Darwin values Hideka Tonomura as a woman photographing from inside experience: family secrets, desire, hostess life, illness and love. From Mama Love to They Called Me Yukari, her biography becomes material, never confession alone. Like Yang Seung-Woo, she enters Kabukichō through participation rather than distance; unlike Kurata, her underworld is intimate and female. Photography becomes exposure: of others, of herself, and of structures surrounding desire.
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