{"title":"Barceló","description":"\u003cp data-start=\"42\" data-end=\"83\"\u003e\u003cstrong data-start=\"42\" data-end=\"83\"\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMiquel Barceló\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"85\" data-end=\"324\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eBarceló affirms material as archive. Clay, ash, bone become sites of knowledge rather than symbols. His work resists categorisation, settling instead as sediment—artefact over product, surface as terrain, survival without style.\u003c\/p\u003e","products":[{"product_id":"conjeturas-sobre-vasijas","title":"Conjeturas sobre Vasijas — Miquel Barceló — 2008","description":"\u003cp\u003e\u003cem\u003eConjeturas sobre Vasijas\u003c\/em\u003e documents Miquel Barceló’s ceramics in a 2008 publication commissioned by La Caixa and designed by Factum Arte. The book brings together vessels from the Bruno Bischofberger collection, the artist’s own holdings and other private collections, treating the ceramics as a body of work in their own right. 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