{"title":"PHOTOBOOK \/ EUROPE","description":"\u003ch3\u003e\u003cstrong\u003ePHOTOBOOKS \/ EUROPE\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eIn Darwin, \u003cstrong data-start=\"11\" data-end=\"21\"\u003eEurope\u003c\/strong\u003e names neither origin nor passport alone. Sometimes the photographer, sometimes the ground beneath the work. A site of accumulation and contradiction—where histories collide, fracture, and persist through shifting points of view.\u003cbr\u003e\u003c\/p\u003e","products":[{"product_id":"eamonn-doyle","title":"Eamonn Doyle — Fundación Mapfre, 2019 (Spanish edition)","description":"\u003cp data-start=\"160\" data-end=\"721\"\u003eA city observed from above, behind, and at the edge of disappearance. This monograph captures the Irish photographer’s radical reframing of Dublin through tilted perspectives, cropped bodies and saturated urban fragments. Centered on the trilogy \u003cem data-start=\"406\" data-end=\"419\"\u003ei, ON, End.\u003c\/em\u003e and the later series \u003cem data-start=\"441\" data-end=\"444\"\u003eK\u003c\/em\u003e, it marks a decisive moment in European street photography of the 2010s. Published for Fundación Mapfre’s 2019 exhibition, it positions Doyle between documentary tension and staged apparition, extending the lineage of Moriyama and Petersen into a distinct Atlantic register.\u003c\/p\u003e\n\u003cp data-start=\"723\" data-end=\"1005\"\u003eTechnical Sheet\u003cbr data-start=\"738\" data-end=\"741\"\u003eTitle: Eamonn Doyle\u003cbr data-start=\"760\" data-end=\"763\"\u003eArtist \/ Author: Eamonn Doyle\u003cbr data-start=\"792\" data-end=\"795\"\u003eDate: 2019\u003cbr data-start=\"805\" data-end=\"808\"\u003eMedium \/ Materials: Offset printed book, hardcover\u003cbr data-start=\"858\" data-end=\"861\"\u003eDimensions (cm): 25 × 30.8 cm\u003cbr data-start=\"890\" data-end=\"893\"\u003ePages: 287\u003cbr data-start=\"903\" data-end=\"906\"\u003eLanguage: Spanish\u003cbr data-start=\"923\" data-end=\"926\"\u003ePublisher \/ Editor: Fundación Mapfre\u003cbr data-start=\"962\" data-end=\"965\"\u003eISBN: 978-84-9844-730-9\u003cbr data-start=\"988\" data-end=\"991\"\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51614812504402,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_a925bfb3-ab70-48c4-9430-9f209c88026a.jpg?v=1771944389"},{"product_id":"brassai","title":"Brassaï – Fundación Mapfre, 2018","description":"\u003cp data-start=\"133\" data-end=\"660\"\u003e \u003c\/p\u003e\n\u003cp data-start=\"133\" data-end=\"660\"\u003eParis after dark finds its definitive eye here. This Fundación Mapfre catalogue revisits Brassaï’s nocturnal world—brothels, cafés, lovers, fog-bound streets—through a rigorous institutional lens. Produced for the 2018 exhibition, it situates his photography between Surrealism and documentary, foregrounding his role in shaping the myth of 1930s Montparnasse. Carefully printed and cloth-bound, it combines iconic plates with archival material, reaffirming why his night images remain foundational to modern urban photography.\u003c\/p\u003e\n\u003cp data-start=\"662\" data-end=\"858\"\u003eTechnical Sheet\u003cbr data-start=\"677\" data-end=\"680\"\u003eTitle: Brassaï\u003cbr data-start=\"694\" data-end=\"697\"\u003eArtist \/ Author: Brassaï\u003cbr data-start=\"721\" data-end=\"724\"\u003eDate: 2018\u003cbr data-start=\"734\" data-end=\"737\"\u003eMedium \/ Materials: Halfcloth binding\u003cbr data-start=\"774\" data-end=\"777\"\u003eLanguage: Spanish \u0026amp; Catalan editions available\u003c\/p\u003e\n\u003cp data-start=\"662\" data-end=\"858\"\u003ePublisher \/ Editor: Fundación Mapfre\u003cbr data-start=\"833\" data-end=\"836\"\u003eCondition: NEW\u003c\/p\u003e\n\u003cp data-start=\"860\" data-end=\"1010\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51614907138386,"sku":null,"price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_194eb30a-a83f-43e1-b9ff-349dce4eaa7e.jpg?v=1771143428"},{"product_id":"paulo-nozolino-far-cry-2005","title":"Far Cry — Paulo Nozolino, 2005","description":"\u003cp data-start=\"103\" data-end=\"541\"\u003ePublished on the occasion of his 2005 exhibition at the Museu de Arte Contemporânea de Serralves in Porto, \u003cem data-start=\"210\" data-end=\"219\"\u003eFar Cry\u003c\/em\u003e is Paulo Nozolino’s most distilled and devastating work — a stark compendium of images made between 1977 and 2003 across multiple continents. The book is printed in Nozolino’s signature deep black, where shadows dominate and detail dissolves. Death, silence, and abandonment are not themes here — they are the atmosphere.\u003c\/p\u003e\n\u003cp data-start=\"543\" data-end=\"1160\"\u003eWith photographs taken from Morocco to Sarajevo, Cairo to Lisbon, this is not a document of place but of a worldview: tragic, uncompromising, and carved from grief. The sequencing moves like a procession — bodies wrapped in sheets, bloodied hospital tiles, scorched landscapes, bare concrete rooms. It’s not reportage, nor art for comfort. \u003cem data-start=\"883\" data-end=\"892\"\u003eFar Cry\u003c\/em\u003e reads as a visual testament, a concentration of Nozolino’s lifetime of seeing. This copy, from the personal library of Antoine d’Agata (stamp on title page), bears the aura of another photographer working at the same edge — where darkness is not style, but substance.\u003c\/p\u003e\n\u003cp data-start=\"1162\" data-end=\"1559\"\u003eTechnical Sheet\u003cbr data-start=\"1177\" data-end=\"1180\"\u003eTitle: Far Cry\u003cbr data-start=\"1194\" data-end=\"1197\"\u003eArtist \/ Author: Paulo Nozolino\u003cbr data-start=\"1228\" data-end=\"1231\"\u003eDate: 2005\u003cbr data-start=\"1241\" data-end=\"1244\"\u003eExhibition: Museu de Arte Contemporânea de Serralves, Porto\u003cbr data-start=\"1303\" data-end=\"1306\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1341\" data-end=\"1344\"\u003eMedium \/ Materials: Hardcover with dust jacket\u003cbr data-start=\"1390\" data-end=\"1393\"\u003eDimensions (cm): Approx. 23 × 30\u003cbr data-start=\"1425\" data-end=\"1428\"\u003eLanguage: English\u003cbr data-start=\"1445\" data-end=\"1448\"\u003ePages: 96\u003cbr data-start=\"1457\" data-end=\"1460\"\u003ePublisher \/ Editor: Steidl\u003cbr data-start=\"1486\" data-end=\"1489\"\u003eCondition: Very good\u003cbr data-start=\"1509\" data-end=\"1512\"\u003eProvenance: Antoine d’Agata library (stamped)\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754560225618,"sku":null,"price":120.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_1.jpg?v=1770109830"},{"product_id":"anders-petersen-sete-08-2008","title":"Sète 08 — Anders Petersen, 2008","description":"\u003cp data-start=\"104\" data-end=\"559\"\u003eCommissioned for the ImageSingulières festival, \u003cem data-start=\"152\" data-end=\"161\"\u003eSète 08\u003c\/em\u003e is Anders Petersen’s intimate and chaotic portrait of the southern French port town of Sète. Shot in 2008 and published as part of the festival's annual residency programme, the book brings Petersen’s signature visual grammar — grainy, close, almost fevered — to bear on a place often portrayed through Mediterranean cliché. What emerges instead is a dark, visceral, and deeply human street opera.\u003c\/p\u003e\n\u003cp data-start=\"561\" data-end=\"1150\"\u003ePetersen moves through bars, markets, back alleys, beach fronts, and private rooms, photographing faces and gestures with raw proximity. Every frame carries his classic emotional charge: tenderness without sentiment, confrontation without spectacle. Like his work in \u003cem data-start=\"828\" data-end=\"842\"\u003eCafé Lehmitz\u003c\/em\u003e or \u003cem data-start=\"846\" data-end=\"852\"\u003eRoma\u003c\/em\u003e, \u003cem data-start=\"854\" data-end=\"863\"\u003eSète 08\u003c\/em\u003e shows Petersen’s unrelenting commitment to proximity — to being inside the scene, not observing from a distance. Part of a series that has featured the likes of Jacob Aue Sobol and Klavdij Sluban, \u003cem data-start=\"1061\" data-end=\"1070\"\u003eSète 08\u003c\/em\u003e stands out for its tactile, nocturnal intensity and its refusal to romanticise.\u003c\/p\u003e\n\u003cp data-start=\"1152\" data-end=\"1475\"\u003eTechnical Sheet\u003cbr data-start=\"1167\" data-end=\"1170\"\u003eTitle: Sète 08\u003cbr data-start=\"1184\" data-end=\"1187\"\u003eArtist \/ Author: Anders Petersen\u003cbr data-start=\"1219\" data-end=\"1222\"\u003eDate: 2008\u003cbr data-start=\"1232\" data-end=\"1235\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1270\" data-end=\"1273\"\u003eMedium \/ Materials: Softcover with dust jacket\u003cbr data-start=\"1319\" data-end=\"1322\"\u003eDimensions (cm): Approx. 20 × 27\u003cbr data-start=\"1354\" data-end=\"1357\"\u003eLanguage: French\u003cbr data-start=\"1373\" data-end=\"1376\"\u003ePages: Approx. 80\u003cbr data-start=\"1393\" data-end=\"1396\"\u003ePublisher \/ Editor: Le Bec en l’air \/ ImageSingulières\u003cbr data-start=\"1450\" data-end=\"1453\"\u003eCondition: Very good\u003c\/p\u003e\n\u003cp data-start=\"1152\" data-end=\"1475\"\u003e\u003cspan\u003eProvenance: Antoine D'Agata Library (stamp on the back page)\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754572775762,"sku":null,"price":75.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_b86f420d-af11-434f-a7a6-a95f9605d95d.jpg?v=1770108808"},{"product_id":"signed-jacob-aue-sobol-sabine-2018","title":"Sabine (Version française) — Jacob Aue Sobol — Signed, Polka Editions, 2018","description":"\u003cp data-start=\"195\" data-end=\"565\"\u003eThis concise French edition of \u003cem data-start=\"226\" data-end=\"234\"\u003eSabine\u003c\/em\u003e by Jacob Aue Sobol distills one of the most visceral photographic love stories of the early 2000s into 24 pages of taut, emotional intensity. Released by Polka Editions in 2018 in just 200 copies, and signed by the artist, it offers a rare, bilingual echo of the original 2004 monograph — now iconic among contemporary photobooks.\u003c\/p\u003e\n\u003cp data-start=\"567\" data-end=\"968\"\u003eThe images trace Sobol’s life in Tiniteqilaaq, an isolated Greenlandic village where he lived for nearly three years with Sabine, the woman who gave the book its name. Drawn from his early immersion in documentary photography at Fatamorgana and sharpened by cinematic sensibilities from his time at the European Film College, Sobol’s language is unmistakable: grainy, close, and emotionally saturated.\u003c\/p\u003e\n\u003cp data-start=\"970\" data-end=\"1265\"\u003eThis smaller-format edition doesn’t dilute the impact — if anything, it heightens the sense of compression, like a love story whispered through fog. As a collectible, it’s a rare glimpse into the raw core of a major Magnum photographer’s early vision, rearticulated for a French-speaking public.\u003c\/p\u003e\n\u003cp data-start=\"1267\" data-end=\"1592\"\u003eTechnical Sheet\u003cbr data-start=\"1282\" data-end=\"1285\"\u003eTitle: Sabine (Version française)\u003cbr data-start=\"1318\" data-end=\"1321\"\u003eArtist \/ Author: Jacob Aue Sobol\u003cbr data-start=\"1353\" data-end=\"1356\"\u003eDate: 2018\u003cbr data-start=\"1366\" data-end=\"1369\"\u003eEdition: Limited edition of 200, signed\u003cbr data-start=\"1408\" data-end=\"1411\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1446\" data-end=\"1449\"\u003eMedium \/ Materials: Softcover\u003cbr data-start=\"1478\" data-end=\"1481\"\u003eDimensions (cm): 15 × 21\u003cbr data-start=\"1505\" data-end=\"1508\"\u003eLanguage: French\u003cbr data-start=\"1524\" data-end=\"1527\"\u003ePages: 24\u003cbr data-start=\"1536\" data-end=\"1539\"\u003ePublisher \/ Editor: Polka Editions\u003cbr data-start=\"1573\" data-end=\"1576\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754658038098,"sku":null,"price":160.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_56061f0e-cdaa-452d-9586-7117c12f8837.jpg?v=1770112372"},{"product_id":"signed-antoine-dagata-praxis-2021","title":"Signed; Antoine d'Agata - Praxis - 2021","description":"\u003cp data-start=\"258\" data-end=\"713\"\u003eThis signed copy of \u003cem data-start=\"278\" data-end=\"286\"\u003ePRAXIS\u003c\/em\u003e, published in 2022 by Studio Vortex, is part of the Darwin Bookshop because it is not a book about photography—it is a theoretical, textual and visual choreography of photography as trance, resistance and rupture. Conceived by Antoine d’Agata with artistic direction by Tania Bohórquez, the book spans over thirty years of movement, incarceration, image-making and writing, building itself as a fragmented, militant manifesto.\u003c\/p\u003e\n\u003cp data-start=\"715\" data-end=\"1285\"\u003eDesigned with dense, archival typography and minimal graphic noise, \u003cem data-start=\"783\" data-end=\"791\"\u003ePRAXIS\u003c\/em\u003e assembles interviews, field notes, personal lists, letters, prison texts, declarations and visual documents, alongside citations of over 80 authors—from Agamben and Blanchot to Genet, Duras, Artaud and Wittgenstein. The book also incorporates xylographs, engravings and murals produced in Mexico and France by collectives including Le Dernier Cri and Taller de Gráfica Siqueiros in Oaxaca. Every formal decision in the book serves to dissolve traditional notions of authorship and documentary.\u003c\/p\u003e\n\u003cp data-start=\"1287\" data-end=\"1639\"\u003ePrinted in Istanbul by MAS Matbaa and published in a first edition of 800 copies (plus 50 copies of a special edition), this volume is signed by d’Agata and acts as both theory and relic—an operating manual for photographic life lived at the edge. At Darwin, \u003cem data-start=\"1546\" data-end=\"1554\"\u003ePRAXIS\u003c\/em\u003e is held as a tool: not a retrospective, but a grammar of the photographic breakdown.\u003c\/p\u003e\n\u003cp data-start=\"1641\" data-end=\"1660\"\u003e\u003cstrong data-start=\"1641\" data-end=\"1660\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1662\" data-end=\"2091\"\u003eTitle: PRAXIS\u003cbr data-start=\"1675\" data-end=\"1678\"\u003eArtist \/ Author: Antoine d’Agata\u003cbr data-start=\"1710\" data-end=\"1713\"\u003eTexts: Yannick Haenel\u003cbr data-start=\"1734\" data-end=\"1737\"\u003eDate: 2022\u003cbr data-start=\"1747\" data-end=\"1750\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1794\" data-end=\"1797\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"1826\" data-end=\"1829\"\u003eDimensions: approx. 16.5 × 24 cm\u003cbr data-start=\"1861\" data-end=\"1864\"\u003eLanguage: French\u003cbr data-start=\"1880\" data-end=\"1883\"\u003ePages: 432\u003cbr data-start=\"1893\" data-end=\"1896\"\u003ePublisher \/ Editor: Studio Vortex\u003cbr data-start=\"1929\" data-end=\"1932\"\u003ePrinted by: MAS Matbaa, Istanbul\u003cbr data-start=\"1964\" data-end=\"1967\"\u003eEdition: First edition of 800 copies \u003cbr data-start=\"2034\" data-end=\"2037\"\u003eISBN: 978-2-9570325-2-5\u003cbr data-start=\"2060\" data-end=\"2063\"\u003eSigned: Yes\u003cbr data-start=\"2074\" data-end=\"2077\"\u003eCondition: MINT\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754757620050,"sku":null,"price":120.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_6_0a23d1e9-051d-44f1-b857-c47fab7298d7.jpg?v=1768069016"},{"product_id":"antoine-dagata-1961-oscurana-1ere-edition","title":"Oscurana — Antoine d’Agata","description":"\u003cp data-start=\"67\" data-end=\"137\"\u003e\u003cstrong data-start=\"67\" data-end=\"137\"\u003eOscurana — Antoine d’Agata (Single Volume from Collective Edition)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"139\" data-end=\"664\"\u003eThis signed volume of \u003cem data-start=\"161\" data-end=\"171\"\u003eOscurana\u003c\/em\u003e by Antoine d’Agata, co-published in 2017 as part of a six-part international editorial project, is part of the Darwin Bookshop because it embodies a radical experiment in collaborative publishing, transgressive aesthetics, and the ethics of witnessing. Each of the six publishers across Latin America and Europe produced their own distinct version of \u003cem data-start=\"523\" data-end=\"533\"\u003eOscurana\u003c\/em\u003e, using a shared structure—same title, dimensions, and central text—yet allowing for different material and visual interpretations.\u003c\/p\u003e\n\u003cp data-start=\"666\" data-end=\"1206\"\u003eThe copy held here is a standalone volume from this constellation, printed on deep black paper with gold handwritten typography, featuring d’Agata’s haunting monochrome photographs of sex, trance, and resistance. Designed and printed by \u003cem data-start=\"903\" data-end=\"919\"\u003eLe Dernier Cri\u003c\/em\u003e in Marseille, under the direction of Pakito Bolino, it fuses underground graphics with d’Agata’s fevered visual language. Each photograph is a confrontation, not a document—bodies blur under duress, light becomes substance, and violence and intimacy co-exist within the same dark frame.\u003c\/p\u003e\n\u003cp data-start=\"1208\" data-end=\"1622\"\u003eThough part of a broader six-volume project, this edition stands alone as a self-contained object and was also issued in a rare boxed set. This particular copy is \u003cstrong data-start=\"1371\" data-end=\"1409\"\u003esigned by d’Agata in Arles in 2021\u003c\/strong\u003e, anchoring it within the performative continuum of his work. At Darwin, \u003cem data-start=\"1482\" data-end=\"1492\"\u003eOscurana\u003c\/em\u003e is held as a key artefact in the landscape of experimental photobook publishing, collective authorship, and embodied photography.\u003c\/p\u003e\n\u003cp data-start=\"1624\" data-end=\"1643\"\u003e\u003cstrong data-start=\"1624\" data-end=\"1643\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1645\" data-end=\"2122\"\u003eTitle: Oscurana\u003cbr data-start=\"1660\" data-end=\"1663\"\u003eArtist \/ Author: Antoine d’Agata\u003cbr data-start=\"1695\" data-end=\"1698\"\u003eDate: 2017\u003cbr data-start=\"1708\" data-end=\"1711\"\u003eTechnique \/ Printing Method: Offset printing, gold ink on black paper\u003cbr data-start=\"1780\" data-end=\"1783\"\u003eMedium \/ Materials: Softcover, staple-bound\u003cbr data-start=\"1826\" data-end=\"1829\"\u003eDimensions: approx. 21 × 28 cm\u003cbr data-start=\"1859\" data-end=\"1862\" data-is-only-node=\"\"\u003eLanguage: French\u003cbr data-start=\"1878\" data-end=\"1881\"\u003ePages: Unpaginated\u003cbr data-start=\"1899\" data-end=\"1902\"\u003ePublisher \/ Editor: Le Dernier Cri (France), part of the \u003cem data-start=\"1959\" data-end=\"1969\"\u003eOscurana\u003c\/em\u003e six-publisher collective\u003cbr data-start=\"1994\" data-end=\"1997\"\u003eSigned: Yes (signed in Arles, 2021)\u003cbr data-start=\"2032\" data-end=\"2035\"\u003eEdition: One of six distinct volumes from the \u003cem data-start=\"2081\" data-end=\"2091\"\u003eOscurana\u003c\/em\u003e project\u003cbr data-start=\"2099\" data-end=\"2102\"\u003eCondition: Near fine\u003c\/p\u003e\n\u003cp data-start=\"2125\" data-end=\"2187\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754826826066,"sku":null,"price":140.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_1_40948610-1e47-4cec-874a-e67f7826da3e.jpg?v=1768064059"},{"product_id":"antoine-dagata-1961-agonie-1ere-edition","title":"Agonie — Antoine d’Agata \u0026 Rafael Garido (signed)","description":"\u003cdiv class=\"LotInfoDescription_description__RFjKp\"\u003e\n\u003cp data-start=\"113\" data-end=\"458\"\u003eThis signed copy of \u003cem data-start=\"133\" data-end=\"141\"\u003eAgonie\u003c\/em\u003e, a collaboration between photographer Antoine d’Agata and writer Rafael Garido, published in 2003 by Actes Sud and Atelier de Visu, is part of the Darwin Bookshop because it marks an early and intensely physical convergence of text and image—where language breaks under the weight of the photographic and vice versa.\u003c\/p\u003e\n\u003cp data-start=\"460\" data-end=\"837\"\u003eBound in black faux leather with minimal white type, the object evokes a dossier or morgue file. Inside, d’Agata’s images unfold in fevered grain: bodies blurred by movement, consumed by shadow, lit by narcotic or sexual tension. Garido’s text—poetic, incantatory, shattered—echoes this descent, not as commentary but as accomplice. This is not a book that explains—it suffers.\u003c\/p\u003e\n\u003cp data-start=\"839\" data-end=\"1320\"\u003ePublished in Marseille and part of the Atelier de Visu’s experimental output, \u003cem data-start=\"917\" data-end=\"925\"\u003eAgonie\u003c\/em\u003e belongs to d’Agata’s early 2000s period, when his work left behind narrative and plunged into embodied darkness. The formal choices—rounded page corners, glossy black cover, and unbound text blocks—amplify the sense of erosion and intimacy. Signed by d’Agata, this copy is held at Darwin as a rare threshold object: the moment when photography stops being observational and becomes existential.\u003c\/p\u003e\n\u003cp data-start=\"1322\" data-end=\"1341\"\u003e\u003cstrong data-start=\"1322\" data-end=\"1341\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1343\" data-end=\"1678\"\u003eTitle: Agonie\u003cbr data-start=\"1356\" data-end=\"1359\"\u003eArtists \/ Authors: Antoine d’Agata, Rafael Garido\u003cbr data-start=\"1408\" data-end=\"1411\"\u003eDate: 2003\u003cbr data-start=\"1421\" data-end=\"1424\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1459\" data-end=\"1462\"\u003eMedium \/ Materials: Hardcover, leatherette cover, rounded corners\u003cbr data-start=\"1527\" data-end=\"1530\"\u003eDimensions: approx. 17 × 23 cm\u003cbr data-start=\"1560\" data-end=\"1563\" data-is-only-node=\"\"\u003eLanguage: French\u003cbr data-start=\"1579\" data-end=\"1582\"\u003ePages: 96\u003cbr data-start=\"1591\" data-end=\"1594\"\u003ePublisher \/ Editor: Actes Sud \/ Atelier de Visu\u003cbr data-start=\"1641\" data-end=\"1644\"\u003eSigned: Yes\u003cbr data-start=\"1655\" data-end=\"1658\"\u003eCondition: Near fine\u003c\/p\u003e\n\u003c\/div\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51757840499026,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/bookcover_1.jpg?v=1768306376"},{"product_id":"ed-van-der-elsken-jazz-2007","title":"Ed van der Elsken - Jazz (facsimile, 2007)","description":"\u003cp data-start=\"111\" data-end=\"698\"\u003eThis photobook by Ed van der Elsken, reprinted in 2007 from the original 1959 Dutch edition, is part of the Darwin Bookshop because it transposes the urgency and sensuality of live jazz into photographic form, capturing an era when the music pulsed through the Left Bank and Amsterdam clubs like a fever. Made between 1950 and 1954, at a time when van der Elsken was immersed in the beat culture of Saint-Germain-des-Prés, these images operate like visual riffs—fragments of light, gesture and sweat, syncopated and rhythmic, echoing the improvisations of the very musicians they depict.\u003c\/p\u003e\n\u003cp data-start=\"700\" data-end=\"1345\"\u003eThis is not a book \u003cem data-start=\"719\" data-end=\"726\"\u003eabout\u003c\/em\u003e jazz, it \u003cem data-start=\"736\" data-end=\"740\"\u003eis\u003c\/em\u003e jazz. Shot with a Leica and laid out with an almost cinematic tempo, the spreads riff through combinations of two, four, six images per page—syncopated like keys on a trumpet, rising in emotional intensity with visual phrasing that mirrors musical structure. Here are Louis Armstrong, Sarah Vaughan, Chet Baker, Duke Ellington, Ella Fitzgerald and more—seen not as icons, but as part of a living, surging soundscape. Originally published in Amsterdam by De Bezige Bij, this facsimile edition retains its radical layout and expressive grain, functioning not as a document but as the echo of a lived night.\u003c\/p\u003e\n\u003cp data-start=\"1347\" data-end=\"1727\"\u003eThe cover, in deep contrast black and white, features Armstrong mid-note—face clenched, trumpet up—announcing the intensity within. Van der Elsken, enfant terrible of Dutch street photography and author of \u003cem data-start=\"1553\" data-end=\"1576\"\u003eLove on the Left Bank\u003c\/em\u003e and \u003cem data-start=\"1581\" data-end=\"1593\"\u003eSweet Life\u003c\/em\u003e, offers here a photographic love letter not just to jazz, but to performance, energy, and the beauty of improvisation caught in time.\u003c\/p\u003e\n\u003cp data-start=\"1729\" data-end=\"2145\"\u003e\u003cstrong data-start=\"1729\" data-end=\"1748\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1748\" data-end=\"1751\"\u003eTitle: Jazz\u003cbr data-start=\"1762\" data-end=\"1765\"\u003eArtist \/ Author: Ed van der Elsken\u003cbr data-start=\"1799\" data-end=\"1802\"\u003eDate: 2007 (facsimile of 1959 edition)\u003cbr data-start=\"1840\" data-end=\"1843\"\u003eTechnique \/ Printing Method: Offset, from original rotogravure design\u003cbr data-start=\"1912\" data-end=\"1915\"\u003eMedium \/ Materials: Hardcover photobook\u003cbr data-start=\"1954\" data-end=\"1957\" data-is-only-node=\"\"\u003eDimensions: approx. 22.5 × 22.5 cm\u003cbr data-start=\"1991\" data-end=\"1994\"\u003eLanguage: French (intro), Dutch (colophon)\u003cbr data-start=\"2036\" data-end=\"2039\"\u003ePages: Unpaginated\u003cbr data-start=\"2057\" data-end=\"2060\"\u003ePublisher \/ Editor: Steidl \/ De Bezige Bij\u003cbr data-start=\"2102\" data-end=\"2105\"\u003eISBN: 978-3-86521-443-0\u003cbr data-start=\"2128\" data-end=\"2131\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51758388871506,"sku":null,"price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_6ff418df-3f2e-4331-a0bd-6329134657f1.jpg?v=1768300274"},{"product_id":"leni-riefenstahl-die-nuba-1976","title":"Die Nuba — Riefenstahl’s Ritual Eye","description":"\u003cp data-start=\"108\" data-end=\"655\"\u003eThis book by Leni Riefenstahl, \u003cem data-start=\"139\" data-end=\"149\"\u003eDie Nuba\u003c\/em\u003e, published in this 2002 reprint by Komet Verlag, is part of the Darwin Bookshop because it remains one of the most visually charged — and ethically fraught — documents in 20th-century photographic history. First released in the 1970s, \u003cem data-start=\"385\" data-end=\"395\"\u003eDie Nuba\u003c\/em\u003e is the result of Riefenstahl’s extensive visits to the Nuba peoples of southern Sudan, where she produced a highly stylised and choreographed photographic record of ritual, body painting, wrestling, and masculinity, rendered in rich colour and idealised form.\u003c\/p\u003e\n\u003cp data-start=\"657\" data-end=\"1293\"\u003eThe book is saturated with tension: between ethnography and performance, admiration and appropriation. Riefenstahl — best known for her cinematic propaganda under the Third Reich — brought the same aesthetic of physical perfection and mythic composition to these images, which critics have long debated as both a celebration of beauty and an extension of fascist visual logic. In \u003cem data-start=\"1037\" data-end=\"1047\"\u003eDie Nuba\u003c\/em\u003e, bodies are offered up not as individuals, but as archetypes — framed by the sun, the sand, the gaze of the outsider. It is a troubling and essential object for anyone tracking the intersections of image, race, power, and the politics of seeing.\u003c\/p\u003e\n\u003cp data-start=\"1295\" data-end=\"1314\"\u003e\u003cstrong data-start=\"1295\" data-end=\"1314\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1316\" data-end=\"1706\"\u003eTitle: Die Nuba\u003cbr data-start=\"1331\" data-end=\"1334\"\u003eArtist \/ Author: Leni Riefenstahl\u003cbr data-start=\"1367\" data-end=\"1370\"\u003eDate: Originally 1976; this edition 2002\u003cbr data-start=\"1410\" data-end=\"1413\"\u003eTechnique \/ Printing Method: Colour offset printing\u003cbr data-start=\"1464\" data-end=\"1467\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"1496\" data-end=\"1499\"\u003eDimensions: Approx. 24 x 32 cm\u003cbr data-start=\"1529\" data-end=\"1532\" data-is-only-node=\"\"\u003ePages: Unspecified\u003cbr data-start=\"1550\" data-end=\"1553\"\u003ePublisher \/ Editor: Komet Verlag (originally Riefenstahl Produktion)\u003cbr data-start=\"1621\" data-end=\"1624\"\u003eISBN: 3-933366-41-0\u003cbr data-start=\"1643\" data-end=\"1646\"\u003eLanguage: German\u003cbr data-start=\"1662\" data-end=\"1665\"\u003eCondition: Good (based on visible wear)\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51758397522258,"sku":null,"price":85.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_1_61907c60-8a19-431e-bc49-ae43f664b3bc.jpg?v=1768386280"},{"product_id":"cafe-lehmitz-anders-petersen-1985","title":"Café Lehmitz (Signed Pocket Edition) — Anders Petersen, 1985","description":"\u003cp data-start=\"133\" data-end=\"638\"\u003eThis signed pocket edition of \u003cem data-start=\"163\" data-end=\"177\"\u003eCafé Lehmitz\u003c\/em\u003e, published in 1985 by Schirmer\/Mosel, is Anders Petersen’s own preferred version of his most iconic book. Originally released in 1978, \u003cem data-start=\"313\" data-end=\"327\"\u003eCafé Lehmitz\u003c\/em\u003e launched Petersen’s career and redefined the language of documentary photography. Shot in a working-class bar on the Reeperbahn in Hamburg between 1968 and 1970, the work is a raw, affectionate portrait of a place where rules collapse: sex workers, drunks, lovers, loners — all held in the same intimate frame.\u003c\/p\u003e\n\u003cp data-start=\"640\" data-end=\"1232\"\u003ePetersen doesn’t observe from a distance. He drinks, touches, stays the night. The images are grainy, close, messy, full of flash and emotion. There is no moral hierarchy, only physical proximity and shared time. What makes \u003cem data-start=\"864\" data-end=\"878\"\u003eCafé Lehmitz\u003c\/em\u003e endure is its lack of performance — the trust is real, and the camera feels like part of the furniture. It’s a book that changed the terms for later photographers like Nan Goldin or Antoine d’Agata, proving that documentary could be personal, chaotic, and brutally tender. A cornerstone of postwar European photography, still unmatched in its sincerity.\u003c\/p\u003e\n\u003cp data-start=\"1234\" data-end=\"1594\"\u003eTechnical Sheet\u003cbr data-start=\"1249\" data-end=\"1252\"\u003eTitle: Café Lehmitz (Signed Pocket Edition)\u003cbr data-start=\"1295\" data-end=\"1298\"\u003eArtist \/ Author: Anders Petersen\u003cbr data-start=\"1330\" data-end=\"1333\"\u003eDate: 1985 edition (originally 1978)\u003cbr data-start=\"1369\" data-end=\"1372\"\u003eEdition: Signed\u003cbr data-start=\"1387\" data-end=\"1390\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1425\" data-end=\"1428\"\u003eMedium \/ Materials: Softcover\u003cbr data-start=\"1457\" data-end=\"1460\"\u003eDimensions (cm): Approx. 12 × 18\u003cbr data-start=\"1492\" data-end=\"1495\"\u003eLanguage: German\u003cbr data-start=\"1511\" data-end=\"1514\"\u003ePages: Approx. 120\u003cbr data-start=\"1532\" data-end=\"1535\"\u003ePublisher \/ Editor: Schirmer\/Mosel\u003cbr data-start=\"1569\" data-end=\"1572\"\u003eCondition: Very good\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51776958202194,"sku":null,"price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_2.jpg?v=1770110366"},{"product_id":"aka-ana-antoine-d-agata-2017","title":"赤穴 (Aka Ana) — Antoine d'Agata, AKAAKA 2017","description":"\u003cp data-end=\"397\" data-start=\"79\"\u003e \u003c\/p\u003e\n\u003cp data-end=\"240\" data-start=\"206\"\u003e\u003cstrong data-end=\"240\" data-start=\"206\"\u003e赤穴 (Aka Ana) — Antoine d'Agata\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"634\" data-start=\"242\"\u003eThis photobook by French photographer Antoine d’Agata, \u003cem data-end=\"306\" data-start=\"297\"\u003eAka Ana\u003c\/em\u003e (\u003cem data-end=\"318\" data-start=\"308\"\u003eRed Hole\u003c\/em\u003e), published in 2017 by Akaaka Art Publishing, is part of the Darwin Bookshop because it enters the erotic and existential void with unrelenting intensity. Shot in Japan over years of immersion in Tokyo’s underworld, the book documents not a place but a descent—into sex, fever, narcotics, and photographic collapse.\u003c\/p\u003e\n\u003cp data-end=\"1124\" data-start=\"636\"\u003eD’Agata's work in \u003cem data-end=\"663\" data-start=\"654\"\u003eAka Ana\u003c\/em\u003e fuses diaristic self-representation with performative and often collaborative acts of intimacy. Bodies blur, dissolve, burn under red light. The photographs are grainy, saturated, and immersive, often unreadable in a conventional sense—yet entirely legible in their physical and emotional charge. The cover itself is a veil: a naked figure partly obscured, with the title’s two kanji—赤 (red) and 穴 (hole)—cut directly into the surface like wounds or apertures.\u003c\/p\u003e\n\u003cp data-end=\"1535\" data-start=\"1126\"\u003eThis Japanese edition stands out for its production: heavy matte paper, rich inks, and the precise violence of the die-cut jacket. Signed by d’Agata in Arles, the book carries the trace of one of contemporary photography’s most transgressive presences. At Darwin, \u003cem data-end=\"1399\" data-start=\"1390\"\u003eAka Ana\u003c\/em\u003e is held as a core work in the photobook canon of embodied experience and radical exposure—where sex is no longer subject but condition.\u003c\/p\u003e\n\u003cp data-end=\"1556\" data-start=\"1537\"\u003e\u003cstrong data-end=\"1556\" data-start=\"1537\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1955\" data-start=\"1558\"\u003eTitle: 赤穴 (Aka Ana)\u003cbr data-end=\"1580\" data-start=\"1577\"\u003eArtist \/ Author: Antoine d’Agata\u003cbr data-end=\"1615\" data-start=\"1612\"\u003eDate: 2017\u003cbr data-end=\"1628\" data-start=\"1625\"\u003eTechnique \/ Printing Method: Offset printing, die-cut cover\u003cbr data-end=\"1690\" data-start=\"1687\"\u003eMedium \/ Materials: Hardcover with printed dust jacket\u003cbr data-end=\"1747\" data-start=\"1744\"\u003eDimensions: approx. 22 × 28 cm\u003cbr data-end=\"1780\" data-start=\"1777\"\u003eLanguage: Japanese, English, French\u003cbr data-end=\"1818\" data-start=\"1815\"\u003ePages: Unpaginated\u003cbr data-end=\"1839\" data-start=\"1836\"\u003ePublisher \/ Editor: Akaaka Art Publishing\u003cbr data-end=\"1883\" data-start=\"1880\"\u003eISBN: 978-4-86541-079-0\u003cbr data-end=\"1909\" data-start=\"1906\"\u003eSigned: Yes (signed in Arles)\u003cbr data-end=\"1941\" data-start=\"1938\"\u003eCondition: MINT\u003c\/p\u003e","brand":"AKAAKA","offers":[{"title":"Default Title","offer_id":51777089831250,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_90e2f80b-f9c0-4c85-b11a-ebfc8a1873f9.jpg?v=1768063361"},{"product_id":"pornografie-klaus-staeck-1971","title":"Pornografie – Klaus Staeck, 1971","description":"\u003cp data-end=\"316\" data-start=\"86\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-start=\"99\" data-end=\"529\"\u003eThis artist’s book by Klaus Staeck, completed in 1970 and published in 1971 by Anabas Verlag, is part of the Darwin Bookshop because it offers a caustic, politically charged redefinition of pornography—not of sex, but of violence, media and state power. The title \u003cem data-start=\"363\" data-end=\"376\"\u003ePornografie\u003c\/em\u003e is a provocation: what unfolds inside is not erotic at all, but a dense visual essay on the obscenity of authority and the mass spectacle of repression.\u003c\/p\u003e\n\u003cp data-start=\"531\" data-end=\"1020\"\u003eStaeck, a key figure in postwar German political art, assembles a barrage of press photographs, protest images, police brutality, and tabloid fragments. Riot police in helmets become recurring motifs, their visors pixelated like censored genitals. The graphic language is stark: black backgrounds, aggressive crops, and a montage style indebted to Dada and Situationism. It reads like a dossier, a piece of forensic resistance against the hypocritical moral codes of the West German state.\u003c\/p\u003e\n\u003cp data-start=\"1022\" data-end=\"1375\"\u003ePublished at a moment of deep unrest—shortly after 1968, amid RAF trials and violent protest crackdowns—\u003cem data-start=\"1126\" data-end=\"1139\"\u003ePornografie\u003c\/em\u003e is not a photobook in the classic sense but a critical object. It weaponises design to ask: What kind of images are allowed to circulate, and which ones are suppressed? What violence is deemed acceptable, and which bodies are punished?\u003c\/p\u003e\n\u003cp data-start=\"1377\" data-end=\"1495\"\u003eA rare early work by one of Germany’s most radical image-makers, and a chilling document of mediated authoritarianism.\u003c\/p\u003e\n\u003cp data-start=\"1497\" data-end=\"1516\"\u003e\u003cstrong data-start=\"1497\" data-end=\"1516\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1518\" data-end=\"1537\"\u003eTitle\u003cbr data-start=\"1523\" data-end=\"1526\"\u003ePornografie\u003c\/p\u003e\n\u003cp data-start=\"1539\" data-end=\"1569\"\u003eArtist \/ Author\u003cbr data-start=\"1554\" data-end=\"1557\"\u003eKlaus Staeck\u003c\/p\u003e\n\u003cp data-start=\"1571\" data-end=\"1582\"\u003eDate\u003cbr data-start=\"1575\" data-end=\"1578\"\u003e1971\u003c\/p\u003e\n\u003cp data-start=\"1584\" data-end=\"1629\"\u003eTechnique \/ Printing Method\u003cbr data-start=\"1611\" data-end=\"1614\"\u003eOffset printing\u003c\/p\u003e\n\u003cp data-start=\"1631\" data-end=\"1661\"\u003eMedium \/ Materials\u003cbr data-start=\"1649\" data-end=\"1652\"\u003eSoftcover\u003c\/p\u003e\n\u003cp data-start=\"1663\" data-end=\"1695\"\u003eDimensions (cm)\u003cbr data-start=\"1678\" data-end=\"1681\"\u003e29.5 x 23.5 cm\u003c\/p\u003e\n\u003cp data-start=\"1697\" data-end=\"1714\"\u003eLanguage\u003cbr data-start=\"1705\" data-end=\"1708\"\u003eGerman\u003c\/p\u003e\n\u003cp data-start=\"1716\" data-end=\"1749\"\u003ePages\u003cbr data-start=\"1721\" data-end=\"1724\"\u003eUnpaginated (approx. 120)\u003c\/p\u003e\n\u003cp data-start=\"1751\" data-end=\"1810\"\u003ePublisher \/ Editor\u003cbr data-start=\"1769\" data-end=\"1772\"\u003eAnabas Verlag \/ H.C. Schmolck (Editor)\u003c\/p\u003e\n\u003cp data-start=\"1812\" data-end=\"1832\"\u003eISBN\u003cbr data-start=\"1816\" data-end=\"1819\"\u003e3-87038-020-9\u003c\/p\u003e\n\u003cp data-start=\"1834\" data-end=\"1889\"\u003eCondition\u003cbr data-start=\"1843\" data-end=\"1846\"\u003eUsed — cover has damage, and some pages are detached \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51777156972882,"sku":null,"price":280.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_ecc19558-ee61-4f7e-ae3b-860d3ef56606.jpg?v=1768213758"},{"product_id":"antoine-d-agata-amp-francis-bacon-2020","title":"Francis Bacon \/ Antoine d’Agata — Antoine d’Agata (signed)","description":"\u003cp data-end=\"288\" data-start=\"91\"\u003e \u003c\/p\u003e\n\u003cp\u003eThis double-volume publication by Antoine d’Agata, published by The Eyes in 2020, is part of the Darwin Bookshop because it stages a visceral encounter between two artists who work the body into a site of rupture, obsession and metaphysical unease. Bound in black covers with bold red titling—one volume bearing d’Agata’s name, the other Bacon’s—the set is a dark duet of violence and intimacy, painting and photography, flesh and shadow.\u003c\/p\u003e\n\u003cp data-start=\"562\" data-end=\"1103\"\u003eD’Agata’s photographs push the edge of visibility: blurred, overexposed, limbs contorted mid-act, his subjects half-submerged in narcotic or erotic delirium. The camera becomes an extension of the body, implicating both author and viewer in acts that reject moral clarity. Printed on dense Munken Lynx paper, these images are paired against works by Francis Bacon, reproduced from the ISC Modern Art Gallery, that echo with similar convulsions—painted torsos split by mirrors, human forms crumpling into furniture, desire rendered grotesque.\u003c\/p\u003e\n\u003cp data-start=\"1105\" data-end=\"1467\"\u003eThis second edition also includes essays by Bruno Sabatier, Perrine Le Querrec and Léa Bismuth, who reflect on the links between these two visual vocabularies of pain. It is a rare editorial pairing, not just comparative but dialogic. D’Agata does not interpret Bacon—he inhabits him, pushing photography to match the painter’s capacity for existential violence.\u003c\/p\u003e\n\u003cp data-start=\"1469\" data-end=\"1488\"\u003e\u003cstrong data-start=\"1469\" data-end=\"1488\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1490\" data-end=\"1529\"\u003eTitle\u003cbr data-start=\"1495\" data-end=\"1498\"\u003eFrancis Bacon \/ Antoine d’Agata\u003c\/p\u003e\n\u003cp data-start=\"1531\" data-end=\"1564\"\u003eArtist \/ Author\u003cbr data-start=\"1546\" data-end=\"1549\"\u003eAntoine d’Agata\u003c\/p\u003e\n\u003cp data-start=\"1566\" data-end=\"1599\"\u003eDate\u003cbr data-start=\"1570\" data-end=\"1573\"\u003e2020 (second edition 2021)\u003c\/p\u003e\n\u003cp data-start=\"1601\" data-end=\"1646\"\u003eTechnique \/ Printing Method\u003cbr data-start=\"1628\" data-end=\"1631\"\u003eOffset printing\u003c\/p\u003e\n\u003cp data-start=\"1648\" data-end=\"1713\"\u003eMedium \/ Materials\u003cbr data-start=\"1666\" data-end=\"1669\"\u003eSoftcover, two-volume set housed in slipcase\u003c\/p\u003e\n\u003cp data-start=\"1715\" data-end=\"1739\"\u003eEdition\u003cbr data-start=\"1722\" data-end=\"1725\"\u003eSecond edition\u003c\/p\u003e\n\u003cp data-start=\"1741\" data-end=\"1785\"\u003eSigned\u003cbr data-start=\"1747\" data-end=\"1750\"\u003eYes (signed by d’Agata, dated 2021)\u003c\/p\u003e\n\u003cp data-start=\"1787\" data-end=\"1835\"\u003eDimensions (cm)\u003cbr data-start=\"1802\" data-end=\"1805\"\u003eEach volume approx. 24 x 17 cm\u003c\/p\u003e\n\u003cp data-start=\"1837\" data-end=\"1854\"\u003eLanguage\u003cbr data-start=\"1845\" data-end=\"1848\"\u003eFrench\u003c\/p\u003e\n\u003cp data-start=\"1856\" data-end=\"1900\"\u003ePages\u003cbr data-start=\"1861\" data-end=\"1864\"\u003eNot stated (approx. 100+ per volume)\u003c\/p\u003e\n\u003cp data-start=\"1902\" data-end=\"1942\"\u003ePublisher \/ Editor\u003cbr data-start=\"1920\" data-end=\"1923\"\u003eThe Eyes Publishing\u003c\/p\u003e\n\u003cp data-start=\"1944\" data-end=\"1968\"\u003eISBN\u003cbr data-start=\"1948\" data-end=\"1951\"\u003e979-10-92727-42-5\u003c\/p\u003e\n\u003cp data-start=\"1970\" data-end=\"1985\"\u003eCondition\u003cbr data-start=\"1979\" data-end=\"1982\"\u003eNew\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51777162346834,"sku":null,"price":180.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_2_95dd4294-39b2-4d9e-9e1c-da97a9db5801.jpg?v=1768211063"},{"product_id":"johan-lundberg-another-day-of-life-in-romanipen","title":"ANOTHER DAY OF LIFE in Romanipen — Johan Lundberg","description":"\u003cp data-start=\"150\" data-end=\"628\"\u003eThis photobook by Johan Lundberg, published in 2005 by Journal (Sweden)  offers a direct, unfiltered gaze into Roma communities in the Balkans—seen not through the lens of distance, but through time, presence, and a slow, patient form of witnessing. \u003cem data-start=\"442\" data-end=\"476\"\u003eAnother Day of Life in Romanipen\u003c\/em\u003e is a rare work of embedded photography, rooted in long-term engagement and crafted with deep respect for the dignity and daily rhythms of its subjects.\u003c\/p\u003e\n\u003cp data-start=\"630\" data-end=\"1017\"\u003eShot between the late 1990s and early 2000s, Lundberg’s images capture the intimacy of everyday life—rooms dimly lit in natural shadow, families gathered in fragile domestic space, eyes meeting the camera without performance. The cover photograph, a young woman reclined and watching, framed in a cloth-walled interior, sets the tone for the book: contemplative, close, and deeply human.\u003c\/p\u003e\n\u003cp data-start=\"1019\" data-end=\"1388\"\u003eBound in raw linen with a tipped-in print, the book’s design mirrors its content—quiet, tactile, and unadorned. It avoids both exoticism and sentimentalism, refusing to editorialise or over-explain. These are lives seen from within, structured by Romanipen, the invisible code of Roma identity and tradition, rarely represented from this position of proximity and care.\u003c\/p\u003e\n\u003cp data-start=\"1390\" data-end=\"1697\"\u003eSupported by the Olof Palme International Center and Sida, and printed with integrity in Verona, this first edition is a testament to what happens when a photographer listens more than he looks. It belongs in Darwin as a document of cultural resistance, visual tenderness, and ethical photographic practice.\u003c\/p\u003e\n\u003cp data-start=\"1699\" data-end=\"2086\"\u003e\u003cstrong data-start=\"1699\" data-end=\"1718\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1718\" data-end=\"1721\"\u003eTitle: Another Day of Life in Romanipen\u003cbr data-start=\"1760\" data-end=\"1763\"\u003eArtist \/ Author: Johan Lundberg\u003cbr data-start=\"1794\" data-end=\"1797\"\u003eDate: 2005\u003cbr data-start=\"1807\" data-end=\"1810\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1845\" data-end=\"1848\"\u003eMedium \/ Materials: Hardcover with tipped-in image, linen bound\u003cbr data-start=\"1911\" data-end=\"1914\"\u003eDimensions (cm): approx. 28 × 24 cm\u003cbr data-start=\"1949\" data-end=\"1952\"\u003eLanguage: English, Romani\u003cbr data-start=\"1977\" data-end=\"1980\"\u003ePages: Approx. 150\u003cbr data-start=\"1998\" data-end=\"2001\"\u003ePublisher \/ Editor: Journal, Stockholm\u003cbr data-start=\"2039\" data-end=\"2042\"\u003eISBN: 91-974894-9-2\u003cbr data-start=\"2061\" data-end=\"2064\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51821523730770,"sku":null,"price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/Screenshot2026-01-13at13.28.03.png?v=1768307505"},{"product_id":"alfonso-publio-lopez-mondejar","title":"ALFONSO — Publio López Mondéjar","description":"\u003cp\u003e\u003cspan\u003eThis richly illustrated volume documents the remarkable output of the photographic agency “Alfonso” founded by Alfonso Sánchez García and carried on by his sons, as they documented Spanish society, culture and politics across five decades. Editor and historian Publio López Mondéjar curates the images into a compelling narrative of Spain’s 20th‑century transformations—from monarchies and republics, through civil war and beyond. The current edition presents a generous format (approx. 29 × 29 cm) and features a wide range of images that bring to life the street, the studio, the event and the quiet moment alike. A key reference for historians of photography, visual culture and Spanish social history.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Book\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: ALFONSO: cincuenta años de historia de España\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAuthor \/ Editor: Publio López Mondéjar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2002 (first edition)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset printing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Hardcover (or large‑format softcover depending on edition)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: First edition 2002, reprints exist\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: No\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: N\/A\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: circa 29 × 29 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: Spanish\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages: 241 pages\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: Lunwerg Editores \/ Círculo de Bellas Artes \/ Obra Social Caja Madrid, Madrid\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eISBN: 84‑7782‑922‑5\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: AVAILABLE NEW \u0026amp; USED\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51875864969554,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_2_c9ba374c-f149-40e2-b30a-cec94430d9be.jpg?v=1768031633"},{"product_id":"frenchkiss-anders-petersen","title":"frenchkiss – Anders Petersen","description":"\u003cp\u003e\u003cspan\u003eWith frenchkiss, Swedish master photographer Anders Petersen constructs a visual diary suspended between feral tenderness and nocturnal disquiet. The title, a whisper of sensual provocation, sets the tone for a book where affection and estrangement constantly collide. Famous for his immersive, grain-rich black and white photography, Petersen turns his lens on the creatures—both human and animal—that haunt the edges of society. His cat, eyes shining like twin mirrors, stares from the cover as both sentinel and symbol: elusive, independent, wounded.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOriginally published in 2008 by Images En Manœuvres Éditions in Marseille, this volume is the kind of intimate, physically compact photobook that invites handling and re-reading. It feels like a notebook from the underworld, filled with images torn from the skin of life—fleeting, tactile, instinctive. There are no captions, no anchors. Only instinct.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePart of a pan-European co-edition that included Dewi Lewis Publishing (UK), La Fábrica (Spain), Peliti Associati (Italy), and Kehrer Verlag (Germany), frenchkiss is a testament to Petersen’s enduring influence on photographic language—visceral, unsentimental, and strangely tender.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Photobook\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: frenchkiss\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Anders Petersen\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2008\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset printing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Hardcover with printed boards\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: First edition\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: No\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 19 x 12.5 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: English\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages: 116\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: Images En Manœuvres Éditions (France), with Dewi Lewis Publishing (UK), La Fábrica Editorial (Spain), Peliti Associati (Italy), Kehrer Verlag (Germany)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eISBN: 978-2-8499-5088-8\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: new \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51896016634194,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_8.jpg?v=1768030819"},{"product_id":"manila-ricky-davila-alberto-garcia-alix-2005","title":"Manila,\nRicky Dávila \u0026 Alberto García-Alix, 2005","description":"\u003cp\u003e\u003cspan\u003eManila is a photobook that stares you down. On its cover, a young boxer — helmeted, defiant — embodies the raw intensity that defines this visual journey. Created by Spanish photographer Ricky Dávila and accompanied by the prose of Alberto García-Alix, this 2005 edition plunges into the urban soul of the Philippine capital with unflinching intimacy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe book unfolds like a fight sequence: moments of stillness followed by abrupt punches of emotion. Dávila’s black-and-white portraits — gritty, tender, immediate — sketch a Manila of paradoxes, shaped by survival, masculinity, and fleeting grace. The inclusion of boxers, street kids, and religious icons channels both ethnographic attention and poetic immediacy, in the spirit of classic humanist documentary photography.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGarcía-Alix’s text adds a voice to the images: introspective, dislocated, full of dark lyricism. Together, the visual and written narratives build a portrait of distance — geographical, emotional, existential — seen through the filter of an outsider who is anything but detached.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by Gran Sol Comunicación Visual, this book accompanied an exhibition curated by Alejandro Castellote and remains a compelling testament to the power of visual storytelling beyond borders.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Photobook\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: Manila, Photobook\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAuthors: Ricky Dávila (photographs), Alberto García-Alix (text)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2005\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset printing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Paper, hardcover\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: Gran Sol Comunicación Visual S.L.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: Spanish\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eISBN: 84-609-5412-9\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages: Not specified\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: Not specified\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Excellent\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51942948897106,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_1.jpg?v=1767990865"},{"product_id":"cartas-al-director-cristina-de-middel","title":"Cartas al Director – Cristina de Middel","description":"\u003cp\u003e\u003cspan\u003eA striking catalogue of journalistic gesture and photographic inquiry.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIn this monumental work, Cristina de Middel reinterprets the act of writing “letters to the editor” as a potent tool of narrative subversion and photographic storytelling. Conceived as both a book and an exhibition companion, this boxed set unfolds with the graphic logic of a newspaper, echoing the aesthetics of mass media while challenging its conventions. Within the box lie four distinct bodies of work — Journey to the Center, Gentlemen’s Club, The Kabuler, and Vida y milagros de Paula P. — each a fragment of her long-standing inquiry into power, gender, conflict, and constructed realities.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDe Middel assembles newsprint, photography, and visual essays in an oversized, sculptural format, inviting the reader to navigate the layered zones between information and fiction. The piece recalls her early career as a photojournalist while pushing the limits of what documentary form can be. Designed with bold typographies, wrap-around folds, and varied print formats, Cartas al Director becomes a letter of its own: open-ended, sharp, and deeply personal.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e\u003cimg\u003eObject: Artist Book \/ Boxed Set\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: Cartas al Director\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Cristina de Middel\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2023\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset, folded inserts\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Paper, card, box\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: Not specified\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: No\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 32 × 22 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: Spanish \/ English\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages: Approx. 120–190 (varies by component)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: Consejería de Cultura, Turismo y Deporte (Madrid)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eISBN: 978-84-451-4066-6\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51956902330706,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_5.jpg?v=1768030535"},{"product_id":"viviane-sassen-phosphor-art-fashion-1990-2023","title":"VIVIANE SASSEN — PHOSPHOR: Art \u0026 Fashion 1990–2023","description":"\u003cp data-end=\"585\" data-start=\"123\"\u003eThis monograph by Viviane Sassen, published by Prestel in 2023, is part of the Darwin Bookshop because it captures three decades of one of the most influential photographic voices in contemporary art and fashion. Drawing no clear line between the two, \u003cem data-end=\"385\" data-start=\"375\"\u003ePhosphor\u003c\/em\u003e moves between editorial, personal, and experimental modes—fusing fashion commissions with deeply surreal portraiture, performance, and photographic interventions that cut, mask, and double the image.\u003c\/p\u003e\n\u003cp data-end=\"1122\" data-start=\"587\"\u003eFrom the stark monochromes of her 1990s work for \u003cem data-end=\"644\" data-start=\"636\"\u003ePurple\u003c\/em\u003e to the vivid pigment-saturated bodies and shadows of her later African series, this is Sassen at her most fearless—pushing photographic form through colour fields, hard light, and uncanny gesture. Her women bend backwards over stone or merge into print like hallucinations; reflections multiply in crushed mirrors; colour is never illustrative, but constitutive. Throughout, Sassen reclaims the female image from passive display, letting it become abstract, rhythmic, eruptive.\u003c\/p\u003e\n\u003cp data-end=\"1443\" data-start=\"1124\"\u003eNot a greatest-hits anthology, but an artist’s archive in flux, \u003cem data-end=\"1198\" data-start=\"1188\"\u003ePhosphor\u003c\/em\u003e stages a restless visual language shaped by fashion’s surface and art’s interior demands. Sassen’s work resists the boundary between applied image and conceptual inquiry, dissolving fashion photography into something stranger and more electric.\u003c\/p\u003e\n\u003cp data-end=\"1464\" data-start=\"1445\"\u003e\u003cstrong data-end=\"1464\" data-start=\"1445\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1787\" data-start=\"1466\"\u003eTitle: \u003cem data-end=\"1525\" data-start=\"1473\"\u003eViviane Sassen — Phosphor: Art \u0026amp; Fashion 1990–2023\u003c\/em\u003e\u003cbr data-end=\"1528\" data-start=\"1525\"\u003eArtist \/ Author: Viviane Sassen\u003cbr data-end=\"1562\" data-start=\"1559\"\u003eDate: 2023\u003cbr data-end=\"1575\" data-start=\"1572\"\u003eTechnique \/ Printing Method: Colour and black-and-white photography, mixed media, collage\u003cbr data-end=\"1667\" data-start=\"1664\"\u003eMedium \/ Materials: Hardback monograph\u003cbr data-end=\"1708\" data-start=\"1705\"\u003eLanguage: English\u003cbr data-end=\"1728\" data-start=\"1725\"\u003ePages: 320\u003cbr data-end=\"1741\" data-start=\"1738\"\u003ePublisher \/ Editor: Prestel\u003cbr data-end=\"1771\" data-start=\"1768\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52431974957394,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_3_d5d915b4-a196-42eb-8dbe-58a70ef6e3c6.jpg?v=1768213242"},{"product_id":"sketches-viviane-sassen-polaroids-made-in-africa-2002-2010","title":"Sketches — Viviane Sassen: Polaroids Made in Africa 2002–2010","description":"\u003cp data-start=\"134\" data-end=\"583\"\u003eThis photobook by Viviane Sassen, published in 2015 by Kominek Books, is part of the Darwin archive because it opens a raw, intimate window into the artist’s early African work and her visual process. \u003cem data-start=\"335\" data-end=\"345\"\u003eSketches\u003c\/em\u003e is not a retrospective, but a loose constellation of ideas—fleeting, sensuous, almost overheard—drawn from Polaroids shot during her travels across the continent between 2002 and 2010, during the period of the landmark \u003cem data-start=\"565\" data-end=\"575\"\u003eFlamboya\u003c\/em\u003e series.\u003c\/p\u003e\n\u003cp data-start=\"585\" data-end=\"1029\"\u003eSassen uses the instant medium not for nostalgia, but for immediacy: compositions are experimental, tactile, layered. The images—children with flowers in their mouths, arms interlaced beneath the beach sun, bodies caught in patterns of shadow and pigment—arrive not as resolved works but as visual thinking in motion. Reproduced as stacks and overlays of images, the book mimics the feel of an artist’s desk or a contact sheet brought to life.\u003c\/p\u003e\n\u003cp data-start=\"1031\" data-end=\"1320\"\u003eDesigned by Sybren Kuiper with a restrained yet sensorial materiality—embossed cardboard cover, black thread stitching—the publication feels like a sculptural object. It’s a minor book in the best sense: modest, searching, and elemental. 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Modigh’s camera lingers on the ordinary in ways that sharpen it: a woman in a yellow tube top squats beneath a freeway, haloed in asphalt light; another sits among stray cats and broken furniture, defiantly still. There is no spectacle here—only a steady, human warmth pressed into the slow violence of poverty, geography and time. The South, in Modigh’s view, is not a story to be solved but a climate to be felt. This is America as it lives at ground level: with beauty, with weight, and with no need to explain itself.\u003c\/p\u003e\n\u003cp data-start=\"1112\" data-end=\"1398\"\u003e\u003cstrong data-start=\"1112\" data-end=\"1131\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1131\" data-end=\"1134\"\u003eTitle: \u003cem data-start=\"1141\" data-end=\"1159\"\u003eHurricane Season\u003c\/em\u003e\u003cbr data-start=\"1159\" data-end=\"1162\"\u003eArtist \/ Author: Hannah Modigh\u003cbr data-start=\"1192\" data-end=\"1195\"\u003eDate: 2019\u003cbr data-start=\"1205\" data-end=\"1208\"\u003eTechnique \/ Printing Method: Colour offset\u003cbr data-start=\"1250\" data-end=\"1253\" data-is-only-node=\"\"\u003eMedium \/ Materials: Hardcover photobook\u003cbr data-start=\"1292\" data-end=\"1295\"\u003eLanguage: English\u003cbr data-start=\"1312\" data-end=\"1315\"\u003ePages: 128\u003cbr data-start=\"1325\" data-end=\"1328\"\u003ePublisher \/ Editor: Max Ström\u003cbr data-start=\"1357\" data-end=\"1360\"\u003eISBN: 9789171264899\u003cbr data-start=\"1379\" data-end=\"1382\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52432102064466,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_e84d9d1c-cd58-4687-b4d7-d63f1cf8a961.jpg?v=1768307721"},{"product_id":"bagara-ed-van-der-elsken","title":"Bagara — Ed van der Elsken","description":"\u003cp data-start=\"128\" data-end=\"544\"\u003e\u003cem data-start=\"128\" data-end=\"136\"\u003eBagara\u003c\/em\u003e is a striking 1958 photobook by legendary Dutch photographer Ed van der Elsken, capturing his visual impressions of equatorial Africa during a period of extensive travel. Shot predominantly in the then-Belgian Congo and surrounding regions, the work offers a raw, deeply personal, and at times controversial portrait of African life—filtered through van der Elsken’s signature cinematic and humanistic lens.\u003c\/p\u003e\n\u003cp data-start=\"546\" data-end=\"921\"\u003eFar from a documentary in the traditional sense, \u003cem data-start=\"595\" data-end=\"603\"\u003eBagara\u003c\/em\u003e leans into a sensual and highly subjective mode of image-making. The photographs—often dramatic and intimate—focus on gesture, movement, and the physical presence of the people he encountered, particularly young African women, which has led to both admiration for its visual power and criticism for its colonial gaze.\u003c\/p\u003e\n\u003cp data-start=\"923\" data-end=\"1161\"\u003ePublished by La Guilde du Livre (Switzerland) in a now-iconic large format with a bold typographic cover, \u003cem data-start=\"1029\" data-end=\"1037\"\u003eBagara\u003c\/em\u003e is considered one of van der Elsken’s most collectible early books and a cornerstone of postwar European photobook history.\u003c\/p\u003e\n\u003ch3 data-start=\"1168\" data-end=\"1191\"\u003e\u003cstrong data-start=\"1172\" data-end=\"1191\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul data-start=\"1193\" data-end=\"1644\"\u003e\n\u003cli data-start=\"1193\" data-end=\"1214\"\u003e\n\u003cp data-start=\"1195\" data-end=\"1214\"\u003e\u003cstrong data-start=\"1195\" data-end=\"1205\"\u003eTitle:\u003c\/strong\u003e Bagara\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1215\" data-end=\"1257\"\u003e\n\u003cp data-start=\"1217\" data-end=\"1257\"\u003e\u003cstrong data-start=\"1217\" data-end=\"1237\"\u003eArtist \/ Author:\u003c\/strong\u003e Ed van der Elsken\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1258\" data-end=\"1276\"\u003e\n\u003cp data-start=\"1260\" data-end=\"1276\"\u003e\u003cstrong data-start=\"1260\" data-end=\"1269\"\u003eDate:\u003c\/strong\u003e 1958\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1277\" data-end=\"1324\"\u003e\n\u003cp data-start=\"1279\" data-end=\"1324\"\u003e\u003cstrong data-start=\"1279\" data-end=\"1293\"\u003ePublisher:\u003c\/strong\u003e La Guilde du Livre, Lausanne\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1325\" data-end=\"1355\"\u003e\n\u003cp data-start=\"1327\" data-end=\"1355\"\u003e\u003cstrong data-start=\"1327\" data-end=\"1339\"\u003eEdition:\u003c\/strong\u003e First edition\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1356\" data-end=\"1406\"\u003e\n\u003cp data-start=\"1358\" data-end=\"1406\"\u003e\u003cstrong data-start=\"1358\" data-end=\"1369\"\u003eFormat:\u003c\/strong\u003e Hardcover with printed dust jacket\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1407\" data-end=\"1447\"\u003e\n\u003cp data-start=\"1409\" data-end=\"1447\"\u003e\u003cstrong data-start=\"1409\" data-end=\"1424\"\u003eDimensions:\u003c\/strong\u003e approx. 27.5 × 21 cm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1448\" data-end=\"1472\"\u003e\n\u003cp data-start=\"1450\" data-end=\"1472\"\u003e\u003cstrong data-start=\"1450\" data-end=\"1463\"\u003eLanguage:\u003c\/strong\u003e French\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1473\" data-end=\"1505\"\u003e\n\u003cp data-start=\"1475\" data-end=\"1505\"\u003e\u003cstrong data-start=\"1475\" data-end=\"1485\"\u003ePages:\u003c\/strong\u003e 110 (unpaginated)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1506\" data-end=\"1531\"\u003e\n\u003cp data-start=\"1508\" data-end=\"1531\"\u003e\u003cstrong data-start=\"1508\" data-end=\"1521\"\u003ePrinting:\u003c\/strong\u003e Gravure\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1532\" data-end=\"1611\"\u003e\n\u003cp data-start=\"1534\" data-end=\"1611\"\u003e\u003cstrong data-start=\"1534\" data-end=\"1548\"\u003eCondition:\u003c\/strong\u003e (fill in: Very Good \/ Good+ \/ edge wear \/ jacket worn, etc.)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52451151577426,"sku":null,"price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_8_70d0c0e0-5887-4085-b2fe-4e82d4278581.jpg?v=1768070242"},{"product_id":"anders-petersen-monograph","title":"ANDERS PETERSEN  -  Monograph","description":"\u003cp data-start=\"117\" data-end=\"616\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis book is by far the largest monograph of Petersen and his artistry. 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From the iconic Café Lehmitz to the intimate City Diaries, Petersen's camera remains unwaveringly close, drawn to fragility, connection, and the rituals of the everyday.\u003c\/p\u003e\n\u003cp data-start=\"117\" data-end=\"616\"\u003eThe layout of this volume is sober and generous, allowing his visual syntax to breathe: messy beds, clenched jaws, open shirts, eyes that speak before the lips.\u003c\/p\u003e\n\u003cp data-start=\"1600\" data-end=\"1619\"\u003e\u003cstrong data-start=\"1600\" data-end=\"1619\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1621\" data-end=\"1643\"\u003eTitle: Anders Petersen\u003c\/p\u003e\n\u003cp data-start=\"1645\" data-end=\"1677\"\u003eArtist \/ Author: Anders Petersen\u003c\/p\u003e\n\u003cp data-start=\"1679\" data-end=\"1689\"\u003eDate: 2003\u003c\/p\u003e\n\u003cp data-start=\"1691\" data-end=\"1735\"\u003eTechnique \/ Printing Method: Offset printing\u003c\/p\u003e\n\u003cp data-start=\"1737\" data-end=\"1783\"\u003eMedium \/ Materials: Hardcover with cloth spine\u003c\/p\u003e\n\u003cp data-start=\"1785\" data-end=\"1802\"\u003eLanguage: English\u003c\/p\u003e\n\u003cp data-start=\"1804\" data-end=\"1836\"\u003ePages: Approx. 280 (unpaginated)\u003c\/p\u003e\n\u003cp data-start=\"1838\" data-end=\"1879\"\u003ePublisher \/ Editor: Bokförlaget Max Ström\u003c\/p\u003e\n\u003cp data-start=\"1881\" data-end=\"1900\"\u003eISBN: 9789171262837\u003c\/p\u003e\n\u003cp data-start=\"1902\" data-end=\"1916\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52465379311954,"sku":null,"price":27.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/Photoroom_20260112_141302.jpg?v=1768295146"},{"product_id":"anticorps-antoine-d-agata","title":"ANTICORPS — Antoine d’Agata, ATELIER EXB 2013","description":"\u003cp data-start=\"126\" data-end=\"537\"\u003e\u003cem data-start=\"326\" data-end=\"337\"\u003eAnticorps\u003c\/em\u003e spans twelve years of d’Agata’s life and work, a descent into the underside of desire, addiction, and nocturnal survival, where the camera serves as both weapon and witness. It is a book that bleeds.\u003c\/p\u003e\n\u003cp data-start=\"539\" data-end=\"1028\"\u003ePhotographed in motel rooms, brothels, crack dens and the blurred peripheries of cities, \u003cem data-start=\"628\" data-end=\"639\"\u003eAnticorps\u003c\/em\u003e resists clarity in both form and content. Images collapse into grain, blur, overexposure, flesh and shadow—where the body appears less as a subject than as a battleground. D’Agata’s visual language, influenced by Araki, Moriyama, and the radical fringe of Magnum (of which he is a member), refuses distance or detachment. These are not portraits, they are invasions—of self and of others.\u003c\/p\u003e\n\u003cp data-start=\"1030\" data-end=\"1460\"\u003eThe black cover gives nothing away. Inside, more than 700 pages of photographs and texts explode across the senses: diaristic, confrontational, at times violently intimate. It’s a work of photographic excess—ambitious, exhausting, and ethically uncomfortable. This is not a book that flatters the eye; it implicates the viewer, pulling them into a world where language and image begin to fail under the weight of lived experience.\u003c\/p\u003e\n\u003cp data-start=\"1462\" data-end=\"1694\"\u003e\u003cem data-start=\"1462\" data-end=\"1473\"\u003eAnticorps\u003c\/em\u003e remains one of the most important photobooks of the 21st century—an artefact of radical subjectivity and physical exposure, a book that belongs in the archive not for what it shows, but for what it dares to live through.\u003c\/p\u003e\n\u003cp data-start=\"1696\" data-end=\"2037\"\u003e\u003cstrong data-start=\"1696\" data-end=\"1715\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1715\" data-end=\"1718\"\u003eTitle: Anticorps\u003cbr data-start=\"1734\" data-end=\"1737\"\u003eArtist \/ Author: Antoine d’Agata\u003cbr data-start=\"1769\" data-end=\"1772\"\u003eDate: 2013\u003cbr data-start=\"1782\" data-end=\"1785\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1829\" data-end=\"1832\"\u003eMedium \/ Materials: Hardcover photobook\u003cbr data-start=\"1871\" data-end=\"1874\"\u003eDimensions (cm): approx. 24 × 32 cm\u003cbr data-start=\"1909\" data-end=\"1912\"\u003eLanguage: French\u003cbr data-start=\"1928\" data-end=\"1931\"\u003ePages: 728\u003cbr data-start=\"1941\" data-end=\"1944\"\u003ePublisher \/ Editor: Éditions Xavier Barral\u003cbr data-start=\"1986\" data-end=\"1989\"\u003eISBN: 978-2-36511-003-7\u003cbr data-start=\"2012\" data-end=\"2015\"\u003eCondition: Gently used\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52467238633810,"sku":null,"price":250.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/bookcover.jpg?v=1768302630"},{"product_id":"helmut-newton-legacy","title":"Helmut Newton — Legacy","description":"\u003cp data-start=\"131\" data-end=\"648\"\u003eThis photobook, \u003cem data-start=\"147\" data-end=\"170\"\u003eHelmut Newton: Legacy\u003c\/em\u003e, published by Taschen, distills the uncompromising visual language of one of the most controversial and influential photographers of the 20th century. Compiled in collaboration with the Helmut Newton Foundation, the book spans five decades of work — from Newton’s polished studio nudes to his brash fashion editorials and cinematic street portraits — revealing how his gaze shaped the erotic and aesthetic codes of modern image-making.\u003c\/p\u003e\n\u003cp data-start=\"650\" data-end=\"1186\"\u003eNewton’s photography is built on tension: between control and abandon, glamour and threat, intimacy and spectacle. He made women monumental, often armed with cigarettes, stilettos, or unapologetic stares. Whether shooting for \u003cem data-start=\"876\" data-end=\"883\"\u003eVogue\u003c\/em\u003e or on the streets of Monte Carlo, he turned the female figure into a sculptural, dangerous force — eroticised but never decorative. This legacy volume showcases iconic spreads alongside lesser-known works, forming a retrospective that is as much about image-making as it is about power and performance.\u003c\/p\u003e\n\u003cp data-start=\"1188\" data-end=\"1432\"\u003eDesigned at a scale befitting Newton’s bold compositions, the book immerses the reader in his fiercely stylised world. It’s not just a tribute, but a provocation — a reminder that photography can still unsettle, seduce, and challenge the frame.\u003c\/p\u003e\n\u003cp data-start=\"1434\" data-end=\"1453\"\u003e\u003cstrong data-start=\"1434\" data-end=\"1453\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1455\" data-end=\"1799\"\u003eTitle: Helmut Newton: Legacy\u003cbr data-start=\"1483\" data-end=\"1486\"\u003eArtist \/ Author: Helmut Newton\u003cbr data-start=\"1516\" data-end=\"1519\"\u003eDate: n.d.\u003cbr data-start=\"1529\" data-end=\"1532\"\u003eTechnique \/ Printing Method: Black-and-white and colour offset printing\u003cbr data-start=\"1603\" data-end=\"1606\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"1635\" data-end=\"1638\"\u003eDimensions: 24 x 34 cm\u003cbr data-start=\"1660\" data-end=\"1663\"\u003ePages: 424\u003cbr data-start=\"1673\" data-end=\"1676\"\u003ePublisher \/ Editor: Taschen\u003cbr data-start=\"1703\" data-end=\"1706\"\u003eISBN: 978-3-8365-8458-6\u003cbr data-start=\"1729\" data-end=\"1732\"\u003eLanguage: Multilingual (English, French, German)\u003cbr data-start=\"1780\" data-end=\"1783\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52475071758674,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_0f44b14c-b3f1-462a-8fc3-e1a811fad79b.jpg?v=1768380302"},{"product_id":"helmut-newton-legacy-copy","title":"SUMO — The Monument to Newton’s Gaze","description":"\u003cp data-start=\"109\" data-end=\"678\"\u003eThis book, \u003cem data-start=\"120\" data-end=\"141\"\u003eHelmut Newton: SUMO\u003c\/em\u003e, published by Taschen in a 20th anniversary edition remains one of the most audacious acts in photobook publishing — not only in scale, but in cultural intent. First conceived in 1999 as a museum-sized monograph, \u003cem data-start=\"398\" data-end=\"404\"\u003eSUMO\u003c\/em\u003e was Newton’s final provocation: a retrospective of his own career printed so large it needed its own custom stand. This edition, revised by June Newton, preserves the ambition and excess of the original while making it accessible to those without a reinforced coffee table.\u003c\/p\u003e\n\u003cp data-start=\"680\" data-end=\"1331\"\u003eInside are 464 pages of Newton’s iconic photographs — black-and-white nudes, power-dressed Amazons, haute couture erotica, portraits of celebrities and socialites rendered with the same unsparing eye. The scale is more than a gimmick; it reveals the formal muscle of Newton’s compositions. Every frame is a confrontation. The cover image — woman standing nude, defiant and square to the camera — becomes a thesis: this is not about nudity, it’s about stance, about what a photograph dares to show. \u003cem data-start=\"1178\" data-end=\"1184\"\u003eSUMO\u003c\/em\u003e is not simply a book of photography, but a visual autobiography and a monument to Newton’s legacy — sharp, stylised, unapologetically voyeuristic.\u003c\/p\u003e\n\u003cp data-start=\"1333\" data-end=\"1352\"\u003e\u003cstrong data-start=\"1333\" data-end=\"1352\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1354\" data-end=\"1734\"\u003eTitle: Helmut Newton: SUMO\u003cbr data-start=\"1380\" data-end=\"1383\"\u003eArtist \/ Author: Helmut Newton\u003cbr data-start=\"1413\" data-end=\"1416\"\u003eDate: 20th Anniversary Edition \u003cbr data-start=\"1462\" data-end=\"1465\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1509\" data-end=\"1512\"\u003eMedium \/ Materials: Hardcover with booklet in slipcase\u003cbr data-start=\"1566\" data-end=\"1569\"\u003eDimensions: 26.7 x 37.4 cm\u003cbr data-start=\"1595\" data-end=\"1598\" data-is-only-node=\"\"\u003ePages: 464\u003cbr data-start=\"1608\" data-end=\"1611\"\u003ePublisher \/ Editor: Taschen\u003cbr data-start=\"1638\" data-end=\"1641\"\u003eISBN: 978-3-8365-7819-6\u003cbr data-start=\"1664\" data-end=\"1667\"\u003eLanguage: Multilingual (English, French, German)\u003cbr data-start=\"1715\" data-end=\"1718\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52475072151890,"sku":null,"price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_ad837a38-0f6b-4f37-8636-14d56250594e.jpg?v=1768380723"},{"product_id":"cult-of-boys-androgyny-intimacy-icon","title":"Cult of Boys — Androgyny, Intimacy, Icon","description":"\u003cp data-start=\"113\" data-end=\"576\"\u003eThis photobook by Toyin Ibidapo, \u003cem data-start=\"146\" data-end=\"160\"\u003eCult of Boys\u003c\/em\u003e, published by teNeues in 2011, is part of the Darwin Bookshop because it distills a particular vision of masculinity rarely seen in contemporary portraiture — intimate, androgynous, and unguarded. Ibidapo’s lens focuses on a generation of boys not yet hardened by performance. Many are musicians, artists, drifters, dressed in eyeliner or nothing at all, their gaze fixed somewhere between seduction and fragility.\u003c\/p\u003e\n\u003cp data-start=\"578\" data-end=\"1099\"\u003eThe work evokes the spirit of youth scenes — glam, punk, indie — but subtracts the noise, the pose, the stage. What remains is a quiet eroticism: boys as muse, as self-invention, as archetype. Tim Walker’s foreword situates the book in the lineage of subcultural glamour, but it’s Ibidapo’s own photographic language — soft grain, bare skin, shadows like fabric — that builds its world. \u003cem data-start=\"965\" data-end=\"979\"\u003eCult of Boys\u003c\/em\u003e belongs in the archive as a visual thesis on the shifting codes of gender, beauty, and style in the early 21st century.\u003c\/p\u003e\n\u003cp data-start=\"1101\" data-end=\"1120\"\u003e\u003cstrong data-start=\"1101\" data-end=\"1120\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1122\" data-end=\"1466\"\u003eTitle: Cult of Boys\u003cbr data-start=\"1141\" data-end=\"1144\"\u003eArtist \/ Author: Toyin Ibidapo\u003cbr data-start=\"1174\" data-end=\"1177\"\u003eForeword: Tim Walker\u003cbr data-start=\"1197\" data-end=\"1200\"\u003eDate: 2011\u003cbr data-start=\"1210\" data-end=\"1213\"\u003eTechnique \/ Printing Method: Colour offset printing\u003cbr data-start=\"1264\" data-end=\"1267\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"1296\" data-end=\"1299\" data-is-only-node=\"\"\u003eDimensions: Approx. 25 x 32 cm\u003cbr data-start=\"1329\" data-end=\"1332\"\u003ePages: Unspecified\u003cbr data-start=\"1350\" data-end=\"1353\"\u003ePublisher \/ Editor: teNeues Verlag GmbH + Co. KG\u003cbr data-start=\"1401\" data-end=\"1404\"\u003eISBN: 978-3-8327-9531-3\u003cbr data-start=\"1427\" data-end=\"1430\"\u003eLanguage: English\u003cbr data-start=\"1447\" data-end=\"1450\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52475598078290,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_c4200294-c252-463e-b599-ea013e9c2239.jpg?v=1768387351"},{"product_id":"love-on-the-left-bank-ed-van-der-elsken-2011","title":"Love on the Left Bank — Ed van der Elsken (2011)","description":"\u003cp data-start=\"348\" data-end=\"864\"\u003eThis facsimile of Ed van der Elsken’s \u003cem data-start=\"386\" data-end=\"409\"\u003eLove on the Left Bank\u003c\/em\u003e resurrects one of the most cinematic and mythic photo-narratives of postwar Europe. First published in 1956, the book fuses photojournalism, pulp fiction, and romantic myth in a noir-styled portrait of bohemian life in Paris’s Saint-Germain-des-Prés. Structured as a semi-fictional diary, it follows the story of Ann, a drifting dancer loosely based on real-life muse Vali Myers, moving through cafés, cellars, and beds with opiated languor and defiance.\u003c\/p\u003e\n\u003cp data-start=\"866\" data-end=\"1476\"\u003eVan der Elsken’s images—gritty, soft, louche—capture a generation between despair and desire, in a city still dusting itself off from war. What makes the book endure is its blend of theatricality and reportage: staged yet alive, scripted yet accidental. His street photography doesn’t just record; it invents a world where rebellion, beauty and ruin fold into each other. A direct ancestor of later European work by Anders Petersen or Christer Strömholm, and a spiritual sibling to Araki’s fictioned diaries, \u003cem data-start=\"1375\" data-end=\"1398\"\u003eLove on the Left Bank\u003c\/em\u003e still feels startlingly contemporary in its intimacy and constructed realism.\u003c\/p\u003e\n\u003cp data-start=\"1478\" data-end=\"1758\"\u003eThis 2011 reprint, produced with the involvement of the Nederlands Fotoarchief and Anneke van der Elsken, stays faithful to the 1956 original in layout and tone. With 200 duotone photographs and design by Jurriaan Schrofer, it remains a cornerstone of narrative photobook history.\u003c\/p\u003e\n\u003cp data-start=\"1760\" data-end=\"2193\"\u003e\u003cstrong data-start=\"1760\" data-end=\"1769\"\u003eTitle\u003c\/strong\u003e: Love on the Left Bank\u003cbr data-start=\"1792\" data-end=\"1795\"\u003e\u003cstrong data-start=\"1795\" data-end=\"1814\"\u003eArtist \/ Author\u003c\/strong\u003e: Ed van der Elsken\u003cbr data-start=\"1833\" data-end=\"1836\"\u003e\u003cstrong data-start=\"1836\" data-end=\"1844\"\u003eDate\u003c\/strong\u003e: Original 1956, this facsimile edition reprinted 2011 (first facsimile 1999)\u003cbr data-start=\"1921\" data-end=\"1924\"\u003e\u003cstrong data-start=\"1924\" data-end=\"1955\"\u003eTechnique \/ Printing Method\u003c\/strong\u003e: Duotone reproduction\u003cbr data-start=\"1977\" data-end=\"1980\"\u003e\u003cstrong data-start=\"1980\" data-end=\"2002\"\u003eMedium \/ Materials\u003c\/strong\u003e: Softcover book\u003cbr data-start=\"2018\" data-end=\"2021\"\u003e\u003cstrong data-start=\"2021\" data-end=\"2040\" data-is-only-node=\"\"\u003eDimensions (cm)\u003c\/strong\u003e: 27.5 x 19.5\u003cbr data-start=\"2053\" data-end=\"2056\"\u003e\u003cstrong data-start=\"2056\" data-end=\"2068\"\u003eLanguage\u003c\/strong\u003e: English\u003cbr data-start=\"2077\" data-end=\"2080\"\u003e\u003cstrong data-start=\"2080\" data-end=\"2089\"\u003ePages\u003c\/strong\u003e: 112\u003cbr data-start=\"2094\" data-end=\"2097\"\u003e\u003cstrong data-start=\"2097\" data-end=\"2119\"\u003ePublisher \/ Editor\u003c\/strong\u003e: Dewi Lewis Publishing\u003cbr data-start=\"2142\" data-end=\"2145\"\u003e\u003cstrong data-start=\"2145\" data-end=\"2153\"\u003eISBN\u003c\/strong\u003e: 978-1-899235-22-3\u003cbr data-start=\"2172\" data-end=\"2175\"\u003e\u003cstrong data-start=\"2175\" data-end=\"2188\"\u003eCondition\u003c\/strong\u003e: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52484766826834,"sku":null,"price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_c6d92ffd-4294-4ea0-b1cb-125325e0391e.jpg?v=1768481757"},{"product_id":"this-is-what-hatred-did-cristina-de-middel-first-edition","title":"This Is What Hatred Did — Cristina de Middel, first edition","description":"\u003cp data-start=\"128\" data-end=\"628\"\u003eCristina de Middel’s \u003cem data-start=\"149\" data-end=\"174\"\u003eThis Is What Hatred Did\u003c\/em\u003e is a haunting visual transcription of Amos Tutuola’s 1954 Yoruba folklore novel \u003cem data-start=\"255\" data-end=\"286\"\u003eMy Life in the Bush of Ghosts\u003c\/em\u003e, reimagined through photography, fiction and reportage in the fraught urban landscape of Makoko, a floating slum in Lagos. At once allegory and documentary, the book slips between myth and reality, echoing Tutuola’s narrative style with staged images, saturated hues and vivid printed matter that seem to emerge directly from the underworld.\u003c\/p\u003e\n\u003cp data-start=\"630\" data-end=\"1222\"\u003eDe Middel maps the surrealism of Tutuola’s prose onto the lived complexities of postcolonial Nigeria, where traditional cosmologies and modern violence collide. The result is a dreamlike and disorienting photo-text in which each page carries the tension of hallucination and truth. Part photobook, part object, the edition opens with a lush botanical endpaper—lush and feral, signaling the psychic jungle to come. In the Darwin archive, it stands alongside works by Pieter Hugo and Samuel Fosso in its commitment to unsettling the gaze and expanding the visual vocabulary of African urbanism.\u003c\/p\u003e\n\u003cp data-start=\"1224\" data-end=\"1646\"\u003e\u003cmeta charset=\"utf-8\"\u003eTitle: This Is What Hatred Did\u003cbr data-start=\"1282\" data-end=\"1285\"\u003eArtist \/ Author: Cristina de Middel\u003cbr data-start=\"1320\" data-end=\"1323\"\u003eDate: 2015\u003cbr data-start=\"1333\" data-end=\"1336\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1380\" data-end=\"1383\"\u003eMedium \/ Materials: Hardcover photobook with colour plates and illustrated endpapers\u003cbr data-start=\"1467\" data-end=\"1470\"\u003eEdition: First edition\u003cbr data-start=\"1492\" data-end=\"1495\"\u003eSigned: No\u003cbr data-start=\"1505\" data-end=\"1508\"\u003eDimensions (cm): 13 × 28\u003cbr data-start=\"1532\" data-end=\"1535\"\u003eLanguage: English\u003cbr data-start=\"1552\" data-end=\"1555\"\u003ePages: 180\u003cbr data-start=\"1565\" data-end=\"1568\"\u003ePublisher \/ Editor: RM Verlag \/ La Fábrica \/ Images en Manoeuvres \/ Archive of Modern Conflict\u003cbr data-start=\"1662\" data-end=\"1665\"\u003eDesign: Natalia, N2 Estudio Gráfico\u003cbr data-start=\"1700\" data-end=\"1703\"\u003eISBN: 9788415118731\u003cbr data-start=\"1722\" data-end=\"1725\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52549986025810,"sku":null,"price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_3561d4c6-0c7b-4c4f-bdf2-c17163cdea46.jpg?v=1769190685"},{"product_id":"mexico-1986-2016-antoine-d-agata","title":"Codex. 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In dialogue with figures like \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eTina Modotti\u003c\/span\u003e\u003c\/span\u003e and \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eHenri Cartier-Bresson\u003c\/span\u003e\u003c\/span\u003e, it radically destabilizes the ethics and language of witnessing.\u003c\/p\u003e\n\u003cp data-start=\"756\" data-end=\"1072\"\u003e\u003cstrong data-start=\"756\" data-end=\"775\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"775\" data-end=\"778\"\u003eTitle: Codex. México 1986–2016\u003cbr data-start=\"843\" data-end=\"846\"\u003eDate: 2017\u003cbr data-start=\"856\" data-end=\"859\"\u003eEdition: Collector’s Edition, signed\u003cbr data-start=\"895\" data-end=\"898\"\u003eMedium \/ Materials: Photobook, softcover\u003cbr data-start=\"938\" data-end=\"941\"\u003eDimensions (cm): 21.5 x 32\u003cbr data-start=\"967\" data-end=\"970\"\u003ePages: 228\u003cbr data-start=\"980\" data-end=\"983\"\u003eLanguage: English \/ Spanish \/ French\u003cbr data-start=\"1019\" data-end=\"1022\"\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52561576624466,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_a830d179-9320-40a9-902c-23fd893e072c.jpg?v=1778138831"},{"product_id":"lust-for-life-ed-van-der-elsken-in-colour-dewi-lewis-2019","title":"Lust for Life — Ed van der Elsken in Colour (Dewi Lewis, 2019)","description":"\u003cp data-start=\"131\" data-end=\"556\"\u003e\u003cem data-start=\"131\" data-end=\"146\"\u003eLust for Life\u003c\/em\u003e is the first major retrospective dedicated entirely to Ed van der Elsken’s colour photography — a vibrant, defiant, and overdue celebration of one of Europe’s most idiosyncratic image-makers. 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Whether it’s a peroxide-blonde woman walking three white poodles in 1980s Amsterdam or a spiked-haired punk under Tokyo’s night lights, van der Elsken’s gaze is always curious, never clinical — a mix of affection, theatre, and punk reportage.\u003c\/p\u003e\n\u003cp data-start=\"1005\" data-end=\"1426\"\u003ePublished in 2019 by Dewi Lewis on the occasion of a major exhibition at the Nederlands Fotomuseum, \u003cem data-start=\"1105\" data-end=\"1120\"\u003eLust for Life\u003c\/em\u003e repositions van der Elsken within the lineage of colour street photography — less polished than Eggleston or Meyerowitz, but more impulsive, more European in its flair. For Darwin, this book brings the heat and noise of lived experience into the archive. It’s not about formalism — it’s about being alive.\u003c\/p\u003e\n\u003cp data-start=\"1428\" data-end=\"1447\"\u003e\u003cstrong data-start=\"1428\" data-end=\"1447\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1449\" data-end=\"1775\"\u003eTitle: Lust for Life — Ed van der Elsken in Colour\u003cbr data-start=\"1499\" data-end=\"1502\"\u003eArtist \/ Author: Ed van der Elsken\u003cbr data-start=\"1536\" data-end=\"1539\"\u003eDate: 2019\u003cbr data-start=\"1549\" data-end=\"1552\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1587\" data-end=\"1590\"\u003eMedium \/ Materials: Softcover\u003cbr data-start=\"1619\" data-end=\"1622\"\u003eDimensions (cm): approx. 24 x 30 cm\u003cbr data-start=\"1657\" data-end=\"1660\"\u003eLanguage: English\u003cbr data-start=\"1677\" data-end=\"1680\"\u003ePages: 242\u003cbr data-start=\"1690\" data-end=\"1693\"\u003ePublisher \/ Editor: Dewi Lewis Publishing\u003cbr data-start=\"1734\" data-end=\"1737\"\u003eISBN: 9781911306504\u003cbr data-start=\"1756\" data-end=\"1759\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52563367428434,"sku":null,"price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_3_65e35a77-6935-49c9-a66d-c7a1c59fd1dd.jpg?v=1769375579"},{"product_id":"sketch-of-paris-jh-engstrom-2013","title":"Sketch of Paris — JH Engström, Aperture 2013","description":"\u003cp data-start=\"104\" data-end=\"1072\"\u003eThis is JH Engström’s Paris: smeared lipstick, torn curtains, dirty tiles and private glances. Shot between 1991 and 2012, \u003cem data-start=\"227\" data-end=\"244\"\u003eSketch of Paris\u003c\/em\u003e is not a portrait of the city but of a life lived within it—dislocated, bohemian, and unfiltered. Across 250 images in black-and-white and saturated colour, Engström documents not just a place, but a mood: the delirium of late nights and early mornings, of bodies lost and found, of emotional exposure. With his instinctive, diaristic eye, the Swedish photographer offers a counter-archive to the romantic clichés of the French capital—something closer to Anders Petersen’s \u003cem data-start=\"719\" data-end=\"733\"\u003eCafé Lehmitz\u003c\/em\u003e or Nan Goldin’s \u003cem data-start=\"750\" data-end=\"758\"\u003eBallad\u003c\/em\u003e, but more erratic, more fractured. The design of the book itself, housed in a utilitarian slipcase with type pressed into raw cardboard, resists polish—matching the rough lyricism of Engström’s vision. This is Paris in fragments, in memory, in ruin and desire. It is also the record of an artist becoming himself.\u003c\/p\u003e\n\u003cp data-start=\"1074\" data-end=\"1093\"\u003e\u003cstrong data-start=\"1074\" data-end=\"1093\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1095\" data-end=\"1350\"\u003eTitle: Sketch of Paris\u003cbr data-start=\"1117\" data-end=\"1120\"\u003eArtist \/ Author: JH Engström\u003cbr data-start=\"1148\" data-end=\"1151\"\u003eDate: 2013\u003cbr data-start=\"1161\" data-end=\"1164\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1199\" data-end=\"1202\"\u003eMedium \/ Materials: Hardcover with slipcase\u003cbr data-start=\"1245\" data-end=\"1248\"\u003eLanguage: English\u003cbr data-start=\"1265\" data-end=\"1268\" data-is-only-node=\"\"\u003ePages: 250\u003cbr data-start=\"1278\" data-end=\"1281\"\u003ePublisher \/ Editor: Aperture\u003cbr data-start=\"1309\" data-end=\"1312\"\u003eISBN: 9781597112358\u003cbr data-start=\"1331\" data-end=\"1334\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52563748258130,"sku":null,"price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_8101c417-4d67-483d-ad43-a4cc1fc23de3.jpg?v=1769379267"},{"product_id":"rue-des-lombards-jane-evelyn-atwood-xavier-barral-edition","title":"Rue des Lombards — Jane Evelyn Atwood, ATELIER EXB","description":"\u003cp data-start=\"129\" data-end=\"1177\"\u003eIn late 1975, newly arrived in Paris at the age of 28, Jane Evelyn Atwood began photographing the women working in a single building on the Rue des Lombards. What began as a portrait of one prostitute became an extended immersion into a closed world—a place of intimacy, performance, resilience, and coded femininity. Atwood’s camera enters this space not as voyeur but as witness. Her signature style—immersive, patient, and quietly intense—is already present here in full form. The resulting images are black-and-white, close-up, unflinching, but always respectful. Hairbrushes, mirrors, wigs, cigarettes, laughter: this is not a document of sex, but of waiting, dressing, talking, surviving. Published decades later by Éditions Xavier Barral in a tall, slipcased hardcover, \u003cem data-start=\"906\" data-end=\"924\"\u003eRue des Lombards\u003c\/em\u003e brings together 156 pages of Atwood’s earliest work, which would go on to define her trajectory as one of the most rigorous and empathetic photojournalists of her generation. A foundational book, long in the shadows, finally given the form it deserves.\u003c\/p\u003e\n\u003cp data-start=\"1179\" data-end=\"1487\"\u003e\u003cstrong data-start=\"1179\" data-end=\"1198\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1198\" data-end=\"1201\"\u003eTitle: Rue des Lombards\u003cbr data-start=\"1224\" data-end=\"1227\"\u003eArtist \/ Author: Jane Evelyn Atwood\u003cbr data-start=\"1262\" data-end=\"1265\"\u003eDate: 2011\u003cbr data-start=\"1275\" data-end=\"1278\" data-is-only-node=\"\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1313\" data-end=\"1316\"\u003eMedium \/ Materials: Hardcover in slipcase\u003cbr data-start=\"1357\" data-end=\"1360\"\u003eDimensions (cm): 22 × 33\u003cbr data-start=\"1384\" data-end=\"1387\"\u003eLanguage: English\u003cbr data-start=\"1404\" data-end=\"1407\"\u003ePages: 156\u003cbr data-start=\"1417\" data-end=\"1420\"\u003ePublisher \/ Editor: Éditions Xavier Barral\u003cbr data-start=\"1462\" data-end=\"1465\"\u003eCondition: Very good\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52576754041170,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_5edf5f31-dedc-4f04-8e6b-b5e5cabd906d.jpg?v=1769550404"},{"product_id":"au-long-cours-marc-riboud-2023","title":"Au long cours — Marc Riboud, ATELIER EXB 2023","description":"\u003cp data-start=\"102\" data-end=\"1091\"\u003ePublished to mark the centenary of Marc Riboud’s birth, \u003cem data-start=\"158\" data-end=\"173\"\u003eAu long cours\u003c\/em\u003e presents 132 black-and-white photographs drawn from a life of constant motion—across borders, conflicts, rituals, and revolutions. The book functions as both monograph and voyage, tracing Riboud’s itinerant eye from Asia to Africa, from Tehran to Tokyo, always with quiet clarity and humane detachment. The cover, with its layered architectural forms and shadowy silhouettes, signals Riboud’s gift for structuring space as metaphor. His work resists spectacle, preferring the oblique moment: a gesture in a crowd, a solitary figure on a staircase, a face half-turned. With a text by Éric Fottorino and support from Pascal Duhamel, this large-format volume coincides with the major retrospective \u003cem data-start=\"869\" data-end=\"915\"\u003eMarc Riboud – 100 photographies pour 100 ans\u003c\/em\u003e at the Musée des Confluences in Lyon. As photobooks go, it is both elegant and essential—an expansive yet distilled view of one of the great humanist eyes of the 20th century.\u003c\/p\u003e\n\u003cp data-start=\"1093\" data-end=\"1410\"\u003e\u003cstrong data-start=\"1093\" data-end=\"1112\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1112\" data-end=\"1115\"\u003eTitle: Au long cours\u003cbr data-start=\"1135\" data-end=\"1138\"\u003eArtist \/ Author: Marc Riboud\u003cbr data-start=\"1166\" data-end=\"1169\"\u003eText: Éric Fottorino\u003cbr data-start=\"1189\" data-end=\"1192\" data-is-only-node=\"\"\u003eDate: 2023\u003cbr data-start=\"1202\" data-end=\"1205\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1240\" data-end=\"1243\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"1272\" data-end=\"1275\"\u003eDimensions (cm): 23 × 31\u003cbr data-start=\"1299\" data-end=\"1302\"\u003eLanguage: French\u003cbr data-start=\"1318\" data-end=\"1321\"\u003ePages: 232\u003cbr data-start=\"1331\" data-end=\"1334\"\u003ePublisher \/ Editor: Atelier EXB\u003cbr data-start=\"1365\" data-end=\"1368\"\u003eISBN: 978-2-36511-359-5\u003cbr data-start=\"1391\" data-end=\"1394\"\u003eCondition: New\u003c\/p\u003e\n\u003cp data-start=\"1413\" data-end=\"1471\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52576793198930,"sku":null,"price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_9_addf4b11-0170-43a5-bb41-e93e0905dadc.jpg?v=1769551489"},{"product_id":"agata-bieke-depoorter-and-agata-signed-second-edition-2022","title":"Agata — Bieke Depoorter and Agata, signed second edition, 2022","description":"\u003cp data-start=\"400\" data-end=\"798\"\u003e\u003cem data-start=\"400\" data-end=\"407\"\u003eAgata\u003c\/em\u003e is a photo book about a young woman using a photographer to find herself — and a photographer using a young woman to question the nature of authorship. The result is not a portrait, but a double exposure of identity, projection, and control. Over three years, Bieke Depoorter and Agata staged a prolonged, unstable collaboration that shifted constantly between complicity and confrontation.\u003c\/p\u003e\n\u003cp data-start=\"800\" data-end=\"1249\"\u003eStructured as a chronological sequence of photographs, handwritten letters, marginalia, and staged scenes, the book invites the reader to choose whether to open the sealed pages and reveal the hidden counter-narratives within. The Japanese binding, with its perforated folds, becomes a physical metaphor: what remains closed, what is revealed, and who decides. There is no fixed truth here — only overlapping interpretations, ruptures, and mistrust.\u003c\/p\u003e\n\u003cp data-start=\"1251\" data-end=\"1575\"\u003eThis signed second edition, self-published by Des Palais in 2022 with an additional addendum, is already out of print. In the Darwin archive, \u003cem data-start=\"1393\" data-end=\"1400\"\u003eAgata\u003c\/em\u003e sits alongside works by Sophie Calle and Nan Goldin, not as documentation but as durational performance: where image-making is both a method of seeing and a site of conflict.\u003c\/p\u003e\n\u003cp data-start=\"1577\" data-end=\"1991\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-start=\"1577\" data-end=\"1596\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1596\" data-end=\"1599\"\u003eTitle: Agata\u003cbr data-start=\"1611\" data-end=\"1614\"\u003eArtist \/ Author: Bieke Depoorter\u003cbr data-start=\"1646\" data-end=\"1649\"\u003eCollaborator: Agata\u003cbr data-start=\"1668\" data-end=\"1671\"\u003eDate: 2022\u003cbr data-start=\"1681\" data-end=\"1684\"\u003eEdition: Second edition with addendum, signed by the artist\u003cbr data-start=\"1743\" data-end=\"1746\"\u003eTechnique \/ Printing Method: Offset, Japanese binding with perforated folds\u003cbr data-start=\"1821\" data-end=\"1824\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"1853\" data-end=\"1856\" data-is-only-node=\"\"\u003eDimensions (cm): 32 × 24\u003cbr data-start=\"1880\" data-end=\"1883\"\u003eLanguage: English\u003cbr data-start=\"1900\" data-end=\"1903\"\u003ePages: 424\u003cbr data-start=\"1913\" data-end=\"1916\"\u003ePublisher \/ Editor: Des Palais\u003cbr data-start=\"1946\" data-end=\"1949\"\u003eISBN: 978-9-46459-027-2\u003cbr data-start=\"1972\" data-end=\"1975\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52588849693010,"sku":null,"price":200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_8ed4156e-5994-491b-ae0d-aa7c79003a1c.jpg?v=1769707922"},{"product_id":"cikani-josef-koudelka-torst-2011-first-czech-edition","title":"Cikáni — Josef Koudelka, Torst, 2011 (First Czech edition)","description":"\u003cp data-start=\"284\" data-end=\"716\"\u003eJosef Koudelka’s \u003cem data-start=\"301\" data-end=\"309\"\u003eCikáni\u003c\/em\u003e is one of the most complete photobooks ever made. First published in France as \u003cem data-start=\"389\" data-end=\"397\"\u003eGitans\u003c\/em\u003e, this 2011 Torst edition returns the work to its origin—restoring the Czech title and voice of a project that defined Koudelka’s early career. Shot between 1962 and 1971 across Czechoslovakia, Hungary, Romania, France and Spain, the images follow Romani families through a life of movement, ritual, survival and grace.\u003c\/p\u003e\n\u003cp data-start=\"718\" data-end=\"1075\"\u003eEverything here is exact: the black-and-white images rendered in deep matte duotone, the heavy textured paper, the oversized format that opens like a door into another world. The blacks hold like Moriyama at his sharpest, but the eye is Koudelka’s alone—cinematic, human, stripped of all excess. The layout is wide and generous. Faces glow. Time breathes.\u003c\/p\u003e\n\u003cp data-start=\"1077\" data-end=\"1216\"\u003eThis is one of our most recommended books at Darwin—not because it is rare, but because it is essential. Ten out of ten, in every aspect.\u003c\/p\u003e\n\u003cp data-start=\"1218\" data-end=\"1686\"\u003e\u003cstrong data-start=\"1218\" data-end=\"1237\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1237\" data-end=\"1240\"\u003eTitle: Cikáni\u003cbr data-start=\"1253\" data-end=\"1256\"\u003eArtist \/ Author: Josef Koudelka\u003cbr data-start=\"1287\" data-end=\"1290\"\u003eDate: 2011 (First Czech edition)\u003cbr data-start=\"1322\" data-end=\"1325\"\u003eTechnique \/ Printing Method: Duotone offset\u003cbr data-start=\"1368\" data-end=\"1371\"\u003eMedium \/ Materials: Hardcover with dust jacket\u003cbr data-start=\"1417\" data-end=\"1420\"\u003eDimensions (cm): Approx. 30 × 40\u003cbr data-start=\"1452\" data-end=\"1455\"\u003eLanguage: Czech\u003cbr data-start=\"1490\" data-end=\"1493\"\u003ePublisher \/ Editor: Torst, Prague\u003cbr data-start=\"1526\" data-end=\"1529\"\u003eText: Will Guy\u003cbr data-start=\"1543\" data-end=\"1546\"\u003eDesign: Aleš Najbrt and Josef Koudelka\u003cbr data-start=\"1584\" data-end=\"1587\"\u003ePrinting and Scanning: Gerhard Steidl, Göttingen\u003cbr data-start=\"1635\" data-end=\"1638\"\u003eISBN: 978-80-7215-472-8\u003cbr data-start=\"1661\" data-end=\"1664\"\u003eCondition: Excellent\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52613658444114,"sku":null,"price":85.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_cda22fbb-ab0f-460c-b29d-b74e5d5faf31.jpg?v=1770022081"},{"product_id":"ukrzaliznytsia-julie-poly","title":"UKRZALIZNYTSIA – Julie Poly","description":"\u003cp data-start=\"364\" data-end=\"846\"\u003eA delirious nocturne aboard Ukraine’s state railway, \u003cem data-start=\"417\" data-end=\"433\"\u003eUKRZALIZNYTSIA\u003c\/em\u003e is Julie Poly’s cult photobook of desire, uniform, and transit, first published in 2019 in a small underground edition. Before becoming an artist, Poly worked as a train attendant herself — a fact that saturates every image with insider precision and intuition. Her camera doesn’t document the railway; it rides it like a fever dream, where erotic charge, fatigue, humour and hierarchy jostle in the corridors.\u003c\/p\u003e\n\u003cp data-start=\"848\" data-end=\"1404\"\u003eThe portraits are sharp and absurd, the mise-en-scène full of Soviet-era patina — metallic walls, peach curtains, mirrored compartments — a visual language Ukrainians often overlook but which, through Poly’s lens, becomes charged with tension and glamour. There is both irony and sincerity here: in the way she poses herself, plays with uniform and identity, and in the haunting presences of young soldiers — barely alert, already braced for a war not yet officially begun. In one frame, they stare past a woman’s presence, dulled by proximity to combat.\u003c\/p\u003e\n\u003cp data-start=\"1406\" data-end=\"1883\"\u003eWhat makes this book singular is its origin: it was not made for export or spectacle. The images were first shown inside railway stations, a gesture of public art that felt embedded in everyday life — and deeply Ukrainian in its humour and resilience. Western-minded, unsentimental, radically situated, \u003cem data-start=\"1709\" data-end=\"1725\"\u003eUKRZALIZNYTSIA\u003c\/em\u003e stands as one of the most potent works of pre-invasion Ukraine: not just a photo-document, but a living record of how a country sees itself, even in transit.\u003c\/p\u003e\n\u003cp data-start=\"1885\" data-end=\"2209\"\u003e\u003cstrong data-start=\"1885\" data-end=\"1904\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1904\" data-end=\"1907\"\u003eTitle: \u003cem data-start=\"1914\" data-end=\"1930\"\u003eUKRZALIZNYTSIA\u003c\/em\u003e\u003cbr data-start=\"1930\" data-end=\"1933\"\u003eArtist \/ Author: Julie Poly\u003cbr data-start=\"1960\" data-end=\"1963\"\u003eDate: 2020\u003cbr data-start=\"1973\" data-end=\"1976\"\u003eTechnique \/ Printing Method: Offset with metallic ink\u003cbr data-start=\"2029\" data-end=\"2032\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"2061\" data-end=\"2064\"\u003eDimensions (cm): Approx. 21 × 28\u003cbr data-start=\"2096\" data-end=\"2099\"\u003eLanguage: Ukrainian, English\u003cbr data-start=\"2127\" data-end=\"2130\"\u003ePages: Unnumbered\u003cbr data-start=\"2147\" data-end=\"2150\"\u003ePublisher \/ Editor: Self-published\u003cbr data-start=\"2184\" data-end=\"2187\"\u003eCondition: Near fine\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52629920153938,"sku":null,"price":100.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_c7a9a0bb-f281-42f1-9d62-9050dc3795dc.jpg?v=1770194320"},{"product_id":"manicomio-raymond-depardon-steidl-2013","title":"Manicomio — Raymond Depardon Steidl, 2013","description":"\u003cp data-start=\"77\" data-end=\"1084\"\u003eThis is Raymond Depardon's \u003cem data-start=\"104\" data-end=\"115\"\u003eManicomio\u003c\/em\u003e, first published in 2013 by Steidl, a stark and immersive portrait of Italy's psychiatric institutions on the cusp of their dissolution. Shot over multiple visits in the 1970s, but published decades later, \u003cem data-start=\"322\" data-end=\"333\"\u003eManicomio\u003c\/em\u003e contains some of Depardon's most intimate and restrained photographic work — a humane record of interiors and individuals caught in the quiet violence of institutional life. The portraits are frontal, often seated, unposed; their subjects appear alert, distant, lost, or amused, always grounded in their physical surroundings — cracked walls, open courtyards, beds arranged with geometric care. The book is a study in repetition and small variation, evoking both the daily rhythm of the asylum and the broader political erasure of its inhabitants. Released in trilingual format (English, French, Italian), \u003cem data-start=\"940\" data-end=\"951\"\u003eManicomio\u003c\/em\u003e arrives not as exposé, but as the rare work of documentary that refuses spectacle, and instead stays close to the people it depicts.\u003c\/p\u003e\n\u003cp data-start=\"1086\" data-end=\"1401\"\u003eTechnical Sheet\u003cbr data-start=\"1101\" data-end=\"1104\"\u003eTitle: \u003cem data-start=\"1111\" data-end=\"1122\"\u003eManicomio\u003c\/em\u003e\u003cbr data-start=\"1122\" data-end=\"1125\"\u003eArtist \/ Author: Raymond Depardon\u003cbr data-start=\"1158\" data-end=\"1161\" data-is-only-node=\"\"\u003eDate: 2013\u003cbr data-start=\"1171\" data-end=\"1174\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1209\" data-end=\"1212\"\u003eMedium \/ Materials: Softcover\u003cbr data-start=\"1241\" data-end=\"1244\"\u003eDimensions (cm): 29.5 × 20.3\u003cbr data-start=\"1272\" data-end=\"1275\"\u003eLanguage: English, French, Italian\u003cbr data-start=\"1309\" data-end=\"1312\"\u003ePages: 208\u003cbr data-start=\"1322\" data-end=\"1325\"\u003ePublisher \/ Editor: Steidl\u003cbr data-start=\"1351\" data-end=\"1354\"\u003eISBN: 978-3-86930-535-6\u003cbr data-start=\"1377\" data-end=\"1380\"\u003eCondition: Like New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52635184628050,"sku":null,"price":400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_fbd4f3fc-7cfa-4aba-ba7e-e82ec2c7bc5c.jpg?v=1770234559"},{"product_id":"now-that-you-are-mine-trine-sondergaard-signed-first-edition","title":"Now That You Are Mine — Trine Søndergaard， Signed First edition, Steidl","description":"\u003cp data-start=\"150\" data-end=\"686\"\u003eTrine Søndergaard’s \u003cem data-start=\"170\" data-end=\"193\"\u003eNow That You Are Mine\u003c\/em\u003e is a stark, intimate portrait of Copenhagen’s red-light district in the late 1990s — a place of transit, proximity, and brutal exposure. Made between 1997 and 2000, the work documents women working as prostitutes in the streets around Skelbækgade and the central train station. Søndergaard, who lived in the neighbourhood herself, uses the camera to witness a world many refuse to see — not out of voyeurism, but from within the ambient tension of being a woman moving through public space.\u003c\/p\u003e\n\u003cp data-start=\"688\" data-end=\"1153\"\u003eThe 33 images are hard-lit, nocturnal, and direct. Flash burns against wet pavement, bodies lean into waiting cars, fur coats, neon signs, thighs under streetlight. There is no sentimentality here, nor performance. The women look at the camera, or past it, but always with the alertness of survival. Søndergaard’s refusal to aestheticise is what gives the work its force — the eroticism belongs to the world outside the frame, to the male gaze these women endure.\u003c\/p\u003e\n\u003cp data-start=\"1155\" data-end=\"1611\"\u003eWhat results is a love book in reverse. The title, \u003cem data-start=\"1206\" data-end=\"1229\"\u003eNow That You Are Mine\u003c\/em\u003e, might belong to a client or to society itself — the possession of bodies, the illusion of choice. First published by Steidl in 2002 and bound in black embossed artificial leather, the book is as tactile and circumspect as its contents. An important early work in Søndergaard’s career and a rare document of sex work in Northern Europe, handled with rigour, courage, and proximity.\u003c\/p\u003e\n\u003cp data-start=\"1613\" data-end=\"1996\"\u003e\u003cstrong data-start=\"1613\" data-end=\"1632\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1632\" data-end=\"1635\"\u003eTitle: \u003cem data-start=\"1642\" data-end=\"1665\"\u003eNow That You Are Mine\u003c\/em\u003e\u003cbr data-start=\"1665\" data-end=\"1668\"\u003eArtist \/ Author: Trine Søndergaard\u003cbr data-start=\"1702\" data-end=\"1705\"\u003eDate: 2002\u003cbr data-start=\"1715\" data-end=\"1718\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1753\" data-end=\"1756\"\u003eMedium \/ Materials: Hardcover with embossed artificial leather\u003cbr data-start=\"1818\" data-end=\"1821\"\u003eDimensions (cm): 28.7 × 26.7\u003cbr data-start=\"1849\" data-end=\"1852\"\u003eSigned\u003cbr data-start=\"1863\" data-end=\"1866\"\u003ePages: 72\u003cbr data-start=\"1875\" data-end=\"1878\"\u003eNo. of Illustrations: 33\u003cbr data-start=\"1902\" data-end=\"1905\"\u003ePublisher \/ Editor: Steidl\u003cbr data-start=\"1931\" data-end=\"1934\"\u003eDesigner: Camilla Jørgensen \/ Trefold\u003cbr data-start=\"1971\" data-end=\"1974\"\u003eCondition: Like new\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52635288011090,"sku":null,"price":350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_383de4e7-ed27-4ed3-a0ab-6414d5e7fd4d.jpg?v=1770236911"},{"product_id":"keepers-of-the-ocean-inuteq-storch-signed-copy-2022","title":"Keepers of the Ocean — Inuteq Storch — signed copy, 2022","description":"\u003cp data-start=\"129\" data-end=\"1555\"\u003e\u003cem data-start=\"129\" data-end=\"151\"\u003eKeepers of the Ocean\u003c\/em\u003e is a photobook by Greenlandic photographer Inuteq Storch, published in 2022 by Disko Bay, and it belongs in the Darwin archive as a quiet but decisive statement about authorship, territory, and looking from within. The book unfolds as a personal and collective portrait of coastal Greenland, where the sea is not a backdrop but a structuring presence — economic, spiritual, and generational. Storch’s photographs resist spectacle: ice, water, mist, boats, and figures appear with restraint, often held at a distance, allowing time and weather to do the work. The sequencing is spacious, paced by blank pages and soft transitions, giving the images room to breathe rather than insisting on narrative closure. Language appears carefully — Greenlandic, Danish, English — not as translation for an external reader but as coexisting registers of place and belonging. This copy is signed, the gesture understated and placed on an otherwise empty page, aligning with the book’s overall tone: authorship present but not imposed. In contrast to the diaristic intimacy of Araki or the raw social closeness of Anders Petersen, Storch’s position is quieter, closer to Moriyama’s later restraint — a photography that withholds as much as it shows. \u003cem data-start=\"1387\" data-end=\"1409\"\u003eKeepers of the Ocean\u003c\/em\u003e is not about explaining Greenland; it is about holding space for it, and for the people whose lives are structured by water, ice, and continuity.\u003c\/p\u003e\n\u003cp data-start=\"1557\" data-end=\"1894\"\u003e\u003cstrong data-start=\"1557\" data-end=\"1576\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1576\" data-end=\"1579\"\u003eTitle: Keepers of the Ocean\u003cbr data-start=\"1606\" data-end=\"1609\"\u003eArtist \/ Author: Inuteq Storch\u003cbr data-start=\"1639\" data-end=\"1642\"\u003eDate: 2022\u003cbr data-start=\"1652\" data-end=\"1655\" data-is-only-node=\"\"\u003eEdition: First edition of 666 copies\u003cbr data-start=\"1691\" data-end=\"1694\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1729\" data-end=\"1732\"\u003eMedium \/ Materials: Softcover\u003cbr data-start=\"1761\" data-end=\"1764\"\u003eLanguage: Greenlandic, Danish, English\u003cbr data-start=\"1802\" data-end=\"1805\"\u003ePublisher: Disko Bay\u003cbr data-start=\"1825\" data-end=\"1828\"\u003eISBN: 978-87-973526-0-1\u003cbr data-start=\"1851\" data-end=\"1854\"\u003eCondition: Signed, very good condition\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52650804740434,"sku":null,"price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_02ca72f8-ccf8-40b3-af15-1f3efe806bc2.jpg?v=1770407178"},{"product_id":"newton-s-illustrated-nos-1-4-complete-edition-helmut-newton-schirmer-mosel-2000","title":"Newton’s Illustrated Nos. 1–4 (Complete Edition) — Helmut Newton (Schirmer\/Mosel, 2000)","description":"\u003cp data-start=\"156\" data-end=\"1299\"\u003eBetween 1987 and 1995, Helmut Newton published four issues of his own radical photo magazine — \u003cem data-start=\"251\" data-end=\"280\"\u003eHelmut Newton’s Illustrated\u003c\/em\u003e — each one a statement of erotic intent, visual power, and iconographic wit. This 2000 complete edition, produced by Schirmer\/Mosel under the direction of June Newton, collects all four rare issues in one volume: \u003cem data-start=\"494\" data-end=\"509\"\u003eSex and Power\u003c\/em\u003e, \u003cem data-start=\"511\" data-end=\"540\"\u003ePictures from an Exhibition\u003c\/em\u003e, \u003cem data-start=\"542\" data-end=\"555\"\u003eI Was There\u003c\/em\u003e, and \u003cem data-start=\"561\" data-end=\"576\"\u003eDr. Phantasms\u003c\/em\u003e. Across 134 images, Newton assembles a full spectrum of his obsessions: high heels, statuesque women, celebrity portraits, clinical perversity, flash-lit drama, and the fantasy of control. The cover portrait of Warhol is a perfect cipher — impassive, camp, embalmed in leather. Inside, Newton’s eye is both precise and voyeuristic, his world a stylized theatre of dominance and spectacle. Designed in Berlin and printed in Italy, the book carries the cinematic clarity and dark humour that made Newton a singular figure in late 20th-century photography. This volume sits squarely in the Darwin archive between \u003cem data-start=\"1187\" data-end=\"1226\"\u003eNobuyoshi Araki’s Sentimental Journey\u003c\/em\u003e and \u003cem data-start=\"1231\" data-end=\"1259\"\u003eMapplethorpe’s X Portfolio\u003c\/em\u003e — cult, controlled, and wholly exposed.\u003c\/p\u003e\n\u003cp data-start=\"1301\" data-end=\"1667\"\u003e\u003cstrong data-start=\"1301\" data-end=\"1320\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1320\" data-end=\"1323\"\u003eTitle: Newton’s Illustrated Nos. 1–4 (Complete Edition)\u003cbr data-start=\"1378\" data-end=\"1381\"\u003eArtist \/ Author: Helmut Newton\u003cbr data-start=\"1411\" data-end=\"1414\"\u003eDate: 2000\u003cbr data-start=\"1424\" data-end=\"1427\" data-is-only-node=\"\"\u003eTechnique \/ Printing Method: Offset, colour and duotone\u003cbr data-start=\"1482\" data-end=\"1485\"\u003eMedium \/ Materials: Softcover\u003cbr data-start=\"1514\" data-end=\"1517\"\u003eDimensions (cm): Approx. 23.5 × 30\u003cbr data-start=\"1551\" data-end=\"1554\"\u003eLanguage: German\u003cbr data-start=\"1570\" data-end=\"1573\"\u003ePages: 136\u003cbr data-start=\"1583\" data-end=\"1586\"\u003ePublisher \/ Editor: Schirmer\/Mosel\u003cbr data-start=\"1620\" data-end=\"1623\"\u003eISBN: 3-88814-613-5\u003cbr data-start=\"1642\" data-end=\"1645\"\u003eCondition: VERY GOOD\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52659074433362,"sku":null,"price":27.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_3_38a04674-cb7d-43a9-8ac5-ee166c6affc1.jpg?v=1770562481"},{"product_id":"bettina-rheims-taschen-2016-edition","title":"Bettina Rheims — TASCHEN (2016 edition)","description":"\u003cp data-start=\"74\" data-end=\"560\"\u003eHigh gloss, zero innocence. A body staged like a battlefield between glamour and vulnerability, where desire is both weapon and costume. Rheims doesn’t photograph nudity; she photographs the idea of looking — power, shame, seduction, performance. These images feel less like portraits and more like controlled accidents, caught between fashion fantasy and psychological exposure. Beauty here is never passive. It stares back, slightly bored, slightly dangerous.\u003c\/p\u003e\n\u003cp data-start=\"562\" data-end=\"961\"\u003eTECHNICAL SHEET:\u003cbr data-start=\"578\" data-end=\"581\"\u003eTitle: Bettina Rheims\u003cbr data-start=\"602\" data-end=\"605\"\u003eArtist \/ Author: Bettina Rheims\u003cbr data-start=\"636\" data-end=\"639\"\u003eDate: 2016\u003cbr data-start=\"649\" data-end=\"652\"\u003eEdition: TASCHEN reprint edition\u003cbr data-start=\"684\" data-end=\"687\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"731\" data-end=\"734\"\u003eMedium \/ Materials: Hardcover printed photobook\u003cbr data-start=\"781\" data-end=\"784\"\u003eDimensions (cm): 24.5 × 31.5 approx.\u003cbr data-start=\"820\" data-end=\"823\"\u003ePages: 512\u003cbr data-start=\"833\" data-end=\"836\"\u003eLanguage: English \/ French \/ German\u003cbr data-start=\"871\" data-end=\"874\" data-is-only-node=\"\"\u003ePublisher \/ Editor: TASCHEN, Cologne\u003cbr data-start=\"910\" data-end=\"913\"\u003eISBN: 978-3-8365-6887-6\u003cbr data-start=\"936\" data-end=\"939\"\u003eCondition: Very good\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52691759726930,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_b55c0b1d-9238-4146-b91a-05abec218e3f.jpg?v=1770892917"},{"product_id":"laetitia-casta-dominique-issermann-first-edition-2011","title":"Laetitia Casta — Dominique Issermann (First edition, ATELIER EXB 2011)","description":"\u003cp data-start=\"93\" data-end=\"575\"\u003eAn icon dissolving inside architecture. Shot in Peter Zumthor’s Vals thermal baths, these images feel suspended between stone, water, and skin. Casta appears less as a model than as a presence absorbed by space — sometimes statue, sometimes shadow, sometimes just a trace of warmth against cold mineral surfaces. Issermann photographs beauty in a state of erosion, where glamour fades into atmosphere and the body becomes part of a larger, silent landscape.\u003c\/p\u003e\n\u003cp data-start=\"577\" data-end=\"1070\"\u003eTECHNICAL SHEET:\u003cbr data-start=\"593\" data-end=\"596\"\u003eTitle: Laetitia Casta\u003cbr data-start=\"617\" data-end=\"620\"\u003eArtist \/ Author: Dominique Issermann\u003cbr data-start=\"656\" data-end=\"659\"\u003eDate: 2011 (published 2012)\u003cbr data-start=\"686\" data-end=\"689\"\u003eEdition: First edition, limited to 5000 copies (200 signed \u0026amp; numbered)\u003cbr data-start=\"759\" data-end=\"762\"\u003eTechnique \/ Printing Method: Photogravure, offset printing\u003cbr data-start=\"820\" data-end=\"823\"\u003eMedium \/ Materials: Hardcover photobook, Phoenix Motion Xantur 170 g paper\u003cbr data-start=\"897\" data-end=\"900\"\u003eDimensions (cm): 28 × 34.5\u003cbr data-start=\"926\" data-end=\"929\"\u003ePages: 72\u003cbr data-start=\"938\" data-end=\"941\"\u003eLanguage: French \/ English\u003cbr data-start=\"967\" data-end=\"970\"\u003ePublisher \/ Editor: Éditions Xavier Barral, Paris\u003cbr data-start=\"1019\" data-end=\"1022\"\u003eISBN: 978-2-36511-004-4\u003cbr data-start=\"1045\" data-end=\"1048\"\u003eCondition: Very good\u003c\/p\u003e\n\u003cp data-start=\"1072\" data-end=\"1315\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52691938640210,"sku":null,"price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_227a8813-aa13-4b6c-b329-0534abba1cac.jpg?v=1770894952"},{"product_id":"belgicum-stephan-vanfleteren-first-edition-2016","title":"BELGICUM — Stephan Vanfleteren (First edition, 2016)","description":"\u003cp data-start=\"80\" data-end=\"539\"\u003eA book about a letter that becomes a monument. Vanfleteren photographs the worn “B” plates once fixed to Belgian houses — mute witnesses to collaboration during WWII. Each image feels like a forensic record: rust, cracks, weather, silence. What remains is not history explained, but history embedded in surfaces. The typography becomes a scar. The wall becomes a memory. This is not documentary photography; it’s archaeology of guilt.\u003c\/p\u003e\n\u003cp data-start=\"541\" data-end=\"945\"\u003eTECHNICAL SHEET:\u003cbr data-start=\"557\" data-end=\"560\"\u003eTitle: B\u003cbr data-start=\"568\" data-end=\"571\"\u003eArtist \/ Author: Stephan Vanfleteren\u003cbr data-start=\"607\" data-end=\"610\"\u003eDate: 2016\u003cbr data-start=\"620\" data-end=\"623\"\u003eEdition: First edition (November 2016)\u003cbr data-start=\"661\" data-end=\"664\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"708\" data-end=\"711\"\u003eMedium \/ Materials: Hardcover photobook\u003cbr data-start=\"750\" data-end=\"753\"\u003eDimensions (cm): 30 × 30 approx.\u003cbr data-start=\"785\" data-end=\"788\"\u003ePages: 160 approx.\u003cbr data-start=\"806\" data-end=\"809\"\u003eLanguage: English \/ French \/ Dutch\u003cbr data-start=\"843\" data-end=\"846\"\u003ePublisher \/ Editor: Hannibal Publishing, Belgium\u003cbr data-start=\"894\" data-end=\"897\"\u003eISBN: 978-94-9208-183-4\u003cbr data-start=\"920\" data-end=\"923\"\u003eCondition: Very good\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52691976585554,"sku":null,"price":57.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_180c5317-7e84-41f4-86b5-a415241c6850.jpg?v=1770895471"},{"product_id":"i-am-erwin-olaf-first-german-english-edition-2019","title":"I Am — Erwin Olaf (First German\/English edition, 2019)","description":"\u003cp data-start=\"89\" data-end=\"602\"\u003eIdentity staged as a controlled hallucination. In this late series, Olaf constructs portraits where stillness feels almost surgical — figures frozen inside immaculate interiors, trapped between elegance and quiet dread. Eyes avert, gestures stall, emotions remain unresolved. The photographs don’t reveal personality; they reveal the anxiety of being seen. Each image feels like a suspended moment just before something fractures. Beauty here is precise, cold, and fundamentally unstable.\u003c\/p\u003e\n\u003cp data-start=\"604\" data-end=\"1026\"\u003eTECHNICAL SHEET:\u003cbr data-start=\"620\" data-end=\"623\"\u003eTitle: I Am\u003cbr data-start=\"634\" data-end=\"637\"\u003eArtist \/ Author: Erwin Olaf\u003cbr data-start=\"664\" data-end=\"667\"\u003eDate: 2019\u003cbr data-start=\"677\" data-end=\"680\"\u003eEdition: First German\/English-language edition (first printing February 2019)\u003cbr data-start=\"757\" data-end=\"760\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"804\" data-end=\"807\"\u003eMedium \/ Materials: Hardcover photobook\u003cbr data-start=\"846\" data-end=\"849\"\u003eDimensions (cm): 28 × 30 approx.\u003cbr data-start=\"881\" data-end=\"884\"\u003ePages: 192 approx.\u003cbr data-start=\"902\" data-end=\"905\"\u003eLanguage: German \/ English\u003cbr data-start=\"931\" data-end=\"934\" data-is-only-node=\"\"\u003ePublisher \/ Editor: Koenig Books, Cologne\u003cbr data-start=\"975\" data-end=\"978\"\u003eISBN: 978-3-96098-523-5\u003cbr data-start=\"1001\" data-end=\"1004\"\u003eCondition: Very good\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52691996606802,"sku":null,"price":95.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_98da6d90-40af-4cde-a427-be2987425a2c.jpg?v=1770896102"},{"product_id":"the-family-of-dog-michael-ruetz-first-edition","title":"The Family of Dog — Michael Ruetz (First edition), Steidl 2005","description":"\u003cp data-start=\"84\" data-end=\"557\"\u003eA quiet act of photographic irony. Borrowing the title’s obvious echo, Ruetz turns away from sentimental humanism and looks instead at the absurd choreography between power, discipline, and vulnerability. Soldiers, crowds, animals, and solitary figures appear trapped inside systems they barely control. The images feel observational yet unsettling — less about individual stories than about structures, rituals, and the strange fragility of order.\u003c\/p\u003e\n\u003cp data-start=\"559\" data-end=\"998\"\u003eTECHNICAL SHEET:\u003cbr data-start=\"575\" data-end=\"578\"\u003eTitle: The Family of Dog\u003cbr data-start=\"602\" data-end=\"605\"\u003eArtist \/ Author: Michael Ruetz\u003cbr data-start=\"635\" data-end=\"638\"\u003eDate: 2005\u003cbr data-start=\"648\" data-end=\"651\"\u003eEdition: First edition\u003cbr data-start=\"673\" data-end=\"676\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"720\" data-end=\"723\"\u003eMedium \/ Materials: Hardcover photobook with dust jacket\u003cbr data-start=\"779\" data-end=\"782\"\u003eDimensions (cm): 30 × 30 approx.\u003cbr data-start=\"814\" data-end=\"817\"\u003ePages: 160 approx.\u003cbr data-start=\"835\" data-end=\"838\"\u003eLanguage: English \/ German\u003cbr data-start=\"864\" data-end=\"867\" data-is-only-node=\"\"\u003ePublisher \/ Editor: Steidl Publishers, Göttingen\u003cbr data-start=\"915\" data-end=\"918\"\u003eISBN: 978-3-86521-575-2\u003cbr data-start=\"941\" data-end=\"944\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52692164313426,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_26fc644b-1fe8-4d1e-adf7-98ba620e1024.jpg?v=1770897235"},{"product_id":"desert-un-homme-sans-l-occident-raymond-depardon-2003","title":"DÉSERT, Un homme sans l’Occident – Raymond Depardon – 2003","description":"\u003cp data-start=\"161\" data-end=\"654\"\u003eA meditation on distance and silence. This understated volume pairs Raymond Depardon’s photographs with the desert as both landscape and existential condition. A lone figure crossing dunes sets the tone: minimal, suspended, stripped of spectacle. Published by Seuil in 2003, the book reflects Depardon’s enduring commitment to slowness and observation, situating the Sahara outside Western narrative frameworks. A quiet, rigorous photobook at the intersection of documentary and introspection.\u003c\/p\u003e\n\u003cp data-start=\"656\" data-end=\"911\"\u003eTechnical Sheet\u003cbr data-start=\"671\" data-end=\"674\"\u003eTitle: DÉSERT, Un homme sans l’Occident\u003cbr data-start=\"713\" data-end=\"716\"\u003eArtist \/ Author: Raymond Depardon\u003cbr data-start=\"749\" data-end=\"752\"\u003eDate: 2003\u003cbr data-start=\"762\" data-end=\"765\"\u003eMedium \/ Materials: Softcover\u003cbr data-start=\"794\" data-end=\"797\"\u003eLanguage: French\u003cbr data-start=\"813\" data-end=\"816\"\u003ePublisher \/ Editor: Seuil\u003cbr data-start=\"841\" data-end=\"844\"\u003eISBN: 2-02-058071-3\u003cbr data-start=\"863\" data-end=\"866\"\u003eCondition: Good (light wear to cover edges)\u003c\/p\u003e\n\u003cp data-start=\"913\" data-end=\"1091\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52707941351762,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_1_405e1a10-8ca8-49c3-bb01-2f67c5fe1fd2.jpg?v=1771163400"},{"product_id":"relaxing-chamber-aleksei-kazantsev-2022-dienatch-edition-of-500","title":"Relaxing Chamber — Aleksei Kazantsev, 2022, Dienatch edition of 500","description":"\u003cp data-start=\"161\" data-end=\"700\"\u003eA black void stares back. This work operates at the edge of visibility, where surface, texture and biological suggestion dissolve into abstraction. Printed in rich duotone blacks, the images unfold as dense, almost tactile fields—part chamber, part organism, part psychological space. The velvet boards, blind embossing and sprayed edges extend the atmosphere beyond the page, turning the book into an object of controlled darkness. A tightly produced edition of 500, conceived as a total environment rather than a sequence of photographs.\u003c\/p\u003e\n\u003cp data-start=\"702\" data-end=\"1119\"\u003eTechnical Sheet\u003cbr data-start=\"717\" data-end=\"720\"\u003eTitle: Relaxing Chamber\u003cbr data-start=\"743\" data-end=\"746\"\u003eArtist \/ Author: Aleksei Kazantsev\u003cbr data-start=\"780\" data-end=\"783\"\u003eDate: 2022\u003cbr data-start=\"793\" data-end=\"796\"\u003eEdition: 500 copies\u003cbr data-start=\"815\" data-end=\"818\"\u003eTechnique \/ Printing Method: Offset, duotone (double black)\u003cbr data-start=\"877\" data-end=\"880\"\u003eMedium \/ Materials: Velvet-covered boards, blind embossing, foil stamping, slipcase\u003cbr data-start=\"963\" data-end=\"966\"\u003eDimensions (cm): 20 × 28\u003cbr data-start=\"990\" data-end=\"993\"\u003ePages: 172\u003cbr data-start=\"1003\" data-end=\"1006\"\u003eLanguage: English\u003cbr data-start=\"1023\" data-end=\"1026\"\u003ePublisher \/ Editor: dienacht Publishing, Leipzig\u003cbr data-start=\"1074\" data-end=\"1077\"\u003eISBN: 978-3-946099-21-5\u003cbr data-start=\"1100\" data-end=\"1103\"\u003eCondition: New\u003c\/p\u003e\n\u003cp data-start=\"1121\" data-end=\"1342\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52709599478098,"sku":null,"price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_fe91aabd-acbe-4235-96fe-4553d8358b02.jpg?v=1771181380"},{"product_id":"bonkers-bettina-rheims-2014-first-edition","title":"Bonkers! — Bettina Rheims, 2014, first edition, Steidl 2014","description":"\u003cp data-start=\"149\" data-end=\"684\"\u003eA feverish portrait of London’s performative femininity. Moving from Paris and Shanghai to the British capital, Bettina Rheims captures models and actresses between catwalks, concerts and parties, staging scenes of theatrical self-display. Costumes and accessories by Vivienne Westwood heighten a charged atmosphere where fashion, eroticism and role-play collide. Published by Steidl in 2014, this tightly edited sequence constructs a dim, surreal space of female self-expression, continuing Rheims’ exploration of identity and desire.\u003c\/p\u003e\n\u003cp data-start=\"686\" data-end=\"950\"\u003eTechnical Sheet\u003cbr data-start=\"701\" data-end=\"704\"\u003eTitle: Bonkers!\u003cbr data-start=\"719\" data-end=\"722\"\u003eArtist \/ Author: Bettina Rheims\u003cbr data-start=\"753\" data-end=\"756\"\u003eDate: 2014\u003cbr data-start=\"766\" data-end=\"769\"\u003eEdition: First edition\u003cbr data-start=\"791\" data-end=\"794\"\u003ePublisher: Steidl\u003cbr data-start=\"811\" data-end=\"814\"\u003ePages: 95\u003cbr data-start=\"823\" data-end=\"826\"\u003eDimensions (cm): 22.2 × 29.2 cm\u003cbr data-start=\"857\" data-end=\"860\"\u003eLanguage: English\u003cbr data-start=\"877\" data-end=\"880\"\u003eISBN-10: 3869308036\u003cbr data-start=\"899\" data-end=\"902\"\u003eISBN-13: 978-3869308036\u003cbr data-start=\"925\" data-end=\"928\"\u003eCondition: Very good\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52721590665554,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/yellowback_2.jpg?v=1771334623"}],"url":"https:\/\/thedarwin.es\/collections\/european-photobooks.oembed","provider":"DaRWIN","version":"1.0","type":"link"}