{"title":"MUST HAVE","description":"\u003cp data-start=\"0\" data-end=\"626\"\u003eSome photobooks are not just items in a catalogue; they are foundations. These are books that define a way of seeing, that set a benchmark for photographic language, editing, and intent.  Their importance is not driven by hype or scarcity marketing, but by the fact that they continue to inform photographers, editors, and collectors years after publication. These are books that age well, intellectually and materially, and whose relevance does not depend on trends.\u003c\/p\u003e\n\u003cp data-start=\"628\" data-end=\"1095\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eWhen a book enters this category on this site, it is because I consider it essential: something I would always keep, replace if lost, and recommend unequivocally to others. Owning these books means having a solid point of reference, not just for collecting, but for understanding photography itself. If you are building a library with any long-term ambition, these are the titles worth prioritising when they are available. They are not suggestions; they are anchors.\u003c\/p\u003e","products":[{"product_id":"signed-jacob-aue-sobol-sabine-2018","title":"Sabine (Version française) — Jacob Aue Sobol — Signed, Polka Editions, 2018","description":"\u003cp data-start=\"195\" data-end=\"565\"\u003eThis concise French edition of \u003cem data-start=\"226\" data-end=\"234\"\u003eSabine\u003c\/em\u003e by Jacob Aue Sobol distills one of the most visceral photographic love stories of the early 2000s into 24 pages of taut, emotional intensity. Released by Polka Editions in 2018 in just 200 copies, and signed by the artist, it offers a rare, bilingual echo of the original 2004 monograph — now iconic among contemporary photobooks.\u003c\/p\u003e\n\u003cp data-start=\"567\" data-end=\"968\"\u003eThe images trace Sobol’s life in Tiniteqilaaq, an isolated Greenlandic village where he lived for nearly three years with Sabine, the woman who gave the book its name. Drawn from his early immersion in documentary photography at Fatamorgana and sharpened by cinematic sensibilities from his time at the European Film College, Sobol’s language is unmistakable: grainy, close, and emotionally saturated.\u003c\/p\u003e\n\u003cp data-start=\"970\" data-end=\"1265\"\u003eThis smaller-format edition doesn’t dilute the impact — if anything, it heightens the sense of compression, like a love story whispered through fog. As a collectible, it’s a rare glimpse into the raw core of a major Magnum photographer’s early vision, rearticulated for a French-speaking public.\u003c\/p\u003e\n\u003cp data-start=\"1267\" data-end=\"1592\"\u003eTechnical Sheet\u003cbr data-start=\"1282\" data-end=\"1285\"\u003eTitle: Sabine (Version française)\u003cbr data-start=\"1318\" data-end=\"1321\"\u003eArtist \/ Author: Jacob Aue Sobol\u003cbr data-start=\"1353\" data-end=\"1356\"\u003eDate: 2018\u003cbr data-start=\"1366\" data-end=\"1369\"\u003eEdition: Limited edition of 200, signed\u003cbr data-start=\"1408\" data-end=\"1411\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1446\" data-end=\"1449\"\u003eMedium \/ Materials: Softcover\u003cbr data-start=\"1478\" data-end=\"1481\"\u003eDimensions (cm): 15 × 21\u003cbr data-start=\"1505\" data-end=\"1508\"\u003eLanguage: French\u003cbr data-start=\"1524\" data-end=\"1527\"\u003ePages: 24\u003cbr data-start=\"1536\" data-end=\"1539\"\u003ePublisher \/ Editor: Polka Editions\u003cbr data-start=\"1573\" data-end=\"1576\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754658038098,"sku":null,"price":160.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_56061f0e-cdaa-452d-9586-7117c12f8837.jpg?v=1770112372"},{"product_id":"signed-pieter-hugo-la-cucaracha-2019","title":"La Cucaracha - Pieter Hugo (Signed; First edition),  Editorial RM","description":"\u003cp data-start=\"415\" data-end=\"945\"\u003eThis large, signed edition of \u003cem data-start=\"445\" data-end=\"459\"\u003eLa Cucaracha\u003c\/em\u003e by Pieter Hugo is part of the Darwin Bookshop for its visceral engagement with the collision of myth, ritual and social reality across the global South. Hugo’s work traverses landscapes of tradition and transformation—from West Africa to the Caribbean—revealing how belief, performance and power interlock in contemporary life. The title \u003cem data-start=\"798\" data-end=\"812\"\u003eLa Cucaracha\u003c\/em\u003e evokes survival and persistence; Hugo’s images give it visual force, staging encounters that are at once documentary and revelatory.\u003c\/p\u003e\n\u003cp data-start=\"947\" data-end=\"1595\"\u003ePrinted on generous paper and bound in a striking red cloth‑covered hardcover with gilt lettering, \u003cem data-start=\"1046\" data-end=\"1060\"\u003eLa Cucaracha\u003c\/em\u003e unfolds as a choreographed exploration of quasi‑religious spectacle, coded gesture and embodied presence. The photographs interweave scenes of ritual, procession, masquerade and everyday defiance, each frame articulated with Hugo’s characteristic formal rigor. This copy, personally signed by the artist, carries an added layer of provenance and editorial significance. With texts and contextual framing, the book positions Hugo not merely as a chronicler but as a collaborator with the visual languages of resistance and enchantment.\u003c\/p\u003e\n\u003cp data-start=\"1597\" data-end=\"1616\"\u003e\u003cstrong data-start=\"1597\" data-end=\"1616\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1618\" data-end=\"1638\"\u003eTitle\u003cbr data-start=\"1623\" data-end=\"1626\"\u003eLa Cucaracha\u003c\/p\u003e\n\u003cp data-start=\"1640\" data-end=\"1669\"\u003eArtist \/ Author\u003cbr data-start=\"1655\" data-end=\"1658\"\u003ePieter Hugo\u003c\/p\u003e\n\u003cp data-start=\"1671\" data-end=\"1682\"\u003eDate\u003cbr data-start=\"1675\" data-end=\"1678\"\u003e2019\u003c\/p\u003e\n\u003cp data-start=\"1684\" data-end=\"1729\"\u003eTechnique \/ Printing Method\u003cbr data-start=\"1711\" data-end=\"1714\"\u003eOffset printing\u003c\/p\u003e\n\u003cp data-start=\"1731\" data-end=\"1796\"\u003eMedium \/ Materials\u003cbr data-start=\"1749\" data-end=\"1752\"\u003eHardcover, cloth binding with gilt lettering\u003c\/p\u003e\n\u003cp data-start=\"1798\" data-end=\"1830\"\u003eEdition\u003cbr data-start=\"1805\" data-end=\"1808\"\u003eFirst edition (signed)\u003c\/p\u003e\n\u003cp data-start=\"1832\" data-end=\"1881\"\u003eSigned\u003cbr data-start=\"1838\" data-end=\"1841\"\u003eYes (artist signature on front endpaper)\u003c\/p\u003e\n\u003cp data-start=\"1883\" data-end=\"1931\"\u003eDimensions (cm)\u003cbr data-start=\"1898\" data-end=\"1901\"\u003eApprox. 35 × 32 (large format)\u003c\/p\u003e\n\u003cp data-start=\"1933\" data-end=\"1951\"\u003eLanguage\u003cbr data-start=\"1941\" data-end=\"1944\"\u003eEnglish\u003c\/p\u003e\n\u003cp data-start=\"1953\" data-end=\"1972\"\u003ePages\u003cbr data-start=\"1958\" data-end=\"1961\"\u003eApprox. 200\u003c\/p\u003e\n\u003cp data-start=\"1974\" data-end=\"2028\"\u003ePublisher \/ Editor\u003cbr data-start=\"1992\" data-end=\"1995\"\u003eRM, Mexico \/ RM Verlag, Barcelona\u003c\/p\u003e\n\u003cp data-start=\"2030\" data-end=\"2054\"\u003eISBN\u003cbr data-start=\"2034\" data-end=\"2037\"\u003e978‑84‑17975‑15‑9\u003c\/p\u003e\n\u003cp data-start=\"2056\" data-end=\"2086\"\u003eCondition\u003cbr data-start=\"2065\" data-end=\"2068\"\u003eVery good — signed\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754766500178,"sku":null,"price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_1_70fc3774-a90e-40fa-a722-97c6b9a58574.jpg?v=1768294669"},{"product_id":"antoine-dagata-1961-oscurana-1ere-edition","title":"Oscurana — Antoine d’Agata","description":"\u003cp data-start=\"67\" data-end=\"137\"\u003e\u003cstrong data-start=\"67\" data-end=\"137\"\u003eOscurana — Antoine d’Agata (Single Volume from Collective Edition)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"139\" data-end=\"664\"\u003eThis signed volume of \u003cem data-start=\"161\" data-end=\"171\"\u003eOscurana\u003c\/em\u003e by Antoine d’Agata, co-published in 2017 as part of a six-part international editorial project, is part of the Darwin Bookshop because it embodies a radical experiment in collaborative publishing, transgressive aesthetics, and the ethics of witnessing. Each of the six publishers across Latin America and Europe produced their own distinct version of \u003cem data-start=\"523\" data-end=\"533\"\u003eOscurana\u003c\/em\u003e, using a shared structure—same title, dimensions, and central text—yet allowing for different material and visual interpretations.\u003c\/p\u003e\n\u003cp data-start=\"666\" data-end=\"1206\"\u003eThe copy held here is a standalone volume from this constellation, printed on deep black paper with gold handwritten typography, featuring d’Agata’s haunting monochrome photographs of sex, trance, and resistance. Designed and printed by \u003cem data-start=\"903\" data-end=\"919\"\u003eLe Dernier Cri\u003c\/em\u003e in Marseille, under the direction of Pakito Bolino, it fuses underground graphics with d’Agata’s fevered visual language. Each photograph is a confrontation, not a document—bodies blur under duress, light becomes substance, and violence and intimacy co-exist within the same dark frame.\u003c\/p\u003e\n\u003cp data-start=\"1208\" data-end=\"1622\"\u003eThough part of a broader six-volume project, this edition stands alone as a self-contained object and was also issued in a rare boxed set. This particular copy is \u003cstrong data-start=\"1371\" data-end=\"1409\"\u003esigned by d’Agata in Arles in 2021\u003c\/strong\u003e, anchoring it within the performative continuum of his work. At Darwin, \u003cem data-start=\"1482\" data-end=\"1492\"\u003eOscurana\u003c\/em\u003e is held as a key artefact in the landscape of experimental photobook publishing, collective authorship, and embodied photography.\u003c\/p\u003e\n\u003cp data-start=\"1624\" data-end=\"1643\"\u003e\u003cstrong data-start=\"1624\" data-end=\"1643\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1645\" data-end=\"2122\"\u003eTitle: Oscurana\u003cbr data-start=\"1660\" data-end=\"1663\"\u003eArtist \/ Author: Antoine d’Agata\u003cbr data-start=\"1695\" data-end=\"1698\"\u003eDate: 2017\u003cbr data-start=\"1708\" data-end=\"1711\"\u003eTechnique \/ Printing Method: Offset printing, gold ink on black paper\u003cbr data-start=\"1780\" data-end=\"1783\"\u003eMedium \/ Materials: Softcover, staple-bound\u003cbr data-start=\"1826\" data-end=\"1829\"\u003eDimensions: approx. 21 × 28 cm\u003cbr data-start=\"1859\" data-end=\"1862\" data-is-only-node=\"\"\u003eLanguage: French\u003cbr data-start=\"1878\" data-end=\"1881\"\u003ePages: Unpaginated\u003cbr data-start=\"1899\" data-end=\"1902\"\u003ePublisher \/ Editor: Le Dernier Cri (France), part of the \u003cem data-start=\"1959\" data-end=\"1969\"\u003eOscurana\u003c\/em\u003e six-publisher collective\u003cbr data-start=\"1994\" data-end=\"1997\"\u003eSigned: Yes (signed in Arles, 2021)\u003cbr data-start=\"2032\" data-end=\"2035\"\u003eEdition: One of six distinct volumes from the \u003cem data-start=\"2081\" data-end=\"2091\"\u003eOscurana\u003c\/em\u003e project\u003cbr data-start=\"2099\" data-end=\"2102\"\u003eCondition: Near fine\u003c\/p\u003e\n\u003cp data-start=\"2125\" data-end=\"2187\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754826826066,"sku":null,"price":140.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_1_40948610-1e47-4cec-874a-e67f7826da3e.jpg?v=1768064059"},{"product_id":"stephen-shore-uncommon-places-1982","title":"Uncommon Places — Stephen Shore, 1982, first edition with dust jacket","description":"\u003cp data-start=\"369\" data-end=\"715\"\u003eOne of the most influential photobooks of the twentieth century, \u003cem data-start=\"434\" data-end=\"451\"\u003eUncommon Places\u003c\/em\u003e marked a turning point for colour photography and for the visual language of American space. Published in 1982 by Aperture, this is the scarce first edition hardcover with the original unclipped dust jacket — the definitive form of a book that changed everything.\u003c\/p\u003e\n\u003cp data-start=\"717\" data-end=\"1101\"\u003eWorking with a large-format view camera, Stephen Shore photographed anonymous intersections, motel rooms, signage, and city edges across 1970s America. What emerged was a new kind of photography: stripped of narrative, radiant in its clarity, formally precise and rooted in the banal. These are not decisive moments but sustained ones — quiet, frontal, and loaded with ambient unease.\u003c\/p\u003e\n\u003cp data-start=\"1103\" data-end=\"1514\"\u003eThe maroon clothbound edition presented here features 61 colour plates across 64 pages, designed by Wendy Byrne and printed with early fidelity to Shore’s Kodachrome palette. As cited by Martin Parr and Gerry Badger in \u003cem data-start=\"1322\" data-end=\"1355\"\u003eThe Photobook: A History Vol. 2\u003c\/em\u003e (p.35), it stands as a “fantastic, very important color photobook” — foundational to the New Topographics and the rise of colour as serious photographic form.\u003c\/p\u003e\n\u003cp data-start=\"1516\" data-end=\"1678\"\u003eThis copy retains the original dustjacket, complete and fresh with only minor sunning and faint exterior marks. A cornerstone of any serious photobook collection.\u003c\/p\u003e\n\u003cp data-start=\"1680\" data-end=\"2128\"\u003e\u003cstrong data-start=\"1680\" data-end=\"1699\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1699\" data-end=\"1702\"\u003eTitle: Uncommon Places\u003cbr data-start=\"1724\" data-end=\"1727\"\u003eArtist \/ Author: Stephen Shore\u003cbr data-start=\"1757\" data-end=\"1760\"\u003eDate: 1982\u003cbr data-start=\"1770\" data-end=\"1773\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1817\" data-end=\"1820\"\u003eMedium \/ Materials: Hardcover with dust jacket, maroon cloth\u003cbr data-start=\"1880\" data-end=\"1883\"\u003eDimensions: 24.3 x 28.3 cm\u003cbr data-start=\"1909\" data-end=\"1912\"\u003ePages: 64\u003cbr data-start=\"1921\" data-end=\"1924\" data-is-only-node=\"\"\u003ePlates: 61 colour photographs\u003cbr data-start=\"1953\" data-end=\"1956\"\u003ePublisher \/ Editor: Aperture, Millerton, New York\u003cbr data-start=\"2005\" data-end=\"2008\"\u003eISBN: 0-89381-101-7\u003cbr data-start=\"2027\" data-end=\"2030\"\u003eCondition: Overall fine; interior flawless, dustjacket lightly sunned but complete and unclipped\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51758094090578,"sku":null,"price":350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_75dd02ef-206d-478f-887e-151971700a6c.jpg?v=1769295938"},{"product_id":"pieter-hugo-kin-first-edition","title":"KIN — Pieter Hugo (First Edition), Aperture 2005","description":"\u003cp data-start=\"39\" data-end=\"1251\"\u003e\u003cem data-start=\"39\" data-end=\"44\"\u003eKIN\u003c\/em\u003e is a defining monograph by Pieter Hugo, capturing the intricate fabric of contemporary life across communities and identities, and a cornerstone in Darwin’s collection for anyone drawn to photography that navigates intimacy and expansiveness with equal precision. First published as Hugo’s first major book, \u003cem data-start=\"353\" data-end=\"358\"\u003eKIN\u003c\/em\u003e brings together the photographer’s early body of work—portraits from \u003cem data-start=\"428\" data-end=\"439\"\u003eNollywood\u003c\/em\u003e to \u003cem data-start=\"443\" data-end=\"466\" data-is-only-node=\"\"\u003eThe Hyena \u0026amp; Other Men\u003c\/em\u003e, \u003cem data-start=\"468\" data-end=\"507\"\u003eBetween the Devil \u0026amp; the Deep Blue Sea\u003c\/em\u003e, and \u003cem data-start=\"513\" data-end=\"530\"\u003ePermanent Error\u003c\/em\u003e—with a singular eye that foregrounds the dignity and complexity of its subjects without concession to spectacle. What binds these disparate bodies is a rigorous attention to presence: Hugo’s subjects are shown in moments where vulnerability and resilience coexist, framed by stark, unadorned pages that amplify their humanity. The sequencing moves with a quiet tension, allowing each portrait to assert its weight and then recede into a larger meditation on kinship, otherness, and the porous boundaries of self and society. In a first edition that has become increasingly rare, \u003cem data-start=\"1110\" data-end=\"1115\"\u003eKIN\u003c\/em\u003e remains essential for readers seeking photographic work that refuses easy answers and instead insists on the enduring power of looking.\u003c\/p\u003e\n\u003cp data-start=\"1253\" data-end=\"1617\"\u003eTechnical Sheet\u003cbr data-start=\"1268\" data-end=\"1271\"\u003eTitle: \u003cem data-start=\"1278\" data-end=\"1283\"\u003eKIN\u003c\/em\u003e\u003cbr data-start=\"1314\" data-end=\"1317\"\u003eEdition: First Edition\u003cbr data-start=\"1339\" data-end=\"1342\"\u003eDate: 2005 (approx., first publication)\u003cbr data-start=\"1381\" data-end=\"1384\"\u003eMedium \/ Materials: Photobook, hardcover\u003cbr data-start=\"1424\" data-end=\"1427\"\u003eDimensions (cm): ~30 × 38 (large‑format)\u003cbr data-start=\"1467\" data-end=\"1470\"\u003eLanguage: English\u003cbr data-start=\"1487\" data-end=\"1490\"\u003ePages: ~180\u003cbr data-start=\"1501\" data-end=\"1504\"\u003ePublisher \/ Editor: Aperture \/ Chris Boot\u003cbr data-start=\"1545\" data-end=\"1548\"\u003eISBN: (varies by printing)\u003cbr data-start=\"1574\" data-end=\"1577\"\u003eCondition: NEW\u003c\/p\u003e","brand":"aperture","offers":[{"title":"Default Title","offer_id":51759326265682,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_1c917d3a-cad2-4fb9-8d82-1832edbbfa09.jpg?v=1768160250"},{"product_id":"cafe-lehmitz-anders-petersen-1985","title":"Café Lehmitz (Signed Pocket Edition) — Anders Petersen, 1985","description":"\u003cp data-start=\"133\" data-end=\"638\"\u003eThis signed pocket edition of \u003cem data-start=\"163\" data-end=\"177\"\u003eCafé Lehmitz\u003c\/em\u003e, published in 1985 by Schirmer\/Mosel, is Anders Petersen’s own preferred version of his most iconic book. Originally released in 1978, \u003cem data-start=\"313\" data-end=\"327\"\u003eCafé Lehmitz\u003c\/em\u003e launched Petersen’s career and redefined the language of documentary photography. Shot in a working-class bar on the Reeperbahn in Hamburg between 1968 and 1970, the work is a raw, affectionate portrait of a place where rules collapse: sex workers, drunks, lovers, loners — all held in the same intimate frame.\u003c\/p\u003e\n\u003cp data-start=\"640\" data-end=\"1232\"\u003ePetersen doesn’t observe from a distance. He drinks, touches, stays the night. The images are grainy, close, messy, full of flash and emotion. There is no moral hierarchy, only physical proximity and shared time. What makes \u003cem data-start=\"864\" data-end=\"878\"\u003eCafé Lehmitz\u003c\/em\u003e endure is its lack of performance — the trust is real, and the camera feels like part of the furniture. It’s a book that changed the terms for later photographers like Nan Goldin or Antoine d’Agata, proving that documentary could be personal, chaotic, and brutally tender. A cornerstone of postwar European photography, still unmatched in its sincerity.\u003c\/p\u003e\n\u003cp data-start=\"1234\" data-end=\"1594\"\u003eTechnical Sheet\u003cbr data-start=\"1249\" data-end=\"1252\"\u003eTitle: Café Lehmitz (Signed Pocket Edition)\u003cbr data-start=\"1295\" data-end=\"1298\"\u003eArtist \/ Author: Anders Petersen\u003cbr data-start=\"1330\" data-end=\"1333\"\u003eDate: 1985 edition (originally 1978)\u003cbr data-start=\"1369\" data-end=\"1372\"\u003eEdition: Signed\u003cbr data-start=\"1387\" data-end=\"1390\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1425\" data-end=\"1428\"\u003eMedium \/ Materials: Softcover\u003cbr data-start=\"1457\" data-end=\"1460\"\u003eDimensions (cm): Approx. 12 × 18\u003cbr data-start=\"1492\" data-end=\"1495\"\u003eLanguage: German\u003cbr data-start=\"1511\" data-end=\"1514\"\u003ePages: Approx. 120\u003cbr data-start=\"1532\" data-end=\"1535\"\u003ePublisher \/ Editor: Schirmer\/Mosel\u003cbr data-start=\"1569\" data-end=\"1572\"\u003eCondition: Very good\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51776958202194,"sku":null,"price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_2.jpg?v=1770110366"},{"product_id":"the-valley-larry-sultan-2004","title":"The Valley — Larry Sultan (2004)","description":"\u003cp data-start=\"244\" data-end=\"990\"\u003eThis is Larry Sultan’s \u003cem data-start=\"267\" data-end=\"279\"\u003eThe Valley\u003c\/em\u003e, a book that took five years to shoot and a lifetime of visual intelligence to frame. Published in 2004 by Scalo, it captures a strange and distinctly American intersection of domesticity and performance — the San Fernando Valley, epicentre of the adult film industry, rendered not as spectacle, but as a liminal theatre of longing, boredom, power, and collapse. Working with large format, Sultan inserts himself into the private homes used as film sets, portraying moments in-between takes or fully staged with deliberate ambiguity. The result is disquieting: bathrobes, fake tears, boom mics, indifferent husbands, nude actors caught under bright domestic lighting — the unglamorous infrastructure of desire.\u003c\/p\u003e\n\u003cp data-start=\"992\" data-end=\"1733\"\u003eEach photograph is lush, exacting, and mournful. Sultan’s palette leans toward deep velvet purples, beige carpets, overlit flesh and faux-wood panelling. If Araki gives us erotic ruin and Moriyama the grain of hunger, Sultan gives us stasis — desire without climax, where everything feels both overexposed and drained. This is California, but not as fantasy: it’s the Valley as stage, memory, and prison. Sultan, who grew up in the Valley and previously photographed his own parents with similar tenderness and unease (\u003cem data-start=\"1511\" data-end=\"1531\"\u003ePictures from Home\u003c\/em\u003e), extends his project of familial estrangement into a more public theatre. A book for anyone tracking the blurred borders of performance, the machinery of sex, and the deathless ache of suburban light.\u003c\/p\u003e\n\u003cp data-start=\"1735\" data-end=\"2024\"\u003e\u003cstrong data-start=\"1735\" data-end=\"1754\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1754\" data-end=\"1757\"\u003eTitle: The Valley\u003cbr data-start=\"1774\" data-end=\"1777\"\u003eArtist \/ Author: Larry Sultan\u003cbr data-start=\"1806\" data-end=\"1809\"\u003eDate: 2004\u003cbr data-start=\"1819\" data-end=\"1822\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1866\" data-end=\"1869\"\u003eMedium \/ Materials: Hardcover with dust jacket\u003cbr data-start=\"1915\" data-end=\"1918\"\u003eDimensions: 30.5 × 34 cm\u003cbr data-start=\"1942\" data-end=\"1945\"\u003ePages: 128\u003cbr data-start=\"1955\" data-end=\"1958\"\u003ePublisher \/ Editor: Scalo\u003cbr data-start=\"1983\" data-end=\"1986\"\u003eISBN: 3-908247-79-9\u003cbr data-start=\"2005\" data-end=\"2008\"\u003eCondition: Used. Good condition\u003c\/p\u003e\n\u003chr data-start=\"2026\" data-end=\"2029\"\u003e\n\u003cp data-start=\"2031\" data-end=\"2093\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51777110016338,"sku":null,"price":220.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_8c6bb6ea-c6c2-45a7-8d6d-6b6ae5003da2.jpg?v=1769295001"},{"product_id":"antoine-d-agata-amp-francis-bacon-2020","title":"Francis Bacon \/ Antoine d’Agata — Antoine d’Agata (signed)","description":"\u003cp data-end=\"288\" data-start=\"91\"\u003e \u003c\/p\u003e\n\u003cp\u003eThis double-volume publication by Antoine d’Agata, published by The Eyes in 2020, is part of the Darwin Bookshop because it stages a visceral encounter between two artists who work the body into a site of rupture, obsession and metaphysical unease. Bound in black covers with bold red titling—one volume bearing d’Agata’s name, the other Bacon’s—the set is a dark duet of violence and intimacy, painting and photography, flesh and shadow.\u003c\/p\u003e\n\u003cp data-start=\"562\" data-end=\"1103\"\u003eD’Agata’s photographs push the edge of visibility: blurred, overexposed, limbs contorted mid-act, his subjects half-submerged in narcotic or erotic delirium. The camera becomes an extension of the body, implicating both author and viewer in acts that reject moral clarity. Printed on dense Munken Lynx paper, these images are paired against works by Francis Bacon, reproduced from the ISC Modern Art Gallery, that echo with similar convulsions—painted torsos split by mirrors, human forms crumpling into furniture, desire rendered grotesque.\u003c\/p\u003e\n\u003cp data-start=\"1105\" data-end=\"1467\"\u003eThis second edition also includes essays by Bruno Sabatier, Perrine Le Querrec and Léa Bismuth, who reflect on the links between these two visual vocabularies of pain. It is a rare editorial pairing, not just comparative but dialogic. D’Agata does not interpret Bacon—he inhabits him, pushing photography to match the painter’s capacity for existential violence.\u003c\/p\u003e\n\u003cp data-start=\"1469\" data-end=\"1488\"\u003e\u003cstrong data-start=\"1469\" data-end=\"1488\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1490\" data-end=\"1529\"\u003eTitle\u003cbr data-start=\"1495\" data-end=\"1498\"\u003eFrancis Bacon \/ Antoine d’Agata\u003c\/p\u003e\n\u003cp data-start=\"1531\" data-end=\"1564\"\u003eArtist \/ Author\u003cbr data-start=\"1546\" data-end=\"1549\"\u003eAntoine d’Agata\u003c\/p\u003e\n\u003cp data-start=\"1566\" data-end=\"1599\"\u003eDate\u003cbr data-start=\"1570\" data-end=\"1573\"\u003e2020 (second edition 2021)\u003c\/p\u003e\n\u003cp data-start=\"1601\" data-end=\"1646\"\u003eTechnique \/ Printing Method\u003cbr data-start=\"1628\" data-end=\"1631\"\u003eOffset printing\u003c\/p\u003e\n\u003cp data-start=\"1648\" data-end=\"1713\"\u003eMedium \/ Materials\u003cbr data-start=\"1666\" data-end=\"1669\"\u003eSoftcover, two-volume set housed in slipcase\u003c\/p\u003e\n\u003cp data-start=\"1715\" data-end=\"1739\"\u003eEdition\u003cbr data-start=\"1722\" data-end=\"1725\"\u003eSecond edition\u003c\/p\u003e\n\u003cp data-start=\"1741\" data-end=\"1785\"\u003eSigned\u003cbr data-start=\"1747\" data-end=\"1750\"\u003eYes (signed by d’Agata, dated 2021)\u003c\/p\u003e\n\u003cp data-start=\"1787\" data-end=\"1835\"\u003eDimensions (cm)\u003cbr data-start=\"1802\" data-end=\"1805\"\u003eEach volume approx. 24 x 17 cm\u003c\/p\u003e\n\u003cp data-start=\"1837\" data-end=\"1854\"\u003eLanguage\u003cbr data-start=\"1845\" data-end=\"1848\"\u003eFrench\u003c\/p\u003e\n\u003cp data-start=\"1856\" data-end=\"1900\"\u003ePages\u003cbr data-start=\"1861\" data-end=\"1864\"\u003eNot stated (approx. 100+ per volume)\u003c\/p\u003e\n\u003cp data-start=\"1902\" data-end=\"1942\"\u003ePublisher \/ Editor\u003cbr data-start=\"1920\" data-end=\"1923\"\u003eThe Eyes Publishing\u003c\/p\u003e\n\u003cp data-start=\"1944\" data-end=\"1968\"\u003eISBN\u003cbr data-start=\"1948\" data-end=\"1951\"\u003e979-10-92727-42-5\u003c\/p\u003e\n\u003cp data-start=\"1970\" data-end=\"1985\"\u003eCondition\u003cbr data-start=\"1979\" data-end=\"1982\"\u003eNew\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51777162346834,"sku":null,"price":180.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_2_95dd4294-39b2-4d9e-9e1c-da97a9db5801.jpg?v=1768211063"},{"product_id":"seydou-keita-photographs-bamako-mali-1948-1963","title":"Seydou Keïta — Photographs, Bamako, Mali 1948–1963, Steidl 2011","description":"\u003cp data-start=\"59\" data-end=\"135\"\u003e\u003cem data-start=\"59\" data-end=\"135\"\u003eA portrait chamber of a city, a continent, and the promise of possibility.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"137\" data-end=\"456\"\u003e\u003cstrong data-start=\"137\" data-end=\"179\"\u003eSeydou Keïta (1921–2001, Bamako, Mali)\u003c\/strong\u003e turned his lens to the heart of downtown Bamako in the 1950s and ’60s, forging perhaps West Africa’s most significant portrait studio. With a Kodak Brownie gifted by his uncle at age fourteen, Keïta built a visual archive like no other.\u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"458\" data-end=\"846\"\u003eThis monumental volume offers over 400 portraits—many unpublished—drawn from Keïta’s expanded archive. Migrant youth, shop owners, municipal officials, intellectuals, bold dressers in front of lush patterned backdrops: each sitting is both a pose and a proclamation. His subjects styled themselves; they inhabited the space that the artist created.\u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"848\" data-end=\"1213\"\u003eThe book is oversized—approximately 28.4 × 36 cm, 400+ pages, weighing around 4.8 kg—making it a physical object as evocative as its content. Its size asserts presence; its portraits demand attention.\u003c\/p\u003e\n\u003cp data-start=\"848\" data-end=\"1213\"\u003e\u003cbr data-start=\"1048\" data-end=\"1051\"\u003e\u003cstrong data-start=\"1051\" data-end=\"1065\"\u003ePublisher:\u003c\/strong\u003e Steidl, Göttingen, 2011 (First Edition) \u003cbr data-start=\"1143\" data-end=\"1146\"\u003e\u003cstrong data-start=\"1146\" data-end=\"1155\"\u003eISBN:\u003c\/strong\u003e 978‑3‑86930‑301‑7\u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"1215\" data-end=\"1560\"\u003e\u003cstrong data-start=\"1215\" data-end=\"1234\"\u003eWhy it matters:\u003c\/strong\u003e\u003cbr data-start=\"1234\" data-end=\"1237\"\u003eKeïta’s work rewrites what we consider “documentary”. His studio becomes a stage for dignity, self‐fashioning, and aspiration. In the period between colonial Africa and independent Malawi (sic), these images capture a transformation in state, style, and desire. Now framed for the global stage, they remain deeply Malian.\u003c\/p\u003e\n\u003cp data-start=\"1562\" data-end=\"1577\"\u003e\u003cstrong data-start=\"1562\" data-end=\"1577\"\u003eBook Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1580\" data-end=\"1602\"\u003eAuthor: Seydou Keïta\u003c\/p\u003e\n\u003cp data-start=\"1605\" data-end=\"1651\"\u003eTitle: \u003cem data-start=\"1612\" data-end=\"1649\"\u003ePhotographs, Bamako, Mali 1948–1963\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"1654\" data-end=\"1676\"\u003eEdition: First, 2011\u003c\/p\u003e\n\u003cp data-start=\"1679\" data-end=\"1741\"\u003eBinding \/ Material: Hardcover, cloth (variant), large format\u003c\/p\u003e\n\u003cp data-start=\"1744\" data-end=\"1765\"\u003ePages: Approx. 400+\u003c\/p\u003e\n\u003cp data-start=\"1768\" data-end=\"1795\"\u003eDimensions: ~28.4 × 36 cm\u003c\/p\u003e\n\u003cp data-start=\"1798\" data-end=\"1833\"\u003eCondition: Fine \u003c\/p\u003e\n\u003cp data-start=\"1836\" data-end=\"1855\"\u003eLanguage: English\u003c\/p\u003e\n\u003cp data-start=\"1858\" data-end=\"1909\"\u003eExtra: Featuring portraits, essays, archive texts\u003c\/p\u003e\n\u003chr data-start=\"1911\" data-end=\"1914\"\u003e\n\u003cp data-start=\"1916\" data-end=\"1957\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51821563117906,"sku":null,"price":700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/FCB6CE39-05CD-4D82-9B9E-C35D46C21584.jpg?v=1768137553"},{"product_id":"malick-sidibe-mali-twist","title":"Malick Sidibé — Mali Twist, ATELIER EXB 2017","description":"\u003cp data-start=\"99\" data-end=\"482\"\u003eThis major monograph on Malick Sidibé, published in 2017 by Éditions Xavier Barral and Fondation Cartier pour l’art contemporain, is part of the Darwin Bookshop because it offers the most definitive and expansive view into the photographer’s archive to date—bringing together studio portraits, reportage, and unseen contact sheets from Bamako’s electrifying post-independence years.\u003c\/p\u003e\n\u003cp data-start=\"484\" data-end=\"1063\"\u003e\u003cem data-start=\"484\" data-end=\"510\"\u003eMalik Sidibé: Mali Twist\u003c\/em\u003e was released alongside the landmark retrospective at Fondation Cartier, and the book carries the same curatorial clarity and visual rhythm as the exhibition. From boys diving into the Niger River to tightly composed studio images of sharply dressed young Malians posing with radios, motorbikes or bare confidence, the photographs pulse with optimism, grace, and emerging identities. This is not nostalgia—it is evidence. Youth culture, music, dance, friendship, elegance: all are rendered in Sidibé’s precise monochrome, alive with light and character.\u003c\/p\u003e\n\u003cp data-start=\"1065\" data-end=\"1366\"\u003eHardbound in teal cloth with a full-page photograph on the cover, the object is both archival and joyful. At over 270 pages, it is a deep dive into one of the 20th century’s most singular photographic eyes—and a necessary cornerstone for any library on African photography or postcolonial modernities.\u003c\/p\u003e\n\u003cp data-start=\"1368\" data-end=\"1387\"\u003e\u003cstrong data-start=\"1368\" data-end=\"1387\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1389\" data-end=\"1760\"\u003eTitle: Malick Sidibé — Mali Twist\u003cbr data-start=\"1422\" data-end=\"1425\"\u003eArtist \/ Author: Malick Sidibé\u003cbr data-start=\"1455\" data-end=\"1458\"\u003eDate: 2017\u003cbr data-start=\"1468\" data-end=\"1471\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1515\" data-end=\"1518\"\u003eMedium \/ Materials: Hardcover book with cloth binding\u003cbr data-start=\"1571\" data-end=\"1574\"\u003eDimensions: 24 × 32 cm\u003cbr data-start=\"1596\" data-end=\"1599\" data-is-only-node=\"\"\u003eLanguage: French\u003cbr data-start=\"1615\" data-end=\"1618\"\u003ePages: 288\u003cbr data-start=\"1628\" data-end=\"1631\"\u003ePublisher \/ Editor: Éditions Xavier Barral \/ Fondation Cartier pour l’art contemporain\u003cbr data-start=\"1717\" data-end=\"1720\"\u003eISBN: 978-2-36511-156-7\u003cbr data-start=\"1743\" data-end=\"1746\"\u003eCondition: New\u003c\/p\u003e\n\u003cp data-start=\"1763\" data-end=\"1825\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51854904426834,"sku":null,"price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_b1e7f6e1-bcd9-491b-ba83-f9aa4443369d.jpg?v=1768036073"},{"product_id":"malick-sidibe-retrats-fundacio-palma-espai-d-art-2009","title":"Retrats — Malick Sidibé – 2009","description":"\u003cp data-start=\"133\" data-end=\"604\"\u003eThe pulse of post-independence Bamako, fixed in silver. Published on the occasion of Malick Sidibé’s 2009 exhibition in Palma de Mallorca, this concise catalogue distills his studio portraits into a tight, exact sequence. Youth culture, tailored suits, patterned dresses, motorbikes and radios—each image frames modernity as performance and pride. A rare exhibition book that captures Sidibé’s luminous black-and-white language at its most intimate and socially electric.\u003c\/p\u003e\n\u003cp data-start=\"606\" data-end=\"955\"\u003eTechnical Sheet\u003cbr data-start=\"621\" data-end=\"624\"\u003eTitle: Retrats — malick sidibé\u003cbr data-start=\"654\" data-end=\"657\"\u003eArtist \/ Author: Malick Sidibé\u003cbr data-start=\"687\" data-end=\"690\"\u003eDate: 2009\u003cbr data-start=\"700\" data-end=\"703\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"747\" data-end=\"750\"\u003eMedium \/ Materials: Softcover book\u003cbr data-start=\"784\" data-end=\"787\"\u003eDimensions (cm): approx. 20 × 25\u003cbr data-start=\"819\" data-end=\"822\"\u003ePages: 64\u003cbr data-start=\"831\" data-end=\"834\"\u003eLanguage: Catalan, Spanish\u003cbr data-start=\"860\" data-end=\"863\"\u003ePublisher \/ Editor: Fundació Palma Espai d’Art\u003cbr data-start=\"909\" data-end=\"912\"\u003eCondition: Good and Mint copies available\u003c\/p\u003e\n\u003cp data-start=\"957\" data-end=\"1145\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51854922744146,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_2_2125d795-d97d-45be-9e67-751be1ea451f.jpg?v=1768035246"},{"product_id":"jose-guadalupe-posada-ilustrador-de-la-vida-mexicana","title":"José Guadalupe Posada, Ilustrador de la Vida Mexicana","description":"\u003cp\u003e\u003cspan\u003eAn iconic tribute to Mexico’s great visual chronicler, wrapped in gold embossing and editorial reverence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis 1963 edition, published by Fondo Editorial de la Plástica Mexicana, stands as one of the most elegant homages to José Guadalupe Posada—engraver, satirist, and anonymous soul of the Mexican people. With its crimson textile cover adorned in golden lattice and a central photograph of Posada’s workshop, the book reads as both a visual reliquary and a national offering.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWithin its pages, Posada’s world unfolds: the everyday and the tragic, the political and the grotesque, all carved with urgency and printed for the masses. Long before the fame of his Calaveras, Posada shaped the visual language of Mexican identity with fierce simplicity and deep popular resonance. This volume, carefully printed under the auspices of major Mexican financial institutions, is not just a monograph—it is a posthumous altar to one of the country’s most influential yet historically marginalized artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe book’s editorial design reflects the aesthetic codes of mid-century institutional publishing, yet it preserves the raw power of Posada’s prints—making it a collectible object, a bibliophile’s jewel, and a visual archive of cultural resistance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Book\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: José Guadalupe Posada: Ilustrador de la Vida Mexicana\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: José Guadalupe Posada\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 1963\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Hardcover with textile binding and gold embossing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: Fondo Editorial de la Plástica Mexicana\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: Spanish\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Very good; minimal signs of handling\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Private Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51955262161234,"sku":null,"price":250.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_83442087-2dd7-47d3-915e-cd8183316373.jpg?v=1767992081"},{"product_id":"miquel-barcelo-1987-1997","title":"Miquel Barceló 1987–1997","description":"\u003cp\u003e\u003cspan\u003eA decade of raw pigment, light and Mediterranean exile.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis major retrospective volume traces ten formative years in Miquel Barceló’s career — a time marked by material experimentation, travel, and deepening solitude. Published to coincide with the 1998 exhibition at MACBA, the book gathers critical texts by John Berger, Pep Subirós, Hervé Landry and others, placing Barceló’s work within a broader context of contemporary painting, poetic inquiry and existential gesture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe edition documents over 170 works with full-color plates, including paintings, notebooks, and ceramics. The design by Actar follows the clarity of European catalogues of the 1990s: generous margins, robust paper stock, and a careful rhythm between text and image. In its physical and conceptual weight, the book stands as a complete artistic statement — not just a record of an exhibition, but a study in the evolving presence of an artist who, during these years, was both leaving and returning, dissolving and reconstituting himself in matter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Exhibition catalogue\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: Miquel Barceló 1987–1997\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Miquel Barceló, John Berger, Pep Subirós, Hervé Landry, Bernard Gay\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 1998\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Softcover, printed boards\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: First edition\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: No\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 27 × 21 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: Multilingual (Spanish, Catalan, French)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages: 276\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIllustrations: 174\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: MACBA \/ Actar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eISBN: 84-89698-81-3\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Good (visible rubbing to cover edges)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51956909637970,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_4.jpg?v=1768030463"},{"product_id":"pieter-hugo-between-the-devil-and-the-deep-blue-sea","title":"Pieter Hugo: Between the Devil and the Deep Blue Sea","description":"\u003cp data-end=\"962\" data-start=\"483\"\u003eThis substantial monograph traces the career of South African photographer Pieter Hugo through a series of his most iconic and controversial projects—each probing the shifting landscapes of race, representation and performative identity in a globalised world. Spanning more than a decade of work, \u003cem data-end=\"821\" data-start=\"780\"\u003eBetween the Devil and the Deep Blue Sea\u003c\/em\u003e was published to accompany the artist's major retrospective at Kunstmuseum Wolfsburg and reveals the full force of Hugo’s unsettling vision.\u003c\/p\u003e\n\u003cp data-end=\"1508\" data-start=\"964\"\u003eWith projects set in Nigeria, Ghana, Rwanda, Liberia, South Africa, China and the United States, Hugo’s images are arresting for their directness and ambiguity. His subjects meet the camera’s gaze with a stark, often confrontational intensity—hyenas and their handlers, masked performers, children in landfill sites, or stylised portraits that blur the line between the documentary and the theatrical. The cover image—drawn from his series made in China—epitomises this tension: lavishly adorned, defiantly posed, both seductive and unsettling.\u003c\/p\u003e\n\u003cp data-end=\"1819\" data-start=\"1510\"\u003eThrough essays and interviews, the book reflects on the ethical weight of representation in Hugo’s practice, which walks a razor’s edge between empathy and spectacle. This is not a catalogue of projects but a sustained meditation on the artist’s central question: how do we see and allow ourselves to be seen?\u003c\/p\u003e\n\u003cp data-end=\"2307\" data-start=\"1821\"\u003e\u003cstrong data-end=\"1840\" data-start=\"1821\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-end=\"1843\" data-start=\"1840\"\u003eObject: Photobook\u003cbr data-end=\"1863\" data-start=\"1860\"\u003eTitle: Between the Devil and the Deep Blue Sea\u003cbr data-end=\"1912\" data-start=\"1909\"\u003eArtist \/ Author: Pieter Hugo\u003cbr data-end=\"1943\" data-start=\"1940\"\u003eDate: 2017\u003cbr data-end=\"1956\" data-start=\"1953\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-end=\"2003\" data-start=\"2000\"\u003eMedium \/ Materials: Softcover with flaps\u003cbr data-end=\"2046\" data-start=\"2043\"\u003eEdition: First edition\u003cbr data-end=\"2071\" data-start=\"2068\"\u003eSigned: No\u003cbr data-end=\"2100\" data-start=\"2097\"\u003eDimensions (cm): Approx. 29.5 × 24 cm\u003cbr data-end=\"2140\" data-start=\"2137\"\u003eLanguage: English\u003cbr data-end=\"2168\" data-start=\"2165\"\u003ePages: 240\u003cbr data-end=\"2181\" data-start=\"2178\"\u003ePublisher \/ Editor: Prestel \/ Kunstmuseum Wolfsburg\u003cbr data-end=\"2235\" data-start=\"2232\"\u003eISBN: 9783791356539\u003cbr data-end=\"2257\" data-start=\"2254\"\u003eCondition: Fine\u003cbr data-end=\"2275\" data-start=\"2272\"\u003eProvenance: Private Collection\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52427338678610,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_b30f61e5-9723-4ded-9cb5-1dff9558c72f.jpg?v=1768209327"},{"product_id":"anders-petersen-monograph","title":"ANDERS PETERSEN  -  Monograph","description":"\u003cp data-start=\"117\" data-end=\"616\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis book is by far the largest monograph of Petersen and his artistry. The work comprises more than 250 of his most important images, taken from all his projects to date, from his debut title Gröna Lund via Cafe Lehmitz to The City Diaries.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"117\" data-end=\"616\"\u003ePublished by Bokförlaget Max Ström, gathers a lifetime of images that helped redefine European photography from the 1970s onward. From the iconic Café Lehmitz to the intimate City Diaries, Petersen's camera remains unwaveringly close, drawn to fragility, connection, and the rituals of the everyday.\u003c\/p\u003e\n\u003cp data-start=\"117\" data-end=\"616\"\u003eThe layout of this volume is sober and generous, allowing his visual syntax to breathe: messy beds, clenched jaws, open shirts, eyes that speak before the lips.\u003c\/p\u003e\n\u003cp data-start=\"1600\" data-end=\"1619\"\u003e\u003cstrong data-start=\"1600\" data-end=\"1619\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1621\" data-end=\"1643\"\u003eTitle: Anders Petersen\u003c\/p\u003e\n\u003cp data-start=\"1645\" data-end=\"1677\"\u003eArtist \/ Author: Anders Petersen\u003c\/p\u003e\n\u003cp data-start=\"1679\" data-end=\"1689\"\u003eDate: 2003\u003c\/p\u003e\n\u003cp data-start=\"1691\" data-end=\"1735\"\u003eTechnique \/ Printing Method: Offset printing\u003c\/p\u003e\n\u003cp data-start=\"1737\" data-end=\"1783\"\u003eMedium \/ Materials: Hardcover with cloth spine\u003c\/p\u003e\n\u003cp data-start=\"1785\" data-end=\"1802\"\u003eLanguage: English\u003c\/p\u003e\n\u003cp data-start=\"1804\" data-end=\"1836\"\u003ePages: Approx. 280 (unpaginated)\u003c\/p\u003e\n\u003cp data-start=\"1838\" data-end=\"1879\"\u003ePublisher \/ Editor: Bokförlaget Max Ström\u003c\/p\u003e\n\u003cp data-start=\"1881\" data-end=\"1900\"\u003eISBN: 9789171262837\u003c\/p\u003e\n\u003cp data-start=\"1902\" data-end=\"1916\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52465379311954,"sku":null,"price":27.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/Photoroom_20260112_141302.jpg?v=1768295146"},{"product_id":"anticorps-antoine-d-agata","title":"ANTICORPS — Antoine d’Agata, ATELIER EXB 2013","description":"\u003cp data-start=\"126\" data-end=\"537\"\u003e\u003cem data-start=\"326\" data-end=\"337\"\u003eAnticorps\u003c\/em\u003e spans twelve years of d’Agata’s life and work, a descent into the underside of desire, addiction, and nocturnal survival, where the camera serves as both weapon and witness. It is a book that bleeds.\u003c\/p\u003e\n\u003cp data-start=\"539\" data-end=\"1028\"\u003ePhotographed in motel rooms, brothels, crack dens and the blurred peripheries of cities, \u003cem data-start=\"628\" data-end=\"639\"\u003eAnticorps\u003c\/em\u003e resists clarity in both form and content. Images collapse into grain, blur, overexposure, flesh and shadow—where the body appears less as a subject than as a battleground. D’Agata’s visual language, influenced by Araki, Moriyama, and the radical fringe of Magnum (of which he is a member), refuses distance or detachment. These are not portraits, they are invasions—of self and of others.\u003c\/p\u003e\n\u003cp data-start=\"1030\" data-end=\"1460\"\u003eThe black cover gives nothing away. Inside, more than 700 pages of photographs and texts explode across the senses: diaristic, confrontational, at times violently intimate. It’s a work of photographic excess—ambitious, exhausting, and ethically uncomfortable. This is not a book that flatters the eye; it implicates the viewer, pulling them into a world where language and image begin to fail under the weight of lived experience.\u003c\/p\u003e\n\u003cp data-start=\"1462\" data-end=\"1694\"\u003e\u003cem data-start=\"1462\" data-end=\"1473\"\u003eAnticorps\u003c\/em\u003e remains one of the most important photobooks of the 21st century—an artefact of radical subjectivity and physical exposure, a book that belongs in the archive not for what it shows, but for what it dares to live through.\u003c\/p\u003e\n\u003cp data-start=\"1696\" data-end=\"2037\"\u003e\u003cstrong data-start=\"1696\" data-end=\"1715\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1715\" data-end=\"1718\"\u003eTitle: Anticorps\u003cbr data-start=\"1734\" data-end=\"1737\"\u003eArtist \/ Author: Antoine d’Agata\u003cbr data-start=\"1769\" data-end=\"1772\"\u003eDate: 2013\u003cbr data-start=\"1782\" data-end=\"1785\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1829\" data-end=\"1832\"\u003eMedium \/ Materials: Hardcover photobook\u003cbr data-start=\"1871\" data-end=\"1874\"\u003eDimensions (cm): approx. 24 × 32 cm\u003cbr data-start=\"1909\" data-end=\"1912\"\u003eLanguage: French\u003cbr data-start=\"1928\" data-end=\"1931\"\u003ePages: 728\u003cbr data-start=\"1941\" data-end=\"1944\"\u003ePublisher \/ Editor: Éditions Xavier Barral\u003cbr data-start=\"1986\" data-end=\"1989\"\u003eISBN: 978-2-36511-003-7\u003cbr data-start=\"2012\" data-end=\"2015\"\u003eCondition: Gently used\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52467238633810,"sku":null,"price":250.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/bookcover.jpg?v=1768302630"},{"product_id":"the-ballad-of-sexual-dependency-nan-goldin-2012","title":"The Ballad of Sexual Dependency — Nan Goldin, Aperture 2012","description":"\u003cdiv class=\"relative basis-auto flex-col -mb-(--composer-overlap-px) [--composer-overlap-px:28px] grow flex\"\u003e\n\u003cdiv class=\"flex flex-col text-sm\"\u003e\n\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:e4714c92-5f87-4f38-ade8-a0f50a77fa49-61\" data-testid=\"conversation-turn-16\" data-scroll-anchor=\"true\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"ea354bf4-49c3-4c1c-9c48-b5cf60d4998a\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-4o\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\u003cp data-start=\"131\" data-end=\"602\"\u003eNan Goldin’s \u003cem data-start=\"144\" data-end=\"177\"\u003eThe Ballad of Sexual Dependency\u003c\/em\u003e remains one of the most visceral and influential photobooks of the late 20th century — an unflinching visual diary of intimacy, addiction, love, and damage. First published by Aperture in 1986 and reissued here in 2012, it collects Goldin’s raw 35mm snapshots of her extended chosen family: artists, lovers, drag queens, addicts, and outcasts orbiting the Downtown New York and Boston scenes of the late ’70s and early ’80s.\u003c\/p\u003e\n\u003cp data-start=\"604\" data-end=\"1122\"\u003eThe book reads like a private slideshow made public — a sequencing of vulnerability, bruises, parties, loss, and survival, its rhythm close to cinema or confession. The colour is flash-hot and immediate, grainy and intimate. Goldin appears throughout the book, not just as photographer but as character — documenting her own relationships with brutal tenderness. The cover image, \u003cem data-start=\"984\" data-end=\"1026\"\u003eNan and Brian in bed, New York City 1983\u003c\/em\u003e, has become one of the most recognised and emotionally fraught portraits in modern photography.\u003c\/p\u003e\n\u003cp data-start=\"1124\" data-end=\"1365\"\u003eThis is the 2012 Aperture hardcover reissue — faithful in layout and emotional force, with updated production design and the same unforgettable arc. A landmark title that continues to resonate across generations of image-makers and diarists.\u003c\/p\u003e\n\u003cp data-start=\"1367\" data-end=\"1718\"\u003e\u003cstrong data-start=\"1367\" data-end=\"1386\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1386\" data-end=\"1389\"\u003eTitle: The Ballad of Sexual Dependency\u003cbr data-start=\"1427\" data-end=\"1430\"\u003eArtist \/ Author: Nan Goldin\u003cbr data-start=\"1457\" data-end=\"1460\"\u003eDate: 2012 reissue (originally 1986)\u003cbr data-start=\"1496\" data-end=\"1499\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1543\" data-end=\"1546\"\u003eMedium \/ Materials: Hardcover with dust jacket\u003cbr data-start=\"1592\" data-end=\"1595\" data-is-only-node=\"\"\u003eDimensions: 24.5 x 28.5 cm\u003cbr data-start=\"1621\" data-end=\"1624\"\u003ePages: Approx. 150\u003cbr data-start=\"1642\" data-end=\"1645\"\u003ePublisher \/ Editor: Aperture\u003cbr data-start=\"1673\" data-end=\"1676\"\u003eISBN: 978-1-59711-208-6\u003cbr data-start=\"1699\" data-end=\"1702\"\u003eCondition: NEW\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"z-0 flex min-h-[46px] justify-start\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"thread-bottom-container\" class=\"sticky bottom-0 group\/thread-bottom-container relative isolate z-10 w-full basis-auto has-data-has-thread-error:pt-2 has-data-has-thread-error:[box-shadow:var(--sharp-edge-bottom-shadow)] md:border-transparent md:pt-0 dark:border-white\/20 md:dark:border-transparent print:hidden content-fade single-line flex flex-col\"\u003e\n\u003cdiv id=\"thread-bottom\"\u003e\n\u003cdiv class=\"text-base mx-auto [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 mb-4\"\u003e\n\u003cdiv class=\"pointer-events-auto relative z-1 flex h-(--composer-container-height,100%) max-w-full flex-(--composer-container-flex,1) flex-col\"\u003e\u003cform class=\"group\/composer w-full\" data-type=\"unified-composer\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"bg-token-bg-primary corner-superellipse\/1.1 cursor-text overflow-clip bg-clip-padding p-2.5 contain-inline-size motion-safe:transition-colors motion-safe:duration-200 motion-safe:ease-in-out dark:bg-[#303030] grid grid-cols-[auto_1fr_auto] [grid-template-areas:'header_header_header'_'leading_primary_trailing'_'._footer_.'] group-data-expanded\/composer:[grid-template-areas:'header_header_header'_'primary_primary_primary'_'leading_footer_trailing'] shadow-short\" data-composer-surface=\"true\"\u003e\n\u003cdiv class=\"-my-2.5 flex min-h-14 items-center overflow-x-hidden px-1.5 [grid-area:primary] group-data-expanded\/composer:mb-0 group-data-expanded\/composer:px-2.5\"\u003e\n\u003cdiv class=\"wcDTda_prosemirror-parent text-token-text-primary max-h-[max(30svh,5rem)] max-h-52 min-h-[var(--deep-research-composer-extra-height,unset)] flex-1 overflow-auto [scrollbar-width:thin] default-browser vertical-scroll-fade-mask\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/form\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52557833929042,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_10e6ea6a-99e8-448c-8b9d-6e3326482987.jpg?v=1769296853"},{"product_id":"provoke-complete-reprint-of-3-volumes-koji-taki-takuma-nakahira-yutaka-takanashi-takahiko-okada-daido-moriyama","title":"PROVOKE: Complete Reprint of 3 Volumes — Koji Taki, Takuma Nakahira, Yutaka Takanashi, Takahiko Okada, Daido Moriyama","description":"\u003cp data-start=\"186\" data-end=\"708\"\u003e\u003cem data-start=\"186\" data-end=\"195\"\u003eProvoke\u003c\/em\u003e was not a magazine—it was a rupture. First published in Japan between 1968 and 1969, the three issues of \u003cem data-start=\"301\" data-end=\"310\"\u003eProvoke\u003c\/em\u003e fundamentally rewired photographic language, introducing the radical \u003cem data-start=\"380\" data-end=\"395\"\u003eare-bure-boke\u003c\/em\u003e aesthetic: grainy, blurry, out-of-focus images charged with political urgency and poetic instability. Created by critic Koji Taki, photographers Takuma Nakahira, Yutaka Takanashi, and Daido Moriyama (from issue 2), and poet Takahiko Okada, \u003cem data-start=\"636\" data-end=\"645\"\u003eProvoke\u003c\/em\u003e became an underground manifesto for postwar visual resistance.\u003c\/p\u003e\n\u003cp data-start=\"710\" data-end=\"1054\"\u003eThis faithful reprint by Nitesha restores all three original volumes in facsimile, replicating their paper stock, size, layout, and sequence. Also included is a fourth companion booklet containing complete English and Chinese translations of all the original essays and poems, making this the most accessible edition of \u003cem data-start=\"1030\" data-end=\"1039\"\u003eProvoke\u003c\/em\u003e ever released.\u003c\/p\u003e\n\u003cp data-start=\"1056\" data-end=\"1384\"\u003eThe original issues are now nearly impossible to obtain. This reprint brings one of the most essential and mythologised photographic projects back into circulation—where it belongs. Filed in the Darwin archive as a cornerstone: a work that dissolved the boundaries between language and image, theory and instinct, body and film.\u003c\/p\u003e\n\u003cp data-start=\"1386\" data-end=\"1894\"\u003eTechnical Sheet\u003cbr data-start=\"1401\" data-end=\"1404\"\u003eTitle: PROVOKE: Complete Reprint of 3 Volumes\u003cbr data-start=\"1449\" data-end=\"1452\"\u003eArtists \/ Authors: Koji Taki, Takuma Nakahira, Yutaka Takanashi, Takahiko Okada, Daido Moriyama\u003cbr data-start=\"1547\" data-end=\"1550\"\u003eDate: Reprint by Nitesha (originals 1968–1969)\u003cbr data-start=\"1596\" data-end=\"1599\"\u003eTechnique \/ Printing Method: Offset facsimile\u003cbr data-start=\"1644\" data-end=\"1647\"\u003eMedium \/ Materials: 3 softcover booklets + 1 translation booklet\u003cbr data-start=\"1711\" data-end=\"1714\"\u003eDimensions (cm): Matches original issues (varied formats)\u003cbr data-start=\"1771\" data-end=\"1774\"\u003eLanguage: Japanese (originals), English \u0026amp; Chinese (translation booklet)\u003cbr data-start=\"1845\" data-end=\"1848\"\u003ePublisher \/ Editor: Nitesha\u003cbr data-start=\"1875\" data-end=\"1878\"\u003eCondition: NEW\u003c\/p\u003e\n\u003cp data-start=\"1897\" data-end=\"1955\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52567001465170,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_7_303938c2-0ff2-4d48-b210-a65054875959.jpg?v=1769434192"}],"url":"https:\/\/thedarwin.es\/collections\/must-have.oembed","provider":"DaRWIN","version":"1.0","type":"link"}