Michael Ackerman, born in Tel Aviv in 1967 and raised in New York, is an American photographer known for grainy, high-contrast black-and-white work made through prolonged immersion. His landmark book End Time City emerged from repeated stays in Varanasi, while Half Life and Smoke explore similarly fragmented states of memory, desire and displacement. Darwin selects Ackerman for pushing documentary photography toward a subjective, unstable language where sequence matters more than individual images.