{"title":"PHOTOBOOKS","description":"\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"a91f0f78-7453-4b14-863a-7c9f01c04849\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-2\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003ch1 class=\"markdown prose dark:prose-invert w-full break-words dark markdown-new-styling\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003ePHOTOBOOKS \/ ARCHIVE\u003c\/strong\u003e\n\u003c\/h1\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full break-words dark markdown-new-styling\"\u003e\n\u003cp data-start=\"64\" data-end=\"436\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eIn Darwin, photobooks operate as an archive under pressure. Japan’s street intensity sits beside Scandinavian restraint, Spanish and African documentary weight. These books don’t stand alone—they interlock through \u003cstrong\u003eproximity, repetition, and obsession\u003c\/strong\u003e. Paper becomes a holding surface, carrying time, drift, and contradiction without narrative relief, where meaning accumulates through circulation rather than order.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","products":[{"product_id":"espana-oculta","title":"España Oculta — Cristina García Rodero (2025)","description":"\u003cp data-start=\"316\" data-end=\"841\"\u003eThis is the revised edition of \u003cem data-start=\"347\" data-end=\"362\"\u003eEspaña Oculta\u003c\/em\u003e by Cristina García Rodero, newly published under the artist’s own imprint, \u003cstrong data-start=\"438\" data-end=\"483\"\u003eEditorial  Elvira\u003c\/strong\u003e, and it is part of the Darwin Bookshop because it returns full authorship and editorial control to one of the most essential voices in documentary photography. First released in 1989, the book remains the most powerful photographic account ever made of rural Spain—its ecstatic rituals, sacred choreographies, and bodies caught in acts of collective trance.\u003c\/p\u003e\n\u003cp data-start=\"843\" data-end=\"1277\"\u003eGarcía Rodero spent over 15 years photographing festivals, pilgrimages, and popular ceremonies across the Spanish countryside between 1973 and 1988, capturing scenes that veer between the Catholic, the pagan, and the surreal. What results is not a nostalgic ethnography but a fierce visual anthropology of belief, suffering, and joy. The images are precise, direct, often overwhelming. They do not explain Spain—they convulse with it.\u003c\/p\u003e\n\u003cp data-start=\"1279\" data-end=\"1736\"\u003eThis 2025 edition restores the original sequencing while expanding the selection and correcting past omissions, now produced to the highest standards by García Rodero herself. The book cover, showing the ritual of \u003cem data-start=\"1493\" data-end=\"1505\"\u003eEl Colacho\u003c\/em\u003e—where a devil-costumed man leaps over newborns—remains one of the most iconic images in Spanish photography. At Darwin, \u003cem data-start=\"1626\" data-end=\"1641\"\u003eEspaña Oculta\u003c\/em\u003e is considered an anchor: a book that defines not just a place or period, but a mode of seeing.\u003c\/p\u003e\n\u003cp data-start=\"1738\" data-end=\"1757\"\u003e\u003cstrong data-start=\"1738\" data-end=\"1757\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1759\" data-end=\"2114\"\u003eTitle: España Oculta (Edición Revisada)\u003cbr data-start=\"1798\" data-end=\"1801\"\u003eArtist \/ Author: Cristina García Rodero\u003cbr data-start=\"1840\" data-end=\"1843\"\u003eDate: Second print, 2025\u003cbr data-start=\"1853\" data-end=\"1856\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1900\" data-end=\"1903\"\u003eMedium \/ Materials: Hardcover, cloth spine\u003cbr data-start=\"1945\" data-end=\"1948\"\u003eDimensions: approx. 24 × 30 cm\u003cbr data-start=\"1978\" data-end=\"1981\"\u003eLanguage: Spanish\u003cbr data-start=\"1998\" data-end=\"2001\"\u003ePages: 288\u003cbr data-start=\"2011\" data-end=\"2014\" data-is-only-node=\"\"\u003ePublisher \/ Editor: Editorial Elvira\u003cbr data-start=\"2075\" data-end=\"2078\"\u003eISBN: 9788409641475\u003cbr data-start=\"2097\" data-end=\"2100\"\u003eCondition: New\u003c\/p\u003e\n\u003cp data-start=\"2117\" data-end=\"2179\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51614630379858,"sku":null,"price":56.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_2_94c66ee9-952e-488a-a7ed-044c1bdb6906.jpg?v=1768065558"},{"product_id":"the-pulse-of-life","title":"The Pulse of Life — Photo portraits XXI century, Aperture 2021","description":"\u003cp data-start=\"92\" data-end=\"634\"\u003eA precise survey of portraiture at its most alert, this volume captures how photography confronts the human presence. Drawing from key figures across decades, it assembles over a hundred works where intimacy, distance, and observation collide. Rather than stylistic unity, it proposes a shared commitment to lived reality—faces as sites of tension, vulnerability, and recognition. Carefully sequenced, it reads less as a catalogue than a sustained reflection on photography’s documentary force and its unresolved ethical and emotional stakes.\u003c\/p\u003e\n\u003cp data-start=\"636\" data-end=\"936\"\u003e\u003cstrong data-start=\"636\" data-end=\"655\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"655\" data-end=\"658\"\u003eTitle: The Pulse of Life\u003cbr data-start=\"682\" data-end=\"685\"\u003eArtist \/ Author: Various\u003cbr data-start=\"709\" data-end=\"712\"\u003eDate: 2021\u003cbr data-start=\"722\" data-end=\"725\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"769\" data-end=\"772\"\u003eMedium \/ Materials: Hardcover with cloth spine\u003cbr data-start=\"818\" data-end=\"821\"\u003eDimensions (cm): 30 × 25\u003cbr data-start=\"845\" data-end=\"848\"\u003ePages: 280\u003cbr data-start=\"858\" data-end=\"861\"\u003eLanguage: English\u003cbr data-start=\"878\" data-end=\"881\"\u003ePublisher \/ Editor: Fundación MAPFRE\u003cbr data-start=\"917\" data-end=\"920\"\u003eCondition: New\u003c\/p\u003e\n\u003cp data-start=\"938\" data-end=\"1172\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51614795006290,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_1_00c55fb2-f382-411c-b451-522b46f7a913.jpg?v=1768211442"},{"product_id":"eamonn-doyle","title":"Eamonn Doyle — Fundación Mapfre, 2019 (Spanish edition)","description":"\u003cp data-start=\"160\" data-end=\"721\"\u003eA city observed from above, behind, and at the edge of disappearance. This monograph captures the Irish photographer’s radical reframing of Dublin through tilted perspectives, cropped bodies and saturated urban fragments. Centered on the trilogy \u003cem data-start=\"406\" data-end=\"419\"\u003ei, ON, End.\u003c\/em\u003e and the later series \u003cem data-start=\"441\" data-end=\"444\"\u003eK\u003c\/em\u003e, it marks a decisive moment in European street photography of the 2010s. Published for Fundación Mapfre’s 2019 exhibition, it positions Doyle between documentary tension and staged apparition, extending the lineage of Moriyama and Petersen into a distinct Atlantic register.\u003c\/p\u003e\n\u003cp data-start=\"723\" data-end=\"1005\"\u003eTechnical Sheet\u003cbr data-start=\"738\" data-end=\"741\"\u003eTitle: Eamonn Doyle\u003cbr data-start=\"760\" data-end=\"763\"\u003eArtist \/ Author: Eamonn Doyle\u003cbr data-start=\"792\" data-end=\"795\"\u003eDate: 2019\u003cbr data-start=\"805\" data-end=\"808\"\u003eMedium \/ Materials: Offset printed book, hardcover\u003cbr data-start=\"858\" data-end=\"861\"\u003eDimensions (cm): 25 × 30.8 cm\u003cbr data-start=\"890\" data-end=\"893\"\u003ePages: 287\u003cbr data-start=\"903\" data-end=\"906\"\u003eLanguage: Spanish\u003cbr data-start=\"923\" data-end=\"926\"\u003ePublisher \/ Editor: Fundación Mapfre\u003cbr data-start=\"962\" data-end=\"965\"\u003eISBN: 978-84-9844-730-9\u003cbr data-start=\"988\" data-end=\"991\"\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51614812504402,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_a925bfb3-ab70-48c4-9430-9f209c88026a.jpg?v=1771944389"},{"product_id":"lynne-cohen","title":"Lynne Cohen – Fundación Mapfre, 2014","description":"\u003cdiv class=\"row\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Book\"\u003e\n\u003cdiv class=\"col-12\"\u003e\n\u003cdiv class=\"mt-5 book__text\" itemprop=\"description\"\u003e\n\u003cp data-start=\"137\" data-end=\"666\"\u003eSilence becomes architectural here. This Fundación Mapfre monograph surveys Lynne Cohen’s rigorously frontal photographs of institutional interiors—classrooms, spas, laboratories, training rooms—spaces stripped of people yet charged with latent authority. Published in 2014 and edited by Manuel Borja Burbano, Paloma Castellanos and Fernando Gaona, it situates her work within conceptual photography and the politics of space. The halfcloth binding mirrors the austerity of the images: controlled, cool, and unsettlingly precise.\u003c\/p\u003e\n\u003cp data-start=\"668\" data-end=\"942\"\u003eTechnical Sheet\u003cbr data-start=\"683\" data-end=\"686\"\u003eTitle: Lynne Cohen\u003cbr data-start=\"704\" data-end=\"707\"\u003eArtist \/ Author: Lynne Cohen\u003cbr data-start=\"735\" data-end=\"738\"\u003eDate: 2014\u003cbr data-start=\"748\" data-end=\"751\"\u003eMedium \/ Materials: Halfcloth binding\u003cbr data-start=\"788\" data-end=\"791\"\u003eLanguage: Spanish\u003cbr data-start=\"808\" data-end=\"811\" data-is-only-node=\"\"\u003ePublisher \/ Editor: Fundación Mapfre\u003cbr data-start=\"847\" data-end=\"850\"\u003eEditor(s): Manuel Borja Burbano; Paloma Castellanos; Fernando Gaona\u003cbr data-start=\"917\" data-end=\"920\"\u003eCondition: Very good\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51614828003666,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_2_eac4078c-a385-43c6-bd36-4ead07756c26.jpg?v=1771144961"},{"product_id":"chewing-gum-and-chocolate","title":"Chewing Gum and Chocolate — Shomei Tomatsu (2014 edition)","description":"\u003cp data-start=\"126\" data-end=\"611\"\u003eThis is the 2014 Kehrer Verlag edition of \u003cem data-start=\"168\" data-end=\"195\"\u003eChewing Gum and Chocolate\u003c\/em\u003e, a career-defining monograph of Shomei Tomatsu’s work chronicling postwar Japan through its most volatile contradictions. The title itself — sweet, disposable, foreign — cues the tension at the heart of Tomatsu’s images: a Japan occupied, Americanised, economically blooming, and spiritually unsettled. The book presents a black-and-white archive that veers from documentary to surreal, locating beauty in rupture.\u003c\/p\u003e\n\u003cp data-start=\"613\" data-end=\"1193\"\u003eAcross its pages, Tomatsu focuses on Okinawa and the aftermath of war, US military presence, and the shifting face of Japanese identity. Street portraits of swaggering youths, scarred veterans, military debris, and lovers in shadowy interiors unfold with a calm, pointed urgency. His camera is not voyeuristic but implicated — tuned to surfaces yet dense with political temperature. The cover image, a young man in a white suit in Koza, Okinawa (1976–80), captures a hybridised, poised defiance, a stylish assertion of individuality within the larger scene of cultural occupation.\u003c\/p\u003e\n\u003cp data-start=\"1195\" data-end=\"1565\"\u003eTomatsu belongs in Darwin as a central figure in the Japanese postwar photographic avant-garde — alongside contemporaries like Daidō Moriyama or Nobuyoshi Araki, yet more overtly political. If Moriyama’s images dissolve into grain and desire, Tomatsu’s crystallise history into form. \u003cem data-start=\"1479\" data-end=\"1506\"\u003eChewing Gum and Chocolate\u003c\/em\u003e is both an aesthetic statement and a historical reckoning.\u003c\/p\u003e\n\u003cp data-start=\"1567\" data-end=\"1586\"\u003e\u003cstrong data-start=\"1567\" data-end=\"1586\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1588\" data-end=\"1953\"\u003eTitle: Chewing Gum and Chocolate\u003cbr data-start=\"1620\" data-end=\"1623\"\u003eArtist \/ Author: Shomei Tomatsu\u003cbr data-start=\"1654\" data-end=\"1657\"\u003eDate: 2014 edition\u003cbr data-start=\"1675\" data-end=\"1678\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1713\" data-end=\"1716\"\u003eMedium \/ Materials: Hardcover, printed boards\u003cbr data-start=\"1761\" data-end=\"1764\"\u003eDimensions (cm): approx. 24 x 30 cm\u003cbr data-start=\"1799\" data-end=\"1802\"\u003eLanguage: German\u003cbr data-start=\"1818\" data-end=\"1821\"\u003ePages: Unstated\u003cbr data-start=\"1836\" data-end=\"1839\"\u003ePublisher \/ Editor: Kehrer Verlag Heidelberg Berlin \/ Aperture Foundation\u003cbr data-start=\"1912\" data-end=\"1915\"\u003eISBN: 9783868284980\u003cbr data-start=\"1934\" data-end=\"1937\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51614896882002,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_2_7a515756-d976-4c60-9e83-d18a9c43b074.jpg?v=1769358243"},{"product_id":"brassai","title":"Brassaï – Fundación Mapfre, 2018","description":"\u003cp data-start=\"133\" data-end=\"660\"\u003e \u003c\/p\u003e\n\u003cp data-start=\"133\" data-end=\"660\"\u003eParis after dark finds its definitive eye here. This Fundación Mapfre catalogue revisits Brassaï’s nocturnal world—brothels, cafés, lovers, fog-bound streets—through a rigorous institutional lens. Produced for the 2018 exhibition, it situates his photography between Surrealism and documentary, foregrounding his role in shaping the myth of 1930s Montparnasse. Carefully printed and cloth-bound, it combines iconic plates with archival material, reaffirming why his night images remain foundational to modern urban photography.\u003c\/p\u003e\n\u003cp data-start=\"662\" data-end=\"858\"\u003eTechnical Sheet\u003cbr data-start=\"677\" data-end=\"680\"\u003eTitle: Brassaï\u003cbr data-start=\"694\" data-end=\"697\"\u003eArtist \/ Author: Brassaï\u003cbr data-start=\"721\" data-end=\"724\"\u003eDate: 2018\u003cbr data-start=\"734\" data-end=\"737\"\u003eMedium \/ Materials: Halfcloth binding\u003cbr data-start=\"774\" data-end=\"777\"\u003eLanguage: Spanish \u0026amp; Catalan editions available\u003c\/p\u003e\n\u003cp data-start=\"662\" data-end=\"858\"\u003ePublisher \/ Editor: Fundación Mapfre\u003cbr data-start=\"833\" data-end=\"836\"\u003eCondition: NEW\u003c\/p\u003e\n\u003cp data-start=\"860\" data-end=\"1010\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51614907138386,"sku":null,"price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_194eb30a-a83f-43e1-b9ff-349dce4eaa7e.jpg?v=1771143428"},{"product_id":"llorando-a-aquella-que-creyo-amarme","title":"Alberto García-Alix – Llorando a aquella que creyó amarme","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-start=\"130\" data-end=\"546\"\u003eThis photobook by Alberto García-Alix, published in 2002 by La Fábrica, is part of the Darwin Bookshop because it gathers the haunted, erotic and mythic realism of one of Spain’s most singular photographic voices. \u003cem data-start=\"344\" data-end=\"381\"\u003eLlorando a aquélla que creyó amarme\u003c\/em\u003e—\u003cem data-start=\"382\" data-end=\"428\"\u003eWeeping for the One Who Thought She Loved Me\u003c\/em\u003e—is a requiem for desire and a portrait of García-Alix’s Spain: decadent, intimate, performative, and politically raw.\u003c\/p\u003e\n\u003cp data-start=\"548\" data-end=\"1201\"\u003eProduced on the occasion of the 2002 PHotoEspaña retrospective following his receipt of Spain’s National Photography Prize, the book presents a fiercely autobiographical selection from three decades of work. It features lovers, addicts, drifters, trans performers, old cinemas, and neon signs—always rendered in García-Alix’s trademark high-contrast monochrome. In one spread, a naked couple clutch each other on a parquet floor like a neoclassical ruin. In another, a woman stares defiantly from under tangled branches, or lies in bed as a shadow-hand gestures like a pistol across the wall. Every image holds the tension between tenderness and threat.\u003c\/p\u003e\n\u003cp data-start=\"1203\" data-end=\"1547\"\u003eThe title, taken from a line that reads more like a tattoo than a sentence, sets the register of romantic ruin. This is García-Alix’s Madrid: a place of night, memory, sex and mourning. The book is printed and bound in Spain with a dark cinematic cover and crisp bilingual captions, bridging documentary and drama with unapologetic physicality.\u003c\/p\u003e\n\u003cp data-start=\"1549\" data-end=\"1568\"\u003e\u003cstrong data-start=\"1549\" data-end=\"1568\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1570\" data-end=\"1613\"\u003eTitle\u003cbr data-start=\"1575\" data-end=\"1578\"\u003eLlorando a aquélla que creyó amarme\u003c\/p\u003e\n\u003cp data-start=\"1615\" data-end=\"1652\"\u003eArtist \/ Author\u003cbr data-start=\"1630\" data-end=\"1633\"\u003eAlberto García-Alix\u003c\/p\u003e\n\u003cp data-start=\"1654\" data-end=\"1665\"\u003eDate\u003cbr data-start=\"1658\" data-end=\"1661\"\u003e2002\u003c\/p\u003e\n\u003cp data-start=\"1667\" data-end=\"1712\"\u003eTechnique \/ Printing Method\u003cbr data-start=\"1694\" data-end=\"1697\"\u003eOffset printing\u003c\/p\u003e\n\u003cp data-start=\"1714\" data-end=\"1744\"\u003eMedium \/ Materials\u003cbr data-start=\"1732\" data-end=\"1735\"\u003eHardcover\u003c\/p\u003e\n\u003cp data-start=\"1746\" data-end=\"1778\"\u003eDimensions (cm)\u003cbr data-start=\"1761\" data-end=\"1764\"\u003e24.5 x 27.5 cm\u003c\/p\u003e\n\u003cp data-start=\"1780\" data-end=\"1807\"\u003eLanguage\u003cbr data-start=\"1788\" data-end=\"1791\"\u003eSpanish, English\u003c\/p\u003e\n\u003cp data-start=\"1809\" data-end=\"1842\"\u003ePages\u003cbr data-start=\"1814\" data-end=\"1817\"\u003eApprox. 160 (unpaginated)\u003c\/p\u003e\n\u003cp data-start=\"1844\" data-end=\"1875\"\u003ePublisher \/ Editor\u003cbr data-start=\"1862\" data-end=\"1865\"\u003eLa Fábrica\u003c\/p\u003e\n\u003cp data-start=\"1877\" data-end=\"1897\"\u003eISBN\u003cbr data-start=\"1881\" data-end=\"1884\"\u003e84-95471-49-3\u003c\/p\u003e\n\u003cp data-start=\"1899\" data-end=\"1914\"\u003eCondition: Available New \u0026amp; Mint\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51615160140114,"sku":null,"price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_2_c689994e-892e-45a7-bf15-ab5aa3a32c8e.jpg?v=1768212102"},{"product_id":"the-afronauts-cristina-de-middel","title":"Cristina de Middel – The Afronauts (First Edition, 2012)","description":"\u003cp data-start=\"286\" data-end=\"831\"\u003e\u003cem data-start=\"286\" data-end=\"301\"\u003eThe Afronauts\u003c\/em\u003e is a seminal first edition photobook by Spanish artist Cristina de Middel, self‑published in Madrid in 2012. The book reimagines the real‑life 1960s Zambian space program initiated by Edward Makuka, blending documentary source material with staged, speculative photography to question and undo conventional narratives about Africa. By inserting imagination into history, de Middel foregrounds fiction as a critical tool within photographic practice, challenging stereotypes and expanding the possibilities of visual storytelling.\u003c\/p\u003e\n\u003cp data-start=\"833\" data-end=\"1357\"\u003eProduced in a limited run of approximately 1,000 copies, the first edition quickly became one of the most influential and collectible photobooks of the last decade. Its impact was recognised internationally: \u003cem data-start=\"1041\" data-end=\"1056\"\u003eThe Afronauts\u003c\/em\u003e was shortlisted for the Paris Photo–Aperture First Book Award and the Deutsche Börse Photography Prize, and received the ICP Infinity Award. The publication is widely celebrated by critics, foundations such as the Martin Parr Foundation, and collectors as a defining work of 21st‑century photography.\u003c\/p\u003e\n\u003cp data-start=\"1359\" data-end=\"1378\"\u003e\u003cstrong data-start=\"1359\" data-end=\"1378\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"1380\" data-end=\"2076\"\u003e\n\u003cli data-start=\"1380\" data-end=\"1408\"\u003e\n\u003cp data-start=\"1382\" data-end=\"1408\"\u003e\u003cstrong data-start=\"1382\" data-end=\"1392\"\u003eTitle:\u003c\/strong\u003e The Afronauts\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1409\" data-end=\"1452\"\u003e\n\u003cp data-start=\"1411\" data-end=\"1452\"\u003e\u003cstrong data-start=\"1411\" data-end=\"1431\"\u003eArtist \/ Author:\u003c\/strong\u003e Cristina de Middel\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1453\" data-end=\"1471\"\u003e\n\u003cp data-start=\"1455\" data-end=\"1471\"\u003e\u003cstrong data-start=\"1455\" data-end=\"1464\"\u003eDate:\u003c\/strong\u003e 2012\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1472\" data-end=\"1518\"\u003e\n\u003cp data-start=\"1474\" data-end=\"1518\"\u003e\u003cstrong data-start=\"1474\" data-end=\"1486\"\u003eEdition:\u003c\/strong\u003e First edition, self‑published\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1519\" data-end=\"1570\"\u003e\n\u003cp data-start=\"1521\" data-end=\"1570\"\u003e\u003cstrong data-start=\"1521\" data-end=\"1544\"\u003ePublisher \/ Editor:\u003c\/strong\u003e Self‑published (Madrid)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1571\" data-end=\"1623\"\u003e\n\u003cp data-start=\"1573\" data-end=\"1623\"\u003e\u003cstrong data-start=\"1573\" data-end=\"1605\"\u003eTechnique \/ Printing Method:\u003c\/strong\u003e Offset printing\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1624\" data-end=\"1671\"\u003e\n\u003cp data-start=\"1626\" data-end=\"1671\"\u003e\u003cstrong data-start=\"1626\" data-end=\"1649\"\u003eMedium \/ Materials:\u003c\/strong\u003e Softcover photobook\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1672\" data-end=\"1717\"\u003e\n\u003cp data-start=\"1674\" data-end=\"1717\"\u003e\u003cstrong data-start=\"1674\" data-end=\"1689\"\u003eDimensions:\u003c\/strong\u003e approx. 24 × 30 cm \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1718\" data-end=\"1767\"\u003e\n\u003cp data-start=\"1720\" data-end=\"1767\"\u003e\u003cstrong data-start=\"1720\" data-end=\"1733\"\u003eLanguage:\u003c\/strong\u003e English (with visual narrative)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1811\" data-end=\"1846\"\u003e\n\u003cp data-start=\"1813\" data-end=\"1846\"\u003e\u003cstrong data-start=\"1813\" data-end=\"1830\"\u003eEdition Size:\u003c\/strong\u003e ~1,000 copies\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1847\" data-end=\"1968\"\u003e\n\u003cp data-start=\"1849\" data-end=\"1968\"\u003e\u003cstrong data-start=\"1849\" data-end=\"1865\"\u003eRecognition:\u003c\/strong\u003e Paris Photo–Aperture First Book Award finalist; shortlisted Deutsche Börse Prize; ICP Infinity Award\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1969\" data-end=\"2033\"\u003e\n\u003cp data-start=\"1971\" data-end=\"2033\"\u003e\u003cstrong data-start=\"1971\" data-end=\"1985\"\u003eCondition:\u003c\/strong\u003e Mint\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2034\" data-end=\"2076\"\u003e\n\u003cp data-start=\"2036\" data-end=\"2076\"\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51617604010322,"sku":null,"price":350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_7_7ae18bc3-42db-4349-a326-9fe49bef34fe.jpg?v=1768070093"},{"product_id":"paulo-nozolino-far-cry-2005","title":"Far Cry — Paulo Nozolino, 2005","description":"\u003cp data-start=\"103\" data-end=\"541\"\u003ePublished on the occasion of his 2005 exhibition at the Museu de Arte Contemporânea de Serralves in Porto, \u003cem data-start=\"210\" data-end=\"219\"\u003eFar Cry\u003c\/em\u003e is Paulo Nozolino’s most distilled and devastating work — a stark compendium of images made between 1977 and 2003 across multiple continents. The book is printed in Nozolino’s signature deep black, where shadows dominate and detail dissolves. Death, silence, and abandonment are not themes here — they are the atmosphere.\u003c\/p\u003e\n\u003cp data-start=\"543\" data-end=\"1160\"\u003eWith photographs taken from Morocco to Sarajevo, Cairo to Lisbon, this is not a document of place but of a worldview: tragic, uncompromising, and carved from grief. The sequencing moves like a procession — bodies wrapped in sheets, bloodied hospital tiles, scorched landscapes, bare concrete rooms. It’s not reportage, nor art for comfort. \u003cem data-start=\"883\" data-end=\"892\"\u003eFar Cry\u003c\/em\u003e reads as a visual testament, a concentration of Nozolino’s lifetime of seeing. This copy, from the personal library of Antoine d’Agata (stamp on title page), bears the aura of another photographer working at the same edge — where darkness is not style, but substance.\u003c\/p\u003e\n\u003cp data-start=\"1162\" data-end=\"1559\"\u003eTechnical Sheet\u003cbr data-start=\"1177\" data-end=\"1180\"\u003eTitle: Far Cry\u003cbr data-start=\"1194\" data-end=\"1197\"\u003eArtist \/ Author: Paulo Nozolino\u003cbr data-start=\"1228\" data-end=\"1231\"\u003eDate: 2005\u003cbr data-start=\"1241\" data-end=\"1244\"\u003eExhibition: Museu de Arte Contemporânea de Serralves, Porto\u003cbr data-start=\"1303\" data-end=\"1306\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1341\" data-end=\"1344\"\u003eMedium \/ Materials: Hardcover with dust jacket\u003cbr data-start=\"1390\" data-end=\"1393\"\u003eDimensions (cm): Approx. 23 × 30\u003cbr data-start=\"1425\" data-end=\"1428\"\u003eLanguage: English\u003cbr data-start=\"1445\" data-end=\"1448\"\u003ePages: 96\u003cbr data-start=\"1457\" data-end=\"1460\"\u003ePublisher \/ Editor: Steidl\u003cbr data-start=\"1486\" data-end=\"1489\"\u003eCondition: Very good\u003cbr data-start=\"1509\" data-end=\"1512\"\u003eProvenance: Antoine d’Agata library (stamped)\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754560225618,"sku":null,"price":120.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_1.jpg?v=1770109830"},{"product_id":"anders-petersen-sete-08-2008","title":"Sète 08 — Anders Petersen, 2008","description":"\u003cp data-start=\"104\" data-end=\"559\"\u003eCommissioned for the ImageSingulières festival, \u003cem data-start=\"152\" data-end=\"161\"\u003eSète 08\u003c\/em\u003e is Anders Petersen’s intimate and chaotic portrait of the southern French port town of Sète. Shot in 2008 and published as part of the festival's annual residency programme, the book brings Petersen’s signature visual grammar — grainy, close, almost fevered — to bear on a place often portrayed through Mediterranean cliché. What emerges instead is a dark, visceral, and deeply human street opera.\u003c\/p\u003e\n\u003cp data-start=\"561\" data-end=\"1150\"\u003ePetersen moves through bars, markets, back alleys, beach fronts, and private rooms, photographing faces and gestures with raw proximity. Every frame carries his classic emotional charge: tenderness without sentiment, confrontation without spectacle. Like his work in \u003cem data-start=\"828\" data-end=\"842\"\u003eCafé Lehmitz\u003c\/em\u003e or \u003cem data-start=\"846\" data-end=\"852\"\u003eRoma\u003c\/em\u003e, \u003cem data-start=\"854\" data-end=\"863\"\u003eSète 08\u003c\/em\u003e shows Petersen’s unrelenting commitment to proximity — to being inside the scene, not observing from a distance. Part of a series that has featured the likes of Jacob Aue Sobol and Klavdij Sluban, \u003cem data-start=\"1061\" data-end=\"1070\"\u003eSète 08\u003c\/em\u003e stands out for its tactile, nocturnal intensity and its refusal to romanticise.\u003c\/p\u003e\n\u003cp data-start=\"1152\" data-end=\"1475\"\u003eTechnical Sheet\u003cbr data-start=\"1167\" data-end=\"1170\"\u003eTitle: Sète 08\u003cbr data-start=\"1184\" data-end=\"1187\"\u003eArtist \/ Author: Anders Petersen\u003cbr data-start=\"1219\" data-end=\"1222\"\u003eDate: 2008\u003cbr data-start=\"1232\" data-end=\"1235\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1270\" data-end=\"1273\"\u003eMedium \/ Materials: Softcover with dust jacket\u003cbr data-start=\"1319\" data-end=\"1322\"\u003eDimensions (cm): Approx. 20 × 27\u003cbr data-start=\"1354\" data-end=\"1357\"\u003eLanguage: French\u003cbr data-start=\"1373\" data-end=\"1376\"\u003ePages: Approx. 80\u003cbr data-start=\"1393\" data-end=\"1396\"\u003ePublisher \/ Editor: Le Bec en l’air \/ ImageSingulières\u003cbr data-start=\"1450\" data-end=\"1453\"\u003eCondition: Very good\u003c\/p\u003e\n\u003cp data-start=\"1152\" data-end=\"1475\"\u003e\u003cspan\u003eProvenance: Antoine D'Agata Library (stamp on the back page)\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754572775762,"sku":null,"price":75.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_b86f420d-af11-434f-a7a6-a95f9605d95d.jpg?v=1770108808"},{"product_id":"lewis-baltz-common-objects-2014","title":"Lewis Baltz - Common Objects - 2014","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCommon Objects reprend les séries les plus connues de Lewis Baltz, depuis The Prototype Works (1967-1976) à Ronde de Nuit (1992-1995), et interroge pour la première fois l'influence du cinéma européen (Antonioni, Godard, Hitchcock). Les séries The Prototype Works, The Tract Houses (1969-1971), Candlestick Point (1987-1989), Sites of Technology (1989-1991) et Ronde de Nuit sont présentées en dialogue avec des photogrammes de Psycho et Cinquième Colonne de Hitchcock, de Zabriskie Point, La Notte et Le Désert Rouge d'Antonioni, ainsi que Les Carabiniers de Godard.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOuvrage broché en bon état (pochette plastique jaunie, voir photos)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eProvenance : Bibliothèque Antoine D'Agata (tampon sur la page de garde)\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754594468178,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/81046cd1-de08-4313-b345-65bc9dfdf92a.jpg?v=1760436826"},{"product_id":"signed-ata-kam-pulse-ex-n-3-4-2014","title":"PULSE — Ata Kam, 2014, signed and numbered (3\/4)","description":"\u003cp data-start=\"121\" data-end=\"499\"\u003e\u003cem data-start=\"121\" data-end=\"128\"\u003ePULSE\u003c\/em\u003e is a rare, handmade artist’s photobook by Ata Kam, produced in Ankara in 2014 in an edition of only four copies. Bound with exposed thread and wrapped in a xerox aesthetic, the book presents a dark, bodily, and fragmentary visual language. Its scratched, collaged cover — a close-up of arachnid forms and human limbs — sets the tone for an unsettling, sensuous interior.\u003c\/p\u003e\n\u003cp data-start=\"501\" data-end=\"1058\"\u003ePrinted in rich black-and-white with grain and texture pushed to their limits, the images inside oscillate between the erotic, the grotesque, and the ritualistic. The sequencing is raw and rhythmic, pulling the viewer through surfaces of skin, shadow, and street. This is photographic publishing as low-fi incantation — closer to zine culture or underground poetry than traditional photobook craft. Signed “loves Cambodia 2014,” this copy reflects Kam’s global drift and personal obsessions. A fierce, rare object from the post-internet, post-nation fringe.\u003c\/p\u003e\n\u003cp data-start=\"1060\" data-end=\"1415\"\u003eTechnical Sheet\u003cbr data-start=\"1075\" data-end=\"1078\"\u003eTitle: PULSE\u003cbr data-start=\"1090\" data-end=\"1093\"\u003eArtist \/ Author: Ata Kam\u003cbr data-start=\"1117\" data-end=\"1120\"\u003eDate: 2014\u003cbr data-start=\"1130\" data-end=\"1133\"\u003eEdition: Signed and numbered, No. 3 of 4 copies\u003cbr data-start=\"1180\" data-end=\"1183\"\u003eTechnique \/ Printing Method: Xerox \/ handmade artist book\u003cbr data-start=\"1240\" data-end=\"1243\"\u003eMedium \/ Materials: Softcover, thread binding\u003cbr data-start=\"1288\" data-end=\"1291\"\u003eDimensions (cm): Approx. 21 × 28\u003cbr data-start=\"1323\" data-end=\"1326\"\u003ePublisher \/ Editor: Self-published (ata-kam.com)\u003cbr data-start=\"1374\" data-end=\"1377\"\u003ePlace: Ankara\u003cbr data-start=\"1390\" data-end=\"1393\"\u003eCondition: Very good\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754633560402,"sku":null,"price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/b0c88355-fe83-470b-bd84-6fd2d2003937_1.jpg?v=1760437187"},{"product_id":"signed-jacob-aue-sobol-sabine-2018","title":"Sabine (Version française) — Jacob Aue Sobol — Signed, Polka Editions, 2018","description":"\u003cp data-start=\"195\" data-end=\"565\"\u003eThis concise French edition of \u003cem data-start=\"226\" data-end=\"234\"\u003eSabine\u003c\/em\u003e by Jacob Aue Sobol distills one of the most visceral photographic love stories of the early 2000s into 24 pages of taut, emotional intensity. Released by Polka Editions in 2018 in just 200 copies, and signed by the artist, it offers a rare, bilingual echo of the original 2004 monograph — now iconic among contemporary photobooks.\u003c\/p\u003e\n\u003cp data-start=\"567\" data-end=\"968\"\u003eThe images trace Sobol’s life in Tiniteqilaaq, an isolated Greenlandic village where he lived for nearly three years with Sabine, the woman who gave the book its name. Drawn from his early immersion in documentary photography at Fatamorgana and sharpened by cinematic sensibilities from his time at the European Film College, Sobol’s language is unmistakable: grainy, close, and emotionally saturated.\u003c\/p\u003e\n\u003cp data-start=\"970\" data-end=\"1265\"\u003eThis smaller-format edition doesn’t dilute the impact — if anything, it heightens the sense of compression, like a love story whispered through fog. As a collectible, it’s a rare glimpse into the raw core of a major Magnum photographer’s early vision, rearticulated for a French-speaking public.\u003c\/p\u003e\n\u003cp data-start=\"1267\" data-end=\"1592\"\u003eTechnical Sheet\u003cbr data-start=\"1282\" data-end=\"1285\"\u003eTitle: Sabine (Version française)\u003cbr data-start=\"1318\" data-end=\"1321\"\u003eArtist \/ Author: Jacob Aue Sobol\u003cbr data-start=\"1353\" data-end=\"1356\"\u003eDate: 2018\u003cbr data-start=\"1366\" data-end=\"1369\"\u003eEdition: Limited edition of 200, signed\u003cbr data-start=\"1408\" data-end=\"1411\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1446\" data-end=\"1449\"\u003eMedium \/ Materials: Softcover\u003cbr data-start=\"1478\" data-end=\"1481\"\u003eDimensions (cm): 15 × 21\u003cbr data-start=\"1505\" data-end=\"1508\"\u003eLanguage: French\u003cbr data-start=\"1524\" data-end=\"1527\"\u003ePages: 24\u003cbr data-start=\"1536\" data-end=\"1539\"\u003ePublisher \/ Editor: Polka Editions\u003cbr data-start=\"1573\" data-end=\"1576\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754658038098,"sku":null,"price":160.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_56061f0e-cdaa-452d-9586-7117c12f8837.jpg?v=1770112372"},{"product_id":"nobuyoshi-araki-polart-2009","title":"Polart — Nobuyoshi Araki \/ Red Hot","description":"\u003cp data-start=\"103\" data-end=\"521\"\u003ePublished in 2009 in a limited edition of 1,500 copies, \u003cem data-start=\"159\" data-end=\"167\"\u003ePolart\u003c\/em\u003e is Araki in pure gesture: a book of Polaroids selected and sequenced by the artist himself, edited in collaboration with the now-closed Red Hot Gallery in Paris and printed in Japan by Huboya. The cover, white and abrupt, is emblazoned with Araki’s handwriting — a bold, gestural typography that suggests the intimacy and immediacy of the images inside.\u003c\/p\u003e\n\u003cp data-start=\"523\" data-end=\"928\"\u003eKnown for his prolific use of instant film, Araki used the Polaroid not just as a camera but as a diaristic tool — sensual, direct, obsessive. \u003cem data-start=\"666\" data-end=\"674\"\u003ePolart\u003c\/em\u003e distills that practice into a carefully paced flow of Polaroid works, unbound from chronology, unified by tone. These are not studio images, but fragments of affection, desire, and absence — emotional snapshots arranged with an artist’s feel for rhythm.\u003c\/p\u003e\n\u003cp data-start=\"930\" data-end=\"1268\"\u003eThe book is both an archive and an object of its own: printed with striking technical precision (by Dai Nippon Printing), it’s an important artefact of Araki’s later period and a testament to his ongoing dialogue with photobook form. A must for collectors of Japanese photography, rare editions, and the fleeting language of the Polaroid.\u003c\/p\u003e\n\u003cp data-start=\"1270\" data-end=\"1289\"\u003e\u003cstrong data-start=\"1270\" data-end=\"1289\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1291\" data-end=\"1304\"\u003eTitle: Polart\u003c\/p\u003e\n\u003cp data-start=\"1306\" data-end=\"1338\"\u003eArtist \/ Author: Nobuyoshi Araki\u003c\/p\u003e\n\u003cp data-start=\"1340\" data-end=\"1350\"\u003eDate: 2009\u003c\/p\u003e\n\u003cp data-start=\"1352\" data-end=\"1406\"\u003eTechnique \/ Printing Method: Offset (printed in Japan)\u003c\/p\u003e\n\u003cp data-start=\"1408\" data-end=\"1454\"\u003eMedium \/ Materials: Hardcover with dust jacket\u003c\/p\u003e\n\u003cp data-start=\"1456\" data-end=\"1489\"\u003eEdition: Limited edition of 1,500\u003c\/p\u003e\n\u003cp data-start=\"1491\" data-end=\"1501\"\u003eSigned: No\u003c\/p\u003e\n\u003cp data-start=\"1503\" data-end=\"1537\"\u003eDimensions (cm): Approx. 19.5 × 30\u003c\/p\u003e\n\u003cp data-start=\"1539\" data-end=\"1567\"\u003eLanguage: None \/ Image-based\u003c\/p\u003e\n\u003cp data-start=\"1569\" data-end=\"1642\"\u003ePublisher \/ Editor: Nobuyoshi Araki \/ Red Hot Gallery, Paris \/ Huboya Art\u003c\/p\u003e\n\u003cp data-start=\"1644\" data-end=\"1658\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754746380626,"sku":null,"price":250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_1.jpg?v=1768338650"},{"product_id":"signed-antoine-dagata-praxis-2021","title":"Signed; Antoine d'Agata - Praxis - 2021","description":"\u003cp data-start=\"258\" data-end=\"713\"\u003eThis signed copy of \u003cem data-start=\"278\" data-end=\"286\"\u003ePRAXIS\u003c\/em\u003e, published in 2022 by Studio Vortex, is part of the Darwin Bookshop because it is not a book about photography—it is a theoretical, textual and visual choreography of photography as trance, resistance and rupture. Conceived by Antoine d’Agata with artistic direction by Tania Bohórquez, the book spans over thirty years of movement, incarceration, image-making and writing, building itself as a fragmented, militant manifesto.\u003c\/p\u003e\n\u003cp data-start=\"715\" data-end=\"1285\"\u003eDesigned with dense, archival typography and minimal graphic noise, \u003cem data-start=\"783\" data-end=\"791\"\u003ePRAXIS\u003c\/em\u003e assembles interviews, field notes, personal lists, letters, prison texts, declarations and visual documents, alongside citations of over 80 authors—from Agamben and Blanchot to Genet, Duras, Artaud and Wittgenstein. The book also incorporates xylographs, engravings and murals produced in Mexico and France by collectives including Le Dernier Cri and Taller de Gráfica Siqueiros in Oaxaca. Every formal decision in the book serves to dissolve traditional notions of authorship and documentary.\u003c\/p\u003e\n\u003cp data-start=\"1287\" data-end=\"1639\"\u003ePrinted in Istanbul by MAS Matbaa and published in a first edition of 800 copies (plus 50 copies of a special edition), this volume is signed by d’Agata and acts as both theory and relic—an operating manual for photographic life lived at the edge. At Darwin, \u003cem data-start=\"1546\" data-end=\"1554\"\u003ePRAXIS\u003c\/em\u003e is held as a tool: not a retrospective, but a grammar of the photographic breakdown.\u003c\/p\u003e\n\u003cp data-start=\"1641\" data-end=\"1660\"\u003e\u003cstrong data-start=\"1641\" data-end=\"1660\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1662\" data-end=\"2091\"\u003eTitle: PRAXIS\u003cbr data-start=\"1675\" data-end=\"1678\"\u003eArtist \/ Author: Antoine d’Agata\u003cbr data-start=\"1710\" data-end=\"1713\"\u003eTexts: Yannick Haenel\u003cbr data-start=\"1734\" data-end=\"1737\"\u003eDate: 2022\u003cbr data-start=\"1747\" data-end=\"1750\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1794\" data-end=\"1797\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"1826\" data-end=\"1829\"\u003eDimensions: approx. 16.5 × 24 cm\u003cbr data-start=\"1861\" data-end=\"1864\"\u003eLanguage: French\u003cbr data-start=\"1880\" data-end=\"1883\"\u003ePages: 432\u003cbr data-start=\"1893\" data-end=\"1896\"\u003ePublisher \/ Editor: Studio Vortex\u003cbr data-start=\"1929\" data-end=\"1932\"\u003ePrinted by: MAS Matbaa, Istanbul\u003cbr data-start=\"1964\" data-end=\"1967\"\u003eEdition: First edition of 800 copies \u003cbr data-start=\"2034\" data-end=\"2037\"\u003eISBN: 978-2-9570325-2-5\u003cbr data-start=\"2060\" data-end=\"2063\"\u003eSigned: Yes\u003cbr data-start=\"2074\" data-end=\"2077\"\u003eCondition: MINT\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754757620050,"sku":null,"price":120.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_6_0a23d1e9-051d-44f1-b857-c47fab7298d7.jpg?v=1768069016"},{"product_id":"signed-pieter-hugo-la-cucaracha-2019","title":"La Cucaracha - Pieter Hugo (Signed; First edition),  Editorial RM","description":"\u003cp data-start=\"415\" data-end=\"945\"\u003eThis large, signed edition of \u003cem data-start=\"445\" data-end=\"459\"\u003eLa Cucaracha\u003c\/em\u003e by Pieter Hugo is part of the Darwin Bookshop for its visceral engagement with the collision of myth, ritual and social reality across the global South. Hugo’s work traverses landscapes of tradition and transformation—from West Africa to the Caribbean—revealing how belief, performance and power interlock in contemporary life. The title \u003cem data-start=\"798\" data-end=\"812\"\u003eLa Cucaracha\u003c\/em\u003e evokes survival and persistence; Hugo’s images give it visual force, staging encounters that are at once documentary and revelatory.\u003c\/p\u003e\n\u003cp data-start=\"947\" data-end=\"1595\"\u003ePrinted on generous paper and bound in a striking red cloth‑covered hardcover with gilt lettering, \u003cem data-start=\"1046\" data-end=\"1060\"\u003eLa Cucaracha\u003c\/em\u003e unfolds as a choreographed exploration of quasi‑religious spectacle, coded gesture and embodied presence. The photographs interweave scenes of ritual, procession, masquerade and everyday defiance, each frame articulated with Hugo’s characteristic formal rigor. This copy, personally signed by the artist, carries an added layer of provenance and editorial significance. With texts and contextual framing, the book positions Hugo not merely as a chronicler but as a collaborator with the visual languages of resistance and enchantment.\u003c\/p\u003e\n\u003cp data-start=\"1597\" data-end=\"1616\"\u003e\u003cstrong data-start=\"1597\" data-end=\"1616\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1618\" data-end=\"1638\"\u003eTitle\u003cbr data-start=\"1623\" data-end=\"1626\"\u003eLa Cucaracha\u003c\/p\u003e\n\u003cp data-start=\"1640\" data-end=\"1669\"\u003eArtist \/ Author\u003cbr data-start=\"1655\" data-end=\"1658\"\u003ePieter Hugo\u003c\/p\u003e\n\u003cp data-start=\"1671\" data-end=\"1682\"\u003eDate\u003cbr data-start=\"1675\" data-end=\"1678\"\u003e2019\u003c\/p\u003e\n\u003cp data-start=\"1684\" data-end=\"1729\"\u003eTechnique \/ Printing Method\u003cbr data-start=\"1711\" data-end=\"1714\"\u003eOffset printing\u003c\/p\u003e\n\u003cp data-start=\"1731\" data-end=\"1796\"\u003eMedium \/ Materials\u003cbr data-start=\"1749\" data-end=\"1752\"\u003eHardcover, cloth binding with gilt lettering\u003c\/p\u003e\n\u003cp data-start=\"1798\" data-end=\"1830\"\u003eEdition\u003cbr data-start=\"1805\" data-end=\"1808\"\u003eFirst edition (signed)\u003c\/p\u003e\n\u003cp data-start=\"1832\" data-end=\"1881\"\u003eSigned\u003cbr data-start=\"1838\" data-end=\"1841\"\u003eYes (artist signature on front endpaper)\u003c\/p\u003e\n\u003cp data-start=\"1883\" data-end=\"1931\"\u003eDimensions (cm)\u003cbr data-start=\"1898\" data-end=\"1901\"\u003eApprox. 35 × 32 (large format)\u003c\/p\u003e\n\u003cp data-start=\"1933\" data-end=\"1951\"\u003eLanguage\u003cbr data-start=\"1941\" data-end=\"1944\"\u003eEnglish\u003c\/p\u003e\n\u003cp data-start=\"1953\" data-end=\"1972\"\u003ePages\u003cbr data-start=\"1958\" data-end=\"1961\"\u003eApprox. 200\u003c\/p\u003e\n\u003cp data-start=\"1974\" data-end=\"2028\"\u003ePublisher \/ Editor\u003cbr data-start=\"1992\" data-end=\"1995\"\u003eRM, Mexico \/ RM Verlag, Barcelona\u003c\/p\u003e\n\u003cp data-start=\"2030\" data-end=\"2054\"\u003eISBN\u003cbr data-start=\"2034\" data-end=\"2037\"\u003e978‑84‑17975‑15‑9\u003c\/p\u003e\n\u003cp data-start=\"2056\" data-end=\"2086\"\u003eCondition\u003cbr data-start=\"2065\" data-end=\"2068\"\u003eVery good — signed\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754766500178,"sku":null,"price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_1_70fc3774-a90e-40fa-a722-97c6b9a58574.jpg?v=1768294669"},{"product_id":"antoine-dagata-1961-oscurana-1ere-edition","title":"Oscurana — Antoine d’Agata","description":"\u003cp data-start=\"67\" data-end=\"137\"\u003e\u003cstrong data-start=\"67\" data-end=\"137\"\u003eOscurana — Antoine d’Agata (Single Volume from Collective Edition)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"139\" data-end=\"664\"\u003eThis signed volume of \u003cem data-start=\"161\" data-end=\"171\"\u003eOscurana\u003c\/em\u003e by Antoine d’Agata, co-published in 2017 as part of a six-part international editorial project, is part of the Darwin Bookshop because it embodies a radical experiment in collaborative publishing, transgressive aesthetics, and the ethics of witnessing. Each of the six publishers across Latin America and Europe produced their own distinct version of \u003cem data-start=\"523\" data-end=\"533\"\u003eOscurana\u003c\/em\u003e, using a shared structure—same title, dimensions, and central text—yet allowing for different material and visual interpretations.\u003c\/p\u003e\n\u003cp data-start=\"666\" data-end=\"1206\"\u003eThe copy held here is a standalone volume from this constellation, printed on deep black paper with gold handwritten typography, featuring d’Agata’s haunting monochrome photographs of sex, trance, and resistance. Designed and printed by \u003cem data-start=\"903\" data-end=\"919\"\u003eLe Dernier Cri\u003c\/em\u003e in Marseille, under the direction of Pakito Bolino, it fuses underground graphics with d’Agata’s fevered visual language. Each photograph is a confrontation, not a document—bodies blur under duress, light becomes substance, and violence and intimacy co-exist within the same dark frame.\u003c\/p\u003e\n\u003cp data-start=\"1208\" data-end=\"1622\"\u003eThough part of a broader six-volume project, this edition stands alone as a self-contained object and was also issued in a rare boxed set. This particular copy is \u003cstrong data-start=\"1371\" data-end=\"1409\"\u003esigned by d’Agata in Arles in 2021\u003c\/strong\u003e, anchoring it within the performative continuum of his work. At Darwin, \u003cem data-start=\"1482\" data-end=\"1492\"\u003eOscurana\u003c\/em\u003e is held as a key artefact in the landscape of experimental photobook publishing, collective authorship, and embodied photography.\u003c\/p\u003e\n\u003cp data-start=\"1624\" data-end=\"1643\"\u003e\u003cstrong data-start=\"1624\" data-end=\"1643\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1645\" data-end=\"2122\"\u003eTitle: Oscurana\u003cbr data-start=\"1660\" data-end=\"1663\"\u003eArtist \/ Author: Antoine d’Agata\u003cbr data-start=\"1695\" data-end=\"1698\"\u003eDate: 2017\u003cbr data-start=\"1708\" data-end=\"1711\"\u003eTechnique \/ Printing Method: Offset printing, gold ink on black paper\u003cbr data-start=\"1780\" data-end=\"1783\"\u003eMedium \/ Materials: Softcover, staple-bound\u003cbr data-start=\"1826\" data-end=\"1829\"\u003eDimensions: approx. 21 × 28 cm\u003cbr data-start=\"1859\" data-end=\"1862\" data-is-only-node=\"\"\u003eLanguage: French\u003cbr data-start=\"1878\" data-end=\"1881\"\u003ePages: Unpaginated\u003cbr data-start=\"1899\" data-end=\"1902\"\u003ePublisher \/ Editor: Le Dernier Cri (France), part of the \u003cem data-start=\"1959\" data-end=\"1969\"\u003eOscurana\u003c\/em\u003e six-publisher collective\u003cbr data-start=\"1994\" data-end=\"1997\"\u003eSigned: Yes (signed in Arles, 2021)\u003cbr data-start=\"2032\" data-end=\"2035\"\u003eEdition: One of six distinct volumes from the \u003cem data-start=\"2081\" data-end=\"2091\"\u003eOscurana\u003c\/em\u003e project\u003cbr data-start=\"2099\" data-end=\"2102\"\u003eCondition: Near fine\u003c\/p\u003e\n\u003cp data-start=\"2125\" data-end=\"2187\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754826826066,"sku":null,"price":140.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_1_40948610-1e47-4cec-874a-e67f7826da3e.jpg?v=1768064059"},{"product_id":"antoine-dagata-1961-agonie-1ere-edition","title":"Agonie — Antoine d’Agata \u0026 Rafael Garido (signed)","description":"\u003cdiv class=\"LotInfoDescription_description__RFjKp\"\u003e\n\u003cp data-start=\"113\" data-end=\"458\"\u003eThis signed copy of \u003cem data-start=\"133\" data-end=\"141\"\u003eAgonie\u003c\/em\u003e, a collaboration between photographer Antoine d’Agata and writer Rafael Garido, published in 2003 by Actes Sud and Atelier de Visu, is part of the Darwin Bookshop because it marks an early and intensely physical convergence of text and image—where language breaks under the weight of the photographic and vice versa.\u003c\/p\u003e\n\u003cp data-start=\"460\" data-end=\"837\"\u003eBound in black faux leather with minimal white type, the object evokes a dossier or morgue file. Inside, d’Agata’s images unfold in fevered grain: bodies blurred by movement, consumed by shadow, lit by narcotic or sexual tension. Garido’s text—poetic, incantatory, shattered—echoes this descent, not as commentary but as accomplice. This is not a book that explains—it suffers.\u003c\/p\u003e\n\u003cp data-start=\"839\" data-end=\"1320\"\u003ePublished in Marseille and part of the Atelier de Visu’s experimental output, \u003cem data-start=\"917\" data-end=\"925\"\u003eAgonie\u003c\/em\u003e belongs to d’Agata’s early 2000s period, when his work left behind narrative and plunged into embodied darkness. The formal choices—rounded page corners, glossy black cover, and unbound text blocks—amplify the sense of erosion and intimacy. Signed by d’Agata, this copy is held at Darwin as a rare threshold object: the moment when photography stops being observational and becomes existential.\u003c\/p\u003e\n\u003cp data-start=\"1322\" data-end=\"1341\"\u003e\u003cstrong data-start=\"1322\" data-end=\"1341\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1343\" data-end=\"1678\"\u003eTitle: Agonie\u003cbr data-start=\"1356\" data-end=\"1359\"\u003eArtists \/ Authors: Antoine d’Agata, Rafael Garido\u003cbr data-start=\"1408\" data-end=\"1411\"\u003eDate: 2003\u003cbr data-start=\"1421\" data-end=\"1424\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1459\" data-end=\"1462\"\u003eMedium \/ Materials: Hardcover, leatherette cover, rounded corners\u003cbr data-start=\"1527\" data-end=\"1530\"\u003eDimensions: approx. 17 × 23 cm\u003cbr data-start=\"1560\" data-end=\"1563\" data-is-only-node=\"\"\u003eLanguage: French\u003cbr data-start=\"1579\" data-end=\"1582\"\u003ePages: 96\u003cbr data-start=\"1591\" data-end=\"1594\"\u003ePublisher \/ Editor: Actes Sud \/ Atelier de Visu\u003cbr data-start=\"1641\" data-end=\"1644\"\u003eSigned: Yes\u003cbr data-start=\"1655\" data-end=\"1658\"\u003eCondition: Near fine\u003c\/p\u003e\n\u003c\/div\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51757840499026,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/bookcover_1.jpg?v=1768306376"},{"product_id":"stephen-shore-uncommon-places-1982","title":"Uncommon Places — Stephen Shore, 1982, first edition with dust jacket","description":"\u003cp data-start=\"369\" data-end=\"715\"\u003eOne of the most influential photobooks of the twentieth century, \u003cem data-start=\"434\" data-end=\"451\"\u003eUncommon Places\u003c\/em\u003e marked a turning point for colour photography and for the visual language of American space. Published in 1982 by Aperture, this is the scarce first edition hardcover with the original unclipped dust jacket — the definitive form of a book that changed everything.\u003c\/p\u003e\n\u003cp data-start=\"717\" data-end=\"1101\"\u003eWorking with a large-format view camera, Stephen Shore photographed anonymous intersections, motel rooms, signage, and city edges across 1970s America. What emerged was a new kind of photography: stripped of narrative, radiant in its clarity, formally precise and rooted in the banal. These are not decisive moments but sustained ones — quiet, frontal, and loaded with ambient unease.\u003c\/p\u003e\n\u003cp data-start=\"1103\" data-end=\"1514\"\u003eThe maroon clothbound edition presented here features 61 colour plates across 64 pages, designed by Wendy Byrne and printed with early fidelity to Shore’s Kodachrome palette. As cited by Martin Parr and Gerry Badger in \u003cem data-start=\"1322\" data-end=\"1355\"\u003eThe Photobook: A History Vol. 2\u003c\/em\u003e (p.35), it stands as a “fantastic, very important color photobook” — foundational to the New Topographics and the rise of colour as serious photographic form.\u003c\/p\u003e\n\u003cp data-start=\"1516\" data-end=\"1678\"\u003eThis copy retains the original dustjacket, complete and fresh with only minor sunning and faint exterior marks. A cornerstone of any serious photobook collection.\u003c\/p\u003e\n\u003cp data-start=\"1680\" data-end=\"2128\"\u003e\u003cstrong data-start=\"1680\" data-end=\"1699\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1699\" data-end=\"1702\"\u003eTitle: Uncommon Places\u003cbr data-start=\"1724\" data-end=\"1727\"\u003eArtist \/ Author: Stephen Shore\u003cbr data-start=\"1757\" data-end=\"1760\"\u003eDate: 1982\u003cbr data-start=\"1770\" data-end=\"1773\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1817\" data-end=\"1820\"\u003eMedium \/ Materials: Hardcover with dust jacket, maroon cloth\u003cbr data-start=\"1880\" data-end=\"1883\"\u003eDimensions: 24.3 x 28.3 cm\u003cbr data-start=\"1909\" data-end=\"1912\"\u003ePages: 64\u003cbr data-start=\"1921\" data-end=\"1924\" data-is-only-node=\"\"\u003ePlates: 61 colour photographs\u003cbr data-start=\"1953\" data-end=\"1956\"\u003ePublisher \/ Editor: Aperture, Millerton, New York\u003cbr data-start=\"2005\" data-end=\"2008\"\u003eISBN: 0-89381-101-7\u003cbr data-start=\"2027\" data-end=\"2030\"\u003eCondition: Overall fine; interior flawless, dustjacket lightly sunned but complete and unclipped\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51758094090578,"sku":null,"price":350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_75dd02ef-206d-478f-887e-151971700a6c.jpg?v=1769295938"},{"product_id":"ed-van-der-elsken-jazz-2007","title":"Ed van der Elsken - Jazz (facsimile, 2007)","description":"\u003cp data-start=\"111\" data-end=\"698\"\u003eThis photobook by Ed van der Elsken, reprinted in 2007 from the original 1959 Dutch edition, is part of the Darwin Bookshop because it transposes the urgency and sensuality of live jazz into photographic form, capturing an era when the music pulsed through the Left Bank and Amsterdam clubs like a fever. Made between 1950 and 1954, at a time when van der Elsken was immersed in the beat culture of Saint-Germain-des-Prés, these images operate like visual riffs—fragments of light, gesture and sweat, syncopated and rhythmic, echoing the improvisations of the very musicians they depict.\u003c\/p\u003e\n\u003cp data-start=\"700\" data-end=\"1345\"\u003eThis is not a book \u003cem data-start=\"719\" data-end=\"726\"\u003eabout\u003c\/em\u003e jazz, it \u003cem data-start=\"736\" data-end=\"740\"\u003eis\u003c\/em\u003e jazz. Shot with a Leica and laid out with an almost cinematic tempo, the spreads riff through combinations of two, four, six images per page—syncopated like keys on a trumpet, rising in emotional intensity with visual phrasing that mirrors musical structure. Here are Louis Armstrong, Sarah Vaughan, Chet Baker, Duke Ellington, Ella Fitzgerald and more—seen not as icons, but as part of a living, surging soundscape. Originally published in Amsterdam by De Bezige Bij, this facsimile edition retains its radical layout and expressive grain, functioning not as a document but as the echo of a lived night.\u003c\/p\u003e\n\u003cp data-start=\"1347\" data-end=\"1727\"\u003eThe cover, in deep contrast black and white, features Armstrong mid-note—face clenched, trumpet up—announcing the intensity within. Van der Elsken, enfant terrible of Dutch street photography and author of \u003cem data-start=\"1553\" data-end=\"1576\"\u003eLove on the Left Bank\u003c\/em\u003e and \u003cem data-start=\"1581\" data-end=\"1593\"\u003eSweet Life\u003c\/em\u003e, offers here a photographic love letter not just to jazz, but to performance, energy, and the beauty of improvisation caught in time.\u003c\/p\u003e\n\u003cp data-start=\"1729\" data-end=\"2145\"\u003e\u003cstrong data-start=\"1729\" data-end=\"1748\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1748\" data-end=\"1751\"\u003eTitle: Jazz\u003cbr data-start=\"1762\" data-end=\"1765\"\u003eArtist \/ Author: Ed van der Elsken\u003cbr data-start=\"1799\" data-end=\"1802\"\u003eDate: 2007 (facsimile of 1959 edition)\u003cbr data-start=\"1840\" data-end=\"1843\"\u003eTechnique \/ Printing Method: Offset, from original rotogravure design\u003cbr data-start=\"1912\" data-end=\"1915\"\u003eMedium \/ Materials: Hardcover photobook\u003cbr data-start=\"1954\" data-end=\"1957\" data-is-only-node=\"\"\u003eDimensions: approx. 22.5 × 22.5 cm\u003cbr data-start=\"1991\" data-end=\"1994\"\u003eLanguage: French (intro), Dutch (colophon)\u003cbr data-start=\"2036\" data-end=\"2039\"\u003ePages: Unpaginated\u003cbr data-start=\"2057\" data-end=\"2060\"\u003ePublisher \/ Editor: Steidl \/ De Bezige Bij\u003cbr data-start=\"2102\" data-end=\"2105\"\u003eISBN: 978-3-86521-443-0\u003cbr data-start=\"2128\" data-end=\"2131\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51758388871506,"sku":null,"price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_6ff418df-3f2e-4331-a0bd-6329134657f1.jpg?v=1768300274"},{"product_id":"leni-riefenstahl-die-nuba-1976","title":"Die Nuba — Riefenstahl’s Ritual Eye","description":"\u003cp data-start=\"108\" data-end=\"655\"\u003eThis book by Leni Riefenstahl, \u003cem data-start=\"139\" data-end=\"149\"\u003eDie Nuba\u003c\/em\u003e, published in this 2002 reprint by Komet Verlag, is part of the Darwin Bookshop because it remains one of the most visually charged — and ethically fraught — documents in 20th-century photographic history. First released in the 1970s, \u003cem data-start=\"385\" data-end=\"395\"\u003eDie Nuba\u003c\/em\u003e is the result of Riefenstahl’s extensive visits to the Nuba peoples of southern Sudan, where she produced a highly stylised and choreographed photographic record of ritual, body painting, wrestling, and masculinity, rendered in rich colour and idealised form.\u003c\/p\u003e\n\u003cp data-start=\"657\" data-end=\"1293\"\u003eThe book is saturated with tension: between ethnography and performance, admiration and appropriation. Riefenstahl — best known for her cinematic propaganda under the Third Reich — brought the same aesthetic of physical perfection and mythic composition to these images, which critics have long debated as both a celebration of beauty and an extension of fascist visual logic. In \u003cem data-start=\"1037\" data-end=\"1047\"\u003eDie Nuba\u003c\/em\u003e, bodies are offered up not as individuals, but as archetypes — framed by the sun, the sand, the gaze of the outsider. It is a troubling and essential object for anyone tracking the intersections of image, race, power, and the politics of seeing.\u003c\/p\u003e\n\u003cp data-start=\"1295\" data-end=\"1314\"\u003e\u003cstrong data-start=\"1295\" data-end=\"1314\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1316\" data-end=\"1706\"\u003eTitle: Die Nuba\u003cbr data-start=\"1331\" data-end=\"1334\"\u003eArtist \/ Author: Leni Riefenstahl\u003cbr data-start=\"1367\" data-end=\"1370\"\u003eDate: Originally 1976; this edition 2002\u003cbr data-start=\"1410\" data-end=\"1413\"\u003eTechnique \/ Printing Method: Colour offset printing\u003cbr data-start=\"1464\" data-end=\"1467\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"1496\" data-end=\"1499\"\u003eDimensions: Approx. 24 x 32 cm\u003cbr data-start=\"1529\" data-end=\"1532\" data-is-only-node=\"\"\u003ePages: Unspecified\u003cbr data-start=\"1550\" data-end=\"1553\"\u003ePublisher \/ Editor: Komet Verlag (originally Riefenstahl Produktion)\u003cbr data-start=\"1621\" data-end=\"1624\"\u003eISBN: 3-933366-41-0\u003cbr data-start=\"1643\" data-end=\"1646\"\u003eLanguage: German\u003cbr data-start=\"1662\" data-end=\"1665\"\u003eCondition: Good (based on visible wear)\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51758397522258,"sku":null,"price":85.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_1_61907c60-8a19-431e-bc49-ae43f664b3bc.jpg?v=1768386280"},{"product_id":"pieter-hugo-kin-first-edition","title":"KIN — Pieter Hugo (First Edition), Aperture 2005","description":"\u003cp data-start=\"39\" data-end=\"1251\"\u003e\u003cem data-start=\"39\" data-end=\"44\"\u003eKIN\u003c\/em\u003e is a defining monograph by Pieter Hugo, capturing the intricate fabric of contemporary life across communities and identities, and a cornerstone in Darwin’s collection for anyone drawn to photography that navigates intimacy and expansiveness with equal precision. First published as Hugo’s first major book, \u003cem data-start=\"353\" data-end=\"358\"\u003eKIN\u003c\/em\u003e brings together the photographer’s early body of work—portraits from \u003cem data-start=\"428\" data-end=\"439\"\u003eNollywood\u003c\/em\u003e to \u003cem data-start=\"443\" data-end=\"466\" data-is-only-node=\"\"\u003eThe Hyena \u0026amp; Other Men\u003c\/em\u003e, \u003cem data-start=\"468\" data-end=\"507\"\u003eBetween the Devil \u0026amp; the Deep Blue Sea\u003c\/em\u003e, and \u003cem data-start=\"513\" data-end=\"530\"\u003ePermanent Error\u003c\/em\u003e—with a singular eye that foregrounds the dignity and complexity of its subjects without concession to spectacle. What binds these disparate bodies is a rigorous attention to presence: Hugo’s subjects are shown in moments where vulnerability and resilience coexist, framed by stark, unadorned pages that amplify their humanity. The sequencing moves with a quiet tension, allowing each portrait to assert its weight and then recede into a larger meditation on kinship, otherness, and the porous boundaries of self and society. In a first edition that has become increasingly rare, \u003cem data-start=\"1110\" data-end=\"1115\"\u003eKIN\u003c\/em\u003e remains essential for readers seeking photographic work that refuses easy answers and instead insists on the enduring power of looking.\u003c\/p\u003e\n\u003cp data-start=\"1253\" data-end=\"1617\"\u003eTechnical Sheet\u003cbr data-start=\"1268\" data-end=\"1271\"\u003eTitle: \u003cem data-start=\"1278\" data-end=\"1283\"\u003eKIN\u003c\/em\u003e\u003cbr data-start=\"1314\" data-end=\"1317\"\u003eEdition: First Edition\u003cbr data-start=\"1339\" data-end=\"1342\"\u003eDate: 2005 (approx., first publication)\u003cbr data-start=\"1381\" data-end=\"1384\"\u003eMedium \/ Materials: Photobook, hardcover\u003cbr data-start=\"1424\" data-end=\"1427\"\u003eDimensions (cm): ~30 × 38 (large‑format)\u003cbr data-start=\"1467\" data-end=\"1470\"\u003eLanguage: English\u003cbr data-start=\"1487\" data-end=\"1490\"\u003ePages: ~180\u003cbr data-start=\"1501\" data-end=\"1504\"\u003ePublisher \/ Editor: Aperture \/ Chris Boot\u003cbr data-start=\"1545\" data-end=\"1548\"\u003eISBN: (varies by printing)\u003cbr data-start=\"1574\" data-end=\"1577\"\u003eCondition: NEW\u003c\/p\u003e","brand":"aperture","offers":[{"title":"Default Title","offer_id":51759326265682,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_1c917d3a-cad2-4fb9-8d82-1832edbbfa09.jpg?v=1768160250"},{"product_id":"sex-steven-meisel-amp-madonna-1992","title":"Sex — Madonna, photographs by Steven Meisel, design by Fabien Baron — First Edition, 1992","description":"\u003cp data-start=\"95\" data-end=\"539\"\u003eThe iconic erotica book of the 1990s — aluminium-bound, hyper-staged, and instantly sold out. \u003cem data-start=\"189\" data-end=\"194\"\u003eSex\u003c\/em\u003e is a fetish object in itself: glossy, cold to the touch, and infamous by design. Shot by Steven Meisel, art directed by Fabien Baron, and performed by Madonna at her most untouchable, this book is a cultural capsule of 1992: provocative, overproduced, and perfectly timed to mirror the rise of postmodern celebrity and mass-market provocation.\u003c\/p\u003e\n\u003cp data-start=\"541\" data-end=\"1170\"\u003eWrapped in a spiral-bound aluminium shell and shrink-wrapped in Mylar, \u003cem data-start=\"612\" data-end=\"617\"\u003eSex\u003c\/em\u003e presents a saturated theatre of desire, layered with kink, irony, and the precise control of image. Its pages — featuring Naomi Campbell, Vanilla Ice, Isabella Rossellini and more — move between domination and self-performance, fantasy and farce, with Madonna as director, object, and gaze. This first edition includes the rare 8-page comic insert, a pulp gesture underscoring the book’s choreography of high and low culture. For Darwin, \u003cem data-start=\"1056\" data-end=\"1061\"\u003eSex\u003c\/em\u003e is more than scandal — it’s a keystone in the visual history of celebrity control and erotic representation.\u003c\/p\u003e\n\u003cp data-start=\"1172\" data-end=\"1707\"\u003e\u003cstrong data-start=\"1172\" data-end=\"1191\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1191\" data-end=\"1194\"\u003eTitle: Sex\u003cbr data-start=\"1204\" data-end=\"1207\"\u003eArtist \/ Author \/ Maker: Madonna, photographs by Steven Meisel, design by Fabien Baron\u003cbr data-start=\"1293\" data-end=\"1296\"\u003eDate: 1992\u003cbr data-start=\"1306\" data-end=\"1309\" data-is-only-node=\"\"\u003eTechnique \/ Medium: Aluminium ring-bound photobook with color offset printing and comic insert\u003cbr data-start=\"1403\" data-end=\"1406\"\u003eEdition: First edition, numbered (No. 0703780)\u003cbr data-start=\"1452\" data-end=\"1455\"\u003eDimensions: 35 × 28 cm; 122 pages + 8-page comic\u003cbr data-start=\"1503\" data-end=\"1506\"\u003eCondition: As new — original aluminium cover, pages clean, comic present\u003cbr data-start=\"1578\" data-end=\"1581\"\u003eOrigin \/ Provenance: Martin Secker \u0026amp; Warburg (UK\/USA edition)\u003cbr data-start=\"1642\" data-end=\"1645\"\u003eShipping: Registered, secure shipping due to format and rarity\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51769195397458,"sku":null,"price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_1_cea15ae8-2d7d-40d4-a67d-8ec00520f3d7.jpg?v=1770116985"},{"product_id":"cafe-lehmitz-anders-petersen-1985","title":"Café Lehmitz (Signed Pocket Edition) — Anders Petersen, 1985","description":"\u003cp data-start=\"133\" data-end=\"638\"\u003eThis signed pocket edition of \u003cem data-start=\"163\" data-end=\"177\"\u003eCafé Lehmitz\u003c\/em\u003e, published in 1985 by Schirmer\/Mosel, is Anders Petersen’s own preferred version of his most iconic book. Originally released in 1978, \u003cem data-start=\"313\" data-end=\"327\"\u003eCafé Lehmitz\u003c\/em\u003e launched Petersen’s career and redefined the language of documentary photography. Shot in a working-class bar on the Reeperbahn in Hamburg between 1968 and 1970, the work is a raw, affectionate portrait of a place where rules collapse: sex workers, drunks, lovers, loners — all held in the same intimate frame.\u003c\/p\u003e\n\u003cp data-start=\"640\" data-end=\"1232\"\u003ePetersen doesn’t observe from a distance. He drinks, touches, stays the night. The images are grainy, close, messy, full of flash and emotion. There is no moral hierarchy, only physical proximity and shared time. What makes \u003cem data-start=\"864\" data-end=\"878\"\u003eCafé Lehmitz\u003c\/em\u003e endure is its lack of performance — the trust is real, and the camera feels like part of the furniture. It’s a book that changed the terms for later photographers like Nan Goldin or Antoine d’Agata, proving that documentary could be personal, chaotic, and brutally tender. A cornerstone of postwar European photography, still unmatched in its sincerity.\u003c\/p\u003e\n\u003cp data-start=\"1234\" data-end=\"1594\"\u003eTechnical Sheet\u003cbr data-start=\"1249\" data-end=\"1252\"\u003eTitle: Café Lehmitz (Signed Pocket Edition)\u003cbr data-start=\"1295\" data-end=\"1298\"\u003eArtist \/ Author: Anders Petersen\u003cbr data-start=\"1330\" data-end=\"1333\"\u003eDate: 1985 edition (originally 1978)\u003cbr data-start=\"1369\" data-end=\"1372\"\u003eEdition: Signed\u003cbr data-start=\"1387\" data-end=\"1390\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1425\" data-end=\"1428\"\u003eMedium \/ Materials: Softcover\u003cbr data-start=\"1457\" data-end=\"1460\"\u003eDimensions (cm): Approx. 12 × 18\u003cbr data-start=\"1492\" data-end=\"1495\"\u003eLanguage: German\u003cbr data-start=\"1511\" data-end=\"1514\"\u003ePages: Approx. 120\u003cbr data-start=\"1532\" data-end=\"1535\"\u003ePublisher \/ Editor: Schirmer\/Mosel\u003cbr data-start=\"1569\" data-end=\"1572\"\u003eCondition: Very good\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51776958202194,"sku":null,"price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_2.jpg?v=1770110366"},{"product_id":"the-lines-of-my-hand-robert-frank-1989","title":"The Lines of My Hand — Robert Frank, First Parkett \/ Der Alltag Edition","description":"\u003cp data-end=\"372\" data-start=\"98\"\u003e \u003c\/p\u003e\n\u003cp\u003eRobert Frank’s most intimate and elliptical book, here in the rare Parkett \/ Der Alltag edition published in Switzerland in 1989. Originally released in Japan in 1972 and revised in the U.S. in 1989, this version is its own object — cleanly designed, starkly sequenced, and printed with the cool neutrality of late-80s European publishing. If \u003cem data-start=\"519\" data-end=\"534\"\u003eThe Americans\u003c\/em\u003e was the book that broke the frame, \u003cem data-start=\"570\" data-end=\"592\"\u003eThe Lines of My Hand\u003c\/em\u003e is the book that dissolved it. This is autobiography by way of photographic memory: fragmentary, withdrawn, handwritten, and intensely personal.\u003c\/p\u003e\n\u003cp data-start=\"739\" data-end=\"1411\"\u003eThe cover, with its ghostly charcoal tracing of a raised palm, signals a departure from traditional narrative structure. Inside, Frank threads together photographs from across his life: his children, his travels, his losses, the flat winter light of Nova Scotia, the asphalt haze of America. The sequencing is poetic and associative, intercut with handwritten notes and reproduced contact sheets. It feels closer to a film diary or sketchbook than a monograph — more Jonas Mekas than Cartier-Bresson. An essential object in the lineage of artist photobooks, deeply influential on later diaristic work by Nan Goldin, Jim Goldberg, or Collier Schorr. Scarce in this edition.\u003c\/p\u003e\n\u003cp data-start=\"1413\" data-end=\"1729\"\u003e\u003cstrong data-start=\"1413\" data-end=\"1432\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1432\" data-end=\"1435\"\u003eTitle: The Lines of My Hand\u003cbr data-start=\"1462\" data-end=\"1465\"\u003eArtist \/ Author: Robert Frank\u003cbr data-start=\"1494\" data-end=\"1497\"\u003eDate: 1989\u003cbr data-start=\"1507\" data-end=\"1510\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1554\" data-end=\"1557\"\u003eMedium \/ Materials: Hardcover photobook\u003cbr data-start=\"1596\" data-end=\"1599\"\u003eDimensions: 23.5 x 30 cm\u003cbr data-start=\"1623\" data-end=\"1626\"\u003ePages: 80\u003cbr data-start=\"1645\" data-end=\"1648\"\u003ePublisher \/ Editor: Parkett \/ Der Alltag\u003cbr data-start=\"1688\" data-end=\"1691\"\u003eISBN: 3-907509-04-8\u003cbr data-start=\"1710\" data-end=\"1713\"\u003eCondition: NEW\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51776963182930,"sku":null,"price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_451e7fdf-5ea7-420b-8068-0930eeef16f8.jpg?v=1769295549"},{"product_id":"aka-ana-antoine-d-agata-2017","title":"赤穴 (Aka Ana) — Antoine d'Agata, AKAAKA 2017","description":"\u003cp data-end=\"397\" data-start=\"79\"\u003e \u003c\/p\u003e\n\u003cp data-end=\"240\" data-start=\"206\"\u003e\u003cstrong data-end=\"240\" data-start=\"206\"\u003e赤穴 (Aka Ana) — Antoine d'Agata\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"634\" data-start=\"242\"\u003eThis photobook by French photographer Antoine d’Agata, \u003cem data-end=\"306\" data-start=\"297\"\u003eAka Ana\u003c\/em\u003e (\u003cem data-end=\"318\" data-start=\"308\"\u003eRed Hole\u003c\/em\u003e), published in 2017 by Akaaka Art Publishing, is part of the Darwin Bookshop because it enters the erotic and existential void with unrelenting intensity. Shot in Japan over years of immersion in Tokyo’s underworld, the book documents not a place but a descent—into sex, fever, narcotics, and photographic collapse.\u003c\/p\u003e\n\u003cp data-end=\"1124\" data-start=\"636\"\u003eD’Agata's work in \u003cem data-end=\"663\" data-start=\"654\"\u003eAka Ana\u003c\/em\u003e fuses diaristic self-representation with performative and often collaborative acts of intimacy. Bodies blur, dissolve, burn under red light. The photographs are grainy, saturated, and immersive, often unreadable in a conventional sense—yet entirely legible in their physical and emotional charge. The cover itself is a veil: a naked figure partly obscured, with the title’s two kanji—赤 (red) and 穴 (hole)—cut directly into the surface like wounds or apertures.\u003c\/p\u003e\n\u003cp data-end=\"1535\" data-start=\"1126\"\u003eThis Japanese edition stands out for its production: heavy matte paper, rich inks, and the precise violence of the die-cut jacket. Signed by d’Agata in Arles, the book carries the trace of one of contemporary photography’s most transgressive presences. At Darwin, \u003cem data-end=\"1399\" data-start=\"1390\"\u003eAka Ana\u003c\/em\u003e is held as a core work in the photobook canon of embodied experience and radical exposure—where sex is no longer subject but condition.\u003c\/p\u003e\n\u003cp data-end=\"1556\" data-start=\"1537\"\u003e\u003cstrong data-end=\"1556\" data-start=\"1537\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1955\" data-start=\"1558\"\u003eTitle: 赤穴 (Aka Ana)\u003cbr data-end=\"1580\" data-start=\"1577\"\u003eArtist \/ Author: Antoine d’Agata\u003cbr data-end=\"1615\" data-start=\"1612\"\u003eDate: 2017\u003cbr data-end=\"1628\" data-start=\"1625\"\u003eTechnique \/ Printing Method: Offset printing, die-cut cover\u003cbr data-end=\"1690\" data-start=\"1687\"\u003eMedium \/ Materials: Hardcover with printed dust jacket\u003cbr data-end=\"1747\" data-start=\"1744\"\u003eDimensions: approx. 22 × 28 cm\u003cbr data-end=\"1780\" data-start=\"1777\"\u003eLanguage: Japanese, English, French\u003cbr data-end=\"1818\" data-start=\"1815\"\u003ePages: Unpaginated\u003cbr data-end=\"1839\" data-start=\"1836\"\u003ePublisher \/ Editor: Akaaka Art Publishing\u003cbr data-end=\"1883\" data-start=\"1880\"\u003eISBN: 978-4-86541-079-0\u003cbr data-end=\"1909\" data-start=\"1906\"\u003eSigned: Yes (signed in Arles)\u003cbr data-end=\"1941\" data-start=\"1938\"\u003eCondition: MINT\u003c\/p\u003e","brand":"AKAAKA","offers":[{"title":"Default Title","offer_id":51777089831250,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_90e2f80b-f9c0-4c85-b11a-ebfc8a1873f9.jpg?v=1768063361"},{"product_id":"the-valley-larry-sultan-2004","title":"The Valley — Larry Sultan (2004)","description":"\u003cp data-start=\"244\" data-end=\"990\"\u003eThis is Larry Sultan’s \u003cem data-start=\"267\" data-end=\"279\"\u003eThe Valley\u003c\/em\u003e, a book that took five years to shoot and a lifetime of visual intelligence to frame. Published in 2004 by Scalo, it captures a strange and distinctly American intersection of domesticity and performance — the San Fernando Valley, epicentre of the adult film industry, rendered not as spectacle, but as a liminal theatre of longing, boredom, power, and collapse. Working with large format, Sultan inserts himself into the private homes used as film sets, portraying moments in-between takes or fully staged with deliberate ambiguity. The result is disquieting: bathrobes, fake tears, boom mics, indifferent husbands, nude actors caught under bright domestic lighting — the unglamorous infrastructure of desire.\u003c\/p\u003e\n\u003cp data-start=\"992\" data-end=\"1733\"\u003eEach photograph is lush, exacting, and mournful. Sultan’s palette leans toward deep velvet purples, beige carpets, overlit flesh and faux-wood panelling. If Araki gives us erotic ruin and Moriyama the grain of hunger, Sultan gives us stasis — desire without climax, where everything feels both overexposed and drained. This is California, but not as fantasy: it’s the Valley as stage, memory, and prison. Sultan, who grew up in the Valley and previously photographed his own parents with similar tenderness and unease (\u003cem data-start=\"1511\" data-end=\"1531\"\u003ePictures from Home\u003c\/em\u003e), extends his project of familial estrangement into a more public theatre. A book for anyone tracking the blurred borders of performance, the machinery of sex, and the deathless ache of suburban light.\u003c\/p\u003e\n\u003cp data-start=\"1735\" data-end=\"2024\"\u003e\u003cstrong data-start=\"1735\" data-end=\"1754\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1754\" data-end=\"1757\"\u003eTitle: The Valley\u003cbr data-start=\"1774\" data-end=\"1777\"\u003eArtist \/ Author: Larry Sultan\u003cbr data-start=\"1806\" data-end=\"1809\"\u003eDate: 2004\u003cbr data-start=\"1819\" data-end=\"1822\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1866\" data-end=\"1869\"\u003eMedium \/ Materials: Hardcover with dust jacket\u003cbr data-start=\"1915\" data-end=\"1918\"\u003eDimensions: 30.5 × 34 cm\u003cbr data-start=\"1942\" data-end=\"1945\"\u003ePages: 128\u003cbr data-start=\"1955\" data-end=\"1958\"\u003ePublisher \/ Editor: Scalo\u003cbr data-start=\"1983\" data-end=\"1986\"\u003eISBN: 3-908247-79-9\u003cbr data-start=\"2005\" data-end=\"2008\"\u003eCondition: Used. Good condition\u003c\/p\u003e\n\u003chr data-start=\"2026\" data-end=\"2029\"\u003e\n\u003cp data-start=\"2031\" data-end=\"2093\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51777110016338,"sku":null,"price":220.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_8c6bb6ea-c6c2-45a7-8d6d-6b6ae5003da2.jpg?v=1769295001"},{"product_id":"katherine-avenue-larry-sultan-2010","title":"Katherine Avenue – Larry Sultan,  Steidl 2010","description":"\u003cp data-start=\"92\" data-end=\"401\"\u003e\u003cbr data-start=\"133\" data-end=\"136\"\u003e\u003cem data-start=\"136\" data-end=\"198\"\u003eMemory, suburbia, and myth — a triptych of American intimacy\u003c\/em\u003e\u003cbr data-start=\"198\" data-end=\"201\"\u003eThree series woven into one powerful photobook: from familial portraits to porn sets to migrant laborers, Sultan’s vision is both personal and political — an excavation of the American dream’s façade.\u003c\/p\u003e\n\u003cp data-start=\"403\" data-end=\"469\"\u003eStill sealed in its original publisher's wrap. A flawless edition.\u003c\/p\u003e\n\u003cp data-start=\"471\" data-end=\"472\"\u003e⸻\u003c\/p\u003e\n\u003cp data-start=\"474\" data-end=\"919\"\u003e\u003cstrong data-start=\"474\" data-end=\"484\"\u003eTitle:\u003c\/strong\u003e \u003cem data-start=\"485\" data-end=\"503\"\u003eKatherine Avenue\u003c\/em\u003e\u003cbr data-start=\"503\" data-end=\"506\"\u003e\u003cstrong data-start=\"506\" data-end=\"534\"\u003eArtist \/ Author \/ Maker:\u003c\/strong\u003e \u003cem data-start=\"535\" data-end=\"566\"\u003eLarry Sultan (1946–2009, USA)\u003c\/em\u003e\u003cbr data-start=\"566\" data-end=\"569\"\u003e\u003cstrong data-start=\"569\" data-end=\"592\"\u003eTechnique \/ Medium:\u003c\/strong\u003e \u003cem data-start=\"593\" data-end=\"639\"\u003eHardcover book with dustjacket, offset print\u003c\/em\u003e\u003cbr data-start=\"639\" data-end=\"642\"\u003e\u003cstrong data-start=\"642\" data-end=\"654\"\u003eEdition:\u003c\/strong\u003e \u003cem data-start=\"655\" data-end=\"670\"\u003eFirst Edition\u003c\/em\u003e\u003cbr data-start=\"670\" data-end=\"673\"\u003e\u003cstrong data-start=\"673\" data-end=\"687\"\u003eSignature:\u003c\/strong\u003e \u003cem data-start=\"688\" data-end=\"698\"\u003eUnsigned\u003c\/em\u003e\u003cbr data-start=\"698\" data-end=\"701\"\u003e\u003cstrong data-start=\"701\" data-end=\"710\"\u003eDate:\u003c\/strong\u003e \u003cem data-start=\"711\" data-end=\"717\"\u003e2010\u003c\/em\u003e\u003cbr data-start=\"717\" data-end=\"720\"\u003e\u003cstrong data-start=\"720\" data-end=\"734\"\u003eCondition:\u003c\/strong\u003e \u003cem data-start=\"735\" data-end=\"786\"\u003eMint – new, unread, still in original shrink-wrap\u003c\/em\u003e\u003cbr data-start=\"786\" data-end=\"789\"\u003e\u003cstrong data-start=\"789\" data-end=\"804\"\u003eDimensions:\u003c\/strong\u003e \u003cem data-start=\"805\" data-end=\"819\"\u003e274 × 269 mm\u003c\/em\u003e\u003cbr data-start=\"819\" data-end=\"822\"\u003e\u003cstrong data-start=\"822\" data-end=\"846\"\u003eOrigin \/ Provenance:\u003c\/strong\u003e \u003cem data-start=\"847\" data-end=\"919\"\u003eSteidl, Göttingen – published posthumously as a definitive compilation\u003c\/em\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51777118830930,"sku":null,"price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/9A293FA4-257F-43CA-AB89-9FBD58910E7B.jpg?v=1768224684"},{"product_id":"evidence-larry-sultan-amp-mike-mandel-2017","title":"Evidence — Larry Sultan \u0026 Mike Mandel (Second printing, 2017)","description":"\u003cp data-start=\"91\" data-end=\"316\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOriginally published in 1977, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eEvidence\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is a seminal photobook by Mike Mandel and Larry Sultan, composed entirely of found photographs sourced from the archives of over one hundred U.S. government agencies, research institutions, and corporations. The images were originally made as documents of scientific experiments, industrial procedures, police investigations, and technical research. Mandel and Sultan stripped them of their original captions and contexts, reordering them as autonomous visual statements, thereby transforming utilitarian imagery into enigmatic, often absurd or unsettling art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis edition, published by D.A.P. \/ Distributed Art Publishers in 2017 (ISBN 9781942884149), is the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003esecond printing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e of the 2003 facsimile reissue. It preserves the design and sequence of the original 1977 book, with production overseen by Working Dog Press and design by Victor Mingovits. The photographs are drawn from the archives of institutions including the San Jose Police Department, Jet Propulsion Laboratories, General Atomic Company, and the U.S. Department of the Interior.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eEvidence\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e has since been recognized as a foundational work of conceptual photography, upending traditional notions of authorship, documentation, and narrative. Its influence spans photography, art history, and archival practice.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTechnical Sheet:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eMike Mandel, Larry Sultan\u003cbr\u003eD.A.P. \/ Distributed Art Publishers, New York, 2017 (second printing of 2003 facsimile edition, originally published 1977)\u003cbr\u003eSoftcover, 28 x 31.5 cm, unpaginated (approx. 100 pages)\u003cbr\u003eDesign: Victor Mingovits\u003cbr\u003eEditor: Loni Waxman\u003cbr\u003eProduction: Working Dog Press\u003cbr\u003eISBN: 978-1-942884-14-9\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51777150878034,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_966a0afa-4068-4856-b35e-4b99037badf6.jpg?v=1768214610"},{"product_id":"pornografie-klaus-staeck-1971","title":"Pornografie – Klaus Staeck, 1971","description":"\u003cp data-end=\"316\" data-start=\"86\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-start=\"99\" data-end=\"529\"\u003eThis artist’s book by Klaus Staeck, completed in 1970 and published in 1971 by Anabas Verlag, is part of the Darwin Bookshop because it offers a caustic, politically charged redefinition of pornography—not of sex, but of violence, media and state power. The title \u003cem data-start=\"363\" data-end=\"376\"\u003ePornografie\u003c\/em\u003e is a provocation: what unfolds inside is not erotic at all, but a dense visual essay on the obscenity of authority and the mass spectacle of repression.\u003c\/p\u003e\n\u003cp data-start=\"531\" data-end=\"1020\"\u003eStaeck, a key figure in postwar German political art, assembles a barrage of press photographs, protest images, police brutality, and tabloid fragments. Riot police in helmets become recurring motifs, their visors pixelated like censored genitals. The graphic language is stark: black backgrounds, aggressive crops, and a montage style indebted to Dada and Situationism. It reads like a dossier, a piece of forensic resistance against the hypocritical moral codes of the West German state.\u003c\/p\u003e\n\u003cp data-start=\"1022\" data-end=\"1375\"\u003ePublished at a moment of deep unrest—shortly after 1968, amid RAF trials and violent protest crackdowns—\u003cem data-start=\"1126\" data-end=\"1139\"\u003ePornografie\u003c\/em\u003e is not a photobook in the classic sense but a critical object. It weaponises design to ask: What kind of images are allowed to circulate, and which ones are suppressed? What violence is deemed acceptable, and which bodies are punished?\u003c\/p\u003e\n\u003cp data-start=\"1377\" data-end=\"1495\"\u003eA rare early work by one of Germany’s most radical image-makers, and a chilling document of mediated authoritarianism.\u003c\/p\u003e\n\u003cp data-start=\"1497\" data-end=\"1516\"\u003e\u003cstrong data-start=\"1497\" data-end=\"1516\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1518\" data-end=\"1537\"\u003eTitle\u003cbr data-start=\"1523\" data-end=\"1526\"\u003ePornografie\u003c\/p\u003e\n\u003cp data-start=\"1539\" data-end=\"1569\"\u003eArtist \/ Author\u003cbr data-start=\"1554\" data-end=\"1557\"\u003eKlaus Staeck\u003c\/p\u003e\n\u003cp data-start=\"1571\" data-end=\"1582\"\u003eDate\u003cbr data-start=\"1575\" data-end=\"1578\"\u003e1971\u003c\/p\u003e\n\u003cp data-start=\"1584\" data-end=\"1629\"\u003eTechnique \/ Printing Method\u003cbr data-start=\"1611\" data-end=\"1614\"\u003eOffset printing\u003c\/p\u003e\n\u003cp data-start=\"1631\" data-end=\"1661\"\u003eMedium \/ Materials\u003cbr data-start=\"1649\" data-end=\"1652\"\u003eSoftcover\u003c\/p\u003e\n\u003cp data-start=\"1663\" data-end=\"1695\"\u003eDimensions (cm)\u003cbr data-start=\"1678\" data-end=\"1681\"\u003e29.5 x 23.5 cm\u003c\/p\u003e\n\u003cp data-start=\"1697\" data-end=\"1714\"\u003eLanguage\u003cbr data-start=\"1705\" data-end=\"1708\"\u003eGerman\u003c\/p\u003e\n\u003cp data-start=\"1716\" data-end=\"1749\"\u003ePages\u003cbr data-start=\"1721\" data-end=\"1724\"\u003eUnpaginated (approx. 120)\u003c\/p\u003e\n\u003cp data-start=\"1751\" data-end=\"1810\"\u003ePublisher \/ Editor\u003cbr data-start=\"1769\" data-end=\"1772\"\u003eAnabas Verlag \/ H.C. Schmolck (Editor)\u003c\/p\u003e\n\u003cp data-start=\"1812\" data-end=\"1832\"\u003eISBN\u003cbr data-start=\"1816\" data-end=\"1819\"\u003e3-87038-020-9\u003c\/p\u003e\n\u003cp data-start=\"1834\" data-end=\"1889\"\u003eCondition\u003cbr data-start=\"1843\" data-end=\"1846\"\u003eUsed — cover has damage, and some pages are detached \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51777156972882,"sku":null,"price":280.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_ecc19558-ee61-4f7e-ae3b-860d3ef56606.jpg?v=1768213758"},{"product_id":"antoine-d-agata-amp-francis-bacon-2020","title":"Francis Bacon \/ Antoine d’Agata — Antoine d’Agata (signed)","description":"\u003cp data-end=\"288\" data-start=\"91\"\u003e \u003c\/p\u003e\n\u003cp\u003eThis double-volume publication by Antoine d’Agata, published by The Eyes in 2020, is part of the Darwin Bookshop because it stages a visceral encounter between two artists who work the body into a site of rupture, obsession and metaphysical unease. Bound in black covers with bold red titling—one volume bearing d’Agata’s name, the other Bacon’s—the set is a dark duet of violence and intimacy, painting and photography, flesh and shadow.\u003c\/p\u003e\n\u003cp data-start=\"562\" data-end=\"1103\"\u003eD’Agata’s photographs push the edge of visibility: blurred, overexposed, limbs contorted mid-act, his subjects half-submerged in narcotic or erotic delirium. The camera becomes an extension of the body, implicating both author and viewer in acts that reject moral clarity. Printed on dense Munken Lynx paper, these images are paired against works by Francis Bacon, reproduced from the ISC Modern Art Gallery, that echo with similar convulsions—painted torsos split by mirrors, human forms crumpling into furniture, desire rendered grotesque.\u003c\/p\u003e\n\u003cp data-start=\"1105\" data-end=\"1467\"\u003eThis second edition also includes essays by Bruno Sabatier, Perrine Le Querrec and Léa Bismuth, who reflect on the links between these two visual vocabularies of pain. It is a rare editorial pairing, not just comparative but dialogic. D’Agata does not interpret Bacon—he inhabits him, pushing photography to match the painter’s capacity for existential violence.\u003c\/p\u003e\n\u003cp data-start=\"1469\" data-end=\"1488\"\u003e\u003cstrong data-start=\"1469\" data-end=\"1488\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1490\" data-end=\"1529\"\u003eTitle\u003cbr data-start=\"1495\" data-end=\"1498\"\u003eFrancis Bacon \/ Antoine d’Agata\u003c\/p\u003e\n\u003cp data-start=\"1531\" data-end=\"1564\"\u003eArtist \/ Author\u003cbr data-start=\"1546\" data-end=\"1549\"\u003eAntoine d’Agata\u003c\/p\u003e\n\u003cp data-start=\"1566\" data-end=\"1599\"\u003eDate\u003cbr data-start=\"1570\" data-end=\"1573\"\u003e2020 (second edition 2021)\u003c\/p\u003e\n\u003cp data-start=\"1601\" data-end=\"1646\"\u003eTechnique \/ Printing Method\u003cbr data-start=\"1628\" data-end=\"1631\"\u003eOffset printing\u003c\/p\u003e\n\u003cp data-start=\"1648\" data-end=\"1713\"\u003eMedium \/ Materials\u003cbr data-start=\"1666\" data-end=\"1669\"\u003eSoftcover, two-volume set housed in slipcase\u003c\/p\u003e\n\u003cp data-start=\"1715\" data-end=\"1739\"\u003eEdition\u003cbr data-start=\"1722\" data-end=\"1725\"\u003eSecond edition\u003c\/p\u003e\n\u003cp data-start=\"1741\" data-end=\"1785\"\u003eSigned\u003cbr data-start=\"1747\" data-end=\"1750\"\u003eYes (signed by d’Agata, dated 2021)\u003c\/p\u003e\n\u003cp data-start=\"1787\" data-end=\"1835\"\u003eDimensions (cm)\u003cbr data-start=\"1802\" data-end=\"1805\"\u003eEach volume approx. 24 x 17 cm\u003c\/p\u003e\n\u003cp data-start=\"1837\" data-end=\"1854\"\u003eLanguage\u003cbr data-start=\"1845\" data-end=\"1848\"\u003eFrench\u003c\/p\u003e\n\u003cp data-start=\"1856\" data-end=\"1900\"\u003ePages\u003cbr data-start=\"1861\" data-end=\"1864\"\u003eNot stated (approx. 100+ per volume)\u003c\/p\u003e\n\u003cp data-start=\"1902\" data-end=\"1942\"\u003ePublisher \/ Editor\u003cbr data-start=\"1920\" data-end=\"1923\"\u003eThe Eyes Publishing\u003c\/p\u003e\n\u003cp data-start=\"1944\" data-end=\"1968\"\u003eISBN\u003cbr data-start=\"1948\" data-end=\"1951\"\u003e979-10-92727-42-5\u003c\/p\u003e\n\u003cp data-start=\"1970\" data-end=\"1985\"\u003eCondition\u003cbr data-start=\"1979\" data-end=\"1982\"\u003eNew\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51777162346834,"sku":null,"price":180.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_2_95dd4294-39b2-4d9e-9e1c-da97a9db5801.jpg?v=1768211063"},{"product_id":"alberto-garcia-alix-archivo-nomada-vol-1","title":"Archivo Nómada — Alberto García-Alix 1975–1981, Editorial Cabeza de Chorlito","description":"\u003cp data-end=\"375\" data-start=\"106\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-start=\"115\" data-end=\"584\"\u003eThis photobook by Alberto García-Alix, published in 2023 by Editorial Cabeza de Chorlito, gathers previously unseen photographs from the artist’s early years into a raw, tactile volume — printed in risograph and bound in an exposed, hand-stitched spine. \u003cem data-start=\"369\" data-end=\"385\"\u003eArchivo Nómada\u003c\/em\u003e is the first in a series of volumes that excavate García-Alix’s vast negative archive, focusing here on the formative period of 1975 to 1981: a Spain in transition, a photographer coming into focus.\u003c\/p\u003e\n\u003cp data-start=\"586\" data-end=\"991\"\u003eUnlike the more polished retrospective editions of García-Alix’s work, this book moves with a different rhythm. The photographs — intimate, urban, anonymous, private — are reproduced with a punk, almost fanzine-like energy: black-and-white risograph on coarse paper, punctuated by overprinted fluoro orange typography. The materials and format reflect the life they depict: marginal, nocturnal, in motion.\u003c\/p\u003e\n\u003cp data-start=\"993\" data-end=\"1391\"\u003eDesigned and produced in Barcelona by a small independent team (with paper from Cyclus 250g and Arena Natural Rough 120g), this edition rejects the preciousness of the monograph and reclaims the archive as something living, physical, and insurgent. Every detail — from the visible binding to the choice of typefaces — builds a book that feels more like a portable exhibition than a finished object.\u003c\/p\u003e\n\u003cp data-start=\"1393\" data-end=\"1412\"\u003e\u003cstrong data-start=\"1393\" data-end=\"1412\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1414\" data-end=\"1458\"\u003eTitle: Archivo Nómada — Volume 1 (1975–1981)\u003c\/p\u003e\n\u003cp data-start=\"1460\" data-end=\"1496\"\u003eArtist \/ Author: Alberto García-Alix\u003c\/p\u003e\n\u003cp data-start=\"1498\" data-end=\"1508\"\u003eDate: 2023\u003c\/p\u003e\n\u003cp data-start=\"1510\" data-end=\"1548\"\u003eTechnique \/ Printing Method: Risograph\u003c\/p\u003e\n\u003cp data-start=\"1550\" data-end=\"1647\"\u003eMedium \/ Materials: Softcover, open spine binding, printed on Arena Natural Rough \u0026amp; Cyclus Offset\u003c\/p\u003e\n\u003cp data-start=\"1649\" data-end=\"1675\"\u003eDimensions (cm): 16.5 × 22\u003c\/p\u003e\n\u003cp data-start=\"1677\" data-end=\"1703\"\u003eLanguage: Spanish, English\u003c\/p\u003e\n\u003cp data-start=\"1705\" data-end=\"1723\"\u003ePages (books): 240\u003c\/p\u003e\n\u003cp data-start=\"1725\" data-end=\"1784\"\u003ePublisher \/ Editor: Editorial Cabeza de Chorlito, Barcelona\u003c\/p\u003e\n\u003cp data-start=\"1786\" data-end=\"1809\"\u003eISBN: 978-84-122721-7-8\u003c\/p\u003e\n\u003cp data-start=\"1811\" data-end=\"1825\"\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51786315202898,"sku":null,"price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy.jpg?v=1768337720"},{"product_id":"alberto-garcia-alix-moto","title":"Alberto García-Alix — Moto, Editorial Cabeza de Chorlito","description":"\u003cp data-start=\"91\" data-end=\"313\"\u003e \u003c\/p\u003e\n\u003cp\u003e This photobook by Spanish photographer Alberto García-Alix, titled \u003cem data-start=\"166\" data-end=\"172\"\u003eMoto\u003c\/em\u003e and published in 2015 by Cabeza de Chorlito, is part of the Darwin Bookshop because it distills a lifelong obsession with motorcycles into a visual autobiography of speed, solitude and mechanical ritual. Known for his gritty black-and-white portraits of post-Franco counterculture, García-Alix turns the lens inward here—onto the machines that have both carried and haunted him.\u003c\/p\u003e\n\u003cp data-start=\"553\" data-end=\"1021\"\u003e\u003cem data-start=\"553\" data-end=\"559\"\u003eMoto\u003c\/em\u003e is not a documentary on biking culture. It is a metaphysical study of chrome and flesh, shadow and engine. The motorcycles appear not just as objects but as companions, extensions of the body and psyche. García-Alix photographs their parts like relics: handlebars, fuel tanks, valves, always with the texture of grease and darkness. Interspersed with these images are poetic fragments in his own handwriting, tracing memory, addiction, brotherhood and velocity.\u003c\/p\u003e\n\u003cp data-start=\"1023\" data-end=\"1338\"\u003ePrinted entirely in duotone and bound in matte black with gloss-black lettering, the book has a ghosted, tactile presence—elegant and brutal. At Darwin, \u003cem data-start=\"1176\" data-end=\"1182\"\u003eMoto\u003c\/em\u003e is held as a cult object, not only for García-Alix collectors but for those drawn to the mythology of movement, masculine vulnerability, and analogue grit.\u003c\/p\u003e\n\u003cp data-start=\"1340\" data-end=\"1359\"\u003e\u003cstrong data-start=\"1340\" data-end=\"1359\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1361\" data-end=\"1665\"\u003eTitle: Moto\u003cbr data-start=\"1372\" data-end=\"1375\"\u003eArtist \/ Author: Alberto García-Alix\u003cbr data-start=\"1411\" data-end=\"1414\"\u003eDate: 2015\u003cbr data-start=\"1424\" data-end=\"1427\"\u003eTechnique \/ Printing Method: Duotone offset\u003cbr data-start=\"1470\" data-end=\"1473\"\u003eMedium \/ Materials: Hardcover with blind embossing\u003cbr data-start=\"1523\" data-end=\"1526\"\u003eDimensions: 24 × 24 cm\u003cbr data-start=\"1548\" data-end=\"1551\" data-is-only-node=\"\"\u003eLanguage: Spanish\u003cbr data-start=\"1568\" data-end=\"1571\"\u003ePages: 104\u003cbr data-start=\"1581\" data-end=\"1584\"\u003ePublisher \/ Editor: Cabeza de Chorlito\u003cbr data-start=\"1622\" data-end=\"1625\"\u003eISBN: 978-84-941862-7-6\u003cbr data-start=\"1648\" data-end=\"1651\"\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51786671194450,"sku":null,"price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_33b1e30e-4fdd-4138-8a3f-0989dff1cfea.jpg?v=1768467813"},{"product_id":"paz-errazuriz-selected-works-of-chile","title":"Paz Errázuriz — Survey, Aperture 2016","description":"\u003cp data-start=\"95\" data-end=\"601\"\u003eThis comprehensive monograph on Chilean photographer Paz Errázuriz, published in 2016 by Aperture, is part of the Darwin Bookshop because it traces the full arc of a career devoted to photographing those excluded from dominant narratives. From the psychiatric institutions of \u003cem data-start=\"371\" data-end=\"391\"\u003eLa Manzana de Adán\u003c\/em\u003e to the brothels of \u003cem data-start=\"411\" data-end=\"432\"\u003eEl Infarto del Alma\u003c\/em\u003e and \u003cem data-start=\"437\" data-end=\"453\"\u003eMaisons Closes\u003c\/em\u003e, Errázuriz’s work is not reportage—it is alliance. Her black-and-white images are built on long, immersive relationships, where trust becomes form.\u003c\/p\u003e\n\u003cp data-start=\"603\" data-end=\"1045\"\u003eThis \u003cem data-start=\"608\" data-end=\"616\"\u003eSurvey\u003c\/em\u003e gathers key series spanning four decades, and reveals Errázuriz’s evolution from clandestine photographer under Pinochet’s regime to internationally recognized chronicler of resistance and intimacy. The book’s visual pacing—alternating between iconic portraits, tender interiors, and quiet gestures—echoes her ethical stance: look carefully, and look again. Marginality, in her lens, is not a category but a position of insight.\u003c\/p\u003e\n\u003cp data-start=\"1047\" data-end=\"1523\"\u003eThe publication was released alongside her major exhibition at the Fundación MAPFRE in Madrid and marks the first substantial English-language volume on her work. With texts by Gerardo Mosquera and curator Paulina Varas, it contextualizes Errázuriz within both Latin American documentary traditions and feminist visual politics. At Darwin, this book is held as a primary reference on the ethics of photographic engagement—and as a testament to looking where power says not to.\u003c\/p\u003e\n\u003cp data-start=\"1525\" data-end=\"1544\"\u003e\u003cstrong data-start=\"1525\" data-end=\"1544\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1546\" data-end=\"1821\"\u003eTitle: Survey\u003cbr data-start=\"1559\" data-end=\"1562\"\u003eArtist \/ Author: Paz Errázuriz\u003cbr data-start=\"1592\" data-end=\"1595\"\u003eDate: 2016\u003cbr data-start=\"1605\" data-end=\"1608\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1652\" data-end=\"1655\"\u003eMedium \/ Materials: Hardcover book\u003cbr data-start=\"1689\" data-end=\"1692\"\u003eDimensions: 24.1 × 30.5 cm\u003cbr data-start=\"1718\" data-end=\"1721\" data-is-only-node=\"\"\u003eLanguage: English\u003cbr data-start=\"1738\" data-end=\"1741\"\u003ePages: 256\u003cbr data-start=\"1751\" data-end=\"1754\"\u003ePublisher \/ Editor: Aperture\u003cbr data-start=\"1782\" data-end=\"1785\"\u003eISBN: 9781597113722\u003cbr data-start=\"1804\" data-end=\"1807\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51821506527570,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_1_33bb5c2b-0d52-42c8-b8e6-c8f0d8463567.jpg?v=1768036410"},{"product_id":"johan-lundberg-another-day-of-life-in-romanipen","title":"ANOTHER DAY OF LIFE in Romanipen — Johan Lundberg","description":"\u003cp data-start=\"150\" data-end=\"628\"\u003eThis photobook by Johan Lundberg, published in 2005 by Journal (Sweden)  offers a direct, unfiltered gaze into Roma communities in the Balkans—seen not through the lens of distance, but through time, presence, and a slow, patient form of witnessing. \u003cem data-start=\"442\" data-end=\"476\"\u003eAnother Day of Life in Romanipen\u003c\/em\u003e is a rare work of embedded photography, rooted in long-term engagement and crafted with deep respect for the dignity and daily rhythms of its subjects.\u003c\/p\u003e\n\u003cp data-start=\"630\" data-end=\"1017\"\u003eShot between the late 1990s and early 2000s, Lundberg’s images capture the intimacy of everyday life—rooms dimly lit in natural shadow, families gathered in fragile domestic space, eyes meeting the camera without performance. The cover photograph, a young woman reclined and watching, framed in a cloth-walled interior, sets the tone for the book: contemplative, close, and deeply human.\u003c\/p\u003e\n\u003cp data-start=\"1019\" data-end=\"1388\"\u003eBound in raw linen with a tipped-in print, the book’s design mirrors its content—quiet, tactile, and unadorned. It avoids both exoticism and sentimentalism, refusing to editorialise or over-explain. These are lives seen from within, structured by Romanipen, the invisible code of Roma identity and tradition, rarely represented from this position of proximity and care.\u003c\/p\u003e\n\u003cp data-start=\"1390\" data-end=\"1697\"\u003eSupported by the Olof Palme International Center and Sida, and printed with integrity in Verona, this first edition is a testament to what happens when a photographer listens more than he looks. It belongs in Darwin as a document of cultural resistance, visual tenderness, and ethical photographic practice.\u003c\/p\u003e\n\u003cp data-start=\"1699\" data-end=\"2086\"\u003e\u003cstrong data-start=\"1699\" data-end=\"1718\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1718\" data-end=\"1721\"\u003eTitle: Another Day of Life in Romanipen\u003cbr data-start=\"1760\" data-end=\"1763\"\u003eArtist \/ Author: Johan Lundberg\u003cbr data-start=\"1794\" data-end=\"1797\"\u003eDate: 2005\u003cbr data-start=\"1807\" data-end=\"1810\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1845\" data-end=\"1848\"\u003eMedium \/ Materials: Hardcover with tipped-in image, linen bound\u003cbr data-start=\"1911\" data-end=\"1914\"\u003eDimensions (cm): approx. 28 × 24 cm\u003cbr data-start=\"1949\" data-end=\"1952\"\u003eLanguage: English, Romani\u003cbr data-start=\"1977\" data-end=\"1980\"\u003ePages: Approx. 150\u003cbr data-start=\"1998\" data-end=\"2001\"\u003ePublisher \/ Editor: Journal, Stockholm\u003cbr data-start=\"2039\" data-end=\"2042\"\u003eISBN: 91-974894-9-2\u003cbr data-start=\"2061\" data-end=\"2064\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51821523730770,"sku":null,"price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/Screenshot2026-01-13at13.28.03.png?v=1768307505"},{"product_id":"on-the-mines-david-goldblat","title":"On the Mines — David Goldblat, Steidl 2012","description":"\u003cp data-end=\"558\" data-start=\"153\"\u003eIn this redesigned 2012 edition, renowned South African photographer David Goldblatt revisits his landmark work from 1973, expanding it with new imagery, reflections, and design. Growing up in the mining town of Randfontein, Goldblatt lived amid the immense presence of gold mines — so when these mines began to decline in the mid‑1960s, he turned his lens on them. \u003cspan data-state=\"closed\" class=\"\"\u003e\u003cspan data-testid=\"webpage-citation-pill\" class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"1247\" data-start=\"560\"\u003e\u003cstrong data-end=\"570\" data-start=\"560\"\u003eTitle:\u003c\/strong\u003e \u003cem data-end=\"585\" data-start=\"571\"\u003eOn the Mines\u003c\/em\u003e\u003cbr data-end=\"588\" data-start=\"585\"\u003e\u003cstrong data-end=\"612\" data-start=\"588\"\u003eArtist\/Photographer:\u003c\/strong\u003e David Goldblatt\u003cbr data-end=\"631\" data-start=\"628\"\u003e\u003cstrong data-end=\"643\" data-start=\"631\"\u003eEdition:\u003c\/strong\u003e First edition of the revised Steidl edition (08\/2012\u003cbr data-end=\"738\" data-start=\"735\"\u003e\u003cstrong data-end=\"752\" data-start=\"738\"\u003ePublisher:\u003c\/strong\u003e Steidl (Göttingen) \u003cbr data-end=\"812\" data-start=\"809\"\u003e\u003cstrong data-end=\"821\" data-start=\"812\"\u003eYear:\u003c\/strong\u003e 2012 (re‑designed version of the original 1973 book) \u003cbr data-end=\"915\" data-start=\"912\"\u003e\u003cstrong data-end=\"928\" data-start=\"915\"\u003eLanguage:\u003c\/strong\u003e English\u003cbr data-end=\"939\" data-start=\"936\"\u003e\u003cstrong data-end=\"962\" data-start=\"939\"\u003eBinding \/ Material:\u003c\/strong\u003e Clothbound hardcover, large format \u003cbr data-end=\"1038\" data-start=\"1035\"\u003e\u003cstrong data-end=\"1048\" data-start=\"1038\"\u003ePages:\u003c\/strong\u003e 180 pages (approx.)\u003cbr data-end=\"1109\" data-start=\"1106\"\u003e\u003cstrong data-end=\"1124\" data-start=\"1109\"\u003eDimensions:\u003c\/strong\u003e 27.6 × 27.6 cm\u003cbr data-end=\"1180\" data-start=\"1177\"\u003e\u003cstrong data-end=\"1189\" data-start=\"1180\"\u003eISBN:\u003c\/strong\u003e 978‑3‑86930‑491‑5\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51821545390418,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/yellowback.jpg?v=1771352931"},{"product_id":"alberto-garcia-alix-bikers","title":"Alberto García‑Alix — Bikers","description":"\u003cp data-start=\"67\" data-end=\"99\"\u003e\u003cstrong data-start=\"67\" data-end=\"99\"\u003eBikers — Alberto García-Alix\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"101\" data-end=\"529\"\u003eThis first edition of \u003cem data-start=\"123\" data-end=\"131\"\u003eBikers\u003c\/em\u003e by Alberto García-Alix, published in 1993 by La Tripulación, is part of the Darwin Bookshop because it captures the purest and most iconic distillation of García-Alix’s lifelong obsession: the motorcycle as mirror, weapon, and myth. The book documents the Spanish biker scene of the 1980s and early 90s—not from a distance, but from the inside, with García-Alix as both chronicler and participant.\u003c\/p\u003e\n\u003cp data-start=\"531\" data-end=\"1108\"\u003eShot entirely in black and white, \u003cem data-start=\"565\" data-end=\"573\"\u003eBikers\u003c\/em\u003e is composed of portraits, still lifes, and moments of motion and repair. Leather, oil, chrome, tattoos, open roads and disassembled engines populate its pages, but it’s the psychological charge of the images that defines the work. These aren’t stylised images of freedom—they are tough, intimate photographs of a subculture where identity is built through the machine. The book includes legendary portraits of García-Alix himself, his friends, lovers, and motorcycles, all held together by his precise chiaroscuro and lived proximity.\u003c\/p\u003e\n\u003cp data-start=\"1110\" data-end=\"1437\"\u003ePublished in a square format with glossy dust jacket and stark serif titling, \u003cem data-start=\"1188\" data-end=\"1196\"\u003eBikers\u003c\/em\u003e has become one of the hardest to find and most important early photobooks from post-dictatorship Spain. At Darwin, this first edition is preserved not just as a cult object, but as a document of analogue obsession and subcultural belonging.\u003c\/p\u003e\n\u003cp data-start=\"1439\" data-end=\"1458\"\u003e\u003cstrong data-start=\"1439\" data-end=\"1458\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1460\" data-end=\"1808\"\u003eTitle: Bikers\u003cbr data-start=\"1473\" data-end=\"1476\"\u003eArtist \/ Author: Alberto García-Alix\u003cbr data-start=\"1512\" data-end=\"1515\"\u003eDate: 1993\u003cbr data-start=\"1525\" data-end=\"1528\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1572\" data-end=\"1575\"\u003eMedium \/ Materials: Hardcover with dust jacket\u003cbr data-start=\"1621\" data-end=\"1624\"\u003eDimensions: approx. 24 × 24 cm\u003cbr data-start=\"1654\" data-end=\"1657\" data-is-only-node=\"\"\u003eLanguage: Spanish\u003cbr data-start=\"1674\" data-end=\"1677\"\u003ePages: Unpaginated\u003cbr data-start=\"1695\" data-end=\"1698\"\u003ePublisher \/ Editor: La Tripulación\u003cbr data-start=\"1732\" data-end=\"1735\"\u003eEdition: First edition\u003cbr data-start=\"1757\" data-end=\"1760\"\u003eCondition: Very good (light wear on dust jacket)\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51821647462738,"sku":null,"price":200.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_3_a3eb3067-90b2-477e-a46f-12d4cc554a68.jpg?v=1768065744"},{"product_id":"sin-nombre-21oct_22-23","title":"monica maffioli – japanese dream","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA luminous reverie of photographic history and cultural nuance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDrawing on the early photographic work of Felice Beato in 19th-century Japan, Japanese Dream brings together exquisitely hand-colored portraits of geishas, samurai, sumo wrestlers, and landscapes from a rapidly modernizing country. Maffioli curates these visual fragments to highlight the aesthetic and symbolic power of photography in Japan’s transition from Edo to modernity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe book evokes the refined visual codes of the Yokohama School and traditional woodblock prints, presented in a monumental hardcover format that elevates the work to a museum-quality object. With lush reproductions and thoughtful sequencing, Japanese Dream offers a rare glimpse into the dreamlike, performative world captured by the camera lens in an era of transformation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eObject: Book\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAuthor: Monica Maffioli\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTitle:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eJapanese Dream\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublisher: Hatje Cantz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYear: 2012\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition: First Edition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLanguage: English \/ German\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBinding: Hardcover\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePages: 132\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDimensions: 33.7 × 48.8 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCondition: Very Good\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eISBN: 978-3-7757-3437-0\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51826856001874,"sku":null,"price":125.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/IMG-3269.jpg?v=1768173681"},{"product_id":"malick-sidibe-mali-twist","title":"Malick Sidibé — Mali Twist, ATELIER EXB 2017","description":"\u003cp data-start=\"99\" data-end=\"482\"\u003eThis major monograph on Malick Sidibé, published in 2017 by Éditions Xavier Barral and Fondation Cartier pour l’art contemporain, is part of the Darwin Bookshop because it offers the most definitive and expansive view into the photographer’s archive to date—bringing together studio portraits, reportage, and unseen contact sheets from Bamako’s electrifying post-independence years.\u003c\/p\u003e\n\u003cp data-start=\"484\" data-end=\"1063\"\u003e\u003cem data-start=\"484\" data-end=\"510\"\u003eMalik Sidibé: Mali Twist\u003c\/em\u003e was released alongside the landmark retrospective at Fondation Cartier, and the book carries the same curatorial clarity and visual rhythm as the exhibition. From boys diving into the Niger River to tightly composed studio images of sharply dressed young Malians posing with radios, motorbikes or bare confidence, the photographs pulse with optimism, grace, and emerging identities. This is not nostalgia—it is evidence. Youth culture, music, dance, friendship, elegance: all are rendered in Sidibé’s precise monochrome, alive with light and character.\u003c\/p\u003e\n\u003cp data-start=\"1065\" data-end=\"1366\"\u003eHardbound in teal cloth with a full-page photograph on the cover, the object is both archival and joyful. At over 270 pages, it is a deep dive into one of the 20th century’s most singular photographic eyes—and a necessary cornerstone for any library on African photography or postcolonial modernities.\u003c\/p\u003e\n\u003cp data-start=\"1368\" data-end=\"1387\"\u003e\u003cstrong data-start=\"1368\" data-end=\"1387\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1389\" data-end=\"1760\"\u003eTitle: Malick Sidibé — Mali Twist\u003cbr data-start=\"1422\" data-end=\"1425\"\u003eArtist \/ Author: Malick Sidibé\u003cbr data-start=\"1455\" data-end=\"1458\"\u003eDate: 2017\u003cbr data-start=\"1468\" data-end=\"1471\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1515\" data-end=\"1518\"\u003eMedium \/ Materials: Hardcover book with cloth binding\u003cbr data-start=\"1571\" data-end=\"1574\"\u003eDimensions: 24 × 32 cm\u003cbr data-start=\"1596\" data-end=\"1599\" data-is-only-node=\"\"\u003eLanguage: French\u003cbr data-start=\"1615\" data-end=\"1618\"\u003ePages: 288\u003cbr data-start=\"1628\" data-end=\"1631\"\u003ePublisher \/ Editor: Éditions Xavier Barral \/ Fondation Cartier pour l’art contemporain\u003cbr data-start=\"1717\" data-end=\"1720\"\u003eISBN: 978-2-36511-156-7\u003cbr data-start=\"1743\" data-end=\"1746\"\u003eCondition: New\u003c\/p\u003e\n\u003cp data-start=\"1763\" data-end=\"1825\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51854904426834,"sku":null,"price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_b1e7f6e1-bcd9-491b-ba83-f9aa4443369d.jpg?v=1768036073"},{"product_id":"malick-sidibe-retrats-fundacio-palma-espai-d-art-2009","title":"Retrats — Malick Sidibé – 2009","description":"\u003cp data-start=\"133\" data-end=\"604\"\u003eThe pulse of post-independence Bamako, fixed in silver. Published on the occasion of Malick Sidibé’s 2009 exhibition in Palma de Mallorca, this concise catalogue distills his studio portraits into a tight, exact sequence. Youth culture, tailored suits, patterned dresses, motorbikes and radios—each image frames modernity as performance and pride. A rare exhibition book that captures Sidibé’s luminous black-and-white language at its most intimate and socially electric.\u003c\/p\u003e\n\u003cp data-start=\"606\" data-end=\"955\"\u003eTechnical Sheet\u003cbr data-start=\"621\" data-end=\"624\"\u003eTitle: Retrats — malick sidibé\u003cbr data-start=\"654\" data-end=\"657\"\u003eArtist \/ Author: Malick Sidibé\u003cbr data-start=\"687\" data-end=\"690\"\u003eDate: 2009\u003cbr data-start=\"700\" data-end=\"703\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"747\" data-end=\"750\"\u003eMedium \/ Materials: Softcover book\u003cbr data-start=\"784\" data-end=\"787\"\u003eDimensions (cm): approx. 20 × 25\u003cbr data-start=\"819\" data-end=\"822\"\u003ePages: 64\u003cbr data-start=\"831\" data-end=\"834\"\u003eLanguage: Catalan, Spanish\u003cbr data-start=\"860\" data-end=\"863\"\u003ePublisher \/ Editor: Fundació Palma Espai d’Art\u003cbr data-start=\"909\" data-end=\"912\"\u003eCondition: Good and Mint copies available\u003c\/p\u003e\n\u003cp data-start=\"957\" data-end=\"1145\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51854922744146,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_2_2125d795-d97d-45be-9e67-751be1ea451f.jpg?v=1768035246"},{"product_id":"alfonso-publio-lopez-mondejar","title":"ALFONSO — Publio López Mondéjar","description":"\u003cp\u003e\u003cspan\u003eThis richly illustrated volume documents the remarkable output of the photographic agency “Alfonso” founded by Alfonso Sánchez García and carried on by his sons, as they documented Spanish society, culture and politics across five decades. Editor and historian Publio López Mondéjar curates the images into a compelling narrative of Spain’s 20th‑century transformations—from monarchies and republics, through civil war and beyond. The current edition presents a generous format (approx. 29 × 29 cm) and features a wide range of images that bring to life the street, the studio, the event and the quiet moment alike. A key reference for historians of photography, visual culture and Spanish social history.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Book\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: ALFONSO: cincuenta años de historia de España\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAuthor \/ Editor: Publio López Mondéjar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2002 (first edition)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset printing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Hardcover (or large‑format softcover depending on edition)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: First edition 2002, reprints exist\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: No\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: N\/A\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: circa 29 × 29 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: Spanish\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages: 241 pages\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: Lunwerg Editores \/ Círculo de Bellas Artes \/ Obra Social Caja Madrid, Madrid\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eISBN: 84‑7782‑922‑5\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: AVAILABLE NEW \u0026amp; USED\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51875864969554,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_2_c9ba374c-f149-40e2-b30a-cec94430d9be.jpg?v=1768031633"},{"product_id":"sin-nombre-28oct_16-59","title":"Mauvais Garçons : Portraits de Tatoués (1890‑1930) — Jérôme Pierrat \u0026 Éric Guillon","description":"\u003cp\u003e\u003cspan\u003eI found this book and knew it belonged in our collection of alter‑histories before even turning the first page. Mauvais Garçons is not merely a photo‑book—it is a visual dossier of the marginalized, the branded, the marked. Between 1890 and 1930, in France, thousands of tattoos became more than body‑decoration. They became codes, scars, statements—in the prisons, in the penal battalions of North Africa, in the criminal underworld.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis bilingual edition (French\/English) by Pierrat and Guillon places over 175 dramatic photographs into a curatorial schema: tattoos as signage, tattoos as voice, tattoos as defiance.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eThe subjects—the “bad boys”, the outlaws—stand stripped of façade, their torsos a theatre of symbols. The book decodes those signs: wild animals, erotic drawings, mottos such as tout me fait rire (“everything makes me laugh”) scrawled across a chest.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWithin our Subculture and Underworld shelf, this volume sits at the intersection of body archive, counter‑history and visual defiance. It invites the reader to examine how tattooing—once dismissed—became a language of resistance and identity. Darwin owns this because it speaks the dialect of the edge, in monochrome clarity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Book\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: Mauvais Garçons : Portraits de Tatoués (1890‑1930)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAuthors: Jérôme Pierrat \u0026amp; Éric Guillon\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2013 (approx.) \u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset printing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Hardcover (bilingual edition)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: First edition by La Manufacture de Livres\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: French \/ English bilingual\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages: ~178 pages \u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: La Manufacture de Livres, France \u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eISBN: 978‑2358870566 \u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: new \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51878365954386,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_23eddac9-cf4e-47b7-86d2-c4cbfc030b7c.jpg?v=1768120923"},{"product_id":"orient-express-co-editions-textuel","title":"Orient‑Express \u0026 Co — Éditions Textuel","description":"\u003cp\u003e\u003cspan\u003eBound in violet cloth and mystery, Orient‑Express \u0026amp; Co opens like a sleeper car door into another time. This book gathers photographs, posters, and ephemera from the archives of the Compagnie Internationale des Wagons-Lits, revealing the golden age of transcontinental train travel in all its intimate grandeur.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHere, luxury is not just a style but a system: mirrored compartments, velvet banquettes, silver tea sets, workers in crisp uniforms behind the curtain of opulence. It’s a book that seduces through atmosphere — cinematic, suspended in time, and at moments, voyeuristic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhat drew me to it was not just the glamour, but the layered narrative beneath: the logistics of empire, the machinery of class, the poetry of departure. In Darwin, it lives among stories of subcultures and underworlds — because behind every luxury train is a world of shadows, sleepers, and motion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Book\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: Orient‑Express \u0026amp; Co — Éditions Textuel\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAuthor \/ Editor: Eva Gravayat \u0026amp; Arthur Mettetal (archive direction)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2020\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset printing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Hardcover, clothbound with inlaid image\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: First edition\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: approx. 27 × 24.5 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: French \/ English bilingual edition\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages: 160\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: Éditions Textuel\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eISBN: 9782845978232\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Excellent\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51879151731026,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_2.jpg?v=1768029662"},{"product_id":"arequipa-en-blanco-y-negro-el-estudio-de-arte-vargas-hnos-1912-1930","title":"Arequipa en blanco y negro — El Estudio de Arte Vargas Hnos. 1912–1930","description":"\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eIn the highland city of Arequipa, between 1912 and 1930, the Vargas Brothers built one of Latin America’s most iconic photographic ateliers. Arequipa en blanco y negro gathers the visual legacy of that period—an archive that is at once poetic, theatrical, and deeply anthropological. Working with large-format cameras and dramatic lighting techniques influenced by pictorialism, the Vargas Brothers elevated portraiture to a form of national storytelling.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis volume, curated by Peter Yenne and Adelma Benavente, with a text by Mario Vargas Llosa, reveals the cultural ferment of a society negotiating modernity, race, and identity in the wake of independence and under the shadows of colonial memory. The images—ranging from portraits and social tableaux to staged allegories and urban scenes—reflect a hybrid sensibility: European in its technical aspirations, Andean in its spirit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis book is not just a compilation, but a visual manifesto of a time when photography in Peru became an art of light, labor, and imagination. It is an indispensable volume for collectors of Latin American photography, cultural historians, and those captivated by the aesthetic of early studio photography.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Photographic Monograph\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: Arequipa en blanco y negro — El Estudio de Arte Vargas Hnos. 1912–1930\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAuthors: Peter Yenne \u0026amp; Adelma Benavente\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCollaboration: Mario Vargas Llosa\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2005\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique: Black and white photography (reproductions)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Printed paper, hardcover with dust jacket\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: Spanish\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages: Approx. 180 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: TurnerPhoto PERÚ\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eISBN: \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: NEW\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51880252899666,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_484cc0b3-bb42-4576-bea6-009de4a3020f.jpg?v=1768031202"},{"product_id":"midcentury-memories-the-anonymous-project","title":"Midcentury Memories – The Anonymous Project","description":"\u003cp\u003e\u003cspan\u003eMidcentury Memories is a visual time capsule, assembled from one of the most extraordinary archives of found color slides: The Anonymous Project. In this captivating volume, Taschen curates hundreds of amateur photographs that capture the private, unfiltered lives of mid-century families—picnics, poolside afternoons, awkward holidays, car rides, suburban rituals—rendered in the warm tones of early color film.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWhat makes these images so powerful is their ordinariness. Shot by unknown hands, they bypass the artifice of professional photography to offer something more visceral: joy, imperfection, melancholy, and intimacy. The book becomes not just a collection of vintage photos, but a cinematic portrait of postwar optimism, nostalgia, and the fleeting nature of memory itself.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAs society moved from black and white into Kodachrome, this book reveals how color transformed not only the image, but the way we saw ourselves—and each other. A celebration of the anonymous, the domestic, and the eternally human.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Photographic Book\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: Midcentury Memories\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: The Anonymous Project\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2019\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique: Reproduced amateur color photography (Kodachrome slides)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Hardcover, printed paper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: English\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages: 280 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: Taschen\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eISBN: 9783836574201\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: NEW\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51880287076690,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_11.jpg?v=1768031047"},{"product_id":"a-bastard-son-brian-sergio","title":"A Bastard Son — Brian Sergio","description":"\u003cp\u003e\u003cspan\u003eA Bastard Son is an uncompromising photographic exploration of masculinity, violence, and survival on the margins of contemporary Filipino society. Shot entirely in black and white, Brian Sergio’s images burn with unfiltered energy—portraits of boys and young men suspended in a volatile mix of aggression, vulnerability, and play. These are not sanitized depictions of urban poverty, but confrontational moments of youth in motion, steeped in sweat, defiance, and defiant beauty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePublished by Zen Foto Gallery in Tokyo and designed with minimalist power by Koichi Ino, the book’s red linen cover frames the haunting gaze of a young boy—both subject and symbol of a generation left to invent itself in the absence of structure. Sergio’s work sits at the intersection of documentary and psychological theatre, echoing the raw edge of Nan Goldin and the subcultural intimacy of early Ryan McGinley, but filtered through the charged streets of Manila.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA Bastard Son is a visceral visual statement: political without slogans, poetic without sentimentality. A testament to Sergio’s bold, immersive practice and a crucial addition to the emerging canon of contemporary Southeast Asian photography.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Photobook\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: A Bastard Son\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Brian Sergio\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: November 1, 2018\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eText: Robin Titchener (English text)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDesign: Koichi Ino\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProject Management: Bonnie Pong-Wai Ma\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: Zen Foto Gallery (Tokyo, Japan)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePrinting \u0026amp; Binding: CGK Formaprint, Philippines\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: English \/ Japanese\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Hardcover, red linen with tipped-in photograph\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: first \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages:  80–100\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: . 25 x 18 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eISBN: 978-4-905453-73-4\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Excellent\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51880679571794,"sku":null,"price":65.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_1_86423150-eacd-4558-b237-f32ca44b9055.jpg?v=1767992826"},{"product_id":"sheying-sombras-de-china-1850-1900-clark-worswick","title":"Sheying — Sombras de China 1850–1900, Clark Worswick","description":"\u003cp\u003e\u003cspan\u003eSheying (摄影）, the Chinese term for photography, here becomes a poetic lens through which the forgotten soul of 19th-century China is rendered visible. This exquisitely produced volume, curated by photography historian Clark Worswick, presents a haunting selection of images from the dawn of photographic practice in China—between 1850 and 1900. These images, many of them unpublished until this edition, illuminate the waning years of the Qing Dynasty with extraordinary clarity and subtlety.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom portraits of courtesans and laborers to imperial officials and street rituals, the photographs evoke both ethnographic detail and cinematic intimacy. The volume is part of the TurnerPhoto CHINA collection, and its Spanish-language edition marks the first time this extraordinary archive is made available to a European public. Worswick’s accompanying texts offer sharp historical insights while maintaining a reverent distance from the subjects—a rare editorial tone that respects the silences within the images.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished with a minimal and elegant design, the book balances scholarship and visual poetry, making it essential for collectors of early photography, sinologists, and those drawn to the quiet magnetism of historical shadows.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Photographic Art Book\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: Sheying — Sombras de China 1850–1900\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Clark Worswick\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: Published in early 2000s (exact date not visible)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset printing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Paperbound book with dust jacket and promotional bellyband\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: Spanish\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages: Approx. 200 (not visible but standard for the edition)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: TurnerPhoto CHINA\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: NEW\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51889397694802,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_1_331b4ba3-449a-4251-ae8f-fedf7fe7e5c7.jpg?v=1768034352"},{"product_id":"big-nudes-myster-91-helmut-newton-for-conde-nast-italia","title":"Big Nudes — Helmut Newton 1991 poster set","description":"\u003cp\u003e\u003cspan\u003eA rare \u003cmeta charset=\"utf-8\"\u003eHelmut Newton twelve-sheet large 82 × 56 posters set, drawn from his seminal Big Nudes series and published in Italy as a 1991 supplement to Myster magazine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEach poster — printed in dramatic black and white on glossy paper, designed as loose sheets (a fogli sciolti), inviting the viewer to display, archive, or frame them individually.\u003c\/p\u003e\n\u003cp\u003e The photographs are unmistakably Newton: women posed with a mix of classical stillness and electric autonomy, gazes unflinching, bodies monumental, often shot in stark studio light or minimalist architectural settings. The calendar format becomes irrelevant — what remains is a curated gallery of Newtonian archetypes.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis edition belongs to a key moment in European print culture, when erotic photography met high fashion and entered the living room or atelier as visual manifesto. Its Condé Nast provenance anchors it within an editorial legacy, yet the format — grand, tactile, cinematic — asserts it as a collectable art object. At Darwin, we honour it not as ephemera, but as a testament to a photographer who turned the nude into both spectacle and statement.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Twelve-sheet large poster set\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: Big Nudes — Myster ’91\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Helmut Newton\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 1990 (for 1991 release)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset lithography\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Glossy poster paper, loose sheets\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: Supplement to Myster No. 3 (Condé Nast Italia)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: No\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: Unframed (loose sheets)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: Each sheet approx. 82 × 56 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: Italian (cover text)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Very good vintage condition; light edge wear and handling marks\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51889411588434,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_dcf08ac1-9c46-4bb6-8f63-b499545f3f2c.jpg?v=1768033798"},{"product_id":"nollywood-pieter-hugo-edicion-especial-2009","title":"Nollywood — Pieter Hugo,  Special Edition (Signed + C print) , 2009","description":"\u003cp data-start=\"148\" data-end=\"719\"\u003eThis special edition of \u003cem data-start=\"172\" data-end=\"183\"\u003eNollywood\u003c\/em\u003e by Pieter Hugo, published by Prestel in 2009, is part of the Darwin Bookshop for its brutal, theatrical clarity in documenting Africa’s second-largest film industry—and the imagined worlds it generates. Produced in Nigeria in collaboration with local actors and communities, Hugo’s staged portraits re-enact the hallucinatory iconography of Nollywood cinema: ritual killings, zombie brides, corrupt officials, spirits caught mid-exorcism. The result is an unsettling taxonomy of visual archetypes, both hyper-stylised and deeply local.\u003c\/p\u003e\n\u003cp data-start=\"721\" data-end=\"1281\"\u003eThis collector’s edition, limited to 150 copies, includes a signed and numbered C-print titled \u003cem data-start=\"816\" data-end=\"860\"\u003eSong Iyke with Ebube, Thank God and Mpompo\u003c\/em\u003e, Enugu, Nigeria, 2008. The photograph is signature Hugo—raw light, scorched landscape, and a cast of boys embodying myth and menace with the casual confidence of children raised among ghosts. The book itself is bound in black faux leather with gilt titling, inset with an image of a man in a suit standing over a freshly slaughtered cow, drenched in red. It's a hard object: sacred and cinematic, staged yet documentary.\u003c\/p\u003e\n\u003cp data-start=\"1283\" data-end=\"1579\"\u003eWith essays by Chris Abani, Stacy Hardy, and Zina Saro-Wiwa, this volume situates Hugo’s work within a broader narrative of African self-representation and the seductive power of fiction. Each photograph suggests that performance is not escape, but survival; not illusion, but cultural assertion.\u003c\/p\u003e\n\u003cp data-start=\"1581\" data-end=\"1600\"\u003e\u003cstrong data-start=\"1581\" data-end=\"1600\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1602\" data-end=\"1637\"\u003eTitle\u003cbr data-start=\"1607\" data-end=\"1610\"\u003eNollywood (Special Edition)\u003c\/p\u003e\n\u003cp data-start=\"1639\" data-end=\"1668\"\u003eArtist \/ Author\u003cbr data-start=\"1654\" data-end=\"1657\"\u003ePieter Hugo\u003c\/p\u003e\n\u003cp data-start=\"1670\" data-end=\"1681\"\u003eDate\u003cbr data-start=\"1674\" data-end=\"1677\"\u003e2009\u003c\/p\u003e\n\u003cp data-start=\"1683\" data-end=\"1760\"\u003eTechnique \/ Printing Method\u003cbr data-start=\"1710\" data-end=\"1713\"\u003eOffset printing\u003cbr data-start=\"1728\" data-end=\"1731\"\u003eC-print (signed and numbered)\u003c\/p\u003e\n\u003cp data-start=\"1762\" data-end=\"1888\"\u003eMedium \/ Materials\u003cbr data-start=\"1780\" data-end=\"1783\"\u003eHardcover, faux leather with gold embossing and tipped-in image\u003cbr data-start=\"1846\" data-end=\"1849\"\u003eAccompanied by loose photographic print\u003c\/p\u003e\n\u003cp data-start=\"1890\" data-end=\"1990\"\u003eEdition\u003cbr data-start=\"1897\" data-end=\"1900\"\u003eSpecial edition of 150 copies (this is No. 129\/150)\u003cbr data-start=\"1951\" data-end=\"1954\"\u003eIncludes signed and numbered C-print\u003c\/p\u003e\n\u003cp data-start=\"1992\" data-end=\"2021\"\u003eSigned\u003cbr data-start=\"1998\" data-end=\"2001\"\u003eYes (book and print)\u003c\/p\u003e\n\u003cp data-start=\"2023\" data-end=\"2081\"\u003eDimensions (cm)\u003cbr data-start=\"2038\" data-end=\"2041\"\u003eBook: 29 x 29 cm\u003cbr data-start=\"2057\" data-end=\"2060\"\u003ePrint: 27.5 x 27.5 cm\u003c\/p\u003e\n\u003cp data-start=\"2083\" data-end=\"2101\"\u003eLanguage\u003cbr data-start=\"2091\" data-end=\"2094\"\u003eEnglish\u003c\/p\u003e\n\u003cp data-start=\"2103\" data-end=\"2114\"\u003ePages\u003cbr data-start=\"2108\" data-end=\"2111\"\u003e160\u003c\/p\u003e\n\u003cp data-start=\"2116\" data-end=\"2144\"\u003ePublisher \/ Editor\u003cbr data-start=\"2134\" data-end=\"2137\"\u003ePrestel\u003c\/p\u003e\n\u003cp data-start=\"2146\" data-end=\"2161\"\u003eCondition\u003cbr data-start=\"2155\" data-end=\"2158\"\u003eNew\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51893767766354,"sku":null,"price":700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_1_f8deed02-3ee5-4ee3-89f8-d7d28d963a01.jpg?v=1768210682"},{"product_id":"frenchkiss-anders-petersen","title":"frenchkiss – Anders Petersen","description":"\u003cp\u003e\u003cspan\u003eWith frenchkiss, Swedish master photographer Anders Petersen constructs a visual diary suspended between feral tenderness and nocturnal disquiet. The title, a whisper of sensual provocation, sets the tone for a book where affection and estrangement constantly collide. Famous for his immersive, grain-rich black and white photography, Petersen turns his lens on the creatures—both human and animal—that haunt the edges of society. His cat, eyes shining like twin mirrors, stares from the cover as both sentinel and symbol: elusive, independent, wounded.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOriginally published in 2008 by Images En Manœuvres Éditions in Marseille, this volume is the kind of intimate, physically compact photobook that invites handling and re-reading. It feels like a notebook from the underworld, filled with images torn from the skin of life—fleeting, tactile, instinctive. There are no captions, no anchors. Only instinct.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePart of a pan-European co-edition that included Dewi Lewis Publishing (UK), La Fábrica (Spain), Peliti Associati (Italy), and Kehrer Verlag (Germany), frenchkiss is a testament to Petersen’s enduring influence on photographic language—visceral, unsentimental, and strangely tender.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Photobook\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: frenchkiss\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Anders Petersen\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2008\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset printing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Hardcover with printed boards\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: First edition\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: No\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 19 x 12.5 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: English\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages: 116\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: Images En Manœuvres Éditions (France), with Dewi Lewis Publishing (UK), La Fábrica Editorial (Spain), Peliti Associati (Italy), Kehrer Verlag (Germany)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eISBN: 978-2-8499-5088-8\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: new \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51896016634194,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_8.jpg?v=1768030819"}],"url":"https:\/\/thedarwin.es\/collections\/photobooks-all.oembed?page=11","provider":"DaRWIN","version":"1.0","type":"link"}