Brian Sergio
In Darwin, Sergio keeps photography impolite. His images collapse punk reportage, erotic confession, and street delirium into lived grain. The books feel risky—bodies, faith, and filth pressed together without distance or permission.
In Darwin, Sergio keeps photography impolite. His images collapse punk reportage, erotic confession, and street delirium into lived grain. The books feel risky—bodies, faith, and filth pressed together without distance or permission.
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