{"title":"GALLERY \/ PRINT \/ Lithography","description":"\u003cp data-start=\"352\" data-end=\"401\"\u003e\u003cem data-start=\"352\" data-end=\"401\"\u003eArt, propaganda, and the beauty of reproduction\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"425\" data-end=\"1114\"\u003eThis section is dedicated to the lithographic print — a technique born in the 18th century that revolutionized how art and information were shared.\u003cbr data-start=\"572\" data-end=\"575\"\u003eIt includes both \u003cstrong data-start=\"592\" data-end=\"619\"\u003eartist-made lithographs\u003c\/strong\u003e — limited editions rich in gesture and surface — and \u003cstrong data-start=\"673\" data-end=\"698\"\u003emass-produced posters\u003c\/strong\u003e that used the same process to promote political movements, boxing matches, films, and public events.\u003cbr data-start=\"799\" data-end=\"802\"\u003eWhat unites them is the tactile quality of lithography itself: drawn by hand, transferred by stone or plate, and printed with the layered texture that no digital method can replicate.\u003cbr data-start=\"985\" data-end=\"988\"\u003eFrom the atelier to the arena, these works reveal how a single technique shaped both aesthetic innovation and popular culture.\u003c\/p\u003e","products":[{"product_id":"tapies-valencia","title":"TAPIES VALENCIA","description":"\u003cp data-start=\"106\" data-end=\"441\"\u003e\u003cstrong data-start=\"106\" data-end=\"156\"\u003eAntoni Tàpies – Galería Punto, Valencia (1981)\u003c\/strong\u003e\u003cbr data-start=\"156\" data-end=\"159\"\u003e\u003c\/p\u003e\n\u003cp data-start=\"106\" data-end=\"441\"\u003eThe design embodies Tàpies’ signature visual language — a dramatic black brushstroke layered with earthy red forms, abstract signs, and gestural markings across a textured ground.\u003cstrong data-start=\"445\" data-end=\"456\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"668\" data-end=\"800\"\u003eA collectible piece of Spanish art history from one of Europe’s most influential postwar artists, perfect for framing and display.\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51631039775058,"sku":null,"price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/cactustapies.jpg?v=1761841000"},{"product_id":"antonio-saura-kafka-lithograph-no-271-300","title":"Franz Kafka’s Tagebücher — Saura  1988","description":"\u003cp\u003eThis lithograph is one of 69 works created by Antonio Saura in response to Franz Kafka’s \u003cem data-end=\"209\" data-start=\"197\"\u003eTagebücher\u003c\/em\u003e (\u003cem data-end=\"220\" data-start=\"211\"\u003eDiaries\u003c\/em\u003e), published in 1988 as a limited artist's book. Printed on fine \u003cem data-end=\"306\" data-start=\"285\"\u003epapier vélin Bütten\u003c\/em\u003e, the image is part of a visual diary where Saura confronts Kafka’s interior world—translating dread, delirium, and bodily disintegration into graphic form.\u003c\/p\u003e\n\u003cp data-end=\"984\" data-start=\"464\"\u003eThe composition is sprawling and almost anatomical: limbs, breasts, and faces twist violently into each other, rendered in airbrush-like shadows and urgent black line. A female nude is flattened, pierced by expressive stroke—less a figure than a vessel of anxiety. There is both play and punishment in the way Saura draws here: embracing the grotesque, but with a controlled rhythm. The image splits down the fold of the page, reinforcing its origin in book form—meant to be turned, not framed; lived with, not isolated.\u003c\/p\u003e\n\u003cp data-end=\"1322\" data-start=\"986\"\u003eSaura’s engagement with Kafka was not literal, but psychic. This is Kafka’s diary not as narrative, but as nightmare: the artist tapping into an abyss of guilt, repression, absurdity and flesh. The result is one of the most ambitious graphic cycles of the postwar era—less an illustration than a confrontation between two haunted minds.\u003c\/p\u003e\n\u003cp data-end=\"1646\" data-start=\"1324\"\u003e\u003cstrong data-end=\"1343\" data-start=\"1324\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-end=\"1346\" data-start=\"1343\"\u003eTitle: 69 works, Franz Kafka, Tagebücher\u003cbr data-end=\"1389\" data-start=\"1386\"\u003eArtist \/ Author: Antonio Saura\u003cbr data-end=\"1422\" data-start=\"1419\"\u003eDate: 1988\u003cbr data-end=\"1435\" data-start=\"1432\"\u003eTechnique \/ Printing Method: Lithograph\u003cbr data-end=\"1477\" data-start=\"1474\"\u003eMedium \/ Materials: Ink on Bütten paper\u003cbr data-end=\"1519\" data-start=\"1516\"\u003eDimensions (cm): 33.5 × 25 × 4.5 cm (volume)\u003cbr data-end=\"1566\" data-start=\"1563\"\u003ePublisher \/ Editor: (Not specified — edition from 1988)\u003cbr data-end=\"1624\" data-start=\"1621\"\u003eCondition: Excellent\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51777167196498,"sku":null,"price":130.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/Screenshot2026-01-14at22.29.54_1.jpg?v=1768427286"},{"product_id":"eduardo-chillida-osasun-amp-homenage","title":"Eduardo Chillida — Osasun \u0026amp; Homenage","description":"\u003cp data-start=\"73\" data-end=\"327\"\u003e\u003cbr data-start=\"121\" data-end=\"124\"\u003e\u003cem data-start=\"124\" data-end=\"252\"\u003eTwo serene homages to form and freedom — Chillida’s signature interplay of weight and void, rendered in fine art reproduction.\u003c\/em\u003e\u003cbr data-start=\"252\" data-end=\"255\"\u003e\u003cem data-start=\"255\" data-end=\"327\"\u003ePublished with care, signed in print, and preserved in mint condition.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"329\" data-end=\"330\"\u003e⸻\u003c\/p\u003e\n\u003cp data-start=\"332\" data-end=\"994\"\u003e\u003cstrong data-start=\"332\" data-end=\"342\"\u003eTitle:\u003c\/strong\u003e \u003cem data-start=\"343\" data-end=\"351\"\u003eOsasun\u003c\/em\u003e (1974, after original woodcut) \u0026amp; \u003cem data-start=\"385\" data-end=\"395\"\u003eHomenage\u003c\/em\u003e\u003cbr data-start=\"395\" data-end=\"398\"\u003e\u003cstrong data-start=\"398\" data-end=\"409\"\u003eArtist:\u003c\/strong\u003e \u003cem data-start=\"410\" data-end=\"440\"\u003eEduardo Chillida (1924–2002)\u003c\/em\u003e\u003cbr data-start=\"440\" data-end=\"443\"\u003e\u003cstrong data-start=\"443\" data-end=\"466\" data-is-only-node=\"\"\u003eTechnique \/ Medium:\u003c\/strong\u003e\u003cbr data-start=\"466\" data-end=\"469\"\u003e• \u003cem data-start=\"471\" data-end=\"479\"\u003eOsasun\u003c\/em\u003e: Quadrichrome print of original 1974 woodcut\u003cbr data-start=\"524\" data-end=\"527\"\u003e• \u003cem data-start=\"529\" data-end=\"539\"\u003eHomenage\u003c\/em\u003e: Fine Art Giclée print\u003cbr data-start=\"562\" data-end=\"565\"\u003e\u003cstrong data-start=\"565\" data-end=\"577\"\u003eEdition:\u003c\/strong\u003e \u003cem data-start=\"578\" data-end=\"622\"\u003eOpen edition (published by Hauser \u0026amp; Wirth)\u003c\/em\u003e\u003cbr data-start=\"622\" data-end=\"625\"\u003e\u003cstrong data-start=\"625\" data-end=\"639\"\u003eSignature:\u003c\/strong\u003e \u003cem data-start=\"640\" data-end=\"673\"\u003ePrinted signature on both works\u003c\/em\u003e\u003cbr data-start=\"673\" data-end=\"676\"\u003e\u003cstrong data-start=\"676\" data-end=\"685\"\u003eDate:\u003c\/strong\u003e \u003cem data-start=\"686\" data-end=\"707\"\u003ePosthumous editions\u003c\/em\u003e\u003cbr data-start=\"707\" data-end=\"710\"\u003e\u003cstrong data-start=\"710\" data-end=\"724\"\u003eCondition:\u003c\/strong\u003e \u003cem data-start=\"725\" data-end=\"787\"\u003eExcellent — never framed, stored flat in archival conditions\u003c\/em\u003e\u003cbr data-start=\"787\" data-end=\"790\"\u003e\u003cstrong data-start=\"790\" data-end=\"805\"\u003eDimensions:\u003c\/strong\u003e\u003cbr data-start=\"805\" data-end=\"808\"\u003e• \u003cem data-start=\"810\" data-end=\"818\"\u003eOsasun\u003c\/em\u003e: 50 × 50 cm\u003cbr data-start=\"830\" data-end=\"833\"\u003e• \u003cem data-start=\"835\" data-end=\"845\"\u003eHomenage\u003c\/em\u003e: 63.5 × 43 cm\u003cbr data-start=\"859\" data-end=\"862\"\u003e\u003cstrong data-start=\"862\" data-end=\"872\"\u003ePaper:\u003c\/strong\u003e \u003cem data-start=\"873\" data-end=\"913\"\u003eSomerset Smooth 160g\/m² Fine Art paper\u003c\/em\u003e\u003cbr data-start=\"913\" data-end=\"916\"\u003e\u003cstrong data-start=\"916\" data-end=\"940\"\u003eOrigin \/ Provenance:\u003c\/strong\u003e \u003cem data-start=\"941\" data-end=\"994\"\u003eHauser \u0026amp; Wirth (for “Homenage”); private collection\u003c\/em\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51777172603218,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/46d00070-e100-4871-acd6-4de05230d7e5.jpg?v=1761824072"},{"product_id":"antonio-saura-placard-1976","title":"Placard — Saura x Ullán, 1976","description":"\u003cp data-start=\"67\" data-end=\"582\"\u003eThis 1976 lithograph by Antonio Saura, created in collaboration with poet José-Miguel Ullán and published by Galerie Maeght in Paris, is a luminous artifact of the Spanish post-Franco cultural diaspora—where visual and literary language locked into shared rebellion. Titled \u003cem data-start=\"377\" data-end=\"386\"\u003ePlacard\u003c\/em\u003e, the work assembles nine vignettes of Saura’s automatic drawing—faces, bodies, fragments, and screaming line—alongside a printed poem by Ullán, all floating against pale fields of ochre and sage.\u003c\/p\u003e\n\u003cp data-start=\"584\" data-end=\"1085\"\u003eSaura’s graphic idiom here is at its most liberated: linear, gestural, manic, yet controlled by a precise architecture of placement. The figures dissolve into signs; the signs twitch with agitation. Framed like an archival cabinet or a protest placard, the print turns into a grid of visual outcries—each panel a variation on pain, perception, or memory. Ullán’s text sits calmly in the centre, offering a literary counter-rhythm to the violence of the images, forming not an explanation, but an echo.\u003c\/p\u003e\n\u003cp data-start=\"1087\" data-end=\"1444\"\u003eBoth Saura and Ullán were central to the intellectual resistance against Francoism, and \u003cem data-start=\"1175\" data-end=\"1184\"\u003ePlacard\u003c\/em\u003e reads as an act of defiance in print—a bilingual protest between eye and voice. Printed on fine vélin d’Arches and signed by both artist and poet in pencil, this edition of 500 links two of Spain’s most singular postwar radicals in one dense and dynamic page.\u003c\/p\u003e\n\u003cp data-start=\"1446\" data-end=\"1995\"\u003e\u003cstrong data-start=\"1446\" data-end=\"1465\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1465\" data-end=\"1468\"\u003eTitle: Placard\u003cbr data-start=\"1482\" data-end=\"1485\"\u003eArtist \/ Author: Antonio Saura (drawing), José-Miguel Ullán (text)\u003cbr data-start=\"1551\" data-end=\"1554\"\u003eDate: 1976\u003cbr data-start=\"1564\" data-end=\"1567\"\u003eTechnique \/ Printing Method: Lithograph and zincograph\u003cbr data-start=\"1621\" data-end=\"1624\"\u003eMedium \/ Materials: Ink on vélin d’Arches paper\u003cbr data-start=\"1671\" data-end=\"1674\"\u003eEdition: 56\/500\u003cbr data-start=\"1689\" data-end=\"1692\"\u003eSigned: Yes, signed in pencil by artist and poet\u003cbr data-start=\"1740\" data-end=\"1743\"\u003eFraming: Wood frame with black mount\u003cbr data-start=\"1779\" data-end=\"1782\"\u003eDimensions (cm): 80 × 60 cm\u003cbr data-start=\"1809\" data-end=\"1812\"\u003ePublisher \/ Editor: Galerie Maeght, Paris\u003cbr data-start=\"1853\" data-end=\"1856\"\u003eBibliography: Weber-Caflisch, \u003cem data-start=\"1886\" data-end=\"1928\"\u003eSaura. Catálogo Razonado de Obra Gráfica\u003c\/em\u003e, Ed. Cramer, Geneva 2000, nº 219.2, p.245\u003cbr data-start=\"1970\" data-end=\"1973\"\u003eCondition: Excellent\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51787374166354,"sku":null,"price":1100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/cactustapies-custom.png?v=1768425866"},{"product_id":"agustin-ibarrola-basauri-1930-2024-abatimiento-de-los-emigrantes-despair-of-the-emigrants-c-1960","title":"AGUSTÍN IBARROLA, \nAbatimiento de los emigrantes, c.1960","description":"\u003cp\u003e\u003cspan\u003eA powerful expressionist linocut from the politically charged early career of one of Spain’s most socially engaged postwar artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCreated during Ibarrola’s years of activism and affiliation with Equipo 57, this linocut captures the desolation of Spanish emigrants through an austere composition of compressed faces and dark tonal contrasts. The work belongs to his period of militant realism, where form and ideology merge in protest against the social conditions of the 1960s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCarved with harsh, direct strokes and printed in stark black, the piece embodies the artist’s empathy toward the working class and displaced rural communities, standing as both document and denunciation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eObject: Linocut on paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist: Agustín Ibarrola (Basauri, 1930–2024)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTitle:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eAbatimiento de los Emigrantes (Despair of the Emigrants)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDate: c.1960\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMedium: Linocut, signed in pen and numbered\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition: 268\/500 (actual edition under 50)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDimensions: Plate: 64.5 × 50 cm \/ Framed: 90 × 70 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSchool \/ Movement: Basque Expressionism, Social Realism\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCondition: Excellent\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProvenance: Spain\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNotable Detail: Produced during Ibarrola’s period of political repression and artistic activism; an early example of his socially committed printmaking, preceding his later environmental “Bosques” and “Cubos de la Memoria.”\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51836451651922,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/484118277_tcimg_10D67178_1.jpg?v=1768385380"},{"product_id":"antonio-saura-cabeza-spain-c-1970","title":"Antonio Saura — Cabeza (Signed screenprint c.1970)","description":"\u003cp data-end=\"409\" data-start=\"67\"\u003eThis screenprint by Antonio Saura, created circa 1970 and signed in pencil, is part of his defining \u003cem data-end=\"206\" data-start=\"197\"\u003eCabezas\u003c\/em\u003e series—a brutal and necessary fragment of Spain’s postwar avant-garde. One of 125 impressions, it anchors a historical moment when figuration collapsed under psychological weight and political fracture.\u003c\/p\u003e\n\u003cp data-end=\"1012\" data-start=\"411\"\u003eSaura, born in Huesca in 1930, emerged from the shadows of civil war and dictatorship, giving form to a raw internal landscape. A founding member of the El Paso group, he refused formal harmony in favour of something closer to psychic excavation. In \u003cem data-end=\"669\" data-start=\"661\"\u003eCabeza\u003c\/em\u003e, the human head is reduced to a violent cluster—an eye, a mouth, a snarl—trapped in the language of black, white and grey. The figure is neither portrait nor mask, but a site of rupture. The flatness of the screenprint method intensifies the sense of compression, as if the image had been forced onto the paper with the same urgency as a cry.\u003c\/p\u003e\n\u003cp data-end=\"1394\" data-start=\"1014\"\u003eThe stark triangular mass of the body, emerging from the bottom edge like a shroud, evokes both monument and disappearance. Suspended in a grey field and framed with graphic restraint, the print feels both timeless and urgently present—an icon of expressionist resistance and a relic of interior struggle. This is Saura at his most distilled: wounded, articulate, and unflinching.\u003c\/p\u003e\n\u003cp data-end=\"1818\" data-start=\"1396\"\u003e\u003cstrong data-end=\"1415\" data-start=\"1396\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-end=\"1418\" data-start=\"1415\"\u003eTitle: Cabeza (Head)\u003cbr data-end=\"1441\" data-start=\"1438\"\u003eArtist \/ Author: Antonio Saura\u003cbr data-end=\"1474\" data-start=\"1471\"\u003eDate: c.1970\u003cbr data-end=\"1489\" data-start=\"1486\"\u003eTechnique \/ Printing Method: Screenprint\u003cbr data-end=\"1532\" data-start=\"1529\"\u003eMedium \/ Materials: Ink on paper\u003cbr data-end=\"1567\" data-start=\"1564\"\u003eEdition: 81\/125\u003cbr data-end=\"1585\" data-start=\"1582\"\u003eSigned: Yes, signed and numbered in pencil\u003cbr data-end=\"1630\" data-start=\"1627\"\u003eFraming: Metal frame with white mount\u003cbr data-end=\"1670\" data-start=\"1667\"\u003eDimensions (cm): 76 × 56 cm (sheet) \/ c.100 × 80 cm (framed)\u003cbr data-end=\"1733\" data-start=\"1730\"\u003eCondition: Excellent — slight age toning to mount\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51836480880978,"sku":null,"price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/05C09FE7-D3AE-49DE-9785-A45A1D7EFCF8_2.jpg?v=1768424270"},{"product_id":"kiraly-1840-hungarian-satirical-print","title":"Király (1840)\nHungarian Satirical Print","description":"\u003cp\u003e\u003cspan\u003eA hand-colored 19th-century caricature of a Hungarian figure labeled “Király” (“King”), executed with theatrical exaggeration and Central European charm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eExtended Description\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis rare print, dated 1840 and titled Király—Hungarian for “king”—offers a whimsical yet pointed caricature of rural authority or noble pretense. The figure, seen from behind, wears a long floral-patterned robe and an exaggerated hat, rifle slung across his back, with a mustachioed sidekick crouching beside him, pitchfork in hand. Both men are drawn with stylized features—elongated limbs, slanted glances—that reflect a satirical eye rather than a documentary one.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLikely produced during the flowering of 19th-century lithographic humor in Central Europe, this piece sits within a broader tradition of political and social caricature that spread from France to Hungary, Austria, and Germany. The style is reminiscent of Biedermeier period lithographs, in which folkloric costume and regional identity were treated with both affectionate detail and comic distortion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDespite the foxing and visible aging of the paper, the hand coloring retains charm and vitality—especially in the green-and-orange hat and the scattered floral details on the coat. Framed in a slim gilt border, the print is a miniature theatre of power, costume, and irony.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Hand-colored satirical print\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: Király\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Unknown\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 1840\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Possibly lithograph with hand-coloring\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Ink and watercolor on paper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: Unknown\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: No\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: Thin gilt frame (modern)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 20 × 15 cm (framed)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: Hungarian (title)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Visible foxing and patina appropriate to age; colors intact\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51889468146002,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/2349BD22-A945-47E0-9232-030CF8884283.png?v=1761771887"},{"product_id":"la-pareja-1975-by-miguel-calderon-paredes","title":"La pareja, 1975\nby Miguel Calderón Paredes","description":"\u003cp\u003e\u003cspan\u003eA raw, baroque depiction of intimacy—both exposed and estranged—drawn with Mediterranean color and unflinching tenderness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExtended Description\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this untitled lithograph, Miguel Calderón Paredes offers a startling portrayal of the nude human body, stripped of idealization. Created in 1975, the composition presents a man and a woman reclining in what appears to be a shared bed—though their postures suggest solitude as much as closeness. With graphic immediacy and finely gestural linework, Calderón Paredes captures the folds, hair, and textures of real bodies, rendering them both grotesque and intimate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe visual language recalls elements of Dubuffet or the Spanish Nueva Figuración, with a psychological undertone that evokes the tension of post-Franco domesticity. The ornamental headboard and earthy palette suggest a Mediterranean interior, where the nude is less a symbol of eroticism than of shared time, age, and exposure.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrinted in a limited edition of 135 copies, this is number 93. A rare and powerful work by a Spanish artist whose explorations of figuration and body politics remain relevant today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Print\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: la pareja\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Miguel Calderón Paredes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 1975\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Lithography\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Ink on paper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: 93\/135\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: Yes, pencil signed and dated\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: Unframed\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 68 × 49 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Excellent condition, minor handling signs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Private Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51901487743314,"sku":null,"price":155.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/5566C520-25DC-486F-A161-6EA79682B66B.png?v=1761927200"},{"product_id":"wall-jaume-plensa-2006","title":"WALL – Jaume Plensa (2006)","description":"\u003cp\u003e\u003cspan\u003eText as wound, silence as portrait.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis lithograph by Jaume Plensa, part of his Serie Anónimos, confronts the viewer with a haunting face, veiled by vertical streaks of ink and interrupted by a single printed word: WALL. The face, anonymous yet intimate, stares through the translucent paper as if trying to break through it. The word becomes a scar. The wall is not just external — it is within the image, across identity, and between language and seeing.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrinted in 2006 by Grifoll (Rubí, Barcelona) on vegetal paper, the piece draws from Plensa’s recurring themes: the permeability of the body, the weight of words, and the tension between transparency and enclosure. Originally distributed as a modest edition, it has since gained relevance not only for its visual impact but for how it distills Plensa’s monumental poetics into something fragile, almost weightless.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Lithograph\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: WALL\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Jaume Plensa\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2006\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset lithography\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Ink on translucent vegetal paper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: Open edition (Serie Anónimos)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: Printed studio credit (JAUME PLENSA, 2006 \/ RODI, BARCELONA)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: Mounted on AlphaUWplus archival board\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 30 × 22 cm (image), 39 × 28 cm (mounted)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Excellent\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51956925759826,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/2F3E3EE1-9114-444D-8D73-441736B82562.png?v=1762461416"},{"product_id":"hunger-jaume-plensa-2006","title":"HUNGER – Jaume Plensa (2006)","description":"\u003cp\u003e\u003cspan\u003eA silent scream behind a veil of ink.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis lithograph by Jaume Plensa, from his Serie Anónimos, portrays a veiled woman with the word HUNGER pressed vertically across her face. Rendered in soft black ink on translucent vegetal paper, the portrait seems to dissolve and cry, as if the ink itself is mourning. The repetition of vertical drips creates a rhythmic descent — like bars, rain, or a fall into silence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrinted in 2006 by Grifoll (Rubí, Barcelona), the work belongs to a body of prints in which Plensa turns anonymous faces into archetypes of collective vulnerability. While his sculptures often scale into monumental silence, these paper works are intimate, direct, and political. Here, hunger is not just a word but a condition written on the body — physical, emotional, global.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Lithograph\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: HUNGER\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Jaume Plensa\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2006\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset lithography\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Ink on translucent vegetal paper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: Open edition (Serie Anónimos)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: No (studio credit likely printed verso)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: Mounted on acid-free board (unframed)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 30 × 22 cm (image), 39 × 28 cm (mounted)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Very good (minor waves in paper, typical for medium)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51956937097554,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/2E0C7DC5-94CD-4547-9FF3-A83940D689FB.png?v=1762461861"},{"product_id":"hell-jaume-plensa-2006","title":"HELL – Jaume Plensa (2006)","description":"\u003cp\u003e\u003cspan\u003eIn this piercing lithograph from the Serie Anónimos, Jaume Plensa confronts the viewer with a child’s solemn face, suspended in soft shadow and inscribed with the word HELL. The black ink streaks down like tears or wounds, invoking a stark emotional landscape that transcends the image. The features are delicate, yet the word — bold, cracked, inevitable — collapses the distance between viewer and subject.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrinted on translucent vegetal paper in 2006 by Grifoll (Rubí, Barcelona), this piece belongs to a limited yet widely dispersed series that explores human dignity under erasure. Where Plensa’s public sculptures invoke collective silence, these prints scream quietly. HELL is not metaphor, but declaration — the kind only a child’s stare can make unbearable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Lithograph\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: HELL\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Jaume Plensa\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2006\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset lithography\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Ink on translucent vegetal paper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: Open edition (Serie Anónimos)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: No (studio identification present)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: Mounted on archival board (unframed)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 30 × 22 cm (image), 39 × 28 cm (mounted)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Excellent\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51956938801490,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/DDF67909-8F40-487B-8F18-37511298DF35.png?v=1762461984"},{"product_id":"copia-hell-jaume-plensa-2006","title":"BEAUTY – Jaume Plensa (2006)","description":"\u003cp\u003e\u003cspan\u003ePart of the Serie Anónimos, this lithograph by Jaume Plensa features the soft, steady gaze of a woman emerging from a veil of ink. The word BEAUTY, printed across her forehead, sits not as a compliment but as a provocation — blurred by vertical streaks that dissolve its clarity. Her headscarf, striped like a flag or shroud, gives the portrait a political and cultural resonance that complicates the word’s presence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrinted in 2006 by Grifoll (Rubí, Barcelona) on vegetal paper, the piece forms part of a series where Plensa compresses monumentality into fragility. Here, beauty is not ornament or consensus, but a question. Is it still beauty when obscured? When distressed? When inscribed on a body already marked? The result is an image of quiet resistance, at once intimate and urgent.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Lithograph\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: BEAUTY\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Jaume Plensa\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2006\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset lithography\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Ink on translucent vegetal paper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: Open edition (Serie Anónimos)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: No (studio-printed credit verso or on mount)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: Mounted on neutral archival board (unframed)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 30 × 22 cm (image), 39 × 28 cm (mounted)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Excellent\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51956940603730,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/8283E417-2D48-4572-B723-D6C5FDF6CA5A.png?v=1762462131"},{"product_id":"fountain-jaume-plensa-2006","title":"FOUNTAIN – Jaume Plensa (2006)","description":"\u003cp\u003e\u003cspan\u003eThis lithograph from Jaume Plensa’s Serie Anónimos shows the serene face of a bald-headed figure, frontally composed and marked by the descending word FOUNTAIN. Printed vertically, the term evokes purity, flow, origin — yet the black ink streaming from the top edge disrupts any idealization. Like water turned to ink, the “fountain” becomes metaphysical: a place of emergence that is also obscured, wounded, blurred.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe portrait — gentle yet unwavering — reveals the artist’s ongoing interest in identity stripped of narrative. The lack of hair, jewelry, or clear gender cues renders the subject archetypal. Printed in 2006 on vegetal paper by Grifoll (Rubí, Barcelona), this piece, like its companions, turns the surface of the paper into a membrane of projection and introspection. FOUNTAIN is a title and an offering — one word, flowing endlessly down.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Lithograph\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: FOUNTAIN\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Jaume Plensa\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2006\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset lithography\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Ink on translucent vegetal paper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: Open edition (Serie Anónimos)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: No (studio-printed credit likely on verso)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: Mounted on archival conservation board (unframed)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 30 × 22 cm (image), 39 × 28 cm (mounted)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Excellent\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51956953383250,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/2F6C2454-4E9F-49E7-9A67-61B76F47B7EB.png?v=1762462364"}],"url":"https:\/\/thedarwin.es\/collections\/galler-print-lithography.oembed","provider":"DaRWIN","version":"1.0","type":"link"}