{"title":"NEW ARRIVALS","description":"","products":[{"product_id":"espana-oculta","title":"España Oculta — Cristina García Rodero (2025)","description":"\u003cp data-start=\"316\" data-end=\"841\"\u003eThis is the revised edition of \u003cem data-start=\"347\" data-end=\"362\"\u003eEspaña Oculta\u003c\/em\u003e by Cristina García Rodero, newly published under the artist’s own imprint, \u003cstrong data-start=\"438\" data-end=\"483\"\u003eEditorial  Elvira\u003c\/strong\u003e, and it is part of the Darwin Bookshop because it returns full authorship and editorial control to one of the most essential voices in documentary photography. First released in 1989, the book remains the most powerful photographic account ever made of rural Spain—its ecstatic rituals, sacred choreographies, and bodies caught in acts of collective trance.\u003c\/p\u003e\n\u003cp data-start=\"843\" data-end=\"1277\"\u003eGarcía Rodero spent over 15 years photographing festivals, pilgrimages, and popular ceremonies across the Spanish countryside between 1973 and 1988, capturing scenes that veer between the Catholic, the pagan, and the surreal. What results is not a nostalgic ethnography but a fierce visual anthropology of belief, suffering, and joy. The images are precise, direct, often overwhelming. They do not explain Spain—they convulse with it.\u003c\/p\u003e\n\u003cp data-start=\"1279\" data-end=\"1736\"\u003eThis 2025 edition restores the original sequencing while expanding the selection and correcting past omissions, now produced to the highest standards by García Rodero herself. The book cover, showing the ritual of \u003cem data-start=\"1493\" data-end=\"1505\"\u003eEl Colacho\u003c\/em\u003e—where a devil-costumed man leaps over newborns—remains one of the most iconic images in Spanish photography. At Darwin, \u003cem data-start=\"1626\" data-end=\"1641\"\u003eEspaña Oculta\u003c\/em\u003e is considered an anchor: a book that defines not just a place or period, but a mode of seeing.\u003c\/p\u003e\n\u003cp data-start=\"1738\" data-end=\"1757\"\u003e\u003cstrong data-start=\"1738\" data-end=\"1757\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1759\" data-end=\"2114\"\u003eTitle: España Oculta (Edición Revisada)\u003cbr data-start=\"1798\" data-end=\"1801\"\u003eArtist \/ Author: Cristina García Rodero\u003cbr data-start=\"1840\" data-end=\"1843\"\u003eDate: Second print, 2025\u003cbr data-start=\"1853\" data-end=\"1856\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1900\" data-end=\"1903\"\u003eMedium \/ Materials: Hardcover, cloth spine\u003cbr data-start=\"1945\" data-end=\"1948\"\u003eDimensions: approx. 24 × 30 cm\u003cbr data-start=\"1978\" data-end=\"1981\"\u003eLanguage: Spanish\u003cbr data-start=\"1998\" data-end=\"2001\"\u003ePages: 288\u003cbr data-start=\"2011\" data-end=\"2014\" data-is-only-node=\"\"\u003ePublisher \/ Editor: Editorial Elvira\u003cbr data-start=\"2075\" data-end=\"2078\"\u003eISBN: 9788409641475\u003cbr data-start=\"2097\" data-end=\"2100\"\u003eCondition: New\u003c\/p\u003e\n\u003cp data-start=\"2117\" data-end=\"2179\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51614630379858,"sku":null,"price":56.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_2_94c66ee9-952e-488a-a7ed-044c1bdb6906.jpg?v=1768065558"},{"product_id":"conjeturas-sobre-vasijas","title":"Conjeturas sobre Vasijas","description":"\u003cdiv class=\"caja_tr\"\u003e\n\u003cdiv class=\"caja_t\"\u003e\n\u003cp class=\"titulo_indexh1\"\u003e\u003ci\u003eConjeturas sobre vasijas\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"titulo_indexh3\"\u003eLibro sobre las cerámicas del artista español Miquel Barceló, 2008.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cuerpo_paginas\" id=\"t850\"\u003e\n\u003cdiv class=\"publicacion_contenedor\"\u003e\n\u003cdiv class=\"publicacion_texto\"\u003e\n\u003cp\u003eEncargado por La Caixa\u003cbr\u003eDiseñado por Factum Arte\u003cbr\u003e96 páginas, tapa dura, edición a todo color\u003cbr\u003eIdioma: Español\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eSe llevó a cabo una edicion estandar de diez mil ejemplares. Todas las obras incluidas en este libro provienen de la colección de Bruno Bischofberger, del propio artista o de otras colecciones privadas.\u003c\/p\u003e\n\u003cp\u003eAdemás, se realizó una edición especial de tres mil cuatrocientos ejemplares, cuya cubierta estaba grabada y venía acompañado de un segundo volumen, titulado Conjeturas sobre vasijas: Esculturas Cerámicas Españolas Entre los Siglos XII y XX de La Colección del Museo de Cerámica de Barcelona. Este último incluye 20 láminas que destacan algunas de las obras más significativas del Museo de Cerámica de Barcelona, seleccionadas por Adam Lowe y María Antonia Casanovas.\u003c\/p\u003e\n\u003cp\u003eLa edición de coleccionista, de ciento ochenta ejemplares, está debidamente numerada. Cada ejemplar está grabado a fuego con la firma del artista, e incluye un grabado original. Además de estas tres ediciones, también hay veinticuatro pruebas numeradas, idénticas a los ejemplares de la edición de coleccionista.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51614778065234,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/f_40900952_05_master.jpg?v=1761841730"},{"product_id":"the-pulse-of-life","title":"The Pulse of Life — Photo portraits XXI century, Aperture 2021","description":"\u003cp data-start=\"92\" data-end=\"634\"\u003eA precise survey of portraiture at its most alert, this volume captures how photography confronts the human presence. Drawing from key figures across decades, it assembles over a hundred works where intimacy, distance, and observation collide. Rather than stylistic unity, it proposes a shared commitment to lived reality—faces as sites of tension, vulnerability, and recognition. Carefully sequenced, it reads less as a catalogue than a sustained reflection on photography’s documentary force and its unresolved ethical and emotional stakes.\u003c\/p\u003e\n\u003cp data-start=\"636\" data-end=\"936\"\u003e\u003cstrong data-start=\"636\" data-end=\"655\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"655\" data-end=\"658\"\u003eTitle: The Pulse of Life\u003cbr data-start=\"682\" data-end=\"685\"\u003eArtist \/ Author: Various\u003cbr data-start=\"709\" data-end=\"712\"\u003eDate: 2021\u003cbr data-start=\"722\" data-end=\"725\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"769\" data-end=\"772\"\u003eMedium \/ Materials: Hardcover with cloth spine\u003cbr data-start=\"818\" data-end=\"821\"\u003eDimensions (cm): 30 × 25\u003cbr data-start=\"845\" data-end=\"848\"\u003ePages: 280\u003cbr data-start=\"858\" data-end=\"861\"\u003eLanguage: English\u003cbr data-start=\"878\" data-end=\"881\"\u003ePublisher \/ Editor: Fundación MAPFRE\u003cbr data-start=\"917\" data-end=\"920\"\u003eCondition: New\u003c\/p\u003e\n\u003cp data-start=\"938\" data-end=\"1172\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51614795006290,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_1_00c55fb2-f382-411c-b451-522b46f7a913.jpg?v=1768211442"},{"product_id":"eamonn-doyle","title":"Eamonn Doyle — Fundación Mapfre, 2019 (Spanish edition)","description":"\u003cp data-start=\"160\" data-end=\"721\"\u003eA city observed from above, behind, and at the edge of disappearance. This monograph captures the Irish photographer’s radical reframing of Dublin through tilted perspectives, cropped bodies and saturated urban fragments. Centered on the trilogy \u003cem data-start=\"406\" data-end=\"419\"\u003ei, ON, End.\u003c\/em\u003e and the later series \u003cem data-start=\"441\" data-end=\"444\"\u003eK\u003c\/em\u003e, it marks a decisive moment in European street photography of the 2010s. Published for Fundación Mapfre’s 2019 exhibition, it positions Doyle between documentary tension and staged apparition, extending the lineage of Moriyama and Petersen into a distinct Atlantic register.\u003c\/p\u003e\n\u003cp data-start=\"723\" data-end=\"1005\"\u003eTechnical Sheet\u003cbr data-start=\"738\" data-end=\"741\"\u003eTitle: Eamonn Doyle\u003cbr data-start=\"760\" data-end=\"763\"\u003eArtist \/ Author: Eamonn Doyle\u003cbr data-start=\"792\" data-end=\"795\"\u003eDate: 2019\u003cbr data-start=\"805\" data-end=\"808\"\u003eMedium \/ Materials: Offset printed book, hardcover\u003cbr data-start=\"858\" data-end=\"861\"\u003eDimensions (cm): 25 × 30.8 cm\u003cbr data-start=\"890\" data-end=\"893\"\u003ePages: 287\u003cbr data-start=\"903\" data-end=\"906\"\u003eLanguage: Spanish\u003cbr data-start=\"923\" data-end=\"926\"\u003ePublisher \/ Editor: Fundación Mapfre\u003cbr data-start=\"962\" data-end=\"965\"\u003eISBN: 978-84-9844-730-9\u003cbr data-start=\"988\" data-end=\"991\"\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51614812504402,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_a925bfb3-ab70-48c4-9430-9f209c88026a.jpg?v=1771944389"},{"product_id":"lynne-cohen","title":"Lynne Cohen – Fundación Mapfre, 2014","description":"\u003cdiv class=\"row\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Book\"\u003e\n\u003cdiv class=\"col-12\"\u003e\n\u003cdiv class=\"mt-5 book__text\" itemprop=\"description\"\u003e\n\u003cp data-start=\"137\" data-end=\"666\"\u003eSilence becomes architectural here. This Fundación Mapfre monograph surveys Lynne Cohen’s rigorously frontal photographs of institutional interiors—classrooms, spas, laboratories, training rooms—spaces stripped of people yet charged with latent authority. Published in 2014 and edited by Manuel Borja Burbano, Paloma Castellanos and Fernando Gaona, it situates her work within conceptual photography and the politics of space. The halfcloth binding mirrors the austerity of the images: controlled, cool, and unsettlingly precise.\u003c\/p\u003e\n\u003cp data-start=\"668\" data-end=\"942\"\u003eTechnical Sheet\u003cbr data-start=\"683\" data-end=\"686\"\u003eTitle: Lynne Cohen\u003cbr data-start=\"704\" data-end=\"707\"\u003eArtist \/ Author: Lynne Cohen\u003cbr data-start=\"735\" data-end=\"738\"\u003eDate: 2014\u003cbr data-start=\"748\" data-end=\"751\"\u003eMedium \/ Materials: Halfcloth binding\u003cbr data-start=\"788\" data-end=\"791\"\u003eLanguage: Spanish\u003cbr data-start=\"808\" data-end=\"811\" data-is-only-node=\"\"\u003ePublisher \/ Editor: Fundación Mapfre\u003cbr data-start=\"847\" data-end=\"850\"\u003eEditor(s): Manuel Borja Burbano; Paloma Castellanos; Fernando Gaona\u003cbr data-start=\"917\" data-end=\"920\"\u003eCondition: Very good\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51614828003666,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_2_eac4078c-a385-43c6-bd36-4ead07756c26.jpg?v=1771144961"},{"product_id":"chewing-gum-and-chocolate","title":"Chewing Gum and Chocolate — Shomei Tomatsu (2014 edition)","description":"\u003cp data-start=\"126\" data-end=\"611\"\u003eThis is the 2014 Kehrer Verlag edition of \u003cem data-start=\"168\" data-end=\"195\"\u003eChewing Gum and Chocolate\u003c\/em\u003e, a career-defining monograph of Shomei Tomatsu’s work chronicling postwar Japan through its most volatile contradictions. The title itself — sweet, disposable, foreign — cues the tension at the heart of Tomatsu’s images: a Japan occupied, Americanised, economically blooming, and spiritually unsettled. The book presents a black-and-white archive that veers from documentary to surreal, locating beauty in rupture.\u003c\/p\u003e\n\u003cp data-start=\"613\" data-end=\"1193\"\u003eAcross its pages, Tomatsu focuses on Okinawa and the aftermath of war, US military presence, and the shifting face of Japanese identity. Street portraits of swaggering youths, scarred veterans, military debris, and lovers in shadowy interiors unfold with a calm, pointed urgency. His camera is not voyeuristic but implicated — tuned to surfaces yet dense with political temperature. The cover image, a young man in a white suit in Koza, Okinawa (1976–80), captures a hybridised, poised defiance, a stylish assertion of individuality within the larger scene of cultural occupation.\u003c\/p\u003e\n\u003cp data-start=\"1195\" data-end=\"1565\"\u003eTomatsu belongs in Darwin as a central figure in the Japanese postwar photographic avant-garde — alongside contemporaries like Daidō Moriyama or Nobuyoshi Araki, yet more overtly political. If Moriyama’s images dissolve into grain and desire, Tomatsu’s crystallise history into form. \u003cem data-start=\"1479\" data-end=\"1506\"\u003eChewing Gum and Chocolate\u003c\/em\u003e is both an aesthetic statement and a historical reckoning.\u003c\/p\u003e\n\u003cp data-start=\"1567\" data-end=\"1586\"\u003e\u003cstrong data-start=\"1567\" data-end=\"1586\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1588\" data-end=\"1953\"\u003eTitle: Chewing Gum and Chocolate\u003cbr data-start=\"1620\" data-end=\"1623\"\u003eArtist \/ Author: Shomei Tomatsu\u003cbr data-start=\"1654\" data-end=\"1657\"\u003eDate: 2014 edition\u003cbr data-start=\"1675\" data-end=\"1678\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1713\" data-end=\"1716\"\u003eMedium \/ Materials: Hardcover, printed boards\u003cbr data-start=\"1761\" data-end=\"1764\"\u003eDimensions (cm): approx. 24 x 30 cm\u003cbr data-start=\"1799\" data-end=\"1802\"\u003eLanguage: German\u003cbr data-start=\"1818\" data-end=\"1821\"\u003ePages: Unstated\u003cbr data-start=\"1836\" data-end=\"1839\"\u003ePublisher \/ Editor: Kehrer Verlag Heidelberg Berlin \/ Aperture Foundation\u003cbr data-start=\"1912\" data-end=\"1915\"\u003eISBN: 9783868284980\u003cbr data-start=\"1934\" data-end=\"1937\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51614896882002,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_2_7a515756-d976-4c60-9e83-d18a9c43b074.jpg?v=1769358243"},{"product_id":"brassai","title":"Brassaï – Fundación Mapfre, 2018","description":"\u003cp data-start=\"133\" data-end=\"660\"\u003e \u003c\/p\u003e\n\u003cp data-start=\"133\" data-end=\"660\"\u003eParis after dark finds its definitive eye here. This Fundación Mapfre catalogue revisits Brassaï’s nocturnal world—brothels, cafés, lovers, fog-bound streets—through a rigorous institutional lens. Produced for the 2018 exhibition, it situates his photography between Surrealism and documentary, foregrounding his role in shaping the myth of 1930s Montparnasse. Carefully printed and cloth-bound, it combines iconic plates with archival material, reaffirming why his night images remain foundational to modern urban photography.\u003c\/p\u003e\n\u003cp data-start=\"662\" data-end=\"858\"\u003eTechnical Sheet\u003cbr data-start=\"677\" data-end=\"680\"\u003eTitle: Brassaï\u003cbr data-start=\"694\" data-end=\"697\"\u003eArtist \/ Author: Brassaï\u003cbr data-start=\"721\" data-end=\"724\"\u003eDate: 2018\u003cbr data-start=\"734\" data-end=\"737\"\u003eMedium \/ Materials: Halfcloth binding\u003cbr data-start=\"774\" data-end=\"777\"\u003eLanguage: Spanish \u0026amp; Catalan editions available\u003c\/p\u003e\n\u003cp data-start=\"662\" data-end=\"858\"\u003ePublisher \/ Editor: Fundación Mapfre\u003cbr data-start=\"833\" data-end=\"836\"\u003eCondition: NEW\u003c\/p\u003e\n\u003cp data-start=\"860\" data-end=\"1010\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51614907138386,"sku":null,"price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_194eb30a-a83f-43e1-b9ff-349dce4eaa7e.jpg?v=1771143428"},{"product_id":"llorando-a-aquella-que-creyo-amarme","title":"Alberto García-Alix – Llorando a aquella que creyó amarme","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-start=\"130\" data-end=\"546\"\u003eThis photobook by Alberto García-Alix, published in 2002 by La Fábrica, is part of the Darwin Bookshop because it gathers the haunted, erotic and mythic realism of one of Spain’s most singular photographic voices. \u003cem data-start=\"344\" data-end=\"381\"\u003eLlorando a aquélla que creyó amarme\u003c\/em\u003e—\u003cem data-start=\"382\" data-end=\"428\"\u003eWeeping for the One Who Thought She Loved Me\u003c\/em\u003e—is a requiem for desire and a portrait of García-Alix’s Spain: decadent, intimate, performative, and politically raw.\u003c\/p\u003e\n\u003cp data-start=\"548\" data-end=\"1201\"\u003eProduced on the occasion of the 2002 PHotoEspaña retrospective following his receipt of Spain’s National Photography Prize, the book presents a fiercely autobiographical selection from three decades of work. It features lovers, addicts, drifters, trans performers, old cinemas, and neon signs—always rendered in García-Alix’s trademark high-contrast monochrome. In one spread, a naked couple clutch each other on a parquet floor like a neoclassical ruin. In another, a woman stares defiantly from under tangled branches, or lies in bed as a shadow-hand gestures like a pistol across the wall. Every image holds the tension between tenderness and threat.\u003c\/p\u003e\n\u003cp data-start=\"1203\" data-end=\"1547\"\u003eThe title, taken from a line that reads more like a tattoo than a sentence, sets the register of romantic ruin. This is García-Alix’s Madrid: a place of night, memory, sex and mourning. The book is printed and bound in Spain with a dark cinematic cover and crisp bilingual captions, bridging documentary and drama with unapologetic physicality.\u003c\/p\u003e\n\u003cp data-start=\"1549\" data-end=\"1568\"\u003e\u003cstrong data-start=\"1549\" data-end=\"1568\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1570\" data-end=\"1613\"\u003eTitle\u003cbr data-start=\"1575\" data-end=\"1578\"\u003eLlorando a aquélla que creyó amarme\u003c\/p\u003e\n\u003cp data-start=\"1615\" data-end=\"1652\"\u003eArtist \/ Author\u003cbr data-start=\"1630\" data-end=\"1633\"\u003eAlberto García-Alix\u003c\/p\u003e\n\u003cp data-start=\"1654\" data-end=\"1665\"\u003eDate\u003cbr data-start=\"1658\" data-end=\"1661\"\u003e2002\u003c\/p\u003e\n\u003cp data-start=\"1667\" data-end=\"1712\"\u003eTechnique \/ Printing Method\u003cbr data-start=\"1694\" data-end=\"1697\"\u003eOffset printing\u003c\/p\u003e\n\u003cp data-start=\"1714\" data-end=\"1744\"\u003eMedium \/ Materials\u003cbr data-start=\"1732\" data-end=\"1735\"\u003eHardcover\u003c\/p\u003e\n\u003cp data-start=\"1746\" data-end=\"1778\"\u003eDimensions (cm)\u003cbr data-start=\"1761\" data-end=\"1764\"\u003e24.5 x 27.5 cm\u003c\/p\u003e\n\u003cp data-start=\"1780\" data-end=\"1807\"\u003eLanguage\u003cbr data-start=\"1788\" data-end=\"1791\"\u003eSpanish, English\u003c\/p\u003e\n\u003cp data-start=\"1809\" data-end=\"1842\"\u003ePages\u003cbr data-start=\"1814\" data-end=\"1817\"\u003eApprox. 160 (unpaginated)\u003c\/p\u003e\n\u003cp data-start=\"1844\" data-end=\"1875\"\u003ePublisher \/ Editor\u003cbr data-start=\"1862\" data-end=\"1865\"\u003eLa Fábrica\u003c\/p\u003e\n\u003cp data-start=\"1877\" data-end=\"1897\"\u003eISBN\u003cbr data-start=\"1881\" data-end=\"1884\"\u003e84-95471-49-3\u003c\/p\u003e\n\u003cp data-start=\"1899\" data-end=\"1914\"\u003eCondition: Available New \u0026amp; Mint\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51615160140114,"sku":null,"price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_2_c689994e-892e-45a7-bf15-ab5aa3a32c8e.jpg?v=1768212102"},{"product_id":"the-afronauts-cristina-de-middel","title":"Cristina de Middel – The Afronauts (First Edition, 2012)","description":"\u003cp data-start=\"286\" data-end=\"831\"\u003e\u003cem data-start=\"286\" data-end=\"301\"\u003eThe Afronauts\u003c\/em\u003e is a seminal first edition photobook by Spanish artist Cristina de Middel, self‑published in Madrid in 2012. The book reimagines the real‑life 1960s Zambian space program initiated by Edward Makuka, blending documentary source material with staged, speculative photography to question and undo conventional narratives about Africa. By inserting imagination into history, de Middel foregrounds fiction as a critical tool within photographic practice, challenging stereotypes and expanding the possibilities of visual storytelling.\u003c\/p\u003e\n\u003cp data-start=\"833\" data-end=\"1357\"\u003eProduced in a limited run of approximately 1,000 copies, the first edition quickly became one of the most influential and collectible photobooks of the last decade. Its impact was recognised internationally: \u003cem data-start=\"1041\" data-end=\"1056\"\u003eThe Afronauts\u003c\/em\u003e was shortlisted for the Paris Photo–Aperture First Book Award and the Deutsche Börse Photography Prize, and received the ICP Infinity Award. The publication is widely celebrated by critics, foundations such as the Martin Parr Foundation, and collectors as a defining work of 21st‑century photography.\u003c\/p\u003e\n\u003cp data-start=\"1359\" data-end=\"1378\"\u003e\u003cstrong data-start=\"1359\" data-end=\"1378\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"1380\" data-end=\"2076\"\u003e\n\u003cli data-start=\"1380\" data-end=\"1408\"\u003e\n\u003cp data-start=\"1382\" data-end=\"1408\"\u003e\u003cstrong data-start=\"1382\" data-end=\"1392\"\u003eTitle:\u003c\/strong\u003e The Afronauts\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1409\" data-end=\"1452\"\u003e\n\u003cp data-start=\"1411\" data-end=\"1452\"\u003e\u003cstrong data-start=\"1411\" data-end=\"1431\"\u003eArtist \/ Author:\u003c\/strong\u003e Cristina de Middel\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1453\" data-end=\"1471\"\u003e\n\u003cp data-start=\"1455\" data-end=\"1471\"\u003e\u003cstrong data-start=\"1455\" data-end=\"1464\"\u003eDate:\u003c\/strong\u003e 2012\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1472\" data-end=\"1518\"\u003e\n\u003cp data-start=\"1474\" data-end=\"1518\"\u003e\u003cstrong data-start=\"1474\" data-end=\"1486\"\u003eEdition:\u003c\/strong\u003e First edition, self‑published\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1519\" data-end=\"1570\"\u003e\n\u003cp data-start=\"1521\" data-end=\"1570\"\u003e\u003cstrong data-start=\"1521\" data-end=\"1544\"\u003ePublisher \/ Editor:\u003c\/strong\u003e Self‑published (Madrid)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1571\" data-end=\"1623\"\u003e\n\u003cp data-start=\"1573\" data-end=\"1623\"\u003e\u003cstrong data-start=\"1573\" data-end=\"1605\"\u003eTechnique \/ Printing Method:\u003c\/strong\u003e Offset printing\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1624\" data-end=\"1671\"\u003e\n\u003cp data-start=\"1626\" data-end=\"1671\"\u003e\u003cstrong data-start=\"1626\" data-end=\"1649\"\u003eMedium \/ Materials:\u003c\/strong\u003e Softcover photobook\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1672\" data-end=\"1717\"\u003e\n\u003cp data-start=\"1674\" data-end=\"1717\"\u003e\u003cstrong data-start=\"1674\" data-end=\"1689\"\u003eDimensions:\u003c\/strong\u003e approx. 24 × 30 cm \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1718\" data-end=\"1767\"\u003e\n\u003cp data-start=\"1720\" data-end=\"1767\"\u003e\u003cstrong data-start=\"1720\" data-end=\"1733\"\u003eLanguage:\u003c\/strong\u003e English (with visual narrative)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1811\" data-end=\"1846\"\u003e\n\u003cp data-start=\"1813\" data-end=\"1846\"\u003e\u003cstrong data-start=\"1813\" data-end=\"1830\"\u003eEdition Size:\u003c\/strong\u003e ~1,000 copies\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1847\" data-end=\"1968\"\u003e\n\u003cp data-start=\"1849\" data-end=\"1968\"\u003e\u003cstrong data-start=\"1849\" data-end=\"1865\"\u003eRecognition:\u003c\/strong\u003e Paris Photo–Aperture First Book Award finalist; shortlisted Deutsche Börse Prize; ICP Infinity Award\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1969\" data-end=\"2033\"\u003e\n\u003cp data-start=\"1971\" data-end=\"2033\"\u003e\u003cstrong data-start=\"1971\" data-end=\"1985\"\u003eCondition:\u003c\/strong\u003e Mint\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2034\" data-end=\"2076\"\u003e\n\u003cp data-start=\"2036\" data-end=\"2076\"\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51617604010322,"sku":null,"price":350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_7_7ae18bc3-42db-4349-a326-9fe49bef34fe.jpg?v=1768070093"},{"product_id":"miquel-barcelo-lanzarote-31-2000","title":"Miquel Barceló, Lanzarote 31, 2000","description":"\u003cp\u003e\u003cspan\u003eA rare, signed etching by Miquel Barceló. One of just 35, from his deeply personal Lanzarote series.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFigures blur and twist like smoke—bodies drawn with instinct more than outline.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMade during his years on the volcanic island, this series channels the raw physicality of prehistoric cave art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBarceló speaks through texture, movement, and silence—ritual more than representation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTitle: Lanzarote 31\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist: Miquel Barceló (b. 1957, Mallorca)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnique: Etching and aquatint\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition: 25\/35\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSignature: Hand-signed and numbered\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDate of print: 2000\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCondition: Very fine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eImage size: Approx. 56 × 76 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSheet size: Approx. 75 × 92 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOrigin: Lanzarote series (1999–2002)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProvenance: Private collection\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrice: €6.600 (tax included)\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51617629634898,"sku":null,"price":4000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/LB_01_BARCELO_LANZAROTE31.webp?v=1761841432"},{"product_id":"tapies-valencia","title":"TAPIES VALENCIA","description":"\u003cp data-start=\"106\" data-end=\"441\"\u003e\u003cstrong data-start=\"106\" data-end=\"156\"\u003eAntoni Tàpies – Galería Punto, Valencia (1981)\u003c\/strong\u003e\u003cbr data-start=\"156\" data-end=\"159\"\u003e\u003c\/p\u003e\n\u003cp data-start=\"106\" data-end=\"441\"\u003eThe design embodies Tàpies’ signature visual language — a dramatic black brushstroke layered with earthy red forms, abstract signs, and gestural markings across a textured ground.\u003cstrong data-start=\"445\" data-end=\"456\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"668\" data-end=\"800\"\u003eA collectible piece of Spanish art history from one of Europe’s most influential postwar artists, perfect for framing and display.\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51631039775058,"sku":null,"price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/cactustapies.jpg?v=1761841000"},{"product_id":"raven-mask","title":"Ritual Costume of the \"Cuervo de la Milpa\"","description":"\u003cp data-start=\"141\" data-end=\"1330\"\u003eThis ritual costume from Guerrero, Mexico—standing 170cm tall and bearing the many-headed visage of the Cuervo de la Milpa (Cornfield Crow)—is part of the Darwin archive for its rare embodiment of Indigenous cosmovision rendered through vernacular performance design. The suit, likely used in masked dances or agricultural rites, depicts a highly stylised crow with multiple beaked heads and lacquered feathers, painted in rhythmic repetition across a crimson-orange field. The headpiece fuses bird and human traits with hypnotic red eyes, geometric teeth, and textured plumage. The overall effect is at once theatrical and animistic: a visual language of doubling, disguise, and possession. Rooted in Mesoamerican traditions of animal-human transformation, this costume speaks to a living relationship between land, spirit, and masquerade—where costume is not simply ornament but a vessel for becoming. Worn during seasonal festivities or communal rituals, it likely played a role in invoking protection over crops, fertility, and the cyclical return of rain. Darwin includes this piece as a testament to Mexican material culture’s vitality and the ceremonial power of the handmade image.\u003c\/p\u003e\n\u003cp data-start=\"1332\" data-end=\"1677\"\u003e\u003cstrong data-start=\"1332\" data-end=\"1351\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1351\" data-end=\"1354\"\u003eTitle: Cuervo de la Milpa Ritual Costume\u003cbr data-start=\"1421\" data-end=\"1424\"\u003eDate: Contemporary (20st century)\u003cbr data-start=\"1465\" data-end=\"1468\" data-is-only-node=\"\"\u003eTechnique \/ Printing Method: Hand-painted, carved wood, stitched textile\u003cbr data-start=\"1540\" data-end=\"1543\"\u003eMedium \/ Materials: Wood, textile, paint\u003cbr data-start=\"1583\" data-end=\"1586\"\u003eDimensions (cm): 170 (height)\u003cbr data-start=\"1615\" data-end=\"1618\"\u003eCondition: Used, age-worn\u003cbr\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51657500787026,"sku":null,"price":650.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MarcosWebproof_8of24_-2_2.jpg?v=1768423201"},{"product_id":"shunga-woodblock-print-reprint-katsushika-hokusai-1760-1849-the-dream-of-the-fishermans-wife-octopus-and-shell-diver-蛸と海女-recarved-printed-by-yuuya-shimoi-21st-century-japan","title":"The Dream of the Fisherman’s Wife — Katsushika Hokusai","description":"\u003ch3 data-end=\"169\" data-start=\"87\"\u003e\n\u003cem data-end=\"126\" data-start=\"91\"\u003eThe Dream of the Fisherman’s Wife\u003c\/em\u003e — Katsushika Hokusai — 1814 (recarved 2018)\u003c\/h3\u003e\n\u003cp data-end=\"316\" data-start=\"171\"\u003e\u003cstrong data-end=\"251\" data-start=\"171\"\u003eHokusai’s infamous shunga woodblock – \u003cmeta charset=\"utf-8\"\u003erecarved \u0026amp; printed by Yuuya Shimoi\u003c\/strong\u003e\u003cbr data-end=\"254\" data-start=\"251\"\u003eA woman, adrift in rapture, entangled in the limbs of the sea.\u003c\/p\u003e\n\u003cp data-end=\"467\" data-start=\"318\"\u003ePrinted in the 21st century, yet echoing the fevered spirit of Edo.\u003cbr data-end=\"388\" data-start=\"385\"\u003eThis rare reprint honors one of the most transgressive moments in Japanese art.\u003c\/p\u003e\n\u003cp data-end=\"470\" data-start=\"469\"\u003e⸻\u003c\/p\u003e\n\u003cp data-end=\"943\" data-start=\"472\"\u003e\u003cstrong data-end=\"482\" data-start=\"472\"\u003eTitle:\u003c\/strong\u003e \u003cem data-end=\"525\" data-start=\"483\"\u003eThe Dream of the Fisherman’s Wife (蛸と海女)\u003c\/em\u003e\u003cbr data-end=\"528\" data-start=\"525\"\u003e\u003cstrong data-end=\"556\" data-start=\"528\"\u003eArtist \/ Author \/ Maker:\u003c\/strong\u003e Katsushika Hokusai (1760–1849), recarved \u0026amp; printed by Yuuya Shimoi (Japan)\u003cbr data-end=\"634\" data-start=\"631\"\u003e\u003cstrong data-end=\"657\" data-start=\"634\"\u003eTechnique \/ Medium:\u003c\/strong\u003e Woodblock print on Japanese washi paper (和紙)\u003cbr data-end=\"705\" data-start=\"702\"\u003e\u003cstrong data-end=\"717\" data-start=\"705\"\u003eEdition:\u003c\/strong\u003e Contemporary reprint\u003cbr data-end=\"741\" data-start=\"738\"\u003e\u003cstrong data-end=\"755\" data-start=\"741\"\u003eSignature:\u003c\/strong\u003e Unsigned\u003cbr data-end=\"767\" data-start=\"764\"\u003e\u003cstrong data-end=\"776\" data-start=\"767\"\u003eDate:\u003c\/strong\u003e Originally 1814 \/ Reprinted December 2018\u003cbr data-end=\"821\" data-start=\"818\"\u003e\u003cstrong data-end=\"835\" data-start=\"821\"\u003eCondition:\u003c\/strong\u003e Excellent\u003cbr data-end=\"848\" data-start=\"845\"\u003e\u003cstrong data-end=\"863\" data-start=\"848\"\u003eDimensions:\u003c\/strong\u003e Sheet size 22 × 28.5 cm\u003cbr data-end=\"890\" data-start=\"887\"\u003e\u003cstrong data-end=\"914\" data-start=\"890\"\u003eOrigin \/ Provenance:\u003c\/strong\u003e Shimoi Yuuya studio, Japan\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754496033106,"sku":null,"price":350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/4b8d9cd5-34bc-4e4e-a466-631f732b974c.jpg?v=1761841062"},{"product_id":"woodblock-print-reprint-abuna-e-kikukawa-eizan-1787-1867-lovers-smoking-a-kiseru-pipe-1920s-japan","title":"Woodblock print (reprint), Abuna-e - Kikukawa Eizan (1787-1867) - Lovers Smoking a Kiseru Pipe - 1920s - Japan","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWoodblock print (reprint), Abuna-e - Kikukawa Eizan (1787-1867) - Lovers Smoking a Kiseru Pipe - 1920s - Japan\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFine woodblock print of the 1920s, reproduction of a work made between 1800 and 1830 by Kikukawa Eizan (菊川英山), the most prolific, longest-lived and ultimately the best of the late followers of Kitagawa Utamaro (喜多川歌麿), who attempted to carry on the style of the famous ukiyo-e (浮世絵) artist after the death of the latter, occurred in 1806.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe print presented here, depicting a pair of lovers smoking a traditional kiseru (煙管) pipe, is an \"abuna-e\" (あぶな絵), literally a \"dangerous image\", which does not have the explicit nudity of shunga (春画) but which, at the same time, maintains an extremely explicit and suggestive erotic charge.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe work on Japanese washi paper (和紙), despite the obvious patina of the time, is in overall very good condition (see pictures).\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754539417938,"sku":null,"price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/fcc0ce1f-34a5-465a-a297-49a1605f47fd.jpg?v=1761841294"},{"product_id":"paulo-nozolino-far-cry-2005","title":"Far Cry — Paulo Nozolino, 2005","description":"\u003cp data-start=\"103\" data-end=\"541\"\u003ePublished on the occasion of his 2005 exhibition at the Museu de Arte Contemporânea de Serralves in Porto, \u003cem data-start=\"210\" data-end=\"219\"\u003eFar Cry\u003c\/em\u003e is Paulo Nozolino’s most distilled and devastating work — a stark compendium of images made between 1977 and 2003 across multiple continents. The book is printed in Nozolino’s signature deep black, where shadows dominate and detail dissolves. Death, silence, and abandonment are not themes here — they are the atmosphere.\u003c\/p\u003e\n\u003cp data-start=\"543\" data-end=\"1160\"\u003eWith photographs taken from Morocco to Sarajevo, Cairo to Lisbon, this is not a document of place but of a worldview: tragic, uncompromising, and carved from grief. The sequencing moves like a procession — bodies wrapped in sheets, bloodied hospital tiles, scorched landscapes, bare concrete rooms. It’s not reportage, nor art for comfort. \u003cem data-start=\"883\" data-end=\"892\"\u003eFar Cry\u003c\/em\u003e reads as a visual testament, a concentration of Nozolino’s lifetime of seeing. This copy, from the personal library of Antoine d’Agata (stamp on title page), bears the aura of another photographer working at the same edge — where darkness is not style, but substance.\u003c\/p\u003e\n\u003cp data-start=\"1162\" data-end=\"1559\"\u003eTechnical Sheet\u003cbr data-start=\"1177\" data-end=\"1180\"\u003eTitle: Far Cry\u003cbr data-start=\"1194\" data-end=\"1197\"\u003eArtist \/ Author: Paulo Nozolino\u003cbr data-start=\"1228\" data-end=\"1231\"\u003eDate: 2005\u003cbr data-start=\"1241\" data-end=\"1244\"\u003eExhibition: Museu de Arte Contemporânea de Serralves, Porto\u003cbr data-start=\"1303\" data-end=\"1306\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1341\" data-end=\"1344\"\u003eMedium \/ Materials: Hardcover with dust jacket\u003cbr data-start=\"1390\" data-end=\"1393\"\u003eDimensions (cm): Approx. 23 × 30\u003cbr data-start=\"1425\" data-end=\"1428\"\u003eLanguage: English\u003cbr data-start=\"1445\" data-end=\"1448\"\u003ePages: 96\u003cbr data-start=\"1457\" data-end=\"1460\"\u003ePublisher \/ Editor: Steidl\u003cbr data-start=\"1486\" data-end=\"1489\"\u003eCondition: Very good\u003cbr data-start=\"1509\" data-end=\"1512\"\u003eProvenance: Antoine d’Agata library (stamped)\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754560225618,"sku":null,"price":120.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_1.jpg?v=1770109830"},{"product_id":"anders-petersen-sete-08-2008","title":"Sète 08 — Anders Petersen, 2008","description":"\u003cp data-start=\"104\" data-end=\"559\"\u003eCommissioned for the ImageSingulières festival, \u003cem data-start=\"152\" data-end=\"161\"\u003eSète 08\u003c\/em\u003e is Anders Petersen’s intimate and chaotic portrait of the southern French port town of Sète. Shot in 2008 and published as part of the festival's annual residency programme, the book brings Petersen’s signature visual grammar — grainy, close, almost fevered — to bear on a place often portrayed through Mediterranean cliché. What emerges instead is a dark, visceral, and deeply human street opera.\u003c\/p\u003e\n\u003cp data-start=\"561\" data-end=\"1150\"\u003ePetersen moves through bars, markets, back alleys, beach fronts, and private rooms, photographing faces and gestures with raw proximity. Every frame carries his classic emotional charge: tenderness without sentiment, confrontation without spectacle. Like his work in \u003cem data-start=\"828\" data-end=\"842\"\u003eCafé Lehmitz\u003c\/em\u003e or \u003cem data-start=\"846\" data-end=\"852\"\u003eRoma\u003c\/em\u003e, \u003cem data-start=\"854\" data-end=\"863\"\u003eSète 08\u003c\/em\u003e shows Petersen’s unrelenting commitment to proximity — to being inside the scene, not observing from a distance. Part of a series that has featured the likes of Jacob Aue Sobol and Klavdij Sluban, \u003cem data-start=\"1061\" data-end=\"1070\"\u003eSète 08\u003c\/em\u003e stands out for its tactile, nocturnal intensity and its refusal to romanticise.\u003c\/p\u003e\n\u003cp data-start=\"1152\" data-end=\"1475\"\u003eTechnical Sheet\u003cbr data-start=\"1167\" data-end=\"1170\"\u003eTitle: Sète 08\u003cbr data-start=\"1184\" data-end=\"1187\"\u003eArtist \/ Author: Anders Petersen\u003cbr data-start=\"1219\" data-end=\"1222\"\u003eDate: 2008\u003cbr data-start=\"1232\" data-end=\"1235\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1270\" data-end=\"1273\"\u003eMedium \/ Materials: Softcover with dust jacket\u003cbr data-start=\"1319\" data-end=\"1322\"\u003eDimensions (cm): Approx. 20 × 27\u003cbr data-start=\"1354\" data-end=\"1357\"\u003eLanguage: French\u003cbr data-start=\"1373\" data-end=\"1376\"\u003ePages: Approx. 80\u003cbr data-start=\"1393\" data-end=\"1396\"\u003ePublisher \/ Editor: Le Bec en l’air \/ ImageSingulières\u003cbr data-start=\"1450\" data-end=\"1453\"\u003eCondition: Very good\u003c\/p\u003e\n\u003cp data-start=\"1152\" data-end=\"1475\"\u003e\u003cspan\u003eProvenance: Antoine D'Agata Library (stamp on the back page)\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754572775762,"sku":null,"price":75.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_b86f420d-af11-434f-a7a6-a95f9605d95d.jpg?v=1770108808"},{"product_id":"lewis-baltz-common-objects-2014","title":"Lewis Baltz - Common Objects - 2014","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCommon Objects reprend les séries les plus connues de Lewis Baltz, depuis The Prototype Works (1967-1976) à Ronde de Nuit (1992-1995), et interroge pour la première fois l'influence du cinéma européen (Antonioni, Godard, Hitchcock). Les séries The Prototype Works, The Tract Houses (1969-1971), Candlestick Point (1987-1989), Sites of Technology (1989-1991) et Ronde de Nuit sont présentées en dialogue avec des photogrammes de Psycho et Cinquième Colonne de Hitchcock, de Zabriskie Point, La Notte et Le Désert Rouge d'Antonioni, ainsi que Les Carabiniers de Godard.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOuvrage broché en bon état (pochette plastique jaunie, voir photos)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eProvenance : Bibliothèque Antoine D'Agata (tampon sur la page de garde)\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754594468178,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/81046cd1-de08-4313-b345-65bc9dfdf92a.jpg?v=1760436826"},{"product_id":"signed-ata-kam-pulse-ex-n-3-4-2014","title":"PULSE — Ata Kam, 2014, signed and numbered (3\/4)","description":"\u003cp data-start=\"121\" data-end=\"499\"\u003e\u003cem data-start=\"121\" data-end=\"128\"\u003ePULSE\u003c\/em\u003e is a rare, handmade artist’s photobook by Ata Kam, produced in Ankara in 2014 in an edition of only four copies. Bound with exposed thread and wrapped in a xerox aesthetic, the book presents a dark, bodily, and fragmentary visual language. Its scratched, collaged cover — a close-up of arachnid forms and human limbs — sets the tone for an unsettling, sensuous interior.\u003c\/p\u003e\n\u003cp data-start=\"501\" data-end=\"1058\"\u003ePrinted in rich black-and-white with grain and texture pushed to their limits, the images inside oscillate between the erotic, the grotesque, and the ritualistic. The sequencing is raw and rhythmic, pulling the viewer through surfaces of skin, shadow, and street. This is photographic publishing as low-fi incantation — closer to zine culture or underground poetry than traditional photobook craft. Signed “loves Cambodia 2014,” this copy reflects Kam’s global drift and personal obsessions. A fierce, rare object from the post-internet, post-nation fringe.\u003c\/p\u003e\n\u003cp data-start=\"1060\" data-end=\"1415\"\u003eTechnical Sheet\u003cbr data-start=\"1075\" data-end=\"1078\"\u003eTitle: PULSE\u003cbr data-start=\"1090\" data-end=\"1093\"\u003eArtist \/ Author: Ata Kam\u003cbr data-start=\"1117\" data-end=\"1120\"\u003eDate: 2014\u003cbr data-start=\"1130\" data-end=\"1133\"\u003eEdition: Signed and numbered, No. 3 of 4 copies\u003cbr data-start=\"1180\" data-end=\"1183\"\u003eTechnique \/ Printing Method: Xerox \/ handmade artist book\u003cbr data-start=\"1240\" data-end=\"1243\"\u003eMedium \/ Materials: Softcover, thread binding\u003cbr data-start=\"1288\" data-end=\"1291\"\u003eDimensions (cm): Approx. 21 × 28\u003cbr data-start=\"1323\" data-end=\"1326\"\u003ePublisher \/ Editor: Self-published (ata-kam.com)\u003cbr data-start=\"1374\" data-end=\"1377\"\u003ePlace: Ankara\u003cbr data-start=\"1390\" data-end=\"1393\"\u003eCondition: Very good\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754633560402,"sku":null,"price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/b0c88355-fe83-470b-bd84-6fd2d2003937_1.jpg?v=1760437187"},{"product_id":"signed-jacob-aue-sobol-sabine-2018","title":"Sabine (Version française) — Jacob Aue Sobol — Signed, Polka Editions, 2018","description":"\u003cp data-start=\"195\" data-end=\"565\"\u003eThis concise French edition of \u003cem data-start=\"226\" data-end=\"234\"\u003eSabine\u003c\/em\u003e by Jacob Aue Sobol distills one of the most visceral photographic love stories of the early 2000s into 24 pages of taut, emotional intensity. Released by Polka Editions in 2018 in just 200 copies, and signed by the artist, it offers a rare, bilingual echo of the original 2004 monograph — now iconic among contemporary photobooks.\u003c\/p\u003e\n\u003cp data-start=\"567\" data-end=\"968\"\u003eThe images trace Sobol’s life in Tiniteqilaaq, an isolated Greenlandic village where he lived for nearly three years with Sabine, the woman who gave the book its name. Drawn from his early immersion in documentary photography at Fatamorgana and sharpened by cinematic sensibilities from his time at the European Film College, Sobol’s language is unmistakable: grainy, close, and emotionally saturated.\u003c\/p\u003e\n\u003cp data-start=\"970\" data-end=\"1265\"\u003eThis smaller-format edition doesn’t dilute the impact — if anything, it heightens the sense of compression, like a love story whispered through fog. As a collectible, it’s a rare glimpse into the raw core of a major Magnum photographer’s early vision, rearticulated for a French-speaking public.\u003c\/p\u003e\n\u003cp data-start=\"1267\" data-end=\"1592\"\u003eTechnical Sheet\u003cbr data-start=\"1282\" data-end=\"1285\"\u003eTitle: Sabine (Version française)\u003cbr data-start=\"1318\" data-end=\"1321\"\u003eArtist \/ Author: Jacob Aue Sobol\u003cbr data-start=\"1353\" data-end=\"1356\"\u003eDate: 2018\u003cbr data-start=\"1366\" data-end=\"1369\"\u003eEdition: Limited edition of 200, signed\u003cbr data-start=\"1408\" data-end=\"1411\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1446\" data-end=\"1449\"\u003eMedium \/ Materials: Softcover\u003cbr data-start=\"1478\" data-end=\"1481\"\u003eDimensions (cm): 15 × 21\u003cbr data-start=\"1505\" data-end=\"1508\"\u003eLanguage: French\u003cbr data-start=\"1524\" data-end=\"1527\"\u003ePages: 24\u003cbr data-start=\"1536\" data-end=\"1539\"\u003ePublisher \/ Editor: Polka Editions\u003cbr data-start=\"1573\" data-end=\"1576\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754658038098,"sku":null,"price":160.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_56061f0e-cdaa-452d-9586-7117c12f8837.jpg?v=1770112372"},{"product_id":"michael-ackerman-fiction-2001","title":"Michael Ackerman - Fiction - 2001","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKehayoff Verlag, Munich. 2001. First Italian edition, first printing.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFantastic, scarce photobook by one of the most underrated photographers worldwide.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMint, new, unread; still originally shrink-wrapped in publisher's plastic foil.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePaperback with flaps (as issued). 200 x 270 mm. 160 pages. 91 photos in black and white. Photos: Michael Ackerman. Interview with Ackerman and biography. Text in italian.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGreat photobook in perfect condition.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished simultanously and identically to the first French, English and German edition.\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754722034002,"sku":null,"price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/A9F6459B-A924-4137-B39B-BB5000A43EA5.jpg?v=1768224125"},{"product_id":"nobuyoshi-araki-polart-2009","title":"Polart — Nobuyoshi Araki \/ Red Hot","description":"\u003cp data-start=\"103\" data-end=\"521\"\u003ePublished in 2009 in a limited edition of 1,500 copies, \u003cem data-start=\"159\" data-end=\"167\"\u003ePolart\u003c\/em\u003e is Araki in pure gesture: a book of Polaroids selected and sequenced by the artist himself, edited in collaboration with the now-closed Red Hot Gallery in Paris and printed in Japan by Huboya. The cover, white and abrupt, is emblazoned with Araki’s handwriting — a bold, gestural typography that suggests the intimacy and immediacy of the images inside.\u003c\/p\u003e\n\u003cp data-start=\"523\" data-end=\"928\"\u003eKnown for his prolific use of instant film, Araki used the Polaroid not just as a camera but as a diaristic tool — sensual, direct, obsessive. \u003cem data-start=\"666\" data-end=\"674\"\u003ePolart\u003c\/em\u003e distills that practice into a carefully paced flow of Polaroid works, unbound from chronology, unified by tone. These are not studio images, but fragments of affection, desire, and absence — emotional snapshots arranged with an artist’s feel for rhythm.\u003c\/p\u003e\n\u003cp data-start=\"930\" data-end=\"1268\"\u003eThe book is both an archive and an object of its own: printed with striking technical precision (by Dai Nippon Printing), it’s an important artefact of Araki’s later period and a testament to his ongoing dialogue with photobook form. A must for collectors of Japanese photography, rare editions, and the fleeting language of the Polaroid.\u003c\/p\u003e\n\u003cp data-start=\"1270\" data-end=\"1289\"\u003e\u003cstrong data-start=\"1270\" data-end=\"1289\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1291\" data-end=\"1304\"\u003eTitle: Polart\u003c\/p\u003e\n\u003cp data-start=\"1306\" data-end=\"1338\"\u003eArtist \/ Author: Nobuyoshi Araki\u003c\/p\u003e\n\u003cp data-start=\"1340\" data-end=\"1350\"\u003eDate: 2009\u003c\/p\u003e\n\u003cp data-start=\"1352\" data-end=\"1406\"\u003eTechnique \/ Printing Method: Offset (printed in Japan)\u003c\/p\u003e\n\u003cp data-start=\"1408\" data-end=\"1454\"\u003eMedium \/ Materials: Hardcover with dust jacket\u003c\/p\u003e\n\u003cp data-start=\"1456\" data-end=\"1489\"\u003eEdition: Limited edition of 1,500\u003c\/p\u003e\n\u003cp data-start=\"1491\" data-end=\"1501\"\u003eSigned: No\u003c\/p\u003e\n\u003cp data-start=\"1503\" data-end=\"1537\"\u003eDimensions (cm): Approx. 19.5 × 30\u003c\/p\u003e\n\u003cp data-start=\"1539\" data-end=\"1567\"\u003eLanguage: None \/ Image-based\u003c\/p\u003e\n\u003cp data-start=\"1569\" data-end=\"1642\"\u003ePublisher \/ Editor: Nobuyoshi Araki \/ Red Hot Gallery, Paris \/ Huboya Art\u003c\/p\u003e\n\u003cp data-start=\"1644\" data-end=\"1658\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754746380626,"sku":null,"price":250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_1.jpg?v=1768338650"},{"product_id":"signed-antoine-dagata-praxis-2021","title":"Signed; Antoine d'Agata - Praxis - 2021","description":"\u003cp data-start=\"258\" data-end=\"713\"\u003eThis signed copy of \u003cem data-start=\"278\" data-end=\"286\"\u003ePRAXIS\u003c\/em\u003e, published in 2022 by Studio Vortex, is part of the Darwin Bookshop because it is not a book about photography—it is a theoretical, textual and visual choreography of photography as trance, resistance and rupture. Conceived by Antoine d’Agata with artistic direction by Tania Bohórquez, the book spans over thirty years of movement, incarceration, image-making and writing, building itself as a fragmented, militant manifesto.\u003c\/p\u003e\n\u003cp data-start=\"715\" data-end=\"1285\"\u003eDesigned with dense, archival typography and minimal graphic noise, \u003cem data-start=\"783\" data-end=\"791\"\u003ePRAXIS\u003c\/em\u003e assembles interviews, field notes, personal lists, letters, prison texts, declarations and visual documents, alongside citations of over 80 authors—from Agamben and Blanchot to Genet, Duras, Artaud and Wittgenstein. The book also incorporates xylographs, engravings and murals produced in Mexico and France by collectives including Le Dernier Cri and Taller de Gráfica Siqueiros in Oaxaca. Every formal decision in the book serves to dissolve traditional notions of authorship and documentary.\u003c\/p\u003e\n\u003cp data-start=\"1287\" data-end=\"1639\"\u003ePrinted in Istanbul by MAS Matbaa and published in a first edition of 800 copies (plus 50 copies of a special edition), this volume is signed by d’Agata and acts as both theory and relic—an operating manual for photographic life lived at the edge. At Darwin, \u003cem data-start=\"1546\" data-end=\"1554\"\u003ePRAXIS\u003c\/em\u003e is held as a tool: not a retrospective, but a grammar of the photographic breakdown.\u003c\/p\u003e\n\u003cp data-start=\"1641\" data-end=\"1660\"\u003e\u003cstrong data-start=\"1641\" data-end=\"1660\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1662\" data-end=\"2091\"\u003eTitle: PRAXIS\u003cbr data-start=\"1675\" data-end=\"1678\"\u003eArtist \/ Author: Antoine d’Agata\u003cbr data-start=\"1710\" data-end=\"1713\"\u003eTexts: Yannick Haenel\u003cbr data-start=\"1734\" data-end=\"1737\"\u003eDate: 2022\u003cbr data-start=\"1747\" data-end=\"1750\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1794\" data-end=\"1797\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"1826\" data-end=\"1829\"\u003eDimensions: approx. 16.5 × 24 cm\u003cbr data-start=\"1861\" data-end=\"1864\"\u003eLanguage: French\u003cbr data-start=\"1880\" data-end=\"1883\"\u003ePages: 432\u003cbr data-start=\"1893\" data-end=\"1896\"\u003ePublisher \/ Editor: Studio Vortex\u003cbr data-start=\"1929\" data-end=\"1932\"\u003ePrinted by: MAS Matbaa, Istanbul\u003cbr data-start=\"1964\" data-end=\"1967\"\u003eEdition: First edition of 800 copies \u003cbr data-start=\"2034\" data-end=\"2037\"\u003eISBN: 978-2-9570325-2-5\u003cbr data-start=\"2060\" data-end=\"2063\"\u003eSigned: Yes\u003cbr data-start=\"2074\" data-end=\"2077\"\u003eCondition: MINT\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754757620050,"sku":null,"price":120.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_6_0a23d1e9-051d-44f1-b857-c47fab7298d7.jpg?v=1768069016"},{"product_id":"signed-pieter-hugo-la-cucaracha-2019","title":"La Cucaracha - Pieter Hugo (Signed; First edition),  Editorial RM","description":"\u003cp data-start=\"415\" data-end=\"945\"\u003eThis large, signed edition of \u003cem data-start=\"445\" data-end=\"459\"\u003eLa Cucaracha\u003c\/em\u003e by Pieter Hugo is part of the Darwin Bookshop for its visceral engagement with the collision of myth, ritual and social reality across the global South. Hugo’s work traverses landscapes of tradition and transformation—from West Africa to the Caribbean—revealing how belief, performance and power interlock in contemporary life. The title \u003cem data-start=\"798\" data-end=\"812\"\u003eLa Cucaracha\u003c\/em\u003e evokes survival and persistence; Hugo’s images give it visual force, staging encounters that are at once documentary and revelatory.\u003c\/p\u003e\n\u003cp data-start=\"947\" data-end=\"1595\"\u003ePrinted on generous paper and bound in a striking red cloth‑covered hardcover with gilt lettering, \u003cem data-start=\"1046\" data-end=\"1060\"\u003eLa Cucaracha\u003c\/em\u003e unfolds as a choreographed exploration of quasi‑religious spectacle, coded gesture and embodied presence. The photographs interweave scenes of ritual, procession, masquerade and everyday defiance, each frame articulated with Hugo’s characteristic formal rigor. This copy, personally signed by the artist, carries an added layer of provenance and editorial significance. With texts and contextual framing, the book positions Hugo not merely as a chronicler but as a collaborator with the visual languages of resistance and enchantment.\u003c\/p\u003e\n\u003cp data-start=\"1597\" data-end=\"1616\"\u003e\u003cstrong data-start=\"1597\" data-end=\"1616\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1618\" data-end=\"1638\"\u003eTitle\u003cbr data-start=\"1623\" data-end=\"1626\"\u003eLa Cucaracha\u003c\/p\u003e\n\u003cp data-start=\"1640\" data-end=\"1669\"\u003eArtist \/ Author\u003cbr data-start=\"1655\" data-end=\"1658\"\u003ePieter Hugo\u003c\/p\u003e\n\u003cp data-start=\"1671\" data-end=\"1682\"\u003eDate\u003cbr data-start=\"1675\" data-end=\"1678\"\u003e2019\u003c\/p\u003e\n\u003cp data-start=\"1684\" data-end=\"1729\"\u003eTechnique \/ Printing Method\u003cbr data-start=\"1711\" data-end=\"1714\"\u003eOffset printing\u003c\/p\u003e\n\u003cp data-start=\"1731\" data-end=\"1796\"\u003eMedium \/ Materials\u003cbr data-start=\"1749\" data-end=\"1752\"\u003eHardcover, cloth binding with gilt lettering\u003c\/p\u003e\n\u003cp data-start=\"1798\" data-end=\"1830\"\u003eEdition\u003cbr data-start=\"1805\" data-end=\"1808\"\u003eFirst edition (signed)\u003c\/p\u003e\n\u003cp data-start=\"1832\" data-end=\"1881\"\u003eSigned\u003cbr data-start=\"1838\" data-end=\"1841\"\u003eYes (artist signature on front endpaper)\u003c\/p\u003e\n\u003cp data-start=\"1883\" data-end=\"1931\"\u003eDimensions (cm)\u003cbr data-start=\"1898\" data-end=\"1901\"\u003eApprox. 35 × 32 (large format)\u003c\/p\u003e\n\u003cp data-start=\"1933\" data-end=\"1951\"\u003eLanguage\u003cbr data-start=\"1941\" data-end=\"1944\"\u003eEnglish\u003c\/p\u003e\n\u003cp data-start=\"1953\" data-end=\"1972\"\u003ePages\u003cbr data-start=\"1958\" data-end=\"1961\"\u003eApprox. 200\u003c\/p\u003e\n\u003cp data-start=\"1974\" data-end=\"2028\"\u003ePublisher \/ Editor\u003cbr data-start=\"1992\" data-end=\"1995\"\u003eRM, Mexico \/ RM Verlag, Barcelona\u003c\/p\u003e\n\u003cp data-start=\"2030\" data-end=\"2054\"\u003eISBN\u003cbr data-start=\"2034\" data-end=\"2037\"\u003e978‑84‑17975‑15‑9\u003c\/p\u003e\n\u003cp data-start=\"2056\" data-end=\"2086\"\u003eCondition\u003cbr data-start=\"2065\" data-end=\"2068\"\u003eVery good — signed\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754766500178,"sku":null,"price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_1_70fc3774-a90e-40fa-a722-97c6b9a58574.jpg?v=1768294669"},{"product_id":"antoine-dagata-1961-cuernavaca-mexique-2014","title":"Antoine D'Agata (1961) - Cuernavaca, Mexique 2014","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eOriginal photographic print by Antoine d’Agata. Signed, titled, and dated on reverse. Unique edition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA raw fragment of d’Agata’s shadowy world—intimate, fractured, and burning with presence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePart of the ‘White Noise’ body of work, first shown at Galerie Les Filles du Calvaire (Paris, 2016).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis piece carries his signature blur between documentary and fever dream, desire and absence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTitle: Pérou, 2015 (White Noise)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist: Antoine d’Agata (b. 1961, Marseille)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnique: Digital print\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition: 1\/1 (Unique)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSignature: Hand-signed, titled, and dated on reverse\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDate of print: 2016\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCondition: Very fine (minor surface rubbing visible)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDimensions: \u003c\/span\u003eImage: 25 × 44 cm\u003c\/p\u003e\n\u003cp\u003eTotal: 28.5 × 48 × 48 cm\u003c\/p\u003e\n\u003cp\u003eOrigin \/ Provenance: From the artist’s studio archive\u003c\/p\u003e\n\u003cp\u003eExhibition: ‘Atlas’ – Galerie Les Filles du Calvaire, Paris (2016)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754781213010,"sku":null,"price":550.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/23d18e84-0752-4687-bb9e-6fe786f4f7ae_1.jpg?v=1760438824"},{"product_id":"antoine-dagata-1961-perou-2015-white-noise","title":"Antoine D'Agata (1961) - Pérou, 2015 (white Noise)","description":"\u003cdiv class=\"LotInfoDescription_description__RFjKp\"\u003e\n\u003cp\u003eFine Art print made in 2016 for the exhibition ‘ATLAS’ at Galerie Les Filles du Calvaire in 2016. Signed, titled, dated and marked ‘white noise’ on the back. Very light rubbing on the image (see photos).\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotInfoDescription_seller-profile__kfZgs\"\u003e\n\u003ch3 class=\"c-heading medium\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"LotInfoDescription_seller-profile-text__HySRU\"\u003eOrigin: Antoine d'Agata artist studio.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_container__Nlm2W u-m-t-sm-xl u-m-t-xxl-2\" data-sentry-component=\"LotSpecifications\" data-sentry-source-file=\"LotSpecifications.tsx\"\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eArtist: \u003c\/span\u003e\u003cspan\u003eAntoine D'Agata (1961)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eTitle of artwork: \u003c\/span\u003e\u003cspan\u003ePérou, 2015 (white Noise)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eTechnique: \u003c\/span\u003e\u003cspan\u003eDigital print\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eEdition: \u003c\/span\u003e\u003cspan\u003e1\/1\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eSignature: \u003c\/span\u003e\u003cspan\u003eSigned\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eDate of print: \u003c\/span\u003e\u003cspan\u003e2016\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eCondition: \u003c\/span\u003e\u003cspan\u003eVery fine\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eVintage print: \u003c\/span\u003e\u003cspan\u003ePrinted later\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eImage size: \u003c\/span\u003e\u003cspan\u003e25×44 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eTotal dimensions: \u003c\/span\u003e\u003cspan\u003e28.5×48×48 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754792616274,"sku":null,"price":980.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/c009e771-4c64-4932-9995-b40b182fcee1.jpg?v=1760439269"},{"product_id":"antoine-dagata-1961-oscurana-1ere-edition","title":"Oscurana — Antoine d’Agata","description":"\u003cp data-start=\"67\" data-end=\"137\"\u003e\u003cstrong data-start=\"67\" data-end=\"137\"\u003eOscurana — Antoine d’Agata (Single Volume from Collective Edition)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"139\" data-end=\"664\"\u003eThis signed volume of \u003cem data-start=\"161\" data-end=\"171\"\u003eOscurana\u003c\/em\u003e by Antoine d’Agata, co-published in 2017 as part of a six-part international editorial project, is part of the Darwin Bookshop because it embodies a radical experiment in collaborative publishing, transgressive aesthetics, and the ethics of witnessing. Each of the six publishers across Latin America and Europe produced their own distinct version of \u003cem data-start=\"523\" data-end=\"533\"\u003eOscurana\u003c\/em\u003e, using a shared structure—same title, dimensions, and central text—yet allowing for different material and visual interpretations.\u003c\/p\u003e\n\u003cp data-start=\"666\" data-end=\"1206\"\u003eThe copy held here is a standalone volume from this constellation, printed on deep black paper with gold handwritten typography, featuring d’Agata’s haunting monochrome photographs of sex, trance, and resistance. Designed and printed by \u003cem data-start=\"903\" data-end=\"919\"\u003eLe Dernier Cri\u003c\/em\u003e in Marseille, under the direction of Pakito Bolino, it fuses underground graphics with d’Agata’s fevered visual language. Each photograph is a confrontation, not a document—bodies blur under duress, light becomes substance, and violence and intimacy co-exist within the same dark frame.\u003c\/p\u003e\n\u003cp data-start=\"1208\" data-end=\"1622\"\u003eThough part of a broader six-volume project, this edition stands alone as a self-contained object and was also issued in a rare boxed set. This particular copy is \u003cstrong data-start=\"1371\" data-end=\"1409\"\u003esigned by d’Agata in Arles in 2021\u003c\/strong\u003e, anchoring it within the performative continuum of his work. At Darwin, \u003cem data-start=\"1482\" data-end=\"1492\"\u003eOscurana\u003c\/em\u003e is held as a key artefact in the landscape of experimental photobook publishing, collective authorship, and embodied photography.\u003c\/p\u003e\n\u003cp data-start=\"1624\" data-end=\"1643\"\u003e\u003cstrong data-start=\"1624\" data-end=\"1643\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1645\" data-end=\"2122\"\u003eTitle: Oscurana\u003cbr data-start=\"1660\" data-end=\"1663\"\u003eArtist \/ Author: Antoine d’Agata\u003cbr data-start=\"1695\" data-end=\"1698\"\u003eDate: 2017\u003cbr data-start=\"1708\" data-end=\"1711\"\u003eTechnique \/ Printing Method: Offset printing, gold ink on black paper\u003cbr data-start=\"1780\" data-end=\"1783\"\u003eMedium \/ Materials: Softcover, staple-bound\u003cbr data-start=\"1826\" data-end=\"1829\"\u003eDimensions: approx. 21 × 28 cm\u003cbr data-start=\"1859\" data-end=\"1862\" data-is-only-node=\"\"\u003eLanguage: French\u003cbr data-start=\"1878\" data-end=\"1881\"\u003ePages: Unpaginated\u003cbr data-start=\"1899\" data-end=\"1902\"\u003ePublisher \/ Editor: Le Dernier Cri (France), part of the \u003cem data-start=\"1959\" data-end=\"1969\"\u003eOscurana\u003c\/em\u003e six-publisher collective\u003cbr data-start=\"1994\" data-end=\"1997\"\u003eSigned: Yes (signed in Arles, 2021)\u003cbr data-start=\"2032\" data-end=\"2035\"\u003eEdition: One of six distinct volumes from the \u003cem data-start=\"2081\" data-end=\"2091\"\u003eOscurana\u003c\/em\u003e project\u003cbr data-start=\"2099\" data-end=\"2102\"\u003eCondition: Near fine\u003c\/p\u003e\n\u003cp data-start=\"2125\" data-end=\"2187\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754826826066,"sku":null,"price":140.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_1_40948610-1e47-4cec-874a-e67f7826da3e.jpg?v=1768064059"},{"product_id":"antoine-dagata-1961-agonie-1ere-edition","title":"Agonie — Antoine d’Agata \u0026 Rafael Garido (signed)","description":"\u003cdiv class=\"LotInfoDescription_description__RFjKp\"\u003e\n\u003cp data-start=\"113\" data-end=\"458\"\u003eThis signed copy of \u003cem data-start=\"133\" data-end=\"141\"\u003eAgonie\u003c\/em\u003e, a collaboration between photographer Antoine d’Agata and writer Rafael Garido, published in 2003 by Actes Sud and Atelier de Visu, is part of the Darwin Bookshop because it marks an early and intensely physical convergence of text and image—where language breaks under the weight of the photographic and vice versa.\u003c\/p\u003e\n\u003cp data-start=\"460\" data-end=\"837\"\u003eBound in black faux leather with minimal white type, the object evokes a dossier or morgue file. Inside, d’Agata’s images unfold in fevered grain: bodies blurred by movement, consumed by shadow, lit by narcotic or sexual tension. Garido’s text—poetic, incantatory, shattered—echoes this descent, not as commentary but as accomplice. This is not a book that explains—it suffers.\u003c\/p\u003e\n\u003cp data-start=\"839\" data-end=\"1320\"\u003ePublished in Marseille and part of the Atelier de Visu’s experimental output, \u003cem data-start=\"917\" data-end=\"925\"\u003eAgonie\u003c\/em\u003e belongs to d’Agata’s early 2000s period, when his work left behind narrative and plunged into embodied darkness. The formal choices—rounded page corners, glossy black cover, and unbound text blocks—amplify the sense of erosion and intimacy. Signed by d’Agata, this copy is held at Darwin as a rare threshold object: the moment when photography stops being observational and becomes existential.\u003c\/p\u003e\n\u003cp data-start=\"1322\" data-end=\"1341\"\u003e\u003cstrong data-start=\"1322\" data-end=\"1341\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1343\" data-end=\"1678\"\u003eTitle: Agonie\u003cbr data-start=\"1356\" data-end=\"1359\"\u003eArtists \/ Authors: Antoine d’Agata, Rafael Garido\u003cbr data-start=\"1408\" data-end=\"1411\"\u003eDate: 2003\u003cbr data-start=\"1421\" data-end=\"1424\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1459\" data-end=\"1462\"\u003eMedium \/ Materials: Hardcover, leatherette cover, rounded corners\u003cbr data-start=\"1527\" data-end=\"1530\"\u003eDimensions: approx. 17 × 23 cm\u003cbr data-start=\"1560\" data-end=\"1563\" data-is-only-node=\"\"\u003eLanguage: French\u003cbr data-start=\"1579\" data-end=\"1582\"\u003ePages: 96\u003cbr data-start=\"1591\" data-end=\"1594\"\u003ePublisher \/ Editor: Actes Sud \/ Atelier de Visu\u003cbr data-start=\"1641\" data-end=\"1644\"\u003eSigned: Yes\u003cbr data-start=\"1655\" data-end=\"1658\"\u003eCondition: Near fine\u003c\/p\u003e\n\u003c\/div\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51757840499026,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/bookcover_1.jpg?v=1768306376"},{"product_id":"signed-martin-parr-mexico-2006","title":"Signed; Martin Parr - Mexico - 2006","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePhoto book, first edition Aperture 2006, original edition Chris Boot 2006, signed on the flyleaf, ca. 88 pages, ca. 80 full-page colour plates, hard cover, 21,0 x 29,5 cm, English, very good condition.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis is Martin Parr’s journey into and beyond the cultural cliches of Mexico – a photographic enquiry into the battle being fought out on the streets of Mexico between visual cultures: Mexican vernacular versus the brands and icons of the USA.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003ePublication year oldest item: \u003c\/span\u003e\u003cspan\u003e2006\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eEdition: \u003c\/span\u003e\u003cspan\u003e1st Edition\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eLanguage: \u003c\/span\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eOriginal language: \u003c\/span\u003e\u003cspan\u003eYes\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003ePublisher: \u003c\/span\u003e\u003cspan\u003eAperture\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eBinding\/ Material: \u003c\/span\u003e\u003cspan\u003eHardback\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eExtras: \u003c\/span\u003e\u003cspan\u003eSigned\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eNumber of pages: \u003c\/span\u003e\u003cspan\u003e88\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"LotSpecifications_specification__h1wM0\" data-sentry-component=\"LotSpecification\" data-sentry-source-file=\"LotSpecification.tsx\"\u003e\n\u003cspan class=\"LotSpecifications_name__WtPtV u-typography-label-s u-typography-uppercase u-color-dark-gray\"\u003eDimensions: \u003c\/span\u003e\u003cspan\u003e21×29.5 cm\u003c\/span\u003e\n\u003c\/div\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51757860520274,"sku":null,"price":140.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/18f37194-e15e-4f1a-8e05-9b5e14b345af.jpg?v=1760453662"},{"product_id":"celedonio-perellon-original-artwork-signed-1990-2005","title":"Celedonio Perellón  - original artwork signed. - 1990\/2005","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe great Spanish painter and illustrator Celedonio Perellón (1926-2015), was one of the great erotic artists of Spain, and has works in numerous museums and collections around the world. He worked in all the fields of art, painting, illustration, engraving, sculpture and also in the comic world with his excellent Bunda series, published in several European countries.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLot composed of 3 catalogues and an original etching, hand numbered and signed by Spanish artist Celedonio Perellón.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e- 1. Etching and aquatint engraving, colour print on 250 gram paper. Untitled. Edition of 69 copies. This is no. 36.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSigned in pencil by the artist. Year 1990 ca. Paper size: 28 x 25 cm Print size: 16 x 11 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- 2. Catalogue of the artist's exhibition at the Kreisler Gallery in Madrid from 8th to 23rd January 1999. 15 pages and 8 colour photographs. One of the\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eartist and the others of his work. Size: 24 x 18 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- 3. Publication of Diccionario de Artistas Españoles. The issue for Celedonio Perellón. 1997. 12 pages. 13 photographs. One of the artist and\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ethe rest of his work. Size 30 x 21.5 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- 4. Catalogue of Perellón's exhibition at The Kreisler Gallery in March - April 2005. 10 pages and 6 colour photographs of the artist's work.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e26 x 21 cm\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePerfectly packed, and additionally insured.\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51757935198546,"sku":null,"price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/1287922c-425e-4dc3-99e9-3a7a9cd15d37.jpg?v=1761840778"},{"product_id":"stephen-shore-uncommon-places-1982","title":"Uncommon Places — Stephen Shore, 1982, first edition with dust jacket","description":"\u003cp data-start=\"369\" data-end=\"715\"\u003eOne of the most influential photobooks of the twentieth century, \u003cem data-start=\"434\" data-end=\"451\"\u003eUncommon Places\u003c\/em\u003e marked a turning point for colour photography and for the visual language of American space. Published in 1982 by Aperture, this is the scarce first edition hardcover with the original unclipped dust jacket — the definitive form of a book that changed everything.\u003c\/p\u003e\n\u003cp data-start=\"717\" data-end=\"1101\"\u003eWorking with a large-format view camera, Stephen Shore photographed anonymous intersections, motel rooms, signage, and city edges across 1970s America. What emerged was a new kind of photography: stripped of narrative, radiant in its clarity, formally precise and rooted in the banal. These are not decisive moments but sustained ones — quiet, frontal, and loaded with ambient unease.\u003c\/p\u003e\n\u003cp data-start=\"1103\" data-end=\"1514\"\u003eThe maroon clothbound edition presented here features 61 colour plates across 64 pages, designed by Wendy Byrne and printed with early fidelity to Shore’s Kodachrome palette. As cited by Martin Parr and Gerry Badger in \u003cem data-start=\"1322\" data-end=\"1355\"\u003eThe Photobook: A History Vol. 2\u003c\/em\u003e (p.35), it stands as a “fantastic, very important color photobook” — foundational to the New Topographics and the rise of colour as serious photographic form.\u003c\/p\u003e\n\u003cp data-start=\"1516\" data-end=\"1678\"\u003eThis copy retains the original dustjacket, complete and fresh with only minor sunning and faint exterior marks. A cornerstone of any serious photobook collection.\u003c\/p\u003e\n\u003cp data-start=\"1680\" data-end=\"2128\"\u003e\u003cstrong data-start=\"1680\" data-end=\"1699\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1699\" data-end=\"1702\"\u003eTitle: Uncommon Places\u003cbr data-start=\"1724\" data-end=\"1727\"\u003eArtist \/ Author: Stephen Shore\u003cbr data-start=\"1757\" data-end=\"1760\"\u003eDate: 1982\u003cbr data-start=\"1770\" data-end=\"1773\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1817\" data-end=\"1820\"\u003eMedium \/ Materials: Hardcover with dust jacket, maroon cloth\u003cbr data-start=\"1880\" data-end=\"1883\"\u003eDimensions: 24.3 x 28.3 cm\u003cbr data-start=\"1909\" data-end=\"1912\"\u003ePages: 64\u003cbr data-start=\"1921\" data-end=\"1924\" data-is-only-node=\"\"\u003ePlates: 61 colour photographs\u003cbr data-start=\"1953\" data-end=\"1956\"\u003ePublisher \/ Editor: Aperture, Millerton, New York\u003cbr data-start=\"2005\" data-end=\"2008\"\u003eISBN: 0-89381-101-7\u003cbr data-start=\"2027\" data-end=\"2030\"\u003eCondition: Overall fine; interior flawless, dustjacket lightly sunned but complete and unclipped\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51758094090578,"sku":null,"price":350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_75dd02ef-206d-478f-887e-151971700a6c.jpg?v=1769295938"},{"product_id":"ed-van-der-elsken-jazz-2007","title":"Ed van der Elsken - Jazz (facsimile, 2007)","description":"\u003cp data-start=\"111\" data-end=\"698\"\u003eThis photobook by Ed van der Elsken, reprinted in 2007 from the original 1959 Dutch edition, is part of the Darwin Bookshop because it transposes the urgency and sensuality of live jazz into photographic form, capturing an era when the music pulsed through the Left Bank and Amsterdam clubs like a fever. Made between 1950 and 1954, at a time when van der Elsken was immersed in the beat culture of Saint-Germain-des-Prés, these images operate like visual riffs—fragments of light, gesture and sweat, syncopated and rhythmic, echoing the improvisations of the very musicians they depict.\u003c\/p\u003e\n\u003cp data-start=\"700\" data-end=\"1345\"\u003eThis is not a book \u003cem data-start=\"719\" data-end=\"726\"\u003eabout\u003c\/em\u003e jazz, it \u003cem data-start=\"736\" data-end=\"740\"\u003eis\u003c\/em\u003e jazz. Shot with a Leica and laid out with an almost cinematic tempo, the spreads riff through combinations of two, four, six images per page—syncopated like keys on a trumpet, rising in emotional intensity with visual phrasing that mirrors musical structure. Here are Louis Armstrong, Sarah Vaughan, Chet Baker, Duke Ellington, Ella Fitzgerald and more—seen not as icons, but as part of a living, surging soundscape. Originally published in Amsterdam by De Bezige Bij, this facsimile edition retains its radical layout and expressive grain, functioning not as a document but as the echo of a lived night.\u003c\/p\u003e\n\u003cp data-start=\"1347\" data-end=\"1727\"\u003eThe cover, in deep contrast black and white, features Armstrong mid-note—face clenched, trumpet up—announcing the intensity within. Van der Elsken, enfant terrible of Dutch street photography and author of \u003cem data-start=\"1553\" data-end=\"1576\"\u003eLove on the Left Bank\u003c\/em\u003e and \u003cem data-start=\"1581\" data-end=\"1593\"\u003eSweet Life\u003c\/em\u003e, offers here a photographic love letter not just to jazz, but to performance, energy, and the beauty of improvisation caught in time.\u003c\/p\u003e\n\u003cp data-start=\"1729\" data-end=\"2145\"\u003e\u003cstrong data-start=\"1729\" data-end=\"1748\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1748\" data-end=\"1751\"\u003eTitle: Jazz\u003cbr data-start=\"1762\" data-end=\"1765\"\u003eArtist \/ Author: Ed van der Elsken\u003cbr data-start=\"1799\" data-end=\"1802\"\u003eDate: 2007 (facsimile of 1959 edition)\u003cbr data-start=\"1840\" data-end=\"1843\"\u003eTechnique \/ Printing Method: Offset, from original rotogravure design\u003cbr data-start=\"1912\" data-end=\"1915\"\u003eMedium \/ Materials: Hardcover photobook\u003cbr data-start=\"1954\" data-end=\"1957\" data-is-only-node=\"\"\u003eDimensions: approx. 22.5 × 22.5 cm\u003cbr data-start=\"1991\" data-end=\"1994\"\u003eLanguage: French (intro), Dutch (colophon)\u003cbr data-start=\"2036\" data-end=\"2039\"\u003ePages: Unpaginated\u003cbr data-start=\"2057\" data-end=\"2060\"\u003ePublisher \/ Editor: Steidl \/ De Bezige Bij\u003cbr data-start=\"2102\" data-end=\"2105\"\u003eISBN: 978-3-86521-443-0\u003cbr data-start=\"2128\" data-end=\"2131\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51758388871506,"sku":null,"price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_6ff418df-3f2e-4331-a0bd-6329134657f1.jpg?v=1768300274"},{"product_id":"leni-riefenstahl-die-nuba-1976","title":"Die Nuba — Riefenstahl’s Ritual Eye","description":"\u003cp data-start=\"108\" data-end=\"655\"\u003eThis book by Leni Riefenstahl, \u003cem data-start=\"139\" data-end=\"149\"\u003eDie Nuba\u003c\/em\u003e, published in this 2002 reprint by Komet Verlag, is part of the Darwin Bookshop because it remains one of the most visually charged — and ethically fraught — documents in 20th-century photographic history. First released in the 1970s, \u003cem data-start=\"385\" data-end=\"395\"\u003eDie Nuba\u003c\/em\u003e is the result of Riefenstahl’s extensive visits to the Nuba peoples of southern Sudan, where she produced a highly stylised and choreographed photographic record of ritual, body painting, wrestling, and masculinity, rendered in rich colour and idealised form.\u003c\/p\u003e\n\u003cp data-start=\"657\" data-end=\"1293\"\u003eThe book is saturated with tension: between ethnography and performance, admiration and appropriation. Riefenstahl — best known for her cinematic propaganda under the Third Reich — brought the same aesthetic of physical perfection and mythic composition to these images, which critics have long debated as both a celebration of beauty and an extension of fascist visual logic. In \u003cem data-start=\"1037\" data-end=\"1047\"\u003eDie Nuba\u003c\/em\u003e, bodies are offered up not as individuals, but as archetypes — framed by the sun, the sand, the gaze of the outsider. It is a troubling and essential object for anyone tracking the intersections of image, race, power, and the politics of seeing.\u003c\/p\u003e\n\u003cp data-start=\"1295\" data-end=\"1314\"\u003e\u003cstrong data-start=\"1295\" data-end=\"1314\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1316\" data-end=\"1706\"\u003eTitle: Die Nuba\u003cbr data-start=\"1331\" data-end=\"1334\"\u003eArtist \/ Author: Leni Riefenstahl\u003cbr data-start=\"1367\" data-end=\"1370\"\u003eDate: Originally 1976; this edition 2002\u003cbr data-start=\"1410\" data-end=\"1413\"\u003eTechnique \/ Printing Method: Colour offset printing\u003cbr data-start=\"1464\" data-end=\"1467\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"1496\" data-end=\"1499\"\u003eDimensions: Approx. 24 x 32 cm\u003cbr data-start=\"1529\" data-end=\"1532\" data-is-only-node=\"\"\u003ePages: Unspecified\u003cbr data-start=\"1550\" data-end=\"1553\"\u003ePublisher \/ Editor: Komet Verlag (originally Riefenstahl Produktion)\u003cbr data-start=\"1621\" data-end=\"1624\"\u003eISBN: 3-933366-41-0\u003cbr data-start=\"1643\" data-end=\"1646\"\u003eLanguage: German\u003cbr data-start=\"1662\" data-end=\"1665\"\u003eCondition: Good (based on visible wear)\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51758397522258,"sku":null,"price":85.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_1_61907c60-8a19-431e-bc49-ae43f664b3bc.jpg?v=1768386280"},{"product_id":"pieter-hugo-kin-first-edition","title":"KIN — Pieter Hugo (First Edition), Aperture 2005","description":"\u003cp data-start=\"39\" data-end=\"1251\"\u003e\u003cem data-start=\"39\" data-end=\"44\"\u003eKIN\u003c\/em\u003e is a defining monograph by Pieter Hugo, capturing the intricate fabric of contemporary life across communities and identities, and a cornerstone in Darwin’s collection for anyone drawn to photography that navigates intimacy and expansiveness with equal precision. First published as Hugo’s first major book, \u003cem data-start=\"353\" data-end=\"358\"\u003eKIN\u003c\/em\u003e brings together the photographer’s early body of work—portraits from \u003cem data-start=\"428\" data-end=\"439\"\u003eNollywood\u003c\/em\u003e to \u003cem data-start=\"443\" data-end=\"466\" data-is-only-node=\"\"\u003eThe Hyena \u0026amp; Other Men\u003c\/em\u003e, \u003cem data-start=\"468\" data-end=\"507\"\u003eBetween the Devil \u0026amp; the Deep Blue Sea\u003c\/em\u003e, and \u003cem data-start=\"513\" data-end=\"530\"\u003ePermanent Error\u003c\/em\u003e—with a singular eye that foregrounds the dignity and complexity of its subjects without concession to spectacle. What binds these disparate bodies is a rigorous attention to presence: Hugo’s subjects are shown in moments where vulnerability and resilience coexist, framed by stark, unadorned pages that amplify their humanity. The sequencing moves with a quiet tension, allowing each portrait to assert its weight and then recede into a larger meditation on kinship, otherness, and the porous boundaries of self and society. In a first edition that has become increasingly rare, \u003cem data-start=\"1110\" data-end=\"1115\"\u003eKIN\u003c\/em\u003e remains essential for readers seeking photographic work that refuses easy answers and instead insists on the enduring power of looking.\u003c\/p\u003e\n\u003cp data-start=\"1253\" data-end=\"1617\"\u003eTechnical Sheet\u003cbr data-start=\"1268\" data-end=\"1271\"\u003eTitle: \u003cem data-start=\"1278\" data-end=\"1283\"\u003eKIN\u003c\/em\u003e\u003cbr data-start=\"1314\" data-end=\"1317\"\u003eEdition: First Edition\u003cbr data-start=\"1339\" data-end=\"1342\"\u003eDate: 2005 (approx., first publication)\u003cbr data-start=\"1381\" data-end=\"1384\"\u003eMedium \/ Materials: Photobook, hardcover\u003cbr data-start=\"1424\" data-end=\"1427\"\u003eDimensions (cm): ~30 × 38 (large‑format)\u003cbr data-start=\"1467\" data-end=\"1470\"\u003eLanguage: English\u003cbr data-start=\"1487\" data-end=\"1490\"\u003ePages: ~180\u003cbr data-start=\"1501\" data-end=\"1504\"\u003ePublisher \/ Editor: Aperture \/ Chris Boot\u003cbr data-start=\"1545\" data-end=\"1548\"\u003eISBN: (varies by printing)\u003cbr data-start=\"1574\" data-end=\"1577\"\u003eCondition: NEW\u003c\/p\u003e","brand":"aperture","offers":[{"title":"Default Title","offer_id":51759326265682,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_1c917d3a-cad2-4fb9-8d82-1832edbbfa09.jpg?v=1768160250"},{"product_id":"vladinsky-the-observer-untitled-grey-ear-series","title":"Vladinsky - The Observer Untitled (grey ear series)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVladinsky was born in July, 1988, in the city of Onesti, a city located in the Moldovan area of Romania. 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Observer Untitled (study with silver)","description":"\u003ch3 data-start=\"123\" data-end=\"185\"\u003e\n\u003cem data-start=\"127\" data-end=\"166\"\u003eObserver Untitled (Study with Silver)\u003c\/em\u003e — Vladinsky — 2021\u003c\/h3\u003e\n\u003cp data-start=\"187\" data-end=\"372\"\u003e\u003cstrong data-start=\"187\" data-end=\"275\"\u003eAcrylic meditation from post-communist memory — silver, silence, and emotional force\u003c\/strong\u003e\u003cbr data-start=\"275\" data-end=\"278\"\u003eBorn from a place where expression was once forbidden, now poured in gestures of bold release.\u003c\/p\u003e\n\u003cp data-start=\"374\" data-end=\"539\"\u003eVladinsky paints not only what he sees, but what was once unseen.\u003cbr data-start=\"439\" data-end=\"442\"\u003eRaised in the shadows of a collapsing regime, his work insists on presence, freedom, and feeling.\u003c\/p\u003e\n\u003cp data-start=\"541\" data-end=\"542\"\u003e⸻\u003c\/p\u003e\n\u003cp data-start=\"544\" data-end=\"898\"\u003e\u003cstrong data-start=\"544\" data-end=\"554\"\u003eTitle:\u003c\/strong\u003e \u003cem data-start=\"555\" data-end=\"594\"\u003eObserver Untitled (Study with Silver)\u003c\/em\u003e\u003cbr data-start=\"594\" data-end=\"597\"\u003e\u003cstrong data-start=\"597\" data-end=\"625\"\u003eArtist \/ Author \/ Maker:\u003c\/strong\u003e Vladinsky (b. 1988, Onești, Romania)\u003cbr data-start=\"662\" data-end=\"665\"\u003e\u003cstrong data-start=\"665\" data-end=\"688\"\u003eTechnique \/ Medium:\u003c\/strong\u003e Acrylic on canvas\u003cbr data-start=\"706\" data-end=\"709\"\u003e\u003cstrong data-start=\"709\" data-end=\"721\"\u003eEdition:\u003c\/strong\u003e Unique\u003cbr data-start=\"728\" data-end=\"731\"\u003e\u003cstrong data-start=\"731\" data-end=\"745\"\u003eSignature:\u003c\/strong\u003e Hand-signed\u003cbr data-start=\"757\" data-end=\"760\"\u003e\u003cstrong data-start=\"760\" data-end=\"769\"\u003eDate:\u003c\/strong\u003e 2021\u003cbr data-start=\"774\" data-end=\"777\"\u003e\u003cstrong data-start=\"777\" data-end=\"791\"\u003eCondition:\u003c\/strong\u003e Excellent\u003cbr data-start=\"801\" data-end=\"804\"\u003e\u003cstrong data-start=\"804\" data-end=\"819\"\u003eDimensions:\u003c\/strong\u003e 82 × 82 × 3 cm\u003cbr data-start=\"834\" data-end=\"837\"\u003e\u003cstrong data-start=\"837\" data-end=\"848\"\u003eWeight:\u003c\/strong\u003e 1 kg\u003cbr data-start=\"853\" data-end=\"856\"\u003e\u003cstrong data-start=\"856\" data-end=\"880\"\u003eOrigin \/ Provenance:\u003c\/strong\u003e Artist’s studio\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51765848736082,"sku":null,"price":1700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/5037eeda-42cd-4435-87c7-f7c39c285105_5d163f78-9b8f-45c0-a671-8e083cfd0cfe.jpg?v=1761840549"},{"product_id":"emancipation-23-zhang-yue-2015","title":"Emancipation 23 — Zhang Yue — 2015","description":"\u003cp data-start=\"165\" data-end=\"348\"\u003e\u003cstrong data-start=\"165\" data-end=\"244\"\u003eOil on canvas by Zhang Yue — a restrained gesture of release and reflection\u003c\/strong\u003e\u003cbr data-start=\"244\" data-end=\"247\"\u003eSubtle yet charged, this work rests between tension and serenity, painted in the artist’s own studio.\u003c\/p\u003e\n\u003cp data-start=\"350\" data-end=\"605\"\u003eZhang Yue, born in Liaoning in 1978, is part of a new generation of Chinese artists whose work bridges tradition and quiet introspection. With exhibitions across Europe and Asia, his practice explores personal emancipation through precise, muted surfaces.\u003c\/p\u003e\n\u003cp data-start=\"607\" data-end=\"608\"\u003e⸻\u003c\/p\u003e\n\u003cp data-start=\"610\" data-end=\"1042\"\u003e\u003cstrong data-start=\"610\" data-end=\"620\"\u003eTitle:\u003c\/strong\u003e \u003cem data-start=\"621\" data-end=\"638\"\u003eEmancipation 23\u003c\/em\u003e\u003cbr data-start=\"638\" data-end=\"641\"\u003e\u003cstrong data-start=\"641\" data-end=\"669\"\u003eArtist \/ Author \/ Maker:\u003c\/strong\u003e Zhang Yue (b. 1978, Liaoning Province, China)\u003cbr data-start=\"715\" data-end=\"718\"\u003e\u003cstrong data-start=\"718\" data-end=\"741\"\u003eTechnique \/ Medium:\u003c\/strong\u003e Oil on canvas\u003cbr data-start=\"755\" data-end=\"758\"\u003e\u003cstrong data-start=\"758\" data-end=\"770\"\u003eEdition:\u003c\/strong\u003e Unique\u003cbr data-start=\"777\" data-end=\"780\"\u003e\u003cstrong data-start=\"780\" data-end=\"794\"\u003eSignature:\u003c\/strong\u003e Hand-signed on verso\u003cbr data-start=\"815\" data-end=\"818\"\u003e\u003cstrong data-start=\"818\" data-end=\"827\"\u003eDate:\u003c\/strong\u003e 2015\u003cbr data-start=\"832\" data-end=\"835\"\u003e\u003cstrong data-start=\"835\" data-end=\"849\"\u003eCondition:\u003c\/strong\u003e Excellent\u003cbr data-start=\"859\" data-end=\"862\"\u003e\u003cstrong data-start=\"862\" data-end=\"877\"\u003eDimensions:\u003c\/strong\u003e 40 × 30 × 2.5 cm\u003cbr data-start=\"894\" data-end=\"897\"\u003e\u003cstrong data-start=\"897\" data-end=\"908\"\u003eWeight:\u003c\/strong\u003e 0.5 kg\u003cbr data-start=\"915\" data-end=\"918\"\u003e\u003cstrong data-start=\"918\" data-end=\"942\"\u003eOrigin \/ Provenance:\u003c\/strong\u003e Artist’s studio, Beijing\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51768928108882,"sku":null,"price":450.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/073d4d5b-d3d9-486d-bac6-37c35344b933_1.jpg?v=1761840500"},{"product_id":"izas-rabizas-y-colipoterras-juan-colom-camilo-jose-cela-1964","title":"Izas, Rabizas y Colipoterras — Juan Colom \u0026 Camilo José Cela — 1964","description":"\u003cp data-start=\"225\" data-end=\"415\"\u003e\u003cstrong data-start=\"225\" data-end=\"311\"\u003eControversial Spanish classic — the raw streets of Barcelona through text and lens\u003c\/strong\u003e\u003cbr data-start=\"311\" data-end=\"314\"\u003eErotic, human, unsentimental — a literary-photographic collision that scandalized and defined an era.\u003c\/p\u003e\n\u003cp data-start=\"417\" data-end=\"728\"\u003eThe union of \u003cstrong data-start=\"430\" data-end=\"465\"\u003eNobel laureate Camilo José Cela\u003c\/strong\u003e and \u003cstrong data-start=\"470\" data-end=\"497\"\u003ephotographer Joan Colom\u003c\/strong\u003e resulted in one of Spain’s most subversive photobooks. 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Shot by Steven Meisel, art directed by Fabien Baron, and performed by Madonna at her most untouchable, this book is a cultural capsule of 1992: provocative, overproduced, and perfectly timed to mirror the rise of postmodern celebrity and mass-market provocation.\u003c\/p\u003e\n\u003cp data-start=\"541\" data-end=\"1170\"\u003eWrapped in a spiral-bound aluminium shell and shrink-wrapped in Mylar, \u003cem data-start=\"612\" data-end=\"617\"\u003eSex\u003c\/em\u003e presents a saturated theatre of desire, layered with kink, irony, and the precise control of image. Its pages — featuring Naomi Campbell, Vanilla Ice, Isabella Rossellini and more — move between domination and self-performance, fantasy and farce, with Madonna as director, object, and gaze. This first edition includes the rare 8-page comic insert, a pulp gesture underscoring the book’s choreography of high and low culture. 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This is copy Nº 12, signed by the artist and mounted on a protective folio backing.\u003c\/p\u003e\n\u003cp data-start=\"663\" data-end=\"664\"\u003e⸻\u003c\/p\u003e\n\u003cp data-start=\"666\" data-end=\"1129\"\u003e\u003cstrong data-start=\"666\" data-end=\"676\"\u003eTitle:\u003c\/strong\u003e \u003cem data-start=\"677\" data-end=\"705\"\u003eUntitled Colored Engraving\u003c\/em\u003e\u003cbr data-start=\"705\" data-end=\"708\"\u003e\u003cstrong data-start=\"708\" data-end=\"736\"\u003eArtist \/ Author \/ Maker:\u003c\/strong\u003e Gerardo Aparicio (Madrid, Spain)\u003cbr data-start=\"769\" data-end=\"772\"\u003e\u003cstrong data-start=\"772\" data-end=\"795\"\u003eTechnique \/ Medium:\u003c\/strong\u003e Hand-colored intaglio print on heavyweight paper\u003cbr data-start=\"844\" data-end=\"847\"\u003e\u003cstrong data-start=\"847\" data-end=\"859\"\u003eEdition:\u003c\/strong\u003e Nº 12 of 50 — limited edition\u003cbr data-start=\"889\" data-end=\"892\"\u003e\u003cstrong data-start=\"892\" data-end=\"906\"\u003eSignature:\u003c\/strong\u003e Hand-signed by the artist\u003cbr data-start=\"932\" data-end=\"935\"\u003e\u003cstrong data-start=\"935\" data-end=\"944\"\u003eDate:\u003c\/strong\u003e 1976\u003cbr data-start=\"949\" data-end=\"952\"\u003e\u003cstrong data-start=\"952\" data-end=\"966\"\u003eCondition:\u003c\/strong\u003e Good — very light signs of age; center fold present; mounted on lateral folio\u003cbr data-start=\"1044\" data-end=\"1047\"\u003e\u003cstrong data-start=\"1047\" data-end=\"1062\"\u003eDimensions:\u003c\/strong\u003e 53 × 34 cm\u003cbr data-start=\"1073\" data-end=\"1076\"\u003e\u003cstrong data-start=\"1076\" data-end=\"1100\"\u003eOrigin \/ Provenance:\u003c\/strong\u003e Private Spanish collection\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51774710841682,"sku":null,"price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/267049044_309754549_tcimg_B04F560F.webp?v=1761841232"},{"product_id":"cafe-lehmitz-anders-petersen-1985","title":"Café Lehmitz (Signed Pocket Edition) — Anders Petersen, 1985","description":"\u003cp data-start=\"133\" data-end=\"638\"\u003eThis signed pocket edition of \u003cem data-start=\"163\" data-end=\"177\"\u003eCafé Lehmitz\u003c\/em\u003e, published in 1985 by Schirmer\/Mosel, is Anders Petersen’s own preferred version of his most iconic book. Originally released in 1978, \u003cem data-start=\"313\" data-end=\"327\"\u003eCafé Lehmitz\u003c\/em\u003e launched Petersen’s career and redefined the language of documentary photography. Shot in a working-class bar on the Reeperbahn in Hamburg between 1968 and 1970, the work is a raw, affectionate portrait of a place where rules collapse: sex workers, drunks, lovers, loners — all held in the same intimate frame.\u003c\/p\u003e\n\u003cp data-start=\"640\" data-end=\"1232\"\u003ePetersen doesn’t observe from a distance. He drinks, touches, stays the night. The images are grainy, close, messy, full of flash and emotion. There is no moral hierarchy, only physical proximity and shared time. What makes \u003cem data-start=\"864\" data-end=\"878\"\u003eCafé Lehmitz\u003c\/em\u003e endure is its lack of performance — the trust is real, and the camera feels like part of the furniture. It’s a book that changed the terms for later photographers like Nan Goldin or Antoine d’Agata, proving that documentary could be personal, chaotic, and brutally tender. A cornerstone of postwar European photography, still unmatched in its sincerity.\u003c\/p\u003e\n\u003cp data-start=\"1234\" data-end=\"1594\"\u003eTechnical Sheet\u003cbr data-start=\"1249\" data-end=\"1252\"\u003eTitle: Café Lehmitz (Signed Pocket Edition)\u003cbr data-start=\"1295\" data-end=\"1298\"\u003eArtist \/ Author: Anders Petersen\u003cbr data-start=\"1330\" data-end=\"1333\"\u003eDate: 1985 edition (originally 1978)\u003cbr data-start=\"1369\" data-end=\"1372\"\u003eEdition: Signed\u003cbr data-start=\"1387\" data-end=\"1390\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1425\" data-end=\"1428\"\u003eMedium \/ Materials: Softcover\u003cbr data-start=\"1457\" data-end=\"1460\"\u003eDimensions (cm): Approx. 12 × 18\u003cbr data-start=\"1492\" data-end=\"1495\"\u003eLanguage: German\u003cbr data-start=\"1511\" data-end=\"1514\"\u003ePages: Approx. 120\u003cbr data-start=\"1532\" data-end=\"1535\"\u003ePublisher \/ Editor: Schirmer\/Mosel\u003cbr data-start=\"1569\" data-end=\"1572\"\u003eCondition: Very good\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51776958202194,"sku":null,"price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_2.jpg?v=1770110366"},{"product_id":"the-lines-of-my-hand-robert-frank-1989","title":"The Lines of My Hand — Robert Frank, First Parkett \/ Der Alltag Edition","description":"\u003cp data-end=\"372\" data-start=\"98\"\u003e \u003c\/p\u003e\n\u003cp\u003eRobert Frank’s most intimate and elliptical book, here in the rare Parkett \/ Der Alltag edition published in Switzerland in 1989. Originally released in Japan in 1972 and revised in the U.S. in 1989, this version is its own object — cleanly designed, starkly sequenced, and printed with the cool neutrality of late-80s European publishing. If \u003cem data-start=\"519\" data-end=\"534\"\u003eThe Americans\u003c\/em\u003e was the book that broke the frame, \u003cem data-start=\"570\" data-end=\"592\"\u003eThe Lines of My Hand\u003c\/em\u003e is the book that dissolved it. This is autobiography by way of photographic memory: fragmentary, withdrawn, handwritten, and intensely personal.\u003c\/p\u003e\n\u003cp data-start=\"739\" data-end=\"1411\"\u003eThe cover, with its ghostly charcoal tracing of a raised palm, signals a departure from traditional narrative structure. Inside, Frank threads together photographs from across his life: his children, his travels, his losses, the flat winter light of Nova Scotia, the asphalt haze of America. The sequencing is poetic and associative, intercut with handwritten notes and reproduced contact sheets. It feels closer to a film diary or sketchbook than a monograph — more Jonas Mekas than Cartier-Bresson. An essential object in the lineage of artist photobooks, deeply influential on later diaristic work by Nan Goldin, Jim Goldberg, or Collier Schorr. Scarce in this edition.\u003c\/p\u003e\n\u003cp data-start=\"1413\" data-end=\"1729\"\u003e\u003cstrong data-start=\"1413\" data-end=\"1432\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1432\" data-end=\"1435\"\u003eTitle: The Lines of My Hand\u003cbr data-start=\"1462\" data-end=\"1465\"\u003eArtist \/ Author: Robert Frank\u003cbr data-start=\"1494\" data-end=\"1497\"\u003eDate: 1989\u003cbr data-start=\"1507\" data-end=\"1510\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1554\" data-end=\"1557\"\u003eMedium \/ Materials: Hardcover photobook\u003cbr data-start=\"1596\" data-end=\"1599\"\u003eDimensions: 23.5 x 30 cm\u003cbr data-start=\"1623\" data-end=\"1626\"\u003ePages: 80\u003cbr data-start=\"1645\" data-end=\"1648\"\u003ePublisher \/ Editor: Parkett \/ Der Alltag\u003cbr data-start=\"1688\" data-end=\"1691\"\u003eISBN: 3-907509-04-8\u003cbr data-start=\"1710\" data-end=\"1713\"\u003eCondition: NEW\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51776963182930,"sku":null,"price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_451e7fdf-5ea7-420b-8068-0930eeef16f8.jpg?v=1769295549"},{"product_id":"american-photographs-walker-evans-2012","title":"American Photographs — Walker Evans — 2012","description":"\u003cp data-start=\"105\" data-end=\"348\"\u003e\u003cbr data-start=\"151\" data-end=\"154\"\u003e\u003cem data-start=\"154\" data-end=\"203\"\u003eThe German edition of a timeless American icon.\u003c\/em\u003e\u003cbr data-start=\"203\" data-end=\"206\"\u003eEighty-seven quiet blows to the American myth — each frame a mirror, a window, a wound. Evans found poetry in gas stations, storefronts, eyes.\u003c\/p\u003e\n\u003cp data-start=\"350\" data-end=\"469\"\u003eThis MoMA reissue, designed with restraint, captures the still pulse of a past that never stopped haunting the present.\u003c\/p\u003e\n\u003cp data-start=\"471\" data-end=\"472\"\u003e⸻\u003c\/p\u003e\n\u003cp data-start=\"474\" data-end=\"1008\"\u003e\u003cstrong data-start=\"474\" data-end=\"484\"\u003eTitle:\u003c\/strong\u003e American Photographs\u003cbr data-start=\"505\" data-end=\"508\"\u003e\u003cstrong data-start=\"508\" data-end=\"536\"\u003eArtist \/ Author \/ Maker:\u003c\/strong\u003e Walker Evans (1903, St. Louis – 1975, New Haven)\u003cbr data-start=\"585\" data-end=\"588\"\u003e\u003cstrong data-start=\"588\" data-end=\"611\"\u003eTechnique \/ Medium:\u003c\/strong\u003e Photobook, hardcover with dust jacket\u003cbr data-start=\"649\" data-end=\"652\"\u003e\u003cstrong data-start=\"652\" data-end=\"664\" data-is-only-node=\"\"\u003eEdition:\u003c\/strong\u003e 2012 German edition (first German printing), reprint of the MoMA classic\u003cbr data-start=\"737\" data-end=\"740\"\u003e\u003cstrong data-start=\"740\" data-end=\"754\"\u003eSignature:\u003c\/strong\u003e Unsigned\u003cbr data-start=\"763\" data-end=\"766\"\u003e\u003cstrong data-start=\"766\" data-end=\"775\"\u003eDate:\u003c\/strong\u003e 2012\u003cbr data-start=\"780\" data-end=\"783\"\u003e\u003cstrong data-start=\"783\" data-end=\"797\"\u003eCondition:\u003c\/strong\u003e Fine — interior mint, dust jacket with minor tear and faint stain on rear\u003cbr data-start=\"871\" data-end=\"874\"\u003e\u003cstrong data-start=\"874\" data-end=\"889\"\u003eDimensions:\u003c\/strong\u003e 220 × 200 mm\u003cbr data-start=\"902\" data-end=\"905\"\u003e\u003cstrong data-start=\"905\" data-end=\"929\"\u003eOrigin \/ Provenance:\u003c\/strong\u003e Published by Schirmer and Mosel, Munich \u0026amp; The Museum of Modern Art, New York\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51776969867602,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/72A2CB88-AF6E-4156-A139-B4579084F079.jpg?v=1768224322"},{"product_id":"aka-ana-antoine-d-agata-2017","title":"赤穴 (Aka Ana) — Antoine d'Agata","description":"\u003cp data-end=\"397\" data-start=\"79\"\u003e \u003c\/p\u003e\n\u003cp data-end=\"240\" data-start=\"206\"\u003e\u003cstrong data-end=\"240\" data-start=\"206\"\u003e赤穴 (Aka Ana) — Antoine d'Agata\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"634\" data-start=\"242\"\u003eThis photobook by French photographer Antoine d’Agata, \u003cem data-end=\"306\" data-start=\"297\"\u003eAka Ana\u003c\/em\u003e (\u003cem data-end=\"318\" data-start=\"308\"\u003eRed Hole\u003c\/em\u003e), published in 2017 by Akaaka Art Publishing, is part of the Darwin Bookshop because it enters the erotic and existential void with unrelenting intensity. Shot in Japan over years of immersion in Tokyo’s underworld, the book documents not a place but a descent—into sex, fever, narcotics, and photographic collapse.\u003c\/p\u003e\n\u003cp data-end=\"1124\" data-start=\"636\"\u003eD’Agata's work in \u003cem data-end=\"663\" data-start=\"654\"\u003eAka Ana\u003c\/em\u003e fuses diaristic self-representation with performative and often collaborative acts of intimacy. Bodies blur, dissolve, burn under red light. The photographs are grainy, saturated, and immersive, often unreadable in a conventional sense—yet entirely legible in their physical and emotional charge. The cover itself is a veil: a naked figure partly obscured, with the title’s two kanji—赤 (red) and 穴 (hole)—cut directly into the surface like wounds or apertures.\u003c\/p\u003e\n\u003cp data-end=\"1535\" data-start=\"1126\"\u003eThis Japanese edition stands out for its production: heavy matte paper, rich inks, and the precise violence of the die-cut jacket. Signed by d’Agata in Arles, the book carries the trace of one of contemporary photography’s most transgressive presences. At Darwin, \u003cem data-end=\"1399\" data-start=\"1390\"\u003eAka Ana\u003c\/em\u003e is held as a core work in the photobook canon of embodied experience and radical exposure—where sex is no longer subject but condition.\u003c\/p\u003e\n\u003cp data-end=\"1556\" data-start=\"1537\"\u003e\u003cstrong data-end=\"1556\" data-start=\"1537\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1955\" data-start=\"1558\"\u003eTitle: 赤穴 (Aka Ana)\u003cbr data-end=\"1580\" data-start=\"1577\"\u003eArtist \/ Author: Antoine d’Agata\u003cbr data-end=\"1615\" data-start=\"1612\"\u003eDate: 2017\u003cbr data-end=\"1628\" data-start=\"1625\"\u003eTechnique \/ Printing Method: Offset printing, die-cut cover\u003cbr data-end=\"1690\" data-start=\"1687\"\u003eMedium \/ Materials: Hardcover with printed dust jacket\u003cbr data-end=\"1747\" data-start=\"1744\"\u003eDimensions: approx. 22 × 28 cm\u003cbr data-end=\"1780\" data-start=\"1777\"\u003eLanguage: Japanese, English, French\u003cbr data-end=\"1818\" data-start=\"1815\"\u003ePages: Unpaginated\u003cbr data-end=\"1839\" data-start=\"1836\"\u003ePublisher \/ Editor: Akaaka Art Publishing\u003cbr data-end=\"1883\" data-start=\"1880\"\u003eISBN: 978-4-86541-079-0\u003cbr data-end=\"1909\" data-start=\"1906\"\u003eSigned: Yes (signed in Arles)\u003cbr data-end=\"1941\" data-start=\"1938\"\u003eCondition: MINT\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51777089831250,"sku":null,"price":250.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_90e2f80b-f9c0-4c85-b11a-ebfc8a1873f9.jpg?v=1768063361"},{"product_id":"the-valley-larry-sultan-2004","title":"The Valley — Larry Sultan (2004)","description":"\u003cp data-start=\"244\" data-end=\"990\"\u003eThis is Larry Sultan’s \u003cem data-start=\"267\" data-end=\"279\"\u003eThe Valley\u003c\/em\u003e, a book that took five years to shoot and a lifetime of visual intelligence to frame. Published in 2004 by Scalo, it captures a strange and distinctly American intersection of domesticity and performance — the San Fernando Valley, epicentre of the adult film industry, rendered not as spectacle, but as a liminal theatre of longing, boredom, power, and collapse. Working with large format, Sultan inserts himself into the private homes used as film sets, portraying moments in-between takes or fully staged with deliberate ambiguity. The result is disquieting: bathrobes, fake tears, boom mics, indifferent husbands, nude actors caught under bright domestic lighting — the unglamorous infrastructure of desire.\u003c\/p\u003e\n\u003cp data-start=\"992\" data-end=\"1733\"\u003eEach photograph is lush, exacting, and mournful. Sultan’s palette leans toward deep velvet purples, beige carpets, overlit flesh and faux-wood panelling. If Araki gives us erotic ruin and Moriyama the grain of hunger, Sultan gives us stasis — desire without climax, where everything feels both overexposed and drained. This is California, but not as fantasy: it’s the Valley as stage, memory, and prison. Sultan, who grew up in the Valley and previously photographed his own parents with similar tenderness and unease (\u003cem data-start=\"1511\" data-end=\"1531\"\u003ePictures from Home\u003c\/em\u003e), extends his project of familial estrangement into a more public theatre. A book for anyone tracking the blurred borders of performance, the machinery of sex, and the deathless ache of suburban light.\u003c\/p\u003e\n\u003cp data-start=\"1735\" data-end=\"2024\"\u003e\u003cstrong data-start=\"1735\" data-end=\"1754\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1754\" data-end=\"1757\"\u003eTitle: The Valley\u003cbr data-start=\"1774\" data-end=\"1777\"\u003eArtist \/ Author: Larry Sultan\u003cbr data-start=\"1806\" data-end=\"1809\"\u003eDate: 2004\u003cbr data-start=\"1819\" data-end=\"1822\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1866\" data-end=\"1869\"\u003eMedium \/ Materials: Hardcover with dust jacket\u003cbr data-start=\"1915\" data-end=\"1918\"\u003eDimensions: 30.5 × 34 cm\u003cbr data-start=\"1942\" data-end=\"1945\"\u003ePages: 128\u003cbr data-start=\"1955\" data-end=\"1958\"\u003ePublisher \/ Editor: Scalo\u003cbr data-start=\"1983\" data-end=\"1986\"\u003eISBN: 3-908247-79-9\u003cbr data-start=\"2005\" data-end=\"2008\"\u003eCondition: Used. Good condition\u003c\/p\u003e\n\u003chr data-start=\"2026\" data-end=\"2029\"\u003e\n\u003cp data-start=\"2031\" data-end=\"2093\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51777110016338,"sku":null,"price":220.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_8c6bb6ea-c6c2-45a7-8d6d-6b6ae5003da2.jpg?v=1769295001"},{"product_id":"katherine-avenue-larry-sultan-2010","title":"Katherine Avenue – Larry Sultan,  Steidl 2010","description":"\u003cp data-start=\"92\" data-end=\"401\"\u003e\u003cbr data-start=\"133\" data-end=\"136\"\u003e\u003cem data-start=\"136\" data-end=\"198\"\u003eMemory, suburbia, and myth — a triptych of American intimacy\u003c\/em\u003e\u003cbr data-start=\"198\" data-end=\"201\"\u003eThree series woven into one powerful photobook: from familial portraits to porn sets to migrant laborers, Sultan’s vision is both personal and political — an excavation of the American dream’s façade.\u003c\/p\u003e\n\u003cp data-start=\"403\" data-end=\"469\"\u003eStill sealed in its original publisher's wrap. A flawless edition.\u003c\/p\u003e\n\u003cp data-start=\"471\" data-end=\"472\"\u003e⸻\u003c\/p\u003e\n\u003cp data-start=\"474\" data-end=\"919\"\u003e\u003cstrong data-start=\"474\" data-end=\"484\"\u003eTitle:\u003c\/strong\u003e \u003cem data-start=\"485\" data-end=\"503\"\u003eKatherine Avenue\u003c\/em\u003e\u003cbr data-start=\"503\" data-end=\"506\"\u003e\u003cstrong data-start=\"506\" data-end=\"534\"\u003eArtist \/ Author \/ Maker:\u003c\/strong\u003e \u003cem data-start=\"535\" data-end=\"566\"\u003eLarry Sultan (1946–2009, USA)\u003c\/em\u003e\u003cbr data-start=\"566\" data-end=\"569\"\u003e\u003cstrong data-start=\"569\" data-end=\"592\"\u003eTechnique \/ Medium:\u003c\/strong\u003e \u003cem data-start=\"593\" data-end=\"639\"\u003eHardcover book with dustjacket, offset print\u003c\/em\u003e\u003cbr data-start=\"639\" data-end=\"642\"\u003e\u003cstrong data-start=\"642\" data-end=\"654\"\u003eEdition:\u003c\/strong\u003e \u003cem data-start=\"655\" data-end=\"670\"\u003eFirst Edition\u003c\/em\u003e\u003cbr data-start=\"670\" data-end=\"673\"\u003e\u003cstrong data-start=\"673\" data-end=\"687\"\u003eSignature:\u003c\/strong\u003e \u003cem data-start=\"688\" data-end=\"698\"\u003eUnsigned\u003c\/em\u003e\u003cbr data-start=\"698\" data-end=\"701\"\u003e\u003cstrong data-start=\"701\" data-end=\"710\"\u003eDate:\u003c\/strong\u003e \u003cem data-start=\"711\" data-end=\"717\"\u003e2010\u003c\/em\u003e\u003cbr data-start=\"717\" data-end=\"720\"\u003e\u003cstrong data-start=\"720\" data-end=\"734\"\u003eCondition:\u003c\/strong\u003e \u003cem data-start=\"735\" data-end=\"786\"\u003eMint – new, unread, still in original shrink-wrap\u003c\/em\u003e\u003cbr data-start=\"786\" data-end=\"789\"\u003e\u003cstrong data-start=\"789\" data-end=\"804\"\u003eDimensions:\u003c\/strong\u003e \u003cem data-start=\"805\" data-end=\"819\"\u003e274 × 269 mm\u003c\/em\u003e\u003cbr data-start=\"819\" data-end=\"822\"\u003e\u003cstrong data-start=\"822\" data-end=\"846\"\u003eOrigin \/ Provenance:\u003c\/strong\u003e \u003cem data-start=\"847\" data-end=\"919\"\u003eSteidl, Göttingen – published posthumously as a definitive compilation\u003c\/em\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51777118830930,"sku":null,"price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/9A293FA4-257F-43CA-AB89-9FBD58910E7B.jpg?v=1768224684"},{"product_id":"evidence-larry-sultan-amp-mike-mandel-2017","title":"Evidence — Larry Sultan \u0026 Mike Mandel (Second printing, 2017)","description":"\u003cp data-start=\"91\" data-end=\"316\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOriginally published in 1977, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eEvidence\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is a seminal photobook by Mike Mandel and Larry Sultan, composed entirely of found photographs sourced from the archives of over one hundred U.S. government agencies, research institutions, and corporations. The images were originally made as documents of scientific experiments, industrial procedures, police investigations, and technical research. Mandel and Sultan stripped them of their original captions and contexts, reordering them as autonomous visual statements, thereby transforming utilitarian imagery into enigmatic, often absurd or unsettling art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis edition, published by D.A.P. \/ Distributed Art Publishers in 2017 (ISBN 9781942884149), is the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003esecond printing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e of the 2003 facsimile reissue. It preserves the design and sequence of the original 1977 book, with production overseen by Working Dog Press and design by Victor Mingovits. The photographs are drawn from the archives of institutions including the San Jose Police Department, Jet Propulsion Laboratories, General Atomic Company, and the U.S. Department of the Interior.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eEvidence\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e has since been recognized as a foundational work of conceptual photography, upending traditional notions of authorship, documentation, and narrative. Its influence spans photography, art history, and archival practice.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTechnical Sheet:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eMike Mandel, Larry Sultan\u003cbr\u003eD.A.P. \/ Distributed Art Publishers, New York, 2017 (second printing of 2003 facsimile edition, originally published 1977)\u003cbr\u003eSoftcover, 28 x 31.5 cm, unpaginated (approx. 100 pages)\u003cbr\u003eDesign: Victor Mingovits\u003cbr\u003eEditor: Loni Waxman\u003cbr\u003eProduction: Working Dog Press\u003cbr\u003eISBN: 978-1-942884-14-9\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51777150878034,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_966a0afa-4068-4856-b35e-4b99037badf6.jpg?v=1768214610"},{"product_id":"pornografie-klaus-staeck-1971","title":"Pornografie – Klaus Staeck, 1971","description":"\u003cp data-end=\"316\" data-start=\"86\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-start=\"99\" data-end=\"529\"\u003eThis artist’s book by Klaus Staeck, completed in 1970 and published in 1971 by Anabas Verlag, is part of the Darwin Bookshop because it offers a caustic, politically charged redefinition of pornography—not of sex, but of violence, media and state power. The title \u003cem data-start=\"363\" data-end=\"376\"\u003ePornografie\u003c\/em\u003e is a provocation: what unfolds inside is not erotic at all, but a dense visual essay on the obscenity of authority and the mass spectacle of repression.\u003c\/p\u003e\n\u003cp data-start=\"531\" data-end=\"1020\"\u003eStaeck, a key figure in postwar German political art, assembles a barrage of press photographs, protest images, police brutality, and tabloid fragments. Riot police in helmets become recurring motifs, their visors pixelated like censored genitals. The graphic language is stark: black backgrounds, aggressive crops, and a montage style indebted to Dada and Situationism. It reads like a dossier, a piece of forensic resistance against the hypocritical moral codes of the West German state.\u003c\/p\u003e\n\u003cp data-start=\"1022\" data-end=\"1375\"\u003ePublished at a moment of deep unrest—shortly after 1968, amid RAF trials and violent protest crackdowns—\u003cem data-start=\"1126\" data-end=\"1139\"\u003ePornografie\u003c\/em\u003e is not a photobook in the classic sense but a critical object. It weaponises design to ask: What kind of images are allowed to circulate, and which ones are suppressed? What violence is deemed acceptable, and which bodies are punished?\u003c\/p\u003e\n\u003cp data-start=\"1377\" data-end=\"1495\"\u003eA rare early work by one of Germany’s most radical image-makers, and a chilling document of mediated authoritarianism.\u003c\/p\u003e\n\u003cp data-start=\"1497\" data-end=\"1516\"\u003e\u003cstrong data-start=\"1497\" data-end=\"1516\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1518\" data-end=\"1537\"\u003eTitle\u003cbr data-start=\"1523\" data-end=\"1526\"\u003ePornografie\u003c\/p\u003e\n\u003cp data-start=\"1539\" data-end=\"1569\"\u003eArtist \/ Author\u003cbr data-start=\"1554\" data-end=\"1557\"\u003eKlaus Staeck\u003c\/p\u003e\n\u003cp data-start=\"1571\" data-end=\"1582\"\u003eDate\u003cbr data-start=\"1575\" data-end=\"1578\"\u003e1971\u003c\/p\u003e\n\u003cp data-start=\"1584\" data-end=\"1629\"\u003eTechnique \/ Printing Method\u003cbr data-start=\"1611\" data-end=\"1614\"\u003eOffset printing\u003c\/p\u003e\n\u003cp data-start=\"1631\" data-end=\"1661\"\u003eMedium \/ Materials\u003cbr data-start=\"1649\" data-end=\"1652\"\u003eSoftcover\u003c\/p\u003e\n\u003cp data-start=\"1663\" data-end=\"1695\"\u003eDimensions (cm)\u003cbr data-start=\"1678\" data-end=\"1681\"\u003e29.5 x 23.5 cm\u003c\/p\u003e\n\u003cp data-start=\"1697\" data-end=\"1714\"\u003eLanguage\u003cbr data-start=\"1705\" data-end=\"1708\"\u003eGerman\u003c\/p\u003e\n\u003cp data-start=\"1716\" data-end=\"1749\"\u003ePages\u003cbr data-start=\"1721\" data-end=\"1724\"\u003eUnpaginated (approx. 120)\u003c\/p\u003e\n\u003cp data-start=\"1751\" data-end=\"1810\"\u003ePublisher \/ Editor\u003cbr data-start=\"1769\" data-end=\"1772\"\u003eAnabas Verlag \/ H.C. Schmolck (Editor)\u003c\/p\u003e\n\u003cp data-start=\"1812\" data-end=\"1832\"\u003eISBN\u003cbr data-start=\"1816\" data-end=\"1819\"\u003e3-87038-020-9\u003c\/p\u003e\n\u003cp data-start=\"1834\" data-end=\"1889\"\u003eCondition\u003cbr data-start=\"1843\" data-end=\"1846\"\u003eUsed — cover has damage, and some pages are detached \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51777156972882,"sku":null,"price":280.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_ecc19558-ee61-4f7e-ae3b-860d3ef56606.jpg?v=1768213758"},{"product_id":"antoine-d-agata-amp-francis-bacon-2020","title":"Francis Bacon \/ Antoine d’Agata — Antoine d’Agata (signed)","description":"\u003cp data-end=\"288\" data-start=\"91\"\u003e \u003c\/p\u003e\n\u003cp\u003eThis double-volume publication by Antoine d’Agata, published by The Eyes in 2020, is part of the Darwin Bookshop because it stages a visceral encounter between two artists who work the body into a site of rupture, obsession and metaphysical unease. Bound in black covers with bold red titling—one volume bearing d’Agata’s name, the other Bacon’s—the set is a dark duet of violence and intimacy, painting and photography, flesh and shadow.\u003c\/p\u003e\n\u003cp data-start=\"562\" data-end=\"1103\"\u003eD’Agata’s photographs push the edge of visibility: blurred, overexposed, limbs contorted mid-act, his subjects half-submerged in narcotic or erotic delirium. The camera becomes an extension of the body, implicating both author and viewer in acts that reject moral clarity. Printed on dense Munken Lynx paper, these images are paired against works by Francis Bacon, reproduced from the ISC Modern Art Gallery, that echo with similar convulsions—painted torsos split by mirrors, human forms crumpling into furniture, desire rendered grotesque.\u003c\/p\u003e\n\u003cp data-start=\"1105\" data-end=\"1467\"\u003eThis second edition also includes essays by Bruno Sabatier, Perrine Le Querrec and Léa Bismuth, who reflect on the links between these two visual vocabularies of pain. It is a rare editorial pairing, not just comparative but dialogic. D’Agata does not interpret Bacon—he inhabits him, pushing photography to match the painter’s capacity for existential violence.\u003c\/p\u003e\n\u003cp data-start=\"1469\" data-end=\"1488\"\u003e\u003cstrong data-start=\"1469\" data-end=\"1488\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1490\" data-end=\"1529\"\u003eTitle\u003cbr data-start=\"1495\" data-end=\"1498\"\u003eFrancis Bacon \/ Antoine d’Agata\u003c\/p\u003e\n\u003cp data-start=\"1531\" data-end=\"1564\"\u003eArtist \/ Author\u003cbr data-start=\"1546\" data-end=\"1549\"\u003eAntoine d’Agata\u003c\/p\u003e\n\u003cp data-start=\"1566\" data-end=\"1599\"\u003eDate\u003cbr data-start=\"1570\" data-end=\"1573\"\u003e2020 (second edition 2021)\u003c\/p\u003e\n\u003cp data-start=\"1601\" data-end=\"1646\"\u003eTechnique \/ Printing Method\u003cbr data-start=\"1628\" data-end=\"1631\"\u003eOffset printing\u003c\/p\u003e\n\u003cp data-start=\"1648\" data-end=\"1713\"\u003eMedium \/ Materials\u003cbr data-start=\"1666\" data-end=\"1669\"\u003eSoftcover, two-volume set housed in slipcase\u003c\/p\u003e\n\u003cp data-start=\"1715\" data-end=\"1739\"\u003eEdition\u003cbr data-start=\"1722\" data-end=\"1725\"\u003eSecond edition\u003c\/p\u003e\n\u003cp data-start=\"1741\" data-end=\"1785\"\u003eSigned\u003cbr data-start=\"1747\" data-end=\"1750\"\u003eYes (signed by d’Agata, dated 2021)\u003c\/p\u003e\n\u003cp data-start=\"1787\" data-end=\"1835\"\u003eDimensions (cm)\u003cbr data-start=\"1802\" data-end=\"1805\"\u003eEach volume approx. 24 x 17 cm\u003c\/p\u003e\n\u003cp data-start=\"1837\" data-end=\"1854\"\u003eLanguage\u003cbr data-start=\"1845\" data-end=\"1848\"\u003eFrench\u003c\/p\u003e\n\u003cp data-start=\"1856\" data-end=\"1900\"\u003ePages\u003cbr data-start=\"1861\" data-end=\"1864\"\u003eNot stated (approx. 100+ per volume)\u003c\/p\u003e\n\u003cp data-start=\"1902\" data-end=\"1942\"\u003ePublisher \/ Editor\u003cbr data-start=\"1920\" data-end=\"1923\"\u003eThe Eyes Publishing\u003c\/p\u003e\n\u003cp data-start=\"1944\" data-end=\"1968\"\u003eISBN\u003cbr data-start=\"1948\" data-end=\"1951\"\u003e979-10-92727-42-5\u003c\/p\u003e\n\u003cp data-start=\"1970\" data-end=\"1985\"\u003eCondition\u003cbr data-start=\"1979\" data-end=\"1982\"\u003eNew\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51777162346834,"sku":null,"price":180.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_2_95dd4294-39b2-4d9e-9e1c-da97a9db5801.jpg?v=1768211063"},{"product_id":"antonio-saura-kafka-lithograph-no-271-300","title":"Franz Kafka’s Tagebücher — Saura  1988","description":"\u003cp\u003eThis lithograph is one of 69 works created by Antonio Saura in response to Franz Kafka’s \u003cem data-end=\"209\" data-start=\"197\"\u003eTagebücher\u003c\/em\u003e (\u003cem data-end=\"220\" data-start=\"211\"\u003eDiaries\u003c\/em\u003e), published in 1988 as a limited artist's book. Printed on fine \u003cem data-end=\"306\" data-start=\"285\"\u003epapier vélin Bütten\u003c\/em\u003e, the image is part of a visual diary where Saura confronts Kafka’s interior world—translating dread, delirium, and bodily disintegration into graphic form.\u003c\/p\u003e\n\u003cp data-end=\"984\" data-start=\"464\"\u003eThe composition is sprawling and almost anatomical: limbs, breasts, and faces twist violently into each other, rendered in airbrush-like shadows and urgent black line. A female nude is flattened, pierced by expressive stroke—less a figure than a vessel of anxiety. There is both play and punishment in the way Saura draws here: embracing the grotesque, but with a controlled rhythm. The image splits down the fold of the page, reinforcing its origin in book form—meant to be turned, not framed; lived with, not isolated.\u003c\/p\u003e\n\u003cp data-end=\"1322\" data-start=\"986\"\u003eSaura’s engagement with Kafka was not literal, but psychic. This is Kafka’s diary not as narrative, but as nightmare: the artist tapping into an abyss of guilt, repression, absurdity and flesh. The result is one of the most ambitious graphic cycles of the postwar era—less an illustration than a confrontation between two haunted minds.\u003c\/p\u003e\n\u003cp data-end=\"1646\" data-start=\"1324\"\u003e\u003cstrong data-end=\"1343\" data-start=\"1324\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-end=\"1346\" data-start=\"1343\"\u003eTitle: 69 works, Franz Kafka, Tagebücher\u003cbr data-end=\"1389\" data-start=\"1386\"\u003eArtist \/ Author: Antonio Saura\u003cbr data-end=\"1422\" data-start=\"1419\"\u003eDate: 1988\u003cbr data-end=\"1435\" data-start=\"1432\"\u003eTechnique \/ Printing Method: Lithograph\u003cbr data-end=\"1477\" data-start=\"1474\"\u003eMedium \/ Materials: Ink on Bütten paper\u003cbr data-end=\"1519\" data-start=\"1516\"\u003eDimensions (cm): 33.5 × 25 × 4.5 cm (volume)\u003cbr data-end=\"1566\" data-start=\"1563\"\u003ePublisher \/ Editor: (Not specified — edition from 1988)\u003cbr data-end=\"1624\" data-start=\"1621\"\u003eCondition: Excellent\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51777167196498,"sku":null,"price":130.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/Screenshot2026-01-14at22.29.54_1.jpg?v=1768427286"},{"product_id":"eduardo-chillida-osasun-amp-homenage","title":"Eduardo Chillida — Osasun \u0026amp; Homenage","description":"\u003cp data-start=\"73\" data-end=\"327\"\u003e\u003cbr data-start=\"121\" data-end=\"124\"\u003e\u003cem data-start=\"124\" data-end=\"252\"\u003eTwo serene homages to form and freedom — Chillida’s signature interplay of weight and void, rendered in fine art reproduction.\u003c\/em\u003e\u003cbr data-start=\"252\" data-end=\"255\"\u003e\u003cem data-start=\"255\" data-end=\"327\"\u003ePublished with care, signed in print, and preserved in mint condition.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"329\" data-end=\"330\"\u003e⸻\u003c\/p\u003e\n\u003cp data-start=\"332\" data-end=\"994\"\u003e\u003cstrong data-start=\"332\" data-end=\"342\"\u003eTitle:\u003c\/strong\u003e \u003cem data-start=\"343\" data-end=\"351\"\u003eOsasun\u003c\/em\u003e (1974, after original woodcut) \u0026amp; \u003cem data-start=\"385\" data-end=\"395\"\u003eHomenage\u003c\/em\u003e\u003cbr data-start=\"395\" data-end=\"398\"\u003e\u003cstrong data-start=\"398\" data-end=\"409\"\u003eArtist:\u003c\/strong\u003e \u003cem data-start=\"410\" data-end=\"440\"\u003eEduardo Chillida (1924–2002)\u003c\/em\u003e\u003cbr data-start=\"440\" data-end=\"443\"\u003e\u003cstrong data-start=\"443\" data-end=\"466\" data-is-only-node=\"\"\u003eTechnique \/ Medium:\u003c\/strong\u003e\u003cbr data-start=\"466\" data-end=\"469\"\u003e• \u003cem data-start=\"471\" data-end=\"479\"\u003eOsasun\u003c\/em\u003e: Quadrichrome print of original 1974 woodcut\u003cbr data-start=\"524\" data-end=\"527\"\u003e• \u003cem data-start=\"529\" data-end=\"539\"\u003eHomenage\u003c\/em\u003e: Fine Art Giclée print\u003cbr data-start=\"562\" data-end=\"565\"\u003e\u003cstrong data-start=\"565\" data-end=\"577\"\u003eEdition:\u003c\/strong\u003e \u003cem data-start=\"578\" data-end=\"622\"\u003eOpen edition (published by Hauser \u0026amp; Wirth)\u003c\/em\u003e\u003cbr data-start=\"622\" data-end=\"625\"\u003e\u003cstrong data-start=\"625\" data-end=\"639\"\u003eSignature:\u003c\/strong\u003e \u003cem data-start=\"640\" data-end=\"673\"\u003ePrinted signature on both works\u003c\/em\u003e\u003cbr data-start=\"673\" data-end=\"676\"\u003e\u003cstrong data-start=\"676\" data-end=\"685\"\u003eDate:\u003c\/strong\u003e \u003cem data-start=\"686\" data-end=\"707\"\u003ePosthumous editions\u003c\/em\u003e\u003cbr data-start=\"707\" data-end=\"710\"\u003e\u003cstrong data-start=\"710\" data-end=\"724\"\u003eCondition:\u003c\/strong\u003e \u003cem data-start=\"725\" data-end=\"787\"\u003eExcellent — never framed, stored flat in archival conditions\u003c\/em\u003e\u003cbr data-start=\"787\" data-end=\"790\"\u003e\u003cstrong data-start=\"790\" data-end=\"805\"\u003eDimensions:\u003c\/strong\u003e\u003cbr data-start=\"805\" data-end=\"808\"\u003e• \u003cem data-start=\"810\" data-end=\"818\"\u003eOsasun\u003c\/em\u003e: 50 × 50 cm\u003cbr data-start=\"830\" data-end=\"833\"\u003e• \u003cem data-start=\"835\" data-end=\"845\"\u003eHomenage\u003c\/em\u003e: 63.5 × 43 cm\u003cbr data-start=\"859\" data-end=\"862\"\u003e\u003cstrong data-start=\"862\" data-end=\"872\"\u003ePaper:\u003c\/strong\u003e \u003cem data-start=\"873\" data-end=\"913\"\u003eSomerset Smooth 160g\/m² Fine Art paper\u003c\/em\u003e\u003cbr data-start=\"913\" data-end=\"916\"\u003e\u003cstrong data-start=\"916\" data-end=\"940\"\u003eOrigin \/ Provenance:\u003c\/strong\u003e \u003cem data-start=\"941\" data-end=\"994\"\u003eHauser \u0026amp; Wirth (for “Homenage”); private collection\u003c\/em\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51777172603218,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/46d00070-e100-4871-acd6-4de05230d7e5.jpg?v=1761824072"}],"url":"https:\/\/thedarwin.es\/collections\/new-arrivals.oembed?page=13","provider":"DaRWIN","version":"1.0","type":"link"}