{"title":"Pieter Hugo","description":"","products":[{"product_id":"pieter-hugo-kin-first-edition","title":"KIN — Pieter Hugo (First Edition), Aperture 2005","description":"\u003cp data-start=\"39\" data-end=\"1251\"\u003e\u003cem data-start=\"39\" data-end=\"44\"\u003eKIN\u003c\/em\u003e is a defining monograph by Pieter Hugo, capturing the intricate fabric of contemporary life across communities and identities, and a cornerstone in Darwin’s collection for anyone drawn to photography that navigates intimacy and expansiveness with equal precision. First published as Hugo’s first major book, \u003cem data-start=\"353\" data-end=\"358\"\u003eKIN\u003c\/em\u003e brings together the photographer’s early body of work—portraits from \u003cem data-start=\"428\" data-end=\"439\"\u003eNollywood\u003c\/em\u003e to \u003cem data-start=\"443\" data-end=\"466\" data-is-only-node=\"\"\u003eThe Hyena \u0026amp; Other Men\u003c\/em\u003e, \u003cem data-start=\"468\" data-end=\"507\"\u003eBetween the Devil \u0026amp; the Deep Blue Sea\u003c\/em\u003e, and \u003cem data-start=\"513\" data-end=\"530\"\u003ePermanent Error\u003c\/em\u003e—with a singular eye that foregrounds the dignity and complexity of its subjects without concession to spectacle. What binds these disparate bodies is a rigorous attention to presence: Hugo’s subjects are shown in moments where vulnerability and resilience coexist, framed by stark, unadorned pages that amplify their humanity. The sequencing moves with a quiet tension, allowing each portrait to assert its weight and then recede into a larger meditation on kinship, otherness, and the porous boundaries of self and society. In a first edition that has become increasingly rare, \u003cem data-start=\"1110\" data-end=\"1115\"\u003eKIN\u003c\/em\u003e remains essential for readers seeking photographic work that refuses easy answers and instead insists on the enduring power of looking.\u003c\/p\u003e\n\u003cp data-start=\"1253\" data-end=\"1617\"\u003eTechnical Sheet\u003cbr data-start=\"1268\" data-end=\"1271\"\u003eTitle: \u003cem data-start=\"1278\" data-end=\"1283\"\u003eKIN\u003c\/em\u003e\u003cbr data-start=\"1314\" data-end=\"1317\"\u003eEdition: First Edition\u003cbr data-start=\"1339\" data-end=\"1342\"\u003eDate: 2005 (approx., first publication)\u003cbr data-start=\"1381\" data-end=\"1384\"\u003eMedium \/ Materials: Photobook, hardcover\u003cbr data-start=\"1424\" data-end=\"1427\"\u003eDimensions (cm): ~30 × 38 (large‑format)\u003cbr data-start=\"1467\" data-end=\"1470\"\u003eLanguage: English\u003cbr data-start=\"1487\" data-end=\"1490\"\u003ePages: ~180\u003cbr data-start=\"1501\" data-end=\"1504\"\u003ePublisher \/ Editor: Aperture \/ Chris Boot\u003cbr data-start=\"1545\" data-end=\"1548\"\u003eISBN: (varies by printing)\u003cbr data-start=\"1574\" data-end=\"1577\"\u003eCondition: NEW\u003c\/p\u003e","brand":"aperture","offers":[{"title":"Default Title","offer_id":51759326265682,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_1c917d3a-cad2-4fb9-8d82-1832edbbfa09.jpg?v=1768160250"},{"product_id":"nollywood-pieter-hugo-edicion-especial-2009","title":"Nollywood — Pieter Hugo,  Special Edition (Signed + C print) , 2009","description":"\u003cp data-start=\"148\" data-end=\"719\"\u003eThis special edition of \u003cem data-start=\"172\" data-end=\"183\"\u003eNollywood\u003c\/em\u003e by Pieter Hugo, published by Prestel in 2009, is part of the Darwin Bookshop for its brutal, theatrical clarity in documenting Africa’s second-largest film industry—and the imagined worlds it generates. Produced in Nigeria in collaboration with local actors and communities, Hugo’s staged portraits re-enact the hallucinatory iconography of Nollywood cinema: ritual killings, zombie brides, corrupt officials, spirits caught mid-exorcism. The result is an unsettling taxonomy of visual archetypes, both hyper-stylised and deeply local.\u003c\/p\u003e\n\u003cp data-start=\"721\" data-end=\"1281\"\u003eThis collector’s edition, limited to 150 copies, includes a signed and numbered C-print titled \u003cem data-start=\"816\" data-end=\"860\"\u003eSong Iyke with Ebube, Thank God and Mpompo\u003c\/em\u003e, Enugu, Nigeria, 2008. The photograph is signature Hugo—raw light, scorched landscape, and a cast of boys embodying myth and menace with the casual confidence of children raised among ghosts. The book itself is bound in black faux leather with gilt titling, inset with an image of a man in a suit standing over a freshly slaughtered cow, drenched in red. It's a hard object: sacred and cinematic, staged yet documentary.\u003c\/p\u003e\n\u003cp data-start=\"1283\" data-end=\"1579\"\u003eWith essays by Chris Abani, Stacy Hardy, and Zina Saro-Wiwa, this volume situates Hugo’s work within a broader narrative of African self-representation and the seductive power of fiction. Each photograph suggests that performance is not escape, but survival; not illusion, but cultural assertion.\u003c\/p\u003e\n\u003cp data-start=\"1581\" data-end=\"1600\"\u003e\u003cstrong data-start=\"1581\" data-end=\"1600\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1602\" data-end=\"1637\"\u003eTitle\u003cbr data-start=\"1607\" data-end=\"1610\"\u003eNollywood (Special Edition)\u003c\/p\u003e\n\u003cp data-start=\"1639\" data-end=\"1668\"\u003eArtist \/ Author\u003cbr data-start=\"1654\" data-end=\"1657\"\u003ePieter Hugo\u003c\/p\u003e\n\u003cp data-start=\"1670\" data-end=\"1681\"\u003eDate\u003cbr data-start=\"1674\" data-end=\"1677\"\u003e2009\u003c\/p\u003e\n\u003cp data-start=\"1683\" data-end=\"1760\"\u003eTechnique \/ Printing Method\u003cbr data-start=\"1710\" data-end=\"1713\"\u003eOffset printing\u003cbr data-start=\"1728\" data-end=\"1731\"\u003eC-print (signed and numbered)\u003c\/p\u003e\n\u003cp data-start=\"1762\" data-end=\"1888\"\u003eMedium \/ Materials\u003cbr data-start=\"1780\" data-end=\"1783\"\u003eHardcover, faux leather with gold embossing and tipped-in image\u003cbr data-start=\"1846\" data-end=\"1849\"\u003eAccompanied by loose photographic print\u003c\/p\u003e\n\u003cp data-start=\"1890\" data-end=\"1990\"\u003eEdition\u003cbr data-start=\"1897\" data-end=\"1900\"\u003eSpecial edition of 150 copies (this is No. 129\/150)\u003cbr data-start=\"1951\" data-end=\"1954\"\u003eIncludes signed and numbered C-print\u003c\/p\u003e\n\u003cp data-start=\"1992\" data-end=\"2021\"\u003eSigned\u003cbr data-start=\"1998\" data-end=\"2001\"\u003eYes (book and print)\u003c\/p\u003e\n\u003cp data-start=\"2023\" data-end=\"2081\"\u003eDimensions (cm)\u003cbr data-start=\"2038\" data-end=\"2041\"\u003eBook: 29 x 29 cm\u003cbr data-start=\"2057\" data-end=\"2060\"\u003ePrint: 27.5 x 27.5 cm\u003c\/p\u003e\n\u003cp data-start=\"2083\" data-end=\"2101\"\u003eLanguage\u003cbr data-start=\"2091\" data-end=\"2094\"\u003eEnglish\u003c\/p\u003e\n\u003cp data-start=\"2103\" data-end=\"2114\"\u003ePages\u003cbr data-start=\"2108\" data-end=\"2111\"\u003e160\u003c\/p\u003e\n\u003cp data-start=\"2116\" data-end=\"2144\"\u003ePublisher \/ Editor\u003cbr data-start=\"2134\" data-end=\"2137\"\u003ePrestel\u003c\/p\u003e\n\u003cp data-start=\"2146\" data-end=\"2161\"\u003eCondition\u003cbr data-start=\"2155\" data-end=\"2158\"\u003eNew\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51893767766354,"sku":null,"price":700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_1_f8deed02-3ee5-4ee3-89f8-d7d28d963a01.jpg?v=1768210682"},{"product_id":"pieter-hugo-between-the-devil-and-the-deep-blue-sea","title":"Pieter Hugo: Between the Devil and the Deep Blue Sea","description":"\u003cp data-end=\"962\" data-start=\"483\"\u003eThis substantial monograph traces the career of South African photographer Pieter Hugo through a series of his most iconic and controversial projects—each probing the shifting landscapes of race, representation and performative identity in a globalised world. Spanning more than a decade of work, \u003cem data-end=\"821\" data-start=\"780\"\u003eBetween the Devil and the Deep Blue Sea\u003c\/em\u003e was published to accompany the artist's major retrospective at Kunstmuseum Wolfsburg and reveals the full force of Hugo’s unsettling vision.\u003c\/p\u003e\n\u003cp data-end=\"1508\" data-start=\"964\"\u003eWith projects set in Nigeria, Ghana, Rwanda, Liberia, South Africa, China and the United States, Hugo’s images are arresting for their directness and ambiguity. His subjects meet the camera’s gaze with a stark, often confrontational intensity—hyenas and their handlers, masked performers, children in landfill sites, or stylised portraits that blur the line between the documentary and the theatrical. The cover image—drawn from his series made in China—epitomises this tension: lavishly adorned, defiantly posed, both seductive and unsettling.\u003c\/p\u003e\n\u003cp data-end=\"1819\" data-start=\"1510\"\u003eThrough essays and interviews, the book reflects on the ethical weight of representation in Hugo’s practice, which walks a razor’s edge between empathy and spectacle. This is not a catalogue of projects but a sustained meditation on the artist’s central question: how do we see and allow ourselves to be seen?\u003c\/p\u003e\n\u003cp data-end=\"2307\" data-start=\"1821\"\u003e\u003cstrong data-end=\"1840\" data-start=\"1821\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-end=\"1843\" data-start=\"1840\"\u003eObject: Photobook\u003cbr data-end=\"1863\" data-start=\"1860\"\u003eTitle: Between the Devil and the Deep Blue Sea\u003cbr data-end=\"1912\" data-start=\"1909\"\u003eArtist \/ Author: Pieter Hugo\u003cbr data-end=\"1943\" data-start=\"1940\"\u003eDate: 2017\u003cbr data-end=\"1956\" data-start=\"1953\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-end=\"2003\" data-start=\"2000\"\u003eMedium \/ Materials: Softcover with flaps\u003cbr data-end=\"2046\" data-start=\"2043\"\u003eEdition: First edition\u003cbr data-end=\"2071\" data-start=\"2068\"\u003eSigned: No\u003cbr data-end=\"2100\" data-start=\"2097\"\u003eDimensions (cm): Approx. 29.5 × 24 cm\u003cbr data-end=\"2140\" data-start=\"2137\"\u003eLanguage: English\u003cbr data-end=\"2168\" data-start=\"2165\"\u003ePages: 240\u003cbr data-end=\"2181\" data-start=\"2178\"\u003ePublisher \/ Editor: Prestel \/ Kunstmuseum Wolfsburg\u003cbr data-end=\"2235\" data-start=\"2232\"\u003eISBN: 9783791356539\u003cbr data-end=\"2257\" data-start=\"2254\"\u003eCondition: Fine\u003cbr data-end=\"2275\" data-start=\"2272\"\u003eProvenance: Private Collection\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52427338678610,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_b30f61e5-9723-4ded-9cb5-1dff9558c72f.jpg?v=1768209327"},{"product_id":"looking-aside-pieter-hugo-2006","title":"Looking Aside — Pieter Hugo, 2006","description":"\u003cp data-start=\"102\" data-end=\"662\"\u003eA quiet landmark in early 21st-century African photography, \u003cem data-start=\"162\" data-end=\"177\"\u003eLooking Aside\u003c\/em\u003e collects Pieter Hugo’s studio portraits taken between 2003 and 2006 in South Africa—stark, formal, and confrontational images of people society is trained not to look at. His subjects include the blind, the aged, people with albinism, and members of his own family, all photographed with a directness that renders pity impossible and attention urgent. The title is literal and metaphorical: to “look aside” is both an act of evasion and a political stance. Hugo insists we do neither.\u003c\/p\u003e\n\u003cp data-start=\"664\" data-end=\"1266\"\u003eThe cover, a ghost-pale child with albinism staring squarely at the viewer, acts as both gatekeeper and thesis. There is no refuge in abstraction here; the portraits are hyper-specific, high-resolution, and full of visual tension. Published by Punctum Editions in 2006 and designed by Damien Poulain, this early book already signals Hugo’s signature method: clinical lighting, ethical discomfort, and a forensic attention to surface. A precursor to his later works such as \u003cem data-start=\"1137\" data-end=\"1162\"\u003eThe Hyena and Other Men\u003c\/em\u003e, this volume remains one of the most psychologically dense and socially charged photobooks of its time.\u003c\/p\u003e\n\u003cp data-start=\"1268\" data-end=\"1608\"\u003eTechnical Sheet\u003cbr data-start=\"1283\" data-end=\"1286\"\u003eTitle: Looking Aside\u003cbr data-start=\"1306\" data-end=\"1309\"\u003eArtist \/ Author: Pieter Hugo\u003cbr data-start=\"1337\" data-end=\"1340\"\u003eDate: 2006\u003cbr data-start=\"1350\" data-end=\"1353\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1388\" data-end=\"1391\"\u003eMedium \/ Materials: Hardcover with photographic plate\u003cbr data-start=\"1444\" data-end=\"1447\"\u003eDimensions (cm): Approx. 21 × 28 (estimated)\u003cbr data-start=\"1491\" data-end=\"1494\"\u003eLanguage: English\u003cbr data-start=\"1511\" data-end=\"1514\"\u003ePages: 92\u003cbr data-start=\"1523\" data-end=\"1526\"\u003ePublisher \/ Editor: Punctum Editions\u003cbr data-start=\"1562\" data-end=\"1565\"\u003eISBN: 978-88-89412-20-8\u003cbr data-start=\"1588\" data-end=\"1591\"\u003eCondition: Fine\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52664150720850,"sku":null,"price":140.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_931a790b-2449-4896-b371-d1c183244a35.jpg?v=1770581136"},{"product_id":"messina-musina-pieter-hugo-2007","title":"Messina \/ Musina — Pieter Hugo, 2007","description":"\u003cp data-start=\"107\" data-end=\"601\"\u003ePieter Hugo captures the border town of Musina (formerly Messina), situated between South Africa and Zimbabwe, with the same lucid unease that defines his broader portraiture of post-apartheid identity. \u003c\/p\u003e\n\u003cp data-start=\"603\" data-end=\"1130\"\u003eAcross its pages, we encounter residents photographed in their homes: a schoolgirl perched neatly on a hostel bed with walls adorned in magazine tear-outs; a family of five posed with their dog beneath an idyllic landscape painting; a couple surrounded by a congregation of cats in their kitchen; a man in a wheelchair beside his mother, each figure composed with solemn clarity. These are not dramatic scenes but everyday lives staged as tableaux, rendered with Hugo’s distinctive tonal control—clinical yet deeply empathetic.\u003c\/p\u003e\n\u003cp data-start=\"1132\" data-end=\"1612\"\u003eIn Hugo’s lens, the domestic becomes both political and poetic. His approach is neither celebratory nor accusatory; instead, he allows the textures of personal space—curtains, photographs, doilies, linoleum floors—to convey the layers of history, care, and tension embedded in this borderland. Echoes of August Sander’s typologies and Rineke Dijkstra’s intimate directness surface here, but the sensibility remains unmistakably Hugo’s: measured, unflinching, and locally grounded.\u003c\/p\u003e\n\u003cp data-start=\"1614\" data-end=\"1983\"\u003eAn essential Darwin object, \u003cem data-start=\"1642\" data-end=\"1660\"\u003eMessina \/ Musina\u003c\/em\u003e sits alongside other portraits of transition and interior life—where the frame becomes a container for both personal narrative and structural disquiet. Think Araki’s domestic chronicles, or the moral clarity of Anders Petersen’s \u003cem data-start=\"1890\" data-end=\"1902\"\u003eCity Diary\u003c\/em\u003e—but here, it’s the slow burn of postcolonial South Africa that holds the center.\u003c\/p\u003e\n\u003cp data-start=\"1985\" data-end=\"2295\"\u003eTechnical Sheet\u003cbr data-start=\"2000\" data-end=\"2003\"\u003eTitle: Messina \/ Musina\u003cbr data-start=\"2026\" data-end=\"2029\"\u003eArtist \/ Author: Pieter Hugo\u003cbr data-start=\"2057\" data-end=\"2060\"\u003eDate: 2007\u003cbr data-start=\"2070\" data-end=\"2073\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"2108\" data-end=\"2111\"\u003eMedium \/ Materials: Softcover\u003cbr data-start=\"2140\" data-end=\"2143\"\u003eDimensions (cm): 30 × 25\u003cbr data-start=\"2167\" data-end=\"2170\"\u003eLanguage: English\u003cbr data-start=\"2187\" data-end=\"2190\"\u003ePages: Unpaginated\u003cbr data-start=\"2208\" data-end=\"2211\"\u003ePublisher \/ Editor: Punctum Press\u003cbr data-start=\"2244\" data-end=\"2247\"\u003eISBN: 978-88-95410-03-6\u003cbr data-start=\"2270\" data-end=\"2273\"\u003eCondition: Very good\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52685630701906,"sku":null,"price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_12eff25b-4507-4f5f-b5de-7d405c6f75d6.jpg?v=1770837791"},{"product_id":"this-must-be-the-place-pieter-hugo-2012","title":"This Must Be The Place — Pieter Hugo, 2012","description":"\u003cp data-start=\"113\" data-end=\"774\"\u003eA mid-career retrospective in book form, \u003cem data-start=\"154\" data-end=\"178\"\u003eThis Must Be The Place\u003c\/em\u003e surveys nearly a decade of Pieter Hugo’s photographic work across the African continent and beyond—from his early portraits in Nigeria’s Nollywood sets and Ghana’s techno scrapyards, to the still, unsettling frames of Rwandan genocide memorials and suburban South African interiors. Published on the occasion of his major 2012 exhibition at the Hague Museum of Photography and Musée de l’Elysée, the volume functions as both monograph and archive—a tightly edited body of images that trace Hugo’s evolving interest in postcolonial identity, theatricality, and the fragile architectures of power.\u003c\/p\u003e\n\u003cp data-start=\"776\" data-end=\"1280\"\u003eThe cover image, a formal portrait of The Honourable Justice Unity Dow seated in full judicial regalia, sets the tone: this is Hugo at his sharpest—restaging colonial visual codes while revealing their contemporary resonance. Across the book, Hugo's signature frontality and saturated palette create a slow-burning tension between subject and setting. His images neither celebrate nor accuse. Instead, they maintain a precise, emotionally ambivalent distance that invites the viewer to sit in discomfort.\u003c\/p\u003e\n\u003cp data-start=\"1282\" data-end=\"1855\"\u003eThe book’s sequencing resists chronology in favour of affective proximity. A Liberian boy in face paint appears after a street performer in Lagos, followed by a quiet domestic portrait in Cape Town. This deliberate juxtaposition—of violence and banality, tradition and hyper-modernity—makes the book feel less like a survey and more like an index of contradictions. Hugo belongs in the lineage of Goldblatt and Dijkstra, but this book affirms his unique position: not as a documentarian of \"Africa\" but as an artist obsessed with its entanglements, illusions, and surfaces.\u003c\/p\u003e\n\u003cp data-start=\"1857\" data-end=\"2211\"\u003eTechnical Sheet\u003cbr data-start=\"1872\" data-end=\"1875\"\u003eTitle: This Must Be The Place\u003cbr data-start=\"1904\" data-end=\"1907\"\u003eArtist \/ Author: Pieter Hugo\u003cbr data-start=\"1935\" data-end=\"1938\"\u003eDate: 2012\u003cbr data-start=\"1948\" data-end=\"1951\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1986\" data-end=\"1989\"\u003eMedium \/ Materials: Hardcover with dust jacket\u003cbr data-start=\"2035\" data-end=\"2038\" data-is-only-node=\"\"\u003eDimensions (cm): 29 × 29\u003cbr data-start=\"2062\" data-end=\"2065\"\u003eLanguage: English\u003cbr data-start=\"2082\" data-end=\"2085\"\u003ePages: 224\u003cbr data-start=\"2095\" data-end=\"2098\"\u003ePublisher \/ Editor: Prestel Verlag, Munich \/ London \/ New York\u003cbr data-start=\"2160\" data-end=\"2163\"\u003eISBN: 978-3-7913-4689-2\u003cbr data-start=\"2186\" data-end=\"2189\"\u003eCondition: Near fine\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52685679198546,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_9df91959-4ce5-433d-ac33-4a7353b87c16.jpg?v=1770838241"},{"product_id":"solus-vol-i","title":"Solus Vol. I. Concerning Atypical Beauty and Youth — Pieter Hugo — Editorial RM, 2021","description":"\u003cp data-start=\"213\" data-end=\"737\"\u003eA stark portrait series confronting fashion before it performs itself. Shot prior to styling, these street-cast subjects appear unguarded, suspended between adolescence and projection. Hugo isolates a moment where identity is still unstable, favouring bodies and faces that resist standardisation. The work operates as a typology of youth shaped by vulnerability, self-possession and ambiguity. Produced at a time of shifting beauty codes, it questions how difference is absorbed, aestheticised and ultimately commodified.\u003c\/p\u003e\n\u003cp data-start=\"739\" data-end=\"1035\"\u003eTechnical Sheet\u003cbr data-start=\"754\" data-end=\"757\"\u003eTitle: Solus Vol. I. Concerning Atypical Beauty and Youth\u003cbr data-start=\"845\" data-end=\"848\"\u003eDate: 2021\u003cbr data-start=\"858\" data-end=\"861\"\u003eMedium \/ Materials: Printed book\u003cbr data-start=\"893\" data-end=\"896\"\u003eDimensions (cm): 24 × 31.5\u003cbr data-start=\"922\" data-end=\"925\"\u003ePages: 176\u003cbr data-start=\"935\" data-end=\"938\"\u003eLanguage: English\u003cbr data-start=\"990\" data-end=\"993\"\u003eISBN: 978-84-17975-75-3\u003cbr data-start=\"1016\" data-end=\"1019\"\u003eCondition: New\u003c\/p\u003e","brand":"Editorial RM","offers":[{"title":"Default Title","offer_id":53262891942226,"sku":null,"price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_d6f40c0e-fae1-4730-8a41-82e26e118214.jpg?v=1776935355"}],"url":"https:\/\/thedarwin.es\/collections\/pieter-hugo.oembed","provider":"DaRWIN","version":"1.0","type":"link"}