{"title":"GALLERY","description":"\u003ch1 data-start=\"0\" data-end=\"11\"\u003e\u003cstrong data-start=\"0\" data-end=\"11\"\u003eGALLERY\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"13\" data-end=\"285\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003eA shared room, not a sequence. Objects, paintings, sculpture, and artefacts coexist across speeds and origins. Loud colour sits beside quiet history; fresh gestures brush against residue. Nothing is arranged to agree. Meaning forms through friction—things holding together without hierarchy, making sense through proximity rather than order.\u003c\/p\u003e","products":[{"product_id":"tapies-valencia","title":"TAPIES VALENCIA","description":"\u003cp data-start=\"106\" data-end=\"441\"\u003e\u003cstrong data-start=\"106\" data-end=\"156\"\u003eAntoni Tàpies – Galería Punto, Valencia (1981)\u003c\/strong\u003e\u003cbr data-start=\"156\" data-end=\"159\"\u003e\u003c\/p\u003e\n\u003cp data-start=\"106\" data-end=\"441\"\u003eThe design embodies Tàpies’ signature visual language — a dramatic black brushstroke layered with earthy red forms, abstract signs, and gestural markings across a textured ground.\u003cstrong data-start=\"445\" data-end=\"456\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"668\" data-end=\"800\"\u003eA collectible piece of Spanish art history from one of Europe’s most influential postwar artists, perfect for framing and display.\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51631039775058,"sku":null,"price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/cactustapies.jpg?v=1761841000"},{"product_id":"shunga-woodblock-print-reprint-katsushika-hokusai-1760-1849-the-dream-of-the-fishermans-wife-octopus-and-shell-diver-蛸と海女-recarved-printed-by-yuuya-shimoi-21st-century-japan","title":"The Dream of the Fisherman’s Wife — Katsushika Hokusai","description":"\u003ch3 data-end=\"169\" data-start=\"87\"\u003e\n\u003cem data-end=\"126\" data-start=\"91\"\u003eThe Dream of the Fisherman’s Wife\u003c\/em\u003e — Katsushika Hokusai — 1814 (recarved 2018)\u003c\/h3\u003e\n\u003cp data-end=\"316\" data-start=\"171\"\u003e\u003cstrong data-end=\"251\" data-start=\"171\"\u003eHokusai’s infamous shunga woodblock – \u003cmeta charset=\"utf-8\"\u003erecarved \u0026amp; printed by Yuuya Shimoi\u003c\/strong\u003e\u003cbr data-end=\"254\" data-start=\"251\"\u003eA woman, adrift in rapture, entangled in the limbs of the sea.\u003c\/p\u003e\n\u003cp data-end=\"467\" data-start=\"318\"\u003ePrinted in the 21st century, yet echoing the fevered spirit of Edo.\u003cbr data-end=\"388\" data-start=\"385\"\u003eThis rare reprint honors one of the most transgressive moments in Japanese art.\u003c\/p\u003e\n\u003cp data-end=\"470\" data-start=\"469\"\u003e⸻\u003c\/p\u003e\n\u003cp data-end=\"943\" data-start=\"472\"\u003e\u003cstrong data-end=\"482\" data-start=\"472\"\u003eTitle:\u003c\/strong\u003e \u003cem data-end=\"525\" data-start=\"483\"\u003eThe Dream of the Fisherman’s Wife (蛸と海女)\u003c\/em\u003e\u003cbr data-end=\"528\" data-start=\"525\"\u003e\u003cstrong data-end=\"556\" data-start=\"528\"\u003eArtist \/ Author \/ Maker:\u003c\/strong\u003e Katsushika Hokusai (1760–1849), recarved \u0026amp; printed by Yuuya Shimoi (Japan)\u003cbr data-end=\"634\" data-start=\"631\"\u003e\u003cstrong data-end=\"657\" data-start=\"634\"\u003eTechnique \/ Medium:\u003c\/strong\u003e Woodblock print on Japanese washi paper (和紙)\u003cbr data-end=\"705\" data-start=\"702\"\u003e\u003cstrong data-end=\"717\" data-start=\"705\"\u003eEdition:\u003c\/strong\u003e Contemporary reprint\u003cbr data-end=\"741\" data-start=\"738\"\u003e\u003cstrong data-end=\"755\" data-start=\"741\"\u003eSignature:\u003c\/strong\u003e Unsigned\u003cbr data-end=\"767\" data-start=\"764\"\u003e\u003cstrong data-end=\"776\" data-start=\"767\"\u003eDate:\u003c\/strong\u003e Originally 1814 \/ Reprinted December 2018\u003cbr data-end=\"821\" data-start=\"818\"\u003e\u003cstrong data-end=\"835\" data-start=\"821\"\u003eCondition:\u003c\/strong\u003e Excellent\u003cbr data-end=\"848\" data-start=\"845\"\u003e\u003cstrong data-end=\"863\" data-start=\"848\"\u003eDimensions:\u003c\/strong\u003e Sheet size 22 × 28.5 cm\u003cbr data-end=\"890\" data-start=\"887\"\u003e\u003cstrong data-end=\"914\" data-start=\"890\"\u003eOrigin \/ Provenance:\u003c\/strong\u003e Shimoi Yuuya studio, Japan\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754496033106,"sku":null,"price":350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/4b8d9cd5-34bc-4e4e-a466-631f732b974c.jpg?v=1761841062"},{"product_id":"celedonio-perellon-original-artwork-signed-1990-2005","title":"Celedonio Perellón  - original artwork signed. - 1990\/2005","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe great Spanish painter and illustrator Celedonio Perellón (1926-2015), was one of the great erotic artists of Spain, and has works in numerous museums and collections around the world. He worked in all the fields of art, painting, illustration, engraving, sculpture and also in the comic world with his excellent Bunda series, published in several European countries.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLot composed of 3 catalogues and an original etching, hand numbered and signed by Spanish artist Celedonio Perellón.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e- 1. Etching and aquatint engraving, colour print on 250 gram paper. Untitled. Edition of 69 copies. This is no. 36.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSigned in pencil by the artist. Year 1990 ca. Paper size: 28 x 25 cm Print size: 16 x 11 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- 2. Catalogue of the artist's exhibition at the Kreisler Gallery in Madrid from 8th to 23rd January 1999. 15 pages and 8 colour photographs. One of the\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eartist and the others of his work. Size: 24 x 18 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- 3. Publication of Diccionario de Artistas Españoles. The issue for Celedonio Perellón. 1997. 12 pages. 13 photographs. One of the artist and\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ethe rest of his work. Size 30 x 21.5 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- 4. Catalogue of Perellón's exhibition at The Kreisler Gallery in March - April 2005. 10 pages and 6 colour photographs of the artist's work.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e26 x 21 cm\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePerfectly packed, and additionally insured.\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51757935198546,"sku":null,"price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/1287922c-425e-4dc3-99e9-3a7a9cd15d37.jpg?v=1761840778"},{"product_id":"vladinsky-the-observer-untitled-grey-ear-series","title":"Vladinsky - The Observer Untitled (grey ear series)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVladinsky was born in July, 1988, in the city of Onesti, a city located in the Moldovan area of Romania. From the first years of school he was fascinated by visual arts because of a fine arts teacher. \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"LotSpecifications_container__Nlm2W u-m-t-sm-xl u-m-t-xxl-2\" data-sentry-component=\"LotSpecifications\" data-sentry-source-file=\"LotSpecifications.tsx\"\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eObject: \u003c\/span\u003e\u003cspan\u003ePainting\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eArtist: \u003c\/span\u003e\u003cspan\u003eVladinsky\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eTitle of artwork: \u003c\/span\u003e\u003cspan\u003eThe Observer Untitled (grey ear series)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eTechnique: \u003c\/span\u003e\u003cspan\u003eAcrylic on canvas\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eSignature: \u003c\/span\u003e\u003cspan\u003eHand signed\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eYear: \u003c\/span\u003e\u003cspan\u003e2021\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003ePeriod: \u003c\/span\u003e\u003cspan\u003e2010-present\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eEdition: \u003c\/span\u003e\u003cspan\u003e1\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eCondition: \u003c\/span\u003e\u003cspan\u003eExcellent condition\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eTotal dimensions: \u003c\/span\u003e\u003cspan\u003e82×82×3 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eWeight: \u003c\/span\u003e\u003cspan\u003e1 kg\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51759827353938,"sku":null,"price":1650.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/172fcd32-e61c-435f-9cbd-e51c28046c6a.jpg?v=1761840581"},{"product_id":"vladinsky-observer-untitled-study-with-silver","title":"Vladinsky - Observer Untitled (study with silver)","description":"\u003ch3 data-start=\"123\" data-end=\"185\"\u003e\n\u003cem data-start=\"127\" data-end=\"166\"\u003eObserver Untitled (Study with Silver)\u003c\/em\u003e — Vladinsky — 2021\u003c\/h3\u003e\n\u003cp data-start=\"187\" data-end=\"372\"\u003e\u003cstrong data-start=\"187\" data-end=\"275\"\u003eAcrylic meditation from post-communist memory — silver, silence, and emotional force\u003c\/strong\u003e\u003cbr data-start=\"275\" data-end=\"278\"\u003eBorn from a place where expression was once forbidden, now poured in gestures of bold release.\u003c\/p\u003e\n\u003cp data-start=\"374\" data-end=\"539\"\u003eVladinsky paints not only what he sees, but what was once unseen.\u003cbr data-start=\"439\" data-end=\"442\"\u003eRaised in the shadows of a collapsing regime, his work insists on presence, freedom, and feeling.\u003c\/p\u003e\n\u003cp data-start=\"541\" data-end=\"542\"\u003e⸻\u003c\/p\u003e\n\u003cp data-start=\"544\" data-end=\"898\"\u003e\u003cstrong data-start=\"544\" data-end=\"554\"\u003eTitle:\u003c\/strong\u003e \u003cem data-start=\"555\" data-end=\"594\"\u003eObserver Untitled (Study with Silver)\u003c\/em\u003e\u003cbr data-start=\"594\" data-end=\"597\"\u003e\u003cstrong data-start=\"597\" data-end=\"625\"\u003eArtist \/ Author \/ Maker:\u003c\/strong\u003e Vladinsky (b. 1988, Onești, Romania)\u003cbr data-start=\"662\" data-end=\"665\"\u003e\u003cstrong data-start=\"665\" data-end=\"688\"\u003eTechnique \/ Medium:\u003c\/strong\u003e Acrylic on canvas\u003cbr data-start=\"706\" data-end=\"709\"\u003e\u003cstrong data-start=\"709\" data-end=\"721\"\u003eEdition:\u003c\/strong\u003e Unique\u003cbr data-start=\"728\" data-end=\"731\"\u003e\u003cstrong data-start=\"731\" data-end=\"745\"\u003eSignature:\u003c\/strong\u003e Hand-signed\u003cbr data-start=\"757\" data-end=\"760\"\u003e\u003cstrong data-start=\"760\" data-end=\"769\"\u003eDate:\u003c\/strong\u003e 2021\u003cbr data-start=\"774\" data-end=\"777\"\u003e\u003cstrong data-start=\"777\" data-end=\"791\"\u003eCondition:\u003c\/strong\u003e Excellent\u003cbr data-start=\"801\" data-end=\"804\"\u003e\u003cstrong data-start=\"804\" data-end=\"819\"\u003eDimensions:\u003c\/strong\u003e 82 × 82 × 3 cm\u003cbr data-start=\"834\" data-end=\"837\"\u003e\u003cstrong data-start=\"837\" data-end=\"848\"\u003eWeight:\u003c\/strong\u003e 1 kg\u003cbr data-start=\"853\" data-end=\"856\"\u003e\u003cstrong data-start=\"856\" data-end=\"880\"\u003eOrigin \/ Provenance:\u003c\/strong\u003e Artist’s studio\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51765848736082,"sku":null,"price":1700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/5037eeda-42cd-4435-87c7-f7c39c285105_5d163f78-9b8f-45c0-a671-8e083cfd0cfe.jpg?v=1761840549"},{"product_id":"emancipation-23-zhang-yue-2015","title":"Emancipation 23 — Zhang Yue — 2015","description":"\u003cp data-start=\"165\" data-end=\"348\"\u003e\u003cstrong data-start=\"165\" data-end=\"244\"\u003eOil on canvas by Zhang Yue — a restrained gesture of release and reflection\u003c\/strong\u003e\u003cbr data-start=\"244\" data-end=\"247\"\u003eSubtle yet charged, this work rests between tension and serenity, painted in the artist’s own studio.\u003c\/p\u003e\n\u003cp data-start=\"350\" data-end=\"605\"\u003eZhang Yue, born in Liaoning in 1978, is part of a new generation of Chinese artists whose work bridges tradition and quiet introspection. With exhibitions across Europe and Asia, his practice explores personal emancipation through precise, muted surfaces.\u003c\/p\u003e\n\u003cp data-start=\"607\" data-end=\"608\"\u003e⸻\u003c\/p\u003e\n\u003cp data-start=\"610\" data-end=\"1042\"\u003e\u003cstrong data-start=\"610\" data-end=\"620\"\u003eTitle:\u003c\/strong\u003e \u003cem data-start=\"621\" data-end=\"638\"\u003eEmancipation 23\u003c\/em\u003e\u003cbr data-start=\"638\" data-end=\"641\"\u003e\u003cstrong data-start=\"641\" data-end=\"669\"\u003eArtist \/ Author \/ Maker:\u003c\/strong\u003e Zhang Yue (b. 1978, Liaoning Province, China)\u003cbr data-start=\"715\" data-end=\"718\"\u003e\u003cstrong data-start=\"718\" data-end=\"741\"\u003eTechnique \/ Medium:\u003c\/strong\u003e Oil on canvas\u003cbr data-start=\"755\" data-end=\"758\"\u003e\u003cstrong data-start=\"758\" data-end=\"770\"\u003eEdition:\u003c\/strong\u003e Unique\u003cbr data-start=\"777\" data-end=\"780\"\u003e\u003cstrong data-start=\"780\" data-end=\"794\"\u003eSignature:\u003c\/strong\u003e Hand-signed on verso\u003cbr data-start=\"815\" data-end=\"818\"\u003e\u003cstrong data-start=\"818\" data-end=\"827\"\u003eDate:\u003c\/strong\u003e 2015\u003cbr data-start=\"832\" data-end=\"835\"\u003e\u003cstrong data-start=\"835\" data-end=\"849\"\u003eCondition:\u003c\/strong\u003e Excellent\u003cbr data-start=\"859\" data-end=\"862\"\u003e\u003cstrong data-start=\"862\" data-end=\"877\"\u003eDimensions:\u003c\/strong\u003e 40 × 30 × 2.5 cm\u003cbr data-start=\"894\" data-end=\"897\"\u003e\u003cstrong data-start=\"897\" data-end=\"908\"\u003eWeight:\u003c\/strong\u003e 0.5 kg\u003cbr data-start=\"915\" data-end=\"918\"\u003e\u003cstrong data-start=\"918\" data-end=\"942\"\u003eOrigin \/ Provenance:\u003c\/strong\u003e Artist’s studio, Beijing\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51768928108882,"sku":null,"price":450.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/073d4d5b-d3d9-486d-bac6-37c35344b933_1.jpg?v=1761840500"},{"product_id":"untitled-colored-engraving-gerardo-aparicio-1976","title":"Untitled Colored Engraving — Gerardo Aparicio — 1976","description":"\u003ch3 data-start=\"125\" data-end=\"183\"\u003e\n\u003cem data-start=\"129\" data-end=\"157\"\u003eUntitled Colored Engraving\u003c\/em\u003e — Gerardo Aparicio — 1976\u003c\/h3\u003e\n\u003cp data-start=\"185\" data-end=\"388\"\u003e\u003cstrong data-start=\"185\" data-end=\"277\"\u003eHand-colored engraving by Madrid-based artist — limited edition, soft trace of the 1970s\u003c\/strong\u003e\u003cbr data-start=\"277\" data-end=\"280\"\u003ePressed with care and tinted by hand, this print carries the quiet elegance of paper, pigment, and pressure.\u003c\/p\u003e\n\u003cp data-start=\"390\" data-end=\"661\"\u003eCreated in a small edition of 50, this piece reflects the precise yet personal touch of \u003cstrong data-start=\"478\" data-end=\"498\"\u003eGerardo Aparicio\u003c\/strong\u003e, a 20th-century Spanish printmaker working in traditional intaglio techniques. This is copy Nº 12, signed by the artist and mounted on a protective folio backing.\u003c\/p\u003e\n\u003cp data-start=\"663\" data-end=\"664\"\u003e⸻\u003c\/p\u003e\n\u003cp data-start=\"666\" data-end=\"1129\"\u003e\u003cstrong data-start=\"666\" data-end=\"676\"\u003eTitle:\u003c\/strong\u003e \u003cem data-start=\"677\" data-end=\"705\"\u003eUntitled Colored Engraving\u003c\/em\u003e\u003cbr data-start=\"705\" data-end=\"708\"\u003e\u003cstrong data-start=\"708\" data-end=\"736\"\u003eArtist \/ Author \/ Maker:\u003c\/strong\u003e Gerardo Aparicio (Madrid, Spain)\u003cbr data-start=\"769\" data-end=\"772\"\u003e\u003cstrong data-start=\"772\" data-end=\"795\"\u003eTechnique \/ Medium:\u003c\/strong\u003e Hand-colored intaglio print on heavyweight paper\u003cbr data-start=\"844\" data-end=\"847\"\u003e\u003cstrong data-start=\"847\" data-end=\"859\"\u003eEdition:\u003c\/strong\u003e Nº 12 of 50 — limited edition\u003cbr data-start=\"889\" data-end=\"892\"\u003e\u003cstrong data-start=\"892\" data-end=\"906\"\u003eSignature:\u003c\/strong\u003e Hand-signed by the artist\u003cbr data-start=\"932\" data-end=\"935\"\u003e\u003cstrong data-start=\"935\" data-end=\"944\"\u003eDate:\u003c\/strong\u003e 1976\u003cbr data-start=\"949\" data-end=\"952\"\u003e\u003cstrong data-start=\"952\" data-end=\"966\"\u003eCondition:\u003c\/strong\u003e Good — very light signs of age; center fold present; mounted on lateral folio\u003cbr data-start=\"1044\" data-end=\"1047\"\u003e\u003cstrong data-start=\"1047\" data-end=\"1062\"\u003eDimensions:\u003c\/strong\u003e 53 × 34 cm\u003cbr data-start=\"1073\" data-end=\"1076\"\u003e\u003cstrong data-start=\"1076\" data-end=\"1100\"\u003eOrigin \/ Provenance:\u003c\/strong\u003e Private Spanish collection\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51774710841682,"sku":null,"price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/267049044_309754549_tcimg_B04F560F.webp?v=1761841232"},{"product_id":"the-patio-anonymous","title":"The patio - Anonymous","description":"\u003cp data-start=\"83\" data-end=\"409\"\u003e\u003cem data-start=\"115\" data-end=\"409\"\u003eAn intimate Mediterranean still life, captured with warmth and precision. Circa 2000, this oil painting offers a luminous study in terracotta, flora, and late afternoon calm. The unknown artist presents the everyday with dignity and delight — a tactile homage to light, arrangement, and time.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"411\" data-end=\"412\"\u003e⸻\u003c\/p\u003e\n\u003cp data-start=\"414\" data-end=\"743\"\u003e\u003cstrong data-start=\"414\" data-end=\"425\"\u003eObject:\u003c\/strong\u003e Painting\u003cbr data-start=\"434\" data-end=\"437\"\u003e\u003cstrong data-start=\"437\" data-end=\"447\"\u003eTitle:\u003c\/strong\u003e The \u003cem data-start=\"448\" data-end=\"461\"\u003ePatio\u003c\/em\u003e\u003cbr data-start=\"461\" data-end=\"464\"\u003e\u003cstrong data-start=\"464\" data-end=\"475\"\u003eArtist:\u003c\/strong\u003e Unknown\u003cbr data-start=\"483\" data-end=\"486\"\u003e\u003cstrong data-start=\"486\" data-end=\"497\"\u003eMedium:\u003c\/strong\u003e Oil on canvas\u003cbr data-start=\"511\" data-end=\"514\"\u003e\u003cstrong data-start=\"514\" data-end=\"529\"\u003eDimensions:\u003c\/strong\u003e 83 × 62 cm\u003cbr data-start=\"540\" data-end=\"543\"\u003e\u003cstrong data-start=\"543\" data-end=\"555\"\u003eFraming:\u003c\/strong\u003e Framed in original wood frame\u003cbr data-start=\"585\" data-end=\"588\"\u003e\u003cstrong data-start=\"588\" data-end=\"597\"\u003eDate:\u003c\/strong\u003e Circa 2000\u003cbr data-start=\"608\" data-end=\"611\"\u003e\u003cstrong data-start=\"611\" data-end=\"625\"\u003eCondition:\u003c\/strong\u003e \u003cem data-start=\"626\" data-end=\"671\"\u003eExcellent – no damage, wear, or restoration\u003c\/em\u003e\u003cbr data-start=\"671\" data-end=\"674\"\u003e\u003cstrong data-start=\"674\" data-end=\"689\"\u003eProvenance:\u003c\/strong\u003e Acquired from a private collector in northern Italy\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51786070327634,"sku":null,"price":200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/IMG_7643.heic?v=1761823952"},{"product_id":"tovuzza-flor-de-sol","title":"Tovuzza— Flor de Sol","description":"\u003cp data-start=\"83\" data-end=\"367\"\u003e\u003cbr data-start=\"110\" data-end=\"113\"\u003e\u003cem data-start=\"113\" data-end=\"367\"\u003eRadiant and unapologetically joyful, this oil portrait celebrates Afro-Caribbean identity, femininity, and solar energy through a luminous harmony of textures, color, and gaze. A visual hymn to brightness, boldness, and beauty — captured in full bloom.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"369\" data-end=\"370\"\u003e⸻\u003c\/p\u003e\n\u003cp data-start=\"372\" data-end=\"716\"\u003e\u003cstrong data-start=\"372\" data-end=\"383\"\u003eObject:\u003c\/strong\u003e Painting\u003cbr data-start=\"392\" data-end=\"395\"\u003e\u003cstrong data-start=\"395\" data-end=\"405\"\u003eTitle:\u003c\/strong\u003e \u003cem data-start=\"406\" data-end=\"419\"\u003eFlor de Sol\u003c\/em\u003e\u003cbr data-start=\"419\" data-end=\"422\"\u003e\u003cstrong data-start=\"422\" data-end=\"433\"\u003eArtist:\u003c\/strong\u003e Tovuzza\u003cbr data-start=\"441\" data-end=\"444\"\u003e\u003cstrong data-start=\"444\" data-end=\"455\"\u003eMedium:\u003c\/strong\u003e Oil on canvas\u003cbr data-start=\"469\" data-end=\"472\"\u003e\u003cstrong data-start=\"472\" data-end=\"487\"\u003eDimensions:\u003c\/strong\u003e 95 × 75 cm (framed)\u003cbr data-start=\"507\" data-end=\"510\"\u003e\u003cstrong data-start=\"510\" data-end=\"519\"\u003eDate:\u003c\/strong\u003e Early 21st century\u003cbr data-start=\"538\" data-end=\"541\"\u003e\u003cstrong data-start=\"541\" data-end=\"555\"\u003eCondition:\u003c\/strong\u003e \u003cem data-start=\"556\" data-end=\"605\"\u003eMint – no marks, damage, or visible restoration\u003c\/em\u003e\u003cbr data-start=\"605\" data-end=\"608\"\u003e\u003cstrong data-start=\"608\" data-end=\"622\"\u003eSignature:\u003c\/strong\u003e Signed lower right\u003cbr data-start=\"641\" data-end=\"644\"\u003e\u003cstrong data-start=\"644\" data-end=\"659\"\u003eProvenance:\u003c\/strong\u003e Acquired from a private collection, Dominican Republic\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51786205725010,"sku":null,"price":350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/ChuTorino-3.png?v=1761823780"},{"product_id":"antonio-saura-placard-1976","title":"Placard — Saura x Ullán, 1976","description":"\u003cp data-start=\"67\" data-end=\"582\"\u003eThis 1976 lithograph by Antonio Saura, created in collaboration with poet José-Miguel Ullán and published by Galerie Maeght in Paris, is a luminous artifact of the Spanish post-Franco cultural diaspora—where visual and literary language locked into shared rebellion. Titled \u003cem data-start=\"377\" data-end=\"386\"\u003ePlacard\u003c\/em\u003e, the work assembles nine vignettes of Saura’s automatic drawing—faces, bodies, fragments, and screaming line—alongside a printed poem by Ullán, all floating against pale fields of ochre and sage.\u003c\/p\u003e\n\u003cp data-start=\"584\" data-end=\"1085\"\u003eSaura’s graphic idiom here is at its most liberated: linear, gestural, manic, yet controlled by a precise architecture of placement. The figures dissolve into signs; the signs twitch with agitation. Framed like an archival cabinet or a protest placard, the print turns into a grid of visual outcries—each panel a variation on pain, perception, or memory. Ullán’s text sits calmly in the centre, offering a literary counter-rhythm to the violence of the images, forming not an explanation, but an echo.\u003c\/p\u003e\n\u003cp data-start=\"1087\" data-end=\"1444\"\u003eBoth Saura and Ullán were central to the intellectual resistance against Francoism, and \u003cem data-start=\"1175\" data-end=\"1184\"\u003ePlacard\u003c\/em\u003e reads as an act of defiance in print—a bilingual protest between eye and voice. Printed on fine vélin d’Arches and signed by both artist and poet in pencil, this edition of 500 links two of Spain’s most singular postwar radicals in one dense and dynamic page.\u003c\/p\u003e\n\u003cp data-start=\"1446\" data-end=\"1995\"\u003e\u003cstrong data-start=\"1446\" data-end=\"1465\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1465\" data-end=\"1468\"\u003eTitle: Placard\u003cbr data-start=\"1482\" data-end=\"1485\"\u003eArtist \/ Author: Antonio Saura (drawing), José-Miguel Ullán (text)\u003cbr data-start=\"1551\" data-end=\"1554\"\u003eDate: 1976\u003cbr data-start=\"1564\" data-end=\"1567\"\u003eTechnique \/ Printing Method: Lithograph and zincograph\u003cbr data-start=\"1621\" data-end=\"1624\"\u003eMedium \/ Materials: Ink on vélin d’Arches paper\u003cbr data-start=\"1671\" data-end=\"1674\"\u003eEdition: 56\/500\u003cbr data-start=\"1689\" data-end=\"1692\"\u003eSigned: Yes, signed in pencil by artist and poet\u003cbr data-start=\"1740\" data-end=\"1743\"\u003eFraming: Wood frame with black mount\u003cbr data-start=\"1779\" data-end=\"1782\"\u003eDimensions (cm): 80 × 60 cm\u003cbr data-start=\"1809\" data-end=\"1812\"\u003ePublisher \/ Editor: Galerie Maeght, Paris\u003cbr data-start=\"1853\" data-end=\"1856\"\u003eBibliography: Weber-Caflisch, \u003cem data-start=\"1886\" data-end=\"1928\"\u003eSaura. Catálogo Razonado de Obra Gráfica\u003c\/em\u003e, Ed. Cramer, Geneva 2000, nº 219.2, p.245\u003cbr data-start=\"1970\" data-end=\"1973\"\u003eCondition: Excellent\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51787374166354,"sku":null,"price":1100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/cactustapies-custom.png?v=1768425866"},{"product_id":"hand-painted-dowry-chest-rajasthan-gujarat-ca-1780-1850","title":"Hand-Painted Dowry Chest, Rajasthan \/ Gujarat, ca. 1780–1850","description":"\u003cp\u003e\u003cspan\u003eMagnificent hand-painted wedding chest from North India, likely Rajasthan or Gujarat, crafted in solid teak and richly decorated in the late Mughal style.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEach panel narrates a chapter of the royal wedding procession: the groom riding a caparisoned elephant, musicians and nobles marching in bright attire, and courtly scenes of dancers performing inside palatial halls. The lid and borders are adorned with gold foliate arabesques, echoing the lavish murals and textile motifs of 18th-century Rajput courts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBuilt from dense reclaimed teak and fitted with original forged-iron hardware, the chest remains in excellent condition with its pigments remarkably vivid. The work exemplifies the synthesis between Mughal refinement and Rajastani narrative art — ceremonial, devotional, and deeply symbolic of union and prosperity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDimensions: 29ʺ W × 17ʺ D × 15ʺ H\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMaterial: Solid teak, hand-painted with natural pigments and gilt detailing\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOrigin: Rajasthan \/ Gujarat, India\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePeriod: Late 18th to mid-19th century\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCondition: Excellent; minor wear consistent with age and use\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eColor palette: Vermilion, ochre, emerald, ultramarine, and gold leaf accents\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51829483667794,"sku":null,"price":2500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/406A59B9-979A-485F-A00E-B230A9755E45.jpg?v=1761821591"},{"product_id":"anonymous-artist-virgin-of-sorrows-sevillian-baroque-school-17th-century","title":"Anonymous Artist — Virgin of Sorrows (Sevillian Baroque School, 17th Century)","description":"\u003cp\u003eA haunting devotional icon from the Golden Age of Spanish religious painting.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis emotionally charged oil on canvas painting, measuring 96 × 79 cm including frame, is attributed to the Sevillian Baroque School of the 17th century. Depicting the Virgin of Sorrows (Dolorosa), it presents the Virgin Mary pierced by seven swords, representing the traditional Seven Sorrows of Mary, flanked by a host of cherubic seraphim who emerge from the darkness like mournful witnesses.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRendered in deep, dramatic tones, the Virgin’s expression is upward and pained, echoing the emotional intensity and theatricality characteristic of Spanish Baroque devotion. The restrained background and minimal setting focus attention on the spiritual gravity of her suffering.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eObject: Devotional painting\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist: Anonymous\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTitle:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eVirgen de los Dolores\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDate: 17th Century\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMedium: Oil on canvas (re-lined)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDimensions: Canvas: 80 × 63 cm \/ Framed: 96 × 79 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSchool: Sevillian Baroque (Escuela Sevillana)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIconography: Marian devotion, Seven Sorrows of Mary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrame: Period style (later than the canvas), carved and beaded wooden frame\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCondition: Good — visible craquelure and wear consistent with age; canvas has been re-lined\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProvenance: Spain\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNotable Detail: The composition is a classic interpretation of the Dolorosa, referencing early Servite traditions, and was designed for personal or ecclesiastical devotion.\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51836163359058,"sku":null,"price":1300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/68E75E3F-601E-4D13-B60D-B80E404747E5.jpg?v=1761821550"},{"product_id":"agustin-ibarrola-basauri-1930-2024-abatimiento-de-los-emigrantes-despair-of-the-emigrants-c-1960","title":"AGUSTÍN IBARROLA, \nAbatimiento de los emigrantes, c.1960","description":"\u003cp\u003e\u003cspan\u003eA powerful expressionist linocut from the politically charged early career of one of Spain’s most socially engaged postwar artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCreated during Ibarrola’s years of activism and affiliation with Equipo 57, this linocut captures the desolation of Spanish emigrants through an austere composition of compressed faces and dark tonal contrasts. The work belongs to his period of militant realism, where form and ideology merge in protest against the social conditions of the 1960s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCarved with harsh, direct strokes and printed in stark black, the piece embodies the artist’s empathy toward the working class and displaced rural communities, standing as both document and denunciation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eObject: Linocut on paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist: Agustín Ibarrola (Basauri, 1930–2024)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTitle:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eAbatimiento de los Emigrantes (Despair of the Emigrants)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDate: c.1960\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMedium: Linocut, signed in pen and numbered\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition: 268\/500 (actual edition under 50)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDimensions: Plate: 64.5 × 50 cm \/ Framed: 90 × 70 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSchool \/ Movement: Basque Expressionism, Social Realism\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCondition: Excellent\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProvenance: Spain\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNotable Detail: Produced during Ibarrola’s period of political repression and artistic activism; an early example of his socially committed printmaking, preceding his later environmental “Bosques” and “Cubos de la Memoria.”\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51836451651922,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/484118277_tcimg_10D67178_1.jpg?v=1768385380"},{"product_id":"antonio-saura-cabeza-spain-c-1970","title":"Antonio Saura — Cabeza (Signed screenprint c.1970)","description":"\u003cp data-end=\"409\" data-start=\"67\"\u003eThis screenprint by Antonio Saura, created circa 1970 and signed in pencil, is part of his defining \u003cem data-end=\"206\" data-start=\"197\"\u003eCabezas\u003c\/em\u003e series—a brutal and necessary fragment of Spain’s postwar avant-garde. One of 125 impressions, it anchors a historical moment when figuration collapsed under psychological weight and political fracture.\u003c\/p\u003e\n\u003cp data-end=\"1012\" data-start=\"411\"\u003eSaura, born in Huesca in 1930, emerged from the shadows of civil war and dictatorship, giving form to a raw internal landscape. A founding member of the El Paso group, he refused formal harmony in favour of something closer to psychic excavation. In \u003cem data-end=\"669\" data-start=\"661\"\u003eCabeza\u003c\/em\u003e, the human head is reduced to a violent cluster—an eye, a mouth, a snarl—trapped in the language of black, white and grey. The figure is neither portrait nor mask, but a site of rupture. The flatness of the screenprint method intensifies the sense of compression, as if the image had been forced onto the paper with the same urgency as a cry.\u003c\/p\u003e\n\u003cp data-end=\"1394\" data-start=\"1014\"\u003eThe stark triangular mass of the body, emerging from the bottom edge like a shroud, evokes both monument and disappearance. Suspended in a grey field and framed with graphic restraint, the print feels both timeless and urgently present—an icon of expressionist resistance and a relic of interior struggle. This is Saura at his most distilled: wounded, articulate, and unflinching.\u003c\/p\u003e\n\u003cp data-end=\"1818\" data-start=\"1396\"\u003e\u003cstrong data-end=\"1415\" data-start=\"1396\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-end=\"1418\" data-start=\"1415\"\u003eTitle: Cabeza (Head)\u003cbr data-end=\"1441\" data-start=\"1438\"\u003eArtist \/ Author: Antonio Saura\u003cbr data-end=\"1474\" data-start=\"1471\"\u003eDate: c.1970\u003cbr data-end=\"1489\" data-start=\"1486\"\u003eTechnique \/ Printing Method: Screenprint\u003cbr data-end=\"1532\" data-start=\"1529\"\u003eMedium \/ Materials: Ink on paper\u003cbr data-end=\"1567\" data-start=\"1564\"\u003eEdition: 81\/125\u003cbr data-end=\"1585\" data-start=\"1582\"\u003eSigned: Yes, signed and numbered in pencil\u003cbr data-end=\"1630\" data-start=\"1627\"\u003eFraming: Metal frame with white mount\u003cbr data-end=\"1670\" data-start=\"1667\"\u003eDimensions (cm): 76 × 56 cm (sheet) \/ c.100 × 80 cm (framed)\u003cbr data-end=\"1733\" data-start=\"1730\"\u003eCondition: Excellent — slight age toning to mount\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51836480880978,"sku":null,"price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/05C09FE7-D3AE-49DE-9785-A45A1D7EFCF8_2.jpg?v=1768424270"},{"product_id":"escuela-sevillana-de-pintura-siglo-xviii-doncel-del-arenal","title":"Escuela Sevillana de Pintura, Siglo XVIII – Doncel del Arenal","description":"\u003cp\u003e\u003cspan\u003eA striking 18th-century portrait from the Sevillian School of Painting, this oil on canvas work captures the delicate presence of a young Sevillian aristocrat, imagined here as El Doncel del Arenal — perhaps a reference to the historic riverside neighborhood of Seville, once home to merchants, nobility, and craftsmen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe young sitter is painted with quiet dignity, dressed in a fine cravat, waistcoat, and dark coat, typical of upper-class attire in Bourbon-era Spain. His gaze, subtly averted, and the softly illuminated backdrop lend an air of introspection and gentle formality. The work reveals traits of Sevillian portraiture from the 18th century: restraint in gesture, earth-toned palette, and a focus on character over decoration.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe painting is housed in a beautifully carved wooden frame, likely crafted in the early-to-mid 20th century, with classical motifs that echo the solemn elegance of the canvas. Though unsigned, the artist clearly belonged to the tradition of post-Baroque, early academic painters working in Seville at the time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAttributed to the Sevillian School of Painting, 18th Century\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e(Escuela Sevillana de Pintura, S. XVIII)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTitle\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDoncel del Arenal\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMedium\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOil on canvas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDimensions\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCanvas: 45 × 35 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFramed: Approx. 60 × 50 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrame \u003c\/span\u003e\u003cspan\u003eIncluded — hand-carved gilt wood, early 20th century, in good vintage condition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCondition \u003c\/span\u003e\u003cspan\u003eVery good — light craquelure consistent with age; no visible restoration; canvas stable and well preserved\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProvenance\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrivate collection,  Seville, Spain\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStyle \/ Notes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpanish portraiture of the Enlightenment period, likely from a costumbrista tradition, painted in the classical mode and possibly commissioned for a noble household. Exhibits the influence of academic realism emerging in Andalusia during the 18th century.\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51853192069458,"sku":null,"price":400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/mexican-full_4.jpg?v=1768171355"},{"product_id":"escuela-de-sevilla-luisa-de-triana-late-19th-century","title":"Mujer con Mantón — J. Alarcón, c.1880","description":"\u003cp data-start=\"110\" data-end=\"628\"\u003eThis oil painting by J. Alarcón, likely produced in Seville around 1880–1890, is part of the Darwin archive because it captures the saturated theatricality and social nuance of late 19th-century costumbrismo. The seated woman, draped in a creamy mantón de Manila embroidered with green florals, turns away from the viewer—aloof, perhaps disenchanted—leaning on a chair beside a bottle of wine, an ashtray, and a tray of cut fruit. Her pose is studied but unguarded, her gaze averted in a moment of narrative ambiguity.\u003c\/p\u003e\n\u003cp data-start=\"630\" data-end=\"1198\"\u003eAlarcón, a lesser-documented figure of the Sevillian School, paints with dense, realist brushwork and a keen eye for texture: the silk fringe, flushed skin, and burnished surfaces glow against a darkened backdrop. The work does not moralise or sentimentalise; instead, it invites us to linger in the threshold between public gesture and private mood. This is not a portrait in the formal sense, but a study in mood and modern femininity—at once staged and unrepeatable. The subject is not idealised; she is paused. In that pause lives the entire Spanish fin de siècle.\u003c\/p\u003e\n\u003cp data-start=\"1200\" data-end=\"1228\"\u003e\u003cstrong data-start=\"1200\" data-end=\"1209\"\u003eTitle\u003c\/strong\u003e\u003cbr data-start=\"1209\" data-end=\"1212\"\u003eMujer con Mantón\u003c\/p\u003e\n\u003cp data-start=\"1230\" data-end=\"1262\"\u003e\u003cstrong data-start=\"1230\" data-end=\"1249\"\u003eArtist \/ Author\u003c\/strong\u003e\u003cbr data-start=\"1249\" data-end=\"1252\"\u003eJ. Alarcón\u003c\/p\u003e\n\u003cp data-start=\"1264\" data-end=\"1287\"\u003e\u003cstrong data-start=\"1264\" data-end=\"1272\"\u003eDate\u003c\/strong\u003e\u003cbr data-start=\"1272\" data-end=\"1275\"\u003ec. 1880–1890\u003c\/p\u003e\n\u003cp data-start=\"1289\" data-end=\"1335\"\u003e\u003cstrong data-start=\"1289\" data-end=\"1320\"\u003eTechnique \/ Printing Method\u003c\/strong\u003e\u003cbr data-start=\"1320\" data-end=\"1323\"\u003eOil painting\u003c\/p\u003e\n\u003cp data-start=\"1337\" data-end=\"1392\"\u003e\u003cstrong data-start=\"1337\" data-end=\"1359\"\u003eMedium \/ Materials\u003c\/strong\u003e\u003cbr data-start=\"1359\" data-end=\"1362\"\u003eOil on canvas, gilt wood frame\u003c\/p\u003e\n\u003cp data-start=\"1394\" data-end=\"1414\"\u003e\u003cstrong data-start=\"1394\" data-end=\"1405\"\u003eEdition\u003c\/strong\u003e\u003cbr data-start=\"1405\" data-end=\"1408\"\u003eUnique\u003c\/p\u003e\n\u003cp data-start=\"1416\" data-end=\"1444\"\u003e\u003cstrong data-start=\"1416\" data-end=\"1426\"\u003eSigned\u003c\/strong\u003e\u003cbr data-start=\"1426\" data-end=\"1429\"\u003eYes, lower left\u003c\/p\u003e\n\u003cp data-start=\"1446\" data-end=\"1479\"\u003e\u003cstrong data-start=\"1446\" data-end=\"1465\"\u003eDimensions (cm)\u003c\/strong\u003e\u003cbr data-start=\"1465\" data-end=\"1468\"\u003e110 × 88 cm\u003c\/p\u003e\n\u003cp data-start=\"1481\" data-end=\"1544\"\u003e\u003cstrong data-start=\"1481\" data-end=\"1494\"\u003eCondition\u003c\/strong\u003e\u003cbr data-start=\"1494\" data-end=\"1497\"\u003eGood; minor signs of age consistent with period\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51853255639378,"sku":null,"price":550.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/mexican-full_3.jpg?v=1768124452"},{"product_id":"gran-velada-de-boxeo-1941-original-hand-painted-gouache","title":"Gran Velada de Boxeo, 1941 – Original Hand-Painted Gouache","description":"\u003cp data-start=\"110\" data-end=\"551\"\u003eThis hand-painted poster, made for a boxing gala in San Fernando on the 30th of May, 1941, is part of the Darwin archive because it distills the visual vernacular of popular sport and public spectacle in post-Civil War Spain. Organised by the engineering forces of the local plaza in honour of their patron saint, the event brings together six bouts across weight classes—from peso gallo to ligero—each pairing billed with theatrical flair.\u003c\/p\u003e\n\u003cp data-start=\"553\" data-end=\"1301\"\u003eThe poster’s hand-rendered lettering, radiant palette, and anatomically stylised boxer reflect both the artisanal charm of local signage and the heroic idealisation of the working-class athlete. Names like Toni Luis, Guasch, and Herrerita (hailed here as a “destacada figura local”) are celebrated with the same graphic urgency as saints or generals—framed by red verticals reading \u003cem data-start=\"935\" data-end=\"953\"\u003eGRANDES COMBATES\u003c\/em\u003e, flanking the central fighter in stance. At 45 × 35 cm, with signs of wear and surface damage, the piece carries both archival and atmospheric weight: a relic of a regionalised, ephemeral print culture before offset standardisation. It is not just a record of a night of sport, but a charged fragment of civic identity and hand-painted resistance.\u003c\/p\u003e\n\u003cp data-start=\"1303\" data-end=\"1331\"\u003e\u003cstrong data-start=\"1303\" data-end=\"1312\"\u003eTitle\u003c\/strong\u003e\u003cbr data-start=\"1312\" data-end=\"1315\"\u003eGRANDES COMBATES\u003c\/p\u003e\n\u003cp data-start=\"1333\" data-end=\"1362\"\u003e\u003cstrong data-start=\"1333\" data-end=\"1352\"\u003eArtist \/ Author\u003c\/strong\u003e\u003cbr data-start=\"1352\" data-end=\"1355\"\u003eUnknown\u003c\/p\u003e\n\u003cp data-start=\"1364\" data-end=\"1379\"\u003e\u003cstrong data-start=\"1364\" data-end=\"1372\"\u003eDate\u003c\/strong\u003e\u003cbr data-start=\"1372\" data-end=\"1375\"\u003e1941\u003c\/p\u003e\n\u003cp data-start=\"1381\" data-end=\"1434\"\u003e\u003cstrong data-start=\"1381\" data-end=\"1412\"\u003eTechnique \/ Printing Method\u003c\/strong\u003e\u003cbr data-start=\"1412\" data-end=\"1415\"\u003eHand-painted poster\u003c\/p\u003e\n\u003cp data-start=\"1436\" data-end=\"1475\"\u003e\u003cstrong data-start=\"1436\" data-end=\"1458\"\u003eMedium \/ Materials\u003c\/strong\u003e\u003cbr data-start=\"1458\" data-end=\"1461\"\u003ePaint on paper\u003c\/p\u003e\n\u003cp data-start=\"1477\" data-end=\"1497\"\u003e\u003cstrong data-start=\"1477\" data-end=\"1488\"\u003eEdition\u003c\/strong\u003e\u003cbr data-start=\"1488\" data-end=\"1491\"\u003eUnique\u003c\/p\u003e\n\u003cp data-start=\"1499\" data-end=\"1514\"\u003e\u003cstrong data-start=\"1499\" data-end=\"1509\"\u003eSigned\u003c\/strong\u003e\u003cbr data-start=\"1509\" data-end=\"1512\"\u003eNo\u003c\/p\u003e\n\u003cp data-start=\"1516\" data-end=\"1548\"\u003e\u003cstrong data-start=\"1516\" data-end=\"1535\"\u003eDimensions (cm)\u003c\/strong\u003e\u003cbr data-start=\"1535\" data-end=\"1538\"\u003e45 × 35 cm\u003c\/p\u003e\n\u003cp data-start=\"1550\" data-end=\"1587\"\u003e\u003cstrong data-start=\"1550\" data-end=\"1570\"\u003eLanguage (books)\u003c\/strong\u003e\u003cbr data-start=\"1570\" data-end=\"1573\"\u003eSpanish (text)\u003c\/p\u003e\n\u003cp data-start=\"1589\" data-end=\"1646\"\u003e\u003cstrong data-start=\"1589\" data-end=\"1602\"\u003eCondition\u003c\/strong\u003e\u003cbr data-start=\"1602\" data-end=\"1605\"\u003eVisible wear and surface distress; stable\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51854871789906,"sku":null,"price":550.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/mexican-full_1.jpg?v=1768123458"},{"product_id":"sin-nombre-26oct_9-17","title":"ATLANTE II \/ GALANA ENMASCARADA, woodcut, Irving Herrera 2009","description":"\u003cp\u003eA commanding woodcut by Herrera from Oaxaca, transforming lucha libre into a sacred act of resistance.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAGUILA NEGRA is among the most emblematic works in Irving Herrera’s six-part series of masked feminine icons. In this monumental woodcut, a powerful figure — nude, tattooed with lines of ink, and crowned with earrings shaped like nopales — holds her own gaze beneath a lucha libre mask. Around her, the phrase “UNA BATALLA CUERPO A CUERPO” flows like a prayer or invocation, wrapping the body in text and meaning.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis piece merges the aesthetic strategies of traditional Mexican woodcut — bold contours, carved textures, and political framing — with a contemporary poetics of the body. The figure is at once vulnerable and militant, adorned with symbols (a star, thorns, the mask) that invoke both struggle and divinity. The yellow screen-printed background, floral and radiant, lends an aura of sanctity to the scene.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrinted in Oaxaca in 2009, this is number 5 in a rare edition of 10, hand-signed and embossed with Herrera’s studio seal. It stands as a cornerstone of his visual language — part revolutionary poster, part devotional icon.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Woodcut print (framed)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: AGUILA NEGRA\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist: Irving Herrera\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2009\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Woodcut with screen-printed color\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Black and yellow ink on cotton paper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: 5\/10\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: Yes (pencil, lower right)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: Black wooden frame with glass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 112 × 76 cm (sheet)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Excellent\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Direct from artist’s studio, Oaxaca\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51860381008210,"sku":null,"price":1100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/14478417_798995153574424_7544370897377820672_n.jpg?v=1761580050"},{"product_id":"atalante-quiero-ser-como-tu-woodcut-irving-herrera-2009","title":"ATALANTE \/ QUIERO SER COMO TÚ , woodcut, Irving Herrera 2009","description":"\u003cp\u003eA rare alternate state of Herrera’s iconic masked figure, rendered here with celestial cool and floral opacity.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn QUIERO SER COMO TÚ, Irving Herrera revisits his now-iconic luchadora motif with subtle but powerful changes. The background shifts to a soft turquoise, the floral pattern becomes quieter, and the overall palette leans toward the lunar rather than the solar. What remains constant is the fierce presence of the central figure — nude, masked, and self-possessed — flanked by the inscribed phrase that gives the work its name.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEach gesture feels ritualistic: the way the hands frame the breasts, the mask with its starburst ornamentation, the way the lines of the carving follow muscle and bone like scars and topographies. Printed in Oaxaca, this alternate version expands the emotional and symbolic range of Herrera’s most personal and politically charged body of work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrinted on thick cotton paper and signed\/embossed by the artist, this version likely exists in the same extremely limited edition of 10.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Woodcut print (framed)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: QUIERO SER COMO TÚ (blue variant)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist: Irving Herrera\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2009\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Woodcut with screen-printed background\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Black and turquoise ink on cotton paper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: 5\/10 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: Yes \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: no\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 112 × 76 cm (sheet)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Excellent\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Direct from artist’s studio, Oaxaca\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51862393389394,"sku":null,"price":1100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/86A62ED9-84F1-4F02-8DFA-2E954FB6319B.jpg?v=1761475070"},{"product_id":"atalante-iv-circo-para-el-pueblo-irving-herrea-2009","title":"ATALANTE IV \/ CIRCO PARA EL PUEBLO, woodcut, Irving Herrera 2009","description":"\u003cp\u003e\u003cspan\u003eA volcanic portrait of feminine force, printed in scarlet and black — Herrera’s Atalante as a modern combatant.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis searing version of CIRCO PARA EL PUEBLO pushes Irving Herrera’s visual universe into a bolder register. The luchadora figure, bare and unrepentant, stares upward with clenched arms shielding her chest — a gesture equal parts defence, defiance and declaration. The surrounding inscription repeats: QUIERO A OTRA MUJER QUE SEA COMO TÚ — an invocation looping around the body like a spell of solidarity or desire.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUnlike the cooler yellow or blue variants, this one is marked by its red backdrop — a vibrant explosion of floral forms, sharp like blood blossoms, contrasted with the stark black beneath. The composition holds tension between softness and resistance, graphic sharpness and curvilinear carving. Like all Herrera’s pieces in this series, the work evokes sacred imagery without surrendering its bodily or political urgency.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrinted on thick paper, signed and numbered 5\/10, this version bears Herrera’s hallmark graphic vocabulary: dense, anatomical linework; ritualistic framing; and a striking balance between indigenous print traditions and radical contemporary figuration.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Woodcut print (framed)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: ATALANTE IV \/CIRCO PARA EL PUEBLO\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist: Irving Herrera\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2009\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Woodcut with screen-printed background\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Black and red ink on cotton paper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: 5\/10\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: Yes (pencil, lower left)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: Black wooden frame with glass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 112 × 76 cm (sheet)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Excellent\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Direct from artist’s studio, Oaxaca\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51862408200530,"sku":null,"price":1100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/414E3A54-82A8-4D59-B046-A05AD024594D.jpg?v=1761475060"},{"product_id":"atalante-iii-cachorra-del-mal-woodcut-irving-herrera-2009","title":"ATALANTE III \/ CACHORRA DEL MAL, woodcut, Irving Herrera 2009","description":"\u003cp\u003e\u003cspan\u003eA brutal and poetic image of bodily resistance — Herrera’s ATALANTE III binds and bares with ritual clarity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith ATALANTE III, Irving Herrera pushes his series into rawer terrain: a masked figure, topless and staring upward, is cinched across the chest with black bands that distort the phrase CÁCHORRA DEL MAL — a possible alias or alter ego, turned into both costume and constraint. The mask here resembles a lightning-bolt: jagged, confrontational, cosmic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe text surrounding the oval frame shifts again, like a ring announcement or a political cry, the phrase reclaims space and power. Behind the figure, soft yellow roses float like ghosts against a stark black field.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHerrera’s carving is as precise as ever: the skin becomes a map of violence and assertion, each line recording pressure, age, defiance. The composition is anchored by the subject’s hands — gnarled, monumental — clutching the border as if ready to rip through the frame.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSigned and numbered 5\/10, printed in 2009 on cotton paper, this piece is part of Herrera’s most iconic and limited body of work, acquired directly from the artist’s studio in Oaxaca.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Woodcut print (framed)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: ATALANTE III \/ CACHORRA DEL MAL\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist: Irving Herrera\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2009\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Woodcut with screen-printed background\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Black and pale yellow ink on cotton paper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: 5\/10\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: Yes (pencil, lower margin)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: Black wooden frame with glass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 112 × 76 cm (sheet)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Excellent\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Direct from artist’s studio, Oaxaca\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51862422815058,"sku":null,"price":1100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/539ED3FA-D5AD-4494-895C-6C24E8FFDBF9.jpg?v=1761474200"},{"product_id":"kiraly-1840-hungarian-satirical-print","title":"Király (1840)\nHungarian Satirical Print","description":"\u003cp\u003e\u003cspan\u003eA hand-colored 19th-century caricature of a Hungarian figure labeled “Király” (“King”), executed with theatrical exaggeration and Central European charm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eExtended Description\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis rare print, dated 1840 and titled Király—Hungarian for “king”—offers a whimsical yet pointed caricature of rural authority or noble pretense. The figure, seen from behind, wears a long floral-patterned robe and an exaggerated hat, rifle slung across his back, with a mustachioed sidekick crouching beside him, pitchfork in hand. Both men are drawn with stylized features—elongated limbs, slanted glances—that reflect a satirical eye rather than a documentary one.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLikely produced during the flowering of 19th-century lithographic humor in Central Europe, this piece sits within a broader tradition of political and social caricature that spread from France to Hungary, Austria, and Germany. The style is reminiscent of Biedermeier period lithographs, in which folkloric costume and regional identity were treated with both affectionate detail and comic distortion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDespite the foxing and visible aging of the paper, the hand coloring retains charm and vitality—especially in the green-and-orange hat and the scattered floral details on the coat. Framed in a slim gilt border, the print is a miniature theatre of power, costume, and irony.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Hand-colored satirical print\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: Király\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Unknown\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 1840\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Possibly lithograph with hand-coloring\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Ink and watercolor on paper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: Unknown\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: No\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: Thin gilt frame (modern)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 20 × 15 cm (framed)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: Hungarian (title)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Visible foxing and patina appropriate to age; colors intact\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51889468146002,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/2349BD22-A945-47E0-9232-030CF8884283.png?v=1761771887"},{"product_id":"indigeno-dell-isola-vanto-lele-arcipelago-v-v-ca-1840","title":"Indigeno dell’Isola Vanto Léle\n(Arcipelago V.V.) – ca. 1840","description":"\u003cp\u003e\u003cspan\u003eA rare hand-colored ethnographic print from a 19th-century European series depicting inhabitants of the “Vanto Léle” island—an elusive, likely fictional geography rooted in colonial imagination.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExtended Description\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis delicate, hand-colored print—titled Indigeno dell’Isola Vanto Léle—belongs to a class of 19th-century European lithographs that sought to catalogue the “exotic” through visual ethnography. The figure, a semi-nude man with turban, bow, and bundle of spears, stands confidently against a simplified natural backdrop. He is identified as an inhabitant of the “Vanto Léle” island, part of the enigmatic “Arcipelago V.V.”—a name not tied to any known cartographic reality, suggesting either a misrendered toponym or a fictional invention in the style of travelogues and pseudo-scientific publications of the era.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStylistically, the print echoes the manner of French and Italian colonial-era lithographers—particularly those involved in anthropological documentation or theatrical costume studies. The use of minimal but intentional color (blue vegetation, white turban, and pale highlights on skin) reveals an effort to convey difference through visual codification. The figure’s posture and gaze, however, are not submissive or passive: instead, he appears animated, assertive, even performative—perhaps staged for the viewer’s curiosity or fantasy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhat makes this piece poignant today is its dual legacy: both as a beautiful, crafted object, and as a visual trace of Europe’s imperial gaze. The oxidised paper, foxing, and golden frame only heighten its aura as an artefact—part theatrical, part ethnographic, entirely imagined.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTechnical Sheet\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Hand-colored ethnographic print\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: Indigeno dell’Isola Vanto Léle (Arcipelago V.V.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Anonymous\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: Circa 1840\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Lithograph with hand coloring\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Ink and watercolor on paper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: Possibly from a bound volume or series\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: No\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: Gilt contemporary frame (glass)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 20 × 15 cm (approx, framed)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: Italian\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Moderate foxing across surface; good stability of color and line\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51889484071250,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/2D74596D-C4DD-493E-8F7B-0E3E2494F3BD.png?v=1761771900"},{"product_id":"la-pareja-1975-by-miguel-calderon-paredes","title":"La pareja, 1975\nby Miguel Calderón Paredes","description":"\u003cp\u003e\u003cspan\u003eA raw, baroque depiction of intimacy—both exposed and estranged—drawn with Mediterranean color and unflinching tenderness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExtended Description\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this untitled lithograph, Miguel Calderón Paredes offers a startling portrayal of the nude human body, stripped of idealization. Created in 1975, the composition presents a man and a woman reclining in what appears to be a shared bed—though their postures suggest solitude as much as closeness. With graphic immediacy and finely gestural linework, Calderón Paredes captures the folds, hair, and textures of real bodies, rendering them both grotesque and intimate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe visual language recalls elements of Dubuffet or the Spanish Nueva Figuración, with a psychological undertone that evokes the tension of post-Franco domesticity. The ornamental headboard and earthy palette suggest a Mediterranean interior, where the nude is less a symbol of eroticism than of shared time, age, and exposure.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrinted in a limited edition of 135 copies, this is number 93. A rare and powerful work by a Spanish artist whose explorations of figuration and body politics remain relevant today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Print\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: la pareja\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Miguel Calderón Paredes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 1975\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Lithography\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Ink on paper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: 93\/135\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: Yes, pencil signed and dated\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: Unframed\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 68 × 49 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Excellent condition, minor handling signs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Private Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51901487743314,"sku":null,"price":155.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/5566C520-25DC-486F-A161-6EA79682B66B.png?v=1761927200"},{"product_id":"sin-nombre-2nov_10-37","title":"Inmaculada,\nFrancisco Quintanar, 2019","description":"\u003cp\u003e\u003cspan\u003eIn Inmaculada, Francisco Quintanar reclaims the sacred with quiet subversion. A nude female figure — printed in a haunting, cyanotype-like blue — stands within a gold mandorla, her body upright, arms raised, eyes turned skyward. The reference is unmistakable: the Virgin of Guadalupe’s iconic silhouette, reimagined without veils, dogma or idealization.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrinted in 2019 at Gabinete Gráfico, a printmakers’ collective in Oaxaca known for its politically engaged work, this woodcut resists easy classification. Is it devotional? Is it feminist? The power of the piece lies in that ambiguity. Quintanar replaces Marian purity with bodily truth, sanctity with sovereignty. The gold leaf glows against a deep violet-black background, elevating the central figure into something mythic — ancient and utterly contemporary.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe presence of the Opus Eight embossed seal and the artist’s signature further affirm the print’s origin in the artisan scene of southern Mexico, where spiritual traditions meet radical visual language. A rare and luminous piece in a very limited edition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Woodprint with gold leaf\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: Inmaculada, Woodprint\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist: Francisco Quintanar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2019\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Woodblock print, hand-pulled, with applied gold leaf\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Ink on cotton paper, gold leaf\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: 4\/22\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: Yes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: Unframed\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 19 x 15 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Excellent\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Gabinete Gráfico, Oaxaca\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51916720111954,"sku":null,"price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/C774EF8A-5A3C-47B2-AC11-DC29C8192A5F.png?v=1762286981"},{"product_id":"madre-armadillo-hayter-engraving-daniel-salazar-2023","title":"Madre Armadillo, Hayter Engraving\nDaniel Salazar, 2023","description":"\u003cp\u003e\u003cspan\u003eIn this finely detailed metal engraving by Daniel Salazar, a mother armadillo cradles her young within a dreamlike geometry of scales, patterns, and protective curves. The composition — enclosed in a circle reminiscent of both a womb and a solar disc — merges scientific illustration with folk symbolism. Below, a flowering nopal anchors the scene in the natural world of Mexico, evoking both sustenance and resilience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExecuted using the Hayter technique, a process developed at Atelier 17 that allows for rich tonal variations and layered textures, the work demonstrates a masterful command of line and depth. The artist’s hand is precise yet expressive — each dot, claw, and petal contributes to a narrative of tenderness and survival.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrinted on cotton paper and born from the vibrant printmaking community of Oaxaca, Madre Armadillo is a quiet ode to maternal care in the animal world, filtered through a visual language that is both local and universal. A work that invites close observation and rewards it with complexity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Metal engraving\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: Madre Armadillo, Hayter Engraving\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist: Daniel Salazar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2023 (approx.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Hayter technique (metal engraving)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Ink on cotton paper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: Not specified\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: Not visible\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: Unframed\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 28 x 19 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Excellent\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Private Collection, Oaxaca\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51942923731282,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/101BBC48-5FCD-413B-A635-BA9515422AFE.png?v=1762287464"},{"product_id":"jose-guadalupe-posada-ilustrador-de-la-vida-mexicana","title":"José Guadalupe Posada, Ilustrador de la Vida Mexicana","description":"\u003cp\u003e\u003cspan\u003eAn iconic tribute to Mexico’s great visual chronicler, wrapped in gold embossing and editorial reverence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis 1963 edition, published by Fondo Editorial de la Plástica Mexicana, stands as one of the most elegant homages to José Guadalupe Posada—engraver, satirist, and anonymous soul of the Mexican people. With its crimson textile cover adorned in golden lattice and a central photograph of Posada’s workshop, the book reads as both a visual reliquary and a national offering.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWithin its pages, Posada’s world unfolds: the everyday and the tragic, the political and the grotesque, all carved with urgency and printed for the masses. Long before the fame of his Calaveras, Posada shaped the visual language of Mexican identity with fierce simplicity and deep popular resonance. This volume, carefully printed under the auspices of major Mexican financial institutions, is not just a monograph—it is a posthumous altar to one of the country’s most influential yet historically marginalized artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe book’s editorial design reflects the aesthetic codes of mid-century institutional publishing, yet it preserves the raw power of Posada’s prints—making it a collectible object, a bibliophile’s jewel, and a visual archive of cultural resistance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Book\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: José Guadalupe Posada: Ilustrador de la Vida Mexicana\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: José Guadalupe Posada\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 1963\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Hardcover with textile binding and gold embossing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: Fondo Editorial de la Plástica Mexicana\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: Spanish\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Very good; minimal signs of handling\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Private Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51955262161234,"sku":null,"price":250.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_83442087-2dd7-47d3-915e-cd8183316373.jpg?v=1767992081"},{"product_id":"le-voyage-amoureux-beautes-orientales-ouled-nails-courtisanes-1870-1960","title":"Le Voyage amoureux – Nicole Canet, Galerie Au Bonheur du Jour, 2010","description":"\u003cp data-start=\"170\" data-end=\"684\"\u003eA rare visual archive of intimacy and survival across the Maghreb and the Orient. Drawing from photographs dating 1870–1960, this volume assembles studio portraits and documentary images of courtesans, dancers and prostitutes, tracing a parallel social history often excluded from official narratives. Published in a limited edition of 1,000 copies, it brings together 300 photographs with texts by Étienne Cance and Nicole Canet, forming a substantial 328-page study of desire, colonial fantasy and female agency.\u003c\/p\u003e\n\u003cp data-start=\"686\" data-end=\"1039\"\u003eTechnical Sheet\u003cbr data-start=\"701\" data-end=\"704\"\u003eTitle: Le Voyage amoureux\u003cbr data-start=\"729\" data-end=\"732\"\u003eArtist \/ Author: Nicole Canet\u003cbr data-start=\"761\" data-end=\"764\"\u003eDate: 2010\u003cbr data-start=\"774\" data-end=\"777\"\u003eEdition: Limited edition of 1,000 copies\u003cbr data-start=\"817\" data-end=\"820\"\u003eMedium \/ Materials: Hardcover book\u003cbr data-start=\"854\" data-end=\"857\"\u003eDimensions (cm): 21 × 27 cm\u003cbr data-start=\"884\" data-end=\"887\"\u003ePages: 328 pages, 300 photographs\u003cbr data-start=\"920\" data-end=\"923\"\u003eLanguage: French\u003cbr data-start=\"939\" data-end=\"942\"\u003ePublisher \/ Editor: Galerie Au Bonheur du Jour\u003cbr data-start=\"988\" data-end=\"991\"\u003eISBN: 978-2-9532351-1-1\u003cbr data-start=\"1014\" data-end=\"1017\"\u003eCondition: Very good\u003c\/p\u003e\n\u003cp data-start=\"1041\" data-end=\"1247\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51955400638802,"sku":null,"price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_7.jpg?v=1768030712"},{"product_id":"wall-jaume-plensa-2006","title":"WALL – Jaume Plensa (2006)","description":"\u003cp\u003e\u003cspan\u003eText as wound, silence as portrait.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis lithograph by Jaume Plensa, part of his Serie Anónimos, confronts the viewer with a haunting face, veiled by vertical streaks of ink and interrupted by a single printed word: WALL. The face, anonymous yet intimate, stares through the translucent paper as if trying to break through it. The word becomes a scar. The wall is not just external — it is within the image, across identity, and between language and seeing.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrinted in 2006 by Grifoll (Rubí, Barcelona) on vegetal paper, the piece draws from Plensa’s recurring themes: the permeability of the body, the weight of words, and the tension between transparency and enclosure. Originally distributed as a modest edition, it has since gained relevance not only for its visual impact but for how it distills Plensa’s monumental poetics into something fragile, almost weightless.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Lithograph\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: WALL\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Jaume Plensa\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2006\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset lithography\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Ink on translucent vegetal paper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: Open edition (Serie Anónimos)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: Printed studio credit (JAUME PLENSA, 2006 \/ RODI, BARCELONA)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: Mounted on AlphaUWplus archival board\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 30 × 22 cm (image), 39 × 28 cm (mounted)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Excellent\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51956925759826,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/2F3E3EE1-9114-444D-8D73-441736B82562.png?v=1762461416"},{"product_id":"hunger-jaume-plensa-2006","title":"HUNGER – Jaume Plensa (2006)","description":"\u003cp\u003e\u003cspan\u003eA silent scream behind a veil of ink.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis lithograph by Jaume Plensa, from his Serie Anónimos, portrays a veiled woman with the word HUNGER pressed vertically across her face. Rendered in soft black ink on translucent vegetal paper, the portrait seems to dissolve and cry, as if the ink itself is mourning. The repetition of vertical drips creates a rhythmic descent — like bars, rain, or a fall into silence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrinted in 2006 by Grifoll (Rubí, Barcelona), the work belongs to a body of prints in which Plensa turns anonymous faces into archetypes of collective vulnerability. While his sculptures often scale into monumental silence, these paper works are intimate, direct, and political. Here, hunger is not just a word but a condition written on the body — physical, emotional, global.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Lithograph\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: HUNGER\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Jaume Plensa\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2006\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset lithography\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Ink on translucent vegetal paper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: Open edition (Serie Anónimos)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: No (studio credit likely printed verso)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: Mounted on acid-free board (unframed)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 30 × 22 cm (image), 39 × 28 cm (mounted)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Very good (minor waves in paper, typical for medium)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51956937097554,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/2E0C7DC5-94CD-4547-9FF3-A83940D689FB.png?v=1762461861"},{"product_id":"hell-jaume-plensa-2006","title":"HELL – Jaume Plensa (2006)","description":"\u003cp\u003e\u003cspan\u003eIn this piercing lithograph from the Serie Anónimos, Jaume Plensa confronts the viewer with a child’s solemn face, suspended in soft shadow and inscribed with the word HELL. The black ink streaks down like tears or wounds, invoking a stark emotional landscape that transcends the image. The features are delicate, yet the word — bold, cracked, inevitable — collapses the distance between viewer and subject.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrinted on translucent vegetal paper in 2006 by Grifoll (Rubí, Barcelona), this piece belongs to a limited yet widely dispersed series that explores human dignity under erasure. Where Plensa’s public sculptures invoke collective silence, these prints scream quietly. HELL is not metaphor, but declaration — the kind only a child’s stare can make unbearable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Lithograph\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: HELL\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Jaume Plensa\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2006\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset lithography\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Ink on translucent vegetal paper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: Open edition (Serie Anónimos)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: No (studio identification present)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: Mounted on archival board (unframed)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 30 × 22 cm (image), 39 × 28 cm (mounted)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Excellent\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51956938801490,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/DDF67909-8F40-487B-8F18-37511298DF35.png?v=1762461984"},{"product_id":"copia-hell-jaume-plensa-2006","title":"BEAUTY – Jaume Plensa (2006)","description":"\u003cp\u003e\u003cspan\u003ePart of the Serie Anónimos, this lithograph by Jaume Plensa features the soft, steady gaze of a woman emerging from a veil of ink. The word BEAUTY, printed across her forehead, sits not as a compliment but as a provocation — blurred by vertical streaks that dissolve its clarity. Her headscarf, striped like a flag or shroud, gives the portrait a political and cultural resonance that complicates the word’s presence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrinted in 2006 by Grifoll (Rubí, Barcelona) on vegetal paper, the piece forms part of a series where Plensa compresses monumentality into fragility. Here, beauty is not ornament or consensus, but a question. Is it still beauty when obscured? When distressed? When inscribed on a body already marked? The result is an image of quiet resistance, at once intimate and urgent.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Lithograph\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: BEAUTY\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Jaume Plensa\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2006\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset lithography\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Ink on translucent vegetal paper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: Open edition (Serie Anónimos)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: No (studio-printed credit verso or on mount)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: Mounted on neutral archival board (unframed)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 30 × 22 cm (image), 39 × 28 cm (mounted)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Excellent\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51956940603730,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/8283E417-2D48-4572-B723-D6C5FDF6CA5A.png?v=1762462131"},{"product_id":"fountain-jaume-plensa-2006","title":"FOUNTAIN – Jaume Plensa (2006)","description":"\u003cp\u003e\u003cspan\u003eThis lithograph from Jaume Plensa’s Serie Anónimos shows the serene face of a bald-headed figure, frontally composed and marked by the descending word FOUNTAIN. Printed vertically, the term evokes purity, flow, origin — yet the black ink streaming from the top edge disrupts any idealization. Like water turned to ink, the “fountain” becomes metaphysical: a place of emergence that is also obscured, wounded, blurred.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe portrait — gentle yet unwavering — reveals the artist’s ongoing interest in identity stripped of narrative. The lack of hair, jewelry, or clear gender cues renders the subject archetypal. Printed in 2006 on vegetal paper by Grifoll (Rubí, Barcelona), this piece, like its companions, turns the surface of the paper into a membrane of projection and introspection. FOUNTAIN is a title and an offering — one word, flowing endlessly down.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Lithograph\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: FOUNTAIN\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Jaume Plensa\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2006\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset lithography\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Ink on translucent vegetal paper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: Open edition (Serie Anónimos)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: No (studio-printed credit likely on verso)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: Mounted on archival conservation board (unframed)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 30 × 22 cm (image), 39 × 28 cm (mounted)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Excellent\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51956953383250,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/2F6C2454-4E9F-49E7-9A67-61B76F47B7EB.png?v=1762462364"},{"product_id":"self-portrait-edward-cushenberry","title":"Self-Portrait, Prismacolor \u0026 Ink","description":"\u003cp\u003e\u003cspan\u003eRendered with tenderness and raw humor, this small-scale self-portrait by Edward Cushenberry captures a nude, tattooed figure taking a bathroom mirror selfie—an everyday gesture imbued here with vulnerability, playfulness, and formal precision. The layered media—Prismacolor, ink, graphite, and acrylic—mimic the surface quality of an instant photograph, but with the textures and imperfections of hand-rendered care. Cushenberry’s work often walks a line between documentation and diaristic fiction, and in this piece, the setting (complete with toilet paper roll and pink towel) underscores the ordinary with an uncanny sense of presence. At once modest and monumental, the drawing recalls the traditions of self-portraiture while reinventing them for a social media age—but without the screen, without the filter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eObject: Drawing\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTitle: Self-Portrait\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist: Edward Cushenberry\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDate: ca. 2020s\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnique: Prismacolor, ink, graphite, and acrylic paint\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMedium: Bristol paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDimensions: 10.8 × 8.9 cm (4.25 × 3.5 in)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSigned: Yes, verso\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCondition: Very good, with minor edge wear and surface marks typical of artist’s materials\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProvenance: Private Collection\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52336951689554,"sku":null,"price":160.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/DSC4476_14308626-f5d8-4d7b-9bf4-b85dc6fb09a2.jpg?v=1767989370"},{"product_id":"nah-i-don-t-want-to-talk-about-it-prismacolor-ink","title":"“Nah… I Don’t Want to Talk About It…” — Prismacolor \u0026 Ink","description":"\u003cp\u003e\u003cspan\u003eWith its compact scale and Polaroid-like border, this signed piece by Edward Cushenberry captures a still moment brimming with withheld emotion. A Black man — possibly a skater or local anti-hero — sits framed in profile, his cigarette mid-burn, his hands clasped in tension or thought. Dressed in a faded pink shirt with a mysterious black-and-white badge and surrounded by stylized foliage, he gazes beyond the viewer with a sharp, ambiguous calm. The phrase beneath him — “Nah… I don’t want to talk about it…” — serves as both caption and shield, echoing the language of zines, comics, and confessional photo series alike.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCushenberry, known for his documentary-style photography and deeply personal drawing practice, moves fluently across media to craft visual vignettes of real emotional weight. Here, he renders the immediacy of an analog snapshot entirely by hand — using Prismacolor pencil, graphite, ink, and acrylic — creating a tension between spontaneity and construction. The comic-like line work and stylized perspective are reminiscent of early 2000s indie zines and artists like Raymond Pettibon or Ron Regé Jr., while the bold, flat color palette — greens, pinks, sea blues — gives the image graphic power without losing its vulnerability.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere’s something cinematic in the framing, something of the paused film still or the unspoken moment between strangers. Yet it’s unmistakably drawn from lived culture: skateboarding, friendship, solitude, race, resistance. Cushenberry’s use of the Polaroid motif is not nostalgic — it’s intimate, deliberate, and deeply contemporary.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eObject: Original drawing on Bristol paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTitle: “Nah… I Don’t Want to Talk About It…”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist \/ Author: Edward Cushenberry\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDate: 2023\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnique \/ Method: Prismacolor pencil, ink, graphite, and acrylic paint\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMedium \/ Materials: Bristol paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition: Unique\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSigned: Yes, on reverse\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDimensions: 10.8 × 8.9 cm (4.25 × 3.50 in)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCondition: Excellent, with visible surface textures and edge folds that reinforce its physical presence\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52338074550610,"sku":null,"price":160.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/DSC4476_7b503f73-c81d-4214-9d5d-e3fbdc02950d.jpg?v=1767987927"},{"product_id":"sin-nombre-23dic_21-45","title":"“You worry too much…” — Prismacolor \u0026 Acrylic","description":"\u003cp\u003eA raw, defiant portrait of intimacy, sketched like a memory on the edge of vanishing.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFramed within the iconic white margins of a Polaroid, this bold, vulnerable drawing by Edward Cushenberry merges the diaristic impulse of zine culture with the unfiltered gaze of underground comics. A nude woman reclines across a bed, hair ablaze in crimson, wearing only an open yellow checkered shirt — equal parts vulnerable and unbothered. Her posture is casual, her look direct. Below, the handwritten line “You worry too much…” acts both as caption and emotional counterpoint — a phrase tinged with irony, dismissal, or quiet affection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCushenberry, known for his work at the intersection of photography, skate culture, and graphic storytelling, approaches his subjects like frames from a personal film. Here, the presence of the figure is magnetic: the use of graphite and Prismacolor gives her body a soft yet assertive volume, while acrylic brushstrokes sculpt the textured surface of her environment — pink bedsheets, a lavender pillow, walls that oscillate between comfort and exposure. There are echoes of 90s DIY comics, of artists like Aline Kominsky-Crumb or Julie Doucet, filtered through Cushenberry’s unmistakable voice: Afro-American, multidisciplinary, observant, and unafraid of contradictions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis piece is part of a body of small-format portraits that replicate the language of instant photography not through technology, but through manual memory. Signed on the reverse, the image pulses with painterly imperfections — creases, ridges, textures — reinforcing its tactile, one-of-a-kind presence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eObject: Original drawing on Bristol paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTitle: “You worry too much…”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist \/ Author: Edward Cushenberry\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDate: 2023\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnique \/ Method: Prismacolor pencil, graphite, ink, and acrylic paint\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMedium \/ Materials: Bristol paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition: Unique\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSigned: Yes, on reverse\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDimensions: 10.8 × 8.9 cm (4.25 × 3.50 in)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCondition: Excellent, with expressive surface marks and folds inherent to the piece\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52338579407186,"sku":null,"price":160.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/DSC4476_2_56ecc3ca-a695-47c1-9183-f32b3eb039d0.jpg?v=1767989802"},{"product_id":"only-i-can-set-the-pace-prismacolor-acrylic","title":"“Only I Can Set the Pace!” — Prismacolor \u0026 Acrylic","description":"\u003cp\u003eThis intimate composition by Edward Cushenberry centers on a cropped, seated figure — legs parted, hand resting with quiet certainty, gaze removed. The text beneath the frame, “Only I can set the pace!”, operates not just as dialogue, but as manifesto. In the artist’s ongoing exploration of identity, intimacy, and control, this piece captures a moment of self-possession that resists spectacle, despite its direct, carnal framing.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCushenberry, whose practice blends photography, drawing, and storytelling, continues his signature use of the Polaroid-style border — but here the image bursts beyond nostalgia into a statement of agency. The body, drawn in deep terracotta red and layered with violet shadows, sits against a bed of mauves and lilacs. A cream-colored robe slips from the shoulder. The palette is intentionally rich and assertive, echoing the work of figurative painters like Emma Amos or Henry Taylor, where color and pose are inseparable from meaning.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExecuted in Prismacolor, ink, graphite and acrylic, the drawing retains the grain and softness of hand pressure, the textural drag of pigment across paper. The white frame — uneven, brush-marked, physical — reinforces its status as a tangible object, not a digital image. Signed on the reverse, the piece occupies that rare intersection of eroticism and refusal, presence and distance. It speaks in first person, but says more with gesture than with face.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eObject: Original drawing on Bristol paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTitle: “Only I Can Set the Pace!”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist \/ Author: Edward Cushenberry\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDate: 2023\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnique \/ Method: Prismacolor pencil, ink, graphite, and acrylic paint\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMedium \/ Materials: Bristol paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition: Unique\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSigned: Yes, on reverse\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDimensions: 10.8 × 8.9 cm (4.25 × 3.50 in)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCondition: Excellent, with visible texture, minor smudging and expressive surface variation\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52341607432530,"sku":null,"price":160.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/DSC4476_1_bb29e560-e2a4-45bd-974c-d38abcd789e8.jpg?v=1767989519"},{"product_id":"i-want-to-be-vulnerable-with-you-prismacolor-acrylic","title":"“I want to be vulnerable with you.” — Prismacolor \u0026 Acrylic","description":"\u003cp\u003e\u003cspan\u003eThis small, electrifying portrait by Edward Cushenberry captures the exact moment where tenderness and exposure collide. A figure lies back, eyes shut, teeth clenched in an expression that could be pleasure, pain, or memory. Their skin, rendered in rich, earthy tones, carries a handwritten tattoo across the chest — beauté ténébreux — dark beauty. It’s both a declaration and a mark, anchoring the drawing in that space where desire, identity and vulnerability intertwine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe handwritten caption, “I want to be vulnerable with you,” is more than a phrase — it’s a frame for the entire image. Positioned beneath the figure like a Polaroid inscription, it infuses the work with confessional gravity, echoing zine aesthetics, personal journals, and the raw language of intimacy. Cushenberry, a photographer by training and skater by instinct, has a sharp eye for emotional texture. Here, he combines that instinct with comic-like flatness and deliberate color blocks — mint green sheets, lavender ovals, mustard florals — creating a cinematic atmosphere that recalls early David Wojnarowicz or even Jean-Michel Basquiat’s quiet\u003cimg\u003eer works.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe use of Prismacolor and graphite on Bristol gives the piece a layered, tactile quality. The white acrylic frame, with its smudges and ridges, refuses perfection — it insists on being touched, held, believed. Signed on the back, the work stands as a visual whisper: intimate, political, deeply human.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eObject: Original drawing on Bristol paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTitle: “I want to be vulnerable with you.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist \/ Author: Edward Cushenberry\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDate: 2024\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnique \/ Method: Prismacolor pencil, graphite, ink, and acrylic paint\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMedium \/ Materials: Bristol paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition: Unique\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSigned: Yes, on reverse\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDimensions: 10.8 × 8.9 cm (4.25 × 3.50 in)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCondition: Excellent, with minor surface marks and expressive materiality\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52341609365842,"sku":null,"price":160.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/DSC4476_2_ba80d75d-9dde-4ed9-a0e7-dcfe61462cab.jpg?v=1767989222"},{"product_id":"bro-platitudes-are-lame-prismacolor-acrylic-polaroid-drawing","title":"“Bro, platitudes are lame!” — Prismacolor \u0026 Acrylic","description":"\u003cp\u003eA room, a moment, a dismissal — vibrant, offbeat, and unmistakably real.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdward Cushenberry conjures another cinematic fragment in this Polaroid-styled composition, where two women — mid-conversation or mid-eye-roll — share a scene lit with unapologetic color. The figure on the right, perched on a neon-orange armchair, holds up a camera like a mirror, while her companion — legs crossed, gaze amused — sits beside a white cat, surrounded by cookies and what seems to be a tossed instant photo. The caption beneath them, “Bro, platitudes are lame!”, lands like the punchline to a conversation already halfway gone. It’s casual, hilarious, cutting — and strangely tender.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExecuted in Prismacolor pencil, ink, graphite and acrylic on Bristol, the piece plays with flatness and symbolism in a way that evokes early street comics and outsider zines. There’s something of Lynda Barry’s conversational honesty here, or even Chris Johanson’s emotional color fields, but Cushenberry grounds it in his own Afro-American lens — poetic, observational, and rooted in youth culture. The drawing radiates with pigment: the saturated fuchsia wall, burnt orange furniture, deep purple dress — all set against the rough brushstrokes of the Polaroid-style frame. It’s lo-fi intimacy, drawn with high-key clarity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePart of a larger series exploring vulnerability, humor and private space, this small-scale work is deceptively dense. It’s a freeze-frame of friendship, resistance, and the right to not take things too seriously. Signed on the reverse, with splatters and surface grit that heighten its handmade character.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eObject: Original drawing on Bristol paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTitle: “Bro, platitudes are lame!”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist \/ Author: Edward Cushenberry\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDate: 2023\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnique \/ Method: Prismacolor pencil, ink, graphite, and acrylic paint\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMedium \/ Materials: Bristol paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition: Unique\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSigned: Yes, on reverse\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDimensions: 10.8 × 8.9 cm (4.25 × 3.50 in)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCondition: Excellent, with expressive surface marks and slight pigment smudges\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52341612740946,"sku":null,"price":160.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/DSC4476_1.jpg?v=1767989059"},{"product_id":"i-m-aware-of-what-the-intention-is-prismacolor-acrylic-polaroid-drawing","title":"“I’m aware of what the intention is.” — Prismacolor \u0026 Acrylic","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA mirror, a gesture, a moment suspended — layered, deliberate, and softly defiant.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdward Cushenberry continues his Polaroid-style series with this intimate scene: a woman calmly applies eyeliner, eyes closed, her expression poised somewhere between focus and fatigue. Behind her, reflections multiply — arms, hands, and faces echoing back in a fragmented loop that suggests repetition, or performance. The mirrored space is warm with yellow tones, yet the energy is internal. The handwritten caption reads: “I’m aware of what the intention is.” — a sentence that hums with self-possession. It could be resignation. Or a warning.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMade with Prismacolor pencil, ink, graphite and acrylic on Bristol paper, the drawing uses flat color planes and soft grain to conjure the feeling of a memory already fading. The layered reflections feel like a nod to Cushenberry’s photographic roots — less about technical realism, more about psychological realism. The framing device, mimicking a Polaroid with its brush-painted white border and handwritten caption, turns the piece into a keepsake, or a note passed between friends.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePart of a larger body of work exploring intimacy, identity, and quiet resistance, this drawing is a small-scale study in self-awareness. It’s about being looked at — and choosing how to be seen. Signed on the reverse, with tactile signs of its handmade process — light smudges, pigment drag, and the occasional imperfection that makes it feel all the more real.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eObject: Original drawing on Bristol paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTitle: “I’m aware of what the intention is.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist \/ Author: Edward Cushenberry\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDate: 2024\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnique \/ Method: Prismacolor pencil, ink, graphite, and acrylic paint\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMedium \/ Materials: Bristol paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition: Unique\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSigned: Yes, on reverse\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDimensions: 10.8 × 8.9 cm (4.25 × 3.50 in)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCondition: Excellent, with visible surface textures and pigment layers\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52345838666066,"sku":null,"price":160.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/DSC4476_b962855d-1e76-4851-b569-d5d70bc1856b.jpg?v=1767988872"},{"product_id":"don-t-make-me-regret-my-orgasm-prismacolor-acrylic","title":"Don’t make me regret my orgasm!” — Prismacolor \u0026 Acrylic","description":"\u003cp\u003e\u003cspan\u003eEdward Cushenberry delivers a sharply tender moment in this bold Polaroid-format drawing. A woman lies back on a bed, one arm resting across her body, her t-shirt lifted to reveal both a printed mask-like face and her own bare chest. Her eyes are shut, lips parted, and legs loosely drawn—yet the posture feels more protective than relaxed. Beneath her, the caption lands with heat and hesitation: “Don’t make me regret my orgasm!” It’s a line that could be funny, furious, or already too late.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDrawn in Cushenberry’s signature mixed media—Prismacolor, ink, graphite, and acrylic—the work pushes flatness and texture to the edge. The colors hum with emotional saturation: dusty purples, bruised reds, muted blue, the almost neon-pink of the bedding. There’s a surreal detail in the shirt design, a stylized face with doubled eyes, as if to echo the tension between outer cool and inner multiplicity. The drawing feels like it belongs to the lineage of underground comics, sex-positive zines, and grainy bedroom films, but its tone is fully Cushenberry’s: observational, irreverent, and quietly fierce.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis piece belongs to the ongoing series in which Cushenberry blends private moments and public posture, sex and self-awareness, youth culture and emotional residue. Small in scale but large in voice, it’s a drawing that speaks in the space after the conversation ends. Signed on the reverse, with raw edges and visible folds that add to its unapologetic presence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eObject: Original drawing on Bristol paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTitle: “Don’t make me regret my orgasm!”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist \/ Author: Edward Cushenberry\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDate: 2023\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnique \/ Method: Prismacolor pencil, ink, graphite, and acrylic paint\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMedium \/ Materials: Bristol paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition: Unique\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSigned: Yes, on reverse\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDimensions: 10.8 × 8.9 cm (4.25 × 3.50 in)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCondition: Very good, with expressive edge wear and surface texture\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52345851150674,"sku":null,"price":160.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/DSC4476_eec0f9ce-a815-44a8-85dc-37990d631a3e.jpg?v=1767988676"},{"product_id":"art-school-taught-them-well-drawing-on-bristol-paper","title":"“Art school taught them well.” — Drawing on Bristol Paper","description":"\u003cp\u003eA billboard, a flash, a drink, a kiss — this is the party and the people watching.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn “Art school taught them well.”, Edward Cushenberry pulls back from his Polaroid close-ups and gives us a bigger, noisier frame. At the center: a backyard-ish yellow wall, kids in casual fits, drinks in hand, side-eyes flying. On the left, two girls kiss while another teen looks on, caught between curiosity and judgment. On the right, a woman in a red work polo sips her drink like she’s on break from giving a damn, framed by a vending machine and her own silence. And above it all: a giant sign that reads “My Grandpa Charlie”, complete with awkward family embrace. What is this scene? A reunion? A barbecue? An indie movie still that never got made?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis 2017 work trades lo-fi intimacy for observational sprawl. Cushenberry’s line is clean and his palette hyper-flat: bubblegum pinks, mustard yellows, washed-out blues — a kind of alt-cartoon surrealism. It nods to zine aesthetics and art school critiques, but stays grounded in warmth and specificity. Every expression, every smirk or grimace, feels lived-in. He’s documenting not just people, but the way we posture around each other — with beer cans, with crushed-up emotions, with eye-rolls that mean “I care” even when we say we don’t.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOne of Cushenberry’s earliest large-format narrative drawings, this piece shows his ability to balance humor and tenderness, shade and affection, all without over-explaining. It’s pure vibe. And it’s watching you back.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eObject: Original drawing on Bristol paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTitle: “Art school taught them well.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist \/ Author: Edward Cushenberry\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDate: 2017\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnique \/ Method: Prismacolor pencil, ink, and graphite\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMedium \/ Materials: Bristol paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition: Unique\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSigned: Yes, on reverse\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDimensions: 35.6 × 27.9 cm (14 × 11 in)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCondition: Excellent, minor surface texture consistent with medium\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52345879003474,"sku":null,"price":200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/BARCELO_84664c88-fa93-4582-ac86-d56af12c4b68.jpg?v=1767988439"},{"product_id":"the-unicorn-woman-original-nyt-book-review-illustration","title":"“The Unicorn Woman” — Original NYT Book Review Illustration","description":"\u003cp\u003e\u003cspan\u003eOriginally commissioned for The New York Times Book Review, this piece by Edward Cushenberry is a visual response to Gayl Jones’s The Unicorn Woman — a novel about myth, identity, and fractured memory. But in Cushenberry’s hands, the unicorn goes cyberpunk. A figure in green (reader? dreamer?) holds a tattered photo of a woman whose face is literally split open. Behind her: a burst of purple against candy-striped wallpaper. Her expression is caught mid-smile, mid-meltdown — one eye closed, the other patched with circuitry.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt’s unsettling and tender at once. The portrait is less about beauty and more about what beauty survives. The stylization — thick outlines, flat colors, graphic tension — recalls Cushenberry’s signature zine-adjacent vibe, but with a sharp editorial edge. Like much of his work, it’s less about explaining the text than translating its emotion: obsession, distance, damage, longing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYou don’t need to have read the novel to feel the impact. This image stands on its own — part sci-fi relic, part heartbreak postcard.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eObject: Original illustration on Bristol paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTitle: “The Unicorn Woman” (Book Review Illustration)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist \/ Author: Edward Cushenberry\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDate: 2024\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCommissioned by:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eThe New York Times\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnique \/ Method: Prismacolor pencil, ink, and graphite\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMedium \/ Materials: Bristol paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition: Unique\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSigned: Yes, on reverse\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDimensions: Approx. 17.8 × 22.8 cm (7 × 9 in)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCondition: Excellent, with minor wear along edges\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52345907872082,"sku":null,"price":300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/BARCELO_bc62e946-672e-40d1-8e48-8464949dec4d.jpg?v=1767988235"},{"product_id":"l-imprevu-alberto-lattuada-1961-french-film-poster-120-160-cm","title":"L’Imprévu — Alberto Lattuada, 1961 French Film Poster (120 × 160 cm)","description":"\u003cp data-start=\"178\" data-end=\"688\"\u003eA tense, graphic composition built around gaze and pursuit. Created for the French release of Alberto Lattuada’s 1961 crime drama, the design contrasts an intimate noir close-up with a yellow roadside vignette where police halt a vehicle. The central figures — a woman in profile and a watchful male face emerging from shadow — heighten the film’s atmosphere of suspicion and seduction. Bold typography and dramatic illustration reflect the visual language of European cinema posters at the start of the 1960s.\u003c\/p\u003e\n\u003cp data-start=\"690\" data-end=\"1089\"\u003eTechnical Sheet\u003cbr data-start=\"705\" data-end=\"708\"\u003eTitle: L’Imprévu\u003cbr data-start=\"724\" data-end=\"727\"\u003eArtist \/ Author: Unknown illustrator\u003cbr data-start=\"763\" data-end=\"766\"\u003eDate: 1961\u003cbr data-start=\"776\" data-end=\"779\"\u003eTechnique \/ Printing Method: Offset lithograph\u003cbr data-start=\"825\" data-end=\"828\"\u003eMedium \/ Materials: Printed paper poster\u003cbr data-start=\"868\" data-end=\"871\"\u003eDimensions (cm): 120 × 160\u003cbr data-start=\"897\" data-end=\"900\"\u003eLanguage: French\u003cbr data-start=\"916\" data-end=\"919\"\u003ePublisher \/ Editor: Columbia Films S.A.\u003cbr data-start=\"958\" data-end=\"961\"\u003eCondition: Vintage folded poster with visible fold lines, light creasing, small tears at fold intersections and minor edge wear.\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52882822168914,"sku":null,"price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/BARCELO_b57f3431-84da-4943-a253-d444b6352540.jpg?v=1772871415"}],"url":"https:\/\/thedarwin.es\/collections\/gallery.oembed","provider":"DaRWIN","version":"1.0","type":"link"}