Miho Kajioka, born in Okayama in 1973, is a Japanese photographer known for small, tactile prints and carefully constructed photobooks. After witnessing the aftermath of the 2011 Tōhoku earthquake, she returned decisively to photography, working with fragments of everyday life, memory and time. Darwin selects Kajioka for her distinctive material practice: muted images, irregular formats, sequencing and handmade presentation that make each photograph inseparable from its physical form.
