{"title":"Underground \/ Street","description":"","products":[{"product_id":"signed-ata-kam-pulse-ex-n-3-4-2014","title":"PULSE — Ata Kam, 2014, signed and numbered (3\/4)","description":"\u003cp data-start=\"121\" data-end=\"499\"\u003e\u003cem data-start=\"121\" data-end=\"128\"\u003ePULSE\u003c\/em\u003e is a rare, handmade artist’s photobook by Ata Kam, produced in Ankara in 2014 in an edition of only four copies. Bound with exposed thread and wrapped in a xerox aesthetic, the book presents a dark, bodily, and fragmentary visual language. Its scratched, collaged cover — a close-up of arachnid forms and human limbs — sets the tone for an unsettling, sensuous interior.\u003c\/p\u003e\n\u003cp data-start=\"501\" data-end=\"1058\"\u003ePrinted in rich black-and-white with grain and texture pushed to their limits, the images inside oscillate between the erotic, the grotesque, and the ritualistic. The sequencing is raw and rhythmic, pulling the viewer through surfaces of skin, shadow, and street. This is photographic publishing as low-fi incantation — closer to zine culture or underground poetry than traditional photobook craft. Signed “loves Cambodia 2014,” this copy reflects Kam’s global drift and personal obsessions. A fierce, rare object from the post-internet, post-nation fringe.\u003c\/p\u003e\n\u003cp data-start=\"1060\" data-end=\"1415\"\u003eTechnical Sheet\u003cbr data-start=\"1075\" data-end=\"1078\"\u003eTitle: PULSE\u003cbr data-start=\"1090\" data-end=\"1093\"\u003eArtist \/ Author: Ata Kam\u003cbr data-start=\"1117\" data-end=\"1120\"\u003eDate: 2014\u003cbr data-start=\"1130\" data-end=\"1133\"\u003eEdition: Signed and numbered, No. 3 of 4 copies\u003cbr data-start=\"1180\" data-end=\"1183\"\u003eTechnique \/ Printing Method: Xerox \/ handmade artist book\u003cbr data-start=\"1240\" data-end=\"1243\"\u003eMedium \/ Materials: Softcover, thread binding\u003cbr data-start=\"1288\" data-end=\"1291\"\u003eDimensions (cm): Approx. 21 × 28\u003cbr data-start=\"1323\" data-end=\"1326\"\u003ePublisher \/ Editor: Self-published (ata-kam.com)\u003cbr data-start=\"1374\" data-end=\"1377\"\u003ePlace: Ankara\u003cbr data-start=\"1390\" data-end=\"1393\"\u003eCondition: Very good\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754633560402,"sku":null,"price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/b0c88355-fe83-470b-bd84-6fd2d2003937_1.jpg?v=1760437187"},{"product_id":"beware-ari-marcopoulos-2024","title":"BEWARE — Ari Marcopoulos, 2024","description":"\u003cp data-start=\"99\" data-end=\"563\"\u003e\u003cem data-start=\"99\" data-end=\"107\"\u003eBEWARE\u003c\/em\u003e is the latest volume in Ari Marcopoulos’ unrelenting visual diary — a publication released on the occasion of his 2024 exhibition at Musée d’Art Moderne de Paris. Designed in collaboration with Roger Willems and published by Roma Publications, the book collects Marcopoulos’ signature raw images across skate, street, studio, and silence. Its title is both a warning and an invitation: to enter a world where proximity is everything and nothing is staged.\u003c\/p\u003e\n\u003cp data-start=\"565\" data-end=\"1015\"\u003ePrinted in black-and-white on soft uncoated paper, the book pulses with the grain and blur of real time — kids skating, bodies moving, artists in their spaces, darkness, flash, sweat, city. It doesn’t explain. It doesn’t curate. It just goes — a continuation of Marcopoulos’ long-standing method of living-with and looking-at, from the New York underground of the 1980s to the multi-generational, cross-disciplinary friendships that form his present.\u003c\/p\u003e\n\u003cp data-start=\"1017\" data-end=\"1348\"\u003eAs always, the book’s edge lies in its restraint. No captions, no artifice. Just Ari’s eye and the trust of his subjects. Funded in part by Supreme and shaped in dialogue with artists like Kara Walker and Matthew Barney, \u003cem data-start=\"1238\" data-end=\"1246\"\u003eBEWARE\u003c\/em\u003e feels like a zine elevated to liturgy — a reverent low-fi testament to presence, risk, and belonging.\u003c\/p\u003e\n\u003cp data-start=\"1350\" data-end=\"1726\"\u003e\u003cstrong data-start=\"1350\" data-end=\"1359\"\u003eTitle\u003c\/strong\u003e: BEWARE\u003cbr data-start=\"1367\" data-end=\"1370\"\u003e\u003cstrong data-start=\"1370\" data-end=\"1389\"\u003eArtist \/ Author\u003c\/strong\u003e: Ari Marcopoulos\u003cbr data-start=\"1406\" data-end=\"1409\"\u003e\u003cstrong data-start=\"1409\" data-end=\"1417\"\u003eDate\u003c\/strong\u003e: 2024\u003cbr data-start=\"1423\" data-end=\"1426\"\u003e\u003cstrong data-start=\"1426\" data-end=\"1457\"\u003eTechnique \/ Printing Method\u003c\/strong\u003e: Black-and-white offset printing\u003cbr data-start=\"1490\" data-end=\"1493\"\u003e\u003cstrong data-start=\"1493\" data-end=\"1515\" data-is-only-node=\"\"\u003eMedium \/ Materials\u003c\/strong\u003e: Softcover\u003cbr data-start=\"1526\" data-end=\"1529\"\u003e\u003cstrong data-start=\"1529\" data-end=\"1548\"\u003eDimensions (cm)\u003c\/strong\u003e: approx. 17 x 24 cm\u003cbr data-start=\"1568\" data-end=\"1571\"\u003e\u003cstrong data-start=\"1571\" data-end=\"1591\"\u003eLanguage (books)\u003c\/strong\u003e: English\u003cbr data-start=\"1600\" data-end=\"1603\"\u003e\u003cstrong data-start=\"1603\" data-end=\"1620\"\u003ePages (books)\u003c\/strong\u003e: 266\u003cbr data-start=\"1625\" data-end=\"1628\"\u003e\u003cstrong data-start=\"1628\" data-end=\"1658\"\u003ePublisher \/ Editor (books)\u003c\/strong\u003e: Roma Publications\u003cbr data-start=\"1677\" data-end=\"1680\"\u003e\u003cstrong data-start=\"1680\" data-end=\"1688\"\u003eISBN\u003c\/strong\u003e: 9789464460575\u003cbr data-start=\"1703\" data-end=\"1706\"\u003e\u003cstrong data-start=\"1706\" data-end=\"1719\"\u003eCondition\u003c\/strong\u003e: NEW\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52483794764114,"sku":null,"price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_f790aacd-e3cb-489a-8c92-786bb4597910.jpg?v=1768469182"},{"product_id":"badafoto-by-daisuke-ichiba-2012","title":"Badafoto by Daisuke Ichiba, 2012","description":"\u003cp data-start=\"101\" data-end=\"592\"\u003eA cult object from the darkest fringes of Tokyo’s underground art scene, \u003cem data-start=\"174\" data-end=\"184\"\u003eBadafoto\u003c\/em\u003e is a manic, fluorescent collision of photography, drawing, and grotesque figuration by Daisuke Ichiba—Japan’s high priest of \"Badaism.\" Published in 2012 by French experimental press Le Dernier Cri, this slim, feral book fuses photocopied snapshots with hand-drawn violence, erotic hysteria, and surreal body horror, continuing Ichiba’s self-mythologised obsession with mothers, virgins, and psychic trauma.\u003c\/p\u003e\n\u003cp data-start=\"594\" data-end=\"1095\"\u003eEmerging from the same post-Dada anti-art lineage as Kei Nemoto, but with far less engagement in Japan’s mainstream or commercial circuits, Ichiba’s work has taken root more forcefully in Europe, where it is revered for its rawness and refusal of form. His world is populated by convulsive archetypes—naked boys, screaming women, maternal icons—rendered in ink, grain, and xerox flare. \u003cem data-start=\"980\" data-end=\"990\"\u003eBadafoto\u003c\/em\u003e may masquerade as a photobook, but it behaves more like a ritual: each page a spell, each image a wound.\u003c\/p\u003e\n\u003cp data-start=\"1097\" data-end=\"1490\"\u003eIchiba began self-publishing zines in the early 1990s, drawing from his own biography and a commitment to nonconformity. \u003cem data-start=\"1218\" data-end=\"1228\"\u003eBadafoto\u003c\/em\u003e is among the most distilled expressions of that ethos: screaming bodies, acidic overprint, zero compromise. In the Darwin archive, it sits as both artifact and warning—proof of what happens when photography and drawing are left to rot in a locked room together.\u003c\/p\u003e\n\u003cp data-start=\"1492\" data-end=\"1798\"\u003eTechnical Sheet\u003cbr data-start=\"1507\" data-end=\"1510\"\u003eTitle: Badafoto\u003cbr data-start=\"1525\" data-end=\"1528\"\u003eArtist \/ Author: Daisuke Ichiba\u003cbr data-start=\"1559\" data-end=\"1562\"\u003eDate: 2012\u003cbr data-start=\"1572\" data-end=\"1575\"\u003eTechnique \/ Printing Method: Offset \/ silkscreen hybrid\u003cbr data-start=\"1630\" data-end=\"1633\"\u003eMedium \/ Materials: Softcover, saddle-stitched\u003cbr data-start=\"1679\" data-end=\"1682\"\u003eDimensions (cm): 21 × 15\u003cbr data-start=\"1706\" data-end=\"1709\"\u003eLanguage: Japanese \/ French\u003cbr data-start=\"1736\" data-end=\"1739\"\u003ePublisher \/ Editor: Le Dernier Cri\u003cbr data-start=\"1773\" data-end=\"1776\"\u003eCondition: Very good\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52566104768850,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_8.jpg?v=1769425553"},{"product_id":"barcelo-1973-1982-before-barcelo","title":"Barceló 1973–1982.  Before Barceló","description":"\u003cp data-start=\"360\" data-end=\"1496\"\u003eThis exhibition catalogue traces the formative years of Miquel Barceló, capturing the intensity of his pre-canonical period between 1973 and 1982, before his entry into the institutional mainstream. Produced on ultra-thin, almost Bible-like stock — closer to a telephone directory than an art book — its texture alone signals that this is not a conventional monograph. The vivid yellow and black palette unmistakably echoes the \u003cem data-start=\"788\" data-end=\"807\"\u003ePáginas Amarillas\u003c\/em\u003e, the Spanish Yellow Pages of the pre-digital era, grounding the book in a specific cultural memory of analogue search and discovery. Some pages arrive already softened and bent at the corners — a result of the fragile, papery weight — as if the book itself had been handled in a past life. This is entirely appropriate for a volume devoted to the anti-academic, impulsive early work of Barceló, marked by conceptual gestures, punkish detritus, and experimental forms. With texts by Magalí Arriola and Alain Mousseigne, and rich archival photography by Agustí Torres and Jean-Marie del Moral, the catalogue unfolds as a document of an artist before myth, when everything was still in flux.\u003c\/p\u003e\n\u003cp data-start=\"1498\" data-end=\"2035\"\u003eTechnical Sheet\u003cbr data-start=\"1513\" data-end=\"1516\"\u003eTitle: Barceló 1973–1982. 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