POSTER ARCHIVE
We return to posters as sequences torn from walls, survivors of circulation. This section leans toward 1940s–70s cinema—Polish delirium, Soviet geometry, Hollywood control—but refuses nostalgia. We place Saul Bass beside political broadsides, anatomical charts beside spaghetti western excess. Typography as evidence. Ink under pressure. Public persuasion folding into private obsession. Paper as stage, as weapon, as afterimage. We privilege margins over monuments and authorship strained.
