{"title":"GALLERY \/ Print \/ Woodblock \u0026 Engraving","description":"\u003cp data-start=\"250\" data-end=\"569\"\u003eA collection dedicated to the tactile intelligence of print — from Japanese \u003cstrong data-start=\"326\" data-end=\"346\"\u003ewoodblock prints\u003c\/strong\u003e to \u003cstrong data-start=\"350\" data-end=\"365\"\u003echiaroscuro\u003c\/strong\u003e techniques, European \u003cstrong data-start=\"387\" data-end=\"401\"\u003eengravings\u003c\/strong\u003e, and the textured depth of manual printing processes. These works are not reproduced images, but original gestures pressed into paper — cut, etched, and inked by hand.\u003c\/p\u003e\n\u003cp data-start=\"571\" data-end=\"767\"\u003eObras que nacen del contacto entre herramienta y superficie: la madera tallada, el buril, la matriz entintada.\u003cbr data-start=\"681\" data-end=\"684\"\u003eAquí el arte es físico — un rastro, una huella, una presión convertida en imagen.\u003c\/p\u003e\n\u003cp data-start=\"769\" data-end=\"901\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eFrom ancient methods to modern mastery, this section honors the craft of impression as a form of slow precision and enduring beauty.\u003c\/p\u003e","products":[{"product_id":"miquel-barcelo-lanzarote-31-2000","title":"Miquel Barceló, Lanzarote 31, 2000","description":"\u003cp\u003e\u003cspan\u003eA rare, signed etching by Miquel Barceló. One of just 35, from his deeply personal Lanzarote series.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFigures blur and twist like smoke—bodies drawn with instinct more than outline.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMade during his years on the volcanic island, this series channels the raw physicality of prehistoric cave art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBarceló speaks through texture, movement, and silence—ritual more than representation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTitle: Lanzarote 31\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist: Miquel Barceló (b. 1957, Mallorca)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnique: Etching and aquatint\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition: 25\/35\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSignature: Hand-signed and numbered\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDate of print: 2000\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCondition: Very fine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eImage size: Approx. 56 × 76 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSheet size: Approx. 75 × 92 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOrigin: Lanzarote series (1999–2002)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProvenance: Private collection\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrice: €6.600 (tax included)\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51617629634898,"sku":null,"price":4000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/LB_01_BARCELO_LANZAROTE31.webp?v=1761841432"},{"product_id":"shunga-woodblock-print-reprint-katsushika-hokusai-1760-1849-the-dream-of-the-fishermans-wife-octopus-and-shell-diver-蛸と海女-recarved-printed-by-yuuya-shimoi-21st-century-japan","title":"The Dream of the Fisherman’s Wife — Katsushika Hokusai","description":"\u003ch3 data-end=\"169\" data-start=\"87\"\u003e\n\u003cem data-end=\"126\" data-start=\"91\"\u003eThe Dream of the Fisherman’s Wife\u003c\/em\u003e — Katsushika Hokusai — 1814 (recarved 2018)\u003c\/h3\u003e\n\u003cp data-end=\"316\" data-start=\"171\"\u003e\u003cstrong data-end=\"251\" data-start=\"171\"\u003eHokusai’s infamous shunga woodblock – \u003cmeta charset=\"utf-8\"\u003erecarved \u0026amp; printed by Yuuya Shimoi\u003c\/strong\u003e\u003cbr data-end=\"254\" data-start=\"251\"\u003eA woman, adrift in rapture, entangled in the limbs of the sea.\u003c\/p\u003e\n\u003cp data-end=\"467\" data-start=\"318\"\u003ePrinted in the 21st century, yet echoing the fevered spirit of Edo.\u003cbr data-end=\"388\" data-start=\"385\"\u003eThis rare reprint honors one of the most transgressive moments in Japanese art.\u003c\/p\u003e\n\u003cp data-end=\"470\" data-start=\"469\"\u003e⸻\u003c\/p\u003e\n\u003cp data-end=\"943\" data-start=\"472\"\u003e\u003cstrong data-end=\"482\" data-start=\"472\"\u003eTitle:\u003c\/strong\u003e \u003cem data-end=\"525\" data-start=\"483\"\u003eThe Dream of the Fisherman’s Wife (蛸と海女)\u003c\/em\u003e\u003cbr data-end=\"528\" data-start=\"525\"\u003e\u003cstrong data-end=\"556\" data-start=\"528\"\u003eArtist \/ Author \/ Maker:\u003c\/strong\u003e Katsushika Hokusai (1760–1849), recarved \u0026amp; printed by Yuuya Shimoi (Japan)\u003cbr data-end=\"634\" data-start=\"631\"\u003e\u003cstrong data-end=\"657\" data-start=\"634\"\u003eTechnique \/ Medium:\u003c\/strong\u003e Woodblock print on Japanese washi paper (和紙)\u003cbr data-end=\"705\" data-start=\"702\"\u003e\u003cstrong data-end=\"717\" data-start=\"705\"\u003eEdition:\u003c\/strong\u003e Contemporary reprint\u003cbr data-end=\"741\" data-start=\"738\"\u003e\u003cstrong data-end=\"755\" data-start=\"741\"\u003eSignature:\u003c\/strong\u003e Unsigned\u003cbr data-end=\"767\" data-start=\"764\"\u003e\u003cstrong data-end=\"776\" data-start=\"767\"\u003eDate:\u003c\/strong\u003e Originally 1814 \/ Reprinted December 2018\u003cbr data-end=\"821\" data-start=\"818\"\u003e\u003cstrong data-end=\"835\" data-start=\"821\"\u003eCondition:\u003c\/strong\u003e Excellent\u003cbr data-end=\"848\" data-start=\"845\"\u003e\u003cstrong data-end=\"863\" data-start=\"848\"\u003eDimensions:\u003c\/strong\u003e Sheet size 22 × 28.5 cm\u003cbr data-end=\"890\" data-start=\"887\"\u003e\u003cstrong data-end=\"914\" data-start=\"890\"\u003eOrigin \/ Provenance:\u003c\/strong\u003e Shimoi Yuuya studio, Japan\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754496033106,"sku":null,"price":350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/4b8d9cd5-34bc-4e4e-a466-631f732b974c.jpg?v=1761841062"},{"product_id":"woodblock-print-reprint-abuna-e-kikukawa-eizan-1787-1867-lovers-smoking-a-kiseru-pipe-1920s-japan","title":"Woodblock print (reprint), Abuna-e - Kikukawa Eizan (1787-1867) - Lovers Smoking a Kiseru Pipe - 1920s - Japan","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWoodblock print (reprint), Abuna-e - Kikukawa Eizan (1787-1867) - Lovers Smoking a Kiseru Pipe - 1920s - Japan\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFine woodblock print of the 1920s, reproduction of a work made between 1800 and 1830 by Kikukawa Eizan (菊川英山), the most prolific, longest-lived and ultimately the best of the late followers of Kitagawa Utamaro (喜多川歌麿), who attempted to carry on the style of the famous ukiyo-e (浮世絵) artist after the death of the latter, occurred in 1806.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe print presented here, depicting a pair of lovers smoking a traditional kiseru (煙管) pipe, is an \"abuna-e\" (あぶな絵), literally a \"dangerous image\", which does not have the explicit nudity of shunga (春画) but which, at the same time, maintains an extremely explicit and suggestive erotic charge.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe work on Japanese washi paper (和紙), despite the obvious patina of the time, is in overall very good condition (see pictures).\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754539417938,"sku":null,"price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/fcc0ce1f-34a5-465a-a297-49a1605f47fd.jpg?v=1761841294"},{"product_id":"celedonio-perellon-original-artwork-signed-1990-2005","title":"Celedonio Perellón  - original artwork signed. - 1990\/2005","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe great Spanish painter and illustrator Celedonio Perellón (1926-2015), was one of the great erotic artists of Spain, and has works in numerous museums and collections around the world. He worked in all the fields of art, painting, illustration, engraving, sculpture and also in the comic world with his excellent Bunda series, published in several European countries.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLot composed of 3 catalogues and an original etching, hand numbered and signed by Spanish artist Celedonio Perellón.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e- 1. Etching and aquatint engraving, colour print on 250 gram paper. Untitled. Edition of 69 copies. This is no. 36.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSigned in pencil by the artist. Year 1990 ca. Paper size: 28 x 25 cm Print size: 16 x 11 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- 2. Catalogue of the artist's exhibition at the Kreisler Gallery in Madrid from 8th to 23rd January 1999. 15 pages and 8 colour photographs. One of the\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eartist and the others of his work. Size: 24 x 18 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- 3. Publication of Diccionario de Artistas Españoles. The issue for Celedonio Perellón. 1997. 12 pages. 13 photographs. One of the artist and\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ethe rest of his work. Size 30 x 21.5 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- 4. Catalogue of Perellón's exhibition at The Kreisler Gallery in March - April 2005. 10 pages and 6 colour photographs of the artist's work.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e26 x 21 cm\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePerfectly packed, and additionally insured.\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51757935198546,"sku":null,"price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/1287922c-425e-4dc3-99e9-3a7a9cd15d37.jpg?v=1761840778"},{"product_id":"untitled-colored-engraving-gerardo-aparicio-1976","title":"Untitled Colored Engraving — Gerardo Aparicio — 1976","description":"\u003ch3 data-start=\"125\" data-end=\"183\"\u003e\n\u003cem data-start=\"129\" data-end=\"157\"\u003eUntitled Colored Engraving\u003c\/em\u003e — Gerardo Aparicio — 1976\u003c\/h3\u003e\n\u003cp data-start=\"185\" data-end=\"388\"\u003e\u003cstrong data-start=\"185\" data-end=\"277\"\u003eHand-colored engraving by Madrid-based artist — limited edition, soft trace of the 1970s\u003c\/strong\u003e\u003cbr data-start=\"277\" data-end=\"280\"\u003ePressed with care and tinted by hand, this print carries the quiet elegance of paper, pigment, and pressure.\u003c\/p\u003e\n\u003cp data-start=\"390\" data-end=\"661\"\u003eCreated in a small edition of 50, this piece reflects the precise yet personal touch of \u003cstrong data-start=\"478\" data-end=\"498\"\u003eGerardo Aparicio\u003c\/strong\u003e, a 20th-century Spanish printmaker working in traditional intaglio techniques. This is copy Nº 12, signed by the artist and mounted on a protective folio backing.\u003c\/p\u003e\n\u003cp data-start=\"663\" data-end=\"664\"\u003e⸻\u003c\/p\u003e\n\u003cp data-start=\"666\" data-end=\"1129\"\u003e\u003cstrong data-start=\"666\" data-end=\"676\"\u003eTitle:\u003c\/strong\u003e \u003cem data-start=\"677\" data-end=\"705\"\u003eUntitled Colored Engraving\u003c\/em\u003e\u003cbr data-start=\"705\" data-end=\"708\"\u003e\u003cstrong data-start=\"708\" data-end=\"736\"\u003eArtist \/ Author \/ Maker:\u003c\/strong\u003e Gerardo Aparicio (Madrid, Spain)\u003cbr data-start=\"769\" data-end=\"772\"\u003e\u003cstrong data-start=\"772\" data-end=\"795\"\u003eTechnique \/ Medium:\u003c\/strong\u003e Hand-colored intaglio print on heavyweight paper\u003cbr data-start=\"844\" data-end=\"847\"\u003e\u003cstrong data-start=\"847\" data-end=\"859\"\u003eEdition:\u003c\/strong\u003e Nº 12 of 50 — limited edition\u003cbr data-start=\"889\" data-end=\"892\"\u003e\u003cstrong data-start=\"892\" data-end=\"906\"\u003eSignature:\u003c\/strong\u003e Hand-signed by the artist\u003cbr data-start=\"932\" data-end=\"935\"\u003e\u003cstrong data-start=\"935\" data-end=\"944\"\u003eDate:\u003c\/strong\u003e 1976\u003cbr data-start=\"949\" data-end=\"952\"\u003e\u003cstrong data-start=\"952\" data-end=\"966\"\u003eCondition:\u003c\/strong\u003e Good — very light signs of age; center fold present; mounted on lateral folio\u003cbr data-start=\"1044\" data-end=\"1047\"\u003e\u003cstrong data-start=\"1047\" data-end=\"1062\"\u003eDimensions:\u003c\/strong\u003e 53 × 34 cm\u003cbr data-start=\"1073\" data-end=\"1076\"\u003e\u003cstrong data-start=\"1076\" data-end=\"1100\"\u003eOrigin \/ Provenance:\u003c\/strong\u003e Private Spanish collection\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51774710841682,"sku":null,"price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/267049044_309754549_tcimg_B04F560F.webp?v=1761841232"},{"product_id":"antonio-saura-kafka-lithograph-no-271-300","title":"Franz Kafka’s Tagebücher — Saura  1988","description":"\u003cp\u003eThis lithograph is one of 69 works created by Antonio Saura in response to Franz Kafka’s \u003cem data-end=\"209\" data-start=\"197\"\u003eTagebücher\u003c\/em\u003e (\u003cem data-end=\"220\" data-start=\"211\"\u003eDiaries\u003c\/em\u003e), published in 1988 as a limited artist's book. Printed on fine \u003cem data-end=\"306\" data-start=\"285\"\u003epapier vélin Bütten\u003c\/em\u003e, the image is part of a visual diary where Saura confronts Kafka’s interior world—translating dread, delirium, and bodily disintegration into graphic form.\u003c\/p\u003e\n\u003cp data-end=\"984\" data-start=\"464\"\u003eThe composition is sprawling and almost anatomical: limbs, breasts, and faces twist violently into each other, rendered in airbrush-like shadows and urgent black line. A female nude is flattened, pierced by expressive stroke—less a figure than a vessel of anxiety. There is both play and punishment in the way Saura draws here: embracing the grotesque, but with a controlled rhythm. The image splits down the fold of the page, reinforcing its origin in book form—meant to be turned, not framed; lived with, not isolated.\u003c\/p\u003e\n\u003cp data-end=\"1322\" data-start=\"986\"\u003eSaura’s engagement with Kafka was not literal, but psychic. This is Kafka’s diary not as narrative, but as nightmare: the artist tapping into an abyss of guilt, repression, absurdity and flesh. The result is one of the most ambitious graphic cycles of the postwar era—less an illustration than a confrontation between two haunted minds.\u003c\/p\u003e\n\u003cp data-end=\"1646\" data-start=\"1324\"\u003e\u003cstrong data-end=\"1343\" data-start=\"1324\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-end=\"1346\" data-start=\"1343\"\u003eTitle: 69 works, Franz Kafka, Tagebücher\u003cbr data-end=\"1389\" data-start=\"1386\"\u003eArtist \/ Author: Antonio Saura\u003cbr data-end=\"1422\" data-start=\"1419\"\u003eDate: 1988\u003cbr data-end=\"1435\" data-start=\"1432\"\u003eTechnique \/ Printing Method: Lithograph\u003cbr data-end=\"1477\" data-start=\"1474\"\u003eMedium \/ Materials: Ink on Bütten paper\u003cbr data-end=\"1519\" data-start=\"1516\"\u003eDimensions (cm): 33.5 × 25 × 4.5 cm (volume)\u003cbr data-end=\"1566\" data-start=\"1563\"\u003ePublisher \/ Editor: (Not specified — edition from 1988)\u003cbr data-end=\"1624\" data-start=\"1621\"\u003eCondition: Excellent\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51777167196498,"sku":null,"price":130.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/Screenshot2026-01-14at22.29.54_1.jpg?v=1768427286"},{"product_id":"eduardo-chillida-osasun-amp-homenage","title":"Eduardo Chillida — Osasun \u0026amp; Homenage","description":"\u003cp data-start=\"73\" data-end=\"327\"\u003e\u003cbr data-start=\"121\" data-end=\"124\"\u003e\u003cem data-start=\"124\" data-end=\"252\"\u003eTwo serene homages to form and freedom — Chillida’s signature interplay of weight and void, rendered in fine art reproduction.\u003c\/em\u003e\u003cbr data-start=\"252\" data-end=\"255\"\u003e\u003cem data-start=\"255\" data-end=\"327\"\u003ePublished with care, signed in print, and preserved in mint condition.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"329\" data-end=\"330\"\u003e⸻\u003c\/p\u003e\n\u003cp data-start=\"332\" data-end=\"994\"\u003e\u003cstrong data-start=\"332\" data-end=\"342\"\u003eTitle:\u003c\/strong\u003e \u003cem data-start=\"343\" data-end=\"351\"\u003eOsasun\u003c\/em\u003e (1974, after original woodcut) \u0026amp; \u003cem data-start=\"385\" data-end=\"395\"\u003eHomenage\u003c\/em\u003e\u003cbr data-start=\"395\" data-end=\"398\"\u003e\u003cstrong data-start=\"398\" data-end=\"409\"\u003eArtist:\u003c\/strong\u003e \u003cem data-start=\"410\" data-end=\"440\"\u003eEduardo Chillida (1924–2002)\u003c\/em\u003e\u003cbr data-start=\"440\" data-end=\"443\"\u003e\u003cstrong data-start=\"443\" data-end=\"466\" data-is-only-node=\"\"\u003eTechnique \/ Medium:\u003c\/strong\u003e\u003cbr data-start=\"466\" data-end=\"469\"\u003e• \u003cem data-start=\"471\" data-end=\"479\"\u003eOsasun\u003c\/em\u003e: Quadrichrome print of original 1974 woodcut\u003cbr data-start=\"524\" data-end=\"527\"\u003e• \u003cem data-start=\"529\" data-end=\"539\"\u003eHomenage\u003c\/em\u003e: Fine Art Giclée print\u003cbr data-start=\"562\" data-end=\"565\"\u003e\u003cstrong data-start=\"565\" data-end=\"577\"\u003eEdition:\u003c\/strong\u003e \u003cem data-start=\"578\" data-end=\"622\"\u003eOpen edition (published by Hauser \u0026amp; Wirth)\u003c\/em\u003e\u003cbr data-start=\"622\" data-end=\"625\"\u003e\u003cstrong data-start=\"625\" data-end=\"639\"\u003eSignature:\u003c\/strong\u003e \u003cem data-start=\"640\" data-end=\"673\"\u003ePrinted signature on both works\u003c\/em\u003e\u003cbr data-start=\"673\" data-end=\"676\"\u003e\u003cstrong data-start=\"676\" data-end=\"685\"\u003eDate:\u003c\/strong\u003e \u003cem data-start=\"686\" data-end=\"707\"\u003ePosthumous editions\u003c\/em\u003e\u003cbr data-start=\"707\" data-end=\"710\"\u003e\u003cstrong data-start=\"710\" data-end=\"724\"\u003eCondition:\u003c\/strong\u003e \u003cem data-start=\"725\" data-end=\"787\"\u003eExcellent — never framed, stored flat in archival conditions\u003c\/em\u003e\u003cbr data-start=\"787\" data-end=\"790\"\u003e\u003cstrong data-start=\"790\" data-end=\"805\"\u003eDimensions:\u003c\/strong\u003e\u003cbr data-start=\"805\" data-end=\"808\"\u003e• \u003cem data-start=\"810\" data-end=\"818\"\u003eOsasun\u003c\/em\u003e: 50 × 50 cm\u003cbr data-start=\"830\" data-end=\"833\"\u003e• \u003cem data-start=\"835\" data-end=\"845\"\u003eHomenage\u003c\/em\u003e: 63.5 × 43 cm\u003cbr data-start=\"859\" data-end=\"862\"\u003e\u003cstrong data-start=\"862\" data-end=\"872\"\u003ePaper:\u003c\/strong\u003e \u003cem data-start=\"873\" data-end=\"913\"\u003eSomerset Smooth 160g\/m² Fine Art paper\u003c\/em\u003e\u003cbr data-start=\"913\" data-end=\"916\"\u003e\u003cstrong data-start=\"916\" data-end=\"940\"\u003eOrigin \/ Provenance:\u003c\/strong\u003e \u003cem data-start=\"941\" data-end=\"994\"\u003eHauser \u0026amp; Wirth (for “Homenage”); private collection\u003c\/em\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51777172603218,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/46d00070-e100-4871-acd6-4de05230d7e5.jpg?v=1761824072"},{"product_id":"jaume-plensa-wall","title":"Jaume Plensa— Wall","description":"\u003cp data-start=\"72\" data-end=\"265\"\u003e\u003cbr data-start=\"103\" data-end=\"106\"\u003e\u003cem data-start=\"106\" data-end=\"265\"\u003eA delicate posthumous lithograph on vegetal paper, echoing Plensa’s exploration of language, silence, and the human form. Published in Rubí, Barcelona, 2006.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"267\" data-end=\"268\"\u003e⸻\u003c\/p\u003e\n\u003cp data-start=\"270\" data-end=\"680\"\u003e\u003cstrong data-start=\"270\" data-end=\"281\"\u003eObject:\u003c\/strong\u003e Print\u003cbr data-start=\"287\" data-end=\"290\"\u003e\u003cstrong data-start=\"290\" data-end=\"301\"\u003eArtist:\u003c\/strong\u003e \u003cem data-start=\"302\" data-end=\"326\"\u003eJaume Plensa (b. 1955)\u003c\/em\u003e\u003cbr data-start=\"326\" data-end=\"329\"\u003e\u003cstrong data-start=\"329\" data-end=\"339\"\u003eTitle:\u003c\/strong\u003e \u003cem data-start=\"340\" data-end=\"346\"\u003eWall\u003c\/em\u003e (Untitled)\u003cbr data-start=\"357\" data-end=\"360\"\u003e\u003cstrong data-start=\"360\" data-end=\"383\"\u003eTechnique \/ Medium:\u003c\/strong\u003e Lithograph on vegetable (handmade) paper\u003cbr data-start=\"424\" data-end=\"427\"\u003e\u003cstrong data-start=\"427\" data-end=\"441\"\u003eSignature:\u003c\/strong\u003e Unsigned (posthumous edition)\u003cbr data-start=\"471\" data-end=\"474\"\u003e\u003cstrong data-start=\"474\" data-end=\"483\"\u003eDate:\u003c\/strong\u003e 2006\u003cbr data-start=\"488\" data-end=\"491\"\u003e\u003cstrong data-start=\"491\" data-end=\"505\"\u003eCondition:\u003c\/strong\u003e \u003cem data-start=\"506\" data-end=\"550\"\u003eExcellent — clean, with no damage or marks\u003c\/em\u003e\u003cbr data-start=\"550\" data-end=\"553\"\u003e\u003cstrong data-start=\"553\" data-end=\"589\"\u003eDimensions (with passe-partout):\u003c\/strong\u003e 40 × 30 cm\u003cbr data-start=\"600\" data-end=\"603\"\u003e\u003cstrong data-start=\"603\" data-end=\"618\"\u003eProvenance:\u003c\/strong\u003e \u003cem data-start=\"619\" data-end=\"680\"\u003ePrivate collection, originally published in Rubí, Barcelona\u003c\/em\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51777187774802,"sku":null,"price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/d928e136-7093-4de0-b9f6-61ff537a2c8b.jpg?v=1761841148"},{"product_id":"antonio-saura-placard-1976","title":"Placard — Saura x Ullán, 1976","description":"\u003cp data-start=\"67\" data-end=\"582\"\u003eThis 1976 lithograph by Antonio Saura, created in collaboration with poet José-Miguel Ullán and published by Galerie Maeght in Paris, is a luminous artifact of the Spanish post-Franco cultural diaspora—where visual and literary language locked into shared rebellion. Titled \u003cem data-start=\"377\" data-end=\"386\"\u003ePlacard\u003c\/em\u003e, the work assembles nine vignettes of Saura’s automatic drawing—faces, bodies, fragments, and screaming line—alongside a printed poem by Ullán, all floating against pale fields of ochre and sage.\u003c\/p\u003e\n\u003cp data-start=\"584\" data-end=\"1085\"\u003eSaura’s graphic idiom here is at its most liberated: linear, gestural, manic, yet controlled by a precise architecture of placement. The figures dissolve into signs; the signs twitch with agitation. Framed like an archival cabinet or a protest placard, the print turns into a grid of visual outcries—each panel a variation on pain, perception, or memory. Ullán’s text sits calmly in the centre, offering a literary counter-rhythm to the violence of the images, forming not an explanation, but an echo.\u003c\/p\u003e\n\u003cp data-start=\"1087\" data-end=\"1444\"\u003eBoth Saura and Ullán were central to the intellectual resistance against Francoism, and \u003cem data-start=\"1175\" data-end=\"1184\"\u003ePlacard\u003c\/em\u003e reads as an act of defiance in print—a bilingual protest between eye and voice. Printed on fine vélin d’Arches and signed by both artist and poet in pencil, this edition of 500 links two of Spain’s most singular postwar radicals in one dense and dynamic page.\u003c\/p\u003e\n\u003cp data-start=\"1446\" data-end=\"1995\"\u003e\u003cstrong data-start=\"1446\" data-end=\"1465\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1465\" data-end=\"1468\"\u003eTitle: Placard\u003cbr data-start=\"1482\" data-end=\"1485\"\u003eArtist \/ Author: Antonio Saura (drawing), José-Miguel Ullán (text)\u003cbr data-start=\"1551\" data-end=\"1554\"\u003eDate: 1976\u003cbr data-start=\"1564\" data-end=\"1567\"\u003eTechnique \/ Printing Method: Lithograph and zincograph\u003cbr data-start=\"1621\" data-end=\"1624\"\u003eMedium \/ Materials: Ink on vélin d’Arches paper\u003cbr data-start=\"1671\" data-end=\"1674\"\u003eEdition: 56\/500\u003cbr data-start=\"1689\" data-end=\"1692\"\u003eSigned: Yes, signed in pencil by artist and poet\u003cbr data-start=\"1740\" data-end=\"1743\"\u003eFraming: Wood frame with black mount\u003cbr data-start=\"1779\" data-end=\"1782\"\u003eDimensions (cm): 80 × 60 cm\u003cbr data-start=\"1809\" data-end=\"1812\"\u003ePublisher \/ Editor: Galerie Maeght, Paris\u003cbr data-start=\"1853\" data-end=\"1856\"\u003eBibliography: Weber-Caflisch, \u003cem data-start=\"1886\" data-end=\"1928\"\u003eSaura. Catálogo Razonado de Obra Gráfica\u003c\/em\u003e, Ed. Cramer, Geneva 2000, nº 219.2, p.245\u003cbr data-start=\"1970\" data-end=\"1973\"\u003eCondition: Excellent\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51787374166354,"sku":null,"price":1100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/cactustapies-custom.png?v=1768425866"},{"product_id":"agustin-ibarrola-basauri-1930-2024-abatimiento-de-los-emigrantes-despair-of-the-emigrants-c-1960","title":"AGUSTÍN IBARROLA, \nAbatimiento de los emigrantes, c.1960","description":"\u003cp\u003e\u003cspan\u003eA powerful expressionist linocut from the politically charged early career of one of Spain’s most socially engaged postwar artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCreated during Ibarrola’s years of activism and affiliation with Equipo 57, this linocut captures the desolation of Spanish emigrants through an austere composition of compressed faces and dark tonal contrasts. The work belongs to his period of militant realism, where form and ideology merge in protest against the social conditions of the 1960s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCarved with harsh, direct strokes and printed in stark black, the piece embodies the artist’s empathy toward the working class and displaced rural communities, standing as both document and denunciation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eObject: Linocut on paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist: Agustín Ibarrola (Basauri, 1930–2024)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTitle:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eAbatimiento de los Emigrantes (Despair of the Emigrants)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDate: c.1960\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMedium: Linocut, signed in pen and numbered\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition: 268\/500 (actual edition under 50)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDimensions: Plate: 64.5 × 50 cm \/ Framed: 90 × 70 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSchool \/ Movement: Basque Expressionism, Social Realism\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCondition: Excellent\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProvenance: Spain\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNotable Detail: Produced during Ibarrola’s period of political repression and artistic activism; an early example of his socially committed printmaking, preceding his later environmental “Bosques” and “Cubos de la Memoria.”\u003c\/span\u003e\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51836451651922,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/484118277_tcimg_10D67178_1.jpg?v=1768385380"},{"product_id":"antonio-saura-cabeza-spain-c-1970","title":"Antonio Saura — Cabeza (Signed screenprint c.1970)","description":"\u003cp data-end=\"409\" data-start=\"67\"\u003eThis screenprint by Antonio Saura, created circa 1970 and signed in pencil, is part of his defining \u003cem data-end=\"206\" data-start=\"197\"\u003eCabezas\u003c\/em\u003e series—a brutal and necessary fragment of Spain’s postwar avant-garde. One of 125 impressions, it anchors a historical moment when figuration collapsed under psychological weight and political fracture.\u003c\/p\u003e\n\u003cp data-end=\"1012\" data-start=\"411\"\u003eSaura, born in Huesca in 1930, emerged from the shadows of civil war and dictatorship, giving form to a raw internal landscape. A founding member of the El Paso group, he refused formal harmony in favour of something closer to psychic excavation. In \u003cem data-end=\"669\" data-start=\"661\"\u003eCabeza\u003c\/em\u003e, the human head is reduced to a violent cluster—an eye, a mouth, a snarl—trapped in the language of black, white and grey. The figure is neither portrait nor mask, but a site of rupture. The flatness of the screenprint method intensifies the sense of compression, as if the image had been forced onto the paper with the same urgency as a cry.\u003c\/p\u003e\n\u003cp data-end=\"1394\" data-start=\"1014\"\u003eThe stark triangular mass of the body, emerging from the bottom edge like a shroud, evokes both monument and disappearance. Suspended in a grey field and framed with graphic restraint, the print feels both timeless and urgently present—an icon of expressionist resistance and a relic of interior struggle. This is Saura at his most distilled: wounded, articulate, and unflinching.\u003c\/p\u003e\n\u003cp data-end=\"1818\" data-start=\"1396\"\u003e\u003cstrong data-end=\"1415\" data-start=\"1396\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-end=\"1418\" data-start=\"1415\"\u003eTitle: Cabeza (Head)\u003cbr data-end=\"1441\" data-start=\"1438\"\u003eArtist \/ Author: Antonio Saura\u003cbr data-end=\"1474\" data-start=\"1471\"\u003eDate: c.1970\u003cbr data-end=\"1489\" data-start=\"1486\"\u003eTechnique \/ Printing Method: Screenprint\u003cbr data-end=\"1532\" data-start=\"1529\"\u003eMedium \/ Materials: Ink on paper\u003cbr data-end=\"1567\" data-start=\"1564\"\u003eEdition: 81\/125\u003cbr data-end=\"1585\" data-start=\"1582\"\u003eSigned: Yes, signed and numbered in pencil\u003cbr data-end=\"1630\" data-start=\"1627\"\u003eFraming: Metal frame with white mount\u003cbr data-end=\"1670\" data-start=\"1667\"\u003eDimensions (cm): 76 × 56 cm (sheet) \/ c.100 × 80 cm (framed)\u003cbr data-end=\"1733\" data-start=\"1730\"\u003eCondition: Excellent — slight age toning to mount\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51836480880978,"sku":null,"price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/05C09FE7-D3AE-49DE-9785-A45A1D7EFCF8_2.jpg?v=1768424270"},{"product_id":"sin-nombre-26oct_9-17","title":"ATLANTE II \/ GALANA ENMASCARADA, woodcut, Irving Herrera 2009","description":"\u003cp\u003eA commanding woodcut by Herrera from Oaxaca, transforming lucha libre into a sacred act of resistance.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAGUILA NEGRA is among the most emblematic works in Irving Herrera’s six-part series of masked feminine icons. In this monumental woodcut, a powerful figure — nude, tattooed with lines of ink, and crowned with earrings shaped like nopales — holds her own gaze beneath a lucha libre mask. Around her, the phrase “UNA BATALLA CUERPO A CUERPO” flows like a prayer or invocation, wrapping the body in text and meaning.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis piece merges the aesthetic strategies of traditional Mexican woodcut — bold contours, carved textures, and political framing — with a contemporary poetics of the body. The figure is at once vulnerable and militant, adorned with symbols (a star, thorns, the mask) that invoke both struggle and divinity. The yellow screen-printed background, floral and radiant, lends an aura of sanctity to the scene.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrinted in Oaxaca in 2009, this is number 5 in a rare edition of 10, hand-signed and embossed with Herrera’s studio seal. It stands as a cornerstone of his visual language — part revolutionary poster, part devotional icon.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Woodcut print (framed)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: AGUILA NEGRA\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist: Irving Herrera\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2009\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Woodcut with screen-printed color\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Black and yellow ink on cotton paper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: 5\/10\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: Yes (pencil, lower right)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: Black wooden frame with glass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 112 × 76 cm (sheet)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Excellent\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Direct from artist’s studio, Oaxaca\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51860381008210,"sku":null,"price":1100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/14478417_798995153574424_7544370897377820672_n.jpg?v=1761580050"},{"product_id":"atalante-quiero-ser-como-tu-woodcut-irving-herrera-2009","title":"ATALANTE \/ QUIERO SER COMO TÚ , woodcut, Irving Herrera 2009","description":"\u003cp\u003eA rare alternate state of Herrera’s iconic masked figure, rendered here with celestial cool and floral opacity.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn QUIERO SER COMO TÚ, Irving Herrera revisits his now-iconic luchadora motif with subtle but powerful changes. The background shifts to a soft turquoise, the floral pattern becomes quieter, and the overall palette leans toward the lunar rather than the solar. What remains constant is the fierce presence of the central figure — nude, masked, and self-possessed — flanked by the inscribed phrase that gives the work its name.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEach gesture feels ritualistic: the way the hands frame the breasts, the mask with its starburst ornamentation, the way the lines of the carving follow muscle and bone like scars and topographies. Printed in Oaxaca, this alternate version expands the emotional and symbolic range of Herrera’s most personal and politically charged body of work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrinted on thick cotton paper and signed\/embossed by the artist, this version likely exists in the same extremely limited edition of 10.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Woodcut print (framed)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: QUIERO SER COMO TÚ (blue variant)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist: Irving Herrera\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2009\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Woodcut with screen-printed background\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Black and turquoise ink on cotton paper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: 5\/10 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: Yes \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: no\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 112 × 76 cm (sheet)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Excellent\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Direct from artist’s studio, Oaxaca\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51862393389394,"sku":null,"price":1100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/86A62ED9-84F1-4F02-8DFA-2E954FB6319B.jpg?v=1761475070"},{"product_id":"atalante-iv-circo-para-el-pueblo-irving-herrea-2009","title":"ATALANTE IV \/ CIRCO PARA EL PUEBLO, woodcut, Irving Herrera 2009","description":"\u003cp\u003e\u003cspan\u003eA volcanic portrait of feminine force, printed in scarlet and black — Herrera’s Atalante as a modern combatant.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis searing version of CIRCO PARA EL PUEBLO pushes Irving Herrera’s visual universe into a bolder register. The luchadora figure, bare and unrepentant, stares upward with clenched arms shielding her chest — a gesture equal parts defence, defiance and declaration. The surrounding inscription repeats: QUIERO A OTRA MUJER QUE SEA COMO TÚ — an invocation looping around the body like a spell of solidarity or desire.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUnlike the cooler yellow or blue variants, this one is marked by its red backdrop — a vibrant explosion of floral forms, sharp like blood blossoms, contrasted with the stark black beneath. The composition holds tension between softness and resistance, graphic sharpness and curvilinear carving. Like all Herrera’s pieces in this series, the work evokes sacred imagery without surrendering its bodily or political urgency.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrinted on thick paper, signed and numbered 5\/10, this version bears Herrera’s hallmark graphic vocabulary: dense, anatomical linework; ritualistic framing; and a striking balance between indigenous print traditions and radical contemporary figuration.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Woodcut print (framed)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: ATALANTE IV \/CIRCO PARA EL PUEBLO\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist: Irving Herrera\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2009\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Woodcut with screen-printed background\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Black and red ink on cotton paper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: 5\/10\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: Yes (pencil, lower left)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: Black wooden frame with glass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 112 × 76 cm (sheet)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Excellent\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Direct from artist’s studio, Oaxaca\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51862408200530,"sku":null,"price":1100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/414E3A54-82A8-4D59-B046-A05AD024594D.jpg?v=1761475060"},{"product_id":"atalante-iii-cachorra-del-mal-woodcut-irving-herrera-2009","title":"ATALANTE III \/ CACHORRA DEL MAL, woodcut, Irving Herrera 2009","description":"\u003cp\u003e\u003cspan\u003eA brutal and poetic image of bodily resistance — Herrera’s ATALANTE III binds and bares with ritual clarity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith ATALANTE III, Irving Herrera pushes his series into rawer terrain: a masked figure, topless and staring upward, is cinched across the chest with black bands that distort the phrase CÁCHORRA DEL MAL — a possible alias or alter ego, turned into both costume and constraint. The mask here resembles a lightning-bolt: jagged, confrontational, cosmic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe text surrounding the oval frame shifts again, like a ring announcement or a political cry, the phrase reclaims space and power. Behind the figure, soft yellow roses float like ghosts against a stark black field.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHerrera’s carving is as precise as ever: the skin becomes a map of violence and assertion, each line recording pressure, age, defiance. The composition is anchored by the subject’s hands — gnarled, monumental — clutching the border as if ready to rip through the frame.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSigned and numbered 5\/10, printed in 2009 on cotton paper, this piece is part of Herrera’s most iconic and limited body of work, acquired directly from the artist’s studio in Oaxaca.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Woodcut print (framed)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: ATALANTE III \/ CACHORRA DEL MAL\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist: Irving Herrera\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2009\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Woodcut with screen-printed background\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Black and pale yellow ink on cotton paper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: 5\/10\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: Yes (pencil, lower margin)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: Black wooden frame with glass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 112 × 76 cm (sheet)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Excellent\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Direct from artist’s studio, Oaxaca\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51862422815058,"sku":null,"price":1100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/539ED3FA-D5AD-4494-895C-6C24E8FFDBF9.jpg?v=1761474200"},{"product_id":"atalante-rie-y-goza-woodcut-irving-herrera-2009","title":"ATALANTE \/ RÍE Y GOZA , woodcut, Irving Herrera 2009","description":"\u003cp\u003e\u003cspan\u003eA masked riot of joy and defiance — the final print in Herrera’s radical feminist suite.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExtended Description\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn RÍE Y GOZA, Irving Herrera closes his series with an explosion of teeth, ink, and affirmation. A woman with a mane of curls and a mask resembling a Día de Muertos calavera bares her chest while pulling her dress low, revealing the cut-out letters of the titular phrase: RÍE Y GOZA — a declaration of bodily autonomy, pleasure, and power.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe laughter here is not light-hearted — it is wild, knowing, and insurgent. The orange floral backdrop vibrates behind her like fire or fiesta, pushing against the dark plane that splits the composition in half. The figure, rendered with Herrera’s now-signature density of carved lines, feels both earthy and mythic — the embodiment of survival through joy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith this print, Herrera returns us to the body not as battlefield, but as theater, archive, and celebration. Like the other five works in the series, it is printed in a limited edition of 10 on cotton paper, signed and embossed by the artist in Oaxaca in 2009.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Woodcut print (framed)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: RÍE Y GOZA\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist: Irving Herrera\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2009\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Woodcut with screen-printed background\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Black and orange ink on cotton paper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition:  5\/10 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: Yes \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: NO\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 112 × 76 cm (sheet)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Excellent\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Direct from artist’s studio, Oaxaca\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51862429237586,"sku":null,"price":1100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/EABCDCE3-7CDB-48C2-A1B4-19CB5D1C2D7A.jpg?v=1761474559"},{"product_id":"atalante-guardar-silencio-para-que-se-oigan-los-golpes-woodcut-irving-herrera-2009","title":"ATALANTE\/ GUARDAR SILENCIO PARA QUE SE OIGAN LOS GOLPES, woodcut, Irving Herrera 2009","description":"\u003cp\u003e\u003cspan\u003eA silent sentinel carved in ink — Herrera’s most enigmatic luchadora listens through scars, not speech.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn GUARDAR SILENCIO PARA QUE SE OIGAN LOS GOLPES, Irving Herrera distills the voice of resistance into its most radical form: silence. The masked figure, head tilted back in a rictus of toothy laughter or pain, is adorned with amulets, bones, hearts, initials, and claws. Her breasts are exposed like shields. Her skin, carved in Herrera’s fevered lines, reads like scripture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis print marks a tonal shift in the series — less confrontation, more absorption. The dusty rose backdrop evokes bruised skin or dried petals. The surrounding inscription, now reduced to this title, is a vow: to hold back one’s own cry so that the blows — of others, of comrades, of guerreras — may echo louder.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrinted in Oaxaca in 2009, and forming part of a very limited edition of 10, this work brings ceremonial quiet into the arena. Its silence is not passive — it is a tactical act of witness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Woodcut print (framed)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: GUARDAR SILENCIO PARA QUE SE OIGAN LOS GOLPES\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist: Irving Herrera\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2009\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Woodcut with screen-printed background\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Black and dusty rose ink on cotton paper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: 5\/10 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: Yes \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: Black wooden frame with glass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 112 × 76 cm (sheet)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Excellent\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Direct from artist’s studio, Oaxaca\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51862430351698,"sku":null,"price":1100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/D63E0A2F-24F1-4C23-8421-5DB49D2D9889.jpg?v=1761474710"},{"product_id":"indigeno-dell-isola-vanto-lele-arcipelago-v-v-ca-1840","title":"Indigeno dell’Isola Vanto Léle\n(Arcipelago V.V.) – ca. 1840","description":"\u003cp\u003e\u003cspan\u003eA rare hand-colored ethnographic print from a 19th-century European series depicting inhabitants of the “Vanto Léle” island—an elusive, likely fictional geography rooted in colonial imagination.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExtended Description\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis delicate, hand-colored print—titled Indigeno dell’Isola Vanto Léle—belongs to a class of 19th-century European lithographs that sought to catalogue the “exotic” through visual ethnography. The figure, a semi-nude man with turban, bow, and bundle of spears, stands confidently against a simplified natural backdrop. He is identified as an inhabitant of the “Vanto Léle” island, part of the enigmatic “Arcipelago V.V.”—a name not tied to any known cartographic reality, suggesting either a misrendered toponym or a fictional invention in the style of travelogues and pseudo-scientific publications of the era.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStylistically, the print echoes the manner of French and Italian colonial-era lithographers—particularly those involved in anthropological documentation or theatrical costume studies. The use of minimal but intentional color (blue vegetation, white turban, and pale highlights on skin) reveals an effort to convey difference through visual codification. The figure’s posture and gaze, however, are not submissive or passive: instead, he appears animated, assertive, even performative—perhaps staged for the viewer’s curiosity or fantasy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhat makes this piece poignant today is its dual legacy: both as a beautiful, crafted object, and as a visual trace of Europe’s imperial gaze. The oxidised paper, foxing, and golden frame only heighten its aura as an artefact—part theatrical, part ethnographic, entirely imagined.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTechnical Sheet\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Hand-colored ethnographic print\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: Indigeno dell’Isola Vanto Léle (Arcipelago V.V.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: Anonymous\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: Circa 1840\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Lithograph with hand coloring\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Ink and watercolor on paper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: Possibly from a bound volume or series\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: No\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: Gilt contemporary frame (glass)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 20 × 15 cm (approx, framed)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: Italian\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Moderate foxing across surface; good stability of color and line\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51889484071250,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/2D74596D-C4DD-493E-8F7B-0E3E2494F3BD.png?v=1761771900"},{"product_id":"sin-nombre-2nov_10-37","title":"Inmaculada,\nFrancisco Quintanar, 2019","description":"\u003cp\u003e\u003cspan\u003eIn Inmaculada, Francisco Quintanar reclaims the sacred with quiet subversion. A nude female figure — printed in a haunting, cyanotype-like blue — stands within a gold mandorla, her body upright, arms raised, eyes turned skyward. The reference is unmistakable: the Virgin of Guadalupe’s iconic silhouette, reimagined without veils, dogma or idealization.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrinted in 2019 at Gabinete Gráfico, a printmakers’ collective in Oaxaca known for its politically engaged work, this woodcut resists easy classification. Is it devotional? Is it feminist? The power of the piece lies in that ambiguity. Quintanar replaces Marian purity with bodily truth, sanctity with sovereignty. The gold leaf glows against a deep violet-black background, elevating the central figure into something mythic — ancient and utterly contemporary.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe presence of the Opus Eight embossed seal and the artist’s signature further affirm the print’s origin in the artisan scene of southern Mexico, where spiritual traditions meet radical visual language. A rare and luminous piece in a very limited edition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Woodprint with gold leaf\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: Inmaculada, Woodprint\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist: Francisco Quintanar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2019\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Woodblock print, hand-pulled, with applied gold leaf\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Ink on cotton paper, gold leaf\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: 4\/22\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: Yes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: Unframed\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 19 x 15 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Excellent\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Gabinete Gráfico, Oaxaca\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51916720111954,"sku":null,"price":55.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/C774EF8A-5A3C-47B2-AC11-DC29C8192A5F.png?v=1762286981"},{"product_id":"madre-armadillo-hayter-engraving-daniel-salazar-2023","title":"Madre Armadillo, Hayter Engraving\nDaniel Salazar, 2023","description":"\u003cp\u003e\u003cspan\u003eIn this finely detailed metal engraving by Daniel Salazar, a mother armadillo cradles her young within a dreamlike geometry of scales, patterns, and protective curves. The composition — enclosed in a circle reminiscent of both a womb and a solar disc — merges scientific illustration with folk symbolism. Below, a flowering nopal anchors the scene in the natural world of Mexico, evoking both sustenance and resilience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExecuted using the Hayter technique, a process developed at Atelier 17 that allows for rich tonal variations and layered textures, the work demonstrates a masterful command of line and depth. The artist’s hand is precise yet expressive — each dot, claw, and petal contributes to a narrative of tenderness and survival.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrinted on cotton paper and born from the vibrant printmaking community of Oaxaca, Madre Armadillo is a quiet ode to maternal care in the animal world, filtered through a visual language that is both local and universal. A work that invites close observation and rewards it with complexity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Metal engraving\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: Madre Armadillo, Hayter Engraving\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist: Daniel Salazar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 2023 (approx.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTechnique \/ Printing Method: Hayter technique (metal engraving)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Ink on cotton paper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEdition: Not specified\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSigned: Not visible\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFraming: Unframed\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions: 28 x 19 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Excellent\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Private Collection, Oaxaca\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51942923731282,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/101BBC48-5FCD-413B-A635-BA9515422AFE.png?v=1762287464"},{"product_id":"jose-guadalupe-posada-ilustrador-de-la-vida-mexicana","title":"José Guadalupe Posada, Ilustrador de la Vida Mexicana","description":"\u003cp\u003e\u003cspan\u003eAn iconic tribute to Mexico’s great visual chronicler, wrapped in gold embossing and editorial reverence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis 1963 edition, published by Fondo Editorial de la Plástica Mexicana, stands as one of the most elegant homages to José Guadalupe Posada—engraver, satirist, and anonymous soul of the Mexican people. With its crimson textile cover adorned in golden lattice and a central photograph of Posada’s workshop, the book reads as both a visual reliquary and a national offering.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWithin its pages, Posada’s world unfolds: the everyday and the tragic, the political and the grotesque, all carved with urgency and printed for the masses. Long before the fame of his Calaveras, Posada shaped the visual language of Mexican identity with fierce simplicity and deep popular resonance. This volume, carefully printed under the auspices of major Mexican financial institutions, is not just a monograph—it is a posthumous altar to one of the country’s most influential yet historically marginalized artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe book’s editorial design reflects the aesthetic codes of mid-century institutional publishing, yet it preserves the raw power of Posada’s prints—making it a collectible object, a bibliophile’s jewel, and a visual archive of cultural resistance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical Sheet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eObject: Book\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitle: José Guadalupe Posada: Ilustrador de la Vida Mexicana\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArtist \/ Author: José Guadalupe Posada\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDate: 1963\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMedium \/ Materials: Hardcover with textile binding and gold embossing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher \/ Editor: Fondo Editorial de la Plástica Mexicana\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage: Spanish\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCondition: Very good; minimal signs of handling\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProvenance: Private Collection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51955262161234,"sku":null,"price":250.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_83442087-2dd7-47d3-915e-cd8183316373.jpg?v=1767992081"}],"url":"https:\/\/thedarwin.es\/collections\/woodblock-lithography-engraving.oembed","provider":"DaRWIN","version":"1.0","type":"link"}