{"title":"PHOTOBOOK \/ Erotica","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eA selection of photobooks that explore the charged space between desire, gaze, and control. Featuring icons like \u003cstrong data-start=\"310\" data-end=\"327\"\u003eHelmut Newton\u003c\/strong\u003e, \u003cstrong data-start=\"329\" data-end=\"348\"\u003eNobuyoshi Araki\u003c\/strong\u003e, and \u003cstrong data-start=\"354\" data-end=\"374\"\u003eTerry Richardson\u003c\/strong\u003e, this section delves into the aesthetics of the nude, the ritual of fetish, and the transgressive pull of erotic imagery. These are works that blur the line between seduction and confrontation—where photography becomes a mirror for fantasy, power, and the body exposed.\u003c\/p\u003e","products":[{"product_id":"llorando-a-aquella-que-creyo-amarme","title":"Alberto García-Alix – Llorando a aquella que creyó amarme","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-start=\"130\" data-end=\"546\"\u003eThis photobook by Alberto García-Alix, published in 2002 by La Fábrica, is part of the Darwin Bookshop because it gathers the haunted, erotic and mythic realism of one of Spain’s most singular photographic voices. \u003cem data-start=\"344\" data-end=\"381\"\u003eLlorando a aquélla que creyó amarme\u003c\/em\u003e—\u003cem data-start=\"382\" data-end=\"428\"\u003eWeeping for the One Who Thought She Loved Me\u003c\/em\u003e—is a requiem for desire and a portrait of García-Alix’s Spain: decadent, intimate, performative, and politically raw.\u003c\/p\u003e\n\u003cp data-start=\"548\" data-end=\"1201\"\u003eProduced on the occasion of the 2002 PHotoEspaña retrospective following his receipt of Spain’s National Photography Prize, the book presents a fiercely autobiographical selection from three decades of work. It features lovers, addicts, drifters, trans performers, old cinemas, and neon signs—always rendered in García-Alix’s trademark high-contrast monochrome. In one spread, a naked couple clutch each other on a parquet floor like a neoclassical ruin. In another, a woman stares defiantly from under tangled branches, or lies in bed as a shadow-hand gestures like a pistol across the wall. Every image holds the tension between tenderness and threat.\u003c\/p\u003e\n\u003cp data-start=\"1203\" data-end=\"1547\"\u003eThe title, taken from a line that reads more like a tattoo than a sentence, sets the register of romantic ruin. This is García-Alix’s Madrid: a place of night, memory, sex and mourning. The book is printed and bound in Spain with a dark cinematic cover and crisp bilingual captions, bridging documentary and drama with unapologetic physicality.\u003c\/p\u003e\n\u003cp data-start=\"1549\" data-end=\"1568\"\u003e\u003cstrong data-start=\"1549\" data-end=\"1568\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1570\" data-end=\"1613\"\u003eTitle\u003cbr data-start=\"1575\" data-end=\"1578\"\u003eLlorando a aquélla que creyó amarme\u003c\/p\u003e\n\u003cp data-start=\"1615\" data-end=\"1652\"\u003eArtist \/ Author\u003cbr data-start=\"1630\" data-end=\"1633\"\u003eAlberto García-Alix\u003c\/p\u003e\n\u003cp data-start=\"1654\" data-end=\"1665\"\u003eDate\u003cbr data-start=\"1658\" data-end=\"1661\"\u003e2002\u003c\/p\u003e\n\u003cp data-start=\"1667\" data-end=\"1712\"\u003eTechnique \/ Printing Method\u003cbr data-start=\"1694\" data-end=\"1697\"\u003eOffset printing\u003c\/p\u003e\n\u003cp data-start=\"1714\" data-end=\"1744\"\u003eMedium \/ Materials\u003cbr data-start=\"1732\" data-end=\"1735\"\u003eHardcover\u003c\/p\u003e\n\u003cp data-start=\"1746\" data-end=\"1778\"\u003eDimensions (cm)\u003cbr data-start=\"1761\" data-end=\"1764\"\u003e24.5 x 27.5 cm\u003c\/p\u003e\n\u003cp data-start=\"1780\" data-end=\"1807\"\u003eLanguage\u003cbr data-start=\"1788\" data-end=\"1791\"\u003eSpanish, English\u003c\/p\u003e\n\u003cp data-start=\"1809\" data-end=\"1842\"\u003ePages\u003cbr data-start=\"1814\" data-end=\"1817\"\u003eApprox. 160 (unpaginated)\u003c\/p\u003e\n\u003cp data-start=\"1844\" data-end=\"1875\"\u003ePublisher \/ Editor\u003cbr data-start=\"1862\" data-end=\"1865\"\u003eLa Fábrica\u003c\/p\u003e\n\u003cp data-start=\"1877\" data-end=\"1897\"\u003eISBN\u003cbr data-start=\"1881\" data-end=\"1884\"\u003e84-95471-49-3\u003c\/p\u003e\n\u003cp data-start=\"1899\" data-end=\"1914\"\u003eCondition: Available New \u0026amp; Mint\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51615160140114,"sku":null,"price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_2_c689994e-892e-45a7-bf15-ab5aa3a32c8e.jpg?v=1768212102"},{"product_id":"signed-ata-kam-pulse-ex-n-3-4-2014","title":"PULSE — Ata Kam, 2014, signed and numbered (3\/4)","description":"\u003cp data-start=\"121\" data-end=\"499\"\u003e\u003cem data-start=\"121\" data-end=\"128\"\u003ePULSE\u003c\/em\u003e is a rare, handmade artist’s photobook by Ata Kam, produced in Ankara in 2014 in an edition of only four copies. Bound with exposed thread and wrapped in a xerox aesthetic, the book presents a dark, bodily, and fragmentary visual language. Its scratched, collaged cover — a close-up of arachnid forms and human limbs — sets the tone for an unsettling, sensuous interior.\u003c\/p\u003e\n\u003cp data-start=\"501\" data-end=\"1058\"\u003ePrinted in rich black-and-white with grain and texture pushed to their limits, the images inside oscillate between the erotic, the grotesque, and the ritualistic. The sequencing is raw and rhythmic, pulling the viewer through surfaces of skin, shadow, and street. This is photographic publishing as low-fi incantation — closer to zine culture or underground poetry than traditional photobook craft. Signed “loves Cambodia 2014,” this copy reflects Kam’s global drift and personal obsessions. A fierce, rare object from the post-internet, post-nation fringe.\u003c\/p\u003e\n\u003cp data-start=\"1060\" data-end=\"1415\"\u003eTechnical Sheet\u003cbr data-start=\"1075\" data-end=\"1078\"\u003eTitle: PULSE\u003cbr data-start=\"1090\" data-end=\"1093\"\u003eArtist \/ Author: Ata Kam\u003cbr data-start=\"1117\" data-end=\"1120\"\u003eDate: 2014\u003cbr data-start=\"1130\" data-end=\"1133\"\u003eEdition: Signed and numbered, No. 3 of 4 copies\u003cbr data-start=\"1180\" data-end=\"1183\"\u003eTechnique \/ Printing Method: Xerox \/ handmade artist book\u003cbr data-start=\"1240\" data-end=\"1243\"\u003eMedium \/ Materials: Softcover, thread binding\u003cbr data-start=\"1288\" data-end=\"1291\"\u003eDimensions (cm): Approx. 21 × 28\u003cbr data-start=\"1323\" data-end=\"1326\"\u003ePublisher \/ Editor: Self-published (ata-kam.com)\u003cbr data-start=\"1374\" data-end=\"1377\"\u003ePlace: Ankara\u003cbr data-start=\"1390\" data-end=\"1393\"\u003eCondition: Very good\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754633560402,"sku":null,"price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/b0c88355-fe83-470b-bd84-6fd2d2003937_1.jpg?v=1760437187"},{"product_id":"signed-jacob-aue-sobol-sabine-2018","title":"Sabine (Version française) — Jacob Aue Sobol — Signed, Polka Editions, 2018","description":"\u003cp data-start=\"195\" data-end=\"565\"\u003eThis concise French edition of \u003cem data-start=\"226\" data-end=\"234\"\u003eSabine\u003c\/em\u003e by Jacob Aue Sobol distills one of the most visceral photographic love stories of the early 2000s into 24 pages of taut, emotional intensity. Released by Polka Editions in 2018 in just 200 copies, and signed by the artist, it offers a rare, bilingual echo of the original 2004 monograph — now iconic among contemporary photobooks.\u003c\/p\u003e\n\u003cp data-start=\"567\" data-end=\"968\"\u003eThe images trace Sobol’s life in Tiniteqilaaq, an isolated Greenlandic village where he lived for nearly three years with Sabine, the woman who gave the book its name. Drawn from his early immersion in documentary photography at Fatamorgana and sharpened by cinematic sensibilities from his time at the European Film College, Sobol’s language is unmistakable: grainy, close, and emotionally saturated.\u003c\/p\u003e\n\u003cp data-start=\"970\" data-end=\"1265\"\u003eThis smaller-format edition doesn’t dilute the impact — if anything, it heightens the sense of compression, like a love story whispered through fog. As a collectible, it’s a rare glimpse into the raw core of a major Magnum photographer’s early vision, rearticulated for a French-speaking public.\u003c\/p\u003e\n\u003cp data-start=\"1267\" data-end=\"1592\"\u003eTechnical Sheet\u003cbr data-start=\"1282\" data-end=\"1285\"\u003eTitle: Sabine (Version française)\u003cbr data-start=\"1318\" data-end=\"1321\"\u003eArtist \/ Author: Jacob Aue Sobol\u003cbr data-start=\"1353\" data-end=\"1356\"\u003eDate: 2018\u003cbr data-start=\"1366\" data-end=\"1369\"\u003eEdition: Limited edition of 200, signed\u003cbr data-start=\"1408\" data-end=\"1411\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1446\" data-end=\"1449\"\u003eMedium \/ Materials: Softcover\u003cbr data-start=\"1478\" data-end=\"1481\"\u003eDimensions (cm): 15 × 21\u003cbr data-start=\"1505\" data-end=\"1508\"\u003eLanguage: French\u003cbr data-start=\"1524\" data-end=\"1527\"\u003ePages: 24\u003cbr data-start=\"1536\" data-end=\"1539\"\u003ePublisher \/ Editor: Polka Editions\u003cbr data-start=\"1573\" data-end=\"1576\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754658038098,"sku":null,"price":160.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_56061f0e-cdaa-452d-9586-7117c12f8837.jpg?v=1770112372"},{"product_id":"nobuyoshi-araki-polart-2009","title":"Polart — Nobuyoshi Araki \/ Red Hot","description":"\u003cp data-start=\"103\" data-end=\"521\"\u003ePublished in 2009 in a limited edition of 1,500 copies, \u003cem data-start=\"159\" data-end=\"167\"\u003ePolart\u003c\/em\u003e is Araki in pure gesture: a book of Polaroids selected and sequenced by the artist himself, edited in collaboration with the now-closed Red Hot Gallery in Paris and printed in Japan by Huboya. The cover, white and abrupt, is emblazoned with Araki’s handwriting — a bold, gestural typography that suggests the intimacy and immediacy of the images inside.\u003c\/p\u003e\n\u003cp data-start=\"523\" data-end=\"928\"\u003eKnown for his prolific use of instant film, Araki used the Polaroid not just as a camera but as a diaristic tool — sensual, direct, obsessive. \u003cem data-start=\"666\" data-end=\"674\"\u003ePolart\u003c\/em\u003e distills that practice into a carefully paced flow of Polaroid works, unbound from chronology, unified by tone. These are not studio images, but fragments of affection, desire, and absence — emotional snapshots arranged with an artist’s feel for rhythm.\u003c\/p\u003e\n\u003cp data-start=\"930\" data-end=\"1268\"\u003eThe book is both an archive and an object of its own: printed with striking technical precision (by Dai Nippon Printing), it’s an important artefact of Araki’s later period and a testament to his ongoing dialogue with photobook form. A must for collectors of Japanese photography, rare editions, and the fleeting language of the Polaroid.\u003c\/p\u003e\n\u003cp data-start=\"1270\" data-end=\"1289\"\u003e\u003cstrong data-start=\"1270\" data-end=\"1289\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1291\" data-end=\"1304\"\u003eTitle: Polart\u003c\/p\u003e\n\u003cp data-start=\"1306\" data-end=\"1338\"\u003eArtist \/ Author: Nobuyoshi Araki\u003c\/p\u003e\n\u003cp data-start=\"1340\" data-end=\"1350\"\u003eDate: 2009\u003c\/p\u003e\n\u003cp data-start=\"1352\" data-end=\"1406\"\u003eTechnique \/ Printing Method: Offset (printed in Japan)\u003c\/p\u003e\n\u003cp data-start=\"1408\" data-end=\"1454\"\u003eMedium \/ Materials: Hardcover with dust jacket\u003c\/p\u003e\n\u003cp data-start=\"1456\" data-end=\"1489\"\u003eEdition: Limited edition of 1,500\u003c\/p\u003e\n\u003cp data-start=\"1491\" data-end=\"1501\"\u003eSigned: No\u003c\/p\u003e\n\u003cp data-start=\"1503\" data-end=\"1537\"\u003eDimensions (cm): Approx. 19.5 × 30\u003c\/p\u003e\n\u003cp data-start=\"1539\" data-end=\"1567\"\u003eLanguage: None \/ Image-based\u003c\/p\u003e\n\u003cp data-start=\"1569\" data-end=\"1642\"\u003ePublisher \/ Editor: Nobuyoshi Araki \/ Red Hot Gallery, Paris \/ Huboya Art\u003c\/p\u003e\n\u003cp data-start=\"1644\" data-end=\"1658\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754746380626,"sku":null,"price":250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_1.jpg?v=1768338650"},{"product_id":"antoine-dagata-1961-agonie-1ere-edition","title":"Agonie — Antoine d’Agata \u0026 Rafael Garido (signed)","description":"\u003cdiv class=\"LotInfoDescription_description__RFjKp\"\u003e\n\u003cp data-start=\"113\" data-end=\"458\"\u003eThis signed copy of \u003cem data-start=\"133\" data-end=\"141\"\u003eAgonie\u003c\/em\u003e, a collaboration between photographer Antoine d’Agata and writer Rafael Garido, published in 2003 by Actes Sud and Atelier de Visu, is part of the Darwin Bookshop because it marks an early and intensely physical convergence of text and image—where language breaks under the weight of the photographic and vice versa.\u003c\/p\u003e\n\u003cp data-start=\"460\" data-end=\"837\"\u003eBound in black faux leather with minimal white type, the object evokes a dossier or morgue file. Inside, d’Agata’s images unfold in fevered grain: bodies blurred by movement, consumed by shadow, lit by narcotic or sexual tension. Garido’s text—poetic, incantatory, shattered—echoes this descent, not as commentary but as accomplice. This is not a book that explains—it suffers.\u003c\/p\u003e\n\u003cp data-start=\"839\" data-end=\"1320\"\u003ePublished in Marseille and part of the Atelier de Visu’s experimental output, \u003cem data-start=\"917\" data-end=\"925\"\u003eAgonie\u003c\/em\u003e belongs to d’Agata’s early 2000s period, when his work left behind narrative and plunged into embodied darkness. The formal choices—rounded page corners, glossy black cover, and unbound text blocks—amplify the sense of erosion and intimacy. Signed by d’Agata, this copy is held at Darwin as a rare threshold object: the moment when photography stops being observational and becomes existential.\u003c\/p\u003e\n\u003cp data-start=\"1322\" data-end=\"1341\"\u003e\u003cstrong data-start=\"1322\" data-end=\"1341\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1343\" data-end=\"1678\"\u003eTitle: Agonie\u003cbr data-start=\"1356\" data-end=\"1359\"\u003eArtists \/ Authors: Antoine d’Agata, Rafael Garido\u003cbr data-start=\"1408\" data-end=\"1411\"\u003eDate: 2003\u003cbr data-start=\"1421\" data-end=\"1424\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1459\" data-end=\"1462\"\u003eMedium \/ Materials: Hardcover, leatherette cover, rounded corners\u003cbr data-start=\"1527\" data-end=\"1530\"\u003eDimensions: approx. 17 × 23 cm\u003cbr data-start=\"1560\" data-end=\"1563\" data-is-only-node=\"\"\u003eLanguage: French\u003cbr data-start=\"1579\" data-end=\"1582\"\u003ePages: 96\u003cbr data-start=\"1591\" data-end=\"1594\"\u003ePublisher \/ Editor: Actes Sud \/ Atelier de Visu\u003cbr data-start=\"1641\" data-end=\"1644\"\u003eSigned: Yes\u003cbr data-start=\"1655\" data-end=\"1658\"\u003eCondition: Near fine\u003c\/p\u003e\n\u003c\/div\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51757840499026,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/bookcover_1.jpg?v=1768306376"},{"product_id":"sex-steven-meisel-amp-madonna-1992","title":"Sex — Madonna, photographs by Steven Meisel, design by Fabien Baron — First Edition, 1992","description":"\u003cp data-start=\"95\" data-end=\"539\"\u003eThe iconic erotica book of the 1990s — aluminium-bound, hyper-staged, and instantly sold out. \u003cem data-start=\"189\" data-end=\"194\"\u003eSex\u003c\/em\u003e is a fetish object in itself: glossy, cold to the touch, and infamous by design. Shot by Steven Meisel, art directed by Fabien Baron, and performed by Madonna at her most untouchable, this book is a cultural capsule of 1992: provocative, overproduced, and perfectly timed to mirror the rise of postmodern celebrity and mass-market provocation.\u003c\/p\u003e\n\u003cp data-start=\"541\" data-end=\"1170\"\u003eWrapped in a spiral-bound aluminium shell and shrink-wrapped in Mylar, \u003cem data-start=\"612\" data-end=\"617\"\u003eSex\u003c\/em\u003e presents a saturated theatre of desire, layered with kink, irony, and the precise control of image. Its pages — featuring Naomi Campbell, Vanilla Ice, Isabella Rossellini and more — move between domination and self-performance, fantasy and farce, with Madonna as director, object, and gaze. This first edition includes the rare 8-page comic insert, a pulp gesture underscoring the book’s choreography of high and low culture. For Darwin, \u003cem data-start=\"1056\" data-end=\"1061\"\u003eSex\u003c\/em\u003e is more than scandal — it’s a keystone in the visual history of celebrity control and erotic representation.\u003c\/p\u003e\n\u003cp data-start=\"1172\" data-end=\"1707\"\u003e\u003cstrong data-start=\"1172\" data-end=\"1191\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1191\" data-end=\"1194\"\u003eTitle: Sex\u003cbr data-start=\"1204\" data-end=\"1207\"\u003eArtist \/ Author \/ Maker: Madonna, photographs by Steven Meisel, design by Fabien Baron\u003cbr data-start=\"1293\" data-end=\"1296\"\u003eDate: 1992\u003cbr data-start=\"1306\" data-end=\"1309\" data-is-only-node=\"\"\u003eTechnique \/ Medium: Aluminium ring-bound photobook with color offset printing and comic insert\u003cbr data-start=\"1403\" data-end=\"1406\"\u003eEdition: First edition, numbered (No. 0703780)\u003cbr data-start=\"1452\" data-end=\"1455\"\u003eDimensions: 35 × 28 cm; 122 pages + 8-page comic\u003cbr data-start=\"1503\" data-end=\"1506\"\u003eCondition: As new — original aluminium cover, pages clean, comic present\u003cbr data-start=\"1578\" data-end=\"1581\"\u003eOrigin \/ Provenance: Martin Secker \u0026amp; Warburg (UK\/USA edition)\u003cbr data-start=\"1642\" data-end=\"1645\"\u003eShipping: Registered, secure shipping due to format and rarity\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51769195397458,"sku":null,"price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_1_cea15ae8-2d7d-40d4-a67d-8ec00520f3d7.jpg?v=1770116985"},{"product_id":"cafe-lehmitz-anders-petersen-1985","title":"Café Lehmitz (Signed Pocket Edition) — Anders Petersen, 1985","description":"\u003cp data-start=\"133\" data-end=\"638\"\u003eThis signed pocket edition of \u003cem data-start=\"163\" data-end=\"177\"\u003eCafé Lehmitz\u003c\/em\u003e, published in 1985 by Schirmer\/Mosel, is Anders Petersen’s own preferred version of his most iconic book. Originally released in 1978, \u003cem data-start=\"313\" data-end=\"327\"\u003eCafé Lehmitz\u003c\/em\u003e launched Petersen’s career and redefined the language of documentary photography. Shot in a working-class bar on the Reeperbahn in Hamburg between 1968 and 1970, the work is a raw, affectionate portrait of a place where rules collapse: sex workers, drunks, lovers, loners — all held in the same intimate frame.\u003c\/p\u003e\n\u003cp data-start=\"640\" data-end=\"1232\"\u003ePetersen doesn’t observe from a distance. He drinks, touches, stays the night. The images are grainy, close, messy, full of flash and emotion. There is no moral hierarchy, only physical proximity and shared time. What makes \u003cem data-start=\"864\" data-end=\"878\"\u003eCafé Lehmitz\u003c\/em\u003e endure is its lack of performance — the trust is real, and the camera feels like part of the furniture. It’s a book that changed the terms for later photographers like Nan Goldin or Antoine d’Agata, proving that documentary could be personal, chaotic, and brutally tender. A cornerstone of postwar European photography, still unmatched in its sincerity.\u003c\/p\u003e\n\u003cp data-start=\"1234\" data-end=\"1594\"\u003eTechnical Sheet\u003cbr data-start=\"1249\" data-end=\"1252\"\u003eTitle: Café Lehmitz (Signed Pocket Edition)\u003cbr data-start=\"1295\" data-end=\"1298\"\u003eArtist \/ Author: Anders Petersen\u003cbr data-start=\"1330\" data-end=\"1333\"\u003eDate: 1985 edition (originally 1978)\u003cbr data-start=\"1369\" data-end=\"1372\"\u003eEdition: Signed\u003cbr data-start=\"1387\" data-end=\"1390\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1425\" data-end=\"1428\"\u003eMedium \/ Materials: Softcover\u003cbr data-start=\"1457\" data-end=\"1460\"\u003eDimensions (cm): Approx. 12 × 18\u003cbr data-start=\"1492\" data-end=\"1495\"\u003eLanguage: German\u003cbr data-start=\"1511\" data-end=\"1514\"\u003ePages: Approx. 120\u003cbr data-start=\"1532\" data-end=\"1535\"\u003ePublisher \/ Editor: Schirmer\/Mosel\u003cbr data-start=\"1569\" data-end=\"1572\"\u003eCondition: Very good\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51776958202194,"sku":null,"price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_2.jpg?v=1770110366"},{"product_id":"aka-ana-antoine-d-agata-2017","title":"赤穴 (Aka Ana) — Antoine d'Agata, AKAAKA 2017","description":"\u003cp data-end=\"397\" data-start=\"79\"\u003e \u003c\/p\u003e\n\u003cp data-end=\"240\" data-start=\"206\"\u003e\u003cstrong data-end=\"240\" data-start=\"206\"\u003e赤穴 (Aka Ana) — Antoine d'Agata\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"634\" data-start=\"242\"\u003eThis photobook by French photographer Antoine d’Agata, \u003cem data-end=\"306\" data-start=\"297\"\u003eAka Ana\u003c\/em\u003e (\u003cem data-end=\"318\" data-start=\"308\"\u003eRed Hole\u003c\/em\u003e), published in 2017 by Akaaka Art Publishing, is part of the Darwin Bookshop because it enters the erotic and existential void with unrelenting intensity. Shot in Japan over years of immersion in Tokyo’s underworld, the book documents not a place but a descent—into sex, fever, narcotics, and photographic collapse.\u003c\/p\u003e\n\u003cp data-end=\"1124\" data-start=\"636\"\u003eD’Agata's work in \u003cem data-end=\"663\" data-start=\"654\"\u003eAka Ana\u003c\/em\u003e fuses diaristic self-representation with performative and often collaborative acts of intimacy. Bodies blur, dissolve, burn under red light. The photographs are grainy, saturated, and immersive, often unreadable in a conventional sense—yet entirely legible in their physical and emotional charge. The cover itself is a veil: a naked figure partly obscured, with the title’s two kanji—赤 (red) and 穴 (hole)—cut directly into the surface like wounds or apertures.\u003c\/p\u003e\n\u003cp data-end=\"1535\" data-start=\"1126\"\u003eThis Japanese edition stands out for its production: heavy matte paper, rich inks, and the precise violence of the die-cut jacket. Signed by d’Agata in Arles, the book carries the trace of one of contemporary photography’s most transgressive presences. At Darwin, \u003cem data-end=\"1399\" data-start=\"1390\"\u003eAka Ana\u003c\/em\u003e is held as a core work in the photobook canon of embodied experience and radical exposure—where sex is no longer subject but condition.\u003c\/p\u003e\n\u003cp data-end=\"1556\" data-start=\"1537\"\u003e\u003cstrong data-end=\"1556\" data-start=\"1537\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1955\" data-start=\"1558\"\u003eTitle: 赤穴 (Aka Ana)\u003cbr data-end=\"1580\" data-start=\"1577\"\u003eArtist \/ Author: Antoine d’Agata\u003cbr data-end=\"1615\" data-start=\"1612\"\u003eDate: 2017\u003cbr data-end=\"1628\" data-start=\"1625\"\u003eTechnique \/ Printing Method: Offset printing, die-cut cover\u003cbr data-end=\"1690\" data-start=\"1687\"\u003eMedium \/ Materials: Hardcover with printed dust jacket\u003cbr data-end=\"1747\" data-start=\"1744\"\u003eDimensions: approx. 22 × 28 cm\u003cbr data-end=\"1780\" data-start=\"1777\"\u003eLanguage: Japanese, English, French\u003cbr data-end=\"1818\" data-start=\"1815\"\u003ePages: Unpaginated\u003cbr data-end=\"1839\" data-start=\"1836\"\u003ePublisher \/ Editor: Akaaka Art Publishing\u003cbr data-end=\"1883\" data-start=\"1880\"\u003eISBN: 978-4-86541-079-0\u003cbr data-end=\"1909\" data-start=\"1906\"\u003eSigned: Yes (signed in Arles)\u003cbr data-end=\"1941\" data-start=\"1938\"\u003eCondition: MINT\u003c\/p\u003e","brand":"AKAAKA","offers":[{"title":"Default Title","offer_id":51777089831250,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_90e2f80b-f9c0-4c85-b11a-ebfc8a1873f9.jpg?v=1768063361"},{"product_id":"antoine-d-agata-amp-francis-bacon-2020","title":"Francis Bacon \/ Antoine d’Agata — Antoine d’Agata (signed)","description":"\u003cp data-end=\"288\" data-start=\"91\"\u003e \u003c\/p\u003e\n\u003cp\u003eThis double-volume publication by Antoine d’Agata, published by The Eyes in 2020, is part of the Darwin Bookshop because it stages a visceral encounter between two artists who work the body into a site of rupture, obsession and metaphysical unease. Bound in black covers with bold red titling—one volume bearing d’Agata’s name, the other Bacon’s—the set is a dark duet of violence and intimacy, painting and photography, flesh and shadow.\u003c\/p\u003e\n\u003cp data-start=\"562\" data-end=\"1103\"\u003eD’Agata’s photographs push the edge of visibility: blurred, overexposed, limbs contorted mid-act, his subjects half-submerged in narcotic or erotic delirium. The camera becomes an extension of the body, implicating both author and viewer in acts that reject moral clarity. Printed on dense Munken Lynx paper, these images are paired against works by Francis Bacon, reproduced from the ISC Modern Art Gallery, that echo with similar convulsions—painted torsos split by mirrors, human forms crumpling into furniture, desire rendered grotesque.\u003c\/p\u003e\n\u003cp data-start=\"1105\" data-end=\"1467\"\u003eThis second edition also includes essays by Bruno Sabatier, Perrine Le Querrec and Léa Bismuth, who reflect on the links between these two visual vocabularies of pain. It is a rare editorial pairing, not just comparative but dialogic. D’Agata does not interpret Bacon—he inhabits him, pushing photography to match the painter’s capacity for existential violence.\u003c\/p\u003e\n\u003cp data-start=\"1469\" data-end=\"1488\"\u003e\u003cstrong data-start=\"1469\" data-end=\"1488\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1490\" data-end=\"1529\"\u003eTitle\u003cbr data-start=\"1495\" data-end=\"1498\"\u003eFrancis Bacon \/ Antoine d’Agata\u003c\/p\u003e\n\u003cp data-start=\"1531\" data-end=\"1564\"\u003eArtist \/ Author\u003cbr data-start=\"1546\" data-end=\"1549\"\u003eAntoine d’Agata\u003c\/p\u003e\n\u003cp data-start=\"1566\" data-end=\"1599\"\u003eDate\u003cbr data-start=\"1570\" data-end=\"1573\"\u003e2020 (second edition 2021)\u003c\/p\u003e\n\u003cp data-start=\"1601\" data-end=\"1646\"\u003eTechnique \/ Printing Method\u003cbr data-start=\"1628\" data-end=\"1631\"\u003eOffset printing\u003c\/p\u003e\n\u003cp data-start=\"1648\" data-end=\"1713\"\u003eMedium \/ Materials\u003cbr data-start=\"1666\" data-end=\"1669\"\u003eSoftcover, two-volume set housed in slipcase\u003c\/p\u003e\n\u003cp data-start=\"1715\" data-end=\"1739\"\u003eEdition\u003cbr data-start=\"1722\" data-end=\"1725\"\u003eSecond edition\u003c\/p\u003e\n\u003cp data-start=\"1741\" data-end=\"1785\"\u003eSigned\u003cbr data-start=\"1747\" data-end=\"1750\"\u003eYes (signed by d’Agata, dated 2021)\u003c\/p\u003e\n\u003cp data-start=\"1787\" data-end=\"1835\"\u003eDimensions (cm)\u003cbr data-start=\"1802\" data-end=\"1805\"\u003eEach volume approx. 24 x 17 cm\u003c\/p\u003e\n\u003cp data-start=\"1837\" data-end=\"1854\"\u003eLanguage\u003cbr data-start=\"1845\" data-end=\"1848\"\u003eFrench\u003c\/p\u003e\n\u003cp data-start=\"1856\" data-end=\"1900\"\u003ePages\u003cbr data-start=\"1861\" data-end=\"1864\"\u003eNot stated (approx. 100+ per volume)\u003c\/p\u003e\n\u003cp data-start=\"1902\" data-end=\"1942\"\u003ePublisher \/ Editor\u003cbr data-start=\"1920\" data-end=\"1923\"\u003eThe Eyes Publishing\u003c\/p\u003e\n\u003cp data-start=\"1944\" data-end=\"1968\"\u003eISBN\u003cbr data-start=\"1948\" data-end=\"1951\"\u003e979-10-92727-42-5\u003c\/p\u003e\n\u003cp data-start=\"1970\" data-end=\"1985\"\u003eCondition\u003cbr data-start=\"1979\" data-end=\"1982\"\u003eNew\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51777162346834,"sku":null,"price":180.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_2_95dd4294-39b2-4d9e-9e1c-da97a9db5801.jpg?v=1768211063"},{"product_id":"antonio-saura-kafka-lithograph-no-271-300","title":"Franz Kafka’s Tagebücher — Saura  1988","description":"\u003cp\u003eThis lithograph is one of 69 works created by Antonio Saura in response to Franz Kafka’s \u003cem data-end=\"209\" data-start=\"197\"\u003eTagebücher\u003c\/em\u003e (\u003cem data-end=\"220\" data-start=\"211\"\u003eDiaries\u003c\/em\u003e), published in 1988 as a limited artist's book. Printed on fine \u003cem data-end=\"306\" data-start=\"285\"\u003epapier vélin Bütten\u003c\/em\u003e, the image is part of a visual diary where Saura confronts Kafka’s interior world—translating dread, delirium, and bodily disintegration into graphic form.\u003c\/p\u003e\n\u003cp data-end=\"984\" data-start=\"464\"\u003eThe composition is sprawling and almost anatomical: limbs, breasts, and faces twist violently into each other, rendered in airbrush-like shadows and urgent black line. A female nude is flattened, pierced by expressive stroke—less a figure than a vessel of anxiety. There is both play and punishment in the way Saura draws here: embracing the grotesque, but with a controlled rhythm. The image splits down the fold of the page, reinforcing its origin in book form—meant to be turned, not framed; lived with, not isolated.\u003c\/p\u003e\n\u003cp data-end=\"1322\" data-start=\"986\"\u003eSaura’s engagement with Kafka was not literal, but psychic. This is Kafka’s diary not as narrative, but as nightmare: the artist tapping into an abyss of guilt, repression, absurdity and flesh. The result is one of the most ambitious graphic cycles of the postwar era—less an illustration than a confrontation between two haunted minds.\u003c\/p\u003e\n\u003cp data-end=\"1646\" data-start=\"1324\"\u003e\u003cstrong data-end=\"1343\" data-start=\"1324\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-end=\"1346\" data-start=\"1343\"\u003eTitle: 69 works, Franz Kafka, Tagebücher\u003cbr data-end=\"1389\" data-start=\"1386\"\u003eArtist \/ Author: Antonio Saura\u003cbr data-end=\"1422\" data-start=\"1419\"\u003eDate: 1988\u003cbr data-end=\"1435\" data-start=\"1432\"\u003eTechnique \/ Printing Method: Lithograph\u003cbr data-end=\"1477\" data-start=\"1474\"\u003eMedium \/ Materials: Ink on Bütten paper\u003cbr data-end=\"1519\" data-start=\"1516\"\u003eDimensions (cm): 33.5 × 25 × 4.5 cm (volume)\u003cbr data-end=\"1566\" data-start=\"1563\"\u003ePublisher \/ Editor: (Not specified — edition from 1988)\u003cbr data-end=\"1624\" data-start=\"1621\"\u003eCondition: Excellent\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51777167196498,"sku":null,"price":130.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/Screenshot2026-01-14at22.29.54_1.jpg?v=1768427286"},{"product_id":"bomba-mga-litrato-ni-brian-sergio","title":"BOMBA —  photographic zine by Brian Sergio","description":"\u003cp\u003e\u003cspan\u003ePublished in December 2015 by the independent Mazinger Zine, BOMBA is a photographic zine by Filipino photographer Brian Sergio, known for his unflinching gaze and street-level approach to documentary. The title—Bomba, a colloquial Filipino term for softcore erotic cinema—sets the tone for a publication that flirts with transgression, vulnerability, and performative sexuality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eShot in stark black-and-white and printed on uncoated stock, the images are charged with a raw immediacy: young women pose in cramped interiors, gazes defiant or distant, their bodies lit by the dull glow of domestic neon. Sergio’s camera doesn’t glamorize—it documents. The scenes suggest both agency and constraint, echoing a socio-political backdrop of marginal economies and informal glamour.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Photographic Zine\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: BOMBA — Mga Litrato ni Brian Sergio\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Brian Sergio\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: December 2015\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Photocopy-style digital printing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Uncoated paper, saddle-stitched\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: Likely small-run independent edition (undisclosed)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: No\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: Approx. 28 x 21.5 cm (A4)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: English \/ Filipino\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages: Unnumbered (estimated ~24)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: Mazinger Zine\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Good (slight oxidation on edges visible)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51882987782482,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/BARCELO_d1d0632a-7262-48c4-b5f5-13c9f0919543.jpg?v=1768034082"},{"product_id":"big-nudes-myster-91-helmut-newton-for-conde-nast-italia","title":"Big Nudes — Helmut Newton 1991 poster set","description":"\u003cp\u003e\u003cspan\u003eA rare \u003cmeta charset=\"utf-8\"\u003eHelmut Newton twelve-sheet large 82 × 56 posters set, drawn from his seminal Big Nudes series and published in Italy as a 1991 supplement to Myster magazine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEach poster — printed in dramatic black and white on glossy paper, designed as loose sheets (a fogli sciolti), inviting the viewer to display, archive, or frame them individually.\u003c\/p\u003e\n\u003cp\u003e The photographs are unmistakably Newton: women posed with a mix of classical stillness and electric autonomy, gazes unflinching, bodies monumental, often shot in stark studio light or minimalist architectural settings. The calendar format becomes irrelevant — what remains is a curated gallery of Newtonian archetypes.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis edition belongs to a key moment in European print culture, when erotic photography met high fashion and entered the living room or atelier as visual manifesto. Its Condé Nast provenance anchors it within an editorial legacy, yet the format — grand, tactile, cinematic — asserts it as a collectable art object. At Darwin, we honour it not as ephemera, but as a testament to a photographer who turned the nude into both spectacle and statement.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Twelve-sheet large poster set\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: Big Nudes — Myster ’91\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Helmut Newton\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 1990 (for 1991 release)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset lithography\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Glossy poster paper, loose sheets\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: Supplement to Myster No. 3 (Condé Nast Italia)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: No\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: Unframed (loose sheets)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: Each sheet approx. 82 × 56 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: Italian (cover text)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Very good vintage condition; light edge wear and handling marks\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51889411588434,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_dcf08ac1-9c46-4bb6-8f63-b499545f3f2c.jpg?v=1768033798"},{"product_id":"le-voyage-amoureux-beautes-orientales-ouled-nails-courtisanes-1870-1960","title":"Le Voyage amoureux – Nicole Canet, Galerie Au Bonheur du Jour, 2010","description":"\u003cp data-start=\"170\" data-end=\"684\"\u003eA rare visual archive of intimacy and survival across the Maghreb and the Orient. Drawing from photographs dating 1870–1960, this volume assembles studio portraits and documentary images of courtesans, dancers and prostitutes, tracing a parallel social history often excluded from official narratives. Published in a limited edition of 1,000 copies, it brings together 300 photographs with texts by Étienne Cance and Nicole Canet, forming a substantial 328-page study of desire, colonial fantasy and female agency.\u003c\/p\u003e\n\u003cp data-start=\"686\" data-end=\"1039\"\u003eTechnical Sheet\u003cbr data-start=\"701\" data-end=\"704\"\u003eTitle: Le Voyage amoureux\u003cbr data-start=\"729\" data-end=\"732\"\u003eArtist \/ Author: Nicole Canet\u003cbr data-start=\"761\" data-end=\"764\"\u003eDate: 2010\u003cbr data-start=\"774\" data-end=\"777\"\u003eEdition: Limited edition of 1,000 copies\u003cbr data-start=\"817\" data-end=\"820\"\u003eMedium \/ Materials: Hardcover book\u003cbr data-start=\"854\" data-end=\"857\"\u003eDimensions (cm): 21 × 27 cm\u003cbr data-start=\"884\" data-end=\"887\"\u003ePages: 328 pages, 300 photographs\u003cbr data-start=\"920\" data-end=\"923\"\u003eLanguage: French\u003cbr data-start=\"939\" data-end=\"942\"\u003ePublisher \/ Editor: Galerie Au Bonheur du Jour\u003cbr data-start=\"988\" data-end=\"991\"\u003eISBN: 978-2-9532351-1-1\u003cbr data-start=\"1014\" data-end=\"1017\"\u003eCondition: Very good\u003c\/p\u003e\n\u003cp data-start=\"1041\" data-end=\"1247\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51955400638802,"sku":null,"price":75.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_7.jpg?v=1768030712"},{"product_id":"maisons-closes-nicole-canet","title":"Maisons Closes – Nicole Canet, Galerie Au Bonheur du Jour, 2021","description":"\u003cp data-start=\"166\" data-end=\"679\"\u003eA dense visual history of brothels and their representations from 1860 to 1946. Moving across paintings, photographs and drawings, this 480-page volume reconstructs the closed world of regulated prostitution in France through 327 illustrations and archival material. Published in a numbered edition of 800 copies, with texts by Florent Paudeleux and Nicole Canet, it combines scholarly precision with the eye of a collector, mapping interiors, rituals and coded economies before their legal disappearance in 1946.\u003c\/p\u003e\n\u003cp data-start=\"681\" data-end=\"1070\"\u003eTechnical Sheet\u003cbr data-start=\"696\" data-end=\"699\"\u003eTitle: Maisons Closes\u003cbr data-start=\"720\" data-end=\"723\"\u003eArtist \/ Author: Nicole Canet\u003cbr data-start=\"752\" data-end=\"755\"\u003eDate: 2021\u003cbr data-start=\"765\" data-end=\"768\"\u003eEdition: Limited edition of 800 numbered copies\u003cbr data-start=\"815\" data-end=\"818\"\u003eMedium \/ Materials: Hardcover book\u003cbr data-start=\"852\" data-end=\"855\"\u003eDimensions (cm): 21 × 27 cm\u003cbr data-start=\"882\" data-end=\"885\"\u003ePages: 480 pages, 327 illustrations\u003cbr data-start=\"920\" data-end=\"923\"\u003eLanguage: French (English translation included)\u003cbr data-start=\"970\" data-end=\"973\"\u003ePublisher \/ Editor: Galerie Au Bonheur du Jour\u003cbr data-start=\"1019\" data-end=\"1022\"\u003eISBN: 979-10-93837-08-6\u003cbr data-start=\"1045\" data-end=\"1048\"\u003eCondition: Very good\u003c\/p\u003e\n\u003cp data-start=\"1072\" data-end=\"1248\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51956954759506,"sku":null,"price":92.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_3.jpg?v=1768030334"},{"product_id":"anticorps-antoine-d-agata","title":"ANTICORPS — Antoine d’Agata, ATELIER EXB 2013","description":"\u003cp data-start=\"126\" data-end=\"537\"\u003e\u003cem data-start=\"326\" data-end=\"337\"\u003eAnticorps\u003c\/em\u003e spans twelve years of d’Agata’s life and work, a descent into the underside of desire, addiction, and nocturnal survival, where the camera serves as both weapon and witness. It is a book that bleeds.\u003c\/p\u003e\n\u003cp data-start=\"539\" data-end=\"1028\"\u003ePhotographed in motel rooms, brothels, crack dens and the blurred peripheries of cities, \u003cem data-start=\"628\" data-end=\"639\"\u003eAnticorps\u003c\/em\u003e resists clarity in both form and content. Images collapse into grain, blur, overexposure, flesh and shadow—where the body appears less as a subject than as a battleground. D’Agata’s visual language, influenced by Araki, Moriyama, and the radical fringe of Magnum (of which he is a member), refuses distance or detachment. These are not portraits, they are invasions—of self and of others.\u003c\/p\u003e\n\u003cp data-start=\"1030\" data-end=\"1460\"\u003eThe black cover gives nothing away. Inside, more than 700 pages of photographs and texts explode across the senses: diaristic, confrontational, at times violently intimate. It’s a work of photographic excess—ambitious, exhausting, and ethically uncomfortable. This is not a book that flatters the eye; it implicates the viewer, pulling them into a world where language and image begin to fail under the weight of lived experience.\u003c\/p\u003e\n\u003cp data-start=\"1462\" data-end=\"1694\"\u003e\u003cem data-start=\"1462\" data-end=\"1473\"\u003eAnticorps\u003c\/em\u003e remains one of the most important photobooks of the 21st century—an artefact of radical subjectivity and physical exposure, a book that belongs in the archive not for what it shows, but for what it dares to live through.\u003c\/p\u003e\n\u003cp data-start=\"1696\" data-end=\"2037\"\u003e\u003cstrong data-start=\"1696\" data-end=\"1715\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1715\" data-end=\"1718\"\u003eTitle: Anticorps\u003cbr data-start=\"1734\" data-end=\"1737\"\u003eArtist \/ Author: Antoine d’Agata\u003cbr data-start=\"1769\" data-end=\"1772\"\u003eDate: 2013\u003cbr data-start=\"1782\" data-end=\"1785\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1829\" data-end=\"1832\"\u003eMedium \/ Materials: Hardcover photobook\u003cbr data-start=\"1871\" data-end=\"1874\"\u003eDimensions (cm): approx. 24 × 32 cm\u003cbr data-start=\"1909\" data-end=\"1912\"\u003eLanguage: French\u003cbr data-start=\"1928\" data-end=\"1931\"\u003ePages: 728\u003cbr data-start=\"1941\" data-end=\"1944\"\u003ePublisher \/ Editor: Éditions Xavier Barral\u003cbr data-start=\"1986\" data-end=\"1989\"\u003eISBN: 978-2-36511-003-7\u003cbr data-start=\"2012\" data-end=\"2015\"\u003eCondition: Gently used\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52467238633810,"sku":null,"price":250.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/bookcover.jpg?v=1768302630"},{"product_id":"xx-x-antonioni-120x160-copy","title":"Le Démon des Femmes (1968) — Novak \/ Aldrich — French Poster 120x160","description":"\u003cp data-start=\"123\" data-end=\"519\"\u003eThis original French cinema poster for \u003cem data-start=\"162\" data-end=\"183\"\u003eLe Démon des Femmes\u003c\/em\u003e, printed for the film’s 1968 release in France, captures the fevered eroticism and pulp melodrama of Robert Aldrich’s American psychodrama \u003cem data-start=\"323\" data-end=\"350\"\u003eThe Legend of Lylah Clare\u003c\/em\u003e. Designed in the standard grande affiche format (120 x 160 cm), this is a preserved piece of cinematic advertising, folded as originally distributed to French theatres.\u003c\/p\u003e\n\u003cp data-start=\"521\" data-end=\"1128\"\u003eThe visual treatment is pure provocation: a sensuous, airbrushed illustration of Kim Novak, all tousled peroxide and parted lips, rendered in painterly tones of peach, crimson, and aqua. It’s both lurid and poised — the aesthetic of vintage exploitation elevated by scale and bold graphic control. This image doesn’t just sell a film; it performs it, staging the mythic persona of the self-destructive starlet at the centre of Aldrich’s film. The French retitling — \u003cem data-start=\"987\" data-end=\"1008\"\u003eLe Démon des Femmes\u003c\/em\u003e — reframes the narrative in sharper psychological terms, suggesting possession, danger, and seduction in equal measure.\u003c\/p\u003e\n\u003cp data-start=\"1130\" data-end=\"1309\"\u003eA textbook example of late-60s poster art at the intersection of eroticism, trauma and myth, and a perfect document of how American cinema was reimagined in French cultural space.\u003c\/p\u003e\n\u003cp data-start=\"1311\" data-end=\"1330\"\u003e\u003cstrong data-start=\"1311\" data-end=\"1330\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1332\" data-end=\"1358\"\u003eTitle: Le Démon des Femmes\u003c\/p\u003e\n\u003cp data-start=\"1360\" data-end=\"1402\"\u003eArtist \/ Author: Robert Aldrich (director)\u003c\/p\u003e\n\u003cp data-start=\"1404\" data-end=\"1414\"\u003eDate: 1968\u003c\/p\u003e\n\u003cp data-start=\"1416\" data-end=\"1462\"\u003eTechnique \/ Printing Method: Offset lithograph\u003c\/p\u003e\n\u003cp data-start=\"1464\" data-end=\"1513\"\u003eMedium \/ Materials: Folded cinema poster on paper\u003c\/p\u003e\n\u003cp data-start=\"1515\" data-end=\"1541\"\u003eDimensions (cm): 120 x 160\u003c\/p\u003e\n\u003cp data-start=\"1543\" data-end=\"1559\"\u003eLanguage: French\u003c\/p\u003e\n\u003cp data-start=\"1561\" data-end=\"1616\"\u003eCondition: Vintage, original folds, otherwise excellent\u003c\/p\u003e\n\u003cp data-start=\"1618\" data-end=\"1676\"\u003ePublisher \/ Editor: MGM \/ Metrocolor (France distribution)\u003c\/p\u003e\n\u003cp data-start=\"1678\" data-end=\"1727\"\u003ePrinted in France for the 1968 theatrical release\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52472715116882,"sku":null,"price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/postersetup_2.jpg?v=1768336248"},{"product_id":"xx-x-antonioni-120x160-copy-1","title":"Le Mépris (1963)— Bardot \/ Godard \/ Bleu blessé — FRENCH POSTER 120x160","description":"\u003cp data-start=\"110\" data-end=\"486\"\u003eThis original French cinema poster for \u003cem data-start=\"149\" data-end=\"160\"\u003eLe Mépris\u003c\/em\u003e, printed for the film’s 1963 theatrical release, is a defining artefact of Nouvelle Vague iconography. Measuring 120 x 160 cm, in the standard grande affiche format, the poster arrives folded as originally distributed to cinemas — its creases tracing the path of a film that has become a touchstone of modern European cinema.\u003c\/p\u003e\n\u003cp data-start=\"488\" data-end=\"967\"\u003eJean-Luc Godard’s adaptation of Alberto Moravia’s novel is a study in disintegration — of love, authorship, cinema itself — and this poster crystallises that fracture in a stark palette of bruised blue and overlaid photomontage. Brigitte Bardot appears twice: once nude, soft and aloof; once coldly clothed, turning away, unreachably distant. Michel Piccoli in a hat, Fritz Lang at a distance, the film set within the image — all the parts of the production turned into symbols.\u003c\/p\u003e\n\u003cp data-start=\"969\" data-end=\"1208\"\u003eEverything here is surface and sign, which is exactly what \u003cem data-start=\"1028\" data-end=\"1039\"\u003eLe Mépris\u003c\/em\u003e was about. This isn’t just a poster, it’s a mise en abyme: a poster about a film about the impossibility of films, presented as a piece of immaculate commercial design.\u003c\/p\u003e\n\u003cp data-start=\"1210\" data-end=\"1229\"\u003e\u003cstrong data-start=\"1210\" data-end=\"1229\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1231\" data-end=\"1247\"\u003eTitle: Le Mépris\u003c\/p\u003e\n\u003cp data-start=\"1249\" data-end=\"1292\"\u003eArtist \/ Author: Jean-Luc Godard (director)\u003c\/p\u003e\n\u003cp data-start=\"1294\" data-end=\"1304\"\u003eDate: 1963\u003c\/p\u003e\n\u003cp data-start=\"1306\" data-end=\"1352\"\u003eTechnique \/ Printing Method: Offset lithograph\u003c\/p\u003e\n\u003cp data-start=\"1354\" data-end=\"1403\"\u003eMedium \/ Materials: Folded cinema poster on paper\u003c\/p\u003e\n\u003cp data-start=\"1405\" data-end=\"1431\"\u003eDimensions (cm): 120 x 160\u003c\/p\u003e\n\u003cp data-start=\"1433\" data-end=\"1449\"\u003eLanguage: French\u003c\/p\u003e\n\u003cp data-start=\"1451\" data-end=\"1506\"\u003eCondition: Vintage, original folds, otherwise excellent\u003c\/p\u003e\n\u003cp data-start=\"1508\" data-end=\"1555\"\u003ePublisher \/ Editor: Forum (France distribution)\u003c\/p\u003e\n\u003cp data-start=\"1557\" data-end=\"1606\"\u003ePrinted in France for the 1963 theatrical release\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52472729698642,"sku":null,"price":250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/postersetup_3.jpg?v=1768336833"},{"product_id":"polart-nobuyoshi-araki-red-hot-copy","title":"Tokyo Lucky Hole — Araki’s Black Hole of Desire","description":"\u003cp data-start=\"120\" data-end=\"728\"\u003eThis photobook by Nobuyoshi Araki, published by Taschen in 2016 as part of its Bibliotheca Universalis series, is part of the Darwin Bookshop because its an affordable classic that documents one of the most unflinching erotic photo-series of the late 20th century — a visual record of Tokyo’s sex industry at its most intimate, raw, and performative. Originally shot in the early 1980s and first compiled in 1997, \u003cem data-start=\"506\" data-end=\"524\"\u003eTokyo Lucky Hole\u003c\/em\u003e explores the underground sex clubs of Shinjuku through Araki’s stark monochrome lens, in a moment just before Japan’s sexual libertinism was clamped down by shifting laws and a rising conservative tide.\u003c\/p\u003e\n\u003cp data-start=\"730\" data-end=\"1558\"\u003eAraki's project — both diaristic and documentary — slips through the porous line between pornography and photography. Working with full consent from his subjects, he captures not only acts but atmospheres: private encounters in love hotels, mirrored rooms, red lanterns, the codes of costume and submission, the architecture of arousal. Each frame, whether tender or lurid, participates in his signature obsessive project — eroticism as a theatre of life and death. With text contributions by Akira Suei and Akiyoshi Yasumi, this is not just a record of bodies but of a vanishing world, a pre-AIDS, pre-digital, hyper-local scene of commodified desire. Taschen’s compact edition preserves the entire series with careful reproduction, placing one of Araki’s most infamous works back into circulation — unsoftened and unsanitised.\u003c\/p\u003e\n\u003cp data-start=\"1560\" data-end=\"1579\"\u003e\u003cstrong data-start=\"1560\" data-end=\"1579\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1581\" data-end=\"1890\"\u003eTitle: Tokyo Lucky Hole\u003cbr data-start=\"1604\" data-end=\"1607\"\u003eArtist \/ Author: Nobuyoshi Araki\u003cbr data-start=\"1639\" data-end=\"1642\"\u003eDate: 2016 (original edition 1997)\u003cbr data-start=\"1676\" data-end=\"1679\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1723\" data-end=\"1726\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"1755\" data-end=\"1758\"\u003eDimensions: 14 x 19.5 cm\u003cbr data-start=\"1782\" data-end=\"1785\" data-is-only-node=\"\"\u003eLanguage: English\u003cbr data-start=\"1802\" data-end=\"1805\"\u003ePages: 512\u003cbr data-start=\"1815\" data-end=\"1818\"\u003ePublisher \/ Editor: Taschen\u003cbr data-start=\"1845\" data-end=\"1848\"\u003eISBN: 978-3-8365-5638-5\u003cbr data-start=\"1871\" data-end=\"1874\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52474885833042,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_6e5d6669-6136-4d9d-92c7-ef4561079e01.jpg?v=1768378135"},{"product_id":"tokyo-lucky-hole-araki-s-black-hole-of-desire-copy","title":"Bondage — Araki","description":"\u003cp data-start=\"112\" data-end=\"687\"\u003eThis photobook by Nobuyoshi Araki, \u003cem data-start=\"147\" data-end=\"156\"\u003eBondage\u003c\/em\u003e, published by Taschen stages the erotic and psychological rituals of kinbaku — Japanese rope bondage — as a formal and obsessive art. First captured in Araki’s lens in the 1980s and returning here in bold colour, the suspended and constrained female body becomes a tableau: not of violence, but of choreography, costume, and control. In Araki’s world, bondage is not simply restraint — it is expression, aestheticised suffering, a language of touch that binds photography to performance.\u003c\/p\u003e\n\u003cp data-start=\"689\" data-end=\"1202\"\u003eShot in traditional tatami rooms, the photographs feature women posed in shibari configurations, suspended in mid-air or splayed against sliding paper screens. Their faces remain composed, their bodies taut, set within lushly constructed interiors that echo Edo-era erotic woodblocks. The juxtaposition of kimono, rope, and gaze builds a highly coded image-world — theatrical, intimate, surreal. In the corner, Araki's familiar plastic dinosaur appears, a strange toy to rupture the otherwise sacred erotic scene.\u003c\/p\u003e\n\u003cp data-start=\"1204\" data-end=\"1538\"\u003eThis large-format edition reproduces the images at full scale, allowing their graphic intensity and compositional precision to unfold across every page. For those interested in the visual logic of power and the performance of sexuality in Japanese visual culture, \u003cem data-start=\"1468\" data-end=\"1477\"\u003eBondage\u003c\/em\u003e remains one of Araki’s most provocative and enduring series.\u003c\/p\u003e\n\u003cp data-start=\"1540\" data-end=\"1559\"\u003e\u003cstrong data-start=\"1540\" data-end=\"1559\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1561\" data-end=\"1866\"\u003eTitle: Bondage\u003cbr data-start=\"1575\" data-end=\"1578\"\u003eArtist \/ Author: Nobuyoshi Araki\u003cbr data-start=\"1610\" data-end=\"1613\"\u003eDate: 2024\u003cbr data-start=\"1648\" data-end=\"1651\"\u003eTechnique \/ Printing Method: Colour offset printing\u003cbr data-start=\"1702\" data-end=\"1705\"\u003eMedium \/ Materials: Hardcover with cloth spine\u003cbr data-start=\"1751\" data-end=\"1754\"\u003eDimensions: 26.5 x 33 cm\u003cbr data-start=\"1778\" data-end=\"1781\"\u003ePages: 288\u003cbr data-start=\"1791\" data-end=\"1794\"\u003ePublisher \/ Editor: Taschen\u003cbr data-start=\"1821\" data-end=\"1824\"\u003eISBN: 978-3-8365-7741-0\u003cbr data-start=\"1847\" data-end=\"1850\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52474894287186,"sku":null,"price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_3b0c9cd5-9124-49da-a6c8-17b9bf426775.jpg?v=1768378479"},{"product_id":"the-big-book-of-pussy-a-graphic-anatomy-of-desire","title":"The Big Book of Pussy — A Graphic Anatomy of Desire","description":"\u003cp data-start=\"124\" data-end=\"613\"\u003eThis book by Dian Hanson, published by Taschen, combines pornography, cultural history, and visual anthropology in one deliberately provocative volume. \u003cem data-start=\"318\" data-end=\"341\"\u003eThe Big Book of Pussy\u003c\/em\u003e is both a celebration and confrontation — a sprawling photographic compendium of the vulva across decades, genres, and styles. Playful and explicit, absurd and earnest, the book stands at the intersection of erotic image-making and the graphic body in contemporary media.\u003c\/p\u003e\n\u003cp data-start=\"615\" data-end=\"1138\"\u003eHanson’s editorial project is not just about sexual representation, but about visual taxonomy. Images range from vintage pin-up spreads to hardcore studio shots, from naturalistic portraits to surreal set-ups involving costumes, hair, props, and humour. The female body becomes a contested and performative surface — documented, exaggerated, adorned, and exposed. Laced throughout are essays and interviews that trace how the depiction of female genitalia has been shaped by censorship, taste, power, and commercial desire.\u003c\/p\u003e\n\u003cp data-start=\"1140\" data-end=\"1440\"\u003ePresented in a large square format, the book’s sheer scale adds to its confrontation — it’s not a private object but a visual slab, intended for display and debate. Whether viewed as kitsch erotica, sex-positive manifesto, or media critique, this volume is unapologetically explicit and iconoclastic.\u003c\/p\u003e\n\u003cp data-start=\"1442\" data-end=\"1461\"\u003e\u003cstrong data-start=\"1442\" data-end=\"1461\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1463\" data-end=\"1785\"\u003eTitle: The Big Book of Pussy\u003cbr data-start=\"1491\" data-end=\"1494\"\u003eArtist \/ Author: Dian Hanson\u003cbr data-start=\"1522\" data-end=\"1525\"\u003eDate: n.d.\u003cbr data-start=\"1535\" data-end=\"1538\"\u003eTechnique \/ Printing Method: Colour offset printing\u003cbr data-start=\"1589\" data-end=\"1592\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"1621\" data-end=\"1624\"\u003eDimensions: 30 x 30 cm\u003cbr data-start=\"1646\" data-end=\"1649\"\u003ePages: 368\u003cbr data-start=\"1659\" data-end=\"1662\"\u003ePublisher \/ Editor: Taschen\u003cbr data-start=\"1689\" data-end=\"1692\"\u003eISBN: 978-3-8365-2182-6\u003cbr data-start=\"1715\" data-end=\"1718\"\u003eLanguage: Multilingual (English, French, German)\u003cbr data-start=\"1766\" data-end=\"1769\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52475044266322,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_2c56e376-15ae-4c95-b147-de83fd8b8ec1.jpg?v=1768379678"},{"product_id":"helmut-newton-legacy","title":"Helmut Newton — Legacy","description":"\u003cp data-start=\"131\" data-end=\"648\"\u003eThis photobook, \u003cem data-start=\"147\" data-end=\"170\"\u003eHelmut Newton: Legacy\u003c\/em\u003e, published by Taschen, distills the uncompromising visual language of one of the most controversial and influential photographers of the 20th century. Compiled in collaboration with the Helmut Newton Foundation, the book spans five decades of work — from Newton’s polished studio nudes to his brash fashion editorials and cinematic street portraits — revealing how his gaze shaped the erotic and aesthetic codes of modern image-making.\u003c\/p\u003e\n\u003cp data-start=\"650\" data-end=\"1186\"\u003eNewton’s photography is built on tension: between control and abandon, glamour and threat, intimacy and spectacle. He made women monumental, often armed with cigarettes, stilettos, or unapologetic stares. Whether shooting for \u003cem data-start=\"876\" data-end=\"883\"\u003eVogue\u003c\/em\u003e or on the streets of Monte Carlo, he turned the female figure into a sculptural, dangerous force — eroticised but never decorative. This legacy volume showcases iconic spreads alongside lesser-known works, forming a retrospective that is as much about image-making as it is about power and performance.\u003c\/p\u003e\n\u003cp data-start=\"1188\" data-end=\"1432\"\u003eDesigned at a scale befitting Newton’s bold compositions, the book immerses the reader in his fiercely stylised world. It’s not just a tribute, but a provocation — a reminder that photography can still unsettle, seduce, and challenge the frame.\u003c\/p\u003e\n\u003cp data-start=\"1434\" data-end=\"1453\"\u003e\u003cstrong data-start=\"1434\" data-end=\"1453\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1455\" data-end=\"1799\"\u003eTitle: Helmut Newton: Legacy\u003cbr data-start=\"1483\" data-end=\"1486\"\u003eArtist \/ Author: Helmut Newton\u003cbr data-start=\"1516\" data-end=\"1519\"\u003eDate: n.d.\u003cbr data-start=\"1529\" data-end=\"1532\"\u003eTechnique \/ Printing Method: Black-and-white and colour offset printing\u003cbr data-start=\"1603\" data-end=\"1606\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"1635\" data-end=\"1638\"\u003eDimensions: 24 x 34 cm\u003cbr data-start=\"1660\" data-end=\"1663\"\u003ePages: 424\u003cbr data-start=\"1673\" data-end=\"1676\"\u003ePublisher \/ Editor: Taschen\u003cbr data-start=\"1703\" data-end=\"1706\"\u003eISBN: 978-3-8365-8458-6\u003cbr data-start=\"1729\" data-end=\"1732\"\u003eLanguage: Multilingual (English, French, German)\u003cbr data-start=\"1780\" data-end=\"1783\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52475071758674,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_0f44b14c-b3f1-462a-8fc3-e1a811fad79b.jpg?v=1768380302"},{"product_id":"helmut-newton-legacy-copy","title":"SUMO — The Monument to Newton’s Gaze","description":"\u003cp data-start=\"109\" data-end=\"678\"\u003eThis book, \u003cem data-start=\"120\" data-end=\"141\"\u003eHelmut Newton: SUMO\u003c\/em\u003e, published by Taschen in a 20th anniversary edition remains one of the most audacious acts in photobook publishing — not only in scale, but in cultural intent. First conceived in 1999 as a museum-sized monograph, \u003cem data-start=\"398\" data-end=\"404\"\u003eSUMO\u003c\/em\u003e was Newton’s final provocation: a retrospective of his own career printed so large it needed its own custom stand. This edition, revised by June Newton, preserves the ambition and excess of the original while making it accessible to those without a reinforced coffee table.\u003c\/p\u003e\n\u003cp data-start=\"680\" data-end=\"1331\"\u003eInside are 464 pages of Newton’s iconic photographs — black-and-white nudes, power-dressed Amazons, haute couture erotica, portraits of celebrities and socialites rendered with the same unsparing eye. The scale is more than a gimmick; it reveals the formal muscle of Newton’s compositions. Every frame is a confrontation. The cover image — woman standing nude, defiant and square to the camera — becomes a thesis: this is not about nudity, it’s about stance, about what a photograph dares to show. \u003cem data-start=\"1178\" data-end=\"1184\"\u003eSUMO\u003c\/em\u003e is not simply a book of photography, but a visual autobiography and a monument to Newton’s legacy — sharp, stylised, unapologetically voyeuristic.\u003c\/p\u003e\n\u003cp data-start=\"1333\" data-end=\"1352\"\u003e\u003cstrong data-start=\"1333\" data-end=\"1352\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1354\" data-end=\"1734\"\u003eTitle: Helmut Newton: SUMO\u003cbr data-start=\"1380\" data-end=\"1383\"\u003eArtist \/ Author: Helmut Newton\u003cbr data-start=\"1413\" data-end=\"1416\"\u003eDate: 20th Anniversary Edition \u003cbr data-start=\"1462\" data-end=\"1465\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1509\" data-end=\"1512\"\u003eMedium \/ Materials: Hardcover with booklet in slipcase\u003cbr data-start=\"1566\" data-end=\"1569\"\u003eDimensions: 26.7 x 37.4 cm\u003cbr data-start=\"1595\" data-end=\"1598\" data-is-only-node=\"\"\u003ePages: 464\u003cbr data-start=\"1608\" data-end=\"1611\"\u003ePublisher \/ Editor: Taschen\u003cbr data-start=\"1638\" data-end=\"1641\"\u003eISBN: 978-3-8365-7819-6\u003cbr data-start=\"1664\" data-end=\"1667\"\u003eLanguage: Multilingual (English, French, German)\u003cbr data-start=\"1715\" data-end=\"1718\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52475072151890,"sku":null,"price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_ad837a38-0f6b-4f37-8636-14d56250594e.jpg?v=1768380723"},{"product_id":"cult-of-boys-androgyny-intimacy-icon","title":"Cult of Boys — Androgyny, Intimacy, Icon","description":"\u003cp data-start=\"113\" data-end=\"576\"\u003eThis photobook by Toyin Ibidapo, \u003cem data-start=\"146\" data-end=\"160\"\u003eCult of Boys\u003c\/em\u003e, published by teNeues in 2011, is part of the Darwin Bookshop because it distills a particular vision of masculinity rarely seen in contemporary portraiture — intimate, androgynous, and unguarded. Ibidapo’s lens focuses on a generation of boys not yet hardened by performance. Many are musicians, artists, drifters, dressed in eyeliner or nothing at all, their gaze fixed somewhere between seduction and fragility.\u003c\/p\u003e\n\u003cp data-start=\"578\" data-end=\"1099\"\u003eThe work evokes the spirit of youth scenes — glam, punk, indie — but subtracts the noise, the pose, the stage. What remains is a quiet eroticism: boys as muse, as self-invention, as archetype. Tim Walker’s foreword situates the book in the lineage of subcultural glamour, but it’s Ibidapo’s own photographic language — soft grain, bare skin, shadows like fabric — that builds its world. \u003cem data-start=\"965\" data-end=\"979\"\u003eCult of Boys\u003c\/em\u003e belongs in the archive as a visual thesis on the shifting codes of gender, beauty, and style in the early 21st century.\u003c\/p\u003e\n\u003cp data-start=\"1101\" data-end=\"1120\"\u003e\u003cstrong data-start=\"1101\" data-end=\"1120\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1122\" data-end=\"1466\"\u003eTitle: Cult of Boys\u003cbr data-start=\"1141\" data-end=\"1144\"\u003eArtist \/ Author: Toyin Ibidapo\u003cbr data-start=\"1174\" data-end=\"1177\"\u003eForeword: Tim Walker\u003cbr data-start=\"1197\" data-end=\"1200\"\u003eDate: 2011\u003cbr data-start=\"1210\" data-end=\"1213\"\u003eTechnique \/ Printing Method: Colour offset printing\u003cbr data-start=\"1264\" data-end=\"1267\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"1296\" data-end=\"1299\" data-is-only-node=\"\"\u003eDimensions: Approx. 25 x 32 cm\u003cbr data-start=\"1329\" data-end=\"1332\"\u003ePages: Unspecified\u003cbr data-start=\"1350\" data-end=\"1353\"\u003ePublisher \/ Editor: teNeues Verlag GmbH + Co. KG\u003cbr data-start=\"1401\" data-end=\"1404\"\u003eISBN: 978-3-8327-9531-3\u003cbr data-start=\"1427\" data-end=\"1430\"\u003eLanguage: English\u003cbr data-start=\"1447\" data-end=\"1450\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52475598078290,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_c4200294-c252-463e-b599-ea013e9c2239.jpg?v=1768387351"},{"product_id":"osmosis-alvin-booth-2006","title":"Osmosis — Alvin Booth, 2006","description":"\u003cp data-start=\"96\" data-end=\"487\"\u003eAlvin Booth’s \u003cem data-start=\"110\" data-end=\"119\"\u003eOsmosis\u003c\/em\u003e, published in 2006 by Galerie Vevais, is a quietly carnal meditation on transformation, fluidity, and the body’s spectral potential. Printed with an almost alchemical sepia tonality, the book conjures an eroticism that is less explicit than osmotic — images of limbs, hair, skin, and breath blur into one another, merging anatomical fact with dream-state suggestion.\u003c\/p\u003e\n\u003cp data-start=\"489\" data-end=\"886\"\u003eBooth, trained in both prosthetics and photography, stages bodies not just as subjects but as mutable vessels. His figures often appear submerged, suspended, or merging with natural forms: bone becomes petal, tendon becomes fibre, hair becomes cloud. The softcover book has the feel of an artefact — textured, grainy, and intimate — suggesting a tactile proximity to the very surfaces it depicts.\u003c\/p\u003e\n\u003cp data-start=\"888\" data-end=\"1257\"\u003e\u003cem data-start=\"888\" data-end=\"897\"\u003eOsmosis\u003c\/em\u003e resists categorisation: it is neither pure photobook nor fetish object, but something in between, closer perhaps to a ritual manual for corporeal awareness. It belongs to a lineage of works that include Hans Bellmer’s anatomical deliriums and Francesca Woodman’s disappearing acts — but Booth’s voice is calmer, more speculative, more about touch than trauma.\u003c\/p\u003e\n\u003cp data-start=\"1259\" data-end=\"1629\"\u003e\u003cstrong data-start=\"1259\" data-end=\"1268\"\u003eTitle\u003c\/strong\u003e: Osmosis\u003cbr data-start=\"1277\" data-end=\"1280\"\u003e\u003cstrong data-start=\"1280\" data-end=\"1299\"\u003eArtist \/ Author\u003c\/strong\u003e: Alvin Booth\u003cbr data-start=\"1312\" data-end=\"1315\"\u003e\u003cstrong data-start=\"1315\" data-end=\"1323\"\u003eDate\u003c\/strong\u003e: 2006\u003cbr data-start=\"1329\" data-end=\"1332\"\u003e\u003cstrong data-start=\"1332\" data-end=\"1363\"\u003eTechnique \/ Printing Method\u003c\/strong\u003e: Photogravure reproduction\u003cbr data-start=\"1390\" data-end=\"1393\"\u003e\u003cstrong data-start=\"1393\" data-end=\"1415\" data-is-only-node=\"\"\u003eMedium \/ Materials\u003c\/strong\u003e: Softcover\u003cbr data-start=\"1426\" data-end=\"1429\"\u003e\u003cstrong data-start=\"1429\" data-end=\"1448\"\u003eDimensions (cm)\u003c\/strong\u003e: approx. 16 x 25 cm\u003cbr data-start=\"1468\" data-end=\"1471\"\u003e\u003cstrong data-start=\"1471\" data-end=\"1491\"\u003eLanguage (books)\u003c\/strong\u003e: English\u003cbr data-start=\"1500\" data-end=\"1503\"\u003e\u003cstrong data-start=\"1503\" data-end=\"1520\"\u003ePages (books)\u003c\/strong\u003e: Unstated\u003cbr data-start=\"1530\" data-end=\"1533\"\u003e\u003cstrong data-start=\"1533\" data-end=\"1563\"\u003ePublisher \/ Editor (books)\u003c\/strong\u003e: Galerie Vevais \/ Editor: Alexander Scholz\u003cbr data-start=\"1606\" data-end=\"1609\"\u003e\u003cstrong data-start=\"1609\" data-end=\"1622\"\u003eCondition\u003c\/strong\u003e: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52483751117138,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_0bbfec9d-068f-431a-8868-1492d22eb3b1.jpg?v=1768468057"},{"product_id":"love-on-the-left-bank-ed-van-der-elsken-2011","title":"Love on the Left Bank — Ed van der Elsken (2011)","description":"\u003cp data-start=\"348\" data-end=\"864\"\u003eThis facsimile of Ed van der Elsken’s \u003cem data-start=\"386\" data-end=\"409\"\u003eLove on the Left Bank\u003c\/em\u003e resurrects one of the most cinematic and mythic photo-narratives of postwar Europe. First published in 1956, the book fuses photojournalism, pulp fiction, and romantic myth in a noir-styled portrait of bohemian life in Paris’s Saint-Germain-des-Prés. Structured as a semi-fictional diary, it follows the story of Ann, a drifting dancer loosely based on real-life muse Vali Myers, moving through cafés, cellars, and beds with opiated languor and defiance.\u003c\/p\u003e\n\u003cp data-start=\"866\" data-end=\"1476\"\u003eVan der Elsken’s images—gritty, soft, louche—capture a generation between despair and desire, in a city still dusting itself off from war. What makes the book endure is its blend of theatricality and reportage: staged yet alive, scripted yet accidental. His street photography doesn’t just record; it invents a world where rebellion, beauty and ruin fold into each other. A direct ancestor of later European work by Anders Petersen or Christer Strömholm, and a spiritual sibling to Araki’s fictioned diaries, \u003cem data-start=\"1375\" data-end=\"1398\"\u003eLove on the Left Bank\u003c\/em\u003e still feels startlingly contemporary in its intimacy and constructed realism.\u003c\/p\u003e\n\u003cp data-start=\"1478\" data-end=\"1758\"\u003eThis 2011 reprint, produced with the involvement of the Nederlands Fotoarchief and Anneke van der Elsken, stays faithful to the 1956 original in layout and tone. With 200 duotone photographs and design by Jurriaan Schrofer, it remains a cornerstone of narrative photobook history.\u003c\/p\u003e\n\u003cp data-start=\"1760\" data-end=\"2193\"\u003e\u003cstrong data-start=\"1760\" data-end=\"1769\"\u003eTitle\u003c\/strong\u003e: Love on the Left Bank\u003cbr data-start=\"1792\" data-end=\"1795\"\u003e\u003cstrong data-start=\"1795\" data-end=\"1814\"\u003eArtist \/ Author\u003c\/strong\u003e: Ed van der Elsken\u003cbr data-start=\"1833\" data-end=\"1836\"\u003e\u003cstrong data-start=\"1836\" data-end=\"1844\"\u003eDate\u003c\/strong\u003e: Original 1956, this facsimile edition reprinted 2011 (first facsimile 1999)\u003cbr data-start=\"1921\" data-end=\"1924\"\u003e\u003cstrong data-start=\"1924\" data-end=\"1955\"\u003eTechnique \/ Printing Method\u003c\/strong\u003e: Duotone reproduction\u003cbr data-start=\"1977\" data-end=\"1980\"\u003e\u003cstrong data-start=\"1980\" data-end=\"2002\"\u003eMedium \/ Materials\u003c\/strong\u003e: Softcover book\u003cbr data-start=\"2018\" data-end=\"2021\"\u003e\u003cstrong data-start=\"2021\" data-end=\"2040\" data-is-only-node=\"\"\u003eDimensions (cm)\u003c\/strong\u003e: 27.5 x 19.5\u003cbr data-start=\"2053\" data-end=\"2056\"\u003e\u003cstrong data-start=\"2056\" data-end=\"2068\"\u003eLanguage\u003c\/strong\u003e: English\u003cbr data-start=\"2077\" data-end=\"2080\"\u003e\u003cstrong data-start=\"2080\" data-end=\"2089\"\u003ePages\u003c\/strong\u003e: 112\u003cbr data-start=\"2094\" data-end=\"2097\"\u003e\u003cstrong data-start=\"2097\" data-end=\"2119\"\u003ePublisher \/ Editor\u003c\/strong\u003e: Dewi Lewis Publishing\u003cbr data-start=\"2142\" data-end=\"2145\"\u003e\u003cstrong data-start=\"2145\" data-end=\"2153\"\u003eISBN\u003c\/strong\u003e: 978-1-899235-22-3\u003cbr data-start=\"2172\" data-end=\"2175\"\u003e\u003cstrong data-start=\"2175\" data-end=\"2188\"\u003eCondition\u003c\/strong\u003e: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52484766826834,"sku":null,"price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_c6d92ffd-4294-4ea0-b1cb-125325e0391e.jpg?v=1768481757"},{"product_id":"mexico-1986-2016-antoine-d-agata","title":"Codex. México 1986–2016 — Antoine d’Agata,  Editorial RM, 2017","description":"\u003cp data-start=\"153\" data-end=\"754\"\u003eA relentless visual diary shaped over three decades, this book pushes documentary photography to its limits. Built from repeated journeys through Mexico, it merges still images, fragments and text into a fractured narrative of violence, desire and dislocation. Structured in six movements, it mirrors a slow descent—both personal and collective—where the photographer’s presence becomes inseparable from the world he records. In dialogue with figures like \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eTina Modotti\u003c\/span\u003e\u003c\/span\u003e and \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eHenri Cartier-Bresson\u003c\/span\u003e\u003c\/span\u003e, it radically destabilizes the ethics and language of witnessing.\u003c\/p\u003e\n\u003cp data-start=\"756\" data-end=\"1072\"\u003e\u003cstrong data-start=\"756\" data-end=\"775\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"775\" data-end=\"778\"\u003eTitle: Codex. México 1986–2016\u003cbr data-start=\"843\" data-end=\"846\"\u003eDate: 2017\u003cbr data-start=\"856\" data-end=\"859\"\u003eEdition: Collector’s Edition, signed\u003cbr data-start=\"895\" data-end=\"898\"\u003eMedium \/ Materials: Photobook, softcover\u003cbr data-start=\"938\" data-end=\"941\"\u003eDimensions (cm): 21.5 x 32\u003cbr data-start=\"967\" data-end=\"970\"\u003ePages: 228\u003cbr data-start=\"980\" data-end=\"983\"\u003eLanguage: English \/ Spanish \/ French\u003cbr data-start=\"1019\" data-end=\"1022\"\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52561576624466,"sku":null,"price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_a830d179-9320-40a9-902c-23fd893e072c.jpg?v=1778138831"},{"product_id":"modoru-okinawa-keizo-kitajima-first-edition-2015","title":"Modoru Okinawa — Keizo Kitajima (First edition, 2015)","description":"\u003cp data-start=\"122\" data-end=\"593\"\u003eBetween 1975 and the early 1980s, Keizo Kitajima turned his lens on Koza City, Okinawa — a site charged with aftershocks from the Vietnam War and the overwhelming presence of the U.S. military. \u003cem data-start=\"316\" data-end=\"332\"\u003eModoru Okinawa\u003c\/em\u003e, published in 2015 in a limited edition of 1000 copies, gathers this vital and volatile body of work. The book is a deep dive into a momentary cultural rupture, where Japanese and African-American subcultures collided in the chaotic, euphoric aftermath of war.\u003c\/p\u003e\n\u003cp data-start=\"595\" data-end=\"1092\"\u003eShot in coarse, high-flash duotones and tritones, Kitajima’s images explode with gesture and shadow: nightlife, bodies, encounters, collapsed boundaries. Koza becomes a stage for a raucous performance of occupation, influence, identity and desire. There's no nostalgia here — only a raw, unfiltered clarity. Kitajima’s eye is not sentimental but surgical, committed to photography as an act of estrangement. His visual language pushes past appearance and into something more unstable, more urgent.\u003c\/p\u003e\n\u003cp data-start=\"1094\" data-end=\"1495\"\u003ePrinted on matte Gardapat with a black cloth spine, this volume is a tactile object as much as a photographic one — designed with the same stark intensity as its images. \u003cem data-start=\"1264\" data-end=\"1280\"\u003eModoru Okinawa\u003c\/em\u003e is a necessary entry in the Darwin catalogue, resonating alongside Tomatsu’s and Moriyama’s views of postwar Japan, but carrying its own brutal rhythm — one of shock, seduction and the flicker of cultural collapse.\u003c\/p\u003e\n\u003cp data-start=\"1497\" data-end=\"1516\"\u003e\u003cstrong data-start=\"1497\" data-end=\"1516\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1518\" data-end=\"1916\"\u003eTitle: Modoru Okinawa\u003cbr data-start=\"1539\" data-end=\"1542\"\u003eArtist \/ Author: Keizo Kitajima\u003cbr data-start=\"1573\" data-end=\"1576\"\u003eDate: 2015\u003cbr data-start=\"1586\" data-end=\"1589\"\u003eTechnique \/ Printing Method: Duotone and Tritone\u003cbr data-start=\"1637\" data-end=\"1640\"\u003eMedium \/ Materials: Hardcover, black cloth backstrip, sewn binding\u003cbr data-start=\"1706\" data-end=\"1709\"\u003eEdition: First edition, numbered 478\/1000\u003cbr data-start=\"1750\" data-end=\"1753\"\u003eSigned: No\u003cbr data-start=\"1763\" data-end=\"1766\"\u003eDimensions (cm): 24 x 17.5 cm\u003cbr data-start=\"1795\" data-end=\"1798\"\u003eLanguage: Japanese \/ English\u003cbr data-start=\"1826\" data-end=\"1829\"\u003ePages: 136\u003cbr data-start=\"1839\" data-end=\"1842\"\u003ePublisher \/ Editor: Gomma Books Ltd.\u003cbr data-start=\"1878\" data-end=\"1881\"\u003eISBN: Not stated\u003cbr data-start=\"1897\" data-end=\"1900\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52562012176722,"sku":null,"price":120.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_3.jpg?v=1769359678"},{"product_id":"写狂人色日記-shakyojin-iro-nikki-by-nobuyoshi-araki-1992-first-edition","title":"写狂人色日記 \/ Shakyōjin Iro Nikki by Nobuyoshi Araki, 1992 first edition","description":"\u003cp data-start=\"136\" data-end=\"600\"\u003eOne of Nobuyoshi Araki’s most visually frenetic and typographically riotous photobooks, \u003cem data-start=\"224\" data-end=\"245\"\u003eShakyōjin Iro Nikki\u003c\/em\u003e (写狂人色日記) translates roughly to \u003cem data-start=\"277\" data-end=\"312\"\u003eThe Erotic Diary of a Photomaniac\u003c\/em\u003e—a self-declared fever dream of images, desire, and diaristic overload. Published in 1992 at the height of Araki’s cult notoriety, the book is a chromatic, handwritten, hand-marked torrent of collaged photographs and daily obsessions, printed in full-bleed across vivid, chaotic spreads.\u003c\/p\u003e\n\u003cp data-start=\"602\" data-end=\"1035\"\u003eThe cover alone—a blaring orange field scrawled with calligraphic ink, brushstrokes, and a bold ‘92—sets the tone for what’s inside: an unfiltered transmission from Araki’s compulsive eye, fusing eroticism, street snapshots, food, women, dolls, skies, and self-portraits into a singular visual syntax. Each page functions as a kind of performative act, as though Araki were trying to capture every fleeting moment before it vanishes.\u003c\/p\u003e\n\u003cp data-start=\"1037\" data-end=\"1498\"\u003eUnlike the controlled violence of \u003cem data-start=\"1071\" data-end=\"1092\"\u003eSentimental Journey\u003c\/em\u003e or the sorrowful beauty of \u003cem data-start=\"1120\" data-end=\"1136\"\u003eWinter Journey\u003c\/em\u003e, here the register is almost manic—Araki as mad monk of the Tokyo everyday. The book’s design amplifies this instability: marker annotations, brush calligraphy, pasted elements and scribbles turn the photobook into a hyperactive personal zine at scale. It belongs in the Darwin archive as a maximalist Araki object—messy, excessive, urgent, and defiantly alive.\u003c\/p\u003e\n\u003cp data-start=\"1500\" data-end=\"1836\"\u003eTechnical Sheet\u003cbr data-start=\"1515\" data-end=\"1518\"\u003eTitle: 写狂人色日記 (Shakyōjin Iro Nikki)\u003cbr data-start=\"1553\" data-end=\"1556\"\u003eArtist \/ Author: Nobuyoshi Araki\u003cbr data-start=\"1588\" data-end=\"1591\"\u003eDate: 1992\u003cbr data-start=\"1601\" data-end=\"1604\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1639\" data-end=\"1642\"\u003eMedium \/ Materials: Hardcover with dust jacket\u003cbr data-start=\"1688\" data-end=\"1691\"\u003eDimensions (cm): approx. 21 × 30\u003cbr data-start=\"1723\" data-end=\"1726\"\u003eLanguage: Japanese\u003cbr data-start=\"1744\" data-end=\"1747\"\u003ePublisher \/ Editor: Switch Corporation\u003cbr data-start=\"1785\" data-end=\"1788\"\u003eCondition: Very good with original dust jacket\u003c\/p\u003e\n\u003cp data-start=\"1839\" data-end=\"1897\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52565296742738,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_3_74cb0df2-3d6c-4c83-ba67-e35c6d0df7c1.jpg?v=1769423892"},{"product_id":"badafoto-by-daisuke-ichiba-2012","title":"Badafoto by Daisuke Ichiba, 2012","description":"\u003cp data-start=\"101\" data-end=\"592\"\u003eA cult object from the darkest fringes of Tokyo’s underground art scene, \u003cem data-start=\"174\" data-end=\"184\"\u003eBadafoto\u003c\/em\u003e is a manic, fluorescent collision of photography, drawing, and grotesque figuration by Daisuke Ichiba—Japan’s high priest of \"Badaism.\" Published in 2012 by French experimental press Le Dernier Cri, this slim, feral book fuses photocopied snapshots with hand-drawn violence, erotic hysteria, and surreal body horror, continuing Ichiba’s self-mythologised obsession with mothers, virgins, and psychic trauma.\u003c\/p\u003e\n\u003cp data-start=\"594\" data-end=\"1095\"\u003eEmerging from the same post-Dada anti-art lineage as Kei Nemoto, but with far less engagement in Japan’s mainstream or commercial circuits, Ichiba’s work has taken root more forcefully in Europe, where it is revered for its rawness and refusal of form. His world is populated by convulsive archetypes—naked boys, screaming women, maternal icons—rendered in ink, grain, and xerox flare. \u003cem data-start=\"980\" data-end=\"990\"\u003eBadafoto\u003c\/em\u003e may masquerade as a photobook, but it behaves more like a ritual: each page a spell, each image a wound.\u003c\/p\u003e\n\u003cp data-start=\"1097\" data-end=\"1490\"\u003eIchiba began self-publishing zines in the early 1990s, drawing from his own biography and a commitment to nonconformity. \u003cem data-start=\"1218\" data-end=\"1228\"\u003eBadafoto\u003c\/em\u003e is among the most distilled expressions of that ethos: screaming bodies, acidic overprint, zero compromise. In the Darwin archive, it sits as both artifact and warning—proof of what happens when photography and drawing are left to rot in a locked room together.\u003c\/p\u003e\n\u003cp data-start=\"1492\" data-end=\"1798\"\u003eTechnical Sheet\u003cbr data-start=\"1507\" data-end=\"1510\"\u003eTitle: Badafoto\u003cbr data-start=\"1525\" data-end=\"1528\"\u003eArtist \/ Author: Daisuke Ichiba\u003cbr data-start=\"1559\" data-end=\"1562\"\u003eDate: 2012\u003cbr data-start=\"1572\" data-end=\"1575\"\u003eTechnique \/ Printing Method: Offset \/ silkscreen hybrid\u003cbr data-start=\"1630\" data-end=\"1633\"\u003eMedium \/ Materials: Softcover, saddle-stitched\u003cbr data-start=\"1679\" data-end=\"1682\"\u003eDimensions (cm): 21 × 15\u003cbr data-start=\"1706\" data-end=\"1709\"\u003eLanguage: Japanese \/ French\u003cbr data-start=\"1736\" data-end=\"1739\"\u003ePublisher \/ Editor: Le Dernier Cri\u003cbr data-start=\"1773\" data-end=\"1776\"\u003eCondition: Very good\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52566104768850,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_8.jpg?v=1769425553"},{"product_id":"marvelous-tales-of-black-ink-by-nobuyoshi-araki-2014-edition-of-1000","title":"Marvelous Tales of Black Ink by Nobuyoshi Araki, 2014 edition of 1000","description":"\u003cp data-start=\"138\" data-end=\"570\"\u003e\u003cem data-start=\"138\" data-end=\"168\"\u003eMarvelous Tales of Black Ink\u003c\/em\u003e is a rare, late-period meditation by Nobuyoshi Araki—less scandalous, more elemental. Published in 2014 by MÖREL in a limited edition of 1000, the book presents a sequence of brush drawings that merge calligraphy, eroticism, and mourning into a haunted graphic language. Here, Araki abandons the camera for ink, using sumi to gesture toward his own mortality, loss, and obsession with the female form.\u003c\/p\u003e\n\u003cp data-start=\"572\" data-end=\"987\"\u003eThe drawings are immediate and fluid—women’s bodies collapse into brushstrokes, genitals dissolve into gesture, and black pools of ink seem to hover between orgasm and elegy. These are not illustrations or studies, but ritual marks: a mourning process on paper, rendered with Araki’s unmistakable emotional voltage. The artist’s wife Yoko had died decades earlier, and the specter of absence runs through each page.\u003c\/p\u003e\n\u003cp data-start=\"989\" data-end=\"1282\"\u003eAccompanied by a brief text from Simon Baker and published in London with support from Imitate Modern, the book feels like a quiet howl—elegant, confrontational, and deeply personal. In Darwin’s archive, this is a vital Araki object: post-photographic, ritualistic, and ink-black with feeling.\u003c\/p\u003e\n\u003cp data-start=\"1284\" data-end=\"1657\"\u003eTechnical Sheet\u003cbr data-start=\"1299\" data-end=\"1302\"\u003eTitle: Marvelous Tales of Black Ink\u003cbr data-start=\"1337\" data-end=\"1340\"\u003eArtist \/ Author: Nobuyoshi Araki\u003cbr data-start=\"1372\" data-end=\"1375\"\u003eDate: 2014\u003cbr data-start=\"1385\" data-end=\"1388\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1423\" data-end=\"1426\"\u003eMedium \/ Materials: Softcover with dust jacket\u003cbr data-start=\"1472\" data-end=\"1475\"\u003eDimensions (cm): approx. 21 × 26\u003cbr data-start=\"1507\" data-end=\"1510\"\u003eLanguage: English\u003cbr data-start=\"1527\" data-end=\"1530\"\u003ePages: Not stated\u003cbr data-start=\"1547\" data-end=\"1550\"\u003ePublisher \/ Editor: MÖREL, London\u003cbr data-start=\"1583\" data-end=\"1586\"\u003eISBN: 978-1-907071-44-7\u003cbr data-start=\"1609\" data-end=\"1612\"\u003eEdition: 1000 copies\u003cbr data-start=\"1632\" data-end=\"1635\"\u003eCondition: Near fine\u003c\/p\u003e\n\u003cp data-start=\"1660\" data-end=\"1718\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52566576955730,"sku":null,"price":190.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_2_acb1470e-9e8b-4b35-a93c-29415a9d3515.jpg?v=1769430883"},{"product_id":"sentimental-journey-by-nobuyoshi-araki-2016-reprint-edition","title":"Sentimental Journey by Nobuyoshi Araki, 2016 reprint edition","description":"\u003cp data-start=\"129\" data-end=\"688\"\u003eOriginally self-published in 1971 and reissued here in facsimile by Kawade Shobo Shinsha in 2016, \u003cem data-start=\"227\" data-end=\"248\"\u003eSentimental Journey\u003c\/em\u003e is Nobuyoshi Araki’s foundational work—a raw, intimate, and now-legendary photo diary of his honeymoon with his wife Yoko. Shot over five days in the early months of their marriage, the book documents everything: their hotel room, train rides, meals, sex, boredom, tenderness. The photographs are small, grainy, and direct—bound together by a radical, confessional sincerity that shaped Japanese photographic culture for decades to follow.\u003c\/p\u003e\n\u003cp data-start=\"690\" data-end=\"1158\"\u003eUnlike Araki’s later work, where eroticism often turns theatrical or provocative, \u003cem data-start=\"772\" data-end=\"793\"\u003eSentimental Journey\u003c\/em\u003e is restrained and emotionally naked. The photographs feel like they were made not to be seen, but to be kept—as if the viewer is trespassing gently on a private world. It is not just a love story, but the beginning of a lifelong photographic mourning, one that would echo painfully in his later book \u003cem data-start=\"1094\" data-end=\"1132\"\u003eSentimental Journey \/ Winter Journey\u003c\/em\u003e, made after Yoko’s death.\u003c\/p\u003e\n\u003cp data-start=\"1160\" data-end=\"1443\"\u003eThis 2016 edition replicates the original format with high fidelity, down to the kraft paper cover and the sequence of 108 images. In the Darwin archive, \u003cem data-start=\"1314\" data-end=\"1335\"\u003eSentimental Journey\u003c\/em\u003e stands as a primary document of 20th-century Japanese photography—quiet, vulnerable, and unshakably honest.\u003c\/p\u003e\n\u003cp data-start=\"1445\" data-end=\"1784\"\u003eTechnical Sheet\u003cbr data-start=\"1460\" data-end=\"1463\"\u003eTitle: Sentimental Journey\u003cbr data-start=\"1489\" data-end=\"1492\"\u003eArtist \/ Author: Nobuyoshi Araki\u003cbr data-start=\"1524\" data-end=\"1527\"\u003eDate: 2016 (originally 1971)\u003cbr data-start=\"1555\" data-end=\"1558\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1593\" data-end=\"1596\"\u003eMedium \/ Materials: Softcover with obi strip\u003cbr data-start=\"1640\" data-end=\"1643\"\u003eDimensions (cm): approx. 21 × 18\u003cbr data-start=\"1675\" data-end=\"1678\"\u003eLanguage: Japanese\u003cbr data-start=\"1696\" data-end=\"1699\"\u003ePages: 108 images\u003cbr data-start=\"1716\" data-end=\"1719\"\u003ePublisher \/ Editor: Kawade Shobo Shinsha\u003cbr data-start=\"1759\" data-end=\"1762\"\u003eCondition: Near fine\u003c\/p\u003e\n\u003cp data-start=\"1787\" data-end=\"1845\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52566718284114,"sku":null,"price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_5_ca77c830-3d52-49a3-af20-b7a53fec481f.jpg?v=1769432739"},{"product_id":"原色の街-primary-color-streets-nobuyoshi-araki","title":"原色の街 (Primary Color Streets) — Nobuyoshi Araki","description":"\u003cp data-start=\"115\" data-end=\"1231\"\u003eA rare 1980s photobook by Nobuyoshi Araki, \u003cem data-start=\"158\" data-end=\"177\"\u003eGenshoku no Machi\u003c\/em\u003e captures Osaka in the heat and neon of summer, rendered in dense, saturated chromes. Commissioned during the peak of his commercial and diaristic output, Araki’s images here combine street photography with erotic fiction, pairing lurid downtown tableaux with a text that blurs confession and pulp. The dust jacket design—white-on-white emboss over a filmstrip of garish signage and half-shadowed pedestrians—stages the tension perfectly: this is a city both brightly lit and opaque, erotic and mundane. In Araki’s hands, colour is never neutral. His Kodachrome palette turns the banal spectacle of Dōtonbori into something mythic and carnivalesque, vibrating with a hormonal charge. This is the same Araki of \u003cem data-start=\"887\" data-end=\"905\"\u003eTokyo Lucky Hole\u003c\/em\u003e, but looser, more playful—interested less in staging than in immersion, letting the city speak through the flash of its lights and bodies. A time capsule of 1980s Kansai decadence, and a crucial precursor to later street colourists like Daido Moriyama and Anders Petersen, who also worked the line between lust and reportage.\u003c\/p\u003e\n\u003cp data-start=\"1233\" data-end=\"1619\"\u003e\u003cstrong data-start=\"1233\" data-end=\"1252\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1252\" data-end=\"1255\"\u003eTitle: 原色の街 (Genshoku no Machi \/ Primary Color Streets)\u003cbr data-start=\"1310\" data-end=\"1313\"\u003eArtist \/ Author: Nobuyoshi Araki\u003cbr data-start=\"1345\" data-end=\"1348\"\u003eDate: 1986\u003cbr data-start=\"1358\" data-end=\"1361\" data-is-only-node=\"\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1396\" data-end=\"1399\"\u003eMedium \/ Materials: Softcover with dust jacket and obi\u003cbr data-start=\"1453\" data-end=\"1456\"\u003eDimensions (cm): 18 × 25.7\u003cbr data-start=\"1482\" data-end=\"1485\"\u003eLanguage: Japanese\u003cbr data-start=\"1503\" data-end=\"1506\"\u003ePages: 108\u003cbr data-start=\"1516\" data-end=\"1519\"\u003ePublisher \/ Editor: Shinchosha\u003cbr data-start=\"1549\" data-end=\"1552\"\u003eISBN: 4-10-380004-6\u003cbr data-start=\"1571\" data-end=\"1574\"\u003eCondition: Very good with light wear to edges\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52576464437586,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_2_a75c23ca-5936-4179-81a9-8907f97397a7.jpg?v=1769546759"},{"product_id":"包茎亭日乗-hokeitei-nichijo-nobuyoshi-araki-1994","title":"包茎亭日乗 (Hōkeitei Nichijō) — Nobuyoshi Araki, 1994","description":"\u003cp data-start=\"1969\" data-end=\"2949\"\u003ePublished in 1994, \u003cem data-start=\"1988\" data-end=\"2006\"\u003eHōkeitei Nichijō\u003c\/em\u003e—literally “Foreskin Pavilion Daily Record”—is Nobuyoshi Araki at his most performative, perverse, and diaristic. The book collects over seven years of monthly photographic columns originally published in the gossip magazine \u003cem data-start=\"2231\" data-end=\"2248\"\u003eUwasa no Shinso\u003c\/em\u003e (1987–1994), fusing erotic snapshots, street images, and handwritten notes into a chaotic personal chronicle. The title is a joke, the pink dust jacket a provocation, and the book itself a theatre of self-exposure. Araki stages himself in word and image as a debauched artist-monk, obsessed with women, sex, grief, and photography. Every page is a collision of truth and invention. The tone—intimate but grotesque, comic but mournful—lays the groundwork for Araki’s later self-mythologizing books. Visually, it mixes raw flash with vernacular kitsch, collapsing high and low into a single erotic-pulp register. A cult object and a crucial index of Araki’s transition from documentarian to self-brand.\u003c\/p\u003e\n\u003cp data-start=\"2951\" data-end=\"3301\"\u003e\u003cstrong data-start=\"2951\" data-end=\"2970\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"2970\" data-end=\"2973\"\u003eTitle: 包茎亭日乗 (Hōkeitei Nichijō)\u003cbr data-start=\"3004\" data-end=\"3007\"\u003eArtist \/ Author: Nobuyoshi Araki\u003cbr data-start=\"3039\" data-end=\"3042\"\u003eDate: 1994\u003cbr data-start=\"3052\" data-end=\"3055\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"3090\" data-end=\"3093\"\u003eMedium \/ Materials: Softcover with dust jacket\u003cbr data-start=\"3139\" data-end=\"3142\"\u003eDimensions (cm): 18.3 × 25.8\u003cbr data-start=\"3170\" data-end=\"3173\"\u003eLanguage: Japanese\u003cbr data-start=\"3191\" data-end=\"3194\"\u003ePages: 263\u003cbr data-start=\"3204\" data-end=\"3207\"\u003ePublisher \/ Editor: East Press\u003cbr data-start=\"3237\" data-end=\"3240\"\u003eISBN: 4-87257-031-6\u003cbr data-start=\"3259\" data-end=\"3262\"\u003eCondition: Very good, minor edge wear\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52576472695122,"sku":null,"price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_4_19555704-2dc1-4985-ba36-3c6cef0cd6a1.jpg?v=1769547235"},{"product_id":"sento-masayuki-yoshinaga-2011-signed","title":"Sento — Masayuki Yoshinaga, 2011, signed","description":"\u003cp data-start=\"109\" data-end=\"986\"\u003eWrapped in pink cloth patterned with cherry blossoms and white rabbits, \u003cem data-start=\"181\" data-end=\"188\"\u003eSento\u003c\/em\u003e is Masayuki Yoshinaga’s tender, voyeuristic homage to the culture of Japanese public bathhouses. Published in 2011 and designed by Satoshi Machiguchi, the book documents not just the sentō as architectural relic, but as a disappearing stage of human intimacy and ritual. Yoshinaga’s photographs render steam, tile, skin and signage with sensuous clarity—each frame an elegy to a space where bodies once met without pretense. Paired with a text by critic Minoru Shimizu, \u003cem data-start=\"659\" data-end=\"666\"\u003eSento\u003c\/em\u003e moves beyond nostalgia to stage a quiet tension between observation and eroticism. The atmosphere is humid, private, and precise. This signed copy—rare in its original bunny-and-sakura furoshiki-style binding—is both a photobook and an object of cultural memory, recording the warmth of spaces now cooling into history.\u003c\/p\u003e\n\u003cp data-start=\"988\" data-end=\"1398\"\u003e\u003cstrong data-start=\"988\" data-end=\"1007\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1007\" data-end=\"1010\"\u003eTitle: Sento\u003cbr data-start=\"1022\" data-end=\"1025\"\u003eArtist \/ Author: Masayuki Yoshinaga\u003cbr data-start=\"1060\" data-end=\"1063\"\u003eAuthor (text): Minoru Shimizu\u003cbr data-start=\"1092\" data-end=\"1095\" data-is-only-node=\"\"\u003eDesign: Satoshi Machiguchi\u003cbr data-start=\"1121\" data-end=\"1124\"\u003eDate: 2011\u003cbr data-start=\"1134\" data-end=\"1137\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1172\" data-end=\"1175\"\u003eMedium \/ Materials: Hardcover, cloth-bound (pink rabbit \u0026amp; sakura pattern)\u003cbr data-start=\"1248\" data-end=\"1251\"\u003eDimensions (cm): 18.7 × 26.4\u003cbr data-start=\"1279\" data-end=\"1282\"\u003eLanguage: Japanese\u003cbr data-start=\"1300\" data-end=\"1303\"\u003ePages: 76\u003cbr data-start=\"1312\" data-end=\"1315\"\u003ePublisher \/ Editor: Tokyo-kirara sha\u003cbr data-start=\"1351\" data-end=\"1354\"\u003eCondition: Very good, signed by the artist\u003c\/p\u003e\n\u003cp data-start=\"1401\" data-end=\"1459\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52576504414546,"sku":null,"price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_503a1cad-25cd-475d-a2da-2498373b7030.jpg?v=1769548590"},{"product_id":"the-park-document-koen-limited-edition-kohei-yoshiyuki","title":"The Park + Document Koen (Limited Edition) — Kohei Yoshiyuki","description":"\u003cp data-start=\"129\" data-end=\"1220\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis is the definitive edition of Kohei Yoshiyuki’s notorious series, pairing the original 1980 \u003cem data-start=\"225\" data-end=\"240\"\u003eDocument Koen\u003c\/em\u003e with \u003cem data-start=\"246\" data-end=\"256\"\u003eThe Park\u003c\/em\u003e, a newly designed facsimile that reopens the archive of one of Japan’s most controversial and cultishly studied photographic works. Shot in the 1970s across Tokyo’s Shinjuku, Yoyogi, and Aoyama parks using 35mm infrared film and flash, Yoshiyuki’s images reveal a hidden nocturnal ecosystem of lovers, voyeurs, and drifting figures of every sexuality and age. The photographer’s presence is never neutral—his camera aligned with those who watched, or sometimes joined, anonymous couplings in the dark. With their stark, raw composition, these photographs occupy a tense space between documentary and transgression, recalling Brassaï’s \u003cem data-start=\"892\" data-end=\"907\"\u003eParis de Nuit\u003c\/em\u003e, Weegee’s flash-lit cinemas, and Sophie Calle’s meditations on looking and being seen. What they ultimately expose is not simply secret behaviour, but the shared complicity of desire. This slipcased edition of 500 includes both the facsimile of \u003cem data-start=\"1153\" data-end=\"1168\"\u003eDocument Koen\u003c\/em\u003e and a new monograph featuring unpublished material and contextual texts, situating Yoshiyuki’s work as a lens on voyeurism, urban anonymity, and the melancholy of surveillance.\u003c\/p\u003e\n\u003cp data-start=\"1222\" data-end=\"1692\"\u003e\u003cstrong data-start=\"1222\" data-end=\"1241\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1241\" data-end=\"1244\"\u003eTitle: The Park + Document Koen (Limited Edition)\u003cbr data-start=\"1293\" data-end=\"1296\"\u003eArtist \/ Author: Kohei Yoshiyuki\u003cbr data-start=\"1328\" data-end=\"1331\"\u003eDate: 2023 (facsimile), originally 1980\u003cbr data-start=\"1370\" data-end=\"1373\" data-is-only-node=\"\"\u003eEdition: 500\u003cbr data-start=\"1385\" data-end=\"1388\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1423\" data-end=\"1426\"\u003eMedium \/ Materials: Hardcover with silver gelatin print reproduction, slipcased box\u003cbr data-start=\"1509\" data-end=\"1512\"\u003eDimensions (cm): 22 × 29\u003cbr data-start=\"1536\" data-end=\"1539\"\u003eLanguage: Japanese, English\u003cbr data-start=\"1566\" data-end=\"1569\"\u003ePages: 112 (The Park), facsimile of original \u003cem data-start=\"1614\" data-end=\"1629\"\u003eDocument Koen\u003c\/em\u003e\u003cbr data-start=\"1629\" data-end=\"1632\"\u003ePublisher \/ Editor: Session Press, Goliga\u003cbr data-start=\"1673\" data-end=\"1676\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52604788441426,"sku":null,"price":325.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_6a575741-1d0f-414f-a256-44a8fce0d530.jpg?v=1769888613"},{"product_id":"kuroyami-sakiko-nomura-signed","title":"黒闇 \/ Kuroyami — Sakiko Nomura 野村佐紀子 — Akio Nagasawa Publishing — 2008","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eDarkness is the real subject here. Moving beyond the male nudes for which Nomura was already known, this large-format book brings together black-and-white nudes, cityscapes, still lifes and previously unpublished everyday observations. Each photograph occupies its own page, allowing bodies and places to emerge slowly from dense blacks and muted greys. Published the same year as \u003cem\u003eNight Flight\u003c\/em\u003e, it distils the nocturnal atmosphere central to Nomura’s work and her distinctive approach to intimacy, shadow and disappearance. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr\u003eTitle: 黒闇 \/ Kuroyami \/ Black Darkness\u003cbr\u003eArtist \/ Author: Sakiko Nomura 野村佐紀子\u003cbr\u003eDate: 2008\u003cbr\u003eEdition: First edition\u003cbr\u003eMedium \/ Materials: Softcover\u003cbr\u003eDimensions: 37.5 × 25.6 cm\u003cbr\u003ePages: 128\u003cbr\u003eLanguage: Japanese\u003cbr\u003ePublisher: Akio Nagasawa Publishing\u003cbr\u003eISBN: 978-4-904883-28-0\u003cbr\u003eCondition: New \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"AKIO NAGASAWA","offers":[{"title":"Default Title","offer_id":52604863283538,"sku":null,"price":59.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_e7d034f0-ff5c-450b-ab44-36c49f1dc24d.jpg?v=1769891058"},{"product_id":"revue-eugenio-recuenco","title":"Revue — Eugenio Recuenco","description":"\u003cp data-end=\"1152\" data-start=\"93\"\u003e\u003cem data-end=\"100\" data-start=\"93\"\u003eRevue\u003c\/em\u003e is Eugenio Recuenco’s grand theatrical volume — a decadent, constructed dreamworld that reads like a surrealist stage production. Known for his elaborately staged fashion editorials, Recuenco here pushes the form into something far more immersive: a visual opera composed of allegory, tableau, and cinematic artifice. Each image is a set-piece, heavy with references to classical painting, totalitarian aesthetics, silent cinema, fairy tale, and political spectacle. Models become characters — queens, soldiers, muses — playing out fractured narratives in meticulously lit environments. What emerges is a surreal, often dark pantomime of power and beauty, with Recuenco operating less as photographer than as director, scenographer, and mythmaker. The production scale is operatic; the tone, baroque; the humour, laced with menace. Published by teNeues in a large, lush format, \u003cem data-end=\"986\" data-start=\"979\"\u003eRevue\u003c\/em\u003e is not just a photobook — it’s a fevered archive of the performative image, revealing how fashion, history, and fantasy collide on the constructed stage of the lens.\u003c\/p\u003e\n\u003cp data-end=\"1548\" data-start=\"1154\"\u003eTechnical Sheet\u003cbr data-end=\"1172\" data-start=\"1169\"\u003eTitle: Revue\u003cbr data-end=\"1187\" data-start=\"1184\"\u003eArtist \/ Author: Eugenio Recuenco\u003cbr data-end=\"1223\" data-start=\"1220\"\u003eDate: 2013\u003cbr data-is-only-node=\"\" data-end=\"1236\" data-start=\"1233\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-end=\"1274\" data-start=\"1271\"\u003eMedium \/ Materials: Hardcover with dust jacket\u003cbr data-end=\"1323\" data-start=\"1320\"\u003eDimensions (cm): Approx. 29 × 38 (unconfirmed)\u003cbr data-end=\"1372\" data-start=\"1369\"\u003eLanguage: Multilingual (English, German, French, Spanish)\u003cbr data-end=\"1432\" data-start=\"1429\"\u003ePages: Approx. 236\u003cbr data-end=\"1453\" data-start=\"1450\"\u003ePublisher \/ Editor: teNeues Publishing Group\u003cbr data-end=\"1500\" data-start=\"1497\"\u003eISBN: 978-3-8327-9728-7\u003cbr data-end=\"1526\" data-start=\"1523\"\u003eCondition: Very good\u003c\/p\u003e\n\u003cp data-end=\"1609\" data-start=\"1551\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52629546041682,"sku":null,"price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_9353e952-b060-45e3-8f0c-347b4669a866.jpg?v=1770189419"},{"product_id":"ukrzaliznytsia-julie-poly","title":"UKRZALIZNYTSIA – Julie Poly","description":"\u003cp data-start=\"364\" data-end=\"846\"\u003eA delirious nocturne aboard Ukraine’s state railway, \u003cem data-start=\"417\" data-end=\"433\"\u003eUKRZALIZNYTSIA\u003c\/em\u003e is Julie Poly’s cult photobook of desire, uniform, and transit, first published in 2019 in a small underground edition. Before becoming an artist, Poly worked as a train attendant herself — a fact that saturates every image with insider precision and intuition. Her camera doesn’t document the railway; it rides it like a fever dream, where erotic charge, fatigue, humour and hierarchy jostle in the corridors.\u003c\/p\u003e\n\u003cp data-start=\"848\" data-end=\"1404\"\u003eThe portraits are sharp and absurd, the mise-en-scène full of Soviet-era patina — metallic walls, peach curtains, mirrored compartments — a visual language Ukrainians often overlook but which, through Poly’s lens, becomes charged with tension and glamour. There is both irony and sincerity here: in the way she poses herself, plays with uniform and identity, and in the haunting presences of young soldiers — barely alert, already braced for a war not yet officially begun. In one frame, they stare past a woman’s presence, dulled by proximity to combat.\u003c\/p\u003e\n\u003cp data-start=\"1406\" data-end=\"1883\"\u003eWhat makes this book singular is its origin: it was not made for export or spectacle. The images were first shown inside railway stations, a gesture of public art that felt embedded in everyday life — and deeply Ukrainian in its humour and resilience. Western-minded, unsentimental, radically situated, \u003cem data-start=\"1709\" data-end=\"1725\"\u003eUKRZALIZNYTSIA\u003c\/em\u003e stands as one of the most potent works of pre-invasion Ukraine: not just a photo-document, but a living record of how a country sees itself, even in transit.\u003c\/p\u003e\n\u003cp data-start=\"1885\" data-end=\"2209\"\u003e\u003cstrong data-start=\"1885\" data-end=\"1904\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1904\" data-end=\"1907\"\u003eTitle: \u003cem data-start=\"1914\" data-end=\"1930\"\u003eUKRZALIZNYTSIA\u003c\/em\u003e\u003cbr data-start=\"1930\" data-end=\"1933\"\u003eArtist \/ Author: Julie Poly\u003cbr data-start=\"1960\" data-end=\"1963\"\u003eDate: 2020\u003cbr data-start=\"1973\" data-end=\"1976\"\u003eTechnique \/ Printing Method: Offset with metallic ink\u003cbr data-start=\"2029\" data-end=\"2032\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"2061\" data-end=\"2064\"\u003eDimensions (cm): Approx. 21 × 28\u003cbr data-start=\"2096\" data-end=\"2099\"\u003eLanguage: Ukrainian, English\u003cbr data-start=\"2127\" data-end=\"2130\"\u003ePages: Unnumbered\u003cbr data-start=\"2147\" data-end=\"2150\"\u003ePublisher \/ Editor: Self-published\u003cbr data-start=\"2184\" data-end=\"2187\"\u003eCondition: Near fine\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52629920153938,"sku":null,"price":100.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_c7a9a0bb-f281-42f1-9d62-9050dc3795dc.jpg?v=1770194320"},{"product_id":"erotica-antonio-saura-2007","title":"Erótica — Antonio Saura, 2007","description":"\u003cp data-end=\"718\" data-start=\"98\"\u003eThis large book gathers Antonio Saura’s private, convulsive, and ink-drenched visions of the erotic body—figures in dissolution, contorted desire rendered in swift black gestures, a universe of limbs and lust abstracted through the nervous edge of a brush. Published in 2007 by Tàché Editor in Barcelona, \u003cem data-end=\"406\" data-start=\"397\"\u003eErótica\u003c\/em\u003e reveals Saura's lifelong engagement with the female form as a psychic terrain of obsession and fracture. His figures—crouched, screaming, headless, defiant—appear in silhouette and stain, stripped of classical contour, more spectre than subject. It is a work of pure compulsion: Eros not as beauty, but rupture.\u003c\/p\u003e\n\u003cp data-end=\"1274\" data-start=\"720\"\u003eBorn of the postwar Spanish avant-garde, Saura rejected realism for a brutal psychological figuration, and in \u003cem data-end=\"1000\" data-start=\"991\"\u003eErótica\u003c\/em\u003e this vision tightens into a dark theatre of gesture, lust, and repetition. \u003c\/p\u003e\n\u003cp data-end=\"1343\" data-start=\"1276\"\u003eA document of painterly libido, blackened with urgency and refusal.\u003c\/p\u003e\n\u003cp data-end=\"1671\" data-start=\"1345\"\u003e\u003cstrong data-end=\"1364\" data-start=\"1345\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-end=\"1367\" data-start=\"1364\"\u003eTitle: Erótica\u003cbr data-end=\"1384\" data-start=\"1381\"\u003eArtist \/ Author: Antonio Saura\u003cbr data-end=\"1417\" data-start=\"1414\"\u003eDate: 2007\u003cbr data-end=\"1430\" data-start=\"1427\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-end=\"1468\" data-start=\"1465\"\u003eMedium \/ Materials: Hardcover with dust jacket\u003cbr data-is-only-node=\"\" data-end=\"1517\" data-start=\"1514\"\u003eDimensions (cm): \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e36 x 29,5 cms \u003c\/span\u003e\u003cbr data-end=\"1552\" data-start=\"1549\"\u003eLanguage: Spanish, English translations included\u003cbr data-end=\"1603\" data-start=\"1600\"\u003ePublisher \/ Editor: Tàché Editor, Barcelona\u003cbr data-end=\"1649\" data-start=\"1646\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52657435378002,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_b2b9d85f-fb39-4a9e-b911-895360dc8dbd.jpg?v=1770545126"},{"product_id":"newton-s-illustrated-nos-1-4-complete-edition-helmut-newton-schirmer-mosel-2000","title":"Newton’s Illustrated Nos. 1–4 (Complete Edition) — Helmut Newton (Schirmer\/Mosel, 2000)","description":"\u003cp data-start=\"156\" data-end=\"1299\"\u003eBetween 1987 and 1995, Helmut Newton published four issues of his own radical photo magazine — \u003cem data-start=\"251\" data-end=\"280\"\u003eHelmut Newton’s Illustrated\u003c\/em\u003e — each one a statement of erotic intent, visual power, and iconographic wit. This 2000 complete edition, produced by Schirmer\/Mosel under the direction of June Newton, collects all four rare issues in one volume: \u003cem data-start=\"494\" data-end=\"509\"\u003eSex and Power\u003c\/em\u003e, \u003cem data-start=\"511\" data-end=\"540\"\u003ePictures from an Exhibition\u003c\/em\u003e, \u003cem data-start=\"542\" data-end=\"555\"\u003eI Was There\u003c\/em\u003e, and \u003cem data-start=\"561\" data-end=\"576\"\u003eDr. Phantasms\u003c\/em\u003e. Across 134 images, Newton assembles a full spectrum of his obsessions: high heels, statuesque women, celebrity portraits, clinical perversity, flash-lit drama, and the fantasy of control. The cover portrait of Warhol is a perfect cipher — impassive, camp, embalmed in leather. Inside, Newton’s eye is both precise and voyeuristic, his world a stylized theatre of dominance and spectacle. Designed in Berlin and printed in Italy, the book carries the cinematic clarity and dark humour that made Newton a singular figure in late 20th-century photography. 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Known for his raw, fragmentary eye on the streets of Tokyo, Moriyama here turns toward high saturation without losing the grit: fishnets, neon, street signs, and vinyl textures glow against black asphalt and anonymous skin.\u003c\/p\u003e\n\u003cp data-start=\"606\" data-end=\"1123\"\u003eDrawing from his “Dog and Mesh Tights” and “Shinjuku” series, the book records a city where desire and signage blur, where detail becomes abstraction, and where surface is everything. Despite the shift to color, Moriyama's instincts remain fixed: eroticism, repetition, the smell of the street, the press of bodies. This bilingual French-English edition reflects Fondation Cartier’s deep engagement with Japanese photographic modernity. A necessary companion to Araki’s Tokyo chaos and Anders Petersen’s city diaries.\u003c\/p\u003e\n\u003cp data-start=\"1125\" data-end=\"1518\"\u003eTechnical Sheet\u003cbr data-start=\"1140\" data-end=\"1143\"\u003eTitle: Daido Tokyo\u003cbr data-start=\"1161\" data-end=\"1164\"\u003eArtist \/ Author: Daido Moriyama\u003cbr data-start=\"1195\" data-end=\"1198\"\u003eDate: February 2016\u003cbr data-start=\"1217\" data-end=\"1220\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1255\" data-end=\"1258\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"1287\" data-end=\"1290\"\u003eDimensions (cm): 18 × 27\u003cbr data-start=\"1314\" data-end=\"1317\"\u003eLanguage: French, English\u003cbr data-start=\"1342\" data-end=\"1345\"\u003ePages: 248\u003cbr data-start=\"1355\" data-end=\"1358\"\u003eImages: 377 colour and black-and-white\u003cbr data-start=\"1396\" data-end=\"1399\"\u003ePublisher \/ Editor: Fondation Cartier pour l’art contemporain, Paris\u003cbr data-start=\"1467\" data-end=\"1470\"\u003eISBN: 978-2-86925-122-9\u003cbr data-start=\"1493\" data-end=\"1496\"\u003eCondition: Good\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52660413202770,"sku":null,"price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_af05c094-aea4-49c4-96d3-c816a48744fc.jpg?v=1770577672"},{"product_id":"masahisa-fukase-by-tomo-kosuga-ed-french-edition-2018","title":"Masahisa Fukase by Tomo Kosuga (ed.) — French edition, ATELIER EXB 2018","description":"\u003cp data-start=\"132\" data-end=\"536\"\u003eThis major monograph, published by Éditions Xavier Barral in 2018, is the first comprehensive volume to encompass the full spectrum of Masahisa Fukase’s radical and shape-shifting oeuvre. Released on the occasion of the FOAM retrospective in Amsterdam, following Arles 2017, the book maps out the Japanese photographer’s deeply personal and experimental trajectory beyond his iconic \u003cem data-start=\"515\" data-end=\"535\"\u003eSolitude of Ravens\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp data-start=\"538\" data-end=\"1126\"\u003eStructured around 26 photographic series, it reveals the many lives of Fukase’s practice—from stark black-and-white prints to polaroids, from grotesque and intimate self-portraits to drawn-over photographs and theatrical stagings. Works such as \u003cem data-start=\"783\" data-end=\"803\"\u003eMemories of Father\u003c\/em\u003e, \u003cem data-start=\"805\" data-end=\"815\"\u003eBukubuku\u003c\/em\u003e, and \u003cem data-start=\"821\" data-end=\"831\"\u003eBerobero\u003c\/em\u003e stand alongside the obsessive cat studies of Sasuke, blurring lines between mourning, humor, and performance. 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Through saturated colour and spontaneous encounters, Lin Zhipeng captures bodies, gestures and fragile moments suspended between innocence and erotic tension. Everyday scenes unfold with diaristic immediacy, where skin, fruit and texture become sensorial motifs. Published in 2018 as a first edition hardback, limited to 600 numbered copies with an enclosed signed C-print, the book reflects the artist’s signature vision of freedom, vulnerability and contemporary Chinese youth culture.\u003c\/p\u003e\n\u003cp data-start=\"765\" data-end=\"1143\"\u003eTechnical Sheet\u003cbr data-start=\"780\" data-end=\"783\"\u003eTitle: Sour Strawberries\u003cbr data-start=\"807\" data-end=\"810\"\u003eArtist \/ Author: Lin Zhipeng\u003cbr data-start=\"838\" data-end=\"841\"\u003eDate: 2018\u003cbr data-start=\"851\" data-end=\"854\"\u003eEdition: First edition; limited edition of 600 numbered copies + signed C-Print\u003cbr data-start=\"933\" data-end=\"936\"\u003ePublisher \/ Editor: Editions Bessard\u003cbr data-start=\"972\" data-end=\"975\"\u003eBinding: Hardback with dust jacket\u003cbr data-start=\"1009\" data-end=\"1012\"\u003ePages: 136\u003cbr data-start=\"1022\" data-end=\"1025\"\u003eDimensions (cm): 26.5 × 21\u003cbr data-start=\"1051\" data-end=\"1054\"\u003eLanguage: English\u003cbr data-start=\"1071\" data-end=\"1074\"\u003eCondition: As new \/ mint\u003cbr data-start=\"1098\" data-end=\"1101\"\u003eSpecial Feature: Enclosed signed C-print\u003c\/p\u003e\n\u003cp data-start=\"1145\" data-end=\"1354\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52660532052306,"sku":null,"price":175.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_2b100546-c198-45f5-801d-f8433e5ebc57.jpg?v=1770579260"},{"product_id":"rafu-michael-kenna-2018","title":"Rafu — Michael Kenna, 2018","description":"\u003cp data-start=\"95\" data-end=\"896\"\u003eA rare detour from his iconic monochrome landscapes, \u003cem data-start=\"148\" data-end=\"154\"\u003eRafu\u003c\/em\u003e is Michael Kenna’s deeply intimate study of the female nude, composed over nearly a decade in Japan. Collaborating with dancers, office workers, actresses and photographers, Kenna builds a language of gesture and contour—bodies dissolving into shadow, evoking both ukiyo-e and surrealism. Stripped of time and identity, each image in \u003cem data-start=\"489\" data-end=\"495\"\u003eRafu\u003c\/em\u003e becomes a meditation on stillness, intimacy and abstraction. The elegant triptych binding and bilingual English-Japanese format make this volume feel as much like an artist’s box as a book—precise, quiet, and full of reverence. One of Kenna’s most elusive titles, and a vital counterpoint to his landscape work, \u003cem data-start=\"808\" data-end=\"814\"\u003eRafu\u003c\/em\u003e belongs in Darwin for its tonal austerity and its sense of photographic devotion.\u003c\/p\u003e\n\u003cp data-start=\"898\" data-end=\"1064\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-start=\"1181\" data-end=\"1200\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1200\" data-end=\"1203\"\u003eTitle: Rafu\u003cbr data-start=\"1214\" data-end=\"1217\"\u003eArtist \/ Author: Michael Kenna\u003cbr data-start=\"1247\" data-end=\"1250\"\u003eDate: 2018\u003cbr data-start=\"1260\" data-end=\"1263\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1298\" data-end=\"1301\"\u003eMedium \/ Materials: Saddle stitch in triptych binder\u003cbr data-start=\"1353\" data-end=\"1356\" data-is-only-node=\"\"\u003eDimensions (cm): 29.8 × 20.5\u003cbr data-start=\"1384\" data-end=\"1387\"\u003eLanguage: English, Japanese\u003cbr data-start=\"1414\" data-end=\"1417\"\u003ePages: 64 (41 images)\u003cbr data-start=\"1438\" data-end=\"1441\"\u003ePublisher \/ Editor: Shuppan Kyodosha\u003cbr data-start=\"1477\" data-end=\"1480\"\u003eCondition: NEW\u003c\/p\u003e","brand":"Shuppan Kyodosha","offers":[{"title":"Default Title","offer_id":52686329577810,"sku":null,"price":94.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_b2a8f8ad-f32b-4893-a31d-d35acfc5b87f.jpg?v=1770841993"},{"product_id":"laetitia-casta-dominique-issermann-first-edition-2011","title":"Laetitia Casta — Dominique Issermann (First edition, ATELIER EXB 2011)","description":"\u003cp data-start=\"93\" data-end=\"575\"\u003eAn icon dissolving inside architecture. Shot in Peter Zumthor’s Vals thermal baths, these images feel suspended between stone, water, and skin. Casta appears less as a model than as a presence absorbed by space — sometimes statue, sometimes shadow, sometimes just a trace of warmth against cold mineral surfaces. Issermann photographs beauty in a state of erosion, where glamour fades into atmosphere and the body becomes part of a larger, silent landscape.\u003c\/p\u003e\n\u003cp data-start=\"577\" data-end=\"1070\"\u003eTECHNICAL SHEET:\u003cbr data-start=\"593\" data-end=\"596\"\u003eTitle: Laetitia Casta\u003cbr data-start=\"617\" data-end=\"620\"\u003eArtist \/ Author: Dominique Issermann\u003cbr data-start=\"656\" data-end=\"659\"\u003eDate: 2011 (published 2012)\u003cbr data-start=\"686\" data-end=\"689\"\u003eEdition: First edition, limited to 5000 copies (200 signed \u0026amp; numbered)\u003cbr data-start=\"759\" data-end=\"762\"\u003eTechnique \/ Printing Method: Photogravure, offset printing\u003cbr data-start=\"820\" data-end=\"823\"\u003eMedium \/ Materials: Hardcover photobook, Phoenix Motion Xantur 170 g paper\u003cbr data-start=\"897\" data-end=\"900\"\u003eDimensions (cm): 28 × 34.5\u003cbr data-start=\"926\" data-end=\"929\"\u003ePages: 72\u003cbr data-start=\"938\" data-end=\"941\"\u003eLanguage: French \/ English\u003cbr data-start=\"967\" data-end=\"970\"\u003ePublisher \/ Editor: Éditions Xavier Barral, Paris\u003cbr data-start=\"1019\" data-end=\"1022\"\u003eISBN: 978-2-36511-004-4\u003cbr data-start=\"1045\" data-end=\"1048\"\u003eCondition: Very good\u003c\/p\u003e\n\u003cp data-start=\"1072\" data-end=\"1315\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52691938640210,"sku":null,"price":90.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_227a8813-aa13-4b6c-b329-0534abba1cac.jpg?v=1770894952"},{"product_id":"pak-brian-sergio-dienacht-first-edition-2017","title":"PAK! — Brian Sergio — Dienacht Publishing — 2017","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eSergio turns portraiture into a collision with the social codes of the Philippines. Friends, lovers and strangers appear without the restraint expected by a largely conservative Catholic society: sex, bodies, tattoos and private encounters become expressions of defiance rather than spectacle. Shot between 2012 and 2016, the work is deliberately intimate and confrontational, implicating the photographer in the same world he photographs. His first photobook, \u003cem\u003ePAK!\u003c\/em\u003e was Riso printed and produced in a first edition of just 200 copies. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr\u003eTitle: PAK!\u003cbr\u003eArtist \/ Author: Brian Sergio\u003cbr\u003eDate: 2017\u003cbr\u003eEdition: First edition, 200 copies\u003cbr\u003eTechnique \/ Printing Method: Riso printing\u003cbr\u003eMedium \/ Materials: Softcover with open binding in slipcase\u003cbr\u003eDimensions: 26 × 18 cm\u003cbr\u003ePages: 128\u003cbr\u003ePublisher: Dienacht Publishing\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"dienacht","offers":[{"title":"Default Title","offer_id":52708055482706,"sku":null,"price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_7b1bb8f6-55d5-4277-a604-25a2de3c914c.jpg?v=1771165630"},{"product_id":"les-nus-lehnert-landrock-galerie-au-bonheur-du-jour-2006","title":"Les Nus — Lehnert \u0026 Landrock, Galerie Au Bonheur du Jour, 2006","description":"\u003cp data-start=\"163\" data-end=\"666\"\u003eA concentrated selection of early 20th-century female nudes produced in Tunis between 1904 and 1914. These studio images, originally circulated as postcards, reveal the mechanics of Orientalist staging—props, poses, controlled light—designed for European consumption. This 2006 edition gathers 53 photographs, including several rare bondage studies, and was issued in 1,000 hand-numbered copies. A sharp document of colonial fantasy and commercial photography at the edge of ethnography and eroticism.\u003c\/p\u003e\n\u003cp data-start=\"668\" data-end=\"1024\"\u003eTechnical Sheet\u003cbr data-start=\"683\" data-end=\"686\"\u003eTitle: Les Nus\u003cbr data-start=\"700\" data-end=\"703\"\u003eArtist \/ Author: Lehnert \u0026amp; Landrock\u003cbr data-start=\"738\" data-end=\"741\"\u003eDate: 2006\u003cbr data-start=\"751\" data-end=\"754\"\u003eEdition: Limited edition of 1000 hand-numbered copies\u003cbr data-start=\"807\" data-end=\"810\"\u003eMedium \/ Materials: Printed book, softcover\u003cbr data-start=\"853\" data-end=\"856\"\u003eDimensions (cm): 15 x 21 cm\u003cbr data-start=\"883\" data-end=\"886\"\u003ePages: 64 pages, 53 photographs\u003cbr data-start=\"917\" data-end=\"920\"\u003eLanguage: French\u003cbr data-start=\"936\" data-end=\"939\"\u003ePublisher \/ Editor: Galerie Au Bonheur du Jour\u003cbr data-start=\"985\" data-end=\"988\" data-is-only-node=\"\"\u003eISBN: 2-9523322-2-3\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52763194622290,"sku":null,"price":42.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_c6bcc325-0cf1-4bc8-b9b3-0459d59a12f1.jpg?v=1771766659"},{"product_id":"なぎさホテル-nagisa-hotel-hajime-sawatari-super-labo-2015","title":"なぎさホテル (Nagisa Hotel), Hajime Sawatari, SUPER LABO, 2015","description":"\u003cp data-start=\"105\" data-end=\"643\"\u003eA lost photographic sequence finally brought to light after half a century. Made between 1963 and 1964 in seaside hotels and beaches around Zushi, Shinagawa and Chigasaki, these images portray the photographer’s girlfriend, known only by her initials Y.O. Originally intended for publication in \u003cem data-start=\"400\" data-end=\"417\"\u003eCamera Mainichi\u003c\/em\u003e, the work was rejected by editor Shoji Yamagishi and remained unseen for decades. Combining delicate black-and-white photographs with later colour reproductions, the book offers a rare glimpse into Sawatari’s formative years.\u003c\/p\u003e\n\u003cp data-start=\"645\" data-end=\"664\"\u003e\u003cstrong data-start=\"645\" data-end=\"664\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"666\" data-end=\"1071\"\u003eTitle: Nagisa Hotel\u003cbr data-start=\"685\" data-end=\"688\"\u003eArtist \/ Author: Hajime Sawatari\u003cbr data-start=\"720\" data-end=\"723\"\u003eDate: 2015\u003cbr data-start=\"733\" data-end=\"736\"\u003eEdition: Limited edition of 800 copies (2 cover versions, 400 copies each)\u003cbr data-start=\"810\" data-end=\"813\"\u003eTechnique \/ Printing Method: Doubletone Offset \/ Full Color Offset\u003cbr data-start=\"879\" data-end=\"882\"\u003eMedium \/ Materials: Softcover (hand-sewn)\u003cbr data-start=\"923\" data-end=\"926\"\u003eDimensions (cm): 21.6 × 28\u003cbr data-start=\"952\" data-end=\"955\"\u003ePages: 32\u003cbr data-start=\"964\" data-end=\"967\"\u003eLanguage: Japanese \/ English\u003cbr data-start=\"995\" data-end=\"998\"\u003ePublisher \/ Editor: SUPER LABO\u003cbr data-start=\"1028\" data-end=\"1031\"\u003eISBN: 978-4-905052-89-0\u003cbr data-start=\"1054\" data-end=\"1057\"\u003eCondition: New\u003c\/p\u003e","brand":"SUPER LABO","offers":[{"title":"Default Title","offer_id":53767860257106,"sku":null,"price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_3_4731dec5-6f3a-412e-a424-fe1e0812615f.jpg?v=1781630332"},{"product_id":"sakiko-nomura-tender-is-the-night-sakiko-nomura-fundacion-mapfre-2025","title":"Sakiko Nomura. Tender Is the Night — Sakiko Nomura — Fundación MAPFRE — 2025","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eNomura’s darkness is less an absence of light than the space where bodies become uncertain. Published for her first major retrospective, the book brings her shadowed black-and-white male nudes into dialogue with animals, still lifes, cityscapes, atmospheric phenomena and moving reflections. The resulting sequences have the interrupted rhythm of cinema, balancing erotic tension with tenderness and disappearance. It reproduces the exhibition selection and includes essays by Enrique Juncosa, Simon Baker and Michiko Kasahara, situating Nomura’s photobooks as a central part of her practice. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr\u003eTitle: Sakiko Nomura. Tender Is the Night\u003cbr\u003eArtist \/ Author: Sakiko Nomura\u003cbr\u003eDate: 2025\u003cbr\u003eMedium \/ Materials: Hardcover\u003cbr\u003eDimensions: 30 × 24 cm\u003cbr\u003ePages: 256\u003cbr\u003eLanguage: Spanish\u003cbr\u003ePublisher: Fundación MAPFRE\u003cbr\u003eISBN: 978-84-9844-887-0\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Mapfre","offers":[{"title":"Default Title","offer_id":54677198242130,"sku":null,"price":89.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_1_c9ea5399-2cd7-4bf1-8fcd-7c831fd14f63.jpg?v=1789131732"},{"product_id":"another-black-darkness-sakiko-nomura-akio-nagasawa-publishing-2016","title":"Another Black Darkness — Sakiko Nomura — Akio Nagasawa Publishing — 2016","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eNomura pushes her characteristic darkness almost to the point where the photograph disappears. Her first experiments with solarization reduce nude bodies and cityscapes to faint contours emerging from dense black fields, shifting the work toward the boundary between photography and graphic image. The series was shown in \u003cem\u003eAnother Language: 8 Japanese Photographers\u003c\/em\u003e at Rencontres d’Arles in 2015. Designed by Satoshi Machiguchi, the book intensifies the effect through black ink on black paper. Each of the 600 copies is signed and numbered. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr\u003eTitle: Another Black Darkness\u003cbr\u003eArtist \/ Author: Sakiko Nomura\u003cbr\u003eDate: 2016\u003cbr\u003eEdition: Limited edition of 600 copies, numbered\u003cbr\u003eSigned: Yes\u003cbr\u003eTechnique \/ Printing Method: Black ink on black paper\u003cbr\u003eMedium \/ Materials: Hardcover in case\u003cbr\u003eDimensions: 27.4 × 18.7 cm\u003cbr\u003ePages: 104\u003cbr\u003ePublisher: Akio Nagasawa Publishing\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AKIO NAGASAWA","offers":[{"title":"Default Title","offer_id":54677876048210,"sku":null,"price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_3_3ea4996d-557f-4382-a120-048b4577b210.jpg?v=1789132802"}],"url":"https:\/\/thedarwin.es\/collections\/erotica.oembed?page=2","provider":"DaRWIN","version":"1.0","type":"link"}