Josef Koudelka
Darwin returns to Josef Koudelka where photography strains against belonging. Sequences tilt toward exile, borders, bodies unmoored. We read these prints beside Japanese protest books, beside forensic landscapes, beside the archive as wound. Bias admitted: images that refuse home. Koudelka sharpens Darwin’s fixation on circulation without settlement, authorship carried, not rooted, scarred by history. Black-and-white persists as pressure, not style, a recurrent ethical grain here.
