{"title":"ARAKI","description":"\u003ch3 data-start=\"42\" data-end=\"83\"\u003e\u003cstrong data-start=\"42\" data-end=\"83\"\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003e荒木經惟\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"85\" data-end=\"335\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e在達爾文中，荒木透過過度來激進化親密感。攝影變得鮮活，而非記錄——慾望、日常生活、\u003cstrong\u003e被壓縮進廉價紙張的死亡\u003c\/strong\u003e，以及無休止的產出。那些較次要的書籍最為重要：只有在什麼都未被刪除時，才能看見執著。\u003c\/p\u003e","products":[{"product_id":"nobuyoshi-araki-polart-2009","title":"Polart — Nobuyoshi Araki \/ Red Hot","description":"\u003cp data-start=\"103\" data-end=\"521\"\u003ePublished in 2009 in a limited edition of 1,500 copies, \u003cem data-start=\"159\" data-end=\"167\"\u003ePolart\u003c\/em\u003e is Araki in pure gesture: a book of Polaroids selected and sequenced by the artist himself, edited in collaboration with the now-closed Red Hot Gallery in Paris and printed in Japan by Huboya. The cover, white and abrupt, is emblazoned with Araki’s handwriting — a bold, gestural typography that suggests the intimacy and immediacy of the images inside.\u003c\/p\u003e\n\u003cp data-start=\"523\" data-end=\"928\"\u003eKnown for his prolific use of instant film, Araki used the Polaroid not just as a camera but as a diaristic tool — sensual, direct, obsessive. \u003cem data-start=\"666\" data-end=\"674\"\u003ePolart\u003c\/em\u003e distills that practice into a carefully paced flow of Polaroid works, unbound from chronology, unified by tone. These are not studio images, but fragments of affection, desire, and absence — emotional snapshots arranged with an artist’s feel for rhythm.\u003c\/p\u003e\n\u003cp data-start=\"930\" data-end=\"1268\"\u003eThe book is both an archive and an object of its own: printed with striking technical precision (by Dai Nippon Printing), it’s an important artefact of Araki’s later period and a testament to his ongoing dialogue with photobook form. A must for collectors of Japanese photography, rare editions, and the fleeting language of the Polaroid.\u003c\/p\u003e\n\u003cp data-start=\"1270\" data-end=\"1289\"\u003e\u003cstrong data-start=\"1270\" data-end=\"1289\"\u003eTechnical Sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1291\" data-end=\"1304\"\u003eTitle: Polart\u003c\/p\u003e\n\u003cp data-start=\"1306\" data-end=\"1338\"\u003eArtist \/ Author: Nobuyoshi Araki\u003c\/p\u003e\n\u003cp data-start=\"1340\" data-end=\"1350\"\u003eDate: 2009\u003c\/p\u003e\n\u003cp data-start=\"1352\" data-end=\"1406\"\u003eTechnique \/ Printing Method: Offset (printed in Japan)\u003c\/p\u003e\n\u003cp data-start=\"1408\" data-end=\"1454\"\u003eMedium \/ Materials: Hardcover with dust jacket\u003c\/p\u003e\n\u003cp data-start=\"1456\" data-end=\"1489\"\u003eEdition: Limited edition of 1,500\u003c\/p\u003e\n\u003cp data-start=\"1491\" data-end=\"1501\"\u003eSigned: No\u003c\/p\u003e\n\u003cp data-start=\"1503\" data-end=\"1537\"\u003eDimensions (cm): Approx. 19.5 × 30\u003c\/p\u003e\n\u003cp data-start=\"1539\" data-end=\"1567\"\u003eLanguage: None \/ Image-based\u003c\/p\u003e\n\u003cp data-start=\"1569\" data-end=\"1642\"\u003ePublisher \/ Editor: Nobuyoshi Araki \/ Red Hot Gallery, Paris \/ Huboya Art\u003c\/p\u003e\n\u003cp data-start=\"1644\" data-end=\"1658\"\u003eCondition: New\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":51754746380626,"sku":null,"price":250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_1.jpg?v=1768338650"},{"product_id":"polart-nobuyoshi-araki-red-hot-copy","title":"Tokyo Lucky Hole — Araki’s Black Hole of Desire","description":"\u003cp data-start=\"120\" data-end=\"728\"\u003e這本由荒木經惟創作、Taschen 於 2016 年出版，收錄於其 Bibliotheca Universalis 系列的攝影集，是 Darwin Bookshop 的藏書之一，因為它是一部價格親民的經典作品，記錄了 20 世紀末最毫不避諱的情色攝影系列之一 - 一份呈現東京性產業最私密、原始且具表演性的視覺紀錄。\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52474885833042,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_6e5d6669-6136-4d9d-92c7-ef4561079e01.jpg?v=1768378135"},{"product_id":"tokyo-lucky-hole-araki-s-black-hole-of-desire-copy","title":"Bondage — Araki","description":"\u003cp data-start=\"112\" data-end=\"687\"\u003e這本由 Nobuyoshi Araki 創作、Taschen 出版的攝影集 \u003cem data-start=\"147\" data-end=\"156\"\u003eBondage\u003c\/em\u003e，將 kinbaku - 日本繩縛 - 的情色與心理儀式，呈現為一種形式化且近乎執迷的藝術。這些影像最早於 1980 年代透過 Araki 的鏡頭捕捉，如今以鮮明色彩再次回歸；懸吊與受縛的女性身體化為一幅 tableau：不是暴力的展現，而是編舞、服裝與控制的交織。在 Araki 的世界裡，繩縛不只是束縛 - 它是一種表達，是美學化的苦痛，是一種觸碰的語言，將攝影與表演緊密相繫。\u003c\/p\u003e\n\u003cp data-start=\"689\" data-end=\"1202\"\u003e這些照片拍攝於傳統榻榻米房間，畫面中的女性以 shibari 姿態入鏡，懸浮半空，或以舒展的姿勢倚靠在紙拉門上。她們神情沉著，身體緊繃，置身於精心營造、令人聯想到江戶時代情色浮世繪的華麗室內空間。和服、繩索與凝視的並置，構築出一個高度符碼化的影像世界 - 戲劇性、親密而超現實。在角落裡，Araki 熟悉的塑膠恐龍現身，以一件奇異玩具打破原本莊嚴的情色場景。\u003c\/p\u003e\n\u003cp data-start=\"1204\" data-end=\"1538\"\u003e這個大開本版本以原尺寸重現影像，讓其強烈的圖像張力與精準的構圖在每一頁徐徐展開。對於關注日本視覺文化中權力的視覺邏輯，以及性慾展演的人而言，\u003cem data-start=\"1468\" data-end=\"1477\"\u003eBondage\u003c\/em\u003e 仍是 Araki 最具挑釁性且歷久不衰的系列之一。\u003c\/p\u003e\n\u003cp data-start=\"1540\" data-end=\"1559\"\u003e\u003cstrong data-start=\"1540\" data-end=\"1559\"\u003e技術資料\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1561\" data-end=\"1866\"\u003e書名：Bondage\u003cbr data-start=\"1575\" data-end=\"1578\"\u003e藝術家／作者：Nobuyoshi Araki\u003cbr data-start=\"1610\" data-end=\"1613\"\u003e日期：2024\u003cbr data-start=\"1648\" data-end=\"1651\"\u003e技術／印刷方式：彩色平版印刷\u003cbr data-start=\"1702\" data-end=\"1705\"\u003e媒材／材料：布面精裝，書脊包布\u003cbr data-start=\"1751\" data-end=\"1754\"\u003e尺寸：26.5 x 33 cm\u003cbr data-start=\"1778\" data-end=\"1781\"\u003e頁數：288\u003cbr data-start=\"1791\" data-end=\"1794\"\u003e出版商／編輯：Taschen\u003cbr data-start=\"1821\" data-end=\"1824\"\u003eISBN：978-3-8365-7741-0\u003cbr data-start=\"1847\" data-end=\"1850\"\u003e狀況：全新\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52474894287186,"sku":null,"price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_3b0c9cd5-9124-49da-a6c8-17b9bf426775.jpg?v=1768378479"},{"product_id":"araki-nobuyoshi-gallimard-musee-guimet-2016","title":"Araki Nobuyoshi — Gallimard \/ Musée Guimet (2016)","description":"\u003cp data-start=\"118\" data-end=\"587\"\u003e本書為 Nobuyoshi Araki 首次大型法國回顧展出版的大型專著，帶領讀者縱覽這位日本最具挑釁性且作品最豐富的攝影師長達五十年的創作。從早期系列 \u003cem data-start=\"329\" data-end=\"349\"\u003eThéâtre de l’amour\u003c\/em\u003e（1965），到關於 kinbaku（日式情色繩縛）的經典研究，再到令人難忘的 \u003cem data-start=\"440\" data-end=\"455\"\u003eTokyo Tombeau\u003c\/em\u003e，本書呈現荒木的作品，不僅將其視為情色或顛覆性的創作，更是一部貫穿一生的日記 - 執著、華麗而浸染哀悼。\u003c\/p\u003e\n\u003cp data-start=\"589\" data-end=\"1045\"\u003e以同時令人聯想到生命與腐朽的花卉封面裝幀，本書呼應了荒木自身對感官性與死亡的消解與融合。Tadao Ando、Philippe Forest、Jérôme Ghesquière 等人撰寫的 accompanying texts 提供詮釋上的支撐，將荒木置於日本文化與藝術史更廣闊的脈絡之中。然而，這些照片拒絕被框限：情色、日常、巴洛克式且殘酷 - 每一幅影像既是告白的一部分，也是表演的一部分。\u003c\/p\u003e\n\u003cp data-start=\"1047\" data-end=\"1323\"\u003e本法文版由 Gallimard 為 Musée national des arts asiatiques – Guimet 印製，兼具學術性與感官魅力。對 Darwin 而言，荒木的作品仍是一個不可或缺的節點 - 連結戰後日本攝影、表演、儀式、哀傷，以及身體的檔案。\u003c\/p\u003e\n\u003cp data-start=\"1325\" data-end=\"1344\"\u003e\u003cstrong data-start=\"1325\" data-end=\"1344\"\u003e技術資料\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1346\" data-end=\"1713\"\u003e書名：Araki Nobuyoshi\u003cbr data-start=\"1368\" data-end=\"1371\"\u003e藝術家／作者：Nobuyoshi Araki\u003cbr data-start=\"1403\" data-end=\"1406\"\u003e日期：2016\u003cbr data-start=\"1416\" data-end=\"1419\"\u003e技術／印刷方式：Offset\u003cbr data-start=\"1454\" data-end=\"1457\"\u003e媒介／材料：附印刷護封的精裝本\u003cbr data-start=\"1511\" data-end=\"1514\"\u003e尺寸（公分）：約 24 x 30 公分\u003cbr data-start=\"1549\" data-end=\"1552\"\u003e語言：法文\u003cbr data-start=\"1568\" data-end=\"1571\"\u003e頁數：未註明\u003cbr data-start=\"1586\" data-end=\"1589\"\u003e出版者／編輯：Gallimard／Musée Guimet\u003cbr data-start=\"1633\" data-end=\"1636\"\u003eISBN：9782070179558\u003cbr data-start=\"1655\" data-end=\"1658\"\u003e狀況：極佳（護封邊緣有輕微磨損）\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52563672006994,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_c52e8f11-a8c9-44fc-a43f-43381576ee1f.jpg?v=1769377042"},{"product_id":"写狂人色日記-shakyojin-iro-nikki-by-nobuyoshi-araki-1992-first-edition","title":"写狂人色日記 \/ Shakyōjin Iro Nikki by Nobuyoshi Araki, 1992 first edition","description":"\u003cp data-start=\"136\" data-end=\"600\"\u003eOne of Nobuyoshi Araki’s most visually frenetic and typographically riotous photobooks, \u003cem data-start=\"224\" data-end=\"245\"\u003eShakyōjin Iro Nikki\u003c\/em\u003e (写狂人色日記) translates roughly to \u003cem data-start=\"277\" data-end=\"312\"\u003eThe Erotic Diary of a Photomaniac\u003c\/em\u003e—a self-declared fever dream of images, desire, and diaristic overload. Published in 1992 at the height of Araki’s cult notoriety, the book is a chromatic, handwritten, hand-marked torrent of collaged photographs and daily obsessions, printed in full-bleed across vivid, chaotic spreads.\u003c\/p\u003e\n\u003cp data-start=\"602\" data-end=\"1035\"\u003eThe cover alone—a blaring orange field scrawled with calligraphic ink, brushstrokes, and a bold ‘92—sets the tone for what’s inside: an unfiltered transmission from Araki’s compulsive eye, fusing eroticism, street snapshots, food, women, dolls, skies, and self-portraits into a singular visual syntax. Each page functions as a kind of performative act, as though Araki were trying to capture every fleeting moment before it vanishes.\u003c\/p\u003e\n\u003cp data-start=\"1037\" data-end=\"1498\"\u003eUnlike the controlled violence of \u003cem data-start=\"1071\" data-end=\"1092\"\u003eSentimental Journey\u003c\/em\u003e or the sorrowful beauty of \u003cem data-start=\"1120\" data-end=\"1136\"\u003eWinter Journey\u003c\/em\u003e, here the register is almost manic—Araki as mad monk of the Tokyo everyday. The book’s design amplifies this instability: marker annotations, brush calligraphy, pasted elements and scribbles turn the photobook into a hyperactive personal zine at scale. It belongs in the Darwin archive as a maximalist Araki object—messy, excessive, urgent, and defiantly alive.\u003c\/p\u003e\n\u003cp data-start=\"1500\" data-end=\"1836\"\u003eTechnical Sheet\u003cbr data-start=\"1515\" data-end=\"1518\"\u003eTitle: 写狂人色日記 (Shakyōjin Iro Nikki)\u003cbr data-start=\"1553\" data-end=\"1556\"\u003eArtist \/ Author: Nobuyoshi Araki\u003cbr data-start=\"1588\" data-end=\"1591\"\u003eDate: 1992\u003cbr data-start=\"1601\" data-end=\"1604\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1639\" data-end=\"1642\"\u003eMedium \/ Materials: Hardcover with dust jacket\u003cbr data-start=\"1688\" data-end=\"1691\"\u003eDimensions (cm): approx. 21 × 30\u003cbr data-start=\"1723\" data-end=\"1726\"\u003eLanguage: Japanese\u003cbr data-start=\"1744\" data-end=\"1747\"\u003ePublisher \/ Editor: Switch Corporation\u003cbr data-start=\"1785\" data-end=\"1788\"\u003eCondition: Very good with original dust jacket\u003c\/p\u003e\n\u003cp data-start=\"1839\" data-end=\"1897\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52565296742738,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_3_74cb0df2-3d6c-4c83-ba67-e35c6d0df7c1.jpg?v=1769423892"},{"product_id":"marvelous-tales-of-black-ink-by-nobuyoshi-araki-2014-edition-of-1000","title":"Marvelous Tales of Black Ink by Nobuyoshi Araki, 2014 edition of 1000","description":"\u003cp data-start=\"138\" data-end=\"570\"\u003e\u003cem data-start=\"138\" data-end=\"168\"\u003e黑墨的奇妙故事\u003c\/em\u003e是荒木經惟晚期一件罕見的沉思之作——較少醜聞色彩，更為原初。此書由 MÖREL 於 2014 年出版，限量 1000 冊，呈現一系列融合書法、情色與哀悼的毛筆畫，化為一種幽魅的圖像語言。在此，荒木放下相機，改以墨汁作畫，借 sumi 指向自身的死亡、失落，以及對女性形體的執著。\u003c\/p\u003e\n\u003cp data-start=\"572\" data-end=\"987\"\u003e這些畫作直接而流暢——女性的身體塌縮成筆觸，生殖器消融於姿態之中，一灘灘黑色墨跡彷彿懸在高潮與輓歌之間。這些並非插圖或習作，而是儀式性的痕跡：一場在紙上呈現、以荒木獨有的情感張力完成的哀悼過程。藝術家的妻子 Yoko 早在數十年前便已去世，而缺席的幽靈貫穿每一頁。\u003c\/p\u003e\n\u003cp data-start=\"989\" data-end=\"1282\"\u003e本書附有 Simon Baker 的一篇短文，並在倫敦出版，獲得 Imitate Modern 支持。整本書如同一聲低沉的呼喊——優雅、挑釁而深具個人色彩。在 Darwin 的典藏中，這是荒木一件至關重要的作品：後攝影式、儀式性十足，並以感情染成墨黑。\u003c\/p\u003e\n\u003cp data-start=\"1284\" data-end=\"1657\"\u003e技術資料表\u003cbr data-start=\"1299\" data-end=\"1302\"\u003e標題：《黑墨的奇妙故事》\u003cbr data-start=\"1337\" data-end=\"1340\"\u003e藝術家／作者：荒木經惟\u003cbr data-start=\"1372\" data-end=\"1375\"\u003e日期：2014 年\u003cbr data-start=\"1385\" data-end=\"1388\"\u003e技法／印刷方式：膠印\u003cbr data-start=\"1423\" data-end=\"1426\"\u003e媒材／材料：平裝附書衣\u003cbr data-start=\"1472\" data-end=\"1475\"\u003e尺寸（公分）：約 21 × 26\u003cbr data-start=\"1507\" data-end=\"1510\"\u003e語言：英文\u003cbr data-start=\"1527\" data-end=\"1530\"\u003e頁數：未註明\u003cbr data-start=\"1547\" data-end=\"1550\"\u003e出版者／編輯：MÖREL，倫敦\u003cbr data-start=\"1583\" data-end=\"1586\"\u003eISBN：978-1-907071-44-7\u003cbr data-start=\"1609\" data-end=\"1612\"\u003e版本：1000 册\u003cbr data-start=\"1632\" data-end=\"1635\"\u003e品相：近乎精美\u003c\/p\u003e\n\u003cp data-start=\"1660\" data-end=\"1718\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52566576955730,"sku":null,"price":190.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_2_acb1470e-9e8b-4b35-a93c-29415a9d3515.jpg?v=1769430883"},{"product_id":"sentimental-journey-by-nobuyoshi-araki-2016-reprint-edition","title":"Sentimental Journey by Nobuyoshi Araki, 2016 reprint edition","description":"\u003cp data-start=\"129\" data-end=\"688\"\u003e《感傷之旅》最初於 1971 年自行出版，並於 2016 年由河出書房新社以複刻版形式重新發行，是荒木經惟奠基性的作品——一部原始、親密，如今已成為傳奇的攝影日記，記錄他與妻子陽子的蜜月生活。這本書拍攝於兩人婚後最初幾個月中的五天，鉅細靡遺地記錄了一切：飯店房間、火車旅程、餐食、性愛、無聊與溫柔。照片尺寸小、顆粒粗糙而直接，以一種激進且坦白的真誠串聯在一起，數十年來形塑了日本攝影文化。\u003c\/p\u003e\n\u003cp data-start=\"690\" data-end=\"1158\"\u003e不同於荒木後期的作品——其中的情色往往轉向戲劇化或挑釁——《感傷之旅》克制而情感赤裸。這些照片彷彿不是為了被觀看而拍攝，而是為了珍藏；觀看者像是輕輕闖入一個私密世界。這不僅是一個愛情故事，也是終身攝影哀悼的起點；這種哀悼在陽子去世後創作的後續作品《感傷之旅／冬日之旅》中，痛苦地迴響著。\u003c\/p\u003e\n\u003cp data-start=\"1160\" data-end=\"1443\"\u003e2016 年版高度忠實地重現了原始版本的格式，從牛皮紙封面到 108 張影像的編排順序，皆一一保留。在達爾文檔案中，《感傷之旅》是 20 世紀日本攝影的重要原始文獻——安靜、脆弱，且堅定不移地誠實。\u003c\/p\u003e\n\u003cp data-start=\"1445\" data-end=\"1784\"\u003e技術資料\u003cbr data-start=\"1460\" data-end=\"1463\"\u003e書名：《感傷之旅》\u003cbr data-start=\"1489\" data-end=\"1492\"\u003e藝術家／作者：荒木經惟\u003cbr data-start=\"1524\" data-end=\"1527\"\u003e日期：2016 年（原版於 1971 年出版）\u003cbr data-start=\"1555\" data-end=\"1558\"\u003e技法／印刷方式：平版印刷\u003cbr data-start=\"1593\" data-end=\"1596\"\u003e媒材／材料：平裝附書腰\u003cbr data-start=\"1640\" data-end=\"1643\"\u003e尺寸（公分）：約 21 × 18\u003cbr data-start=\"1675\" data-end=\"1678\"\u003e語言：日文\u003cbr data-start=\"1696\" data-end=\"1699\"\u003e頁數：108 張影像\u003cbr data-start=\"1716\" data-end=\"1719\"\u003e出版者／編輯：河出書房新社\u003cbr data-start=\"1759\" data-end=\"1762\"\u003e品況：近乎完美\u003c\/p\u003e\n\u003cp data-start=\"1787\" data-end=\"1845\"\u003e \u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52566718284114,"sku":null,"price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_5_ca77c830-3d52-49a3-af20-b7a53fec481f.jpg?v=1769432739"},{"product_id":"原色の街-primary-color-streets-nobuyoshi-araki","title":"原色の街 (Primary Color Streets) — Nobuyoshi Araki","description":"\u003cp data-start=\"115\" data-end=\"1231\"\u003eA rare 1980s photobook by Nobuyoshi Araki, \u003cem data-start=\"158\" data-end=\"177\"\u003eGenshoku no Machi\u003c\/em\u003e captures Osaka in the heat and neon of summer, rendered in dense, saturated chromes. Commissioned during the peak of his commercial and diaristic output, Araki’s images here combine street photography with erotic fiction, pairing lurid downtown tableaux with a text that blurs confession and pulp. The dust jacket design—white-on-white emboss over a filmstrip of garish signage and half-shadowed pedestrians—stages the tension perfectly: this is a city both brightly lit and opaque, erotic and mundane. In Araki’s hands, colour is never neutral. His Kodachrome palette turns the banal spectacle of Dōtonbori into something mythic and carnivalesque, vibrating with a hormonal charge. This is the same Araki of \u003cem data-start=\"887\" data-end=\"905\"\u003eTokyo Lucky Hole\u003c\/em\u003e, but looser, more playful—interested less in staging than in immersion, letting the city speak through the flash of its lights and bodies. A time capsule of 1980s Kansai decadence, and a crucial precursor to later street colourists like Daido Moriyama and Anders Petersen, who also worked the line between lust and reportage.\u003c\/p\u003e\n\u003cp data-start=\"1233\" data-end=\"1619\"\u003e\u003cstrong data-start=\"1233\" data-end=\"1252\"\u003eTechnical Sheet\u003c\/strong\u003e\u003cbr data-start=\"1252\" data-end=\"1255\"\u003eTitle: 原色の街 (Genshoku no Machi \/ Primary Color Streets)\u003cbr data-start=\"1310\" data-end=\"1313\"\u003eArtist \/ Author: Nobuyoshi Araki\u003cbr data-start=\"1345\" data-end=\"1348\"\u003eDate: 1986\u003cbr data-start=\"1358\" data-end=\"1361\" data-is-only-node=\"\"\u003eTechnique \/ Printing Method: Offset\u003cbr data-start=\"1396\" data-end=\"1399\"\u003eMedium \/ Materials: Softcover with dust jacket and obi\u003cbr data-start=\"1453\" data-end=\"1456\"\u003eDimensions (cm): 18 × 25.7\u003cbr data-start=\"1482\" data-end=\"1485\"\u003eLanguage: Japanese\u003cbr data-start=\"1503\" data-end=\"1506\"\u003ePages: 108\u003cbr data-start=\"1516\" data-end=\"1519\"\u003ePublisher \/ Editor: Shinchosha\u003cbr data-start=\"1549\" data-end=\"1552\"\u003eISBN: 4-10-380004-6\u003cbr data-start=\"1571\" data-end=\"1574\"\u003eCondition: Very good with light wear to edges\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52576464437586,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_2_a75c23ca-5936-4179-81a9-8907f97397a7.jpg?v=1769546759"},{"product_id":"包茎亭日乗-hokeitei-nichijo-nobuyoshi-araki-1994","title":"包茎亭日乗 (Hōkeitei Nichijō) — Nobuyoshi Araki, 1994","description":"\u003cp data-start=\"1969\" data-end=\"2949\"\u003e出版於 1994 年的 \u003cem data-start=\"1988\" data-end=\"2006\"\u003e《包莖亭日乘》\u003c\/em\u003e - 字面意思是「包皮亭日誌」- 展現了荒木經惟最具表演性、最乖張也最具日記風格的一面。本書收錄了七年多來每月刊登於八卦雜誌 \u003cem data-start=\"2231\" data-end=\"2248\"\u003e《傳聞的真相》\u003c\/em\u003e（1987-1994）的攝影專欄，將情色快照、街頭影像與手寫筆記融合成一部混亂的私人編年史。書名是一個玩笑，粉紅色護封則是一種挑釁，而本書本身就是一座自我暴露的劇場。荒木以文字與影像將自己塑造成一位沉溺聲色的藝術家僧侶，著迷於女性、性、哀傷與攝影。每一頁都是真實與虛構的碰撞。親密卻怪誕、滑稽卻哀傷的基調，為荒木後來那些自我神話化的書籍奠定了基礎。在視覺上，本書將粗獷的閃光燈攝影與民俗媚俗風格混合，讓高雅與低俗在單一的情色通俗美學中坍縮為一體。這是一件邪典式收藏品，也是荒木從紀實攝影家轉型為自我品牌的重要索引。\u003c\/p\u003e\n\u003cp data-start=\"2951\" data-end=\"3301\"\u003e\u003cstrong data-start=\"2951\" data-end=\"2970\"\u003e技術資料\u003c\/strong\u003e\u003cbr data-start=\"2970\" data-end=\"2973\"\u003e書名：包茎亭日乗 (Hōkeitei Nichijō)\u003cbr data-start=\"3004\" data-end=\"3007\"\u003e藝術家 \/ 作者：荒木經惟\u003cbr data-start=\"3039\" data-end=\"3042\"\u003e日期：1994\u003cbr data-start=\"3052\" data-end=\"3055\"\u003e技術 \/ 印刷方式：膠印\u003cbr data-start=\"3090\" data-end=\"3093\"\u003e媒材 \/ 材料：平裝本，附護封\u003cbr data-start=\"3139\" data-end=\"3142\"\u003e尺寸（公分）：18.3 × 25.8\u003cbr data-start=\"3170\" data-end=\"3173\"\u003e語言：日文\u003cbr data-start=\"3191\" data-end=\"3194\"\u003e頁數：263\u003cbr data-start=\"3204\" data-end=\"3207\"\u003e出版者 \/ 編輯：East Press\u003cbr data-start=\"3237\" data-end=\"3240\"\u003eISBN：4-87257-031-6\u003cbr data-start=\"3259\" data-end=\"3262\"\u003e狀況：品相極佳，邊緣有輕微磨損\u003c\/p\u003e","brand":"DaRWIN","offers":[{"title":"Default Title","offer_id":52576472695122,"sku":null,"price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/files\/TODWEBB_copy_4_19555704-2dc1-4985-ba36-3c6cef0cd6a1.jpg?v=1769547235"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0999\/7058\/0818\/collections\/nobuyoshi-araki-880240.webp?v=1768338280","url":"https:\/\/thedarwin.es\/zh-cn\/collections\/araki.oembed","provider":"DaRWIN","version":"1.0","type":"link"}