{"title":"PHOTOBOOK \/ SPAIN","description":"\u003ch1\u003e\u003cstrong\u003ePHOTOBOOK \/ SPAIN\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eHumanist ritual, conceptual misalignment, raw introspection coexist without resolution. \u003cmeta charset=\"utf-8\"\u003eIn Darwin, \u003cstrong\u003eSpain is held through tension rather than narrative\u003c\/strong\u003e.  \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eCristina García Rodero\u003c\/span\u003e\u003c\/span\u003e, \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eJoan Fontcuberta\u003c\/span\u003e\u003c\/span\u003e, \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eCristina de Middel\u003c\/span\u003e\u003c\/span\u003e, \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eAlberto García-Alix\u003c\/span\u003e\u003c\/span\u003e, \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eTxema Salvans\u003c\/span\u003e\u003c\/span\u003e and others trace memory under pressure—tradition breaking, reforming, persisting through fracture rather than continuity.\u003cbr\u003e\u003c\/p\u003e","products":[{"product_id":"espana-oculta","title":"España Oculta — Cristina García Rodero (2025)","description":"\u003cp data-start=\"316\" data-end=\"841\"\u003eThis is the revised edition of \u003cem data-start=\"347\" data-end=\"362\"\u003eEspaña Oculta\u003c\/em\u003e by Cristina García Rodero, newly published under the artist’s own imprint, \u003cstrong data-start=\"438\" data-end=\"483\"\u003eEditorial  Elvira\u003c\/strong\u003e, and it is part of the Darwin Bookshop because it returns full authorship and editorial control to one of the most essential voices in documentary photography. First released in 1989, the book remains the most powerful photographic account ever made of rural Spain—its ecstatic rituals, sacred choreographies, and bodies caught in acts of collective trance.\u003c\/p\u003e\n\u003cp data-start=\"843\" data-end=\"1277\"\u003eGarcía Rodero spent over 15 years photographing festivals, pilgrimages, and popular ceremonies across the Spanish countryside between 1973 and 1988, capturing scenes that veer between the Catholic, the pagan, and the surreal. What results is not a nostalgic ethnography but a fierce visual anthropology of belief, suffering, and joy. The images are precise, direct, often overwhelming. They do not explain Spain—they convulse with it.\u003c\/p\u003e\n\u003cp data-start=\"1279\" data-end=\"1736\"\u003eThis 2025 edition restores the original sequencing while expanding the selection and correcting past omissions, now produced to the highest standards by García Rodero herself. The book cover, showing the ritual of \u003cem data-start=\"1493\" data-end=\"1505\"\u003eEl Colacho\u003c\/em\u003e—where a devil-costumed man leaps over newborns—remains one of the most iconic images in Spanish photography. At Darwin, \u003cem data-start=\"1626\" data-end=\"1641\"\u003eEspaña Oculta\u003c\/em\u003e is considered an anchor: a book that defines not just a place or period, but a mode of seeing.\u003c\/p\u003e\n\u003cp data-start=\"1738\" data-end=\"1757\"\u003e\u003cstrong data-start=\"1738\" data-end=\"1757\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1759\" data-end=\"2114\"\u003eTitle: España Oculta (Edición Revisada)\u003cbr data-start=\"1798\" data-end=\"1801\"\u003eArtist \/ Author: Cristina García Rodero\u003cbr data-start=\"1840\" data-end=\"1843\"\u003eDate: Second print, 2025\u003cbr data-start=\"1853\" data-end=\"1856\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1900\" data-end=\"1903\"\u003eMedium \/ Materials: Hardcover, cloth spine\u003cbr data-start=\"1945\" data-end=\"1948\"\u003eDimensions: approx. 24 × 30 cm\u003cbr data-start=\"1978\" data-end=\"1981\"\u003eLanguage: Spanish\u003cbr data-start=\"1998\" data-end=\"2001\"\u003ePages: 288\u003cbr data-start=\"2011\" data-end=\"2014\" data-is-only-node=\"\"\u003ePublisher \/ Editor: Editorial Elvira\u003cbr data-start=\"2075\" data-end=\"2078\"\u003eISBN: 9788409641475\u003cbr data-start=\"2097\" data-end=\"2100\"\u003eCondition: New\u003c\/p\u003e\n\u003cp data-start=\"2117\" data-end=\"2179\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51614630379858,"sku":null,"price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_2_94c66ee9-952e-488a-a7ed-044c1bdb6906.jpg?v=1768065558"},{"product_id":"llorando-a-aquella-que-creyo-amarme","title":"Alberto García-Alix – Llorando a aquella que creyó amarme","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-start=\"130\" data-end=\"546\"\u003eThis photobook by Alberto García-Alix, published in 2002 by La Fábrica, is part of the Darwin Bookshop because it gathers the haunted, erotic and mythic realism of one of Spain’s most singular photographic voices. \u003cem data-start=\"344\" data-end=\"381\"\u003eLlorando a aquélla que creyó amarme\u003c\/em\u003e—\u003cem data-start=\"382\" data-end=\"428\"\u003eWeeping for the One Who Thought She Loved Me\u003c\/em\u003e—is a requiem for desire and a portrait of García-Alix’s Spain: decadent, intimate, performative, and politically raw.\u003c\/p\u003e\n\u003cp data-start=\"548\" data-end=\"1201\"\u003eProduced on the occasion of the 2002 PHotoEspaña retrospective following his receipt of Spain’s National Photography Prize, the book presents a fiercely autobiographical selection from three decades of work. It features lovers, addicts, drifters, trans performers, old cinemas, and neon signs—always rendered in García-Alix’s trademark high-contrast monochrome. In one spread, a naked couple clutch each other on a parquet floor like a neoclassical ruin. In another, a woman stares defiantly from under tangled branches, or lies in bed as a shadow-hand gestures like a pistol across the wall. Every image holds the tension between tenderness and threat.\u003c\/p\u003e\n\u003cp data-start=\"1203\" data-end=\"1547\"\u003eThe title, taken from a line that reads more like a tattoo than a sentence, sets the register of romantic ruin. This is García-Alix’s Madrid: a place of night, memory, sex and mourning. The book is printed and bound in Spain with a dark cinematic cover and crisp bilingual captions, bridging documentary and drama with unapologetic physicality.\u003c\/p\u003e\n\u003cp data-start=\"1549\" data-end=\"1568\"\u003e\u003cstrong data-start=\"1549\" data-end=\"1568\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1570\" data-end=\"1613\"\u003eTitle\u003cbr data-start=\"1575\" data-end=\"1578\"\u003eLlorando a aquélla que creyó amarme\u003c\/p\u003e\n\u003cp data-start=\"1615\" data-end=\"1652\"\u003eArtist \/ Author\u003cbr data-start=\"1630\" data-end=\"1633\"\u003eAlberto García-Alix\u003c\/p\u003e\n\u003cp data-start=\"1654\" data-end=\"1665\"\u003eDate\u003cbr data-start=\"1658\" data-end=\"1661\"\u003e2002\u003c\/p\u003e\n\u003cp data-start=\"1667\" data-end=\"1712\"\u003eTechnique \/ Printing Method\u003cbr data-start=\"1694\" data-end=\"1697\"\u003eOffset printing\u003c\/p\u003e\n\u003cp data-start=\"1714\" data-end=\"1744\"\u003eMedium \/ Materials\u003cbr data-start=\"1732\" data-end=\"1735\"\u003eHardcover\u003c\/p\u003e\n\u003cp data-start=\"1746\" data-end=\"1778\"\u003eDimensions (cm)\u003cbr data-start=\"1761\" data-end=\"1764\"\u003e24.5 x 27.5 cm\u003c\/p\u003e\n\u003cp data-start=\"1780\" data-end=\"1807\"\u003eLanguage\u003cbr data-start=\"1788\" data-end=\"1791\"\u003eSpanish, English\u003c\/p\u003e\n\u003cp data-start=\"1809\" data-end=\"1842\"\u003ePages\u003cbr data-start=\"1814\" data-end=\"1817\"\u003eApprox. 160 (unpaginated)\u003c\/p\u003e\n\u003cp data-start=\"1844\" data-end=\"1875\"\u003ePublisher \/ Editor\u003cbr data-start=\"1862\" data-end=\"1865\"\u003eLa Fábrica\u003c\/p\u003e\n\u003cp data-start=\"1877\" data-end=\"1897\"\u003eISBN\u003cbr data-start=\"1881\" data-end=\"1884\"\u003e84-95471-49-3\u003c\/p\u003e\n\u003cp data-start=\"1899\" data-end=\"1914\"\u003eCondition: Available New \u0026amp; Mint\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51615160140114,"sku":null,"price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_2_c689994e-892e-45a7-bf15-ab5aa3a32c8e.jpg?v=1768212102"},{"product_id":"the-afronauts-cristina-de-middel","title":"Cristina de Middel – The Afronauts (First Edition, 2012)","description":"\u003cp data-start=\"286\" data-end=\"831\"\u003e\u003cem data-start=\"286\" data-end=\"301\"\u003eThe Afronauts\u003c\/em\u003e is a seminal first edition photobook by Spanish artist Cristina de Middel, self‑published in Madrid in 2012. The book reimagines the real‑life 1960s Zambian space program initiated by Edward Makuka, blending documentary source material with staged, speculative photography to question and undo conventional narratives about Africa. By inserting imagination into history, de Middel foregrounds fiction as a critical tool within photographic practice, challenging stereotypes and expanding the possibilities of visual storytelling.\u003c\/p\u003e\n\u003cp data-start=\"833\" data-end=\"1357\"\u003eProduced in a limited run of approximately 1,000 copies, the first edition quickly became one of the most influential and collectible photobooks of the last decade. Its impact was recognised internationally: \u003cem data-start=\"1041\" data-end=\"1056\"\u003eThe Afronauts\u003c\/em\u003e was shortlisted for the Paris Photo–Aperture First Book Award and the Deutsche Börse Photography Prize, and received the ICP Infinity Award. The publication is widely celebrated by critics, foundations such as the Martin Parr Foundation, and collectors as a defining work of 21st‑century photography.\u003c\/p\u003e\n\u003cp data-start=\"1359\" data-end=\"1378\"\u003e\u003cstrong data-start=\"1359\" data-end=\"1378\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"1380\" data-end=\"2076\"\u003e\n\u003cli data-start=\"1380\" data-end=\"1408\"\u003e\n\u003cp data-start=\"1382\" data-end=\"1408\"\u003e\u003cstrong data-start=\"1382\" data-end=\"1392\"\u003eTitle:\u003c\/strong\u003e The Afronauts\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1409\" data-end=\"1452\"\u003e\n\u003cp data-start=\"1411\" data-end=\"1452\"\u003e\u003cstrong data-start=\"1411\" data-end=\"1431\"\u003eArtist \/ Author:\u003c\/strong\u003e Cristina de Middel\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1453\" data-end=\"1471\"\u003e\n\u003cp data-start=\"1455\" data-end=\"1471\"\u003e\u003cstrong data-start=\"1455\" data-end=\"1464\"\u003eDate:\u003c\/strong\u003e 2012\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1472\" data-end=\"1518\"\u003e\n\u003cp data-start=\"1474\" data-end=\"1518\"\u003e\u003cstrong data-start=\"1474\" data-end=\"1486\"\u003eEdition:\u003c\/strong\u003e First edition, self‑published\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1519\" data-end=\"1570\"\u003e\n\u003cp data-start=\"1521\" data-end=\"1570\"\u003e\u003cstrong data-start=\"1521\" data-end=\"1544\"\u003ePublisher \/ Editor:\u003c\/strong\u003e Self‑published (Madrid)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1571\" data-end=\"1623\"\u003e\n\u003cp data-start=\"1573\" data-end=\"1623\"\u003e\u003cstrong data-start=\"1573\" data-end=\"1605\"\u003eTechnique \/ Printing Method:\u003c\/strong\u003e Offset printing\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1624\" data-end=\"1671\"\u003e\n\u003cp data-start=\"1626\" data-end=\"1671\"\u003e\u003cstrong data-start=\"1626\" data-end=\"1649\"\u003eMedium \/ Materials:\u003c\/strong\u003e Softcover photobook\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1672\" data-end=\"1717\"\u003e\n\u003cp data-start=\"1674\" data-end=\"1717\"\u003e\u003cstrong data-start=\"1674\" data-end=\"1689\"\u003eDimensions:\u003c\/strong\u003e approx. 24 × 30 cm \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1718\" data-end=\"1767\"\u003e\n\u003cp data-start=\"1720\" data-end=\"1767\"\u003e\u003cstrong data-start=\"1720\" data-end=\"1733\"\u003eLanguage:\u003c\/strong\u003e English (with visual narrative)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1811\" data-end=\"1846\"\u003e\n\u003cp data-start=\"1813\" data-end=\"1846\"\u003e\u003cstrong data-start=\"1813\" data-end=\"1830\"\u003eEdition Size:\u003c\/strong\u003e ~1,000 copies\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1847\" data-end=\"1968\"\u003e\n\u003cp data-start=\"1849\" data-end=\"1968\"\u003e\u003cstrong data-start=\"1849\" data-end=\"1865\"\u003eRecognition:\u003c\/strong\u003e Paris Photo–Aperture First Book Award finalist; shortlisted Deutsche Börse Prize; ICP Infinity Award\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1969\" data-end=\"2033\"\u003e\n\u003cp data-start=\"1971\" data-end=\"2033\"\u003e\u003cstrong data-start=\"1971\" data-end=\"1985\"\u003eCondition:\u003c\/strong\u003e Mint\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2034\" data-end=\"2076\"\u003e\n\u003cp data-start=\"2036\" data-end=\"2076\"\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51617604010322,"sku":null,"price":350.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_7_7ae18bc3-42db-4349-a326-9fe49bef34fe.jpg?v=1768070093"},{"product_id":"izas-rabizas-y-colipoterras-juan-colom-camilo-jose-cela-1964","title":"Izas, Rabizas y Colipoterras — Juan Colom \u0026 Camilo José Cela — 1964","description":"\u003cp data-start=\"225\" data-end=\"415\"\u003e\u003cstrong data-start=\"225\" data-end=\"311\"\u003eControversial Spanish classic — the raw streets of Barcelona through text and lens\u003c\/strong\u003e\u003cbr data-start=\"311\" data-end=\"314\"\u003eErotic, human, unsentimental — a literary-photographic collision that scandalized and defined an era.\u003c\/p\u003e\n\u003cp data-start=\"417\" data-end=\"728\"\u003eThe union of \u003cstrong data-start=\"430\" data-end=\"465\"\u003eNobel laureate Camilo José Cela\u003c\/strong\u003e and \u003cstrong data-start=\"470\" data-end=\"497\"\u003ephotographer Joan Colom\u003c\/strong\u003e resulted in one of Spain’s most subversive photobooks. Banned, revered, and cited in \u003cem data-start=\"583\" data-end=\"618\"\u003eParr \u0026amp; Badger’s Photobook: Vol. 1\u003c\/em\u003e, it captures the gritty intimacy of Barcelona’s \u003cstrong data-start=\"667\" data-end=\"683\"\u003eBarrio Chino\u003c\/strong\u003e, the city’s red-light district in the 1960s.\u003c\/p\u003e\n\u003cp data-start=\"730\" data-end=\"731\"\u003e⸻\u003c\/p\u003e\n\u003cp data-start=\"733\" data-end=\"1396\"\u003e\u003cstrong data-start=\"733\" data-end=\"743\"\u003eTitle:\u003c\/strong\u003e \u003cem data-start=\"744\" data-end=\"774\"\u003eIzas, Rabizas y Colipoterras\u003c\/em\u003e\u003cbr data-start=\"774\" data-end=\"777\"\u003e\u003cstrong data-start=\"777\" data-end=\"805\"\u003eArtist \/ Author \/ Maker:\u003c\/strong\u003e Photographs by Juan (Joan) Colom; Text by Camilo José Cela\u003cbr data-start=\"864\" data-end=\"867\"\u003e\u003cstrong data-start=\"867\" data-end=\"890\"\u003eTechnique \/ Medium:\u003c\/strong\u003e Photobook — First edition, offset printed, gatefold included\u003cbr data-start=\"951\" data-end=\"954\"\u003e\u003cstrong data-start=\"954\" data-end=\"966\"\u003eEdition:\u003c\/strong\u003e First edition, first printing (Editorial Lumen, 1964)\u003cbr data-start=\"1020\" data-end=\"1023\"\u003e\u003cstrong data-start=\"1023\" data-end=\"1037\"\u003eSignature:\u003c\/strong\u003e Unsigned\u003cbr data-start=\"1046\" data-end=\"1049\"\u003e\u003cstrong data-start=\"1049\" data-end=\"1058\"\u003eDate:\u003c\/strong\u003e 1964\u003cbr data-start=\"1063\" data-end=\"1066\"\u003e\u003cstrong data-start=\"1066\" data-end=\"1080\"\u003eCondition:\u003c\/strong\u003e Excellent — unusually clean and crisp interior, fold-out pages near-pristine, minor signs of handling\u003cbr data-start=\"1182\" data-end=\"1185\"\u003e\u003cstrong data-start=\"1185\" data-end=\"1200\"\u003eDimensions:\u003c\/strong\u003e 210 × 227 mm; 92 pages; 34 black \u0026amp; white photographs including 1 gatefold\u003cbr data-start=\"1274\" data-end=\"1277\"\u003e\u003cstrong data-start=\"1277\" data-end=\"1301\"\u003eOrigin \/ Provenance:\u003c\/strong\u003e Private collection; noted in \u003cem data-start=\"1331\" data-end=\"1364\"\u003eThe Photobook: A History Vol. I\u003c\/em\u003e by Martin Parr \u0026amp; Gerry Badger\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51769041027410,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/d9c4e2e0-9b82-46f7-9ac3-94931c1db99c_1.jpg?v=1760535587"},{"product_id":"alberto-garcia-alix-archivo-nomada-vol-1","title":"Archivo Nómada — Alberto García-Alix 1975–1981, Editorial Cabeza de Chorlito","description":"\u003cp data-end=\"375\" data-start=\"106\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-start=\"115\" data-end=\"584\"\u003eThis photobook by Alberto García-Alix, published in 2023 by Editorial Cabeza de Chorlito, gathers previously unseen photographs from the artist’s early years into a raw, tactile volume — printed in risograph and bound in an exposed, hand-stitched spine. \u003cem data-start=\"369\" data-end=\"385\"\u003eArchivo Nómada\u003c\/em\u003e is the first in a series of volumes that excavate García-Alix’s vast negative archive, focusing here on the formative period of 1975 to 1981: a Spain in transition, a photographer coming into focus.\u003c\/p\u003e\n\u003cp data-start=\"586\" data-end=\"991\"\u003eUnlike the more polished retrospective editions of García-Alix’s work, this book moves with a different rhythm. The photographs — intimate, urban, anonymous, private — are reproduced with a punk, almost fanzine-like energy: black-and-white risograph on coarse paper, punctuated by overprinted fluoro orange typography. The materials and format reflect the life they depict: marginal, nocturnal, in motion.\u003c\/p\u003e\n\u003cp data-start=\"993\" data-end=\"1391\"\u003eDesigned and produced in Barcelona by a small independent team (with paper from Cyclus 250g and Arena Natural Rough 120g), this edition rejects the preciousness of the monograph and reclaims the archive as something living, physical, and insurgent. Every detail — from the visible binding to the choice of typefaces — builds a book that feels more like a portable exhibition than a finished object.\u003c\/p\u003e\n\u003cp data-start=\"1393\" data-end=\"1412\"\u003e\u003cstrong data-start=\"1393\" data-end=\"1412\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1414\" data-end=\"1458\"\u003eTitle: Archivo Nómada — Volume 1 (1975–1981)\u003c\/p\u003e\n\u003cp data-start=\"1460\" data-end=\"1496\"\u003eArtist \/ Author: Alberto García-Alix\u003c\/p\u003e\n\u003cp data-start=\"1498\" data-end=\"1508\"\u003eDate: 2023\u003c\/p\u003e\n\u003cp data-start=\"1510\" data-end=\"1548\"\u003eTechnique \/ Printing Method: Risograph\u003c\/p\u003e\n\u003cp data-start=\"1550\" data-end=\"1647\"\u003eMedium \/ Materials: Softcover, open spine binding, printed on Arena Natural Rough \u0026amp; Cyclus Offset\u003c\/p\u003e\n\u003cp data-start=\"1649\" data-end=\"1675\"\u003eDimensions (cm): 16.5 × 22\u003c\/p\u003e\n\u003cp data-start=\"1677\" data-end=\"1703\"\u003eLanguage: Spanish, English\u003c\/p\u003e\n\u003cp data-start=\"1705\" data-end=\"1723\"\u003ePages (books): 240\u003c\/p\u003e\n\u003cp data-start=\"1725\" data-end=\"1784\"\u003ePublisher \/ Editor: Editorial Cabeza de Chorlito, Barcelona\u003c\/p\u003e\n\u003cp data-start=\"1786\" data-end=\"1809\"\u003eISBN: 978-84-122721-7-8\u003c\/p\u003e\n\u003cp data-start=\"1811\" data-end=\"1825\"\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51786315202898,"sku":null,"price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy.jpg?v=1768337720"},{"product_id":"alberto-garcia-alix-moto","title":"Alberto García-Alix — Moto, Editorial Cabeza de Chorlito","description":"\u003cp data-start=\"91\" data-end=\"313\"\u003e \u003c\/p\u003e\n\u003cp\u003e This photobook by Spanish photographer Alberto García-Alix, titled \u003cem data-start=\"166\" data-end=\"172\"\u003eMoto\u003c\/em\u003e and published in 2015 by Cabeza de Chorlito, is part of the Darwin Bookshop because it distills a lifelong obsession with motorcycles into a visual autobiography of speed, solitude and mechanical ritual. Known for his gritty black-and-white portraits of post-Franco counterculture, García-Alix turns the lens inward here—onto the machines that have both carried and haunted him.\u003c\/p\u003e\n\u003cp data-start=\"553\" data-end=\"1021\"\u003e\u003cem data-start=\"553\" data-end=\"559\"\u003eMoto\u003c\/em\u003e is not a documentary on biking culture. It is a metaphysical study of chrome and flesh, shadow and engine. The motorcycles appear not just as objects but as companions, extensions of the body and psyche. García-Alix photographs their parts like relics: handlebars, fuel tanks, valves, always with the texture of grease and darkness. Interspersed with these images are poetic fragments in his own handwriting, tracing memory, addiction, brotherhood and velocity.\u003c\/p\u003e\n\u003cp data-start=\"1023\" data-end=\"1338\"\u003ePrinted entirely in duotone and bound in matte black with gloss-black lettering, the book has a ghosted, tactile presence—elegant and brutal. At Darwin, \u003cem data-start=\"1176\" data-end=\"1182\"\u003eMoto\u003c\/em\u003e is held as a cult object, not only for García-Alix collectors but for those drawn to the mythology of movement, masculine vulnerability, and analogue grit.\u003c\/p\u003e\n\u003cp data-start=\"1340\" data-end=\"1359\"\u003e\u003cstrong data-start=\"1340\" data-end=\"1359\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1361\" data-end=\"1665\"\u003eTitle: Moto\u003cbr data-start=\"1372\" data-end=\"1375\"\u003eArtist \/ Author: Alberto García-Alix\u003cbr data-start=\"1411\" data-end=\"1414\"\u003eDate: 2015\u003cbr data-start=\"1424\" data-end=\"1427\"\u003eTechnique \/ Printing Method: Duotone offset\u003cbr data-start=\"1470\" data-end=\"1473\"\u003eMedium \/ Materials: Hardcover with blind embossing\u003cbr data-start=\"1523\" data-end=\"1526\"\u003eDimensions: 24 × 24 cm\u003cbr data-start=\"1548\" data-end=\"1551\" data-is-only-node=\"\"\u003eLanguage: Spanish\u003cbr data-start=\"1568\" data-end=\"1571\"\u003ePages: 104\u003cbr data-start=\"1581\" data-end=\"1584\"\u003ePublisher \/ Editor: Cabeza de Chorlito\u003cbr data-start=\"1622\" data-end=\"1625\"\u003eISBN: 978-84-941862-7-6\u003cbr data-start=\"1648\" data-end=\"1651\"\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51786671194450,"sku":null,"price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_33b1e30e-4fdd-4138-8a3f-0989dff1cfea.jpg?v=1768467813"},{"product_id":"miguel-trillo-pablo-perez-minguez-ouka-leele-amp-alberto-garcia-alix-la-movida-cronica-de-una-agitacion","title":"La Movida: Crónica de una Agitación, Editorial Cabeza de Chorlito","description":"\u003cp data-start=\"108\" data-end=\"473\"\u003eThis exhibition catalogue, \u003cem data-start=\"135\" data-end=\"172\"\u003eLa Movida: Crónica de una Agitación\u003c\/em\u003e, published in 2016 by Fundación Foto Colectania, is part of the Darwin Bookshop because it captures the raw, defiant energy of Spain’s post-Franco cultural eruption through the lenses of four of its most radical photographers: Alberto García-Alix, Ouka Leele, Miguel Trillo, and Pablo Pérez-Mínguez.\u003c\/p\u003e\n\u003cp data-start=\"475\" data-end=\"961\"\u003eLa Movida Madrileña was not a movement but an explosion—a visual and sexual revolt staged in nightclubs, bedrooms, fanzines, and streets. This book offers a tight, vivid chronicle of that agitation, mapping the ways photography became both witness and weapon. García-Alix’s noir-inflected portraits, Trillo’s subcultural typologies, Leele’s surrealist colour tableaux, and Pérez-Mínguez’s performative camp all offer different windows into a Spain feverishly inventing itself in public.\u003c\/p\u003e\n\u003cp data-start=\"963\" data-end=\"1242\"\u003eDesigned with neon typography and printed with crisp fidelity, the catalogue reads like a time capsule cracked open. It doesn’t explain La Movida—it transmits it. At Darwin, it sits as a key visual dossier on counterculture, gender play, nightlife, and photography as liberation.\u003c\/p\u003e\n\u003cp data-start=\"1244\" data-end=\"1263\"\u003e\u003cstrong data-start=\"1244\" data-end=\"1263\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1265\" data-end=\"1624\"\u003eTitle: La Movida: Crónica de una Agitación\u003cbr data-start=\"1307\" data-end=\"1310\"\u003eArtists \/ Authors: Alberto García-Alix, Ouka Leele, Miguel Trillo, Pablo Pérez-Mínguez\u003cbr data-start=\"1396\" data-end=\"1399\"\u003eDate: 2016\u003cbr data-start=\"1409\" data-end=\"1412\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1456\" data-end=\"1459\"\u003eMedium \/ Materials: Softcover book\u003cbr data-start=\"1493\" data-end=\"1496\"\u003eDimensions: approx. 21 × 28 cm\u003cbr data-start=\"1526\" data-end=\"1529\" data-is-only-node=\"\"\u003eLanguage: Spanish\u003cbr data-start=\"1546\" data-end=\"1549\"\u003ePages: 144\u003cbr data-start=\"1559\" data-end=\"1562\"\u003ePublisher \/ Editor: Fundación Foto Colectania\u003cbr data-start=\"1607\" data-end=\"1610\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51787128471890,"sku":null,"price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/BARCELO_298172fb-1beb-4a49-8fc8-aa1c0b4105fd.jpg?v=1768036716"},{"product_id":"antonio-saura-placard-1976","title":"Placard — Saura x Ullán, 1976","description":"\u003cp data-start=\"67\" data-end=\"582\"\u003eThis 1976 lithograph by Antonio Saura, created in collaboration with poet José-Miguel Ullán and published by Galerie Maeght in Paris, is a luminous artifact of the Spanish post-Franco cultural diaspora—where visual and literary language locked into shared rebellion. Titled \u003cem data-start=\"377\" data-end=\"386\"\u003ePlacard\u003c\/em\u003e, the work assembles nine vignettes of Saura’s automatic drawing—faces, bodies, fragments, and screaming line—alongside a printed poem by Ullán, all floating against pale fields of ochre and sage.\u003c\/p\u003e\n\u003cp data-start=\"584\" data-end=\"1085\"\u003eSaura’s graphic idiom here is at its most liberated: linear, gestural, manic, yet controlled by a precise architecture of placement. The figures dissolve into signs; the signs twitch with agitation. Framed like an archival cabinet or a protest placard, the print turns into a grid of visual outcries—each panel a variation on pain, perception, or memory. Ullán’s text sits calmly in the centre, offering a literary counter-rhythm to the violence of the images, forming not an explanation, but an echo.\u003c\/p\u003e\n\u003cp data-start=\"1087\" data-end=\"1444\"\u003eBoth Saura and Ullán were central to the intellectual resistance against Francoism, and \u003cem data-start=\"1175\" data-end=\"1184\"\u003ePlacard\u003c\/em\u003e reads as an act of defiance in print—a bilingual protest between eye and voice. Printed on fine vélin d’Arches and signed by both artist and poet in pencil, this edition of 500 links two of Spain’s most singular postwar radicals in one dense and dynamic page.\u003c\/p\u003e\n\u003cp data-start=\"1446\" data-end=\"1995\"\u003e\u003cstrong data-start=\"1446\" data-end=\"1465\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1465\" data-end=\"1468\"\u003eTitle: Placard\u003cbr data-start=\"1482\" data-end=\"1485\"\u003eArtist \/ Author: Antonio Saura (drawing), José-Miguel Ullán (text)\u003cbr data-start=\"1551\" data-end=\"1554\"\u003eDate: 1976\u003cbr data-start=\"1564\" data-end=\"1567\"\u003eTechnique \/ Printing Method: Lithograph and zincograph\u003cbr data-start=\"1621\" data-end=\"1624\"\u003eMedium \/ Materials: Ink on vélin d’Arches paper\u003cbr data-start=\"1671\" data-end=\"1674\"\u003eEdition: 56\/500\u003cbr data-start=\"1689\" data-end=\"1692\"\u003eSigned: Yes, signed in pencil by artist and poet\u003cbr data-start=\"1740\" data-end=\"1743\"\u003eFraming: Wood frame with black mount\u003cbr data-start=\"1779\" data-end=\"1782\"\u003eDimensions (cm): 80 × 60 cm\u003cbr data-start=\"1809\" data-end=\"1812\"\u003ePublisher \/ Editor: Galerie Maeght, Paris\u003cbr data-start=\"1853\" data-end=\"1856\"\u003eBibliography: Weber-Caflisch, \u003cem data-start=\"1886\" data-end=\"1928\"\u003eSaura. Catálogo Razonado de Obra Gráfica\u003c\/em\u003e, Ed. Cramer, Geneva 2000, nº 219.2, p.245\u003cbr data-start=\"1970\" data-end=\"1973\"\u003eCondition: Excellent\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51787374166354,"sku":null,"price":1100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/cactustapies-custom.png?v=1768425866"},{"product_id":"alberto-garcia-alix-bikers","title":"Alberto García‑Alix — Bikers","description":"\u003cp data-start=\"67\" data-end=\"99\"\u003e\u003cstrong data-start=\"67\" data-end=\"99\"\u003eBikers — Alberto García-Alix\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"101\" data-end=\"529\"\u003eThis first edition of \u003cem data-start=\"123\" data-end=\"131\"\u003eBikers\u003c\/em\u003e by Alberto García-Alix, published in 1993 by La Tripulación, is part of the Darwin Bookshop because it captures the purest and most iconic distillation of García-Alix’s lifelong obsession: the motorcycle as mirror, weapon, and myth. The book documents the Spanish biker scene of the 1980s and early 90s—not from a distance, but from the inside, with García-Alix as both chronicler and participant.\u003c\/p\u003e\n\u003cp data-start=\"531\" data-end=\"1108\"\u003eShot entirely in black and white, \u003cem data-start=\"565\" data-end=\"573\"\u003eBikers\u003c\/em\u003e is composed of portraits, still lifes, and moments of motion and repair. Leather, oil, chrome, tattoos, open roads and disassembled engines populate its pages, but it’s the psychological charge of the images that defines the work. These aren’t stylised images of freedom—they are tough, intimate photographs of a subculture where identity is built through the machine. The book includes legendary portraits of García-Alix himself, his friends, lovers, and motorcycles, all held together by his precise chiaroscuro and lived proximity.\u003c\/p\u003e\n\u003cp data-start=\"1110\" data-end=\"1437\"\u003ePublished in a square format with glossy dust jacket and stark serif titling, \u003cem data-start=\"1188\" data-end=\"1196\"\u003eBikers\u003c\/em\u003e has become one of the hardest to find and most important early photobooks from post-dictatorship Spain. At Darwin, this first edition is preserved not just as a cult object, but as a document of analogue obsession and subcultural belonging.\u003c\/p\u003e\n\u003cp data-start=\"1439\" data-end=\"1458\"\u003e\u003cstrong data-start=\"1439\" data-end=\"1458\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1460\" data-end=\"1808\"\u003eTitle: Bikers\u003cbr data-start=\"1473\" data-end=\"1476\"\u003eArtist \/ Author: Alberto García-Alix\u003cbr data-start=\"1512\" data-end=\"1515\"\u003eDate: 1993\u003cbr data-start=\"1525\" data-end=\"1528\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1572\" data-end=\"1575\"\u003eMedium \/ Materials: Hardcover with dust jacket\u003cbr data-start=\"1621\" data-end=\"1624\"\u003eDimensions: approx. 24 × 24 cm\u003cbr data-start=\"1654\" data-end=\"1657\" data-is-only-node=\"\"\u003eLanguage: Spanish\u003cbr data-start=\"1674\" data-end=\"1677\"\u003ePages: Unpaginated\u003cbr data-start=\"1695\" data-end=\"1698\"\u003ePublisher \/ Editor: La Tripulación\u003cbr data-start=\"1732\" data-end=\"1735\"\u003eEdition: First edition\u003cbr data-start=\"1757\" data-end=\"1760\"\u003eCondition: Very good (light wear on dust jacket)\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51821647462738,"sku":null,"price":200.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_3_a3eb3067-90b2-477e-a46f-12d4cc554a68.jpg?v=1768065744"},{"product_id":"antonio-saura-cabeza-spain-c-1970","title":"Antonio Saura — Cabeza (Signed screenprint c.1970)","description":"\u003cp data-end=\"409\" data-start=\"67\"\u003eThis screenprint by Antonio Saura, created circa 1970 and signed in pencil, is part of his defining \u003cem data-end=\"206\" data-start=\"197\"\u003eCabezas\u003c\/em\u003e series—a brutal and necessary fragment of Spain’s postwar avant-garde. One of 125 impressions, it anchors a historical moment when figuration collapsed under psychological weight and political fracture.\u003c\/p\u003e\n\u003cp data-end=\"1012\" data-start=\"411\"\u003eSaura, born in Huesca in 1930, emerged from the shadows of civil war and dictatorship, giving form to a raw internal landscape. A founding member of the El Paso group, he refused formal harmony in favour of something closer to psychic excavation. In \u003cem data-end=\"669\" data-start=\"661\"\u003eCabeza\u003c\/em\u003e, the human head is reduced to a violent cluster—an eye, a mouth, a snarl—trapped in the language of black, white and grey. The figure is neither portrait nor mask, but a site of rupture. The flatness of the screenprint method intensifies the sense of compression, as if the image had been forced onto the paper with the same urgency as a cry.\u003c\/p\u003e\n\u003cp data-end=\"1394\" data-start=\"1014\"\u003eThe stark triangular mass of the body, emerging from the bottom edge like a shroud, evokes both monument and disappearance. Suspended in a grey field and framed with graphic restraint, the print feels both timeless and urgently present—an icon of expressionist resistance and a relic of interior struggle. This is Saura at his most distilled: wounded, articulate, and unflinching.\u003c\/p\u003e\n\u003cp data-end=\"1818\" data-start=\"1396\"\u003e\u003cstrong data-end=\"1415\" data-start=\"1396\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-end=\"1418\" data-start=\"1415\"\u003eTitle: Cabeza (Head)\u003cbr data-end=\"1441\" data-start=\"1438\"\u003eArtist \/ Author: Antonio Saura\u003cbr data-end=\"1474\" data-start=\"1471\"\u003eDate: c.1970\u003cbr data-end=\"1489\" data-start=\"1486\"\u003eTechnique \/ Printing Method: Screenprint\u003cbr data-end=\"1532\" data-start=\"1529\"\u003eMedium \/ Materials: Ink on paper\u003cbr data-end=\"1567\" data-start=\"1564\"\u003eEdition: 81\/125\u003cbr data-end=\"1585\" data-start=\"1582\"\u003eSigned: Yes, signed and numbered in pencil\u003cbr data-end=\"1630\" data-start=\"1627\"\u003eFraming: Metal frame with white mount\u003cbr data-end=\"1670\" data-start=\"1667\"\u003eDimensions (cm): 76 × 56 cm (sheet) \/ c.100 × 80 cm (framed)\u003cbr data-end=\"1733\" data-start=\"1730\"\u003eCondition: Excellent — slight age toning to mount\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51836480880978,"sku":null,"price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/05C09FE7-D3AE-49DE-9785-A45A1D7EFCF8_2.jpg?v=1768424270"},{"product_id":"escuela-de-sevilla-luisa-de-triana-late-19th-century","title":"Mujer con Mantón — J. Alarcón, c.1880","description":"\u003cp data-start=\"110\" data-end=\"628\"\u003eThis oil painting by J. Alarcón, likely produced in Seville around 1880–1890, is part of the Darwin archive because it captures the saturated theatricality and social nuance of late 19th-century costumbrismo. The seated woman, draped in a creamy mantón de Manila embroidered with green florals, turns away from the viewer—aloof, perhaps disenchanted—leaning on a chair beside a bottle of wine, an ashtray, and a tray of cut fruit. Her pose is studied but unguarded, her gaze averted in a moment of narrative ambiguity.\u003c\/p\u003e\n\u003cp data-start=\"630\" data-end=\"1198\"\u003eAlarcón, a lesser-documented figure of the Sevillian School, paints with dense, realist brushwork and a keen eye for texture: the silk fringe, flushed skin, and burnished surfaces glow against a darkened backdrop. The work does not moralise or sentimentalise; instead, it invites us to linger in the threshold between public gesture and private mood. This is not a portrait in the formal sense, but a study in mood and modern femininity—at once staged and unrepeatable. The subject is not idealised; she is paused. In that pause lives the entire Spanish fin de siècle.\u003c\/p\u003e\n\u003cp data-start=\"1200\" data-end=\"1228\"\u003e\u003cstrong data-start=\"1200\" data-end=\"1209\"\u003eTitle\u003c\/strong\u003e\u003cbr data-start=\"1209\" data-end=\"1212\"\u003eMujer con Mantón\u003c\/p\u003e\n\u003cp data-start=\"1230\" data-end=\"1262\"\u003e\u003cstrong data-start=\"1230\" data-end=\"1249\"\u003eArtist \/ Author\u003c\/strong\u003e\u003cbr data-start=\"1249\" data-end=\"1252\"\u003eJ. Alarcón\u003c\/p\u003e\n\u003cp data-start=\"1264\" data-end=\"1287\"\u003e\u003cstrong data-start=\"1264\" data-end=\"1272\"\u003eDate\u003c\/strong\u003e\u003cbr data-start=\"1272\" data-end=\"1275\"\u003ec. 1880–1890\u003c\/p\u003e\n\u003cp data-start=\"1289\" data-end=\"1335\"\u003e\u003cstrong data-start=\"1289\" data-end=\"1320\"\u003eTechnique \/ Printing Method\u003c\/strong\u003e\u003cbr data-start=\"1320\" data-end=\"1323\"\u003eOil painting\u003c\/p\u003e\n\u003cp data-start=\"1337\" data-end=\"1392\"\u003e\u003cstrong data-start=\"1337\" data-end=\"1359\"\u003eMedium \/ Materials\u003c\/strong\u003e\u003cbr data-start=\"1359\" data-end=\"1362\"\u003eOil on canvas, gilt wood frame\u003c\/p\u003e\n\u003cp data-start=\"1394\" data-end=\"1414\"\u003e\u003cstrong data-start=\"1394\" data-end=\"1405\"\u003eEdition\u003c\/strong\u003e\u003cbr data-start=\"1405\" data-end=\"1408\"\u003eUnique\u003c\/p\u003e\n\u003cp data-start=\"1416\" data-end=\"1444\"\u003e\u003cstrong data-start=\"1416\" data-end=\"1426\"\u003eSigned\u003c\/strong\u003e\u003cbr data-start=\"1426\" data-end=\"1429\"\u003eYes, lower left\u003c\/p\u003e\n\u003cp data-start=\"1446\" data-end=\"1479\"\u003e\u003cstrong data-start=\"1446\" data-end=\"1465\"\u003eDimensions (cm)\u003c\/strong\u003e\u003cbr data-start=\"1465\" data-end=\"1468\"\u003e110 × 88 cm\u003c\/p\u003e\n\u003cp data-start=\"1481\" data-end=\"1544\"\u003e\u003cstrong data-start=\"1481\" data-end=\"1494\"\u003eCondition\u003c\/strong\u003e\u003cbr data-start=\"1494\" data-end=\"1497\"\u003eGood; minor signs of age consistent with period\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51853255639378,"sku":null,"price":550.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/mexican-full_3.jpg?v=1768124452"},{"product_id":"gran-velada-de-boxeo-1941-original-hand-painted-gouache","title":"Gran Velada de Boxeo, 1941 – Original Hand-Painted Gouache","description":"\u003cp data-start=\"110\" data-end=\"551\"\u003eThis hand-painted poster, made for a boxing gala in San Fernando on the 30th of May, 1941, is part of the Darwin archive because it distills the visual vernacular of popular sport and public spectacle in post-Civil War Spain. Organised by the engineering forces of the local plaza in honour of their patron saint, the event brings together six bouts across weight classes—from peso gallo to ligero—each pairing billed with theatrical flair.\u003c\/p\u003e\n\u003cp data-start=\"553\" data-end=\"1301\"\u003eThe poster’s hand-rendered lettering, radiant palette, and anatomically stylised boxer reflect both the artisanal charm of local signage and the heroic idealisation of the working-class athlete. Names like Toni Luis, Guasch, and Herrerita (hailed here as a “destacada figura local”) are celebrated with the same graphic urgency as saints or generals—framed by red verticals reading \u003cem data-start=\"935\" data-end=\"953\"\u003eGRANDES COMBATES\u003c\/em\u003e, flanking the central fighter in stance. At 45 × 35 cm, with signs of wear and surface damage, the piece carries both archival and atmospheric weight: a relic of a regionalised, ephemeral print culture before offset standardisation. It is not just a record of a night of sport, but a charged fragment of civic identity and hand-painted resistance.\u003c\/p\u003e\n\u003cp data-start=\"1303\" data-end=\"1331\"\u003e\u003cstrong data-start=\"1303\" data-end=\"1312\"\u003eTitle\u003c\/strong\u003e\u003cbr data-start=\"1312\" data-end=\"1315\"\u003eGRANDES COMBATES\u003c\/p\u003e\n\u003cp data-start=\"1333\" data-end=\"1362\"\u003e\u003cstrong data-start=\"1333\" data-end=\"1352\"\u003eArtist \/ Author\u003c\/strong\u003e\u003cbr data-start=\"1352\" data-end=\"1355\"\u003eUnknown\u003c\/p\u003e\n\u003cp data-start=\"1364\" data-end=\"1379\"\u003e\u003cstrong data-start=\"1364\" data-end=\"1372\"\u003eDate\u003c\/strong\u003e\u003cbr data-start=\"1372\" data-end=\"1375\"\u003e1941\u003c\/p\u003e\n\u003cp data-start=\"1381\" data-end=\"1434\"\u003e\u003cstrong data-start=\"1381\" data-end=\"1412\"\u003eTechnique \/ Printing Method\u003c\/strong\u003e\u003cbr data-start=\"1412\" data-end=\"1415\"\u003eHand-painted poster\u003c\/p\u003e\n\u003cp data-start=\"1436\" data-end=\"1475\"\u003e\u003cstrong data-start=\"1436\" data-end=\"1458\"\u003eMedium \/ Materials\u003c\/strong\u003e\u003cbr data-start=\"1458\" data-end=\"1461\"\u003ePaint on paper\u003c\/p\u003e\n\u003cp data-start=\"1477\" data-end=\"1497\"\u003e\u003cstrong data-start=\"1477\" data-end=\"1488\"\u003eEdition\u003c\/strong\u003e\u003cbr data-start=\"1488\" data-end=\"1491\"\u003eUnique\u003c\/p\u003e\n\u003cp data-start=\"1499\" data-end=\"1514\"\u003e\u003cstrong data-start=\"1499\" data-end=\"1509\"\u003eSigned\u003c\/strong\u003e\u003cbr data-start=\"1509\" data-end=\"1512\"\u003eNo\u003c\/p\u003e\n\u003cp data-start=\"1516\" data-end=\"1548\"\u003e\u003cstrong data-start=\"1516\" data-end=\"1535\"\u003eDimensions (cm)\u003c\/strong\u003e\u003cbr data-start=\"1535\" data-end=\"1538\"\u003e45 × 35 cm\u003c\/p\u003e\n\u003cp data-start=\"1550\" data-end=\"1587\"\u003e\u003cstrong data-start=\"1550\" data-end=\"1570\"\u003eLanguage (books)\u003c\/strong\u003e\u003cbr data-start=\"1570\" data-end=\"1573\"\u003eSpanish (text)\u003c\/p\u003e\n\u003cp data-start=\"1589\" data-end=\"1646\"\u003e\u003cstrong data-start=\"1589\" data-end=\"1602\"\u003eCondition\u003c\/strong\u003e\u003cbr data-start=\"1602\" data-end=\"1605\"\u003eVisible wear and surface distress; stable\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51854871789906,"sku":null,"price":550.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/mexican-full_1.jpg?v=1768123458"},{"product_id":"alfonso-publio-lopez-mondejar","title":"ALFONSO — Publio López Mondéjar","description":"\u003cp\u003e\u003cspan\u003eThis richly illustrated volume documents the remarkable output of the photographic agency “Alfonso” founded by Alfonso Sánchez García and carried on by his sons, as they documented Spanish society, culture and politics across five decades. Editor and historian Publio López Mondéjar curates the images into a compelling narrative of Spain’s 20th‑century transformations—from monarchies and republics, through civil war and beyond. The current edition presents a generous format (approx. 29 × 29 cm) and features a wide range of images that bring to life the street, the studio, the event and the quiet moment alike. A key reference for historians of photography, visual culture and Spanish social history.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Book\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: ALFONSO: cincuenta años de historia de España\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAuthor \/ Editor: Publio López Mondéjar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2002 (first edition)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset printing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Hardcover (or large‑format softcover depending on edition)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: First edition 2002, reprints exist\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: No\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: N\/A\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: circa 29 × 29 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: Spanish\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages: 241 pages\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: Lunwerg Editores \/ Círculo de Bellas Artes \/ Obra Social Caja Madrid, Madrid\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eISBN: 84‑7782‑922‑5\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: AVAILABLE NEW \u0026amp; USED\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51875864969554,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_2_c9ba374c-f149-40e2-b30a-cec94430d9be.jpg?v=1768031633"},{"product_id":"manila-ricky-davila-alberto-garcia-alix-2005","title":"Manila,\nRicky Dávila \u0026 Alberto García-Alix, 2005","description":"\u003cp\u003e\u003cspan\u003eManila is a photobook that stares you down. On its cover, a young boxer — helmeted, defiant — embodies the raw intensity that defines this visual journey. Created by Spanish photographer Ricky Dávila and accompanied by the prose of Alberto García-Alix, this 2005 edition plunges into the urban soul of the Philippine capital with unflinching intimacy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe book unfolds like a fight sequence: moments of stillness followed by abrupt punches of emotion. Dávila’s black-and-white portraits — gritty, tender, immediate — sketch a Manila of paradoxes, shaped by survival, masculinity, and fleeting grace. The inclusion of boxers, street kids, and religious icons channels both ethnographic attention and poetic immediacy, in the spirit of classic humanist documentary photography.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGarcía-Alix’s text adds a voice to the images: introspective, dislocated, full of dark lyricism. Together, the visual and written narratives build a portrait of distance — geographical, emotional, existential — seen through the filter of an outsider who is anything but detached.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by Gran Sol Comunicación Visual, this book accompanied an exhibition curated by Alejandro Castellote and remains a compelling testament to the power of visual storytelling beyond borders.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Photobook\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: Manila, Photobook\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAuthors: Ricky Dávila (photographs), Alberto García-Alix (text)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2005\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset printing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Paper, hardcover\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: Gran Sol Comunicación Visual S.L.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: Spanish\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eISBN: 84-609-5412-9\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages: Not specified\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: Not specified\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Excellent\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51942948897106,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_1.jpg?v=1767990865"},{"product_id":"kintsugi-joan-fontcuberta","title":"KINTSUGI – Joan Fontcuberta,  Editorial RM","description":"\u003cp\u003e\u003cspan\u003eA meditative photobook that embraces rupture and repair, echoing the Japanese art of mending with gold through a conceptual lens by Joan Fontcuberta.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn KINTSUGI, Joan Fontcuberta turns the metaphor of broken ceramics mended with gold into a visual and philosophical inquiry. Drawing from the traditional Japanese technique that celebrates fracture as part of an object’s history, Fontcuberta reimagines the photographic medium as a site of healing and transformation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe book emerges from a project supported by the Government of Andorra and unfolds like a reflective essay in images and texts. Each crack, each seam, becomes a testament to survival and reinvention—resonating deeply in a world marked by personal and collective fragilities. Designed with delicate Japanese binding and a cover that mimics the gold-veined surface of kintsugi pottery, the publication blurs the boundaries between documentation, art book, and sculptural object.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith contributions by Xavier Antich, Céline Fribourg, and Montserrat Ronchera, and translations by Graham Thomson, this edition by Editorial RM honors the contemplative pace of repair. It invites readers not only to observe but to feel the quiet resilience embedded in fractured beauty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Artist Book \/ Exhibition Catalogue\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: KINTSUGI\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Joan Fontcuberta\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTexts: Xavier Antich, Joan Fontcuberta, Céline Fribourg, Montserrat Ronchera\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2021\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Paper, Japanese binding\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: #401\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: No\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: approx. 29 x 21 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: Multilingual (likely Catalan, Spanish, English)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages: Not specified\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: Editorial RM (Barcelona \u0026amp; Mexico City), Ministry of Culture and Sports, Government of Andorra\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eISBN: 978-84-17975-47-0\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Fine\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Darwin Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51956858487122,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_6.jpg?v=1768030607"},{"product_id":"cartas-al-director-cristina-de-middel","title":"Cartas al Director – Cristina de Middel","description":"\u003cp\u003e\u003cspan\u003eA striking catalogue of journalistic gesture and photographic inquiry.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIn this monumental work, Cristina de Middel reinterprets the act of writing “letters to the editor” as a potent tool of narrative subversion and photographic storytelling. Conceived as both a book and an exhibition companion, this boxed set unfolds with the graphic logic of a newspaper, echoing the aesthetics of mass media while challenging its conventions. Within the box lie four distinct bodies of work — Journey to the Center, Gentlemen’s Club, The Kabuler, and Vida y milagros de Paula P. — each a fragment of her long-standing inquiry into power, gender, conflict, and constructed realities.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDe Middel assembles newsprint, photography, and visual essays in an oversized, sculptural format, inviting the reader to navigate the layered zones between information and fiction. The piece recalls her early career as a photojournalist while pushing the limits of what documentary form can be. Designed with bold typographies, wrap-around folds, and varied print formats, Cartas al Director becomes a letter of its own: open-ended, sharp, and deeply personal.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e\u003cimg\u003eObject: Artist Book \/ Boxed Set\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: Cartas al Director\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Cristina de Middel\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2023\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Offset, folded inserts\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Paper, card, box\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: Not specified\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: No\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 32 × 22 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: Spanish \/ English\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePages: Approx. 120–190 (varies by component)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: Consejería de Cultura, Turismo y Deporte (Madrid)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eISBN: 978-84-451-4066-6\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51956902330706,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/MAISONSCLOSES_5.jpg?v=1768030535"},{"product_id":"artesanos-el-buen-hacer-espanol","title":"Artesanos — El buen hacer español","description":"\u003cp data-start=\"159\" data-end=\"815\"\u003eThis book, published by Turner in Madrid, is a photographic and textual homage to the enduring craft traditions of Spain, presented with the tactile intimacy of a linen-bound object. \u003cem data-start=\"342\" data-end=\"377\"\u003eArtesanos — El buen hacer español\u003c\/em\u003e celebrates the quiet rigour and beauty of artisanal labor across the peninsula, documenting workshops, tools, hands and gestures with a sensibility that is both ethnographic and poetic. The selection includes nearly 20 studios—from traditional textile makers like Mantas Ezcaray and Teixits Vicens to contemporary fabricators like Apparatu and Seco Goldsmith—each of whom preserve a distinct relationship to material, locality, and time.\u003c\/p\u003e\n\u003cp data-start=\"817\" data-end=\"1449\"\u003eThe cover image alone—fuchsia-dyed yarn drying against a peeling wall—summons the synesthetic core of this work: texture, color, repetition, patience. The book’s texts by Txema Ybarra and photographs by Pablo Zamora resist nostalgia, instead offering present-tense immersion in living workshops where function and beauty meet in modest forms. What unites these diverse artisans is a care for process, and an insistence that slowness, tradition and idiosyncrasy remain vital in a world of mechanized sameness. Darwin includes this title not simply as a book on craft, but as a crafted book—an artefact of the very ethos it documents.\u003c\/p\u003e\n\u003cp data-start=\"1451\" data-end=\"1470\"\u003e\u003cstrong data-start=\"1451\" data-end=\"1470\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1472\" data-end=\"1789\"\u003eTitle: Artesanos — El buen hacer español\u003cbr data-start=\"1512\" data-end=\"1515\"\u003eAuthors: Txema Ybarra (texts), Pablo Zamora (photographs)\u003cbr data-start=\"1572\" data-end=\"1575\"\u003eDate: 2021\u003cbr data-start=\"1585\" data-end=\"1588\"\u003eTechnique: Offset printing\u003cbr data-start=\"1614\" data-end=\"1617\"\u003eMedium \/ Materials: Hardcover with printed cloth and tip-on image\u003cbr data-start=\"1682\" data-end=\"1685\"\u003eLanguage: Spanish\u003cbr data-start=\"1702\" data-end=\"1705\" data-is-only-node=\"\"\u003ePages: Approx. 240\u003cbr data-start=\"1723\" data-end=\"1726\"\u003ePublisher: Turner Libros\u003cbr data-start=\"1750\" data-end=\"1753\"\u003eISBN: 9788417554252\u003cbr data-start=\"1772\" data-end=\"1775\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51956963115346,"sku":null,"price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/NewTemplate_1.jpg?v=1768030086"},{"product_id":"rodrigo-gross-forms-that-hum","title":"Rodrigo Gross — Forms That Hum","description":"\u003cp data-start=\"103\" data-end=\"619\"\u003eThis pair of graphite drawings by Málaga-based artist Rodrigo Gross, created around 2008, belongs to an early period in his practice where drawing functioned as both a structural study and a visceral language. Gross, best known for his emotionally charged paintings that oscillate between figuration and expressionist distortion, has long used drawing as an autonomous field of research. These works are not sketches but intense microcosms: layered, slow-moving explosions of form rendered with obsessive repetition.\u003c\/p\u003e\n\u003cp data-start=\"621\" data-end=\"1151\"\u003eExecuted in dense, pointillist graphite, the drawings evoke anatomical systems, protozoan bodies, or imagined tissue—something between an X-ray and a hallucination. While Gross’s paintings tend toward saturated color and psychic figuration, these works withdraw into the haptic and internal. They make visible the silent labour of form, and how structure can emerge from thousands of tiny gestures. Best displayed as a diptych with a pause between them, the two drawings create a field of tension that pulses in the space between.\u003c\/p\u003e\n\u003cp data-start=\"1153\" data-end=\"1172\"\u003e\u003cstrong data-start=\"1153\" data-end=\"1172\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1174\" data-end=\"1200\"\u003e\u003cstrong data-start=\"1174\" data-end=\"1183\"\u003eTitle\u003c\/strong\u003e\u003cbr data-start=\"1183\" data-end=\"1186\"\u003eForms That Hum\u003c\/p\u003e\n\u003cp data-start=\"1202\" data-end=\"1237\"\u003e\u003cstrong data-start=\"1202\" data-end=\"1221\"\u003eArtist \/ Author\u003c\/strong\u003e\u003cbr data-start=\"1221\" data-end=\"1224\"\u003eRodrigo Gross\u003c\/p\u003e\n\u003cp data-start=\"1239\" data-end=\"1257\"\u003e\u003cstrong data-start=\"1239\" data-end=\"1247\"\u003eDate\u003c\/strong\u003e\u003cbr data-start=\"1247\" data-end=\"1250\"\u003ec. 2008\u003c\/p\u003e\n\u003cp data-start=\"1259\" data-end=\"1337\"\u003e\u003cstrong data-start=\"1259\" data-end=\"1290\"\u003eTechnique \/ Printing Method\u003c\/strong\u003e\u003cbr data-start=\"1290\" data-end=\"1293\"\u003eHand drawing, pointillist graphite technique\u003c\/p\u003e\n\u003cp data-start=\"1339\" data-end=\"1381\"\u003e\u003cstrong data-start=\"1339\" data-end=\"1361\"\u003eMedium \/ Materials\u003c\/strong\u003e\u003cbr data-start=\"1361\" data-end=\"1364\"\u003eGraphite on paper\u003c\/p\u003e\n\u003cp data-start=\"1383\" data-end=\"1428\"\u003e\u003cstrong data-start=\"1383\" data-end=\"1402\"\u003eDimensions (cm)\u003c\/strong\u003e\u003cbr data-start=\"1402\" data-end=\"1405\"\u003eEach approx. 45 × 65 cm\u003c\/p\u003e\n\u003cp data-start=\"1430\" data-end=\"1485\"\u003e\u003cstrong data-start=\"1430\" data-end=\"1443\"\u003eCondition\u003c\/strong\u003e\u003cbr data-start=\"1443\" data-end=\"1446\"\u003eGood general condition, unframed sheets\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52476497363282,"sku":null,"price":350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/Screenshot2026-01-14at15.15.55_4.jpg?v=1768401381"},{"product_id":"perez-siquier-monograph-2020","title":"Pérez Siquier — Monograph, 2020","description":"\u003cp data-start=\"111\" data-end=\"628\"\u003eThis monograph is a dazzling compendium of colour photography by Spanish pioneer Carlos Pérez Siquier, published by Fundación MAPFRE in 2020. The cover alone — a woman bronzed and lacquered under the Andalusian sun, adorned in blue eyeshadow and matching floral swimwear — stages the saturated codes of postwar modernity that Pérez Siquier made his own. Shot mostly in the seaside neighbourhood of La Chanca, Almería, and its surrounding tourist zones, these images bridge ethnographic sharpness with pop exuberance.\u003c\/p\u003e\n\u003cp data-start=\"630\" data-end=\"1176\"\u003ePérez Siquier was among the first in Spain to embrace colour photography in earnest, finding in it not just aesthetic delight but a way to map the collision of traditional life with the synthetic modern. His lens captures a visual vernacular of transition — the facades of humble homes painted in light-catching hues, the flash of artificial glamour against sun-bleached landscapes. This volume doesn’t merely document a Spain of the 1960s and 70s — it invents it anew through the lens of colour, at once affectionate and ironic, always exacting.\u003c\/p\u003e\n\u003cp data-start=\"1178\" data-end=\"1495\"\u003eAlongside figures like Luigi Ghirri and William Eggleston, Pérez Siquier occupies a crucial place in the lineage of colour modernism — but with a distinctly Mediterranean pulse on the spirit of Martin Parr. This book offers both a retrospective and a vivid immersion into his most emblematic visual strategies: flatness, gesture, costume, façade.\u003c\/p\u003e\n\u003cp data-start=\"1497\" data-end=\"1934\"\u003e\u003cstrong data-start=\"1497\" data-end=\"1506\"\u003eTitle\u003c\/strong\u003e: Pérez Siquier\u003cbr data-start=\"1521\" data-end=\"1524\"\u003e\u003cstrong data-start=\"1524\" data-end=\"1543\"\u003eArtist \/ Author\u003c\/strong\u003e: Carlos Pérez Siquier\u003cbr data-start=\"1565\" data-end=\"1568\"\u003e\u003cstrong data-start=\"1568\" data-end=\"1576\"\u003eDate\u003c\/strong\u003e: 2020\u003cbr data-start=\"1582\" data-end=\"1585\"\u003e\u003cstrong data-start=\"1585\" data-end=\"1616\"\u003eTechnique \/ Printing Method\u003c\/strong\u003e: Offset colour printing\u003cbr data-start=\"1640\" data-end=\"1643\"\u003e\u003cstrong data-start=\"1643\" data-end=\"1665\" data-is-only-node=\"\"\u003eMedium \/ Materials\u003c\/strong\u003e: Hardcover, cloth spine with printed boards\u003cbr data-start=\"1709\" data-end=\"1712\"\u003e\u003cstrong data-start=\"1712\" data-end=\"1731\"\u003eDimensions (cm)\u003c\/strong\u003e: approx. 24 x 28 cm\u003cbr data-start=\"1751\" data-end=\"1754\"\u003e\u003cstrong data-start=\"1754\" data-end=\"1774\"\u003eLanguage (books)\u003c\/strong\u003e: Spanish\u003cbr data-start=\"1830\" data-end=\"1833\"\u003e\u003cstrong data-start=\"1833\" data-end=\"1863\"\u003ePublisher \/ Editor (books)\u003c\/strong\u003e: Fundación MAPFRE\u003cbr data-start=\"1881\" data-end=\"1884\"\u003e\u003cstrong data-start=\"1884\" data-end=\"1892\"\u003eISBN\u003c\/strong\u003e: 978-84-9844-745-3\u003cbr data-start=\"1911\" data-end=\"1914\"\u003e\u003cstrong data-start=\"1914\" data-end=\"1927\"\u003eCondition\u003c\/strong\u003e: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52483733913938,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_7475df01-5a0e-4493-be72-6fed45cd5947.jpg?v=1768467340"},{"product_id":"this-is-what-hatred-did-cristina-de-middel-first-edition","title":"This Is What Hatred Did — Cristina de Middel, first edition","description":"\u003cp data-start=\"128\" data-end=\"628\"\u003eCristina de Middel’s \u003cem data-start=\"149\" data-end=\"174\"\u003eThis Is What Hatred Did\u003c\/em\u003e is a haunting visual transcription of Amos Tutuola’s 1954 Yoruba folklore novel \u003cem data-start=\"255\" data-end=\"286\"\u003eMy Life in the Bush of Ghosts\u003c\/em\u003e, reimagined through photography, fiction and reportage in the fraught urban landscape of Makoko, a floating slum in Lagos. At once allegory and documentary, the book slips between myth and reality, echoing Tutuola’s narrative style with staged images, saturated hues and vivid printed matter that seem to emerge directly from the underworld.\u003c\/p\u003e\n\u003cp data-start=\"630\" data-end=\"1222\"\u003eDe Middel maps the surrealism of Tutuola’s prose onto the lived complexities of postcolonial Nigeria, where traditional cosmologies and modern violence collide. The result is a dreamlike and disorienting photo-text in which each page carries the tension of hallucination and truth. Part photobook, part object, the edition opens with a lush botanical endpaper—lush and feral, signaling the psychic jungle to come. In the Darwin archive, it stands alongside works by Pieter Hugo and Samuel Fosso in its commitment to unsettling the gaze and expanding the visual vocabulary of African urbanism.\u003c\/p\u003e\n\u003cp data-start=\"1224\" data-end=\"1646\"\u003e\u003cmeta charset=\"utf-8\"\u003eTitle: This Is What Hatred Did\u003cbr data-start=\"1282\" data-end=\"1285\"\u003eArtist \/ Author: Cristina de Middel\u003cbr data-start=\"1320\" data-end=\"1323\"\u003eDate: 2015\u003cbr data-start=\"1333\" data-end=\"1336\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1380\" data-end=\"1383\"\u003eMedium \/ Materials: Hardcover photobook with colour plates and illustrated endpapers\u003cbr data-start=\"1467\" data-end=\"1470\"\u003eEdition: First edition\u003cbr data-start=\"1492\" data-end=\"1495\"\u003eSigned: No\u003cbr data-start=\"1505\" data-end=\"1508\"\u003eDimensions (cm): 13 × 28\u003cbr data-start=\"1532\" data-end=\"1535\"\u003eLanguage: English\u003cbr data-start=\"1552\" data-end=\"1555\"\u003ePages: 180\u003cbr data-start=\"1565\" data-end=\"1568\"\u003ePublisher \/ Editor: RM Verlag \/ La Fábrica \/ Images en Manoeuvres \/ Archive of Modern Conflict\u003cbr data-start=\"1662\" data-end=\"1665\"\u003eDesign: Natalia, N2 Estudio Gráfico\u003cbr data-start=\"1700\" data-end=\"1703\"\u003eISBN: 9788415118731\u003cbr data-start=\"1722\" data-end=\"1725\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52549986025810,"sku":null,"price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_3561d4c6-0c7b-4c4f-bdf2-c17163cdea46.jpg?v=1769190685"},{"product_id":"iberica-ricky-davila","title":"Ibérica — Ricky Dávila","description":"\u003cp data-start=\"95\" data-end=\"754\"\u003eThis book is Ricky Dávila’s stark, textured portrait of Spain, rendered in bold black-and-white and assembled like a political poster wrapped in photobook form. Published in 2008 by Gran Sol, \u003cem data-start=\"287\" data-end=\"296\"\u003eIbérica\u003c\/em\u003e gathers Dávila’s photographs into a visual essay that strips back the myth of modern Spain to reveal something more brutal, elemental, and industrial. Bound in raw grey boards with a heavy black spine, the cover echoes the aesthetic of a printing press or militant communiqué. Inside, Dávila looks outward: to dockyards, rural parades, faces marked by labour and time. His Spain is neither romantic nor folkloric — it’s unresolved, physical, and historical.\u003c\/p\u003e\n\u003cp data-start=\"756\" data-end=\"1341\"\u003eThe design, done in collaboration with MAD Design, leans into this muscularity. Each page carries the weight of photojournalism filtered through a poetic lens, with a literary text by Antonio Soler threading through the book like a minor chord. While often grouped with the more lyrical Spanish documentary tradition, Dávila's work here echoes the intensity of early Anders Petersen or the politicised formalism of Miguel Rio Branco. \u003cem data-start=\"1190\" data-end=\"1199\"\u003eIbérica\u003c\/em\u003e is a document of resistance — both cultural and visual — and remains one of the strongest articulations of post-Franco photographic language.\u003c\/p\u003e\n\u003cp data-start=\"1343\" data-end=\"1673\"\u003e\u003cstrong data-start=\"1343\" data-end=\"1362\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1362\" data-end=\"1365\"\u003eTitle: Ibérica\u003cbr data-start=\"1379\" data-end=\"1382\"\u003eArtist \/ Author: Ricky Dávila\u003cbr data-start=\"1411\" data-end=\"1414\"\u003eDate: 2008\u003cbr data-start=\"1424\" data-end=\"1427\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"1471\" data-end=\"1474\"\u003eMedium \/ Materials: Hardcover, cloth spine\u003cbr data-start=\"1516\" data-end=\"1519\"\u003eDimensions: 24 x 30 cm\u003cbr data-start=\"1541\" data-end=\"1544\"\u003ePages: Unstated\u003cbr data-start=\"1559\" data-end=\"1562\"\u003ePublisher \/ Editor: Gran Sol Comunicación Visual\u003cbr data-start=\"1610\" data-end=\"1613\"\u003eISBN: 978-84-612-1812-7\u003cbr data-start=\"1636\" data-end=\"1639\"\u003eLanguage: Spanish\u003cbr data-start=\"1656\" data-end=\"1659\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52561613095250,"sku":null,"price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_1_b874443c-94da-4575-9133-7b1c7d10011e.jpg?v=1769355635"},{"product_id":"la-gravetat-del-lloc-israel-arino","title":"La gravetat del lloc — Israel Ariño, EDICIONES ANOMALAS, 2019","description":"\u003cp data-start=\"144\" data-end=\"699\"\u003eA sustained meditation where landscape acquires emotional density. Developed during a residency in Kerguéhennec, Ariño’s images move with restraint, tracing stone, mist, and shadow as carriers of memory rather than description. Each photograph feels unearthed, attentive to what lingers beneath visibility. Printed with particular care and shaped by Underbau’s minimalist design, the book embodies a quiet material precision. Published by Ediciones Anómalas, it stands as a key work in Ariño’s exploration of landscape as perceptual and poetic experience.\u003c\/p\u003e\n\u003cp data-start=\"701\" data-end=\"1037\"\u003eTechnical Sheet\u003cbr data-start=\"716\" data-end=\"719\"\u003eTitle: La gravetat del lloc\u003cbr data-start=\"746\" data-end=\"749\"\u003eArtist \/ Author: Israel Ariño\u003cbr data-start=\"778\" data-end=\"781\"\u003eDate: 2019\u003cbr data-start=\"791\" data-end=\"794\"\u003eTechnique \/ Printing Method: Offset printing\u003cbr data-start=\"838\" data-end=\"841\"\u003eMedium \/ Materials: Softcover with dust jacket\u003cbr data-start=\"887\" data-end=\"890\"\u003eDimensions (cm): 24 × 17\u003cbr data-start=\"914\" data-end=\"917\"\u003eLanguage: Catalan, French, Spanish\u003cbr data-start=\"951\" data-end=\"954\"\u003ePublisher \/ Editor: Ediciones Anómalas\u003cbr data-start=\"992\" data-end=\"995\"\u003eISBN: 978-84-09-12882-2\u003cbr data-start=\"1018\" data-end=\"1021\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52561646387538,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_2_846676c2-9807-43c0-a8f1-90e1e414ef31.jpg?v=1769355900"},{"product_id":"cuadernos-de-africa-by-miquel-barcelo-2004","title":"Cuadernos de África by Miquel Barceló, 2004","description":"\u003cp data-start=\"112\" data-end=\"555\"\u003eThis is Miquel Barceló’s luminous and tactile record of his years in Mali—part travel diary, part sketchbook, part inner monologue. \u003cem data-start=\"244\" data-end=\"265\"\u003eCuadernos de África\u003c\/em\u003e is a personal atlas rendered in ink, dust, and pigment, where bodies, beasts, markets, and rituals drift across the page in watercolour. These notebooks—faithfully reproduced in facsimile—trace the gestures of a Mediterranean painter immersed in the Sahel, at once observing and absorbing.\u003c\/p\u003e\n\u003cp data-start=\"557\" data-end=\"937\"\u003ePrinted by Galaxia Gutenberg in 2004, the book gathers drawings, texts and photographic traces from Barceló’s extended stays in Dogon Country, where the landscape’s brutal beauty and everyday resilience fundamentally altered his palette and pictorial rhythm. What emerges is neither a travelogue nor a sketch archive but a painter’s living grammar—fluid, intimate, and unresolved.\u003c\/p\u003e\n\u003cp data-start=\"939\" data-end=\"1350\"\u003eThe pages radiate with heat and immediacy: ochre outlines, bleeding colours, inked silhouettes of Tuareg men, goats, donkeys, and women bearing vessels. It’s a book of presence more than distance, closer to Delacroix’s North African notebooks than any ethnographic gaze. In the Darwin archive, this belongs among the most personal art books—where drawing becomes thinking and the desert is both mirror and page.\u003c\/p\u003e\n\u003cp data-start=\"1352\" data-end=\"1748\"\u003eTechnical Sheet\u003cbr data-start=\"1367\" data-end=\"1370\"\u003eTitle: Cuadernos de África\u003cbr data-start=\"1396\" data-end=\"1399\"\u003eArtist \/ Author: Miquel Barceló\u003cbr data-start=\"1430\" data-end=\"1433\"\u003eDate: 2004\u003cbr data-start=\"1443\" data-end=\"1446\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1481\" data-end=\"1484\"\u003eMedium \/ Materials: Hardcover with dust jacket\u003cbr data-start=\"1530\" data-end=\"1533\"\u003eDimensions (cm): approx. 24 × 30\u003cbr data-start=\"1565\" data-end=\"1568\"\u003eLanguage: Spanish\u003cbr data-start=\"1585\" data-end=\"1588\"\u003ePages: Not stated (facsimile reproduction throughout)\u003cbr data-start=\"1641\" data-end=\"1644\"\u003ePublisher \/ Editor: Galaxia Gutenberg \/ Círculo de Lectores\u003cbr data-start=\"1703\" data-end=\"1706\"\u003eISBN: 84-8109-005-0\u003cbr data-start=\"1725\" data-end=\"1728\"\u003eCondition: Very good\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52565325119826,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_4_f27ed831-1d70-4172-af97-3b9feb6e019a.jpg?v=1769424195"},{"product_id":"voyage-vers-le-centre-du-monde-cristina-de-middel-2024","title":"Voyage vers le centre du monde — Cristina de Middel, 2024","description":"\u003cp data-start=\"126\" data-end=\"1208\"\u003eCristina de Middel’s latest book is a surrealist travelogue and a fractured epic—part Jules Verne, part migrant diary, part hallucinatory road novel. \u003cem data-start=\"276\" data-end=\"308\"\u003eVoyage vers le centre du monde\u003c\/em\u003e documents the artist’s years-long engagement with the migrant trail through Mexico, often referred to by those who ride it as “La Bestia”. Rather than attempt journalistic neutrality, de Middel works in layers: documentary fragments, drawings, collages, and re-enacted fictions fold together into a luminous and troubling dream atlas. Monarch butterflies trace routes across maps; skulls and pyramids float alongside trucks, saints, and soldiers; a lone figure stands waist-deep in a lake beneath a dead tree. The book’s illustrated cover mimics a child's sketchbook but hides a far more charged story about the violence, fantasy, and resilience that shape contemporary migration. Published with Amnesty International, and including texts by Pedro Anza and citations from Verne’s \u003cem data-start=\"1089\" data-end=\"1119\"\u003eVoyage au centre de la Terre\u003c\/em\u003e, this is de Middel at her sharpest—turning myth into reportage, and reportage into myth.\u003c\/p\u003e\n\u003cp data-start=\"1210\" data-end=\"1542\"\u003e\u003cstrong data-start=\"1210\" data-end=\"1229\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1229\" data-end=\"1232\"\u003eTitle: Voyage vers le centre du monde\u003cbr data-start=\"1269\" data-end=\"1272\"\u003eArtist \/ Author: Cristina de Middel\u003cbr data-start=\"1307\" data-end=\"1310\"\u003eDate: 2024\u003cbr data-start=\"1320\" data-end=\"1323\" data-is-only-node=\"\"\u003eTechnique \/ Printing Method: Offset, photogravure\u003cbr data-start=\"1372\" data-end=\"1375\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"1404\" data-end=\"1407\"\u003eDimensions (cm): Approx. 17 × 24\u003cbr data-start=\"1439\" data-end=\"1442\"\u003eLanguage: French\u003cbr data-start=\"1458\" data-end=\"1461\"\u003ePublisher \/ Editor: Éditions Textuel\u003cbr data-start=\"1497\" data-end=\"1500\"\u003eISBN: 978-2-38629-011-4\u003cbr data-start=\"1523\" data-end=\"1526\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52604803481938,"sku":null,"price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_d6295cc9-c805-43f5-aab9-69fa34ca4b82.jpg?v=1769889890"},{"product_id":"miquel-barcelo-obra-sobre-papel-1979-1999-museo-nacional-centro-de-arte-reina-sofia-1999","title":"Miquel Barceló: Obra sobre papel 1979–1999 — Museo Nacional Centro de Arte Reina Sofía, 1999","description":"\u003cp data-start=\"161\" data-end=\"518\"\u003ePublished to accompany a major retrospective at the Museo Nacional Centro de Arte Reina Sofía, this comprehensive volume surveys two prolific decades of Miquel Barceló’s works on paper. With 388 pages of full-colour reproductions, it traces the evolution of an artist who has turned drawing into an act of sedimentation—where time, gesture, and matter fuse.\u003c\/p\u003e\n\u003cp data-start=\"520\" data-end=\"911\"\u003eFrom the volcanic stains of ink to delicate watercolours, Barceló’s graphic work resists containment. His recurring motifs—beasts, bones, oceans, libraries—appear and mutate across formats, invoking both the primal and the cerebral. The book captures his shift from conceptual beginnings to an embodied figuration, where excess becomes structure, and where every mark is both ruin and bloom.\u003c\/p\u003e\n\u003cp data-start=\"913\" data-end=\"1196\"\u003eDesigned with the scale and clarity of a proper museum catalogue, \u003cem data-start=\"979\" data-end=\"997\"\u003eObra sobre papel\u003c\/em\u003e stands as the definitive reference on Barceló’s works on paper. Less a companion to the paintings than a parallel cosmos, it affirms drawing as a field of experimentation, intimacy, and myth-making.\u003c\/p\u003e\n\u003cp data-start=\"1198\" data-end=\"1557\"\u003eTechnical Sheet\u003cbr data-start=\"1213\" data-end=\"1216\"\u003eTitle: Miquel Barceló: Obra sobre papel 1979–1999\u003cbr data-start=\"1265\" data-end=\"1268\"\u003eArtist \/ Author: Miquel Barceló\u003cbr data-start=\"1299\" data-end=\"1302\"\u003eDate: 1999\u003cbr data-start=\"1312\" data-end=\"1315\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1350\" data-end=\"1353\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"1382\" data-end=\"1385\" data-is-only-node=\"\"\u003eDimensions (cm): 28 × 30\u003cbr data-start=\"1409\" data-end=\"1412\"\u003eLanguage: Spanish\u003cbr data-start=\"1429\" data-end=\"1432\"\u003ePages: 388\u003cbr data-start=\"1442\" data-end=\"1445\"\u003ePublisher \/ Editor: Museo Nacional Centro de Arte Reina Sofía\u003cbr data-start=\"1506\" data-end=\"1509\"\u003eISBN: 978-84-8003-180-6\u003cbr data-start=\"1532\" data-end=\"1535\"\u003eCondition: Very Good\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52605377937746,"sku":null,"price":42.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_2_2991b9f5-2693-4147-8cd9-c4751e37f57e.jpg?v=1769896408"},{"product_id":"ghost-stories-federico-clavarino-trilingual-edition","title":"Ghost Stories — Federico Clavarino, EDICIONES ANOMALAS, 2023","description":"\u003cp data-start=\"137\" data-end=\"736\"\u003eAn elliptical sequence where images operate as traces rather than statements. Clavarino assembles fragments—architecture, gestures, light—into a drifting structure that resists narrative closure. The work unfolds as a perceptual state, where memory and presence overlap without resolution. Across its extended format, repetition and variation create a quiet tension. Designed by Underbau and published in a trilingual edition, the book reinforces its conceptual precision through material restraint, positioning Clavarino’s practice within a contemporary exploration of photography as introspection.\u003c\/p\u003e\n\u003cp data-start=\"738\" data-end=\"1110\"\u003eTechnical Sheet\u003cbr data-start=\"753\" data-end=\"756\"\u003eTitle: Ghost Stories\u003cbr data-start=\"776\" data-end=\"779\"\u003eArtist \/ Author: Federico Clavarino\u003cbr data-start=\"814\" data-end=\"817\"\u003eText: Federico Clavarino\u003cbr data-start=\"841\" data-end=\"844\"\u003eDate: c. 2023\u003cbr data-start=\"857\" data-end=\"860\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"895\" data-end=\"898\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"927\" data-end=\"930\"\u003eDimensions (cm): 24 × 19\u003cbr data-start=\"954\" data-end=\"957\"\u003ePages: 192\u003cbr data-start=\"967\" data-end=\"970\"\u003eLanguage: English, Spanish, Catalan\u003cbr data-start=\"1005\" data-end=\"1008\"\u003ePublisher \/ Editor: Co-published with Consell de Mallorca\u003cbr data-start=\"1065\" data-end=\"1068\"\u003eISBN: 978-84-09-30307-6\u003cbr data-start=\"1091\" data-end=\"1094\"\u003eCondition: NEW\u003c\/p\u003e\n\u003cp data-start=\"1112\" data-end=\"1304\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52607420006738,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_3_efc98fe9-38a5-4fa8-b90b-182b0615c5c1.jpg?v=1769948667"},{"product_id":"bonavista-david-mocha","title":"Bonavista — David Mocha, EDICIONES ANOMALAS","description":"\u003cp data-start=\"126\" data-end=\"672\"\u003eA measured walk through the urban periphery, where attention replaces spectacle. Mocha builds a quiet topography of edges—facades, empty plots, thresholds—assembled through rhythm rather than narrative. The images accumulate with restraint, revealing a lived environment through fragments and pauses. Shot in Tarragona and shaped by a pedestrian gaze, the work privileges proximity and duration. Designed by Underbau, its compact, clothbound form reinforces a precise and intimate reading of place within contemporary European photobook practice.\u003c\/p\u003e\n\u003cp data-start=\"674\" data-end=\"965\"\u003eTechnical Sheet\u003cbr data-start=\"689\" data-end=\"692\"\u003eTitle: Bonavista\u003cbr data-start=\"708\" data-end=\"711\"\u003eArtist \/ Author: David Mocha\u003cbr data-start=\"739\" data-end=\"742\"\u003eDate: c. 2015–2016\u003cbr data-start=\"760\" data-end=\"763\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"798\" data-end=\"801\"\u003eMedium \/ Materials: Clothbound hardcover with jacket\u003cbr data-start=\"853\" data-end=\"856\"\u003eDimensions (cm): 23 × 16.5\u003cbr data-start=\"882\" data-end=\"885\"\u003ePages: 80\u003cbr data-start=\"894\" data-end=\"897\"\u003eLanguage: Not specified\u003cbr data-start=\"920\" data-end=\"923\"\u003eISBN: 978-84-617-3399-6\u003cbr data-start=\"946\" data-end=\"949\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52607434490194,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_4_6c187ecd-8842-463d-a50b-4953e680a483.jpg?v=1769949698"},{"product_id":"where-maps-fold-juan-valbuena-2020","title":"Where Maps Fold — Juan Valbuena, 2020","description":"\u003cp data-start=\"106\" data-end=\"414\"\u003eIn \u003cem data-start=\"109\" data-end=\"126\"\u003eWhere Maps Fold\u003c\/em\u003e, Spanish photographer Juan Valbuena explores the fragile intersections of geography, narrative, and belonging. This softcover photobook—generous in scale and meditative in tone—acts as a visual essay on displacement, diaspora, and the limits of cartography in capturing lived experience.\u003c\/p\u003e\n\u003cp data-start=\"416\" data-end=\"841\"\u003eValbuena’s images are elliptical and layered: personal archives, blurred figures, folded maps, newspaper clippings, and intimate documents coalesce into a non-linear atlas. Rather than locating a place, the book maps out absence and movement—geographies of memory shaped by forced migration and cultural erasure. The Spanish language text weaves in and out of the sequence, offering fragments of story rather than commentary.\u003c\/p\u003e\n\u003cp data-start=\"843\" data-end=\"1145\"\u003ePublished in 2020, \u003cem data-start=\"862\" data-end=\"879\"\u003eWhere Maps Fold\u003c\/em\u003e belongs to a broader body of work by Valbuena addressing invisible histories and political traces in everyday imagery. It aligns with the sensibility of Délio Jasse or Bouchra Khalili—photographers who fold document and poetics into a new cartography of resistance.\u003c\/p\u003e\n\u003cp data-start=\"1147\" data-end=\"1439\"\u003eTechnical Sheet\u003cbr data-start=\"1162\" data-end=\"1165\"\u003eTitle: Where Maps Fold\u003cbr data-start=\"1187\" data-end=\"1190\"\u003eArtist \/ Author: Juan Valbuena\u003cbr data-start=\"1220\" data-end=\"1223\"\u003eDate: 2020\u003cbr data-start=\"1233\" data-end=\"1236\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1271\" data-end=\"1274\"\u003eMedium \/ Materials: Softcover\u003cbr data-start=\"1303\" data-end=\"1306\" data-is-only-node=\"\"\u003eDimensions (cm): 24 × 33\u003cbr data-start=\"1330\" data-end=\"1333\"\u003eLanguage: Spanish\u003cbr data-start=\"1350\" data-end=\"1353\"\u003ePages: 126\u003cbr data-start=\"1363\" data-end=\"1366\"\u003ePublisher \/ Editor: Unstated\u003cbr data-start=\"1394\" data-end=\"1397\"\u003eISBN: 978-84-17975-40-1\u003cbr data-start=\"1420\" data-end=\"1423\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52607486001490,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_6_3b228271-3db6-4da1-abad-61fac6cf0c8f.jpg?v=1769951570"},{"product_id":"humberto-rivas-humberto-rivas-fundacion-mapfre-2018","title":"Humberto Rivas — Humberto Rivas, Fundación MAPFRE, 2018","description":"\u003cp data-start=\"124\" data-end=\"750\"\u003eThis monograph gathers the stark, patient, and psychologically loaded images of Argentine-born photographer Humberto Rivas, whose work across the late 20th century carved out a rigorous, formally restrained space in the Spanish photographic canon. Published by Fundación MAPFRE in 2018, this volume serves both as an introduction and a long-overdue reckoning with an artist whose gaze turned façades, streets, and anonymous sitters into sites of quiet confrontation. The cover image, with its stark composition of wall and shadow, acts as a manifesto: Rivas’ camera isolates, extracts, and stills the world with eerie clarity.\u003c\/p\u003e\n\u003cp data-start=\"752\" data-end=\"1284\"\u003eHaving emigrated to Spain in the 1970s, Rivas captured post-Franco urbanity with a haunted intimacy. His portraits are direct but never invasive; his architectural views feel like post-industrial fossils. Often compared to Walker Evans for his deadpan surface and to Boltanski for his memorializing impulse, Rivas remains singular in how he locates tension within silence. The book’s square, clothbound format — sober and unadorned — echoes the photographic ethic within: a poetics of absence, architecture, and anonymous presences.\u003c\/p\u003e\n\u003cp data-start=\"1286\" data-end=\"1444\"\u003eEssential for readers of European postwar photography and those tracing the psychic residues of modernism, exile, and memory through the photographic surface.\u003c\/p\u003e\n\u003cp data-start=\"1446\" data-end=\"1745\"\u003eTechnical Sheet\u003cbr data-start=\"1461\" data-end=\"1464\"\u003eTitle: Humberto Rivas\u003cbr data-start=\"1485\" data-end=\"1488\"\u003eArtist \/ Author: Humberto Rivas\u003cbr data-start=\"1519\" data-end=\"1522\"\u003eDate: 2018\u003cbr data-start=\"1532\" data-end=\"1535\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1570\" data-end=\"1573\"\u003eMedium \/ Materials: Hardcover, clothbound\u003cbr data-start=\"1614\" data-end=\"1617\" data-is-only-node=\"\"\u003eDimensions (cm): 24 × 28 × 2\u003cbr data-start=\"1645\" data-end=\"1648\"\u003eLanguage: Spanish\u003cbr data-start=\"1665\" data-end=\"1668\"\u003ePages: 284\u003cbr data-start=\"1678\" data-end=\"1681\"\u003ePublisher \/ Editor: Fundación MAPFRE\u003cbr data-start=\"1717\" data-end=\"1720\"\u003eCondition: NEW (sealed)\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52607795626322,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_b30f0f78-eba4-43c1-8ded-64ad7e6cddd3.jpg?v=1769958081"},{"product_id":"on-nous-a-dit-qu-il-n-y-avait-rien-et-nous-sommes-alles-le-chercher-israel-arino-with-text-by-irma-estrada","title":"On nous a dit qu’il n’y avait rien et nous sommes allés le chercher — Israel Ariño, Ediciones Anomalas","description":"\u003cp data-start=\"185\" data-end=\"721\"\u003eA photographic inquiry into absence, where what is missing becomes the subject. Ariño’s restrained black and white images gather fragments — branches, shadows, traces — that resist fixed meaning, unfolding as a slow, intuitive search. The sequence avoids geography, privileging perception over place. Produced as a trilingual edition and designed by Underbau, the book’s tall format and linen cover reinforce its quiet material presence. With a text by Irma Estrada, it situates Ariño within a lineage of poetic, perceptual photography.\u003c\/p\u003e\n\u003cp data-start=\"723\" data-end=\"1112\"\u003eTechnical Sheet\u003cbr data-start=\"738\" data-end=\"741\"\u003eTitle: On nous a dit qu’il n’y avait rien et nous sommes allés le chercher\u003cbr data-start=\"815\" data-end=\"818\"\u003eArtist \/ Author: Israel Ariño\u003cbr data-start=\"847\" data-end=\"850\"\u003eText: Irma Estrada\u003cbr data-start=\"868\" data-end=\"871\"\u003eDate: c. 2022–2023\u003cbr data-start=\"889\" data-end=\"892\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"927\" data-end=\"930\"\u003eMedium \/ Materials: Hardcover, clothbound\u003cbr data-start=\"971\" data-end=\"974\"\u003eDimensions (cm): 24 × 31\u003cbr data-start=\"998\" data-end=\"1001\"\u003ePages: 144\u003cbr data-start=\"1011\" data-end=\"1014\"\u003eLanguage: Spanish, French, English\u003cbr data-start=\"1048\" data-end=\"1051\"\u003eDesign: Underbau\u003cbr data-start=\"1067\" data-end=\"1070\"\u003eISBN: 978-84-09-44790-9\u003cbr data-start=\"1093\" data-end=\"1096\"\u003eCondition: NEW\u003c\/p\u003e\n\u003cp data-start=\"1114\" data-end=\"1321\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52607836029266,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_84bba050-4e0a-4ee0-84ae-fdc6887116dc.jpg?v=1769960004"},{"product_id":"voyage-en-pays-du-clermontois-israel-arino","title":"Voyage en pays du Clermontois — Israel Ariño, EDICIONES ANOMALAS, 2020","description":"\u003cp data-start=\"147\" data-end=\"724\"\u003eA quiet yet immersive sequence where landscape dissolves into perception. Rather than document a region, Ariño constructs a sensorial field shaped by light, mist, and chromatic restraint. The images hover between presence and disappearance, privileging atmosphere over narrative. Produced with subtle color work by Clara Gassull and a fluid horizontal design by Underbau, the book unfolds cinematically. Positioned within contemporary European photobook practice, it extends Ariño’s exploration of slowness and perception through a restrained, deeply attentive visual language.\u003c\/p\u003e\n\u003cp data-start=\"726\" data-end=\"1066\"\u003eTechnical Sheet\u003cbr data-start=\"741\" data-end=\"744\"\u003eTitle: Voyage en pays du Clermontois\u003cbr data-start=\"780\" data-end=\"783\"\u003eArtist \/ Author: Israel Ariño\u003cbr data-start=\"812\" data-end=\"815\"\u003eDate: c. post-2020\u003cbr data-start=\"833\" data-end=\"836\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"871\" data-end=\"874\"\u003eMedium \/ Materials: Softcover\u003cbr data-start=\"903\" data-end=\"906\"\u003eDimensions (cm): 31 × 24\u003cbr data-start=\"930\" data-end=\"933\"\u003ePages: 120\u003cbr data-start=\"943\" data-end=\"946\"\u003eLanguage: Not specified\u003cbr data-start=\"969\" data-end=\"972\"\u003eDesign: Underbau\u003cbr data-start=\"988\" data-end=\"991\"\u003eColor Treatment: Clara Gassull\u003cbr data-start=\"1021\" data-end=\"1024\"\u003eISBN: 978-84-09-12883-9\u003cbr data-start=\"1047\" data-end=\"1050\"\u003eCondition: NEW\u003c\/p\u003e\n\u003cp data-start=\"1068\" data-end=\"1266\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52607857885522,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_1_15e75db1-81c3-4b9a-8980-a4c751b0ea7f.jpg?v=1769960729"},{"product_id":"mundos-perdidos-miguel-romero-signed-folder-holding-ten-original-works","title":"Mundos perdidos — Miguel Romero *signed (folder holding ten original works)","description":"\u003cp data-start=\"137\" data-end=\"578\"\u003e\u003cem data-start=\"137\" data-end=\"154\"\u003eMundos perdidos\u003c\/em\u003e is a contained and precise edition: a folder holding ten original works by Miguel Romero, each signed, in an intimate 15 × 21 cm format. Rather than forming a sequential narrative, the images operate like archaeological fragments — traces of places, bodies, or moments that are either lost or perhaps never fully existed. Each piece suggests a closed world, but together they evoke a suspended narrative, an absent fiction.\u003c\/p\u003e\n\u003cp data-start=\"580\" data-end=\"960\"\u003eThe folder, designed by Underbau and handcrafted by Mariya Alipieva, is as much an object as a conceptual frame. There’s a visual and material restraint here that recalls the experimental photobooks of the 1970s, yet the finish is decidedly contemporary. The act of removing and handling each image outside the logic of a bound page turns the viewer into an editor, an accomplice.\u003c\/p\u003e\n\u003cp data-start=\"962\" data-end=\"1203\"\u003ePublished in an extremely limited run of just 25 Spanish-language copies (with a parallel English edition), \u003cem data-start=\"1070\" data-end=\"1087\"\u003eMundos perdidos\u003c\/em\u003e occupies the rare zone where photography meets publishing as a form of thought — intimate, tactile, and reflective.\u003c\/p\u003e\n\u003cp data-start=\"1205\" data-end=\"1609\"\u003eTechnical Sheet\u003cbr data-start=\"1220\" data-end=\"1223\"\u003eTitle: Mundos perdidos (Spanish edition)\u003cbr data-start=\"1263\" data-end=\"1266\"\u003eArtist \/ Author: Miguel Romero\u003cbr data-start=\"1296\" data-end=\"1299\"\u003eDate: Unknown\u003cbr data-start=\"1312\" data-end=\"1315\"\u003eTechnique \/ Printing Method: Inkjet or alternative print (originals)\u003cbr data-start=\"1383\" data-end=\"1386\"\u003eMedium \/ Materials: Folder with 10 signed prints\u003cbr data-start=\"1434\" data-end=\"1437\" data-is-only-node=\"\"\u003eDimensions (cm): Prints 15 × 21; folder approx. 17 × 23\u003cbr data-start=\"1492\" data-end=\"1495\"\u003eLanguage: Spanish\u003cbr data-start=\"1512\" data-end=\"1515\"\u003eEdition: 25 copies, signed\u003cbr data-start=\"1541\" data-end=\"1544\"\u003eDesign: Underbau\u003cbr data-start=\"1560\" data-end=\"1563\"\u003eProduction: Mariya Alipieva\u003cbr data-start=\"1590\" data-end=\"1593\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52608169705810,"sku":null,"price":250.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_a96a80e2-4eac-4007-af6e-f712de0a5c7d.jpg?v=1769967130"},{"product_id":"de-donde-no-se-vuelve-alberto-garcia-alix","title":"DE DONDE NO SE VUELVE — Alberto García‑Alix","description":"\u003cp\u003e\u003cimg\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp data-start=\"224\" data-end=\"1439\"\u003e\u003cem data-start=\"224\" data-end=\"247\"\u003eDe donde no se vuelve\u003c\/em\u003e is a monumental, unflinching photographic chronicle from Alberto García‑Alix, one of Spain’s most singular and visceral image makers. First published in 2010 by La Fábrica, this 320‑page hardcover stands as a raw testament to the photographer’s life embedded in the margins of subculture, intimacy, transgression, and self‑witness. Printed in a generous 24 × 28 cm format, the book unfolds García‑Alix’s voice in Spanish with bilingual (English) support, inviting readers into a chiaroscuro world where the personal is the political and the body is terrain. Across portraits, streetscapes, and nocturnal encounters, his black‑and‑white work captures the pulse of counter‑existence — from friends and lovers to the undercurrents of desire and loss — with a directness that feels lived rather than observed. The sequencing and editing let these striking, grain‑rich photographs breathe and collide, turning memory into register and experience into visual language. \u003cem data-start=\"1211\" data-end=\"1234\"\u003eDe donde no se vuelve\u003c\/em\u003e isn’t merely a retrospective; it is a lived life inscribed on paper, a book that sits comfortably beside landmark bodies of work that map identity through unguarded presence and refusal of prettification.\u003c\/p\u003e\n\u003cp data-start=\"1441\" data-end=\"1786\"\u003e\u003cstrong data-start=\"1441\" data-end=\"1460\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1460\" data-end=\"1463\"\u003eTitle: \u003cem data-start=\"1470\" data-end=\"1493\"\u003eDe donde no se vuelve\u003c\/em\u003e\u003cbr data-start=\"1493\" data-end=\"1496\"\u003eArtist \/ Author: Alberto García‑Alix\u003cbr data-start=\"1532\" data-end=\"1535\"\u003eDate: 2010 (first edition)\u003cbr data-start=\"1561\" data-end=\"1564\"\u003eEdition \/ ISBN: La Fábrica \/ 9788492841660\u003cbr data-start=\"1606\" data-end=\"1609\"\u003eMedium \/ Format: Photography book, hardcover\u003cbr data-start=\"1653\" data-end=\"1656\"\u003eDimensions (cm): 24 × 28\u003cbr data-start=\"1680\" data-end=\"1683\"\u003ePages: 320\u003cbr data-start=\"1693\" data-end=\"1696\"\u003eLanguage: Spanish with English bilingual edition\u003cbr data-start=\"1744\" data-end=\"1747\"\u003ePublisher \/ Place: La Fábrica, España\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52617783640402,"sku":null,"price":200.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy.jpg?v=1770056506"},{"product_id":"cucurrucucu-cristina-de-middel-2016","title":"CUCURRUCUCÚ — Cristina de Middel, Editorial RM, 2016","description":"\u003cp data-start=\"107\" data-end=\"666\"\u003eCristina de Middel’s \u003cem data-start=\"128\" data-end=\"141\"\u003eCucurrucucú\u003c\/em\u003e is a hybrid photobook and conceptual artifact that fuses vernacular Mexican imagery with the aesthetic codes of pulp cinema, violence, and myth-making. Built from photographs found at the La Lagunilla flea market in Mexico City in 2015, the book is a staged resurrection—part crime narrative, part visual poem, part cultural détournement. The man on the cover, bloodied and clutching a pistol, speaks from a comic-style speech bubble: “CUCURRUCUCÚ”, invoking the tragic bolero popularized by Tomás Méndez and Caetano Veloso.\u003c\/p\u003e\n\u003cp data-start=\"668\" data-end=\"1060\"\u003ePublished by RM and edited with creative precision, this edition blurs the line between archive and fiction, between cultural critique and visual seduction. De Middel’s approach echoes her earlier \u003cem data-start=\"865\" data-end=\"876\"\u003eAfronauts\u003c\/em\u003e, twisting documentary language until it cracks open a new truth. Here, Mexico becomes both subject and performance—a country visualised through the leftovers of its own image economy.\u003c\/p\u003e\n\u003cp data-start=\"1062\" data-end=\"1396\"\u003e\u003cstrong data-start=\"1062\" data-end=\"1081\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1081\" data-end=\"1084\"\u003eTitle: Cucurrucucú\u003cbr data-start=\"1102\" data-end=\"1105\"\u003eArtist \/ Author: Cristina de Middel\u003cbr data-start=\"1140\" data-end=\"1143\"\u003eDate: 2016\u003cbr data-start=\"1153\" data-end=\"1156\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1191\" data-end=\"1194\"\u003eMedium \/ Materials: Softcover\u003cbr data-start=\"1223\" data-end=\"1226\"\u003eDimensions (cm): approx. 15 × 21\u003cbr data-start=\"1258\" data-end=\"1261\"\u003eLanguage: Bilingual (Spanish\/English)\u003cbr data-start=\"1298\" data-end=\"1301\"\u003ePages: Unpaginated\u003cbr data-start=\"1319\" data-end=\"1322\"\u003ePublisher \/ Editor: RM Verlag\u003cbr data-start=\"1351\" data-end=\"1354\"\u003eISBN: 978-84-16282-65-4\u003cbr data-start=\"1377\" data-end=\"1380\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52624169238866,"sku":null,"price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_2_3153f62c-41f0-4abd-b787-8b5d8c5bcca3.jpg?v=1770122583"},{"product_id":"espana-oculta-cristina-garcia-rodero-japan-edition-1994","title":"España Oculta — Cristina García Rodero, Japan edition, 1994","description":"\u003cp data-start=\"213\" data-end=\"868\"\u003eThis rare 1994 Japanese exhibition catalogue brings Cristina García Rodero’s \u003cem data-start=\"290\" data-end=\"305\"\u003eEspaña Oculta\u003c\/em\u003e to a new cultural context—one that is as devoted to ritual, death, and gesture as the images themselves. Originally published in Spain in the 1980s, \u003cem data-start=\"455\" data-end=\"470\"\u003eEspaña Oculta\u003c\/em\u003e is Rodero’s landmark photographic survey of traditional religious and pagan festivals across rural Spain—moments where devotion meets delirium, costume meets catharsis. In this edition, produced for the Mitaka City Gallery of Art, her black-and-white photographs retain all their strangeness: a communion girl stands like a spectral icon in a graveyard; bodies blur into procession; time thickens.\u003c\/p\u003e\n\u003cp data-start=\"870\" data-end=\"1328\"\u003eBefore Rodero reissued the work in a recent, expanded edition, this Japanese catalogue was for many the only way to access the series. It remains an elegant and intimate version of the project—compact, easy to handle, with strong reproductions and thoughtful additions like the map indicating where each image was taken. A quiet gem of cross-cultural publishing, and still one of the most discreetly beautiful ways into one of Spain’s most iconic photobooks.\u003c\/p\u003e\n\u003cp data-start=\"1330\" data-end=\"1733\"\u003e\u003cstrong data-start=\"1330\" data-end=\"1349\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1349\" data-end=\"1352\"\u003eTitle: España Oculta\u003cbr data-start=\"1372\" data-end=\"1375\"\u003eArtist \/ Author: Cristina García Rodero\u003cbr data-start=\"1414\" data-end=\"1417\"\u003eDate: 1994\u003cbr data-start=\"1427\" data-end=\"1430\"\u003eEdition: Japanese exhibition catalogue\u003cbr data-start=\"1468\" data-end=\"1471\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1506\" data-end=\"1509\"\u003eMedium \/ Materials: Softcover with dust jacket\u003cbr data-start=\"1555\" data-end=\"1558\"\u003eDimensions (cm): approx. 25 × 26\u003cbr data-start=\"1590\" data-end=\"1593\"\u003eLanguage: Japanese \/ Spanish\u003cbr data-start=\"1621\" data-end=\"1624\"\u003ePublisher \/ Editor: Mitaka City Gallery of Art, Tokyo\u003cbr data-start=\"1677\" data-end=\"1680\"\u003ePrinter: Uniphoto Press Inc.\u003cbr data-start=\"1708\" data-end=\"1711\"\u003eCondition: Very Good\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52624371253586,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_0d208ea1-1f92-498f-9335-8f70ef9d035b.jpg?v=1770125800"},{"product_id":"anarene","title":"Anarene — Mikel Bastida,  Editorial RM, 2023","description":"\u003cp data-end=\"1155\" data-start=\"98\"\u003eAnarene is Mikel Bastida’s fictional road trip through the ruins of American mythology, shot not from the highway but from the quiet, scorched shoulder of the myth itself. In these haunted, restrained photographs, Bastida returns to the ghost towns and cinematic landscapes that once staged the nation’s dream of itself — but now feel half-shed, uninhabited, out of frame. The title refers to the Texas town in \u003cem data-end=\"532\" data-start=\"509\"\u003eThe Last Picture Show\u003c\/em\u003e, already emptied out in 1971, already a fiction. Bastida’s approach is more forensic than nostalgic: lingering shots of signage, voided parking lots, tired flags, and gestures mid-conversation show America not as a narrative but a residue. The sequencing, book design by Grégoire Pujade-Lauraine, and restrained palette draw clear lines to Alec Soth and Justine Kurland, but Bastida’s tone is starker, more European in its detachment. Co-published with Comunidad de Madrid, \u003cem data-end=\"1016\" data-start=\"1007\"\u003eAnarene\u003c\/em\u003e is a photographic novel about the afterimage of the West, the infrastructure of forgetting, and what lingers once the myth loses interest.\u003c\/p\u003e\n\u003cp data-end=\"1465\" data-start=\"1157\"\u003eTechnical Sheet\u003cbr data-end=\"1175\" data-start=\"1172\"\u003eTitle: Anarene\u003cbr data-end=\"1192\" data-start=\"1189\"\u003eArtist \/ Author: Mikel Bastida\u003cbr data-end=\"1225\" data-start=\"1222\"\u003eDate: 2023\u003cbr data-is-only-node=\"\" data-end=\"1238\" data-start=\"1235\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-end=\"1276\" data-start=\"1273\"\u003eMedium \/ Materials: Hardcover\u003cbr data-end=\"1308\" data-start=\"1305\"\u003eDimensions (cm): 23 × 28.8\u003cbr data-end=\"1337\" data-start=\"1334\"\u003eLanguage: English\u003cbr data-end=\"1357\" data-start=\"1354\"\u003ePages: 116\u003cbr data-end=\"1370\" data-start=\"1367\"\u003ePublisher \/ Editor: Comunidad de Madrid,  Editorial RM\u003cbr data-end=\"1412\" data-start=\"1409\"\u003eDesigner: Grégoire Pujade-Lauraine\u003cbr data-end=\"1449\" data-start=\"1446\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52627591004498,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_ae24dc99-79fd-49b8-bb77-1fdccd85d0c2.jpg?v=1770152241"},{"product_id":"revue-eugenio-recuenco","title":"Revue — Eugenio Recuenco","description":"\u003cp data-end=\"1152\" data-start=\"93\"\u003e\u003cem data-end=\"100\" data-start=\"93\"\u003eRevue\u003c\/em\u003e is Eugenio Recuenco’s grand theatrical volume — a decadent, constructed dreamworld that reads like a surrealist stage production. Known for his elaborately staged fashion editorials, Recuenco here pushes the form into something far more immersive: a visual opera composed of allegory, tableau, and cinematic artifice. Each image is a set-piece, heavy with references to classical painting, totalitarian aesthetics, silent cinema, fairy tale, and political spectacle. Models become characters — queens, soldiers, muses — playing out fractured narratives in meticulously lit environments. What emerges is a surreal, often dark pantomime of power and beauty, with Recuenco operating less as photographer than as director, scenographer, and mythmaker. The production scale is operatic; the tone, baroque; the humour, laced with menace. Published by teNeues in a large, lush format, \u003cem data-end=\"986\" data-start=\"979\"\u003eRevue\u003c\/em\u003e is not just a photobook — it’s a fevered archive of the performative image, revealing how fashion, history, and fantasy collide on the constructed stage of the lens.\u003c\/p\u003e\n\u003cp data-end=\"1548\" data-start=\"1154\"\u003eTechnical Sheet\u003cbr data-end=\"1172\" data-start=\"1169\"\u003eTitle: Revue\u003cbr data-end=\"1187\" data-start=\"1184\"\u003eArtist \/ Author: Eugenio Recuenco\u003cbr data-end=\"1223\" data-start=\"1220\"\u003eDate: 2013\u003cbr data-is-only-node=\"\" data-end=\"1236\" data-start=\"1233\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-end=\"1274\" data-start=\"1271\"\u003eMedium \/ Materials: Hardcover with dust jacket\u003cbr data-end=\"1323\" data-start=\"1320\"\u003eDimensions (cm): Approx. 29 × 38 (unconfirmed)\u003cbr data-end=\"1372\" data-start=\"1369\"\u003eLanguage: Multilingual (English, German, French, Spanish)\u003cbr data-end=\"1432\" data-start=\"1429\"\u003ePages: Approx. 236\u003cbr data-end=\"1453\" data-start=\"1450\"\u003ePublisher \/ Editor: teNeues Publishing Group\u003cbr data-end=\"1500\" data-start=\"1497\"\u003eISBN: 978-3-8327-9728-7\u003cbr data-end=\"1526\" data-start=\"1523\"\u003eCondition: Very good\u003c\/p\u003e\n\u003cp data-end=\"1609\" data-start=\"1551\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52629546041682,"sku":null,"price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_9353e952-b060-45e3-8f0c-347b4669a866.jpg?v=1770189419"},{"product_id":"barcelo-1973-1982-before-barcelo","title":"Barceló 1973–1982.  Before Barceló","description":"\u003cp data-start=\"360\" data-end=\"1496\"\u003eThis exhibition catalogue traces the formative years of Miquel Barceló, capturing the intensity of his pre-canonical period between 1973 and 1982, before his entry into the institutional mainstream. Produced on ultra-thin, almost Bible-like stock — closer to a telephone directory than an art book — its texture alone signals that this is not a conventional monograph. The vivid yellow and black palette unmistakably echoes the \u003cem data-start=\"788\" data-end=\"807\"\u003ePáginas Amarillas\u003c\/em\u003e, the Spanish Yellow Pages of the pre-digital era, grounding the book in a specific cultural memory of analogue search and discovery. Some pages arrive already softened and bent at the corners — a result of the fragile, papery weight — as if the book itself had been handled in a past life. This is entirely appropriate for a volume devoted to the anti-academic, impulsive early work of Barceló, marked by conceptual gestures, punkish detritus, and experimental forms. With texts by Magalí Arriola and Alain Mousseigne, and rich archival photography by Agustí Torres and Jean-Marie del Moral, the catalogue unfolds as a document of an artist before myth, when everything was still in flux.\u003c\/p\u003e\n\u003cp data-start=\"1498\" data-end=\"2035\"\u003eTechnical Sheet\u003cbr data-start=\"1513\" data-end=\"1516\"\u003eTitle: Barceló 1973–1982. Abans de Barceló \/ Antes de Barceló \/ Avant Barceló \/ Before Barceló\u003cbr data-start=\"1610\" data-end=\"1613\"\u003eArtist \/ Author: Miquel Barceló\u003cbr data-start=\"1644\" data-end=\"1647\"\u003eDate: 2009\u003cbr data-start=\"1657\" data-end=\"1660\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1695\" data-end=\"1698\"\u003eMedium \/ Materials: Softcover, ultra-thin paper\u003cbr data-start=\"1745\" data-end=\"1748\"\u003eDimensions (cm): approx. 23 × 30\u003cbr data-start=\"1780\" data-end=\"1783\"\u003eLanguage: Catalan, Spanish, French, English\u003cbr data-start=\"1826\" data-end=\"1829\"\u003ePages: Unnumbered (approx. 200)\u003cbr data-start=\"1860\" data-end=\"1863\"\u003ePublisher \/ Editor: Galaxia Gutenberg \/ Círculo de Lectores; Fundació Pilar i Joan Miró, Les Abattoirs, Arts Santa Mònica\u003cbr data-start=\"1984\" data-end=\"1987\"\u003eISBN: 978-84-8109-823-5\u003cbr data-start=\"2010\" data-end=\"2013\"\u003eCondition: Very Good\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52657197515090,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_1_1c0579ed-e34a-420a-ab14-4ce80e55de33.jpg?v=1770535552"},{"product_id":"garcia-alix-fotografias-1977-1998-alberto-garcia-alix","title":"García-Alix. Fotografías. 1977–1998 — Alberto García-Alix","description":"\u003cp data-end=\"1171\" data-start=\"126\"\u003eThis landmark volume gathers two decades of Alberto García-Alix’s raw, unflinching photographic work — a visual autobiography spanning Madrid’s \u003cem data-end=\"278\" data-start=\"270\"\u003eMovida\u003c\/em\u003e, heroin, motorcycles, lovers, tattoos, and the shadows that followed. Published by Tf Editores and La Fábrica in 1998, \u003cem data-end=\"422\" data-start=\"398\"\u003eFotografías. 1977–1998\u003c\/em\u003e is the first major monograph of García-Alix’s early output, setting the tone for everything that would follow. Square-format, austere and generous in scale, the book is a procession of silver-toned intensity: faces illuminated mid-desire, still lives of lived-in spaces, and portraits that feel more like encounters than compositions. His subjects — friends, punks, sex workers, comrades — are never exoticised but held close in a visual language of complicity and confrontation. The printing is rich, velvety, and appropriately unpolished. A key object of 1990s photobook culture in Spain, it remains one of the most essential García-Alix publications — not only as a document of a subcultural era, but as an artefact of photography as lived life.\u003c\/p\u003e\n\u003cp data-end=\"1469\" data-start=\"1173\"\u003eTechnical Sheet\u003cbr data-end=\"1191\" data-start=\"1188\"\u003eTitle: García-Alix. 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Published in 2005, the book moves between photography and memory, assembling Carlos’s photographic tributes and responses to Antonio’s fierce, gestural painting. These are not merely portraits or documentation, but acts of looking — still images charged with emotional attention and formal precision. Carlos’s camera, usually reserved for staging Spanish cinema’s psychological tensions, here turns quietly toward his brother’s canvases, exploring texture, absence, and the abstracted body with a photographer’s intimacy and a sibling’s intuition. This copy is especially rare: signed by Carlos Saura with a hand-drawn nude and dedication, transforming the book into a one-off work. The result is not a monograph, nor a memoir, but a cross-medium act of devotion — from one Saura to another.\u003c\/p\u003e\n\u003cp data-start=\"1059\" data-end=\"1485\"\u003eTechnical Sheet\u003cbr data-start=\"1074\" data-end=\"1077\"\u003eTitle: Saura x Saura\u003cbr data-start=\"1097\" data-end=\"1100\"\u003eArtist \/ Author: Carlos Saura\u003cbr data-start=\"1129\" data-end=\"1132\"\u003eDate: 2005\u003cbr data-start=\"1142\" data-end=\"1145\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1180\" data-end=\"1183\"\u003eMedium \/ Materials: Hardcover with dust jacket\u003cbr data-start=\"1229\" data-end=\"1232\"\u003eDimensions (cm): approx. 21 × 24\u003cbr data-start=\"1264\" data-end=\"1267\"\u003eLanguage: Spanish\u003cbr data-start=\"1284\" data-end=\"1287\"\u003ePages: 215\u003cbr data-start=\"1297\" data-end=\"1300\"\u003ePublisher \/ Editor: La Fábrica \/ Fundación Antonio Saura \/ Junta de Comunidades de Castilla-La Mancha\u003cbr data-start=\"1401\" data-end=\"1404\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52657219830098,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_6b8cfe66-49d6-471d-9c37-e406210ff2c2.jpg?v=1770536381"},{"product_id":"retratadas-fotografia-genero-y-modernidad-en-el-siglo-xix-espanol-stephany-onfray-2025","title":"Retratadas. 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Onfray’s work is rigorous yet vivid, bridging visual studies, gender theory, and photographic historiography with clarity and conviction. \u003cem data-start=\"993\" data-end=\"1005\"\u003eRetratadas\u003c\/em\u003e does not just catalogue images — it reanimates the cultural scripts behind them, revealing how photography operated as both social control and subtle resistance in a patriarchal 19th-century Spain.\u003c\/p\u003e\n\u003cp data-start=\"1205\" data-end=\"1589\"\u003eTechnical Sheet\u003cbr data-start=\"1220\" data-end=\"1223\"\u003eTitle: Retratadas. Fotografía, género y modernidad en el siglo XIX español\u003cbr data-start=\"1297\" data-end=\"1300\"\u003eArtist \/ Author: Stéphany Onfray\u003cbr data-start=\"1332\" data-end=\"1335\"\u003eDate: 2025\u003cbr data-start=\"1345\" data-end=\"1348\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1383\" data-end=\"1386\"\u003eMedium \/ Materials: Softcover\u003cbr data-start=\"1415\" data-end=\"1418\"\u003eDimensions (cm): approx. 15 × 20\u003cbr data-start=\"1450\" data-end=\"1453\"\u003eLanguage: Spanish\u003cbr data-start=\"1470\" data-end=\"1473\"\u003ePages: Not stated\u003cbr data-start=\"1490\" data-end=\"1493\"\u003ePublisher \/ Editor: Ediciones Cátedra (Grupo Anaya)\u003cbr data-start=\"1544\" data-end=\"1547\"\u003eISBN: 978-84-376-4858-3\u003cbr data-start=\"1570\" data-end=\"1573\"\u003eCondition: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52657228546386,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_1_4152abd5-9ab1-4193-97bd-cdd7e184fc91.jpg?v=1770536638"},{"product_id":"autorretrato-self-portrait-alberto-garcia-alix-first-edition-2013","title":"Autorretrato \/ Self-Portrait — Alberto García-Alix (first edition, 2013)","description":"\u003cp data-start=\"141\" data-end=\"1201\"\u003ePublished by La Fábrica in 2013, \u003cem data-start=\"174\" data-end=\"188\"\u003eAutorretrato\u003c\/em\u003e is the most distilled and psychologically direct monograph of Alberto García-Alix — one of the essential figures in post-dictatorship Spanish photography. This compact, bilingual edition folds decades of García-Alix’s work into a single, obsessive axis: the self. Through a sequence of frontal, intimate, and often brutal images, García-Alix performs himself as subject, document, ghost and myth. Portraits become theatre. Flesh becomes negative. Every frame is a testament to a life lived at full exposure, marked by subculture, addiction, defiance and erotic melancholy. His face is a map, his body a recurring motif, returned to over and over with varying levels of lucidity, distortion, and control. As with Anders Petersen or Daido Moriyama, the camera is not a mirror but a tool of rupture — the self made strange. This edition, with graphic design by Nacho Lavernia and layout by Miquel Fluxà, brings the viewer into direct contact with García-Alix’s visual language: stark, unflinching, and deeply human.\u003c\/p\u003e\n\u003cp data-start=\"1203\" data-end=\"1551\"\u003e\u003cstrong data-start=\"1203\" data-end=\"1222\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1222\" data-end=\"1225\"\u003eTitle: Autorretrato \/ Self-Portrait\u003cbr data-start=\"1260\" data-end=\"1263\"\u003eArtist \/ Author: Alberto García-Alix\u003cbr data-start=\"1299\" data-end=\"1302\"\u003eDate: 2013\u003cbr data-start=\"1312\" data-end=\"1315\" data-is-only-node=\"\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1350\" data-end=\"1353\"\u003eMedium \/ Materials: Hardcover\u003cbr data-start=\"1382\" data-end=\"1385\"\u003eDimensions (cm): Approx. 20 × 25\u003cbr data-start=\"1417\" data-end=\"1420\"\u003eLanguage: Spanish \/ English\u003cbr data-start=\"1447\" data-end=\"1450\"\u003ePages: Not stated\u003cbr data-start=\"1467\" data-end=\"1470\"\u003ePublisher \/ Editor: La Fábrica\u003cbr data-start=\"1500\" data-end=\"1503\"\u003eISBN: 978-84-15301-42-8\u003cbr data-start=\"1526\" data-end=\"1529\"\u003eCondition: VERY GOOD\u003c\/p\u003e\n\u003cp data-start=\"1554\" data-end=\"1612\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52659021742418,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_1_d1024204-c78a-4d3c-a59c-11d402265c11.jpg?v=1770561649"},{"product_id":"raza-tono-arias-2022-signed-numbered-edition","title":"RAZA — Tono Arias, 2022 (signed \u0026 numbered edition)","description":"\u003cp data-start=\"152\" data-end=\"614\"\u003eA decade in the mountains of Galicia distilled into image. RAZA explores the bond between humans, animals and territory, centering on horses as both presence and symbol. Moving between documentary observation and atmospheric immersion, the book reflects on memory, solitude and rural transformation. Winner of the 2022 Eloi Gimeno Photobook Prize and selected for Athens Photobook Festival, it was issued in a limited edition of 500 signed and numbered copies.\u003c\/p\u003e\n\u003cp data-start=\"616\" data-end=\"1059\"\u003eTechnical Sheet\u003cbr data-start=\"631\" data-end=\"634\"\u003eTitle: RAZA\u003cbr data-start=\"645\" data-end=\"648\"\u003eArtist \/ Author: Tono Arias\u003cbr data-start=\"675\" data-end=\"678\"\u003eDate: 2022\u003cbr data-start=\"688\" data-end=\"691\"\u003eEdition: Limited edition of 500 copies, signed and numbered\u003cbr data-start=\"750\" data-end=\"753\"\u003eMedium \/ Materials: Hardcover, debossed cover\u003cbr data-start=\"798\" data-end=\"801\"\u003eDimensions (cm): 24 x 30 cm\u003cbr data-start=\"828\" data-end=\"831\"\u003ePages: 160 pages, 109 photographs\u003cbr data-start=\"864\" data-end=\"867\"\u003ePrinting: Four-colour offset\u003cbr data-start=\"895\" data-end=\"898\"\u003ePaper: Munken Lynx Rough 150g \/ Coral Book 90g\u003cbr data-start=\"944\" data-end=\"947\"\u003eBinding: Sewn hardcover with rounded spine\u003cbr data-start=\"989\" data-end=\"992\"\u003eLanguage: Spanish \/ Galician\u003cbr data-start=\"1020\" data-end=\"1023\"\u003eISBN: 9788494224591\u003cbr data-start=\"1042\" data-end=\"1045\"\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52766853235026,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_f79c19eb-4af2-4e34-a347-53bc41aa3ed2.jpg?v=1771781023"},{"product_id":"perfect-day-txema-salvans-2020","title":"Perfect Day — Txema Salvans, 2020","description":"\u003cp data-start=\"134\" data-end=\"679\"\u003eA sun-bleached study of leisure under pressure. Shot along Spain’s Mediterranean coast, this work observes holidaymakers suspended between highways, construction sites and improvised beaches. Salvans frames these scenes with frontal clarity and dry precision, exposing how pleasure persists inside landscapes shaped by speculation and transit. The sea often disappears; concrete, barriers and infrastructure take its place. Beneath the humour lies a sharp portrait of contemporary Spain, where desire, resilience and absurdity quietly coexist.\u003c\/p\u003e\n\u003cp data-start=\"681\" data-end=\"946\"\u003eTechnical Sheet\u003cbr data-start=\"696\" data-end=\"699\"\u003eTitle: Perfect Day\u003cbr data-start=\"717\" data-end=\"720\"\u003eArtist \/ Author: Txema Salvans\u003cbr data-start=\"750\" data-end=\"753\"\u003eDate: 2020\u003cbr data-start=\"763\" data-end=\"766\"\u003eMedium \/ Materials: Embossed hardcover book\u003cbr data-start=\"809\" data-end=\"812\"\u003eDimensions (cm): 28 × 27.5\u003cbr data-start=\"838\" data-end=\"841\"\u003ePages: 144\u003cbr data-start=\"851\" data-end=\"854\"\u003eLanguage: English\u003cbr data-start=\"871\" data-end=\"874\"\u003ePublisher \/ Editor: MACK\u003cbr data-start=\"898\" data-end=\"901\"\u003eISBN: 978-1-913339-68-6\u003cbr data-start=\"924\" data-end=\"927\"\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52766918738258,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_bf0f8651-0e05-4d61-9104-95325486adba.jpg?v=1771782612"},{"product_id":"a-traves-del-umbral-salva-borrego-first-edition-2025","title":"A Través del Umbral — Salva Borrego, first edition, Ediciones posibles, 2025","description":"\u003cp data-start=\"62\" data-end=\"566\"\u003eA quiet house becomes the stage for a precise, emotionally charged study of belonging. 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Rooted in Victor Lustig’s audacious attempt to sell the Eiffel Tower in 1925, the work retraces his steps through Paris, merging archival fragments with duotone photographs where the monument drifts in and out of view. The narrative slips between noir and testimony, with Lustig reappearing as a voice. Published 100 years after the event in an edition of 500 copies, it reconsiders how history is staged, seen and retold.\u003c\/p\u003e\n\u003cp data-start=\"592\" data-end=\"1032\"\u003e\u003cstrong data-start=\"592\" data-end=\"611\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"611\" data-end=\"614\"\u003eTitle: \u003cem data-start=\"621\" data-end=\"640\"\u003eTout est Possible\u003c\/em\u003e\u003cbr data-start=\"640\" data-end=\"643\"\u003eArtist \/ Author: Maite Caramés\u003cbr data-start=\"673\" data-end=\"676\"\u003eDate: Winter 2025\u003cbr data-start=\"693\" data-end=\"696\"\u003eEdition: First edition, 500 copies\u003cbr data-start=\"730\" data-end=\"733\"\u003eTechnique \/ Printing Method: Duotone photographs, archival images\u003cbr data-start=\"798\" data-end=\"801\"\u003eMedium \/ Materials: Hardcover with silver edges\u003cbr data-start=\"848\" data-end=\"851\"\u003eDimensions (cm): 14 x 23 cm\u003cbr data-start=\"878\" data-end=\"881\"\u003ePages: 128\u003cbr data-start=\"891\" data-end=\"894\"\u003eLanguage: Spanish, French, English\u003cbr data-start=\"928\" data-end=\"931\"\u003ePublisher \/ Editor: Edited by Alex Llovet, Josep Maria de Llobet and Maite Caramés\u003cbr data-start=\"1013\" data-end=\"1016\"\u003eCondition: New\u003c\/p\u003e\n\u003cp data-start=\"1034\" data-end=\"1176\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":53140835074386,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_1_c90a2941-5fbf-4d98-9451-b3f02d0d1cd7.jpg?v=1775576474"},{"product_id":"aftersun-pol-viladoms-first-edition-2025","title":"Aftersun — Pol Viladoms, first edition, Ediciones posibles2025","description":"\u003cp data-start=\"50\" data-end=\"582\"\u003eAbandoned water parks become precise evidence of a collapsed tourist dream. Built from 15 years of research across more than 50 sites—from the Mediterranean to Japan and California—this work maps the rise and obsolescence of leisure infrastructures tied to extractive coastal development. Viladoms pairs 41 photographs with vintage postcards, reactivating their bright promises against present decay. The result is a controlled, unsentimental reading of landscape as product, where nostalgia and ruin collide. Edition of 500 copies.\u003c\/p\u003e\n\u003cp data-start=\"584\" data-end=\"1034\"\u003e\u003cstrong data-start=\"584\" data-end=\"603\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"603\" data-end=\"606\"\u003eTitle: \u003cem data-start=\"613\" data-end=\"623\"\u003eAftersun\u003c\/em\u003e\u003cbr data-start=\"623\" data-end=\"626\"\u003eArtist \/ Author: Pol Viladoms\u003cbr data-start=\"655\" data-end=\"658\"\u003eDate: June 2025\u003cbr data-start=\"673\" data-end=\"676\"\u003eEdition: First edition, 500 copies\u003cbr data-start=\"710\" data-end=\"713\"\u003eTechnique \/ Printing Method: Color photographs and postcard reproductions\u003cbr data-start=\"786\" data-end=\"789\"\u003eMedium \/ Materials: Swiss binding with exposed thread, printed hardcover, plastic dust jacket\u003cbr data-start=\"882\" data-end=\"885\"\u003eDimensions (cm): 20 x 25 cm\u003cbr data-start=\"912\" data-end=\"915\"\u003ePages: 116\u003cbr data-start=\"925\" data-end=\"928\"\u003eLanguage: Spanish, English\u003cbr data-start=\"954\" data-end=\"957\"\u003ePublisher \/ Editor: Edited by Alex Llovet and Pol Viladoms\u003cbr data-start=\"1015\" data-end=\"1018\"\u003eCondition: New\u003c\/p\u003e\n\u003cp data-start=\"1036\" data-end=\"1183\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":53141049999698,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_1_1dc8a35a-f20c-44e5-a118-9b65651d6eb8.jpg?v=1775576991"},{"product_id":"camaron-3-de-julio-1992-clemente-bernad-ediciones-ojo-de-buey-2023-2nd-edition","title":"Camarón 3 de julio 1992 — Clemente Bernad, Ediciones Ojo de Buey, 2023 (2nd edition)","description":"\u003cp data-start=\"189\" data-end=\"651\"\u003eA raw, immediate document of collective grief at the death of flamenco’s greatest myth. 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A rare testimony of a cultural rupture, where popular emotion becomes image.\u003c\/p\u003e\n\u003cp data-start=\"653\" data-end=\"932\"\u003eTechnical Sheet\u003cbr data-start=\"668\" data-end=\"671\"\u003eTitle: Camarón 3 de julio 1992\u003cbr data-start=\"701\" data-end=\"704\"\u003eArtist \/ Author: Clemente Bernad\u003cbr data-start=\"736\" data-end=\"739\"\u003eDate: 2023\u003cbr data-start=\"749\" data-end=\"752\"\u003eEdition: Second edition\u003cbr data-start=\"775\" data-end=\"778\"\u003eMedium \/ Materials: Softcover\u003cbr data-start=\"807\" data-end=\"810\"\u003eDimensions (cm): 16 × 21.3\u003cbr data-start=\"836\" data-end=\"839\"\u003ePages: 60\u003cbr data-start=\"848\" data-end=\"851\"\u003eLanguage: Spanish\u003cbr data-start=\"868\" data-end=\"871\"\u003ePublisher \/ Editor: Ediciones Ojo de Buey\u003cbr data-start=\"912\" data-end=\"915\"\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":53181453631826,"sku":null,"price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_3e265748-9d46-4af1-918d-a58784f1e715.jpg?v=1775928818"},{"product_id":"presas-1976-1978-pilar-aymerich-ediciones-ojo-de-buey-2023-2nd-edition","title":"Presas 1976–1978 — Pilar Aymerich, Ediciones Ojo de Buey, 2023 (2nd edition)","description":"\u003cp data-start=\"241\" data-end=\"766\"\u003eA rare inside view of a prison in transition, where control briefly shifted to those confined within it. Shot during the final years of Spain’s democratic transition, these images document a moment of collective self-management inside Barcelona’s women’s prison after the abrupt departure of its religious authorities. Aymerich captures both tension and solidarity with direct clarity. Unpublished in full until now, this work stands as a key visual record of feminist struggle and institutional rupture in post-Franco Spain.\u003c\/p\u003e\n\u003cp data-start=\"768\" data-end=\"1049\"\u003eTechnical Sheet\u003cbr data-start=\"783\" data-end=\"786\"\u003eTitle: Presas 1976–1978\u003cbr data-start=\"809\" data-end=\"812\"\u003eArtist \/ Author: Pilar Aymerich\u003cbr data-start=\"843\" data-end=\"846\"\u003eDate: 2023\u003cbr data-start=\"856\" data-end=\"859\"\u003eEdition: Second edition\u003cbr data-start=\"882\" data-end=\"885\"\u003eMedium \/ Materials: Softcover\u003cbr data-start=\"914\" data-end=\"917\"\u003eDimensions (cm): 16 × 21.3\u003cbr data-start=\"943\" data-end=\"946\"\u003ePages: 52\u003cbr data-start=\"955\" data-end=\"958\"\u003eLanguage: Spanish \/ Catalan\u003cbr data-start=\"985\" data-end=\"988\"\u003ePublisher \/ Editor: Ediciones Ojo de Buey\u003cbr data-start=\"1029\" data-end=\"1032\"\u003eCondition: Good\u003c\/p\u003e\n\u003cp data-start=\"1051\" data-end=\"1227\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":53181571203410,"sku":null,"price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_22e6266e-a10e-423f-b0dc-5d731fa2d512.jpg?v=1775932371"},{"product_id":"l-album-de-l-arquitecte-02-denise-scott-brown-ediciones-posibles-2025-1st-edition","title":"L’album de l’arquitecte 02 — Denise Scott Brown, Ediciones Posibles, 2025 (1st edition)","description":"\u003cp data-start=\"192\" data-end=\"725\"\u003eA personal archive turned quietly radical. Through 51 colour photographs, Denise Scott Brown constructs a subjective record where observation, memory, and architecture intersect. Moving away from canonical discourse, the work reveals the everyday as a site of attention—urban fragments, vernacular details, lived environments. Conceived as both document and reflection, it extends her critical practice into image form. Produced in a limited edition of 800 copies, it stands as a rare, intimate counterpoint to architectural history.\u003c\/p\u003e\n\u003cp data-start=\"727\" data-end=\"1082\"\u003eTechnical Sheet\u003cbr data-start=\"742\" data-end=\"745\"\u003eTitle: L’album de l’arquitecte 02\u003cbr data-start=\"778\" data-end=\"781\"\u003eArtist \/ Author: Denise Scott Brown\u003cbr data-start=\"816\" data-end=\"819\"\u003eDate: 2025\u003cbr data-start=\"829\" data-end=\"832\"\u003eEdition: First edition (800 copies)\u003cbr data-start=\"867\" data-end=\"870\"\u003eMedium \/ Materials: Softcover with exposed spine and cloth-covered dust jacket\u003cbr data-start=\"948\" data-end=\"951\"\u003eDimensions (cm): 16.5 × 22.5\u003cbr data-start=\"979\" data-end=\"982\"\u003ePages: 144\u003cbr data-start=\"992\" data-end=\"995\"\u003eLanguage: English \/ Spanish\u003cbr data-start=\"1022\" data-end=\"1025\"\u003ePublisher \/ Editor: Ediciones Posibles\u003cbr data-start=\"1063\" data-end=\"1066\"\u003eCondition: New\u003c\/p\u003e\n\u003cp data-start=\"1084\" data-end=\"1290\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":53182814159186,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_copy_47a084ee-ebe6-4b29-b94a-0e9c24e0c809.jpg?v=1775982540"}],"url":"https:\/\/thedarwin.es\/collections\/spain.oembed?page=3","provider":"DaRWIN","version":"1.0","type":"link"}