{"title":"FEATURED COLLECTION","description":"\u003cp\u003eA collection of unique objects\u003c\/p\u003e","products":[{"product_id":"espana-oculta","title":"España Oculta — Cristina García Rodero (2025)","description":"\u003cp data-start=\"316\" data-end=\"841\"\u003eThis is the revised edition of \u003cem data-start=\"347\" data-end=\"362\"\u003eEspaña Oculta\u003c\/em\u003e by Cristina García Rodero, newly published under the artist’s own imprint, \u003cstrong data-start=\"438\" data-end=\"483\"\u003eEditorial  Elvira\u003c\/strong\u003e, and it is part of the Darwin Bookshop because it returns full authorship and editorial control to one of the most essential voices in documentary photography. First released in 1989, the book remains the most powerful photographic account ever made of rural Spain—its ecstatic rituals, sacred choreographies, and bodies caught in acts of collective trance.\u003c\/p\u003e\n\u003cp data-start=\"843\" data-end=\"1277\"\u003eGarcía Rodero spent over 15 years photographing festivals, pilgrimages, and popular ceremonies across the Spanish countryside between 1973 and 1988, capturing scenes that veer between the Catholic, the pagan, and the surreal. What results is not a nostalgic ethnography but a fierce visual anthropology of belief, suffering, and joy. The images are precise, direct, often overwhelming. They do not explain Spain—they convulse with it.\u003c\/p\u003e\n\u003cp data-start=\"1279\" data-end=\"1736\"\u003eThis 2025 edition restores the original sequencing while expanding the selection and correcting past omissions, now produced to the highest standards by García Rodero herself. The book cover, showing the ritual of \u003cem data-start=\"1493\" data-end=\"1505\"\u003eEl Colacho\u003c\/em\u003e—where a devil-costumed man leaps over newborns—remains one of the most iconic images in Spanish photography. At Darwin, \u003cem data-start=\"1626\" data-end=\"1641\"\u003eEspaña Oculta\u003c\/em\u003e is considered an anchor: a book that defines not just a place or period, but a mode of seeing.\u003c\/p\u003e\n\u003cp data-start=\"1738\" data-end=\"1757\"\u003e\u003cstrong data-start=\"1738\" data-end=\"1757\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1759\" data-end=\"2114\"\u003eTitle: España Oculta (Edición Revisada)\u003cbr data-start=\"1798\" data-end=\"1801\"\u003eArtist \/ Author: Cristina García Rodero\u003cbr data-start=\"1840\" data-end=\"1843\"\u003eDate: Second print, 2025\u003cbr data-start=\"1853\" data-end=\"1856\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1900\" data-end=\"1903\"\u003eMedium \/ Materials: Hardcover, cloth spine\u003cbr data-start=\"1945\" data-end=\"1948\"\u003eDimensions: approx. 24 × 30 cm\u003cbr data-start=\"1978\" data-end=\"1981\"\u003eLanguage: Spanish\u003cbr data-start=\"1998\" data-end=\"2001\"\u003ePages: 288\u003cbr data-start=\"2011\" data-end=\"2014\" data-is-only-node=\"\"\u003ePublisher \/ Editor: Editorial Elvira\u003cbr data-start=\"2075\" data-end=\"2078\"\u003eISBN: 9788409641475\u003cbr data-start=\"2097\" data-end=\"2100\"\u003eCondition: New\u003c\/p\u003e\n\u003cp data-start=\"2117\" data-end=\"2179\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51614630379858,"sku":null,"price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_2_94c66ee9-952e-488a-a7ed-044c1bdb6906.jpg?v=1768065558"},{"product_id":"raven-mask","title":"Ritual Costume of the \"Cuervo de la Milpa\"","description":"\u003cp data-start=\"141\" data-end=\"1330\"\u003eThis ritual costume from Guerrero, Mexico—standing 170cm tall and bearing the many-headed visage of the Cuervo de la Milpa (Cornfield Crow)—is part of the Darwin archive for its rare embodiment of Indigenous cosmovision rendered through vernacular performance design. The suit, likely used in masked dances or agricultural rites, depicts a highly stylised crow with multiple beaked heads and lacquered feathers, painted in rhythmic repetition across a crimson-orange field. The headpiece fuses bird and human traits with hypnotic red eyes, geometric teeth, and textured plumage. The overall effect is at once theatrical and animistic: a visual language of doubling, disguise, and possession. Rooted in Mesoamerican traditions of animal-human transformation, this costume speaks to a living relationship between land, spirit, and masquerade—where costume is not simply ornament but a vessel for becoming. Worn during seasonal festivities or communal rituals, it likely played a role in invoking protection over crops, fertility, and the cyclical return of rain. Darwin includes this piece as a testament to Mexican material culture’s vitality and the ceremonial power of the handmade image.\u003c\/p\u003e\n\u003cp data-start=\"1332\" data-end=\"1677\"\u003e\u003cstrong data-start=\"1332\" data-end=\"1351\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1351\" data-end=\"1354\"\u003eTitle: Cuervo de la Milpa Ritual Costume\u003cbr data-start=\"1421\" data-end=\"1424\"\u003eDate: Contemporary (20st century)\u003cbr data-start=\"1465\" data-end=\"1468\" data-is-only-node=\"\"\u003eTechnique \/ Printing Method: Hand-painted, carved wood, stitched textile\u003cbr data-start=\"1540\" data-end=\"1543\"\u003eMedium \/ Materials: Wood, textile, paint\u003cbr data-start=\"1583\" data-end=\"1586\"\u003eDimensions (cm): 170 (height)\u003cbr data-start=\"1615\" data-end=\"1618\"\u003eCondition: Used, age-worn\u003cbr\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51657500787026,"sku":null,"price":650.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MarcosWebproof_8of24_-2_2.jpg?v=1768423201"},{"product_id":"shunga-woodblock-print-reprint-katsushika-hokusai-1760-1849-the-dream-of-the-fishermans-wife-octopus-and-shell-diver-蛸と海女-recarved-printed-by-yuuya-shimoi-21st-century-japan","title":"The Dream of the Fisherman’s Wife — Katsushika Hokusai","description":"\u003ch3 data-end=\"169\" data-start=\"87\"\u003e\n\u003cem data-end=\"126\" data-start=\"91\"\u003eThe Dream of the Fisherman’s Wife\u003c\/em\u003e — Katsushika Hokusai — 1814 (recarved 2018)\u003c\/h3\u003e\n\u003cp data-end=\"316\" data-start=\"171\"\u003e\u003cstrong data-end=\"251\" data-start=\"171\"\u003eHokusai’s infamous shunga woodblock – \u003cmeta charset=\"utf-8\"\u003erecarved \u0026amp; printed by Yuuya Shimoi\u003c\/strong\u003e\u003cbr data-end=\"254\" data-start=\"251\"\u003eA woman, adrift in rapture, entangled in the limbs of the sea.\u003c\/p\u003e\n\u003cp data-end=\"467\" data-start=\"318\"\u003ePrinted in the 21st century, yet echoing the fevered spirit of Edo.\u003cbr data-end=\"388\" data-start=\"385\"\u003eThis rare reprint honors one of the most transgressive moments in Japanese art.\u003c\/p\u003e\n\u003cp data-end=\"470\" data-start=\"469\"\u003e⸻\u003c\/p\u003e\n\u003cp data-end=\"943\" data-start=\"472\"\u003e\u003cstrong data-end=\"482\" data-start=\"472\"\u003eTitle:\u003c\/strong\u003e \u003cem data-end=\"525\" data-start=\"483\"\u003eThe Dream of the Fisherman’s Wife (蛸と海女)\u003c\/em\u003e\u003cbr data-end=\"528\" data-start=\"525\"\u003e\u003cstrong data-end=\"556\" data-start=\"528\"\u003eArtist \/ Author \/ Maker:\u003c\/strong\u003e Katsushika Hokusai (1760–1849), recarved \u0026amp; printed by Yuuya Shimoi (Japan)\u003cbr data-end=\"634\" data-start=\"631\"\u003e\u003cstrong data-end=\"657\" data-start=\"634\"\u003eTechnique \/ Medium:\u003c\/strong\u003e Woodblock print on Japanese washi paper (和紙)\u003cbr data-end=\"705\" data-start=\"702\"\u003e\u003cstrong data-end=\"717\" data-start=\"705\"\u003eEdition:\u003c\/strong\u003e Contemporary reprint\u003cbr data-end=\"741\" data-start=\"738\"\u003e\u003cstrong data-end=\"755\" data-start=\"741\"\u003eSignature:\u003c\/strong\u003e Unsigned\u003cbr data-end=\"767\" data-start=\"764\"\u003e\u003cstrong data-end=\"776\" data-start=\"767\"\u003eDate:\u003c\/strong\u003e Originally 1814 \/ Reprinted December 2018\u003cbr data-end=\"821\" data-start=\"818\"\u003e\u003cstrong data-end=\"835\" data-start=\"821\"\u003eCondition:\u003c\/strong\u003e Excellent\u003cbr data-end=\"848\" data-start=\"845\"\u003e\u003cstrong data-end=\"863\" data-start=\"848\"\u003eDimensions:\u003c\/strong\u003e Sheet size 22 × 28.5 cm\u003cbr data-end=\"890\" data-start=\"887\"\u003e\u003cstrong data-end=\"914\" data-start=\"890\"\u003eOrigin \/ Provenance:\u003c\/strong\u003e Shimoi Yuuya studio, Japan\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754496033106,"sku":null,"price":350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/4b8d9cd5-34bc-4e4e-a466-631f732b974c.jpg?v=1761841062"},{"product_id":"vladinsky-the-observer-untitled-grey-ear-series","title":"Vladinsky - The Observer Untitled (grey ear series)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVladinsky was born in July, 1988, in the city of Onesti, a city located in the Moldovan area of Romania. From the first years of school he was fascinated by visual arts because of a fine arts teacher. \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"LotSpecifications_container__Nlm2W u-m-t-sm-xl u-m-t-xxl-2\" data-sentry-component=\"LotSpecifications\" data-sentry-source-file=\"LotSpecifications.tsx\"\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eObject: \u003c\/span\u003e\u003cspan\u003ePainting\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eArtist: \u003c\/span\u003e\u003cspan\u003eVladinsky\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eTitle of artwork: \u003c\/span\u003e\u003cspan\u003eThe Observer Untitled (grey ear series)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eTechnique: \u003c\/span\u003e\u003cspan\u003eAcrylic on canvas\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eSignature: \u003c\/span\u003e\u003cspan\u003eHand signed\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eYear: \u003c\/span\u003e\u003cspan\u003e2021\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003ePeriod: \u003c\/span\u003e\u003cspan\u003e2010-present\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eEdition: \u003c\/span\u003e\u003cspan\u003e1\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eCondition: \u003c\/span\u003e\u003cspan\u003eExcellent condition\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eTotal dimensions: \u003c\/span\u003e\u003cspan\u003e82×82×3 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eWeight: \u003c\/span\u003e\u003cspan\u003e1 kg\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51759827353938,"sku":null,"price":1650.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/172fcd32-e61c-435f-9cbd-e51c28046c6a.jpg?v=1761840581"},{"product_id":"hand-painted-dowry-chest-rajasthan-gujarat-ca-1780-1850","title":"Hand-Painted Dowry Chest, Rajasthan \/ Gujarat, ca. 1780–1850","description":"\u003cp\u003e\u003cspan\u003eMagnificent hand-painted wedding chest from North India, likely Rajasthan or Gujarat, crafted in solid teak and richly decorated in the late Mughal style.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEach panel narrates a chapter of the royal wedding procession: the groom riding a caparisoned elephant, musicians and nobles marching in bright attire, and courtly scenes of dancers performing inside palatial halls. The lid and borders are adorned with gold foliate arabesques, echoing the lavish murals and textile motifs of 18th-century Rajput courts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBuilt from dense reclaimed teak and fitted with original forged-iron hardware, the chest remains in excellent condition with its pigments remarkably vivid. The work exemplifies the synthesis between Mughal refinement and Rajastani narrative art — ceremonial, devotional, and deeply symbolic of union and prosperity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDimensions: 29ʺ W × 17ʺ D × 15ʺ H\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMaterial: Solid teak, hand-painted with natural pigments and gilt detailing\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOrigin: Rajasthan \/ Gujarat, India\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePeriod: Late 18th to mid-19th century\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCondition: Excellent; minor wear consistent with age and use\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eColor palette: Vermilion, ochre, emerald, ultramarine, and gold leaf accents\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51829483667794,"sku":null,"price":2500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/406A59B9-979A-485F-A00E-B230A9755E45.jpg?v=1761821591"},{"product_id":"l-observateur-d-aboisso-agni-cote-d-ivoire","title":"L’Observateur d’Aboisso – Agni, Côte d’Ivoire","description":"\u003cp\u003e\u003cspan\u003eThis striking wooden figure hails from the Agni people of southeastern Côte d’Ivoire, specifically the culturally significant region of Aboisso, near the banks of the Comoé River. Carved with geometric precision and ritual sobriety, the sculpture likely served a protective or intercessory function, typical of Agni statuary used in domestic or spiritual contexts. Its expressive power lies not in movement, but in its concentrated stillness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe figure’s stance is iconic: rigidly upright, arms crossed at the chest, with a formal symmetry that commands attention. Its proportions are stylized but balanced, and the square base—heavily incised with rhythmic motifs—grounds the figure with architectural gravitas. The surface retains a matte patina of age, with subtle traces of ritual handling, and a palette of deep, worn browns suggesting long exposure to human touch and atmospheric change.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe head is large, with an angular coiffure and finely notched details typical of the region’s woodcarving traditions. The facial expression is alert, even inquisitive, with rounded eyes and incised brows forming a gaze that feels both distant and direct. This suggests the figure may have acted as a silent witness in spiritual consultations, offerings, or personal rituals—a sculptural embodiment of ancestral memory or protection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThough closely related to the neighboring Baule in style and cultural exchange, Agni statuary tends to be slightly more abstract, often emphasizing posture over anatomical realism. Figures such as this one were likely part of small family shrines, serving as intermediaries to spirits or ancestors, or as ritual “witnesses” to oaths, healing ceremonies, or rites of passage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe provenance from Galerie Wolfgang Jaenicke in Berlin adds further curatorial confidence to the piece. While modest in scale, it radiates an almost architectural clarity—its geometry suggesting control, its face inviting interpretation, its presence unmistakably felt.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Ritual figure\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: L’Observateur d’Aboisso\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCulture: Agni\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: Early to mid-20th century\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique: Hand-carved\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMaterial: Wood\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 48 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWeight: 2.3 kg\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Acceptable (age-related wear, base shows minor splitting, stable structure)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Galerie Wolfgang Jaenicke, Berlin (acquired in the Aboisso region, Côte d’Ivoire)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51865717801298,"sku":null,"price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/NewTemplate_2.jpg?v=1768121734"},{"product_id":"a-bastard-son-brian-sergio","title":"A Bastard Son — Brian Sergio","description":"\u003cp\u003e\u003cspan\u003eA Bastard Son is an uncompromising photographic exploration of masculinity, violence, and survival on the margins of contemporary Filipino society. Shot entirely in black and white, Brian Sergio’s images burn with unfiltered energy—portraits of boys and young men suspended in a volatile mix of aggression, vulnerability, and play. These are not sanitized depictions of urban poverty, but confrontational moments of youth in motion, steeped in sweat, defiance, and defiant beauty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePublished by Zen Foto Gallery in Tokyo and designed with minimalist power by Koichi Ino, the book’s red linen cover frames the haunting gaze of a young boy—both subject and symbol of a generation left to invent itself in the absence of structure. Sergio’s work sits at the intersection of documentary and psychological theatre, echoing the raw edge of Nan Goldin and the subcultural intimacy of early Ryan McGinley, but filtered through the charged streets of Manila.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA Bastard Son is a visceral visual statement: political without slogans, poetic without sentimentality. A testament to Sergio’s bold, immersive practice and a crucial addition to the emerging canon of contemporary Southeast Asian photography.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Photobook\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: A Bastard Son\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Brian Sergio\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: November 1, 2018\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eText: Robin Titchener (English text)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDesign: Koichi Ino\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProject Management: Bonnie Pong-Wai Ma\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: Zen Foto Gallery (Tokyo, Japan)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePrinting \u0026amp; Binding: CGK Formaprint, Philippines\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: English \/ Japanese\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Hardcover, red linen with tipped-in photograph\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: first \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages:  80–100\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: . 25 x 18 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eISBN: 978-4-905453-73-4\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Excellent\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51880679571794,"sku":null,"price":65.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_1_86423150-eacd-4558-b237-f32ca44b9055.jpg?v=1767992826"},{"product_id":"mauvais-garcons-portraits-de-tatoues-1890-1930-25-postcards-set","title":"Mauvais Garçons — Portraits de Tatoués, 1890–1930 (25 Postcards set)","description":"\u003cp\u003e\u003cspan\u003eA rare visual archive of the tattooed underworld, drawn from French police mugshots at the turn of the century.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExtended Description\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis postcard set, titled Mauvais Garçons, unveils a clandestine gallery of tattooed men—thieves, anarchists, deserters—photographed in stark, frontal poses by the French police between 1890 and 1930. What once served as forensic evidence now reads like an unintentional art project: a collection of outsider self-portraits inked directly onto skin. Each image bears witness to an era when tattoos were the mark of defiance, identity, and underworld codes—a visual language etched with hearts, women, daggers, and mystic symbols.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese men, hardened yet vulnerable, wear their lives in monochrome. The compositions, raw and formally direct, recall early anthropometric photography while subverting it through a visceral intimacy. Compiled and published by La Manufacture de Livres, this box set contains 25 black-and-white postcards, each a testament to bodies turned biographies. Whether sent, framed, or kept intact as an archival object, the set bridges criminology and portraiture with dark lyricism.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Postcard Set\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: Mauvais Garçons — Portraits de Tatoués, 1890–1930\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Anonymous police photographers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: Published 2021 (images c. 1890–1930)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset printing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Cardstock in slipcase\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: Standard edition\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: No\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 15 x 10.5 cm (each postcard)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: French \/ English\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages: 25 postcards\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: La Manufacture de Livres\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Near Mint\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51882983981394,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/0BD9D896-1EBA-4B59-BA5E-BF6EA2E676B7.png?v=1761717251"},{"product_id":"bomba-mga-litrato-ni-brian-sergio","title":"BOMBA —  photographic zine by Brian Sergio","description":"\u003cp\u003e\u003cspan\u003ePublished in December 2015 by the independent Mazinger Zine, BOMBA is a photographic zine by Filipino photographer Brian Sergio, known for his unflinching gaze and street-level approach to documentary. The title—Bomba, a colloquial Filipino term for softcore erotic cinema—sets the tone for a publication that flirts with transgression, vulnerability, and performative sexuality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eShot in stark black-and-white and printed on uncoated stock, the images are charged with a raw immediacy: young women pose in cramped interiors, gazes defiant or distant, their bodies lit by the dull glow of domestic neon. Sergio’s camera doesn’t glamorize—it documents. The scenes suggest both agency and constraint, echoing a socio-political backdrop of marginal economies and informal glamour.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Photographic Zine\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: BOMBA — Mga Litrato ni Brian Sergio\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Brian Sergio\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: December 2015\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Photocopy-style digital printing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Uncoated paper, saddle-stitched\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: Likely small-run independent edition (undisclosed)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: No\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: Approx. 28 x 21.5 cm (A4)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: English \/ Filipino\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages: Unnumbered (estimated ~24)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: Mazinger Zine\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Good (slight oxidation on edges visible)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51882987782482,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/BARCELO_d1d0632a-7262-48c4-b5f5-13c9f0919543.jpg?v=1768034082"},{"product_id":"frenchkiss-anders-petersen","title":"frenchkiss – Anders Petersen","description":"\u003cp\u003e\u003cspan\u003eWith frenchkiss, Swedish master photographer Anders Petersen constructs a visual diary suspended between feral tenderness and nocturnal disquiet. The title, a whisper of sensual provocation, sets the tone for a book where affection and estrangement constantly collide. Famous for his immersive, grain-rich black and white photography, Petersen turns his lens on the creatures—both human and animal—that haunt the edges of society. His cat, eyes shining like twin mirrors, stares from the cover as both sentinel and symbol: elusive, independent, wounded.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOriginally published in 2008 by Images En Manœuvres Éditions in Marseille, this volume is the kind of intimate, physically compact photobook that invites handling and re-reading. It feels like a notebook from the underworld, filled with images torn from the skin of life—fleeting, tactile, instinctive. There are no captions, no anchors. Only instinct.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePart of a pan-European co-edition that included Dewi Lewis Publishing (UK), La Fábrica (Spain), Peliti Associati (Italy), and Kehrer Verlag (Germany), frenchkiss is a testament to Petersen’s enduring influence on photographic language—visceral, unsentimental, and strangely tender.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Photobook\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: frenchkiss\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Anders Petersen\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2008\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset printing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Hardcover with printed boards\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: First edition\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: No\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 19 x 12.5 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: English\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages: 116\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: Images En Manœuvres Éditions (France), with Dewi Lewis Publishing (UK), La Fábrica Editorial (Spain), Peliti Associati (Italy), Kehrer Verlag (Germany)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eISBN: 978-2-8499-5088-8\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: new \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51896016634194,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_8.jpg?v=1768030819"},{"product_id":"la-pareja-1975-by-miguel-calderon-paredes","title":"La pareja, 1975\nby Miguel Calderón Paredes","description":"\u003cp\u003e\u003cspan\u003eA raw, baroque depiction of intimacy—both exposed and estranged—drawn with Mediterranean color and unflinching tenderness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExtended Description\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this untitled lithograph, Miguel Calderón Paredes offers a startling portrayal of the nude human body, stripped of idealization. Created in 1975, the composition presents a man and a woman reclining in what appears to be a shared bed—though their postures suggest solitude as much as closeness. With graphic immediacy and finely gestural linework, Calderón Paredes captures the folds, hair, and textures of real bodies, rendering them both grotesque and intimate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe visual language recalls elements of Dubuffet or the Spanish Nueva Figuración, with a psychological undertone that evokes the tension of post-Franco domesticity. The ornamental headboard and earthy palette suggest a Mediterranean interior, where the nude is less a symbol of eroticism than of shared time, age, and exposure.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrinted in a limited edition of 135 copies, this is number 93. A rare and powerful work by a Spanish artist whose explorations of figuration and body politics remain relevant today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Print\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: la pareja\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Miguel Calderón Paredes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 1975\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Lithography\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Ink on paper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: 93\/135\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: Yes, pencil signed and dated\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: Unframed\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 68 × 49 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Excellent condition, minor handling signs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Private Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51901487743314,"sku":null,"price":155.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/5566C520-25DC-486F-A161-6EA79682B66B.png?v=1761927200"},{"product_id":"jose-guadalupe-posada-ilustrador-de-la-vida-mexicana","title":"José Guadalupe Posada, Ilustrador de la Vida Mexicana","description":"\u003cp\u003e\u003cspan\u003eAn iconic tribute to Mexico’s great visual chronicler, wrapped in gold embossing and editorial reverence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis 1963 edition, published by Fondo Editorial de la Plástica Mexicana, stands as one of the most elegant homages to José Guadalupe Posada—engraver, satirist, and anonymous soul of the Mexican people. With its crimson textile cover adorned in golden lattice and a central photograph of Posada’s workshop, the book reads as both a visual reliquary and a national offering.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWithin its pages, Posada’s world unfolds: the everyday and the tragic, the political and the grotesque, all carved with urgency and printed for the masses. Long before the fame of his Calaveras, Posada shaped the visual language of Mexican identity with fierce simplicity and deep popular resonance. This volume, carefully printed under the auspices of major Mexican financial institutions, is not just a monograph—it is a posthumous altar to one of the country’s most influential yet historically marginalized artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe book’s editorial design reflects the aesthetic codes of mid-century institutional publishing, yet it preserves the raw power of Posada’s prints—making it a collectible object, a bibliophile’s jewel, and a visual archive of cultural resistance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Book\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: José Guadalupe Posada: Ilustrador de la Vida Mexicana\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: José Guadalupe Posada\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 1963\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Hardcover with textile binding and gold embossing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: Fondo Editorial de la Plástica Mexicana\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: Spanish\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Very good; minimal signs of handling\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Private Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51955262161234,"sku":null,"price":250.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_83442087-2dd7-47d3-915e-cd8183316373.jpg?v=1767992081"},{"product_id":"maisons-closes-nicole-canet","title":"Maisons Closes – Nicole Canet, Galerie Au Bonheur du Jour, 2021","description":"\u003cp data-start=\"166\" data-end=\"679\"\u003eA dense visual history of brothels and their representations from 1860 to 1946. Moving across paintings, photographs and drawings, this 480-page volume reconstructs the closed world of regulated prostitution in France through 327 illustrations and archival material. Published in a numbered edition of 800 copies, with texts by Florent Paudeleux and Nicole Canet, it combines scholarly precision with the eye of a collector, mapping interiors, rituals and coded economies before their legal disappearance in 1946.\u003c\/p\u003e\n\u003cp data-start=\"681\" data-end=\"1070\"\u003eTechnical Sheet\u003cbr data-start=\"696\" data-end=\"699\"\u003eTitle: Maisons Closes\u003cbr data-start=\"720\" data-end=\"723\"\u003eArtist \/ Author: Nicole Canet\u003cbr data-start=\"752\" data-end=\"755\"\u003eDate: 2021\u003cbr data-start=\"765\" data-end=\"768\"\u003eEdition: Limited edition of 800 numbered copies\u003cbr data-start=\"815\" data-end=\"818\"\u003eMedium \/ Materials: Hardcover book\u003cbr data-start=\"852\" data-end=\"855\"\u003eDimensions (cm): 21 × 27 cm\u003cbr data-start=\"882\" data-end=\"885\"\u003ePages: 480 pages, 327 illustrations\u003cbr data-start=\"920\" data-end=\"923\"\u003eLanguage: French (English translation included)\u003cbr data-start=\"970\" data-end=\"973\"\u003ePublisher \/ Editor: Galerie Au Bonheur du Jour\u003cbr data-start=\"1019\" data-end=\"1022\"\u003eISBN: 979-10-93837-08-6\u003cbr data-start=\"1045\" data-end=\"1048\"\u003eCondition: Very good\u003c\/p\u003e\n\u003cp data-start=\"1072\" data-end=\"1248\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51956954759506,"sku":null,"price":92.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_3.jpg?v=1768030334"}],"url":"https:\/\/thedarwin.es\/collections\/featured-collection.oembed","provider":"DaRWIN","version":"1.0","type":"link"}