-end=\"1565\"\u003eISBN: 978-88-89412-20-8\u003cbr data-start=\"1588\" data-end=\"1591\"\u003eCondition: Fine\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52664150720850,"sku":null,"price":140.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_931a790b-2449-4896-b371-d1c183244a35.jpg?v=1770581136"},{"product_id":"messina-musina-pieter-hugo-2007","title":"Messina \/ Musina — Pieter Hugo, 2007","description":"\u003cp data-start=\"107\" data-end=\"601\"\u003ePieter Hugo captures the border town of Musina (formerly Messina), situated between South Africa and Zimbabwe, with the same lucid unease that defines his broader portraiture of post-apartheid identity. \u003c\/p\u003e\n\u003cp data-start=\"603\" data-end=\"1130\"\u003eAcross its pages, we encounter residents photographed in their homes: a schoolgirl perched neatly on a hostel bed with walls adorned in magazine tear-outs; a family of five posed with their dog beneath an idyllic landscape painting; a couple surrounded by a congregation of cats in their kitchen; a man in a wheelchair beside his mother, each figure composed with solemn clarity. These are not dramatic scenes but everyday lives staged as tableaux, rendered with Hugo’s distinctive tonal control—clinical yet deeply empathetic.\u003c\/p\u003e\n\u003cp data-start=\"1132\" data-end=\"1612\"\u003eIn Hugo’s lens, the domestic becomes both political and poetic. His approach is neither celebratory nor accusatory; instead, he allows the textures of personal space—curtains, photographs, doilies, linoleum floors—to convey the layers of history, care, and tension embedded in this borderland. Echoes of August Sander’s typologies and Rineke Dijkstra’s intimate directness surface here, but the sensibility remains unmistakably Hugo’s: measured, unflinching, and locally grounded.\u003c\/p\u003e\n\u003cp data-start=\"1614\" data-end=\"1983\"\u003eAn essential Darwin object, \u003cem data-start=\"1642\" data-end=\"1660\"\u003eMessina \/ Musina\u003c\/em\u003e sits alongside other portraits of transition and interior life—where the frame becomes a container for both personal narrative and structural disquiet. Think Araki’s domestic chronicles, or the moral clarity of Anders Petersen’s \u003cem data-start=\"1890\" data-end=\"1902\"\u003eCity Diary\u003c\/em\u003e—but here, it’s the slow burn of postcolonial South Africa that holds the center.\u003c\/p\u003e\n\u003cp data-start=\"1985\" data-end=\"2295\"\u003eTechnical Sheet\u003cbr data-start=\"2000\" data-end=\"2003\"\u003eTitle: Messina \/ Musina\u003cbr data-start=\"2026\" data-end=\"2029\"\u003eArtist \/ Author: Pieter Hugo\u003cbr data-start=\"2057\" data-end=\"2060\"\u003eDate: 2007\u003cbr data-start=\"2070\" data-end=\"2073\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"2108\" data-end=\"2111\"\u003eMedium \/ Materials: Softcover\u003cbr data-start=\"2140\" data-end=\"2143\"\u003eDimensions (cm): 30 × 25\u003cbr data-start=\"2167\" data-end=\"2170\"\u003eLanguage: English\u003cbr data-start=\"2187\" data-end=\"2190\"\u003ePages: Unpaginated\u003cbr data-start=\"2208\" data-end=\"2211\"\u003ePublisher \/ Editor: Punctum Press\u003cbr data-start=\"2244\" data-end=\"2247\"\u003eISBN: 978-88-95410-03-6\u003cbr data-start=\"2270\" data-end=\"2273\"\u003eCondition: Very good\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52685630701906,"sku":null,"price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_12eff25b-4507-4f5f-b5de-7d405c6f75d6.jpg?v=1770837791"},{"product_id":"this-must-be-the-place-pieter-hugo-2012","title":"This Must Be The Place — Pieter Hugo, 2012","description":"\u003cp data-start=\"113\" data-end=\"774\"\u003eA mid-career retrospective in book form, \u003cem data-start=\"154\" data-end=\"178\"\u003eThis Must Be The Place\u003c\/em\u003e surveys nearly a decade of Pieter Hugo’s photographic work across the African continent and beyond—from his early portraits in Nigeria’s Nollywood sets and Ghana’s techno scrapyards, to the still, unsettling frames of Rwandan genocide memorials and suburban South African interiors. Published on the occasion of his major 2012 exhibition at the Hague Museum of Photography and Musée de l’Elysée, the volume functions as both monograph and archive—a tightly edited body of images that trace Hugo’s evolving interest in postcolonial identity, theatricality, and the fragile architectures of power.\u003c\/p\u003e\n\u003cp data-start=\"776\" data-end=\"1280\"\u003eThe cover image, a formal portrait of The Honourable Justice Unity Dow seated in full judicial regalia, sets the tone: this is Hugo at his sharpest—restaging colonial visual codes while revealing their contemporary resonance. Across the book, Hugo's signature frontality and saturated palette create a slow-burning tension between subject and setting. His images neither celebrate nor accuse. Instead, they maintain a precise, emotionally ambivalent distance that invites the viewer to sit in discomfort.\u003c\/p\u003e\n\u003cp data-start=\"1282\" data-end=\"1855\"\u003eThe book’s sequencing resists chronology in favour of affective proximity. A Liberian boy in face paint appears after a street performer in Lagos, followed by a quiet domestic portrait in Cape Town. This deliberate juxtaposition—of violence and banality, tradition and hyper-modernity—makes the book feel less like a survey and more like an index of contradictions. Hugo belongs in the lineage of Goldblatt and Dijkstra, but this book affirms his unique position: not as a documentarian of \"Africa\" but as an artist obsessed with its entanglements, illusions, and surfaces.\u003c\/p\u003e\n\u003cp data-start=\"1857\" data-end=\"2211\"\u003eTechnical Sheet\u003cbr data-start=\"1872\" data-end=\"1875\"\u003eTitle: This Must Be The Place\u003cbr data-start=\"1904\" data-end=\"1907\"\u003eArtist \/ Author: Pieter Hugo\u003cbr data-start=\"1935\" data-end=\"1938\"\u003eDate: 2012\u003cbr data-start=\"1948\" data-end=\"1951\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1986\" data-end=\"1989\"\u003eMedium \/ Materials: Hardcover with dust jacket\u003cbr data-start=\"2035\" data-end=\"2038\" data-is-only-node=\"\"\u003eDimensions (cm): 29 × 29\u003cbr data-start=\"2062\" data-end=\"2065\"\u003eLanguage: English\u003cbr data-start=\"2082\" data-end=\"2085\"\u003ePages: 224\u003cbr data-start=\"2095\" data-end=\"2098\"\u003ePublisher \/ Editor: Prestel Verlag, Munich \/ London \/ New York\u003cbr data-start=\"2160\" data-end=\"2163\"\u003eISBN: 978-3-7913-4689-2\u003cbr data-start=\"2186\" data-end=\"2189\"\u003eCondition: Near fine\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52685679198546,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_9df91959-4ce5-433d-ac33-4a7353b87c16.jpg?v=1770838241"},{"product_id":"and-into-the-forest-i-go-alex-llovet-first-edition-500-copies-ediciones-posibles-2024","title":"And Into The Forest I Go — Alex Llovet, First Edition (500 copies), Ediciones Posibles, 2024","description":"\u003cp data-start=\"175\" data-end=\"682\"\u003eA decade-long immersion where landscape becomes psychological terrain. Developed in the forests of Collserola, near Barcelona, this work moves between documentary and introspection, tracing lives shaped in close proximity to the woods. Images shift from observation to quiet symbolism, revealing a fragile balance between human presence and untamed environment. Produced in a limited first edition of 500 copies, it frames the forest as both refuge and force—something inhabited, but never fully controlled.\u003c\/p\u003e\n\u003cp data-start=\"684\" data-end=\"873\"\u003eTechnical Sheet\u003cbr data-start=\"699\" data-end=\"702\"\u003eTitle: And Into The Forest I Go\u003cbr data-start=\"733\" data-end=\"736\"\u003eArtist \/ Author: Alex Llovet\u003cbr data-start=\"764\" data-end=\"767\"\u003eDate: 2024\u003cbr data-start=\"777\" data-end=\"780\"\u003eEdition: First edition, 500 copies\u003cbr data-start=\"814\" data-end=\"817\"\u003ePages: 156\u003cbr data-start=\"827\" data-end=\"830\"\u003eDimensions (cm): 23 x 31\u003cbr data-start=\"854\" data-end=\"857\"\u003eCondition: New\u003c\/p\u003e\n\u003cp data-start=\"875\" data-end=\"1059\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":53219669344594,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_f7d39579-959a-4f7d-bac5-43fd4a7f9d30.jpg?v=1776357020"},{"product_id":"el-rastro-1976-1984-javier-campano-editorial-ojos-de-buey-2024","title":"El Rastro 1976–1984 — Javier Campano, Editorial Ojos de Buey 2024","description":"\u003cp data-start=\"139\" data-end=\"651\"\u003eA street market becomes a stage for a country in transition. Shot during Spain’s shift from dictatorship to democracy, these images capture El Rastro as a space of exchange, improvisation, and emerging freedoms. Campano moves through its dense crowds and fleeting encounters, registering gestures, objects, and atmospheres with immediacy. First gathered from work begun in the mid-1970s, the series reflects a moment when counterculture, informal economies, and public life converged into a new social landscape.\u003c\/p\u003e\n\u003cp data-start=\"653\" data-end=\"918\"\u003eTechnical Sheet\u003cbr data-start=\"668\" data-end=\"671\"\u003eTitle: El Rastro 1976–1984\u003cbr data-start=\"697\" data-end=\"700\"\u003eArtist \/ Author: Javier Campano\u003cbr data-start=\"731\" data-end=\"734\"\u003eDate: 2024\u003cbr data-start=\"744\" data-end=\"747\"\u003eEdition: First edition\u003cbr data-start=\"769\" data-end=\"772\"\u003eMedium \/ Materials: Softcover book\u003cbr data-start=\"806\" data-end=\"809\"\u003eDimensions (cm): 16 x 21.3\u003cbr data-start=\"835\" data-end=\"838\"\u003ePages: 64\u003cbr data-start=\"847\" data-end=\"850\"\u003eLanguage: Spanish\u003cbr data-start=\"867\" data-end=\"870\"\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":53237188952402,"sku":null,"price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_dfc25ced-a4c2-4a38-a475-6d4861b77d81.jpg?v=1776590748"},{"product_id":"deana-lawson-peter-eleey-eva-respini-eds-mack-2021","title":"Deana Lawson — Peter Eleey, Eva Respini (eds.), MACK, 2021","description":"\u003cp data-start=\"149\" data-end=\"679\"\u003eIntimacy becomes a site of power, control, and representation. Across staged portraits and found imagery, this work redefines how Black identities are seen and constructed. Developed over fifteen years, the photographs merge domestic space, ritual, and desire, often through direct, confrontational gazes. Produced for Lawson’s first major museum survey, the book brings together key works alongside personal archives, extending her exploration of family, sexuality, and spiritual life beyond conventional photographic narratives.\u003c\/p\u003e\n\u003cp data-start=\"681\" data-end=\"977\"\u003eTechnical Sheet\u003cbr data-start=\"696\" data-end=\"699\"\u003eTitle: Deana Lawson\u003cbr data-start=\"718\" data-end=\"721\"\u003eArtist \/ Author: Deana Lawson; Peter Eleey; Eva Respini (eds.)\u003cbr data-start=\"783\" data-end=\"786\"\u003eDate: 2021\u003cbr data-start=\"796\" data-end=\"799\"\u003eMedium \/ Materials: Faux leather bound hardcover\u003cbr data-start=\"847\" data-end=\"850\"\u003eDimensions (cm): 24 x 29\u003cbr data-start=\"874\" data-end=\"877\"\u003ePages: 144\u003cbr data-start=\"887\" data-end=\"890\"\u003eLanguage: English\u003cbr data-start=\"907\" data-end=\"910\"\u003ePublisher \/ Editor: MACK\u003cbr data-start=\"934\" data-end=\"937\"\u003eISBN: 978-1-912339-98-3\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":53237200486738,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_c00c326a-a0b4-402a-bbd9-0db675de34e3.jpg?v=1776591256"},{"product_id":"family-ties-tina-barney-atelier-exb","title":"Family Ties — Tina Barney, Atelier EXB","description":"\u003cp data-start=\"128\" data-end=\"665\"\u003eIntimacy becomes choreography within the codes of privilege. Spanning over four decades, these large-format portraits dissect the rituals, tensions, and unspoken hierarchies of upper-class American and European families. Positioned between snapshot and staged tableau, each image reveals subtle fractures beneath composed surfaces—through gesture, posture, and gaze. Produced for Barney’s first European retrospective, the selection distills her sustained inquiry into family, inheritance, and the quiet complexity of social performance.\u003c\/p\u003e\n\u003cp data-start=\"667\" data-end=\"931\"\u003eTechnical Sheet\u003cbr data-start=\"682\" data-end=\"685\"\u003eTitle: Family Ties\u003cbr data-start=\"703\" data-end=\"706\"\u003eArtist \/ Author: Tina Barney\u003cbr data-start=\"734\" data-end=\"737\"\u003eMedium \/ Materials: Hardcover book\u003cbr data-start=\"781\" data-end=\"784\"\u003eDimensions (cm): 29 x 24\u003cbr data-start=\"808\" data-end=\"811\"\u003ePages: 176\u003cbr data-start=\"821\" data-end=\"824\"\u003eLanguage: French\u003cbr data-start=\"840\" data-end=\"843\"\u003ePublisher \/ Editor: Atelier EXB; Jeu de Paume\u003cbr data-start=\"888\" data-end=\"891\"\u003eISBN: 978-2-36511-413-4\u003cbr data-start=\"914\" data-end=\"917\"\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":53258550608210,"sku":null,"price":52.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_10c26f80-256d-430e-81bc-d1e0f40ba4c6.jpg?v=1776797358"},{"product_id":"entre-temps-raymond-depardon-atelier-exb-2023","title":"Entre-temps — Raymond Depardon — Atelier EXB — 2023","description":"\u003cp data-start=\"154\" data-end=\"704\"\u003eA precise meditation on in-between time, where the everyday becomes quietly cinematic. Drawn from nearly three decades of work, this sequence shifts away from reportage into moments of pause—Parisian streets, cafés, anonymous figures suspended in their own solitude. Depardon’s strength lies in turning incidental encounters into resonant images, charged with emotional distance and understated tension. These photographs operate as fragments of lived time, where observation replaces narrative and each scene unfolds with restrained, filmic clarity.\u003c\/p\u003e\n\u003cp data-start=\"706\" data-end=\"1006\"\u003e\u003cstrong data-start=\"706\" data-end=\"725\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"725\" data-end=\"728\"\u003eTitle: Entre-temps\u003cbr data-start=\"782\" data-end=\"785\"\u003eDate: 2023\u003cbr data-start=\"795\" data-end=\"798\"\u003eMedium \/ Materials: Printed book\u003cbr data-start=\"830\" data-end=\"833\"\u003eDimensions (cm): 27 × 21.5\u003cbr data-start=\"859\" data-end=\"862\"\u003ePages: 140\u003cbr data-start=\"872\" data-end=\"875\"\u003eIllustrations: 92 B\u0026amp;W photographs\u003cbr data-start=\"908\" data-end=\"911\"\u003eLanguage: French\u003cbr data-start=\"961\" data-end=\"964\"\u003eISBN: 978-2-36511-347-2\u003cbr data-start=\"987\" data-end=\"990\"\u003eCondition: New\u003c\/p\u003e","brand":"Atelier EXB","offers":[{"title":"Default Title","offer_id":53284937761106,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_3bd79181-778e-44f9-96dd-5b4f995917f5.jpg?v=1777097525"}],"url":"https:\/\/thedarwin.es\/collections\/documentary.oembed?page=2","provider":"DaRWIN","version":"1.0","type":"link"}